[{"id":"9284","cataloger_name":["Ella,Hooper"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SpokenWeb AV"],"source_collection_label":["SpokenWeb AV"],"collection_contributing_unit":["SpokenWeb"],"source_collection_uri":[""],"collection_image_url":["https://archiveofthepresent.spokenweb.ca/_nuxt/img/header-img_1000.fd7675f.png"],"collection_source_collection_description":["SpokenWeb Audio Visual Collection"],"collection_source_collection_id":["ArchiveOfThePresent"],"persistent_url":["https://archiveofthepresent.spokenweb.ca/"],"item_title":["SpokenWeb Podcast S2E6, Mavis Gallant reads “Grippes and Poche” at SFU, 1 March 2021, Moffatt, Levy, and Sharren"],"item_title_source":["SpokenWeb Podcast web page."],"item_title_note":["https://spokenweb.ca/podcast/episodes/mavis-gallant-reads-grippes-and-poche-at-sfu/"],"item_language":["English"],"item_production_context":["Podcast"],"item_series_title":["The SpokenWeb Podcast"],"item_series_description":["Series of podcasts by the SpokenWeb network."],"item_subseries_title":["The SpokenWeb Podcast Season 2"],"item_series_wikidata_url":["https://www.wikidata.org/wiki/Q117038029"],"item_series_uri":["https://spokenweb.ca/podcast/spokenweb-podcast/"],"item_identifiers":["[]"],"rights":["Creative Commons Attribution (BY)"],"rights_license":["Creative Commons Attribution (BY)"],"access":["Streaming and download"],"creator_names":["Kate Moffatt","Michelle Levy","Kandice Sharren"],"creator_names_search":["Kate Moffatt","Michelle Levy","Kandice Sharren"],"creators":["[{\"url\":\"\",\"name\":\"Kate Moffatt\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\"]},{\"url\":\"http://viaf.org/viaf/20010042\",\"name\":\"Michelle Levy\",\"dates\":\"1968-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\"]},{\"url\":\"\",\"name\":\"Kandice Sharren\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\"]}]"],"contributors":["[]"],"Publication_Date":[2021],"material_description":["[]"],"digital_description":["[{\"file_url\":\"https://cdn.simplecast.com/audio/28a9da1f-8cca-410c-b5d7-8165a73f9394/episodes/a9212c02-0491-458c-9d5a-eae284bc37f3/audio/3d08da82-0039-4ad4-8ed7-f1377e559fd8/default_tc.mp3\",\"file_path\":\"\",\"filename\":\"default_tc.mp3\",\"channel_field\":\"\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"01:03:21\",\"precision\":\"\",\"size\":\"60,822,300 bytes\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"MP3 audio\",\"title\":\"default_tc\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://spokenweb.ca/podcast/episodes/mavis-gallant-reads-grippes-and-poche-at-sfu/\"}]"],"Dates":["[{\"date\":\"2021-03-01\",\"type\":\"Publication Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"Simon Fraser University Maggie Benston Centre\",\"notes\":\"\",\"address\":\"8888 University Drive, Burnaby, BC, V5A 1S6\",\"latitude\":\"49.276709600000004\",\"longitude\":\"-122.91780296438841\"}]"],"Address":["8888 University Drive, Burnaby, BC, V5A 1S6"],"Venue":["Simon Fraser University Maggie Benston Centre"],"City":["Burnaby, British Columbia"],"Note":["[]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Coe, Jonathan. “The Life of Henri Grippes.” London Review of Books. Vol. 19, no. 18, 18 September 1997.\\n\\nGallant, Mavis. “Grippes and Poche.” The New Yorker, 29 November 1982, p. 42. https://www.newyorker.com/magazine/1982/11/29/grippes-and-poche\\n\\nGallant, Mavis. “A Painful Affair.” The New Yorker, 16 March 1981, p.39 https://www.newyorker.com/magazine/1981/03/16/a-painful-affair\\n\\nGallant, Mavis. “A Flying Start.” The New Yorker, 13 September 1982, p. 39. https://www.newyorker.com/magazine/1982/09/13/a-flying-start-2\\n\\nGallant, Mavis. “In Plain Sight.” The New Yorker, 25 October 1993, p. 96. https://www.newyorker.com/magazine/1993/10/25/in-plain-sight\\n\\nkyles. “cassette tape deck open, close +tape handling.” Freesound, 5 December 2018, https://freesound.org/people/kyles/sounds/450525/.\\n\\nMavis Gallant. The Selected Stories of Mavis Gallant. Toronto: McClelland & Stewart, 1997.\\n\\nMavis Gallant. “Preface.” The Selected Stories of Mavis Gallant. Toronto: McClelland & Stewart, 1997.\\n\\nMackie, John. “A hidden treasure of 1960s Vancouver recordings resurfaces.” Vancouver Sun, 31 December 2019, https://vancouversun.com/news/local-news/a-hidden-treasure-of-1960s-vancouver-recordings-resurfaces\\n\\nvladnegrila. “Flipping through pages 2.” Freesound, 22 April 2017, https://freesound.org/people/vladnegrila/sounds/388870/.\"}]"],"_version_":1853670549494956032,"timestamp":"2026-01-07T14:59:53.966Z","contents":["On February 14, 1984, Mavis Gallant visited Simon Fraser University. She did a reading of her short story “Grippes and Poche,” which was published in the New Yorker in 1982  — her ninety-fifth work in the magazine. Containing the full recording of her reading, which includes Gallant’s live commentary as she reads, “Mavis Gallant Reads ‘Grippes and Poche’ at SFU” celebrates Gallant’s voice in print and audio. \n\nPart one of a two-part series, this episode engages with Gallant’s voice and the materiality of the recording: how do we perceive Gallant’s explanatory interruptions, unincluded in the printed work? How do we hear the physicality of the audio recording itself? While this episode takes up these questions in regards to the recording of the event, part two will take them up in combination with further consideration of the live event itself.\n\nThis episode was created by SpokenWeb contributors Kate Moffatt, Kandice Sharren, and Michelle Levy, with additional audio courtesy of the Simon Fraser University Archives and Records Management Department.\n\n00:00:18\tSpokenWeb Podcast Theme Music\t[Instrumental Overlapped with Feminine Voices]\n00:00:18\tHannah McGregor:\tWhat does literature sound like? What stories will we hear if we listen to the archive? Welcome to the SpokenWeb Podcast: stories about how literature sounds.\n00:00:36\tHannah McGregor:\tMy name is Hannah McGregor, and each month I’ll be bringing you different stories of Canadian literary history and our contemporary responses to it created by scholars, poets, students, and artists from across Canada. What is your favourite way to hear a story? How does a written work change when it’s read aloud, interrupted, or framed by moments of laughter and applause? At the SpokenWeb Podcast, we are always considering what transformations happen in the conversions between printed words, live events, and our un-archiving of recorded stories. These questions frame today’s episode, which will be a special treat for Canadian literature fans of prose and the short story. We present you with a full audio edition of a 1984 recording of Mavis Gallant, reading her short story “Grippes and Poche” at Simon Fraser university. This story was originally published in the New Yorker magazine in 1982. Our episode producers, Kate Moffatt, Candace Sharon, and Michelle Levy are researchers of book history.\n00:01:40\tHannah McGregor:\tThey contextualize Gallant’s reading and invite you to consider the physical lives of her stories. How do we respond differently to this recording of a live reading, as opposed to engaging with a printed work? What do you hear in Gallant’s reading voice and her comments as she reads? This is part one of a two-part series based on this recording of Mavis Gallant. In June, part two of the series will guide us in a deeper exploration of the characters in the short story, the author, and recorded questions from the event we will hear today. We hope you enjoy this audio edition. Here are Kate, Kandice, and Michelle with [Begin Music: SpokenWeb Podcast Theme Music] Episode Six of the SpokenWeb Podcast: Mavis Gallant reads “Grippes and Poche” at SFU [End Music: SpokenWeb Podcast Theme Music].\n00:02:27\tAudio Recording, Mavis Gallant, SFU, 1984:\tLike all people who read or perform – I’m a fetishist. The watch has to be there and not there. And you see, that’s why I’m doing all this fiddling. Can you all hear me?\n00:02:36\tKate Moffatt:\t[Begin Music: Accordion] goes into background piano] On February 14th, 1984, acclaimed short story writer Mavis Gallant visited Simon Fraser University to do a reading of her short story “Grippes and Poche”, which was printed in the New Yorker in 1982. My name is Kate Moffatt.\n00:02:56\tKandice Sharren:\tI’m Kandice Sharren.\n00:02:58\tMichelle Levy:\tAnd I’m Michelle Levy.\n00:02:59\tKate Moffatt:\tAnd as three members of the Simon Fraser University SpokenWeb team, we are inviting you to come back in time with us 37 years to February 14th, 1984, to attend Gallants reading of her story [Audience Chatter].\n00:03:11\tKate Moffatt:\t“Grippes and Poche” was published in the New Yorker in November of 1982. The print publication spans nine pages [Sound Effect: Page Flipping] and includes what one expects from the New Yorker: cartoons on every page, a poem partway through, and the beginning of the next section of the magazine on the last page, which reads “social notes from all over” and includes an announcement for a Susquehanna County Sunshine Club meeting of which municipal police chief Charles Martel and his police dog will be the guests. Gallant’s reading, of course, includes none of this. And in fact, she did not read from a New Yorker copy of “Grippes and Poche”. She mentions partway through the event that she’s reading from proofs.\n00:03:49\tAudio Recording, Mavis Gallant, SFU, 1984:\tI have an editorial query here. Is he imagining this? [Laughs] Yes. These are proofs.\n00:03:56\tKate Moffatt:\tThe recording provides us with an opportunity, not only to hear the author read her own work, but to hear a version of the story unavailable to readers complete with her inflections and added commentary. Born in Montreal in 1922, Gallant is one of Canada’s most noteworthy writers, known for short stories, novels, plays and essays. During the 1940s, she worked as a reporter for the Montreal Standard where she began publishing some of her early stories, before moving to Paris in 1950 to pursue writing full-time, and where she remained until her death in 2014. The year after she moved to Paris, saw the beginning of her lifelong relationship with the New Yorker. Between the publication of “Madeline’s Birthday” in 1951 and “Scarves, Beads, Sandals” in 1995, she published over 116 stories in the magazine. “Grippes and Poche” embodies the complex linguistic, political, and national cultural spaces Gallant occupied. Although her family was Anglophone, she was educated at a convent where only French was taught. Gallant explained that she learned to write primarily through her reading of English books. And by the age of eight, she writes, English was irretrievably entrenched as the language of imagination. Born in Canada, but living in and writing about postwar France in English for an American magazine “Grippes and Poche ” speaks to the multiple cultures and histories her writing navigates. [Begin Music: Accordion]\n00:05:15\tMichelle Levy:\tAt the time of this SFU reading, Gallant was an established and critically successful writer. “Grippes and Poche” was her 95th story to appear in the New Yorker. Published on November 29, 1982, the story is the third in a four-part series with recurring characters. Previously, Henri Grippes has appeared in two stories, “A Painful Affair”, March 16, 1981, and “A Flying Start” September 13, 1982. Stories that recount Grippes literary rivalry with the English author, Victor Prism, and detail their early encounters with their American patroness. In 1985 these three stories were reprinted in Overhead in a Balloon, a collection that brings together 12 stories set in Paris. Nearly a decade after “Grippes and Poche”, she returned to Grippes for her final installment in the series: “Within Plain Sight”. A story that takes us forward to an aging Grippes recounting his refusal to accept the advances of his long suffering neighbor Madame Parfait, and his troubled past in Nazi occupied central France. Importantly, Gallant collected the four stories together under the titular character’s name in 1996. [Begin Music: Accordion]\n00:06:31\tKandice Sharren:\tThe audio cassette containing this recording is housed in the Simon Fraser University archives and records management department, where it is accompanied by a poster advertising the event, which was hosted by the now defunct Canadian Studies program in Images Theatre, a lecture hall on the Burnaby campus. Michelle unearthed this recording because of her interest in Gallant. However, once listening, we were struck by the story itself with its sharp jabs at French bureaucracy, which were emphasized by the clarity and dramatic range of Gallant’s voice on a tape recording from the 1980s. In addition to our work on SpokenWeb, Kate, Michelle, and I research 18th and 19th century book history. And in our conversations about how to approach this episode of the SpokenWeb Podcast, we were struck by the impact of material circumstances on the recording, both in the clues it provides as to what those circumstances were and the way it imposes them on us.\n00:07:25\tKandice Sharren:\tOur framework for working with print also impacted our interpretation of this reading. Throughout Gallant interrupts herself to explain French words or phrases, or to provide additional contextual information. Independently, all three of us began referring to these asides as akin to footnotes, even though for a listener, they are not marginal commentary that can easily be ignored or skimmed, but rather are fully integrated into the reading. As you listen to this recording, we invite you to think about the places where print and audio performance intersect as well as where they diverge. What are the gains and losses of hearing the author read the story rather than reading it yourself in print. What evidence exists within the recording about the event itself? How big does the room sound and how full is it? How many people seem to be present? How does Gallant respond to their presence, reshaping her proofs along the way? Our interpretation of the recording was also impacted by the material form of the cassette, which only allows for 45 minutes per side. This means a break occurs roughly 35 minutes into the reading that attendees of the event would not have experienced. We’ll check back in with you at this break to talk more about its significance. For now, we’ll leave you with Gallant “Grippes and Poche” in 1984.\n00:08:41\tAudio Recording, Mavis Gallant, SFU, 1984:\tThis is a story called “Grippes and Poche”. Henri Grippes is an imaginary French Parisian writer who has occupied four or five stories that I have published with his friend, the British writer, Victor Prism. They’re entirely imaginary. They’re not based on anyone in particular. It’s just a very gentle send up. The Poche in question is the income tax man in Paris.\n00:09:14\tAudio Recording, Mavis Gallant, SFU, 1984:\tAt an early hour for the French man of — [Aside] if you can’t hear just say something and I’ll do the best I can — At an early hour for the French man of letters Henri Gripes, it was a quarter to nine and an April morning. He sat in a windowless brown painted cubicle facing a slight mop headed young man with horn-rimmed glasses and dimples. The men wore a dark tie with a narrow knot and buttoned up blazer. His signature was O. Poche.\n00:09:46\tAudio Recording, Mavis Gallant, SFU, 1984:\tHis title on the grubby, pulpy summons Grippes had read sweating was: controller. He must be freshly out of a civil service training school, Grippes guessed. Even his aspect of a priest hearing a confession a few yards from the guillotine seemed newly acquired. Before him lay open a dung-coloured folder with not much in it. A letter from Grippes full of delaying tactics and copies of his correspondence with a bank in California. It was not true that American banks protected a depositor’s secrets. Anyway, this one hadn’t. Another reason Grippes thought O. Poche must be recent was the way he kept blushing. He was not nearly as pale and as case-hardened as Grippes. At this time, President de Gaulle had been in power five years, two of which Grippes spent in blithe writer-in-residence-ship in California.\n00:10:50\tAudio Recording, Mavis Gallant, SFU, 1984:\tReturning to Paris, he had left a bank account behind. It was forbidden under the fifth Republic for a French citizen to have a foreign account. The government might not have cared so much about drachmas or zlotys, but dollars were supposed to be scrapped and converted to francs at bottom rates, and of course counted as personal income. Grippes’ unwise and furtive moves with trifling sums, his somewhat paranoid disagreements with California over exchange, had finally caught the eye of the Bank of France as a glistening minnow might attract a dozing whale. The whale swallowed Grippes, found him too small to matter, and spat him out. Straight into the path of a water ox called Public Treasury Direct Taxation Personal Income. That was Poche. What Poche had to discuss, a translation of Grippes’ novel, the one about the French teacher at the American university and his doomed love affair with his student Karen Sue, seemed to embarrass him. Observing Poche with some curiosity, Grippes saw unreeling scenes from the younger man’s inhibited boyhood.\n00:12:08\tAudio Recording, Mavis Gallant, SFU, 1984:\tHe sensed, then discerned the Catholic boarding school in bleakest, Brittany. The unheated 40 bed dormitory and nightly torment of unchaste dreams with astonishing partners. A daytime terror of real hell with real fire. Human waywardness is hardly new, said Grippes, feeling more and more secure now that he had tested Poche and found him provincial. It no longer shocks anyone. It was not the moral content of the book he wished to talk over, said Poche, flaming. In any case, he was not qualified to do so. He had flubbed philosophy, had never taken modern French thought. He must be new, Grippes decided, he was babbling. Frankly, even though he had the figures in front of him, Poches found it hard to believe the American translation had earned its author so little. There must be another considerable sum placed in some other bank. Perhaps Monsieur Grippes could try and remember.\n00:13:11\tAudio Recording, Mavis Gallant, SFU, 1984:\tThe figures were true. The translation had done poorly. Failure plagued Grippes’ advantage reducing the hint of deliberate tax evasion to a simple oversight. Still, it hurt to have things put so plainly. He felt bound to tell Poche that American readers were no longer interested in the teacher-student embrollio. Though, there had been some slight curiosity as to what a foreigner might wring out of the old sponge. Poche gazed at Grippes. His eyes seem to Grippes as helpless and eager as those of a gun dog waiting for a command. Encouraged, Grippes said more. In writing his novel, he had over the essential development. The airing professor was supposed to come home at the end. He could be half dead limping on crutches. Toothless, jobless, broke, impotent. It didn’t matter. He had to be judged and shriven. As further mortification, his wife during his foolish affair would have gone on to be a world-class cellist under her maiden name.\n00:14:18\tAudio Recording, Mavis Gallant, SFU, 1984:\tWife had not entered Grippes cast of characters, probably because Poche didn’t have one. He had noticed Poche did not wear a wedding ring. Grippes had just left his professor driving off to an airport in blessed weather, whistling a jaunty air. Poche shook his head. Obviously it was not the language he was after. He began to write in a clean page of the file taking no more notice of Grippes. What a mistake it had been, Grippes reflected, still feeling pain beneath the scar, to have repeated the male teacher-female student pattern in the novel. He should have turned it around, identified himself with a brilliant and cynical woman teacher. Unfortunately, unlike Fleaubair, his academic stocking horse, he could not put himself in a woman’s place, probably because he thought it an absolutely terrible place to be. The novel had not done well in France either. Poche still had to get around to that.\n00:15:21\tAudio Recording, Mavis Gallant, SFU, 1984:\tThe critics had found Karen Sue’s sociological context obscure. She seemed a little removed from events of her time, unaware of improved literacy figures in North Korea. Never once mentioned. Or that since the advent of goalism, it costs 25 centimes to mail a letter. The Pill — that’s the Pill —was still unheard of in much of Europe. Readers could not understand what it was Karen Sue kept forgetting to take, or why Grippes had devoted a contemplated a no-action chapter to the abstract essence of risk. The professor had not given Karen Sue the cultural and political enlightenment one would expect from the graduate of a preeminent Paris school. It was a banal story, really, about a pair of complacently bourgeois lovers. The real victim was Grippes, seduced and abandoned by the American middle-class.\n00:16:23\tAudio Recording, Mavis Gallant, SFU, 1984:\tIt was Grippes’ first outstanding failure, and for that reason, the only one of his works he ever re-read. He could still hear Karen Sue. The true, the original, speaking of every vowel a poignant question. “I’m Karen Sue. I know you’re busy. It’s just that I don’t understand what you said about Flaubert and his young niece.” He would call her with tolerance, the same tolerance that had weakened the book. Grippes was wise enough to realize that the California Bank affair had been an act of folly, a conman’s aberration. He had thought he would get away with it knowing all the while he couldn’t. There existed a deeper treasure for Poche to uncover well below public treasury sites. Computers had not yet come into government use. Even typewriters were rare. Poche had summoned Grippes in a cramped, almost secretive hand. It took time to strike an error, still longer to write a letter about it. In his youth, repaid received from an American patroness of the arts three rent bearing apartments in Paris, which he still owned.\n00:17:37\tAudio Recording, Mavis Gallant, SFU, 1984:\tThe patronness has had been the last of a generous species, Grippes one of the last young men to benefit from her kind. He collected the rents by devious and untraceable means, stowing the cash obtained in safe deposit. His visible way of life was stoic and plain. Not even the most vigilant controller could fault his under-furnished apartment in Montparnasse shared with some cats he had already tried to claim as dependents. He showed none of the signs of prosperity public treasury seemed to like, such as membership in a golf club. [Aside] And this is not a joke — on French income tax form you’re asked if you belong to a golf club. It puts you in another bracket.\n00:18:23\tAudio Recording, Mavis Gallant, SFU, 1984:\tAfter a minute of speculative anguish and the airless cubicle, Grippes saw that Poche had no inkling whatsoever about the flats. He was chasing something different. The inexistent royalties from the Karen Sue novel. By a sort of divine even handedness, Grippes was going to have to pay for imaginary earnings. He put the safe deposit out of his mind so that it would not show on his face, and said, “What will be left for me when you finished adding and subtracting?” To his surprise, Poche replied in a bold tone, pitched for reciting quotations, “what is left? What is left? Only what remains at low tide when small islands are revealed emerging.” He stopped quoting and flushed. Obviously he had committed the worst sort of blunder, had let his own personality show, had crossed over to his opponents ground.\n00:19:21\tAudio Recording, Mavis Gallant, SFU, 1984:\t“It sounds familiar,” said Grippes, enticing him further. “Although to tell you the truth, I don’t remember writing it.” “It is a translation,” said Posche. “The Anglo-Saxon British author, Victor Prism.” He pronounced it Priss-um. “You read Prism,” said Grippes, pronouncing correctly, the name of an old acquaintance. “I had to, Pris-sum was on the preparatory program. Anglo-Saxon commercial English. They stuffed you with foreign writers, Sigrid with so many of us having to go to foreign lands for a living.” That was perilous. He had just challenged Poche’s training, the very foundation of his right to sit there reading Grippes his private mail. But he had suddenly recalled his dismay, when as a young man he had looked at a shelf in his room and realized he had to compete with the dead: Proust, Flaubert, Balzack, Scondale, and on into the dark. The rivalry was infinite, a Milky way of dead stars still daring to shine. He had invented a law, a hand on publication that would eliminate the dead, leaving the skies clear for the living.\n00:20:37\tAudio Recording, Mavis Gallant, SFU, 1984:\tAll the living? Grippes still couldn’t decide. Foreign writers would be deported to a remote solar system where they could circle one another. For Prism, there was no system sufficiently remote. Not long ago, interviewed in “The Listener,” Prism had dragged in Grippes saying that he used to cross the channel to consult a sear in Halfmoon Street, hurrying home to sit down the prose revealed from a spirit universe. Sometimes I actually envied him, Prism was quoted as saying. He sounded as though Grippes were dead. I used to wish ghost voices would speak to me too, suggesting ribbons of pure prism running like ticker-tape round the equator of a crystal ball. Unfortunately, I had to depend on my own creative intelligence, modest though I’m sure it was.\n00:21:30\tAudio Recording, Mavis Gallant, SFU, 1984:\tPoche did not know about this recent libel in Anglo-Saxon commercial English. He had been trying to be nice. Grippes made a try of his own. “I only meant you could have been reading me!” The trouble was that he meant it ferociously. Poche must’ve heard the repressed shout. He shucked the file and said, “this is too complex for my level I shall have to send it up to the inspector.” Grippes made a vow that he would never let natural peak get the better of him again. “What will be left for me?” Grippes asked the inspector, “when you have finished adding and subtracting.” Madam De Pelle did not bother to look up. She said “somebody should have taken this file in hand a long time ago. Let us start at the beginning. How long were you out of the country?” When Poche said send up, he’d meant it literally. Grippes looked out on a church where Delacroix had worked in the slow summer rain.\n00:22:27\tAudio Recording, Mavis Gallant, SFU, 1984:\tAt the far end of the square a few dark shops displayed joyfully trashy religious goods. Like the cross set with tiny seashells Madame De Pelle wore round her neck. Grippes had been raised in an anti-clerical household in a small town, where posing factions were grouped behind the schoolmaster, his father, and the parish priest. Women, lapsed agnostics, sometimes crossed enemy lines and started going to church. One glimpsed them in grey creeping along a grey-walled street. You were free to lodge a protest against the funds said Madame De Pelle, but if you lose the contestation your fine will be tripled. That is the law. Grippes decided that he would transform Madam De Pelle into the manager of a brothel catering to the foreign legion, slovenly in her habits, and addicted to chloroform. But he found the idea unpromising. In due course, he paid a monstrous penalty, which he did not contest, for fear of drawing attention to the three apartments.\n00:23:34\tAudio Recording, Mavis Gallant, SFU, 1984:\tIt was still believed he had stashed away millions from the Karen Sue book, probably in Switzerland. As summons addressed by old Poche’s shrunken hand the following spring showed Grippes he had been tossed back downstairs. After that, he forgot about Madam Dupel except now and then. It was at about this time that a series of novels offered themselves to Grippes, shadowy outlines behind a frosted glass pane. He knew he must not let them crowd in altogether or keep them waiting too long. His foot against the door, he admitted one by one, a number of shadows that turned into young men, each bringing his own name and address, his native region of France portrayed on coloured postcards, and an index of information about his tastes in clothes, love, food, and philosophers. His bent of character, his ticks of speech, his attitudes to God and money, his political bias, and the intimation of a crisis about to explode under foot.\n00:24:39\tAudio Recording, Mavis Gallant, SFU, 1984:\tAntoine provided a Jesuit confessor, a homosexual affinity, and loss of faith. Spiritual shilly-shallying runs long. Antoine’s covered more than 600 pages making it the thickest work in the Grippes canon. Then came Thomas with his spartan mother and a Provisal fruit farm rejected in favour of a civil service career. Bertrand followed adrift in frivolous Paris tempted by neo fascism in the form of a woman wearing a bed jacket trimmed with Marabou. Renee cycled round France reading Chateau Brianne when he stopped to rest. One morning, he set fire to the bar and he’d been sleeping in leaving his books to burn. This was the shortest to the novels and the most popular with the young. One critic scolded Grippes for using crude symbolism. Another begged him to stop hiding behind Antoine and Renee, and to take up the metaphysical risk of revealing Henri. But Grippes had tried that once with Karen Sue, then with a roman a clef mercifully destroyed in the confusion of May, 1968.\n00:25:51\tAudio Recording, Mavis Gallant, SFU, 1984:\tHe took these contretemps for a sign that he was to leave the subjective Grippes alone. The fact that each novel appeared even to Grippes to be a slice of French writing about life as it had been carved up and served the generation before made it seem quietly insurrectional. Nobody was doing this now. No one but Grippes. Grippes for a time uneasy, decided to go on letting the shadows in. The announcement of a new publication would bring a summons from Poche. When Poche leaned over the file now, Grippes saw amid the mop of curls at coin-size tonsure. His diffedent steely questions tried to elicit from Grippes how many novels were likely to be sold and where Grippes had already put the money. Grippes would give him a copy of the book inscribed. Poche would turn back the cover, glance at the signature to make certain Grippes had not written something compromising and friendly.\n00:26:53\tAudio Recording, Mavis Gallant, SFU, 1984:\tHe kept the novels in a metal locker fastened together with government issue webbing tape and a military looking buckle. It troubled Grippes to think of his work all in a bundle in the dark. He thought of old fashioned milestones, half hidden by weeds. The volumes marked time for Poche too. He was still a controller. Perhaps he had to wait for the woman upstairs to retire so he could take over her title. The cubicle needed paint. There was a hole in the brown linoleum just inside the door. Poche now wore a wedding ring. Grippes wondered if he should congratulate him, but decided to let Poche mention the matter first. Grippes could swear that in his string of novels, nothing had been chipped out of his own past. Antoine, Thomas, Bertrand, Renee and by now Clement, Didier, Laurent, Hughes and Yves had arrived as strangers, almost like historical figures. At the same time, it seemed to Grippes that their wavering ruffled reflection should deliver something he might recognize.\n00:27:57\tAudio Recording, Mavis Gallant, SFU, 1984:\tWhat did he see bending over the pond of his achievement? He saw a character close mouthed, cautious, unimaginative, ill at ease, obsessed with particulars. Worse, he was closed against progress, afraid of reform, shut into a literary reactionary France. How could this be? Grippes had always insincerely voted left. He had proved he could be reckless, open-minded, indulgent. He was like a father gazing around the breakfast table suddenly realizing none of the children are his. His children, if he could call them that, did not even look like him. From Antoine to Eve, his reflected character was small and slight with a mop of curly hair, horn-rimmed glasses and dimples. Grippes believed in the importance of errors. No political system, no love affair, no native inclination, no life itself would be tolerable without a wide mesh for mistakes to slip through. It pleased him that public treasury had never caught up with the three apartments. Not just for the sake of the cash piling up and safe deposit, but for the black hole of error revealed. He and Poche had been together for some years.\n00:29:22\tAudio Recording, Mavis Gallant, SFU, 1984:\tAnother blunder, usually controller and taxpayer were torn apart after a meeting or two so that the revenue service would not start taking into consideration the client’s aged indigent aunt, his bill for dental surgery, his alimony payments, his perennial mortgage. But, possibly, no one except Poche could be bothered with Grippes, always making some time-wasting claim for my new professional expenses, backed by a messy looking certified receipt. Sometimes Grippes dared believe Poche admired him, that he hung onto the dossier out of devotion to his books. This conceit was intensified when Poche began calling him maitre. Once, Grippes won some city of Paris award and was shown shaking hands with the mayor and simultaneously receiving a long cheque-filled envelope. Promptly summoned by Poche, expecting a discreet compliment, Grippes found him interested only in the caption under the photo, which made much of the size of the cheque. Grippes later thought of sending a sneering letter, “Thank you for your warm congratulations,” but he decided in time it was wiser not to fool with Poche. Poche had recently given him a 33% personal exemption. 3% more than the outer limit for Grippes category of unsalaried earners. According to Poche, a group that included as well as authors, door-to-door salesmen and prostitutes. The dung coloured Gaulist-era jacket on Grippes’ file had worn out long ago and being replaced in 1969 by a cover in cool banker’s green — that is with the advent of a Pompidou who had been connected with a bank — green presently made way for a shiny black and white marbled effect, reflecting the mood of opulence of the early ‘70s Called in for his annual springtime confession, Grippes remarked about the folder, “Culture seems to have taken a decisive turn.”\n00:31:37\tAudio Recording, Mavis Gallant, SFU, 1984:\tPoche did not ask what culture. He continued, bravely, ” Food for the cats. They depend on me.” said Grippes, but they had ready, settled the cats as dependents. And for all Poche drooped over Grippes is smudged and unreadable figures. Grippes tried to count the number of times you’d examine the top of Poches’ head. He still knew nothing about him, except for the wedding ring. Somewhere along the way, Poche had tied himself to a need for retirement pay and rich exemptions of his own. In the language of his generation, Poche was a “fully structured individual”. His vocabulary was sparse and to the point, centered on a single topic. His state training school, the machine that ground out pelles and Poches all sounding alike, was in Clermont-Ferrand. Grippes was born in the same region. That might’ve given something else, them —excuse me —something else to talk about. Except that Grippes had never been back. Structured Poche probably attended class reunions as godfather to classmates, children jotted their birthdays in a leather covered notebook he never mislaid.\n00:33:01\tAudio Recording, Mavis Gallant, SFU, 1984:\tUnstructured Grippes could not even remember his own age. Poche turned over a sheet of paper, read something Grippes could not see, and said, automatically, “We can’t”. “Nothing is ever as it was,” said Grippes, still going on about the marbled effect folder. It was a remark that usually shut people up, leaving them nowhere to go but a change of subject. Besides, it was true. Nothing can be as it was. Poche and Grippes had just lost a terrifying number of brain cells. They were an instant closer to death. Death was of no interest to Poche. If he ever thought he might cease to exist, he would stop concentrating on other people’s business and get down to reading Grippes while there was still time. Grippes wanted to ask, “Do you ever imagine your own funeral?” But it might’ve been taken as a threatening, gangsterish hint from taxpayer to controller. Worse, far worse than an attempted bribe. Folders of a pretty mottled peach shade appeared — that accompanied [inaudible] rain.\n00:34:10\tAudio Recording, Mavis Gallant, SFU, 1984:\tPoche’s cubicle was painted soft beige. The torn linoleum repaired. Poche sat in a comfortable armchair remember—resembling the wide leather seats and smart furniture stores at the upper end of Boulevard St. Germain. Grippes had a new straight metallic chair that shot him bolt upright and hurt his spine. It was the heyday of the Giscardian period, when it seemed more important to keep the buttons polished than to watch where the regiment was heading. Grippes and Poche had not advanced one inch toward each other. Except for the paint and the chairs and maitre, it could have been 1963. No matter how many works were added to the bundle in the locker, no matter how often Grippes had his picture taken, no matter how many Grippes’ paperbacks blossomed on airport bookstalls, Grippes to Poche remained a button.\n00:35:07\tAudio Recording, Mavis Gallant, SFU, 1984:\tThe mottled peach jacket began to darken and fray. Poche said to Grippes, ” I asked you to come here, maitre, because we have overlooked something concerning your income”. Grippes’ heart gave a lurch. “The other day, I came across an old ruling about royalties. How much of your income do you kick back?”\n00:35:29\tAudio Recording, Mavis Gallant, SFU, 1984:\t“Excuse me?”\n00:35:30\tAudio Recording, Mavis Gallant, SFU, 1984:\t“To publishers to bookstores,” said Poche. “How much?”\n00:35:34\tAudio Recording, Mavis Gallant, SFU, 1984:\t“Kickback?”\n00:35:35\tAudio Recording, Mavis Gallant, SFU, 1984:\t“What percentage?” said Poche, “Publishers, printers?”\n00:35:39\tAudio Recording, Mavis Gallant, SFU, 1984:\t“You mean”, said Grippes, after a time, “how much do I pay editors to edit, publishers to publish, printers to print, and booksellers to sell?” He supposed that to Poche such a scheme might sound plausible. It would fit his long view over Grippes’ untidy life. Grippes knew most of the literary gossip that went round about himself. The circle was so small, it had to come back. In most stories, there was a virus of possibility, but he had never heard anything as absurd as this or as base.\n00:36:12\tAudio Recording, Mavis Gallant, SFU, 1984:\tPoche opened the file, concealing the moldering cover, apparently waiting for Grippes to mention a figure. The nausea Grippes felt he put down to his having come here without breakfast. One does not insult a controller. He had shouted silently at Poche years before and had been sent upstairs to do penance with Madame Dupell. It is not good to kick over a chair and stalk out. “I have never been so insulted!” might have no meaning from Grippes, keelhauled month after month in some lumpy review. As his works increased from bundled to heap, so they drew intellectual abuse. He welcomed partisan ill treatment as warming to him as popular praise. “Don’t forget me,” Grippes silently prayed, standing at the periodicals table of La Hune, the left bank bookstore, looking for his own name and those quarterlies no one ever takes home. “Don’t praise me. Praise is weak stuff. Praise me after I’m dead.”\n00:37:16\tAudio Recording, Mavis Gallant, SFU, 1984:\tBut even the most sour and despairing and close-printed essays were starting to mutter acclaim. The shoreline of the ‘80s, barely in sight, was ready to welcome Grippes, who had re-established the male as hero, whose left wing heartbeat could be heard loyally thumping behind the armor of his right wing traditional prose. His re-established hero had curly hair, soft eyes, horn-rimmed glasses, dimples, and a fully structured life. He was pleasing to both sexes and to every type of reader, except for a few thick-ribbed louts. Grippes looked back at Poche, who did not know how closely they were bound. What if he were to say, “this is a preposterous insinuation, a blot on a noble profession and on my reputation in particular,” only to have Poche answer, “too bad maitre, I was trying to help.” He said as one good natured fellow to another, “well, what if I own up to this crime?”\n00:38:23\tAudio Recording, Mavis Gallant, SFU, 1984:\t“It’s no crime,” said Poche.” I simply add the amount to your professional expenses. “To my rebates?” said Grippes. “To my exemption?” “Depends how much.” “At third of my income!” said Grippes, insanely. “Half!” “Ohhh—reasonable figure might be 12 and a half percent.” All this for Grippes. Poche wanted nothing. Grippes considered with awe the only incorruptible element in a porous society. No secret message had passed between them. He could not even invite Poche to lunch. He wondered if this arrangement had ever actually existed. If there could possibly be a good dodge that he, Grippes, had never even heard of. He thought of contemporary authors for whose success there was no other explanation. It had to be celestial playfulness or 12 and a half percent. The structure, as Grippes is already calling it, might also just be Poches innocent indecent idea about writers.\n00:39:30\tAudio Recording, Mavis Gallant, SFU, 1984:\tPoche was reading the file again, though he must have known everything in it by heart. He was as absorbed as contented and somehow as pure as a child with a box of paints. At any moment, he would raise his tender bewildered eyes and murmur,”four dozen typewriter ribbons and a third of the fiscal year, Maitre we can’t. Grippes tried to compose a face for Poche to encounter. A face above reproach. But writers, considered above reproach, always looked moody and haggard, about to scream. “Be careful,” he was telling himself, “don’t let Poche think he’s doing you a favour.” These people set traps. Was Poche angling for something? Was this bait? Attempting to bribe a public servant. The accusation was called. Bribe wasn’t the word. It was corruption the law mentioned; an attempt to corrupt. All Grippes had ever offered Poche were his own books formally inscribed, as though Poche were an anonymous reader standing in line in a bookstore where Grippes wedged behind a shaky table sat signing away.\n00:40:39\tAudio Recording, Mavis Gallant, SFU, 1984:\t“Your name?” ” Whose name?” “How do you spell your name?” “Oh, the book isn’t for me. It’s for a friend of mine.” His look changed one of severity and impatience until he remembered that Poche had never asked him to sign anything. He had never concealed his purpose: to pluck from Grippes’ bright plumage every bright feather he could find. “Careful,” Grippes repeated, “careful. Remember what happened to Prism. Victor Prism, keeping pale under a parasol on the beach at Torremolinos, had made the acquaintance of a fellow Englishman. Pleasant, not well-educated, but eager to learn, blistered shoulders, shirt draped over his head, pages of the Sunday Express around his red thighs. Prism lent him something to read because his sunburn was keeping him awake. It was a creative essay on three emigre authors of the 1930s in the reviews so obscure and ill-paying that Prism had not bothered to include the fee on his income tax return.\n00:41:42\tAudio Recording, Mavis Gallant, SFU, 1984:\tPrism had got it all wrong, of course. Putting Thomas Mann to die in the charity ward of Paris hospital, sending Stefan Swag to be photographed with movie stars in California, and having Bertolt Brecht, who’s playing name Prism could not spell, win the Nobel Prize and savour a respected old age in a suburb of Zurich. As it turned out, none of Prism’s readers knew the difference. Prism might’ve got off with the whole thing if his new friend had not fallen sound asleep after the first lines. Waking refreshed, he had said to himself, “I must find out what they get paid for this stuff.” A natural reflex, he was at the inland revenue. He’d found no trace, no record. For inland revenue purposes death and exile did not exist. The subsequent fine was so heavy and Prism’s disgrace so acute, that he fled England to spend a few days with Grippes and the cats in Montparnasse.\n00:42:44\tAudio Recording, Mavis Gallant, SFU, 1984:\tHe sat in a kitchen chair while Grippes, nose and mouth protected by a checked scarf, sprayed terrored cockroaches. Prism weeping in the fumes — prism, excuse me, pronouncing it in French! — Prism weeping in the fumes, wiping his eyes, said, “I’m through with queen and country!” — something like that — “And I’m taking out French citizenship tomorrow.” “You would have to marry a French woman and have five male children,” said Grippes through the scarf. He was feeling the patriotic hatred of a driver on a crowded road seeing foreign license plates in the way. “Oh, well then.” Said Prism, as if to say, “I won’t bother.”\n00:43:26\tAudio Recording, Mavis Gallant, SFU, 1984:\t“Oh, well then.” Said Grippes, softly, not quite to Poche. Poche added one last thing to the file and closed it, as if something definite had taken place. He clasped his hands and placed them on the dosier. It seemed shut for all time now, like a grave. He said, “Maitre, one never stays long in the same fiscal theater. I have been in this one for an unusual length of time. We may not meet again. I want you to know I have enjoyed our conversations.” “So have I,” said Grippes with caution. “Much of your autobiographical creation could apply to other lives of our time.”\n00:44:09\tKate Moffatt:\tIt’s 2021 again. And at this point, the cassette holding Gallant’s reading needs to be flipped. The recording on Side A has neatly stopped after Poche’s comment, and the tape now has 12 blank seconds before it ends. We’re none of us listening to this reading by playing a physical cassette, but at this pause where I had to close the digital file with the recording of Side A and open the digital file for the recording of Side B, we were made aware of physical limitations of the cassette holding the recording that resides in the SFU archives. If you were listening to a physical copy of this cassette on an old tape player, you would be pressing the eject button to open the little plastic door, pulling the tape free, flipping it, and inserting it again, before closing the door with its soft click.\n00:44:49\tKate Moffatt:\tAnd here time grows fuzzy. We’re listening to Gallant reading in 1984, not reading her work from a page. And that brings with it an altered experience of “Grippes and Poche”. We can hear Gallant’s inflections, her commentary that doesn’t appear in print, the audience’s laughter, all the evidence alive event. We don’t see the New Yorker cartoons on every page, or Roberta Spear’s poem “Diving for Atlantis”, which appears halfway through, or the traditional New Yorker layout that looks much the same for short stories printed in the magazine today…which makes Gallant print publication in 1982 less obviously indicative of its age than the cassette recording of her reading in 1984. Even the recording itself asks us to consider the circumstances of its creation more than 30 years ago. The 12 second pause following Poche’s complete comment suggests interference by a critical editor or recorder of the reading, someone as aware as we are of the necessity to flip the tape from Side A to Side B and aware, too, of how moving from the end of one complete sentence to the beginning of another is a very different experience than hearing only the first half of a sentence and having to fumble your way towards the second.\n00:45:51\tKandice Sharren:\tThe fact that this break does not occur mid-sentence made us suspect that the recording may have been transferred from reel-to-reel. Although our attempts to learn more about how this reading was recorded turned up little solid information, they did draw our attention to a piece of SFU trivia: that many of the events held at SFU during this period were recorded by the highly regarded Vancouver-based recording engineer, Kurtis Vanel. While we have been unable to turn up definitive evidence about who recorded Gallant, our deep dive into SFU’s AV history served as an important reminder of the often unseen human hands that shape archival materials. Conversely, the unanswerable questions this break raises reminds us of the fragmentary nature of the archive as theorized by Diana Taylor in The Archive and the Repertoire. No document, whether paper or sound, can fully capture a live lived event or practice. It is with these considerations of time and form that we return to 1984, to Gallant’s reading, where her voice is shaping the story. And we’re Poche has just told Grippes that…\n00:46:57\tAudio Recording, Mavis Gallant, SFU, 1984:\t“Much of your autobiographical creation could apply to other lives of our time —” [Sound Effect: Cassette Tape Deck Open and Close] “So you have read them,” said Grippes, with an eye on the locker. “Why, I read those I bought,” said Poche. “But they’re the same books.” “No. One book belongs to me. The other was a gift. I would never open the gift. I have no right to.” His voice rose and he spoke more slowly. In one of them when what’s-his-name struggles to prepare his civil service tests —and now he quotes something, presumably from one of the books — “the desire for individual glory seemed so acquisite suddenly in a nature given to renunciation.” “I suppose it is a remarkable observation”, said Grippes. “I was not referring to myself.” He had no idea what that could be from and he was certain he’d never written it.\n00:47:56\tAudio Recording, Mavis Gallant, SFU, 1984:\tPoche did not send for Grippes again. Grippes became a commonplace taxpayer filling out his forms without help. The frosted glass door was reverting to dull white. There were fewer shadows for Grippes to let in. A new French fashion for having well-behaved Nazi officers shore up Western culture gave Grippes a chance to turn Poche into a tuberculer poet trapped in Pari, by poverty and the occupation. Grippes throughout the first draft in which Poche joined a Christian-minded resistance network and performed a few simple miracles. Unaware of his own powers, he had the instinctive feeling that a new generation would not know what he was talking about. Instead, he placed Poche sniffling and wheezing in a squalid hotel room, cough drops spilled on the table, a stained blanket pinned around his shoulders. Up the feeted staircase came a handsome German colonel, a Kurt Juergen’s type smelling of shaving lotion, bent on saving liberal values, bringing Poche buttered cognac, and a thousand sheets of writing paper.\n00:49:09\tAudio Recording, Mavis Gallant, SFU, 1984:\tAfter that Grippes no longer felt sure where to go. His earlier books, government tape and buckle binding them into an oeuvre, had accompanied Poche to his new fiscal theatre. Perhaps, finding his career blocked by the woman upstairs, he had asked for early retirement. Poche must be in a gangster-ridden Mediterranean city, occupying a shoddy boom period apartment he’d spent 20 years paying for. He was working at black market jobs, tax advisor to the local mayor, a small innocent cog in the regional mafia. After lunch, Poche would sit in one of those Southern balconies that hold just a deck chair, rereading in chronological order all Grippes’ books. In the late afternoon, blinds drawn, Poche totted up mafia accounts by a chink of light. Meanwhile, Grippes was here in Montparnasse facing a flat, white, glass door. He continued to hand himself a 45 and a half percent personal exemption.\n00:50:15\tAudio Recording, Mavis Gallant, SFU, 1984:\tThe astonishing 33, plus the unheard of 12 and a half. No one seemed to mind. No shabby envelope holding an order for execution came in the mail. Sometimes in Grippes’ mind, a flicker of common sense flamed like revealed truth. The exemption was an error. Public treasury was now tiptoeing toward computers. The computer brain was bound to wince at Grippes and stop functioning until the Grippes exemption was settled. Grippes rehearsed: “I was seriously misinformed”. He had to go farther and farther abroad to find offal for the cats. One tripe dealer had been turned into a driving school. Another sold secondhand clothes. Returning on a winter evening after a long walk ,carrying the parcel of sheep’s lung wrapped in a newspaper, he crossed Boulevard du Montparnasse just as the lights went on. The urban moonrise. The street was a dream street, faces flat white in the winter mist.\n00:51:20\tAudio Recording, Mavis Gallant, SFU, 1984:\tIt seemed Grippes that he had crossed over to the 1980s, had only just noticed the new decade. In a recess between two glassed-in sidewalk cafes, four plain clothes cops were beating up a pair of pickpockets. Nobody had to explain the scene to Grippes, he knew what it was about. One prisoner already wore handcuffs. Customers in the far side of the glass gave no more than a glance. When they got the handcuffs on the second man, the cops pushed the two into the entrance of Grippes’ apartment building to await the police van. Grippes shuffled into a cafe. He put his parcel of lights on the zinc-top bar and started to read an article on the wrapping. Somewhat unknown to him, a new name, pursued an old grievance. “Why don’t they write about real life anymore?” “Because to depict life is to attract it’s ill-fortune,” Grippes replied.\n00:52:16\tAudio Recording, Mavis Gallant, SFU, 1984:\tHe stood, sipping coffee, staring at nothing. Four gun-bearing young men in jeans and leather jackets were not final authority. Final authority was something written. The printed word. Even when the word was mistaken. The simplest final authority in Grippes’ life had been O. Poche. What must’ve happened was this: Poche, wishing to do honour to a category that included writers, prostitutes, and door-to-door salesmen, had read and misunderstood a note about royalties. It must’ve been in italics at the foot of the page. He had transformed his mistake into a regulation and it never looked at the page again. Grippes climbed three flights of dirty wooden stairs to Madam DuPell’s office — I have an editorial query here: Is he imagining this? Yes. [Laughs] These are proofs. — He observed the small— the seashell crucifix and a broach he had not noticed the first time: a silver fawn curled up as nature had never planned. A boneless fawn. Squinting, Madam DuPell peered at the old dung-coloured Gaullist-era file.\n00:53:33\tAudio Recording, Mavis Gallant, SFU, 1984:\tShe put her hand over a page, as though Grippes were trying to read upside down, and said, “It has all got to be paid back”. “I was seriously misinformed!” Grippes intended to answer. Willing to see Poche disgraced, ruined, jailed. “I followed instructions. I am innocent!” But Poche had vanished leaving Grippes with a lunatic exemption, three black market income-bearing apartments he had recently unsuccessfully tried to sell, and a heavy reputation for male-oriented, left feeling, right thinking books. This reputation Grippes thought he could no longer sustain. A socialist government was, at last, in place. Hence his hurry about unloading the flats and his difficulty in finding takers. He wondered about the new file covers. Pink? Too fragile. Look what happened with the mottled peach. Strong denim blue, the shade standing for giovinezza workers overalls. It was no time for a joke, not even a private one. No one could guess what would be wanted now in the way of literary entertainment.\n00:54:51\tAudio Recording, Mavis Gallant, SFU, 1984:\tThe fitfulness of voters is such that having got the government they wanted, they were now reading nothing but the right-wing press. Perhaps it’s steady right-wing heartbeat ought to set the cadence for a left-wing outlook, with a complex bravely conservative heroine contained within the slippery, but unyielding walls of left-wings style. He would have to come to terms with the rightest way of considering female characters. There seemed to be two methods, neither of which suited Grippes’ temperament. Treat her disgustingly, then cry all over the page, or admire and respect her. She is the equal at least of a horse. The only woman his imagination offered with some insistence, was no use to him. She moved quietly on a winter evening to St. Nicolai du Chardonnay, the rebel church at the lower end of Boulevarde St. Germaine —that is the conservative-led church— where services were still conducted in Latin.\n00:55:58\tAudio Recording, Mavis Gallant, SFU, 1984:\tShe wore a hat ornamented with an ivory arrow, and a plain gray coat, tubular in shape, and a narrow fur collar. Kid gloves were tucked under the handle of her sturdy leather purse. She had never heard of video games, push button telephones, dishwashers, frozen fileted sole, computer horoscopes. She entered the church and knelt down and brought out her rosary, oval pearls strung on thin gold. Nobody saw rosaries anymore. They were not even in the windows of the traditional venue across the square from the tax bureau. Believers went in for different articles now. Cherub candles, quick prayers, and plastic cards. Her iron meekness resisted change. She prayed constantly into the past. Grippes knew that one view of the past is just as misleading as speculation about the future. It was one of the few beliefs he would’ve gone to the stake for.\n00:56:55\tAudio Recording, Mavis Gallant, SFU, 1984:\tShe was praying to a mist, to mist-shrouded figures. She persisted in seeing clearly. He could see the woman, but he could not approach her. Perhaps he could get away with dealing with her from a distance. All that was really needed for a sturdy right-wing novel was its pessimistic rhythm. And then, and then, and then, and death. Grippes had that rhythm. It was in his footsteps coming up the stairs after the departure of the police van, turning the key in his triple- bolted front door. And then, and then, the cats padding and mewing, not giving Grippes time to take off his coat as they made for their empty dishes on the kitchen floor. Behind the gas stove, a beleaguered garrison of cockroaches got ready for the evening sortie. Grippes would be waiting, his face half-veiled with a checked scarf. In St. Nicolas du Chardonnet, the woman shut her missal got off—off her knees scorning to brush her coat.\n00:57:59\tAudio Recording, Mavis Gallant, SFU, 1984:\tShe went out to the street, proud of the dust marks, letting the world know she still prayed the old way. She escaped him. He had no idea what she had on besides the hat and coat. Nobody else wore a hat with an ivory arrow or tubular coat or a scarf that looked like a weasel biting its tail. He could not see what happened when she took the hat and coat off, what her hair was like. If she hung the coat in a whole closet that also contained umbrellas, a carpet sweeper, and a pile of old magazines. If she put the hat in a box and a shelf. She moved off in a gray blur. There was a streaming window between them Grippes could not wipe clean. Probably, she entered a dark dining room, fake Henri Quatre buffet — [Aside] that means something especially hideous —bottles of pills next to the oil and vinegar cruets.\n00:58:49\tAudio Recording, Mavis Gallant, SFU, 1984:\tLace tablecloth folded over the back of a chair, just oil cloth spread for the family meal. What could he do with such a woman? He could not tell who was waiting for her or what she would eat for supper. He could not even guess her name. She revealed nothing, would never help. Grippes expelled the cats, shut the kitchen window, and dealt with the advanced guard from behind the stove. What he needed now was despair and excitement, a new cat and mouse chase. What good was a computer that never caught anyone out. After airing the kitchen and clearing it of poison, Grippes let the cats in. He swept up the bodies of his victims and set them down the ancient cast-iron shoot. He began to talk to himself as he often did now. First he said a few sensible things, then he heard his voice with a new elderly quaver to it, virtuousand mean. “After all it doesn’t take much to keep me happy.”\n00:59:51\tAudio Recording, Mavis Gallant, SFU, 1984:\tNow that was untrue. And he had no reason to say it. Is that what I’m going to be like now? He wondered. Is this the new era Grippes? Pinch-mouthed? It was exactly the sort of thing that a woman in the dining room might say. The best thing that could happen to him would be shock. A siege of terror. A knock at the door. A registered letter with fearful news. It would sharpen his humour, strengthen his own private, eccentric heart. It would keep him from making remarks in his solitude that were meaningless and false. He could perhaps write an anonymous letter saying that the famous author Henri Grippes was guilty of tax evasion of the most repulsive kind. He was moreover a callous landlord who had never been known to replace a door knob. Fortunately, he saw he was not yet that mad. Nor did he really need to be scared and obsessed. He had got the woman from church to the dining room and he would keep her there, trapped, cornered, threatened, watched until she yielded to Grippes and told her name. As in his several incarnations good Poche had always done. [Audience Applause] [Begin Music: Accordion]\n01:01:18\tKate Moffatt:\t[Begin Music: Piano and Strings] In the June episode of this podcast, we’ll be returning to Mavis Gallant’s reading of this story in an attempt to reconstruct this event from the surviving archival and textual materials, as well as the fallible recesses of human memory. This episode had us thinking about the many connections visible in the archival recording of the reading between the story itself and Gallant’s storytelling, between Gallant’s voice and the clarity of the recording and the hands that shaped it during the recording, editing, and archival processes. In June, we’ll be thinking about these connections in terms of what they can tell us about the event itself. We’d love to hear from our listeners about what caught your attention and what questions you have about Gallant’s reading on February 14th, 1984 at Simon Fraser University.\n01:02:17\tSpokenWeb Podcast Theme Music\t[Piano Overlaid With Distorted Beat]\n01:02:16\tHannah McGregor:\tSpokenWeb is a monthly podcast produced by the SpokenWeb team as part of distributing the audio collected from and created using Canadian literary archival recordings found at universities across Canada. Our producers this month are SpokenWeb contributors, Kate Moffat, Kandice Sharren, and Michelle Levy with additional audio courtesy of the Simon Fraser University archives and records management department. Our podcast project manager and supervising producer is Stacey Copeland. Assistant producer and outreach manager is Judee Burr. To find out more about SpokenWeb [Music Begins: Theme Music] visit spokenweb.ca and subscribe to the SpokenWeb Podcast on Apple podcasts, Spotify, or wherever you may listen. If you love us, let us know. Rate us and leave a comment on Apple podcasts or say hi on our social media @SpokenWebCanada. Stay tuned to your podcast feed later this month for shortcuts, a brand new take on audio of the month with Katherine McLeod mini stories about how literature sounds."],"score":0.8611313},{"id":"9289","cataloger_name":["Ella,Hooper"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SpokenWeb AV"],"source_collection_label":["SpokenWeb AV"],"collection_contributing_unit":["SpokenWeb"],"source_collection_uri":[""],"collection_image_url":["https://archiveofthepresent.spokenweb.ca/_nuxt/img/header-img_1000.fd7675f.png"],"collection_source_collection_description":["SpokenWeb Audio Visual Collection"],"collection_source_collection_id":["ArchiveOfThePresent"],"persistent_url":["https://archiveofthepresent.spokenweb.ca/"],"item_title":["SpokenWeb Podcast S2E9, Mavis Gallant, Part 2: The ‘Paratexts’ of “Grippes and Poche” at SFU, 7 June 2021, Moffatt, Levy, and Sharren"],"item_title_source":["SpokenWeb Podcast web page."],"item_title_note":["https://spokenweb.ca/podcast/episodes/mavis-gallant-part-2/"],"item_language":["English"],"item_production_context":["Podcast"],"item_series_title":["The SpokenWeb Podcast"],"item_series_description":["Series of podcasts by the SpokenWeb network."],"item_subseries_title":["The SpokenWeb Podcast Season 2"],"item_series_wikidata_url":["https://www.wikidata.org/wiki/Q117038029"],"item_series_uri":["https://spokenweb.ca/podcast/spokenweb-podcast/"],"item_identifiers":["[]"],"rights":["Creative Commons Attribution (BY)"],"rights_license":["Creative Commons Attribution (BY)"],"access":["Streaming and download"],"creator_names":["Kate Moffatt","Michelle Levy","Kandice Sharren"],"creator_names_search":["Kate Moffatt","Michelle Levy","Kandice Sharren"],"creators":["[{\"url\":\"\",\"name\":\"Kate Moffatt\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\"]},{\"url\":\"http://viaf.org/viaf/20010042\",\"name\":\"Michelle Levy\",\"dates\":\"1968-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\"]},{\"url\":\"\",\"name\":\"Kandice Sharren\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\"]}]"],"contributors":["[]"],"Publication_Date":[2021],"material_description":["[]"],"digital_description":["[{\"file_url\":\"https://cdn.simplecast.com/audio/28a9da1f-8cca-410c-b5d7-8165a73f9394/episodes/701010c0-9bb5-412c-acb0-2e48a249ca09/audio/792ab3ed-977c-43e3-9e55-a10c09f5495d/default_tc.mp3\",\"file_path\":\"\",\"filename\":\"s2e9-mavisgallantpart2.mp3\",\"channel_field\":\"\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"00:45:10\",\"precision\":\"\",\"size\":\"43,362,594 bytes\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"MP3 audio\",\"title\":\"s2e9-mavisgallantpart2\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://spokenweb.ca/podcast/episodes/mavis-gallant-part-2/\"}]"],"Dates":["[{\"date\":\"2021-06-07\",\"type\":\"Publication Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"Simon Fraser University Maggie Benston Centre\",\"notes\":\"\",\"address\":\"8888 University Drive, Burnaby, BC, V5A 1S6\",\"latitude\":\"49.276709600000004\",\"longitude\":\"-122.91780296438841\"}]"],"Address":["8888 University Drive, Burnaby, BC, V5A 1S6"],"Venue":["Simon Fraser University Maggie Benston Centre"],"City":["Burnaby, British Columbia"],"Note":["[]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Coe, Jonathan. “The Life of Henri Grippes.” London Review of Books. Vol. 19, no. 18, 18 September 1997.\\n\\nGallant, Mavis. “Grippes and Poche.” The New Yorker, 29 November 1982, p. 42.\\n\\nvladnegrila. “Flipping through pages 2.” Freesound, 22 April 2017, https://freesound.org/people/vladnegrila/sounds/388870/.\\n\\n“Delamine.” Blue Dot Sessions. Accessed 18 May 2021. https://app.sessions.blue/browse/track/39295.\\n\\n“Silver Lanyard.” Blue Dot Sessions. Accessed 18 May 2021. https://app.sessions.blue/browse/track/39298.\"}]"],"_version_":1853670549506490368,"timestamp":"2026-01-07T14:59:53.966Z","contents":["In the March 2021 episode of the SpokenWeb Podcast, SpokenWeb contributors Kate Moffatt, Kandice Sharren, and Michelle Levy presented the first episode of a two-part series: “Mavis Gallant reads ‘Grippes and Poche’ at SFU,” which included a full-length recording of Mavis Gallant’s reading of her New Yorker short story at Simon Fraser University in 1984. In the second episode of this series, we dive into what we are calling the “paratexts” of the reading: the material and contextual circumstances that informed Gallant’s performance, including an unrecorded and unarchived event that took place the day before; the audience; the theatre; and the physical tape itself.\n\nThis episode features our efforts to understand how these paratexts may have informed not only the experience of attending the event in 1984, but also our own experiences listening to the recording of the reading now, in 2021, and our interactions with the surviving archival materials. This investigation led Kate, Kandice, and Michelle to interview Ann Cowan-Buitenhuis and Carolyn Tate, who attended and contributed to the organization of the two events, and talk to Grazia Merler, a professor in the Department of Literature, Languages, and Linguistics at the time of the reading. Their contributions provided both memories and facts not captured by the archival remains of the reading.\n\nWith additional archival materials available in a supplementary gallery, this episode takes us beyond the bounds of an ‘audio edition’ to instead consider how the ‘paratexts’ of this reading deepen our understanding of the recording and bring to life the reading of the story by acclaimed Canadian short-story writer Mavis Gallant.\n\nThis episode was created by SpokenWeb contributors Kate Moffatt, Kandice Sharren, and Michelle Levy, with additional audio courtesy of the Simon Fraser University Archives and Records Management Department.\n\n00:18\tSpokenWeb Podcast Theme Music:\t[Instrumental Overlapped with Feminine Voices] Can you hear me? I don’t know how much projection to do here.\n \n\n00:18\tHannah McGregor:\tWhat does literature sound like? What stories will we hear if we listen to the archive? Welcome to the spoken web podcast: stories about how literature sounds. [End Music: SpokenWeb Podcast Theme Music] My name is Hannah McGregor, and each month I’ll be bringing you different stories of Canadian literary history and our contemporary responses to it created by scholars, poets, students, and artists from across Canada. There’s a kind of magic to finding an old recording and listening to the sounds of the past. When researchers listes to archival recordings, each sonic literary record comes with silent questions: who is speaking and who is recording? Where was this recording made? And, what are those background sounds? How are we listening to and interpreting the recording in the present and how might people have listened differently at the time the recording was made? How can we preserve this physical tape so it’s protected for future listeners? In March of this year, SpokenWeb researchers, Kate Moffatt, Kandice Sharren, and Michelle Levy brought us a full audio edition of Mavis Gallant, reading her short story ‘Grippes and Poche’ at Simon Fraser University in 1984.\n \n\n01:44\tHannah McGregor:\tNow we bring you part two of the series, an exploration of the questions that surround this recording of Mavis Gallant. Kate, Kandice, and Michelle refer to these as the ‘paratexts’ of the recording. And their illuminating investigation takes us back to the year 1984 and the days surrounding Galant’s presence at the SFU podium. The stories that they uncovered are surprising and often delightful, and they help us listen to Gallant’s reading with fuller awareness of the realities that surrounded the event. Here are Kate, Kandice and Michelle with episode nine of the SpokenWeb Podcast, “Mavis Gallant Part Two [Start Music: Piano Overlaid With Distorted Beat] The ‘Paratexts’ of “Grippes and Poche” at SFU. [End Music: Piano Overlaid With Distorted Beat]\n \n\n02:34\tAnn Cowan-Buitenhuis:\tThe event on campus was free, but we were supposed to be making money downtown, so we charged everybody $10 and I came out of the room and I said, “Carolyn, she just told everybody that you’d give them back their $10!” And Carolyn said something like, “Well, I don’t have it. I took it down to the office.” So anyway, [Accordian/French interlude music] it was one of those ones…\n \n\n02:58\tKate Moffat:\tOn March, 2021. We – Kate Moffat, Kandice Sharren, and Michelle Levy presented Mavis Gallant reading of her New Yorker short story ‘Grippes and Poches; as an episode of the SpokenWeb Podcast – [Sound Effect: Opening Tape Recorder]\n \n\n03:12\tAudio Recording, Mavis Gallant:\tI’m a fetishist. That’s why the watch has to be there and not there. And you see that’s …\n \n\n03:15\tMichelle Levy:\t[Clips of audio layered] …at the time of this SFU reading Gallant….\n \n\n03:17\tKate Moffat:\t…the recording provides us with an offering…\n \n\n03:19\tKandice Sharren:\t… the audio cassette containing this recording is housed in…\n \n\n03:21\tAudio Recording, Mavis Gallant:\tCan you all hear me? [Sound Effect: Opening Tape Recorder]\n \n\n03:24\tKate Moffat:\tWhile we were preparing our last episode, we used our grounding in book history methodologies to think about the recording as an unofficial audio edition of “Grippes and Poche”, in which Gallant’s explanatory asides take on a role similar to that of footnotes or endnotes. In our last episode, we noted, however, that unlike footnotes or endnotes, listening to Gallant’s asides were not optional, but integrated into the text. Something paratextual became textual, so to speak [End Music: Accordion]\n \n\n03:51\tKandice Sharren:\tWhile putting together the second episode, we were curious about exploring the relationship between the text and the paratexts of the reading further. Paratext was coined by Gérard Genette to describe everything that surrounds a text, including the material form the text takes, contextual information about the author, and even book reviews and interviews. Genette talks about paratexts as “thresholds of interpretation”, that is to say that they fundamentally shape how we approach, encounter and engage with the text. For the original print version of “Grippes and Poche” in the New Yorker, it’s paratextual material would include the cartoons interspersed throughout the text, other articles that appeared alongside it, and even the magazine’s signature font. These paratexts established Gallant’s story as a self-consciously literary work, one that carries with it a certain amount of prestige. In dealing with an audio recording of a text, we had to expand our idea of what a paratext might be. In the case of Gallant’s reading, the paratexts include the audible and inaudible contexts that surround the event and inflect how we interpret the story. The circumstances that surrounded Gallant’s visit, the planning that went into the reading, Gallant’s delivery, the audience, and even the tape that holds the recording.\n \n\n05:12\tMichelle Levy:\tInterested in supplementing the archival materials we found with human memory to reconstruct the event and its paratexts, we sought to make these paratexts visible by talking to Ann Cowan-Buitenhuis and Carolyn Tate, who worked in the liberal studies department at SFU and were involved in organizing the Mavis Gallant events during her visit. I also spoke at length with Grazia Merler, a friend of Gallant’s who worked in SFU’s Department of Languages, Literature, and Linguistics at the time of the event. [Start Music: Piano] From these investigations, we have assembled a series of conversations and artifacts to contextualize the audio recording of the reading you heard in the first part of this two-part series. To establish the paratext of this reading, we asked the following questions, which structure this episode.\n \n\n06:03\tKandice Sharren:\tFirst, what were the circumstances of Gallant’s visit to SFU in 1984? Second?\n \n\n06:10\tKate Moffat:\tWhat do we know of the reading the day before otherwise known as the fiasco?\n \n\n06:16\tMichelle Levy:\tThird, how do we place Gallant’s accent and understand her pronunciation choices?\n \n\n06:21\tKate Moffat:\tFourth, who are the unseen, but audible audience members for the reading?\n \n\n06:27\tMichelle Levy:\tFifth, why did she select ‘Grippes and Poche’ to read to this academic audience?\n \n\n06:32\tKandice Sharren:\tAnd finally sixth, what physical artifacts of the events survive and what do they tell us about the event?\n \n\n06:39\tKandice Sharren:\tChapter One: The Visit, in which Michelle talks to Grazia Merler and Gallant’s reason for visiting Vancouver becomes clear.\n \n\n06:54\tKate Moffat:\tFollowing our close listening to the recording of Gallant’s reading for our last episode, we were curious about the circumstances that brought Gallant to Vancouver in 1984, given that she lived in France for most of her life. In addition to chatting with Ann and Carolyn, Michelle was able to connect with one of Gallant’s old friends,\n \n\n07:10\tMichelle Levy:\tGallant was invited to SFU by Grazia Merler, then an Associate Professor in the Department of Languages, Literature, and Linguistics on the recommendation of her supervisor, Merler had met Gallant while researching her PhD on Stendhal In Paris in the early 1960s. Merle told me about how she was invited to Gallant’s apartment at [French addresss] in Paris for tea. Upon arriving on a frigid day in the middle of winter, Gallant asked Merler if she wished for tea or something stronger. Merler agreed that something stronger would be welcomed. They hit it off immediately and remained friends until Gallant’s death in 2014,. Gallant lived in the same apartment in the sixth arrondissement for over four decades, from 1961 or 62 until her death. Merler told me that Golan came to visit her when SFU was first being built, and she references this first visit in her introduction for Gallant at the Burnaby event.\n \n\n08:07\tAudio Recording, Gratzia Merla:\n \n\nI talk a little bit louder. Can you hear me now?\n \n\n08:09\tAudio Recording, Audience Member:\tThat’s fine. Thank you.\n \n\n08:11\tGratzia Merla:\tIn 1965, before Simon Fraser University opened, I took a friend to the top of this mountain to show her a striking piece of architecture and the awesome site or this architecture. At that time, we both decided that we should come back to see the development of what seemed at that time a master temple. I kept my promise about 15 years ago. Mavis Gallant was the other part in the promise, and she’s keeping her part of the bargain today.\n \n\n08:56\tKate Moffat:\tAs we know from the recording of ‘Grippes and Poche’, Gallant visited SFU again in 1984, to give her reading on February 14th. The poster for the reading tells us that Gallant was, at the time of the event, writer in residence at the University of Toronto. She likely took advantage of her relative proximity to Vancouver to make good on her promise to return.\n \n\n09:15\tMichelle Levy:\tMerler told me that during this period Gallant came regularly to North America. She was being paid well for her New Yorker stories and could afford to visit friends in Montreal, as well as her editor, William Maxwell, in New York. From what we’ve been able to gather, it seems Gallant gave a number of readings at universities in Canada during this time. In addition to the SFU reading of Grippes and Poche in 1984, she also gave a reading of the same story in June of that same year at the University of Toronto, a reading of her story ‘Virus X’ at the University of Alberta in 1975, and reading at the University of Victoria, although we haven’t been able to track down a date or the story she read for that event. [Start Music: Upbeat Piano][Sound Effect: Flipping Through Pages]\n \n\n10:00\tKate Moffat:\tChapter Two: The Fiasco. In which attendees and organizers Ann Cowan-Buitenhuis and Carolyn Tate meet Mavis Gallant, and an event goes terribly wrong.\n \n\n10:13\tMichelle Levy:\tI was hoping that you could each just introduce yourself briefly and maybe tell us a little bit about where you are now and where you were in 1984. Carolyn, do you want to start?\n \n\n10:24\tCarolyn Tate:\tSure. Well, right now, I’m in my dining room in Toronto, Ontario in the Bloor West Village. I’ve lived in this house for about 20 years. At the time Mavis was in Vancouver I was the director of Liberal Studies – the Liberal Studies program for Continuing Studies, and I was the person who was responsible for organizing the downtown part of her visit. And as we’ll discover, it was complete fiasco. But really my main reason I’m here is I’ve been a tremendous fan of Mavis Gallant for many years. And maybe I should add that since Continuing Studies, I went to law school and I practiced intellectual property law for 20 years.\n \n\n11:10\tMichelle Levy:\tWonderful! Well, thank you so much. Ann, do you want to tell us a little bit about you now and where you were?\n \n\n11:17\tAnn Cowan-Buitenhuis:\tWell, now I’m sitting in my study in Vancouver. I live in the West End near Stanley Park and I’ve lived here for a while. But in 1984, I was in Continuing Studies at Simon Fraser and Carolyn came to join us. I think she came a couple of years after I did, and we became great friends. And we had babies together. I had one, she had one, I had one, she had one. So we – the same maternity clothes were floating around the office for almost five years, which drove everybody nuts. But anyway, so we’d been friends all these years. I did my BA at U of T in English – English Language and Literature it was called then. And then I did a Master’s degree in Carlton because I was married to – at that time a physiology professor who had a job at the University of Ottawa. But then I fell in love with Peter Buitenhuis and moved to Vancouver and started working at SFU about a year after that. So – and Peter was the chair of the English department at the time that this recording was made…\n \n\n12:35\tKandice Sharren:\tIt was through our conversation with ann and Carolyn that we learned that Mavis Gallant’s visit to SFU actually included two events: the reading of ‘Grippes and Poche’ at SFU Burnaby at Images Theater at 11:30 in the morning of February 14th, which we have a recording of, and a mid day reading downtown the day before for which we have no archival material whatsoever. In fact, we were unaware of the event on February 13th until we had the opportunity to chat with Ann and Carolyn about their experiences organizing and attending these events.\n \n\n13:09\tAnn Cowan-Buitenhuis:\tWell, first of all, you’re quite right. There was an event downtown. It was the day before the event on campus. And it was in quite a small room because we were at 549 Howe in those days and we didn’t have any large rooms. So we did – as Carolyn said, she organized the downtown talk and neither of us can remember what story she read downtown. It was not the same one as she read on campus. But I think Carolyn should tell you a little bit about that event because some of the behaviour of Mavis in the recording of the second event, I think stems from her experiences downtown. So maybe Carolyn would talk a little bit more, because you were really in charge of that event. And I certainly remember the room being full of very enthusiastic people.\n \n\n14:00\tCarolyn Tate:\tI’m happy to talk about the downtown event and Mavis. It was a fiasco, frankly. I didn’t think that there would be very many people and we had this little free room down there and somebody set up the mic and I thought, well fine. You know, 20 people will come or something like that. Well, more like 50 or so people came and the room was very crowded and we didn’t have the technician – he had set it up, but then it didn’t work. So it was really quite miserable for everybody, but especially for Mavis. She was very, very put out by it. And in truth, I was a little bit put out by how put out she was. I expected her to be this kind of, I don’t know, nothing would phase me sort of person. And really, she wasn’t that at all.\n \n\n14:51\tCarolyn Tate:\tShe was very proper. She was very neatly dressed in a very good French suit. She’d come on the airplane and she told us that she had a terrible time because she didn’t want to ask somebody to help her get her suitcase down from the bin. And you know, you couldn’t just ask somebody to help you – didn’t you know? And frankly, I didn’t know that [Laughs]. I thought – I really thought she was a bit precious. I have to say. [Laughs] But, notwithstanding that, she came along and we were going to do the talk and there was no mic. So she had to shout the whole time, and she did. And she finished, she gave her reading and people heard her. I have to say – I was so fritzed by that time that I didn’t, I didn’t know – I have no idea what story she read. I have no memory of her actual talking, which was why I was so thrilled with the recording that you have because I think she is a brilliant speaker.\n \n\n16:04\tAnn Cowan-Buitenhuis:\tWell she was a little grumpy, I have to say. And she – not only was she grumpy, she told everybody to ask Carolyn for their money back, which was $10. The event on campus was free, but we were supposed to be making money downtown. So we charged everybody $10 and I came out of the room and I said, “Carolyn, she just told everybody that you’d give them back their $10.” And Carolyn said something like, “Well, I don’t have it. I took it down to the office”. So anyway, it was one of those moments. But the reason I mentioned that is that the next day, you’ll notice, she says several times on the recording, “can everyone hear me? Can everyone hear me?” And the thing is that she wasn’t a very large person and she had a not particularly strong voice. So I think that having exercised her voice to the max the day before she was a little bit overly nervous on that recording about how well she was being heard and so on. And she was fussing if you remember, at the beginning, she was fussing about the microphone and so on. And I I think she was nervous about technology in the same way that both Carolyn and I are. So, we have to forgive her that. [Start Music: Upbeat Piano]\n \n\n17:24\tKandice Sharren:\t[Sound Effect: Flipping Through Pages] Chapter Three: Mavis Speaks, in which we try to pin down Gallant’s accent.\n \n\n17:31\tKate Moffat:\tDespite Ann’s memories of Mavis being somewhat grumpy and nervous about her delivery, we all agreed upon listening to the recording that it was rather brilliantly done. She’s an engaging and dynamic speaker and one who is perhaps more self-conscious or aware of the unique elements of her delivery than her audience. In the short question period following the reading, someone in the audience asks a question, barely audible on the recording. Gallant’s response indicates she heard him mention a mistake, and contextualizes her various pronunciations of Grippes and Poches throughout the reading, which she clearly considers as slips of the tongue.\n \n\n18:02\t   Audio Recording,   Audience Member:\tBut in this context, you committed the best kind of blunder, which revealed a bit of your personality to us.\n \n\n18:08\tAudio Recording, Mavis Gallant:\tWhat kind of blunder?\n \n\n18:10\tAudio Recording,   Audience Member:\n \n\nRevealing your personality.\n \n\n18:12\tAudio Recording, Mavis Gallant:\tOh! I thought you were talking about pronunciation because when I’m reading in English in English, it’s almost impossible for me to pronounce French names in French because you have to change the pitch of your voice, you know, and it’s a different pitch, the two languages, and it interrupts the reading. And that’s why I say Grippes, Grip, Grips, just as it comes most easily, I thought you meant that [Laughs].\n \n\n18:35\tMichelle Levy:\tGallant’s remarks on her uneven pronunciation of characters’ names reveals her position between English and French and between Canada and France, not just in her adult life. All of us had strong responses to Gallant’s accent, which we struggled to place until Ann and Carolyn compared it to that of Pierre Elliott Trudeau, who also grew up bilingual in Canada during the 1920s and thirties. Like the New Yorker’s font, Gallant’s accent conveys particular contextual information about her and her place in history.\n \n\n19:08\tCarolyn Tate:\tI wanted to ask you what you thought of Mavis’ accent, if you had any, do you have any reaction to that? Because I found her accent quite amazing, sort of mid Atlantic. It didn’t sound totally Canadian. It didn’t sound British. It’s kind of, she kind of reminded me a bit of the way Pierre Trudeau talked, it was just its own thing. And I don’t know whether you had a reaction to that or not.\n \n\n19:42\tMichelle Levy:\tI think we had trouble –I had trouble placing it. And I remember discussing that with Kandice and Kate. I asked my husband about it [Laughs], I was like, “where is this voice coming from?” It did seem really unusual. Lovely. One of my favourite stories of hers called ‘Specs Idea’, which is from around the same time, it was in that same volume, and it’s about an art dealer. There’s this woman that owns the art that her husband has left her, and her voice is described as like trilling bells. And I always feel like that to me, that’s almost like Mavis’ voice. It’s – I thought it was beautiful. But the accent, I just, I had no idea.\n \n\n20:25\tAnn Cowan-Buitenhuis:\tWell, it’s –I think that you mentioned that she was educated in French, but her English became the language of literature for her. So I’m wondering if, as Carolyn said, Pierre Trudeau had a bilingual early childhood as well. And I’m wondering if that’s a West Mount Montreal or [French word] accent or something like that.\n \n\n20:51\tCarolyn Tate:\tI think so. I mean, that’s what I thought. I mean, his mother was –Trudeau’s mother was an Anglophone and of course, Mavis’ parents were Anglophones too, but she had this French education. [Start Music: Piano]\n21:04\tKate Moffat:\tChapter Four, The Unseen Audience. In which we learn about bums in seats, how many there were, where they sat, how they laughed. [Sound Effect: Flipping Through Pages] Our listening to the recording and our reactions to what we could hear of the event, the story, and her voice, and accent were necessarily mediated by the recording and our own personal circumstances listening to it, which differ greatly from the live experience that the audience of the reading had. Ann realized while listening to our last episode, that she could hear her husband in the audience during the reading.\n \n\n21:37\tAnn Cowan-Buitenhuis:\tAnd it was really kind of spooky for me because when I listened to the recording, I could hear Peter laughing. And I haven’t heard it for so long.\n \n\n21:50\tAudio Recording, Mavis Gallant:\tNo action chapter to the abstract essence of risk. [Audience member laughs] The professor, one.\n \n\n21:57\tAnn Cowan-Buitenhuis:\tOne of the wonderful things about Peter was that he always laughed very loudly and the kids would always say their school plays went better on the days when he was there, cause he would laugh at all the jokes.\n \n\n22:08\tKate Moffat:\tListening to the recording, we have no information about the audience except what we can hear. With Ann’s input, We know Peter Buitenhuis, chair of the English department at the time, was in attendance, and also the longer personal history of his laugh. And this prompted a general curiosity about the audience, including how many people attended, and thus how full the very large Images Theater might have been, which isn’t something recorded in the archives.\n22:32\tCarolyn Tate:\tYeah, I think that the Burnaby audience was not bad. I think we probably– that theater is good. I think we persuaded people to sit near the front and to kind of group, but I think that the theater would have been three quarters full. And I think that theater holds over 200 people.\n \n\n22:51\tKate Moffat:\tIn asking about and considering both our own reactions to the reading and the audience, we wondered how our reception of it might’ve differed or not from that of the individuals attending the event, who we hear occasional rumbles of laughter from\n \n\n23:04\tAudio Recording, Mavis Gallant:\t…Anglo-Saxon commercial English [Audience Laughter] shared with some cats he had already tried to claim as dependents [Audience Laughter] He showed…\n \n\n23:16\tMichelle Levy:\tNow from the talk itself you mentioned, Ann, that there were, that Mavis was asking questions at lunch about how you felt it went, and I’m wondering how you felt it went during the talk itself. I mean, it sounded again from the recording, which we’ve all heard, like it was crystal clear. So it sounds like the –some of the issues that happened the day before didn’t happen, but did you get a sense people were laughing, people were getting the jokes, people were enjoying it?\n \n\n23:49\tAnn Cowan-Buitenhuis:\tYes, I certainly did. And, I was listening to the responses as the talk went on. I think the story was a bit long, quite frankly. I think –there’s a point where she tells you she’s reading from proofs and that her editor had a query. I mean, is he thinking, is this in his head or is that actually happening? So – and I had had the same thought myself, like, wait a minute, is this in this guy’s head? Or is he actually having this conversation? Or what have you. And I realized that I had drifted off, listening to the recording, and my recollection in the talk itself was that it was quite a long story. I felt at the time. And I think – but I do think people got it and there was still enthusiasm. But my recollection also is that the university classes were programmed in such a way in those days. The scheduling was done in such a way that there was a certain period of time in the middle of the day that you could fill with an event and people would have to go to class if it went too long. So I remember having a little bit of anxiety because I figured having observed her behavior the day before, if people stood up and started leaving, she was not going to be happy. So, I think I had a certain amount of nervousness about how long it was and – no concern about people’s lack of interest – but just a little bit of event planner angst I guess.\n \n\n25:21\tMichelle Levy:\tThat people would have to leave. [Laughs] Yeah.\n \n\n25:23\tKandice Sharren:\t[Start Music: Upbeat Piano] [Sound Effect: Flipping Through Pages] Chapter Five: Choosing ‘Grippes and Poche’, in which we reconsider Gallant’s story in light of the audience she performed to and are deeply unimpressed with Henri Grippes.\n \n\n25:45\tMichelle Levy:\tOne of the things that I find most fascinating about paratexts is that they don’t just work one way. Artistic choices are made anticipating a certain format of publication. When we’re talking about print, it can be hard to pin down how involved an author was in the design of, say their book. Although we do know that Gallant wrote many of her stories specifically for the New Yorker, meaning that she would have been aware of the format her stories would be published in. Again, down to the font, although probably not the cartoons.\n \n\n26:15\tKandice Sharren:\tIn the case of a reading though, it’s a lot easier to see how a writer might be responding to their immediate context, which led us to ask: why did Gallant select this story to read to her SFU audience in 1984? As you may recall, in her introduction to the reading, Gallant describes her story as a “gentle send-up” or satiric commentary.\n \n\n26:37\tAudio Recording, Mavis Gallant:\tHenri Grippes is an imaginary French Parisian writer who has occupied four or five stories that I have published with his friend, the British writer, Victor Prism. They’re entirely imaginary. They’re not based on anyone in particular. It was just a very gentle send-up.\n \n\n26:59\tKandice Sharren:\tShe may have chosen the story for its delicate comedy, as she sends up French bureaucracy, as we meet the hapless and misinformed tax agent, O. Poche and Henri Grippes with his secret apartments and tax evasion. The main object of her send-up seems to us to be Grippes as writer. As Jonathan Coe noted in the London Review of Books in 1997, “Grippes is one of her most memorable characters, a shallow opportunistic writer who nevertheless, somehow manages to elicit the reader sympathy by virtue of his rotten luck and his chronic unpopularity with the book buying public. There’s a mordant redeeming humor here, which has given free rein then in Gallant’s weightier stories.”\n \n\n27:41\tMichelle Levy:\tDoes he elicit the reader’s sympathy though? I have to say, as someone who rents in Vancouver, I am hard pressed to want to spend time looking for a slumlord’s redeeming qualities, especially when it’s paired with literary opportunism. I really found myself hoping that Poche would catch him out by the end. So hearing Ann and Carolyn discuss the reading really struck a chord with me in part, because I kind of agreed with Carolyn’s assessment of the story.\n \n\n28:09\tCarolyn Tate:\tYeah. I’m kind of surprised, ann, that you say that people received the story well, and that they laughed and whatnot because I found the story of a bit dismal. I think of it, she mentions Flaubert, as I was saying to Kate at some point during the story, and I feel that this was her kind of her Flaubertian moment or something. And it kind of reminded me of that novel the [French book title] by Flaubert where he has the ex-bureaucrat and somebody else doing all of this extremely grotesque kind of pseudo literary stuff. And I found that when I read the story, it dragged quite a lot and I didn’t find it all that amusing. And I think of it also as sort of the beginning of the end of her North American kind of– well, maybe I’m wrong about this because I think that North American readers were fascinated and gripped by these expats that she wrote about. I don’t think they were so interested in French bureaucrats and you know, French literary life and who is this English writer anyway, you know? Anyway, as I say, I don’t think it’s her best moment. Although because of this literary aspect of things, I’m going to read the other Henri Grippes stories and see whether, you know, they kind of interest me more now that I thought a little more of a take on this kind of this world.\n \n\n29:38\tMichelle Levy:\tCarolyn, if you read the rest of the Grippes story, you will indeed find much more on this kind of the French literary scene – corruption may be a bit strong, but there’s a really hilarious whole story about this attempt to write an encyclopedia of French authors that drags on for decades because they’re constantly changing who they think is important and who should be included, and the editors keep fighting with each other.[Laughs] It’s really funny. So there’s definitely more of that in that series of stories about the writer.\n \n\n30:13\tCarolyn Tate:\tI did read them sometime, but that’s very Flaubertian too. That’s what this –I don’t know whether you’ve ever read this, [French book title], it’s a terrible thing actually, but this is their whole thing too. They’re trying to be more and more kind of literary and correct, and all the rest of it. And it’s a complete balls up, frankly. [Laughs] I think Henri, he’s sort of in that frame somewhere.\n \n\n30:44\tMichelle Levy:\tThat said, and in Carolyn’s discussion of the literary trends of the 1970s and 80s,, a period that I didn’t live through and haven’t paid much attention to either academically or in terms of its literary culture, but one that ‘Grippes and Poche’ engages with did help me appreciate what exactly this story was doing.\n \n\n31:04\tKandice Sharren:\tI was struck by the sexual politics of the story, and particularly Gallant’s deadpan, imagining of a very capital P problematic male writer. Grippes regrets that in his American novel, he resorted to the stale male teacher, female student pattern. Could this failed attempt to write a novel about an academic romance be the reason for her choice?\n \n\n31:27\tAudio Recording, Mavis Gallant:\t… female student pattern in the novel. He should have turned it around, identified himself with a brilliant and cynical woman teacher. Unfortunately, unlike Flaubert with his academic stocking horse, he could not put himself in a woman’s place, probably because he thought it an absolutely terrible place to be. [Audience Laughs]\n \n\n31:48\tKandice Sharren:\tThis line elicits a knowing laugh from the audience. In fact, Gallant had been one of the first to write about a real life female teacher, male student affair between a 32 year old Gabriel Roussier and her 16 year old pupil for the New Yorker in 1971. It was a story that scandalized France, when it broke in 1967, as the parents of the boy brought legal proceedings against Roussier, that resulted her in her imprisonment, and that brought about her suicide in 1969. As Gallant dryly points out in her article about the affair, the story was an old one rife with the double standard, reflecting what Gallant calls “a prevailing belief that Don Juan is simply exercising a normal role in society, whereas women have been troublemakers ever since Genesis.” ‘Grippes and Poche’ ends on a note of implicit violence as Gallant relates Grippes storytelling as a process of stocking and confining one of his female characters. In her reading, she slows down to relate his menacing attempt to invent a female character.\n \n\n32:57\tAudio Recording, Mavis Gallant:\tHe had got the woman from church to dining room and he would keep her there trapped, cornered, threatened, and watched until she yielded to Grippe and told her name.\n \n\n33:08\tKandice Sharren:\tThus ending the story on a more ominous note than the gentle send-up with which it begins.\n \n\n33:14\tMichelle Levy:\tThe story is commentary on sexual politics in a campus environment, complimented her location and audience. In our conversation with Carolyn and ann, they speculated that the academic satire within Grippes and Poche, maybe one of the reasons why Gallant selected this story for her on-campus reading.\n \n\n33:32\tCarolyn Tate:\tDon’t you think she was a brilliant reader on campus?\n \n\n33:36\tAnn Cowan-Buitenhuis:\tI do. And I was thinking about the context of that story: 1984. And I kind of – I was thinking, what else was being published at the time? And it was interesting that she was sending up the campus drama, the campus romance, the professor who falls in love with the student – and remember he had written a failed novel. It wasn’t quite good enough in that genre. And so I was thinking who was writing in that genre that time? And I remember David Lodge’s trilogy – do you remember? And they were so good. They were so good. And so I think, she was sort of sending up professors and sort of commenting a little bit on David Lodge’s three books, which were Changing Places in 1975, Small World – an academic romance in 1984 – and Nice Work in 1988.\n34:33\tAnn Cowan-Buitenhuis:\tAnd the other thing too I found was – as Carolyn said earlier –just the vagaries of literary tastes. People going in and out of fashion and suddenly being reinvented as somebody who’s okay with women, at a time when, when suddenly we’re worrying about whether or not somebody has the right feminist credentials to be read by the students in women’s studies, et cetera. So I think that there was certainly a memory for me of literary tastes and fashions and so on that I found quite interesting hearing the story again. None of this occurred to me particularly at the time.\n \n\n35:19\tKandice Sharren:\tIt’s something that testament to these vagaries of literary trends that I had actually never heard of David Lodge before. Apparently this shocked Michelle who asked me if I was sure I wanted to admit to this publicly. When I think of campus novels, I think of on the one hand, Dorothy Sayers Gaudy Night published before the outbreak of the Second World War, or on the other hand, Zadie Smith’s On Beauty and Sally Rooney’s Normal People. But I haven’t really read any written between the Second World War and the early 2000s, perhaps because the sexual politics of novels written in that period speak to a very different historical moment, and one that isn’t the subject of nostalgia, the way something like Sayers book is.\n \n\n36:05\tMichelle Levy:\tThe literary context of this story are only part of it’s satire though. Grippes refashions the dull civil servant in an attempt to keep up with literary fashion, but also with the winds of political change. The beginning of the story is set in 1964 and ends in the early 1980s, thus tracking both the progress of Grippes writing career and that of the fifth Republic itself.\n \n\n36:29\tAnn Cowan-Buitenhuis:\tThe other thing though, I thought that was interesting about the story was how she talked about the change in government and this story spans 20 years or something. And so you have those [French phrase] coloured folders and you have the Charles DeGaulle coloured folders and so on. And the poor old tax guy gets his baby face gets sterner, and he got some little bald spot in his curls and so on. And so there’s a sense of a time passing. To me that sort of Proustian, and maybe that was a kind of melange of that as well. I really haven’t thought too much about what she might’ve been trying to accomplish in terms of her own oeuvre, but she had published that some years before she read that story. So it certainly wasn’t new work she was reading. But I have a feeling she kind of hauled out something that she thought might appeal to an academic audience. And the question that you asked…\n \n\n37:34\tMichelle Levy:\tDespite the literary and political moments that Gallant’sstory is in conversation with, her language has a strikingly timeless quality, precisely descriptive, but with a wry restraint that ironically captures the rhythms of Grippes thoughts.\n \n\n37:47\tKandice Sharren:\tIn writing about a writer, Henri Grippes, Gallant celebrates his flights of imagination, but also wryly observes his limitations. The meta-fictional elements of the story are both profound and comic as we are treated to a description of Grippes entire oeuvre, and also to his inability to recognize himself in his characters. On contemplating the protagonists of his books, Gallant dryly explains that…\n \n\n38:13\tAudio Recording, Mavis Gallant:\tHe was like a father gazing around the breakfast table, suddenly realizing none of the children are his.\n \n\n38:18\tKandice Sharren:\tThis was something that Ann commented on too.\n \n\n38:21\tAnn Cowan-Buitenhuis:\tI thought she had some wonderful metaphors and some wonderful sentences. I mean she talks about the shoreline of the 80s at one point –and talking about the rise to acclaim as this man’s career is a little bit rejuvenated at the end of the 80s. And she had just lovely, lovely metaphors from time to time and quite extended – she’d spin it out in kind of interesting and droll ways. And so I really admired her as a wordsmith in this story. And– as I said earlier, I did feel it was a rather long story, but I felt that her language – I had forgotten what a fine craftsman she was. [Start Music: Piano] She really, she really does write in a very original and refreshing way\n \n\n39:26\tKandice Sharren:\tChapter six: Grippes and Poche in the archive, in which Ann remembers the reel-to-reel machine at the reading and a hunch is confirmed. [End Music: Piano] Listening to Gallant’s original and refreshing language in her own voice is only possible through the archival remains of the event, especially their high-quality. In the March 2021 episode we talked about how these archival materials –in this case, the tape that holds Gallants reading – reveals the hands that manipulated it. The clean break between sides one and two had us convinced that despite the fact that the tape said “master” on it, it was actually an edited copy of what had most likely been a reel-to-reel recording.\n \n\n40:11\tKate Moffat:\tWe were delighted to hear Ann confirm some of what we questioned and hypothesized in the first episode surrounding Curtis Vanel’s involvement. In a subsequent email, she shared with us that “the sound technician was set up on the right side, facing the stage and had a desk with reel-to-reel recorder. I always paid to have the technician there. Otherwise someone else had to make sure the record button was pushed and that the thing was at the right level. The technician also made sure the audio levels were good. I have a vision of Curtis walking up to the mic, turning it on and checking, and then adjusting the height for Mavis, and then sitting down. He would have done the same for Grazia.” She even recalled that Vanel was particularly interested in generations of recordings. His master tape was the one that other generations were created from.\n \n\n40:55\tAnn Cowan-Buitenhuis:\tI remember having many conversations with Doug about first and second generations. I mean, this is before things were digitized. So, he used to make a master cassette that would come from the reel-to-reel stuff that he did. And it would be very clean, whereas the reels would not be – I mean, he was a master at fixing things, getting rid of all the ums and ahs and whatever. And so he probably then had a master cassette from which copies would be made, but he would always hold onto the master because every copy was another generation. So that was the way he thought about it.\n \n\n41:40\tKate Moffat:\tAs far as we, and the folks in the SFU archives have been able to determine, we no longer have the original reel to reel for this reading evidence of its existence lies only in evidence of editing hands on the cassette tape, recording. [Start Music: Accordion]\n \n\n42:01\tKandice Sharren:\tOur interview with Ann and Carolyn, and Michelle’s conversation with Grazia Merla was a reminder that while the archives can provide records and a certain amount of contextual information, particularly when you pay sustained attention to your materials, they cannot capture everything. Ann’s recollection that Images Theater was three quarters full for the reading is information we would never have been able to track down otherwise, as it wasn’t recorded anywhere. Gallant’s fussing over the microphone at her reading in Images Theater is informed by the technical difficulties the day before. And that day before the event downtown uncaptured on audio doesn’t seem to exist in the archive at all, only in fickle human memory.\n \n\n42:56\tMichelle Levy:\tWe want to end by connecting our conversations about the reading with the larger paratextual paper record, including the label on the cassette, the poster used to advertise the event, and the proofs Gallant was reading from. In addition to these materials, we were also fortunate to obtain a copy of proofs of photos, taken of Gallant by Bruno Schlumberger on November 1st, 1990, during another visit to Canada. These photos taken near the Rideau canal in Ottawa offer a wonderful glimpse of Gallant, charming, exuberant, but still well-dressed and put together. Kate, Kandice and I were not fortunate enough to have met Gallant or heard her read in person, but with these photos and the recording and our interviews with Ann, Carolyn, and Grazia, yet we are able to conjure a distinct portrait of this most entrancing and provocative writer. [End Music: Accordion]\n \n\n44:06\tHannah McGregor:\t[Music: Piano Overlaid With Distorted Beat] SpokenWeb is a monthly podcast produced by the SpokenWeb team as part of distributing the audio collected from and created using Canadian literary archival recordings found at universities across Canada. Our producers this month are SpokenWeb contributors, Kate Moffat, Kandice Sharren, and Michelle Levy, with additional audio courtesy of the Simon Fraser University Archives and Records Management Department. Our podcast project manager and supervising producer is Judith Burr. To find out more about SpokeWeb visit spokenweb.ca and subscribe to the SpokenWeb Podcast on Apple Podcasts, Spotify, or wherever you may listen. If you love us, let us know. Rate us and leave a comment on [SpokenWeb Podcast Theme Music: Instrumental Overlapped With Feminine Vocals] Apple Podcasts or say hi on our social media @SpokenWeb Canada., Stay tuned to your podcast feed later this month for ShortCuts, a brand new take on audio of the month with Katherine McLeod, mini-stories about how literature sounds."],"score":0.8611313},{"id":"9597","cataloger_name":["Ella,Hooper"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SpokenWeb AV"],"source_collection_label":["SpokenWeb AV"],"collection_contributing_unit":["SpokenWeb"],"source_collection_uri":[""],"collection_image_url":["https://archiveofthepresent.spokenweb.ca/_nuxt/img/header-img_1000.fd7675f.png"],"collection_source_collection_description":["SpokenWeb Audio Visual Collection"],"collection_source_collection_id":["ArchiveOfThePresent"],"persistent_url":["https://archiveofthepresent.spokenweb.ca/"],"item_title":["SpokenWeb Podcast S4E6, Revisiting “Mountain Many Voices: The Archival Sounds of Fred Wah”, 3 April 2023, Shipton and Brock"],"item_title_source":["SpokenWeb Podcast web page."],"item_title_note":["https://spokenweb.ca/podcast/episodes/revisiting-mountain-many-voices-the-archival-sounds-of-fred-wah/"],"item_language":["English"],"item_production_context":["Podcast"],"item_series_title":["The SpokenWeb Podcast"],"item_series_description":["Series of podcasts by the SpokenWeb network."],"item_subseries_title":["The SpokenWeb Podcast Season 4"],"item_series_wikidata_url":["https://www.wikidata.org/wiki/Q117038029"],"item_series_uri":["https://spokenweb.ca/podcast/spokenweb-podcast/"],"item_identifiers":["[]"],"rights":["Creative Commons Attribution (BY)"],"rights_license":["Creative Commons Attribution (BY)"],"access":["Streaming and download"],"creator_names":["Don Shipton","Teddie Brock"],"creator_names_search":["Don Shipton","Teddie Brock"],"creators":["[{\"url\":\"\",\"name\":\"Don Shipton\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\"]},{\"url\":\"\",\"name\":\"Teddie Brock\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\"]}]"],"contributors":["[]"],"Publication_Date":[2023],"material_description":["[]"],"digital_description":["[{\"file_url\":\"https://cdn.simplecast.com/audio/28a9da1f-8cca-410c-b5d7-8165a73f9394/episodes/0bf2a7c7-ddac-40e7-8106-659d4438a7d5/audio/55dfa8f4-b0b8-4048-bc33-a1f90eed0fdb/default_tc.mp3?nocache\",\"file_path\":\"\",\"filename\":\"s4e6.mp3\",\"channel_field\":\"\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"00:39:47\",\"precision\":\"\",\"size\":\"38,194,826 bytes\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"MP3 audio\",\"title\":\"s4e6\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://spokenweb.ca/podcast/episodes/revisiting-mountain-many-voices-the-archival-sounds-of-fred-wah/\"}]"],"Dates":["[{\"date\":\"2023-04-03\",\"type\":\"Publication Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"Simon Fraser University Maggie Benston Centre\",\"notes\":\"\",\"address\":\"8888 University Drive, Burnaby, BC, V5A 1S6\",\"latitude\":\"49.276709600000004\",\"longitude\":\"-122.91780296438841\"}]"],"Address":["8888 University Drive, Burnaby, BC, V5A 1S6"],"Venue":["Simon Fraser University Maggie Benston Centre"],"City":["Burnaby, British Columbia"],"Note":["[]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Makarova, Liza. “The Night of the Living Archive.” Season 4, Episode 2, The SpokenWeb Podcast, https://spokenweb.ca/podcast/episodes/the-night-of-the-living-archive/.\\n\\nArchival Audio:\\n\\n“Ed Dorn reading in Albuquerque on October 30, 1963 Side 1 #109b.” Special Collections and Rare Books, Simon Fraser University.\\n\\n“Lionel Kearns, Mike Matthews, and Fred Wah reading poetry at UBC #258.” Special Collections and Rare Books, Simon Fraser University.\\n\\n“UBC Poetry Festival: Charles Olson on August 14, 1963 #48.” Special Collections and Rare Books, Simon Fraser University.\\n\\n“Louis Zukofsky reading at Library of Congress on November 3 and 4, 1960 Tape 1 of 2 #260a.” Special Collections and Rare Books, Simon Fraser University.\\n\\n“UBC Poetry Festival: Avison, Creeley, Duncan, Ginsberg, and Levertov on August 7, 1963 #45.” Special Collections and Rare Books, Simon Fraser University.\\n\\n“UBC Poetry Festival: Avison, Olson, Creeley, Duncan, Ginsberg, Whalen, and Levertov on August 9, 1963 #46b.” Special Collections and Rare Books, Simon Fraser University.\\n\\n“Around New Sound Daily Means: Selected Poems by Larry Eigner and Gary Snyder, Tape 1 of 3 #500a.”\"}]"],"_version_":1853670549538996224,"timestamp":"2026-01-07T14:59:53.966Z","contents":["In the summer of 2022, research assistants Don Shipton and Teddie Brock took part in a roundtable discussion that explored the archival work of student researchers involved with the audio archives of Canadian poet, Fred Wah. Alongside his literary and academic work, Wah has had a longstanding practice of recording poetry readings, lectures, and conversations, documenting key moments in North American poetry.\n\nThis sonic-archival meditation highlights the impact of recording technology on the trajectory of poetic circulation and composition, as it brings together the ‘many voices’ that constituted Wah’s listening and recording practices as a young poet. The first part of this episode will revisit a recording of Wah’s conversation with Deanna Fong, co-director of the Fred Wah Digital Archive, in which Wah reflects on the significance of portable tape recording to literary community-building and the development of a poetic ‘voice.’ The episode will also present a selection of archival clips documenting the poets whose recorded voices Wah encountered throughout the 1960s, including Charles Olson, Louis Zukofsky, Denise Levertov, and Ed Dorn, among others.\n\nSpecial thanks to Kate Moffatt and Miranda Eastwood for their production support in the making of this episode, and to Simon Fraser University’s Special Collections and Rare Books for hosting the “Mountain Many Voices” roundtable event.\n\n\n(00:04)\tSpokenWeb Podcast Theme Music:\t[Instrumental Overlapped With Feminine Voice] Can you hear me? I don’t know how much projection to do here.\n(00:18)\tKatherine McLeod\tWhat does literature sound like? What stories will we hear if we listen to the archive? Welcome to the SpokenWeb podcast, stories about how literature sounds.\n[SpokenWeb Theme music ends]\n\nMy name is Katherine McLeod, and each month I’ll be bringing you different stories of Canadian literary history and our contemporary responses to it, created by scholars, poets, students, and artists from across Canada. For each episode of the SpokenWeb podcast, the producers and production team are always thinking about recording; the microphones, zoom recorders, sound quality, from voiceover to interview to archival audio clips. And this month’s episode is all about recording and how recording shapes the way we encounter sound, particularly poetry.\n\nThe poet at the center of it all, Fred Wah, is known for both his poetry and also for his recording. Did you know that the sound recordings of the 1963 Vancouver Poetry Conference were thanks to Fred Wah being the guy who carried the tape recorder around? And let’s remember that tape recorders were not easy to carry around back then. And because he had the tape recorder, he was able to have it running during so many of the sessions, and there ends up being an audio archive of that now famous event in Canadian poetry.\n\nSo keeping that in mind, let’s jump to another event in 2022, when Simon Fraser University’s Special Collections and Rare Books hosted an event called Mountain Many Voices: the archival sounds of Fred Wah. That event was a round table discussion with Fred Wah himself, student researchers working on Wah archival materials, both from SFU and from Concordia, and moderated by Dr. Deanna Fong.\n\nBy the way, Fong leads the Fred Wah Digital Archive Project, which you can hear more about by listening to the episode “Night of the Living Archive” produced by Liza Makarova and aired on the SpokenWeb Podcast in November, 2022. And yes, Liza is also part of this round table discussion Mountain Many Voices. In this month’s episode, Teddie Brock and Donald Shipton, two of SFU’s research assistants, who also contributed to that round table revisit the event and they revisit its many voices along with recordings of Wah speaking about what he calls “the materialism of the voice”.\n\nYou’ll also hear recordings of other poets referenced during the event, such as Charles Olson, Louis Zukofsky, Denise Levertov, and Ed Dorn. When making this episode, Teddie and Don were inspired by live radio, and this episode has our producers becoming hosts themselves, curating, introducing, and sharing a rich selection of archival audio. Here’s the sixth episode of season four, Revisiting Mountain Mini Voices, the archival sounds of Fred Wah.\n\n[SpokenWen Podcast theme music begins and fades]\n\n(03:28)\tTeddie\t[Sound effect of static swells and fades]\nIn June of 2022, Simon Fraser University’s Special Collections and Rare Books hosted a round table event titled Mountain Many Voices, which centered on the audio archive of Canadian poet Fred Wah.\n\n(03:42)\tDon\tIn the following recording an excerpted conversation between Fred Wah and post-doctoral researcher Deanna Fong, you’ll hear the story of Wah’s first encounter with portable tape recording and how the social and technical practices associated with emergent audio technologies in turn shaped his own relationship to the reading, writing, and listening of contemporary poetry.\n(04:03)\tTeddie\tNext, we will play a selection of archival recordings, bringing together the sounds of the many voices of Wah’s personal literary history.\n(04:24)\tTeddie, Don, Deanna Fong, and Fred Wah all talking as they set up for the interview:\t[Somber string music plays while indistinguishable voices talking to one another.]\n(04:56)\tDeanna Fong\tI think we’re just gonna go in alphabetical order… Fred and I will have a little quick introduction here first. So I think the reason for our gathering is that we’ve all sort of been encountering Fred’s many voices through the archive through these many years of recordings that are held at different institutions which are being collected digitally in Fred Wah’s Digital Archive. I’m here at Special Collections, Simon Fraser University. So given that you’re the voice and your voice is kind of the reason for us gathering for today in that we’ve all done some work with your archival voice in one way or another. I thought we could just start off by having a quick discussion about your recording practice and how there came to be so many tapes [all laugh].\nBut in terms of, you know, just having a quick discussion about recording, I just wanted to start by asking you, so when did recording come into your life and when was the first time you saw a portable recording device? [Don laughs] And when was the first experience of hearing your own recorded voice?\n\n(05:56)\tFred Wah\tUh, yes. Let me contextualize my interest in recording, which is back around 1962. The poetry that we were involved with then with the Tish Group in Vancouver was this whole movement in poetry towards working around Charles Olson’s project first for us. And, the whole notion of the head by way, the ear to the syllable, the heart by way of the line to the breast or the breast to the line. So the formality, the materialism of the voice was very much a new thing then. Most of us had grown up with poetry on the page, and  with a silent experience, kind of conversation with oneself silently. So this was new. So the whole notion of making something oral was exciting to me. And, I was primarily a musician or was interested in music, so sound was prominent. And Robert Creeley showed up at UBC as a new American poet, and he at one point brought out his tape recorder.\nWow, what’s that? You know, it’s a machine and it was a kind of stainless steel machine. It’s a Wollensak Reel-to-Reel. And he had tapes that he had made of radio interviews he had done for a radio station in Albuquerque, New Mexico, where he lived and worked. And so he had tapes there of Louis Zukovsky and Ritter Binner, Ed Dorn.\n\n[Low electronic string music begins to play]\n\nI was fascinated by Ed Dorn’s poetry and I heard Ed Dorn’s voice. In those days, that was really a surprise to be able to hear the voice of a poet who you had been reading on the, off the page. [Low electronic string music ends] So I traded in my Marimba vibes and my trumpet for a Wollensak tape recorder [All laugh]. The first time I heard my own voice, I think, was a reading I did with Lionel Kearns and Mike Matthews at UBC, a Noon Hour Reading.\n\nAnd I must have taped it cuz I have the tape.\n\n[All laugh] I can’t remember doing it. And then, so I heard my voice that way, but we weren’t interested in necessarily recording everything. Like I don’t, I have no tapes of the Tish Poets reading or George or Frank or any one of those people reading. And then in 1963 we had the Vancouver Poetry, so-called Vancouver Poetry Conference, which was in the summer of 1963 out at UBC. And Warren Tallman, his father-in-law, gave him this beautiful big console tape recorder. And so he wanted to record the whole conference and he was really interested in recordings.\n\nAnd he asked me, because I knew a little bit about, was learning about tape recordings. He said, could you learn to run this and do that? So I did. But one of the very first sessions we had in the 63 conference, the take up reel broke.\n\n[Sound effect of tape breaking and falling on the floor] It broke down. So I sat there through the whole meeting winding, [All laugh] taking up, taking up the tape, and then I ended up using my own recorder, the Wollensak, to record the rest of the conference.\n\nSo I got into recording and I really enjoyed the notion of not so much documenting, but having the voices of these poets who, you know, a lot of us were interested in, sort of around and available. And they became kind of, it’s a kind of a precious thing and it, and it kind of melded with the whole notion, the whole technology that was going on there. Cuz Reel-to-Reel tape recording was relatively new in the late fifties, early sixties in North America. And eventually it led to other tape recorders and other forms and, and it’s gone on ever since. And I’ve always used tape recording as a, or audio recording as a way of registering more accurately the oral nature of how poetry is being made. [Light piano music begins to play]\n\nAnd I studied linguistics. I was really interested in the kind of nitty gritty of how language is its rhythm and stress is, is there. [Piano music fades and ends]\n\n(10:16)\tDeanna Fong\tI find that such a fascinating response because I think like one of the follow up questions I had was this question of, you know, what this sort of impetus to record was and in the way that you speak of it, and not necessarily a documentary sense, like not as a kind of living proof that you were there or whatever, but more thinking about it as a sort of tool that aids or at least says something about, you know, the affective register of the voice and, and a sort of tool towards composition, it seems like. Is that what you’re talking about?\n(10:47)\tFred Wah\tYeah, I think that recording was a way to sustain the notion of poetry as oral. It just helped. I know I didn’t necessarily know what I was doing. I wasn’t doing it for any specific, other than to collect the ‘63 conference, was basically documenting that. And I remember when we finished, UBC said they owned the tapes, so we gave them a set of the tapes and within a few months they had lost them [Deanna laughs]. And, and I said, do you want another set? No, we’re not, no nevermind. Just don’t bother [Fred laughs]. So it was kind of, you know, it’s kind of a disregard for what we had done in terms of the poetry.\n(11:34)\tDeanna Fong\tHmm. And it also sounds like it becomes a means of circulating poetry that you might not otherwise have access to, or at least not like certainly in oral form. Right?\n(11:45)\tFred Wah\tThat too. And it became, as you know, a way of sharing poetry and voices all over. So you could, you know, like the notion of pen sound or spoken word, all these efforts to get the voices out there has changed, I think, the context for making poetry, because it’s so shared, if you want to. You know, to be able to hear Larry Eigner after reading him carefully was just [Fred laughs]. My mind was blown. [All laugh] [Soft piano music begins to play]\nThat was just so, it was so different and so new. So poetry was made new in us, at least for myself and, I think, made others because of the voice. [Piano music ends]\n\n(12:36)\tDeanna Fong\tAnd also I was, cuz I know that you found a home for the Reel- to-Reel recordings, which include the original 1960s poetry conference recordings at Karis Shearer’s UBCO AMP Lab. And she mentioned that in that collection there’s also a tape that’s like an audio letter, which is either to you or from you, [Deanna laughs]  from Gladys Hindmarch.\n(12:59)\tFred Wah\tI think it’s from her. Okay. I haven’t listened to it because my tape, I didn’t have the tape. I don’t have a tape recording, so I asked Terrace to transcribe it. You know, the technology shifted. So we were able to get portable tape recorders that we had this small tape recorder that did small, could do small three inch reels. Right? And so we shared some letters with our friend Gladys Hindmarch, and, and I don’t know how much we did that with others. Actually, Louis Cabri was with me in Calgary when his friend Aaron [inaudible] from Philadelphia came up. We, Aaron came up and sat and recorded or transferred those old seven inch reels, which by then were 45 years old into mini disks [All laugh]. Right?\nAnd he sat there for a week doing all these transcripts, not transcriptions, but transferring into, into digital format. And luckily the tapes, because they had just been put away in a basement, were still okay. And in fact, I listened to some before I gave them to Karis, that they still seemed to be okay.\n\n(14:14)\tDeanna Fong\tYeah. Because sometimes we really only get the one shot. Hey?\n(14:16)\tFred Wah\tYeah.\n(14:16)\tDeanna Fong\t[Deanna laughs] So when you, when you were recording these things, did you have a sense of a future audience in mind?\n(14:25)\tFred Wah\tNo, not particularly. I was interested in recording, I guess for academic reasons. All through my tenure as a teacher, I would record visiting poets as a way of replaying them for students in classes and that, and I found being able to play recordings of someone reading something that they had read in a book was a valuable experience for students.\nSo pedagogically, they were useful. I didn’t have any other sense of where they might, [Fred laughs] what might happen to them or I, there was a kind of, they were valuable, they were precious things, these tapes. And when I put together these boxes of cassettes to give to Tony that, you know, to deposit up here in the archives there’re just hundreds of, I don’t know how many of there are, but there are a lot of cassette tapes of readings of, you know, particularly Canadian poets that came to Selkirk College or the University of Calgary area, or at least 300, I think.\n\nAnd, you know, so a lot of them probably aren’t of great quality. Just sticking a, I remember the ‘63 conference, we had one microphone. So we have a panel of, you know, six people and this one little Wollensack microphone and the cord wouldn’t reach that long [ All laugh], so people like Robert Dun would grab the whole machine and bring it so he could speak. [All laugh] But distant people sitting at the table, you know, like Phil Win, sitting at the table, you can’t even quite hear him.Things like that.\n\n(16:11)\tDeanna Fong\tYeah. So, what does that mean as like, maybe as a final question, what does that mean as a reader slash listener slash amateur of poetry? That all of these things are all of a sudden just kind of right available at our, our fingertips, our eardrums?\n(16:27)\tFred Wah\t[Somber electronic music begins to play]\nI think it grounds them a little bit more. It makes them, the materiality of them, brings them sort of closer to a different understanding of the event of the poem.\n\n(16:46)\tDon\tDuring their conversation, Fred Wah mentions numerous authors whose voices were instrumental in the development of his own. First among these writers is Charles Olson. From memory, Wah quotes a line from Olson’s now famous essay “Projective Verse”.\n(17:01)\tFred Wah\t“The head, by way, the ear to the syllable of the heart. By way of the rest of the line.”\n(17:06)\tDon\tThis idea of breath, providing the foundation for one’s poetry was influential to many poets writing throughout the 1960s, including a young Fred Wah. [Electronic music ends]\nWe’re gonna play Charles Olson reading “Maximus from Dogtown 2,” recorded at the so-called 1963 poetry conference. But before we do that, let’s begin with that UBC noon hour reading that Fred Wah gave with Lionel Kearns and Mike Matthews. The recording he cited as the first time he heard his own voice.\n\n(17:44)\tTeddie\t[Electronic music begins, interspersed with the sound of radio waves]\nYou are listening to “Revisiting Mountain Many Voices”, the archival sounds of Fred Wah. [Sound effect of a tape being put into a tape player and beginning to play]\n\n(18:04)\tArchival Audio of Fred Wah\tNo particular poetics today, except that I think you’ll probably hear the voices of Robert Duncan, Charles Olson, and Robert Creedey and Robert Kelly. That whole Black Mountain group coming in as I don’t think I’ve found my voice yet.\nThe cold and brisk breeze whipped today the cold and brisk breeze whipped today. But no snow comes such ardor, pure and freeze the muddy water on the streets. Me and my love, seraphic pride walked windward, smiling faces. A quiet morning, early morning and fog my darling, you are sleeping warm with sleep. Cold floor stretches in the dark boulevard and headlights past the glass, the start of day, eggs, coffee, cigarette. I walked before you already in the tired morning, no beginning, but our sleep and love, deep rhythms in our breathings. [Electronic music plays and fades]\n\n  (19:30)\tArchival Audio of Charles Olson\t“Maximus from Dogtown number 2”, or December 5th, 1959. Which I will open with.\nThe sea. Turn your back on the sea, go inland to Dogtown, the harbor, the shore, the city, are now shitty as the nation is, the world tomorrow. Unless the princes of the husting, the sons who refuse to be denied the demon. If Madea kills herself, Madea is a Phoenician wench, also daughter of the terror as Jason Johnson Hines son, hindsight. Charles John Hines, whole son, the Atlantic Mediterranean Black Sea. Time is done in Dun for gone. Jack Hammond put a stop to surface underwater galaxy, time. There is no sky, space or sea left. Earth is interesting. Ice is interesting, stone is interesting. Flowers are carbon. Carbon is Carboniferous, Pennsylvania age under Dogtown, the stone, the watered rock, carbon flowers, rills Aquarium time after fish, fish was Christ. Oh Christ picked the seeds out of your teeth. How handsome the dead dog lies horror X the migma is where the seeds Christ was supposed to pick out.\n\nW sh wunk grapevine Hok, the Dutch and the Norse. And Algonquins. He with a house in his head. She who lusted after the snake in the pond, Dogtown berry smell as the grub beaten fish. Take the smell out of the air. A you’re the tar of Dogtown, the tar matas. Here is the angel matter not to come until R 3000. We will carry water up the hill, the water, the water to make the flower hot. Jack and Jill will up Dogtown Hill on top. One day the vertical American thing will show from heaven. The latter come down to the earth of us all the many who know there is one, one mother, one son, one daughter, and each the father of him self. The genetic is ma the morphic is pa, the city is Mother Polish. The child made man, woman is Mary’s son Elizabeth Mangen the mangen in collagen in collagen time leap onto the leap onto the lamb.\n\nThe aquarium time. The greater the water you add, the greater the decomposition. So long as the agent is protein, the carbon of four is the corners in stately motion to sing in high voice the fables of wood and stone and man and woman love and loving in the snow and sun. The weather on Dogtown is protonic, but the other side of heaven is ocean filled in the flower, the weather on Dogtown. The other side of heaven is ocean Dogtown. The under vault heaven is carbon ocean Quam Dogtown. The under vault, the mother rock, the diamond coal, the Pennsylvanian age, the soft coal love age, the soft coal love hung up burning under the city. Thet is heart to be turned. Black stone, the black cri is the throne of creation. Ocean is the black gold flower.\n\n(23:32)\tTeddie\tNext you’re going to hear poems by Larry Eigner, Louis Zukovski and Ed Dorn. As well as a short clip of Robert Creeley from a panel at the UBC Poetry Conference. Each of these poets, while a part of their own literary coterie were associated with schools and states, were included in the 1960 anthology, the New American poetry edited by Donald Allen. It was this work which Wah referenced earlier when he mentioned the new American poets.\n(24:01)\tFred Wah\t[Echoing sound effect is added to Fred’s voice]\nYou know, to be able to hear Larry Eigner after reading him carefully was just [Fred laughs]. My mind was blown. That was just so, it was so different and so and so new. So poetry was made new in that sense.\n\n(24:28)\tArchival Audio of Larry Eigner\tLanguage is temporary king poetry, the mask on everyday life. What time of the day is it land? What have you to do with or gotten done? Love to poems, the unexpected, the magnetic power. The speed, the ocean drop, dry drop. If there were time they go drawn after us. The city is music is human in the events. The seas drag light in the earth. The greatest thing is orchestra. With men, the wind and the waves are fixed. Open road. You look in hundreds in the night sky, any place the drone would this time enough new each day. Bruce is enough of the old, the dying of oppos to the present contact communication. Explanation. Enough not we keep on.\n(26:31)\tFred Wah\tAnd so he had tapes there of Louis Zukovsky.\n(26:38)\tArchival Audio of Louis Zukovsky reading\tSong Three from 55 poems, compute leaf points water with slight dropped sounds. Turn coat sheet facts say for the springs, blooms fall the trees trunk has set the circling horn branch to cipher each drop the eye shot and the rain around. So cheated well let the fallen bloom wet clutter down and into and the heart fact hold Nothing. Desire is no excess. The eye points each leaf. The brain desire the ray, she recites their brief song. 13 in that this happening is not unkind. It put to shame every kindness mind mouths their words. People put sorrow on its body before sorrow had came. And before every kindness happening, for every sorrow before every kindness song 18, the mirror oval sabers playing the chips in the room next door. The voices behind the wall will be lit by highlights in the morning, in bed. A wall between continuing voices, chips stacking instead of bales, the water sounds extending a harbor, one sleepless, one sleeper on the fourth floor. In that this happening is not unkind. It put to shame every kindness mind mouths their words. People put sorrow on its body before sorrow. It came. And before every kindness happening, for every sorrow before every kindness Song 18, the mirror oval sabers playing the chips in the room next door. The voices behind the wall will be lit by highlights in the morning, in bed, a wall between continuing voices, chips stacking instead of bales. The water sounds extending a harbor, one sleepless, one sleeper on the fourth floor.\n(29:39)\tArchival Audio 5\tHow can you be other than where you are?\n(29:45)\tFred Wah\tI was fascinated by Ed’s poetry and I heard Ed’s voice in those days. That was really a surprise to be able to hear the voice of a poet who you had been reading off the page.\n(30:02)\tArchival Audio of Ed Dorn\tI sure never tried to do this without smoking [audience laughs]. This one is called Hawthorne. End of March, 1962. That day was dark fog fell down our mountain. The snows were wet patches and around the legs laid as like and around the barn, dark red shadows the day he died. The slow quiet break. What an odd person to die beside. Franklin Pierce never go to the mountains. Near the end, the air is spoken for. I thought how just Americans still love morality. With many preliminary question, he was fierce for the slight connection back to what there was. This poem is, uh, completely abstract, as far as I know. It’s called an inauguration poem. And I wrote it during the last inauguration. Unasked, of Course, [Audience laughs] Out of the zone of interior armies, the Nebraska of our terror flies pro gating the statistical laws of our starvation, where on the spinning habitation men’s eyes see the regiments of vegetation. And one man is the mouth of all and a narrowing harrowing rib in Denmark that dope delivered country is not starker than the staple deprived herdsman of the African. Who’s it? Out of the zone of interior armies come the advocates of nations where none can breathe outside the given crush, forsaking even established ignorance. Promo gating desire born against the honed knife of one secretary or another. Out of the zone of interior armies. The trains of El Presidente shoot laden with food for no destination anyone has charted because in a storage bin in the Midwest was held the grand conference on the grammar of scarcity. And the farmer stands beside the senseless soil and mumbles that this far starvation is named parody. Out of the interior skulls of our rulers stepped slim hygienic elegance of patrons of painted walls and bushman’s haircut, gut full with the art of wishing rice upon the multitude to make marriage of new nations to be ridiculed by coronets of old jazz. Like, don’t have too many babies unless you have the viles.\n(32:53)\tDon\tThat was Larry Eigner, Louis Zukofsky, Robert Creeley, and Ed Dorn. Next you’re going to hear a conversation between Denise Labov and Margaret Avison taken from a panel at the 1963 Poetry conference before coming back to that first tape of Fred Wah.\n(33:15)\tDenise Labov\tWell, I I think that if you’re, if you’re worrying about whether you are communicating while you’re writing it’s absolutely undermining. Well, to whom are you communicating? Are you communicating to, to someone you know who who who has, who’s who, whom you know to be your peer? Are you communicating to your landlady who isn’t gonna read it anyway? Are communicating on what level are you communicating? So you can’t possibly think about Tom about communication while you’re writing forth. But if you think about precision, if you really try to be absolutely accurate to what you know then chances are that you will communicate. Cause there seems to be a level of of, of communication that that comes about through through precision to one’s own knowledge.\n(34:10)\tMargaret Avison\tI used the word conversation earlier about the early stage of writing when you imitate. And I think that is a real communication of poetry you’re reading and it possesses you in a sense and you murmur back at it. You don’t do it intentionally. You usually feel bad when you discover you’ve done it. But I think most writers, at least when they’re 12 and 15 and so are doing that, aren’t they? And then you get away from that kind of communicating as you begin to find, yes, I have a voice.\n(34:55)\tArchival Audio of Ed Dorn\tOne last poem I’m going to sing in this one. So laugh if you want to. My voice is very good. But this is with lots of voices. Pound and especially Duncan Olson coming in. I can’t get away from it. But here it is a poem appealing for a life of pla passion and a place on earth where poetry is wanted are variations on a voice from Duncan. And if I live, I live for love of you. All things come together. So they say, and the way which one will show us which time it is in place of memory. I live for love of you. My life becomes the pin through the nude. Kneeling and worship becomes my wall. My white PHUs becomes light, strikes the beat. Time takes up making up remembrances. I call out ahead into the dark. Who is it? Who would love me? On the mountain side, the snow still falls and her glowing cheeks hang low ahead of me. The tracks are filling. I follow unanswered with the snow falling in my dream of love. And stay this place a while. Press her hanging to my breast. The lovers test, fragments of music ripple in my head. Unsteady notes in the lake light fall themselves into my eyes. Vow glides of water. Sing. Sleep. Sleep. Peel of poem from my memory. Sleep. Sleep. And if I live hold, let me live. Which also calls this place of passion speaks as it is poetry to me. And make it new reader. Strike out new you become old. In remembering, recall, I reproached you two summers ago at your excretions. I could only look at you that way. I can only speak to you now with your pants down. Those first few words are still as costly to my passion. Who would make life new when love grows old? Oh, show me the way to the next listener’s ear. Oh, don’t ask why. Oh, don’t ask. Why for I must find the next listener’s ear for if I don’t find the next listener’s ear. I tell you, we must die. I tell you, we must die. I tell you, I tell you. I tell you we must die. And if I live, he’ll let me live and sing. My poems a spool of passion. Ill let me live. We’re loved ones, but I reach with the hand for the new moon. And if I live, they’ll let me live in love of you. The song still sings And further on, that’s time King, queen of the Summer, throne of love in the sand stained the pins in tired, she floats backside in the lake water ripples in smooth furs about her nipples, breaking the sleek moon surface that summer night. And if I live, I’ve lived for love in full time. The beat strikes on time dances the memory to the full tune. Thank you.\n(38:19)\tTeddie\tThis has been Revisiting Mountain Many voices, the archival sounds of Fred Wah. If you want to hear more from Fred Waugh’s audio archive, check out the episode “Night of the Living Archive by” Liza Makarova.\n(38:48)\tKatherine McLeod\tThe SpokenWeb podcast is a monthly podcast produced by the SpokenWeb team as part of distributing the audio collected from and created using Canadian literary archival recordings found at universities across Canada. Our producers this month are Teddie Brock and Donald Shipton, MA students at Simon Fraser University. Our supervising producer is Kate Moffatt. Our sound designer and audio engineer is Miranda Eastwood. And our transcriptionist is Zoe Mix. To find out more about SpokenWeb, visit spokenweb.ca. Subscribe to the SpokenWeb podcast on Apple Podcast, Spotify or wherever you may listen. If you love us, let us know. Rate us and leave a comment on Apple Podcasts or say hi on our social media at SpokenWeb Canada. Stay tuned to your podcast feed later this month for Shortcuts, with me, Katherine McLeod. Short stories about how literature sounds."],"score":0.8611313},{"id":"9598","cataloger_name":["Ella,Hooper"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SpokenWeb AV"],"source_collection_label":["SpokenWeb AV"],"collection_contributing_unit":["SpokenWeb"],"source_collection_uri":[""],"collection_image_url":["https://archiveofthepresent.spokenweb.ca/_nuxt/img/header-img_1000.fd7675f.png"],"collection_source_collection_description":["SpokenWeb Audio Visual Collection"],"collection_source_collection_id":["ArchiveOfThePresent"],"persistent_url":["https://archiveofthepresent.spokenweb.ca/"],"item_title":["SpokenWeb Podcast S4E7, Audiobooks in the Classroom, 1 May 2023, Levy and Schwartz"],"item_title_source":["SpokenWeb Podcast web page."],"item_title_note":["https://spokenweb.ca/podcast/episodes/audiobooks-in-the-classroom/"],"item_language":["English"],"item_production_context":["Podcast"],"item_series_title":["The SpokenWeb Podcast"],"item_series_description":["Series of podcasts by the SpokenWeb network."],"item_subseries_title":["The SpokenWeb Podcast Season 4"],"item_series_wikidata_url":["https://www.wikidata.org/wiki/Q117038029"],"item_series_uri":["https://spokenweb.ca/podcast/spokenweb-podcast/"],"item_identifiers":["[]"],"rights":["Creative Commons Attribution (BY)"],"rights_license":["Creative Commons Attribution (BY)"],"access":["Streaming and download"],"creator_names":["Michelle Levy","Maya Schwartz"],"creator_names_search":["Michelle Levy","Maya Schwartz"],"creators":["[{\"url\":\"http://viaf.org/viaf/20010042\",\"name\":\"Michelle Levy\",\"dates\":\"1968-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\"]},{\"url\":\"\",\"name\":\"Maya Schwartz\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\"]}]"],"contributors":["[]"],"Publication_Date":[2023],"material_description":["[]"],"digital_description":["[{\"file_url\":\"https://cdn.simplecast.com/audio/28a9da1f-8cca-410c-b5d7-8165a73f9394/episodes/58cbf262-da12-45e9-9dd7-822f98fa2de2/audio/819beef1-71ae-494f-8194-25b545bae90c/default_tc.mp3?nocache\",\"file_path\":\"\",\"filename\":\"s4e7.mp3\",\"channel_field\":\"\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"00:54:52\",\"precision\":\"\",\"size\":\"52,667,080 bytes\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"MP3 audio\",\"title\":\"s4e7\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://spokenweb.ca/podcast/episodes/audiobooks-in-the-classroom/\"}]"],"Dates":["[{\"date\":\"2023-05-01\",\"type\":\"Publication Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"Simon Fraser University Maggie Benston Centre\",\"notes\":\"\",\"address\":\"8888 University Drive, Burnaby, BC, V5A 1S6\",\"latitude\":\"49.276709600000004\",\"longitude\":\"-122.91780296438841\"}]"],"Address":["8888 University Drive, Burnaby, BC, V5A 1S6"],"Venue":["Simon Fraser University Maggie Benston Centre"],"City":["Burnaby, British Columbia"],"Note":["[]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Baron, Naomi S. How We Read Now: Strategic Choices for Print, Screen, and Audio. Oxford University Press, 2021, https://academic-oup-com.proxy.lib.sfu.ca/book/41098.\\n\\nCarrigan, Mark. “An audible university? The emerging role of podcasts, audiobooks and text to speech technology in research should be taken seriously.” The London School of Economics and Political Science, 2021, https://blogs.lse.ac.uk/impactofsocialsciences/2021/12/17/an-audible-university-the-emerging-role-of-podcasts-audiobooks-and-text-to-speech-technology-in-research-should-be-taken-seriously/.\\n\\nHarrison, K. C. “Talking books, Toni Morrison, and the Transformation of Narrative Authority.” Audiobooks, Literature, and Sound Studies, edited by Matthew Rubery, Taylor and Francis Group, 2011, p. 143.\\n\\nSarah Kozloff, “Audio Books in a Visual Culture.” Journal of American Culture, vo. 18, no. 4, 1995, pp. 83–95, 92.\\n\\nMorrison, Toni. The Bluest Eye. Holt, Rinehart, and Winston, 1970.\\n\\nPergadia, Samantha. “Finding Your ‘Voice’: Author-Read Audiobooks.” Public Books, 2023, https://www.publicbooks.org/finding-your-voice-author-read-audiobooks/.\\n\\nRubery, Matthew. “Introduction: Talking Books.” Audiobooks, Literature, and Sound Studies, edited by Matthew Rubery, Taylor and Francis Group, 2011.\\n\\n–––. The Untold Story of the Talking Book. Harvard University Press, 2016.\\n\\nTennyson, Alfred. “The Charge of the Light Brigade.” 1890, https://www.cabinetmagazine.org/kiosk/cabinet_kiosk_16_march_2021_rubery_matthew_audio_002.mp3.\\n\\n \"}]"],"_version_":1853670549542141952,"timestamp":"2026-01-07T14:59:53.966Z","contents":["What does it mean to “read” an audiobook? What happens when we teach literary audio in the university classroom? How can we prepare our students for success in reading and listening to audio literature?\n\nFeaturing a round-table conversation with graduate students Ghislaine Comeau, Andy Perluzzo, Ella Jando-Saul and Maia Harris at Concordia University and an interview with Dr. Jentery Sayers from the University of Victoria, this episode, hosted by Dr. Michelle Levy and SFU graduate student Maya Schwartz, thinks through the challenges and opportunities of inviting audiobooks into the literary classroom.\n\n\n(00:04)\tSpokenWeb Podcast Theme Music:\t[Instrumental Overlapped With Feminine Voice] Can you hear me? I don’t know how much projection to do here.\n(00:19)\tKatherine McLeod\t[Music fades] What does literature sound like? What stories will we hear if we listen to the archive? Welcome to the Spoken Web podcast, stories about how literature sounds. [Music ends]\nMy name is Katherine McLeod, and each month I’ll be bringing you different stories of Canadian literary history and our contemporary responses to it created by scholars, poets, students, and artists from across Canada. Imagine sitting down to read a book for your literature class. When I said that, you probably pictured yourself opening a book, maybe a Toni Morrison novel, or a poetry anthology. But what if reading a book for your class looked like putting on headphones and pressing play? What happens if we consider the audio book pedagogically? What does the medium of the audiobook allow for in the classroom? How do students respond to listening to books?\n\nIn this episode, styled like an audio essay, producers Dr. Michelle Levy and MA student Maya Schwartz ask these very questions, putting current scholarship and personal reflection in conversation with interviews with professors and students alike in order to think through how literature sounds when it comes to audiobooks. Put on those headphones and turn up those speakers. Here is episode 7 of season 4 of the SpokenWeb Podcast: Audiobooks in the Classroom. [SpokenWeb Podcast Theme Music begins to play and quickly fades]\n\n(02:01)\tVoices Overlapping\tIt’s like, listen, ear skimming-\nYou kind of just like-\n\nBlank Out listening-\n\nIs attention by treating-\n\n-artifact myself-\n\n-Oh, this is like maybe a quarter of the way through the books, so it must be a quarter of—–\n\nThe way the author enters the room. And I often, uh, when I’m teaching…\n\n(02:17)\tAI Generated Voice\tYou’re listening to “Audiobooks in the Classroom” by Michelle Levy, narrated by Michelle Levy and Maya Schwartz.\n(02:28)\tMichelle\tThis podcast asks a seemingly simple question; how are we harnessing new audio forms to teach literature in the university classroom? According to Casey Harrison writing in 2011, “there is a dearth of scholarly literature on the medium of the audiobook.”\nFrom this, she concludes that this widely popular form is not being taken seriously by the academic establishment. With some important exceptions, the lack of research on the audiobook persists, even though as Harrison writes, “academics and avid readers happily avow their enjoyment and appreciation of recorded books.”\n\n[Light electronic music begins to play]\n\nAs you will hear throughout this episode, we are getting a lot of dishes washed with all of our listening. But are we taking advantage of the pedagogical potential of literary audio? This episode addresses the challenges both real and imagined that are shaping both the use of and the resistance to the incorporation of literary audio in teaching. [Electronic music ends]\n\nIt explores some of the ways in which college instructors are taking advantage of the wealth of literary audio now available to us.\n\nIt also offers reflections from students about how they are experiencing these experiments with literary audio. Ultimately, this episode of the SpokenWeb Podcast seeks to offer some practical guidance to instructors and to elucidate how the use of literary audio can enhance connection, understanding, and enjoyment for our students. [Quiet string music begins to play]\n\nTo address these issues from the perspective of both the instructor and the student.\n\nThis podcast will interweave my own commentary with that of Professor Jentery Sayers of the University of Victoria, an expert in sound media and literary history, who Maya interviewed for this podcast. You will also hear an interview conducted with four graduate students from Concordia University who have recently taken a course with Professor Jason Camlot, that centered audio literature PhD students, Ghislaine Comeau and Andy Perluzzo, and MA students Ella Jando-Saul and Maia Harris were asked to set up questions similar to the ones I asked Jentery, and I’m delighted to include their responses to provide a range of student perspectives on the use of audio literature.\n\nI’m also joined by Maya Schwartz, an MA student at SFU, who helped to produce this podcast episode and who joins me in voicing some of the narrative commentary in this episode. [String music ends]\n\nAs an avid listener of literary audiobooks and podcasts for over a decade, it was the pandemic that finally prompted me to teach audiobooks. Jentery had decided to take the plunge before Covid.\n\n(05:07)\tJentery\tIf I recall correctly, I think I proposed it prior to the shift online for the pandemic. We shifted in March, 2020. But what I did as I was preparing it is I took advantage of some aspects of that dynamic. The fact that, I think, increasingly people were listening to podcasts, people were listening to literature, and, you know, a lot of people were inside for [Jentery laughs] doing a lot of their work.\nSo I taught, I ended up teaching the seminar online, and doing what I can or doing what I could to integrate audio into the teaching, into the dynamic that way. And I think on the whole, it worked out quite well. It was a joy to teach.\n\n(05:45)\tMichelle\t[Low string music begins to play]\nAs Jentery says, the shift to online teaching during the pandemic meant that students were receiving their instruction through audio and video, and apart from others in their home, which seemed to support the incorporation of literary audio into our courses. When teaching audiobooks and literary audio as instructors, we face a number of practical considerations.\n\nShould we require students to buy both the audiobook and a print copy of the book? Assuming the audiobook is not freely available, will they need a print copy of the book for their assignments? And if we require them to purchase both, can we justify the cost, particularly given that audible.ca unaccountably fails to offer a student membership? Could we assume that every student had a device from which they could access an audiobook or a podcast?\n\nThere were also questions about which audiobook or podcast to select and how much performance and accessibility should drive our selection. In some cases, such as canonical novels like those by Charles Dickens or Jane Austen, there may be dozens of audiobook versions to choose from, and much like the decision about which print edition to ask our students to purchase, selecting an audiobook requires thoughtful deliberation of the various options. Accessibility also plays a role. Most of our students have spent their academic careers silently reading. How do we prepare them to listen? [String music ends]\n\nOne of the audiobooks I have assigned, Anna Burns’ novel Milkman, is narrated by a character known only as “middle sister”. It is performed by Belfast actor Brid Brennan in a thick northern Irish accent. For me, the voicing brought the novel vividly to life. It also helped me to make sense of the stream of consciousness narration and the disorientation that comes from none of the characters being assigned proper names. [Quiet electronic music begins to play]\n\nBut some of my students struggled to hear the words and the story through the accent. Thus, a feature of the voicing that enhanced the story for me was a barrier to some. I begin, however, with one of the most fundamental questions that has vexed the use of audiobooks for teaching and research; whether listening is reading.\n\n(08:01)\tAI Generated Voice\tChapter One: Is listening reading? [Electronic music ends]\n(08:07)\tMichelle\tThere is an entrenched suspicion that listening to an audiobook or a podcast is a passive activity, and hence not really reading. Jentery describes how this issue arose in a contemporary American fiction class he taught about a decade ago. One of his students kept referencing, having listened to a novel assigned for the course.\n(08:28)\tJentery\tThere was one student in particular that talked about listening the whole time when answering questions and just having class discussion. And I was fascinated by this. So I just said, do you mean just to be honest, do you mean this literally? Are you, are you listening to the book? Are you using this as a way to talk about the novel as a living text, as language, as discourse? And he’s like, no, no, I’ve listened to audiobook versions. And then, and he is like, is that okay?\nAnd so it became this discussion around the popular student perception, I think, that listening was cheating, right? And so I was like, oh, this is, this is a fascinating topic, but also more important, like it is not, and I want to think through why, for a number of reasons, including accessibility, we might want to, for good reason, debunk the that listening is cheating or that books are not meant to be listened to.\n\n(09:19)\tMichelle\tIn our conversation, this question of whether listening is reading and more pointedly and judgmentally, whether listening is cheating, resonated with Jentery who began to think about how these ingrained biases impacted his scholarly approach to and valuation of literary audio.\n(09:38)\tJentery\tI’ve always been interested in the kind of cultural dimensions of listening, the cultural dimensions of sound, but only recently, like in the last eight years or so, started to think about that in literature. And I think partly because I too had inherited this idea that if I started to do that work in literary studies, I’d be cheating my discipline.\nSo it kind of brushed against the grain of how I had been taught literary studies, how to read text with a capital T as a methodological field, but also, yeah, just plainly the sensory work I was doing and why I was parsing it. Like why was it that when I was listening I was like, oh, this is my media studies work. And why when I was reading, I was like, oh, this is media studies and or literary studies depending on the content.\n\n(10:16)\tMichelle\t[Quiet string music begins to play]\nIn his introduction to the essay collection, Audiobooks, Literature and Sound Studies, Matthew Rubery, an historian of talking books, examines some of the assumptions that feed into assertions that listening as opposed to reading on the page, offers a compromised cognitive experience. According to Rubery, there is a belief that audiobooks do not require the same level of concentration as printed books, or that one can be inattentive while listening to an audiobook. He explains how the very features promoted by audiobook vendors as selling points; their convenience, portability, and supplementary status to other activities are the same ones used by critics to denigrate the format as a diluted version of the printed book.\n\nAudiobooks are chiefly marketed as or conceived to be entertainment, and this is another reason why they’re considered derivative of or subordinate to the printed book. What, however, other than marketing pitches underlies the belief that listening to audiobooks is not the same as reading, and why is it considered even more punitively a form of cheating?\n\nOne possibility relates to what is called, and this is a quotation from Rubery, “the reader’s vocalization of the printed page, which has been taken by many to be a fundamental part of the imaginative apprehension of literature. When we read on the page, it is thought that we voice what we are reading in our head, and thus are more actively involved in meaning making than when a text is read to us.” The implication again is one of listening being passive, that instead of voicing in our minds, we are merely receptors when we listen.\n\n[String music ends]\n\nA similar objection is often made to watching a film version of a book before reading the book. The belief, again, is that it robs us of our imaginative reconstruction of the world the author creates through words alone. Reading on the page, so the theory goes, demands one’s undivided attention and imaginative powers, whereas listening does not because it allows and even invites us to perform other activities. And the fact is that many of us do turn to audiobooks in the hopes that we can accomplish other tasks while listening, but what in fact happens when we listen in order to or because we think we can multitask?\n\n(12:43)\tAI Generated Voice\tChapter two: Listening As Overwork\n(12:49)\tMaya\tAs you will hear in the conversations throughout this podcast, many of us turn to audiobooks and podcasts as an attempt to maximize productivity, to fill intellectually the downtime of commuting or driving across the country, of doing chores or other forms of physical labor. Here is Jentery speaking about why he began to listen.\n(13:09)\tJentery\tAnd at first I took this as just basically a way of multitasking. Maybe it was like a form of overwork. If I’m being more reflective about it, I’m like, okay, so I might be going for a walk or I might be gardening or I might be doing the dishes, so I’m gonna put on a podcast that’s about, you know, literary criticism, literary culture or games culture, or I might listen to an audio book.\n(13:29)\tMaya\tMaia, an MA student from Concordia similarly explained that her desire to listen while doing other things was a coping mechanism meant to address overwork.\n(13:39)\tMaia\tI also have a similar experience. It was during my undergrad and I was really overworked, so I thought I’d get, I think it’s called scribd, an account on there. And I downloaded Milton’s Paradise Lost and I thought, this is great, I can do this while I work out. Two birds, one stone, and I, I think I missed about half the novel that way and it was a really unpleasant time.\n(14:00)\tMaya\tPhD students, Andy and Ghislaine also spoke about their experience with audiobooks before the course and how they attempted to listen while working and driving, cleaning and crafting. They also found that they could not concentrate on what they were listening to when doing these other activities and mostly gave up on audio books.\n(14:21)\tAndy\tI started listening to audio books. I got an audible membership to trial because I was working in a warehouse and so I had a lot of time moving my hands, but my brain was idle. So I remember I bought The Brothers Karamazov and I thought that that was gonna be the book and then honestly totally just distracted me. I never listened to audiobooks after that. I found it pretty unpleasant and I couldn’t focus. It was really hard for me to focus. Yeah, otherwise maybe driving. I drove cross country twice last year, so I definitely listened to some audio books, but, same thing, totally zoned out most of the time.\n(15:01)\tGhislaine\tYeah, I have kind of a similar audible trial experience where it’s like, yeah, I’ll try this out. And I downloaded the entire works of Poe and I’m like, yeah, I can listen to this at night or whatever. And after maybe 5, 10 minutes, I couldn’t focus on it, I just fell asleep. So I [Ghislaine laughs] since then, didn’t try to listen to other audiobooks cuz it just didn’t hold my attention.\n(15:29)\tMaya\t[Quite electronic music begins to play]\nEven after the course, the students reported that their ability to multitask while listening almost entirely depended on the content of the audiobook and the nature of the task at hand.\n\n(15:40)\tGhislaine\t[Electronic music ends]\nOn your note, Ella, of listening to non-serious books after the class ended, and it was like winter break and I still had this Audible subscription that I had to renew [laughs] because of the class and I forgot to cancel it. So I’m like, you have one credit. So I got this very unserious book called The Housemaid and all through the break, well not all through because it just took me a couple of days, I listened to it nonstop and I had a really good time listening to it, doing menial tasks, like dishes and, you know, little crafts.\n\nSo not for sleep and not for any serious work and not serious books, I could see myself maybe getting into audio books now, but yeah, I don’t know.\n\n(16:26)\tElla\tYeah, I mean I mostly listen to audio books if I’m walking or doing the dishes, like nothing that takes any more brain power than walking or doing the dishes. There’s a very fine line, like the harder the book, the more specific the task has to be to be like the right task to listen to an audiobook.\n(16:42)\tMaya\tThese conversations challenged the belief that listening is passive. Maia likewise spoke to her surprise at how much attention listening required and how this challenged her assumption about the primacy of the written.\n(16:55)\tMaia\tI wasn’t anticipating, as you’ve said as well, the amount of attention or even treating the audio as an artifact in and of itself. I didn’t realize coming into this class that I thought about it as a secondary modality to like a written form, especially from my past experience of really struggling with the audiobook and more complex wordplay that didn’t really amplify the porosity of what I was reading at all.\n(17:21)\tMaya\tAnd Jentery related that when he attempted to listen while doing chores, those chores often took a very long time.\n(17:28)\tJentery\tTo use one of my everyday examples, I often listen to a podcast while I’m doing the dishes in the evening and it’s always striking to me that there’s something said or something I heard that I will stop and go take a note. I’ll write that down on my phone or I’ll have a notebook next to me and I’ll make a note of it to return to later cuz I’m worried I might forget it, perhaps, just due to age at this point, but I go and I make a note and then I go back and then all of a sudden I’ve been doing dishes for two hours. It’s such a…it’s almost ritual at this point.\n(17:55)\tMaya\tFor Jentery, careful listening did not necessarily lend itself to multitasking, or at least to efficient multitasking. Ella described how even though she had been listening to readings in other courses and thought she was prepared, the reality was very different when confronted with the kind of listening she was asked to do in her Concordia class with Jason.\n(18:16)\tElla\tI was sort of primed for the class. I was like, great, now it’s just official, I’m going to be listening instead of reading. But I guess some of the things that we ended up having to listen to for the course required a lot more attention than I usually gave to my listening. And so I’d have to sit and listen rather than walk or do the dishes and listen, which I find a lot more difficult. I don’t know, I lose track, I lose focus if I’m just sitting and listening.\n(18:42)\tMaya\tAlthough we sometimes turn to an audio version of a book as a time-saving mechanism, thinking we can do chores when listening or as Maia says, “two birds, one stone”. It is not always possible. Often the listening or the chore or both are compromised. Further, we should bear in mind what Mark Kerrigan calls auditory fatigue; the analog to screen fatigue. Which he describes as experiencing a limit to listening, which is increasingly familiar, a sense of being oversaturated and unable to hear myself think.\n[Electronic music begins to play]\n\nIn the conversation with Jentery, he talked about the challenges of asking people to take listening seriously and understanding the obstacles to attentive listening are part of that conversation. But to bring listening more fully into the classroom, we also need a better understanding of the processes of reading on the page. If listening is relentlessly and usually negatively compared to reading, we should first make sure we know what we mean by reading in the first place.\n\n(19:46)\tAI Generated Voice\tChapter three, what is reading anyway?\n[Electronic music ends]\n\n(19:52)\tMichelle\tI asked Jentery about how dismissals of listening are often informed by idealized notions of reading, particularly reading in print what you read.\n[Audio from interview with Jentery begins]\n\nBut I wanna go back to what you said earlier about often listening while multitasking, and I guess that just strikes me as so interesting and important and I think it is one of the reasons why lots of us do listen to a lot of different things, but I guess what I’m wondering is can we again maybe muddy that and say listening doesn’t just have to be deep or intense or close, that sometimes we don’t listen with that kind of intensity and that’s okay.\n\nSo one thing that has come up with my students and I’ve heard this in the interview with Jason Camlot’s students, is that they kind of go in and out of attention. Certain audio texts are much easier to listen to, some are harder, but I also think that’s what we do when we read.\n\nWe just have this fantasy that when we read, we’re just wrapped and we’re reading every word, and we’re taking it all in. I think that waning of attention is common to both acts.\n\n[Quiet string music begins to play]\n\n[Interview audio ends]\n\nEven though we often treat reading as if it is one thing, it is in fact a multitude of practices and cognitive experiences. Sometimes we read every word, but very often we scan or skim or surf when reading or simply fail to take in the words in front of us due to incomprehension or boredom or fatigue. And the same thing happens to us when we listen. Andy coined the phrase “ear skimming” to describe a similar experience that happens when listening.\n\n[String music ends]\n\n(21:22)\tAndy\tYeah. That makes me think of skimming. When you skim readings that you’re not interested in, it’s like, listen, ear skimming [laughs], you kind of just blank out or, you know, distract yourself and then tune in when something picks up your interest.\n(21:38)\tMichelle\tThe contemporary neuroscience of reading as popularized by writers, including Maryanne Wolf and Stanislas Dehaene has shown us the complexity and variety of the neural processes that we designate by the single term reading.\n[String music begins to play]\n\nAnd notwithstanding the strong opinions about listening as compared to reading, there is a surprising lack of empirical research that directly evaluates how modality of presentation impacts comprehension and what little research there is has yielded conflicting results.\n\nNaomi Baron’s 2021 book, How We Read Now: Strategic Choices for Print, Screen and Audio, surveys current research and reports that although some studies suggest that comprehension may be improved when texts are read on the page as opposed to heard, these studies are limited and other empirical evidence suggests no difference. Some research, for example, shows that with listening, multitasking and mind wandering may be more prevalent.\n\nHowever, these effects appear to be lessened when what is being listened to is a narrative as opposed to an expository text. Some of the experiments involve listening to textbooks where depending on the subject matter, mind wandering is perhaps not surprising. My takeaway from her book is that the difficulties that are detected with oral comprehension and retention in some of the studies are more likely to be learned rather than innate. This interpretation aligns with research that shows that younger children are more effective listeners and that they lose these skills over time, becoming better readers than listeners.\n\nPerhaps this is because younger children are rewarded for and taught to value listening and this capacity wanes as emphasis on reading written materials intensifies. At the college level, we need to ask whether students put the same mental investment and time into their listening as they do into their reading. Baron helpfully points out some of the specific ways in which audio texts, including podcast and audiobooks, can prove challenging in terms of comprehension and recall.\n\nShe notes that audiobooks often lack certain elements that appear in or are endemic to print and that have been proven to aid learning when reading written texts. Podcasts, she points out, usually present undifferentiated sound and emit what are called signalizing devices such as bold or metallics that emphasize what is particularly important, as well as other visual landmarks such as headings and page breaks that can help readers chunk material into more comprehensible pieces.\n\nAudio texts also do not provide visual aids such as charts or graphs or images, all of which can enhance learning. Finally, annotation of written materials is a practice that has been proven to help readers understand and retain material, but annotation of audio can be more challenging. One of the reasons why the physical book has been such an enduring medium is because it enables annotation, whether in the form of handwritten notes, underlining or highlighting or adding sticky notes.\n\nBut performing any of these tasks with audio is, if not impossible, then less familiar, as our students are usually asked to speak or write about what they have read or heard. And as that is our work as scholars, we need mechanisms for marking audio to help us emphasize and find those passages we wish to return to. When listening to an audiobook or a podcast, we are often compelled to keep notes in a separate medium as Jentery did while listening by taking notes on his phone or notebook. This is one of the challenges we discussed.\n\n[String music ends]\n\n(25:12)\tJentery\tYeah, so the only audiobook I taught in that particular class was The Bluest Eye by Toni Morrison. I recommended getting it in print as well, and I gathered probably somewhere between two thirds and three quarters the students did. So I did not, however, I demonstrated the use of annotation in the online class, like by showing how I annotate my own audio, you know, sharing a screen essentially, but I did not, and I should have, but I did not teach annotating audiobooks or annotating sound more generally.\nIn hindsight, if I had done it again, I would probably do something like that or figure out a way to integrate some kind of software or a mechanism to make it more approachable to students. But it kind of sparks my imagination here and I’m wondering how it is that when students were listening, how it is that they took notes and how that might correspond with and differ from how helped students take notes, say in the print novels that I teach, that would be a fascinating question. I’m sure people have studied this, but it’s not in my wheelhouse.\n\n(26:06)\tMichelle\tFortunately, annotation tools for audio do exist. Audible has a bookmark function that saves your place with a timestamp and in the digital file and allows you to enter notes. Tanya Clement, a scholar from the University of Texas, Austin, who is part of the SpokenWeb network, has been working with her team to create Audi Annotate: a web-based open source tool that supports audio and video markup.\nThese tools are needed to enable us to engage with audio in ways that are analogous to how we mark up text and print and now digitally audio annotation tools therefore seek to provide us with a set of options to approximate what we do with a printed book, such as turning down the corner of a page or adding a handwritten note.\n\nAnnotation can also support our spatial sense of where we are in a digital audio file, an aspect of reading that is normalized when we read a physical book, even if we don’t mark it up as we read, we tend to have a sense of what comes where, but this recall can be harder to replicate in an audio file. [Light electronic music begins]\n\nElla similarly reported needing to reference a print edition in order to anchor herself when listening.\n\n[Electronic music ends]\n\n(27:16)\tElla\tSo I ended up having to look at a print version just to anchor myself, you know, I’d look, oh, oh, this is like maybe a quarter of the way through the book, so it must be a quarter of the way through the audiobook. I mean, that was difficult, taking a long form audio piece and being like, somewhere in here I remember listening to a fun thing, now I gotta find where it is. So I would use the print for that, but then I was, again, just using like the free Gutenberg version of that.\n(27:39)\tMichelle\tThe printed book offers us navigational tools and opportunities for annotation that support the comprehension and retention of written texts, but they are not reading per se. As Ella points out, books can also provide images and other formatting and formal features that help us to make sense of the words on the page.\nAudio is in need of tools that help us to anchor ourselves for the reasons mentioned and also because listening almost always takes longer than reading. I noticed that on the syllabus Jentery quantified the length of time students were expected to listen to the material he had assigned. [Light string music begins]\n\nThat was one of the aspects of teaching audiobooks that I struggled with as the audiobook of the novel, Milkman comes in at 14 hours, 11 minutes, and the two other audiobooks I assigned, Cersi by Madeline Miller and Girl, Woman, Other by Bernadine Evarist clock in at just over 12 and 11 hours, respectfully.\n\nAs we do not want to encourage our students to listen at faster speeds, and as we must acknowledge that re-listening may be needed, we must factor in the time it takes to listen, which is almost certainly longer than it takes to read on the page. Jentery explained that he had been quantifying expectations for how much prep time students would need to listen since the pandemic. [Electronic music ends]\n\n(28:56)\tJentery\tSince the pandemic, issues related like when, you know, your sense of place and your sense of campus changes, and the campus is kind of in your house now or in your domestic space. I think time management is affected pretty deeply and I gather research supports that assumption. So that was part of it, just making clear and or transparent labor expectations, while noting that mileage may vary.\nBut it also comes actually out of doing a lot of work with digital media and just more generally in digital studies, where in my own training and in my own education, I had gleaned a pretty concrete sense of how long it would take me to read a 200 page novel and I could assign that accordingly and we could talk about that in terms of time.\n\n(29:38)\tMichelle\tWhat I hope these conversations have illuminated are the ways in which we as instructors can help our students. By recognizing that effectively reading written text encompasses a range of practices, we can think about how best to provide a set of comparable supports to enable our students to succeed in listening.\nIn the pedagogical audio we create, such as this very podcast episode, we can enact some of the signalizing devices that readers of printed material are accustomed to and rely on to make sense of what they’re reading, by adding section breaks, as I’ve endeavored to do in this podcast.\n\nAlthough a podcast is in oral media, we can enhance it with visual aids and transcriptions as again is attempted in the blog post that accompanies this podcast. [Electronic string music begins to play]\n\nOne of the other immediate demands of teaching literary audio is providing students with a framework for understanding what they are hearing.\n\n[Electronic music ends]\n\nWhat is an audio book or a podcast anyway? A genre? A medium? According to Jentery, the critical conceptual category is format, and a podcast or an audiobook are both formats within the medium of audio.\n\n(30:52)\tAI Generated Voice\t[Electronic music begins to play]\nChapter four: Format matters.\n\n[Electronic music ends]\n\n(30:58)\tMaya\tOne of the most riveting exchanges with Jentery was about the conceptual categories he offered to his students to describe and distinguish between different forms of literary audio, from audiobooks to podcasts to radio dramas. Format occupies the zone between the more abstract category of media, on the one hand, and the more content specific category of genre, on the other. To break down the three conceptual categories, a familiar example may be useful.\n[Electronic music begins to play]\n\nLet’s take Jane Austen’s Pride and Prejudice, which was first published in London in 1813 in three volumes. We begin with the most abstract category, that of media, which is usually divided into text, audio, video, and image. The medium of the novel’s first public appearance was text, but before its publication it lived in audio form as Austen is said to have read the novel aloud to her family in advance of publication. After its publication, it would’ve continued to be read aloud in countless homes across Britain and abroad, especially after its publication in Philadelphia In 1832.\n\nIn 1833, an illustrated version of the novel was first published, bringing the novel into a visual medium in 1940, just over 100 years later, it entered another medium; video. As we can see, a work like Pride and Prejudice exists in multiple media at the same time, and simply because it was first presented to the public as a text does not mean that that medium should necessarily have primacy.\n\nThe next conceptual layer is that of format, for example, within video there are different formats such as feature length film adaptations and mini-series, as well as many, many others. With the concept of format referring to how our particular media is structured and delivered. We may also create a typology of audio formats in which the novel has been presented, from the handful of amateur readings on Librivox to audiobooks narrated by celebrities.\n\nThe final conceptual category is that of genre, which describes content. Pride and Prejudice is a work of fiction, a novel, and we could historize it further by calling it a domestic novel or a comedy of manners.\n\n[Electronic music ends]\n\nIn discussions with Jentery, he explained that with his students, he lent heavily into the concept of format, asking students to listen to a variety of audio formats, radio plays, serialized drama, voiceover narration, and first person video games. Using the concept of format to ground their understanding of what they were hearing, historically and technologically.\n\n(33:35)\tJentery\tI think one of the really useful aspects of that approach was that we could, in very kind of concrete ways and in palpable terms, talk about the ways in which audio achieves a context, if you will, and brings material together, brings together, for example, aspects of narrative and story with art and design. And since it’s so much about situation and context, you know, not taking for instance the kind of formalist approach to media where we kind of unmoor it from time and space and talk about it abstractly.\nI think one of the consequences of that was we were also able to look at moments when this work was made and this work was produced. Actually look at the specificity of context in each case and talk about how format, genre, and audio production, just writ large is always kind of grounded in particular situations.\n\n(34:28)\tMaya\tThroughout this podcast episode, we will return to one of Jentery’s key insights that thinking about literary audio through the lens of format helps us to situate it in place and time and allows, as he puts it, for audio to achieve a context.\n[Electronic string music begins to play]\n\nWith all of these efforts needed to support listeners, it might reasonably be asked whether listening is worth it? If we need to provide new media frameworks for students, if listening requires as much, if not more attention than reading on the page, if it takes longer than reading a physical book, if it can induce auditory fatigue, and if in order to write about it, you still need special tools to annotate or a print version anyway, why bother?\n\nAvid listeners of audio books, however, answer this question by noting that they often listen to books that they have already read in physical form, and yet always they hear something that they didn’t see. What are some of the ways in which listening enhances comprehension and enjoyment? What do we hear that we did not see and what questions or insights does listening give rise to that we would not otherwise have from reading the book in written form?\n\n(35:40)\tAI Generated Voice\tChapter five: Hearing What We Cannot See.\n[Electronic music ends]\n\n(35:45)\tMichelle\tMatthew Rubery, author of the foundational history of audio literature, The Untold Story of the Talking Book speaks to the different perceptions that come from listening and reading on the page. [String music begins to play]\nNearly all readers, he writes, report understanding identical texts differently in spoken and silent formats as various elements stand out depending on the mode of reception. He notes that the narrator who performs the story can be especially useful in giving voice to unfamiliar accents, dialects or languages. The vocalization of such distinctively oral text would otherwise be impoverished for many readers poorly equipped to sound out the linguistic effects for themselves.\n\nAn audiobook is a performance, an interpretation of the original text, often accentuated with the narrator adopting different voices for different characters and enhanced with sound effects and music, all of which bring the audiobook closer to theater or film even when it offers absolute fidelity to the written text, as is the case with most unabridged audiobooks. Jentery and I explored the performative aspects of the audiobook he assigned, Toni Morrison’s reading of The Bluest Eye. I asked him whether he attempted with his students to disambiguate the text as written from the text as performed by Morrison.\n\n(37:07)\tJentery\tAnd that, so we tried just that and actually I think it was a bit of a setup because when we went through and listened to it, and in many cases read alongside what we were listening, we did our best to think about the various roles, if you will, that Toni Morrison is playing in that audiobook of The Bluest Eye. So Morrison as author, Morrison as narrator, as reader, as voice actress, even as character voices.\nAnd we went through and tried to mark how we would understand that differently. So I remember this exercise and yeah, and ultimately probably without a shock, we determined it was very obviously difficult to make a clean demarcation between one and the other when it would happen in a sentence and whatnot.\n\n(37:48)\tMichelle\tAs Jentery explains, there are many different rules that Morrison takes on in reading her novel aloud. Rubery distinguishes between different models of audiobook performances. The narration may be read by the author, by a professional voice actor, by a celebrity, or even by an amateur. Characters may be voiced by the narrator, sometimes in different voices or different actors may be cast to play different roles.\nAn extreme example of this is the audiobook version of George Saunders, Lincoln in the Bardo, which is performed by over 160 actors. Toni Morrison reads The Bluest Eye herself, performing the third person narration and also giving voice to different characters in the novel. Morrison also narrates another book that is embedded in the novel, one of the Dick and Jane Reading Primers, a series intended to help new readers first published in America in the 1930s.\n\nThese primers, with their idealized characters living seemingly problem-free lives, are white and middle class, setting up a potent contrast with the character’s Morrison depicts in her novel. Morrison’s novel begins with a Dick and Jane story of about 150 words. The Dick and Jane story is reprinted at the very beginning of the novel and it appears in its entirety three times, each time with different typographical features.\n\n[Electronic music begins to play]\n\nThe first time the story is printed, there are spaces between the lines and the words, and the story takes up most of a page. The second time the spacing between lines and words is reduced, shrinking the presentation of the story to half a page with all punctuation removed. The third time the story is printed, all spaces between the words have disappeared with each word bleeding into the next.\n\nTo help you visualize this, please refer to the blog post for this episode on the SpokenWeb website, which includes images taken from these two first pages of the novel. Morrison’s repetition of the story three times in printed form seems to mimic a young child becoming proficient in reading, from one who slowly sounds out each word to one who becomes so fluent that she can run each word into the next, but the blurring of words into one undifferentiated mass has other implications.\n\nAs Morrison reads the three versions of the story in the audiobook, she speeds up the pace of her reading as might be expected, but a more sinister element also presents itself. Here is Morrison reading the first part of the story at three different speeds.\n\n[Electronic music ends]\n\n(40:22)\tToni Morrison reading from The Bluest Eye\t[Morrison reads the text slowly]\nHere’s the house. It is green and white. It has a red door. It is very pretty. Here is the family, mother, father, Dick and Jane, live in the green and white house. They’re very happy. See Jane. She has a red dress she wants to play. Who will play with Jane? See the cat? It goes meow, meow. Come and play. Come play with Jane.\n\n[Morrison reads the text again, faster this time] Here is the house, it is green and white. It has a red door. It is very pretty. Here is the family, mother, father, Dick and Jane, live in the green and white house. They are very happy. See Jane. She has a red dress she wants to play. Who will play with Jane? See the cat? It goes meow, meow. Come and play. Come play with Jane.\n\n[Morrison reads the text even faster]\n\nHere’s the house. Green and white. It has a red door. It is very pretty. Here is the family, mother, father, Dick and Jane, live in the green and white house. They are very happy. See Jane. She has a red dress she wants to play. Who will play with Jane? See the cat? It goes meow, meow. Come and play. Come and play with Jane.\n\n(41:46)\tMichelle\t[String music begins to play]\nWhat Morrison’s voicing brings to life is both how the child learns to read, but also how through the rote rehearsal of the story at a speed that renders it mostly unintelligible the white family living in the green and white House becomes internalized as the norm and the ideal.\n\nIn the forward to the printed version, which interestingly becomes an author’s note at the end of the audiobook, Morrison reports that the story originated in a conversation with a friend from elementary school who confided in Morrison that she wished for blue eyes. [Electronic music ends]\n\nWithin the first four minutes of the audiobook, Morrison’s pointed reading of the Dick and Jane story at three different tempos draws out the menace lurking within these stories for Black children; the Dick and Jane stories provide just one potential explanation for a central question the novel poses: How does Morrison’s childhood friend and the character in the novel who asks for the same thing, learn to wish for the bluest eye? What Morrison describes as racial self-loathing.\n\nFor me, the meaning of Morrison’s rendering of the Dick and Jane story in the print novel is enhanced by her performance of them. I might have had an inkling of her meaning by reading it on the page, but it is amplified by her reading as seeing and hearing her translation of the embedded story intensifies and crystallizes her meaning.\n\nAt the same time, any attempt to read authorial intention into the audiobook performance must be interrogated. To return to Jentery’s suggestion that by listening and situating the audio recording within the time and place of its production, audio achieves a context. We might want to ask students to reflect on the fact that Morrison is reading the novel in 2011, more than 40 years after its first publication in 1970. Morrison also makes changes to the presentation of her peratext, moving, as I said, the forward from its position prefacing the printed novel to the end when she reads the novel for the audiobook.\n\nThe reason for this shift seems likely to do with the difference in media and format. Readers can and often do skip preparatory material in print, but this action of skipping ahead is perhaps less natural with an audiobook. Beyond these changes, what does seem consistent over this 40 year period is Morrison’s belief that her books were meant to be heard.\n\nThus, she describes the language she uses in the novel as speakerly, oral, colloquial. And it is perhaps for this reason that her audiobooks are so powerful. Indeed, Morrison performed all of her books as audiobooks, demonstrating her investment in aurality. Sarah Kozloff has argued that audiobooks create a stronger bond than printed books between storyteller and listener by invoicing the narrator, and many listeners in particular enjoy hearing authors perform their own works.\n\nAudiobooks, particularly when read by the author, seem to bring us closer to the source of the words and the story, much in the same way a handwritten manuscript seems to bring us in proximity to the hand and body that inscribed it. Jentery related to me how he found it effective, as he put it, to bring the author into the room in assigning an audiobook read by the author like Morrison’s Bluest Eye and by playing interviews with or speeches by authors.\n\n(45:03)\tJentery\tWell in American fiction courses, I love including videos of James Baldwin’s speeches in a lot of material. I think that’s fascinating to bring the author into the room and I often when I’m teaching primary source, a novel for example, love to include and play in the class podcast interviews with those authors, in a way that allows students to think about the kind of context around the book, but also just kind of what went into the book and some of the motivations for it.\n(45:29)\tMichelle\tJentery and I discussed how changes in digital technology make it much easier too, as he put it, bring the author into our classrooms. We have a wealth of freely available audio and video such as the New Yorker Fiction podcast, which makes hundreds of stories from the magazine’s archive and current issues available to listen to, some enhanced by extended conversations about the stories.\nIn addition to improved access to primary source audio material, Jentery also points to how changes in accessibility to technology and equipment for playing and recording audio are transforming what is now pedagogically possible.\n\n[Electronic music begins to play]\n\nThe final section of this episode considers how technological developments have changed both what we and our students can do with audio.\n\n(46:22)\tAI Generated Voice\tChapter Six: Teaching with Audio Now.\n[Electronic music ends]\n\n(46:28)\tMaya\tIn the conversation with Jentery, he reflected on how much has changed in just the past decade of teaching audio.\n(46:35)\tJentery\tWhen I was teaching sound studies at the University of Washington and the University of Victoria between like 2010 and 2012, the accessibility of material there, like what I could circulate and what I couldn’t, what I had just to play, say, on a desktop computer in the classroom, but also what students could record and what with, I’m always careful not to assume that students have access to technologies and computers.\nBut I can say just matter of factly, the degree to which they would need to, say, rent or go to the library to acquire an audio recorder has dramatically changed, just given the ubiquity of mobile phones at this point. So there’s that angle, which recording is, I think, on the whole, it’s not universally accessible, but it’s more accessible to students now than it was then. I think just being able to hit “record” is more ready to hand.\n\n(47:17)\tMaya\tRecording equipment and podcasting software also open new forms of assessments. As Jentery explains, when working with sound, it often makes sense to sample the sounds being analyzed and hence an audio essay is often the best way for a student to fully engage with the material.\n(47:35)\tJentery\tA thing that really struck me as compelling and did gain traction among students in the seminar was the idea of composing in such a way, composing an essay, an audio essay if you prefer a podcast, in such a way that makes room for your primary sources to speak and to be dialogic in that sense. So, the inclusion of samples of authors reading their work, of hearing the author’s voice in a way that I think, again, you don’t need to adhere to a metaphysics of presence to find this interesting.\nYou can just think of it in terms of honoring other people’s work and what it means for you to hear other people’s work in your writing and your composition in the production of space and time. And so I liked that too, the threading through other people’s work into your material in a way that might be a little different than reading a block quote or seeing an image on the page.\n\n(48:22)\tMaya\tJason Camlot’s student Ella explained that she chose the podcast format for her final assessment because it seemed more natural and easier than writing and attempting to describe her object of study, which were recordings of poetry readings.\n(48:37)\tElla\tI chose to do the long form. I mean, I simplified in my head the long form. I told myself I’m not gonna do interviews or anything, I’m just going to essentially record myself reading this essay and then insert the sounds I’m talking about because I think this might actually be easier than trying to transcribe those sounds in a way that I can then analyze them in writing.\nIn this case, I could just play the sound for you and you can hear it and then I can talk about my thoughts on it. That seemed like an easier process, actually, because I was going to be working with a bunch of different old recordings and newer recordings and poetry readings and stuff and, it just, I don’t even know how I would’ve approached describing some of this, especially cuz I was working, for instance, with experimental poetry from the eighties and I was working with really old recordings on wax cylinder of Tennyson and like, how do you describe those kinds of experimental or super old degraded sounds to people in order to then really get into a conversation about it? So it just made sense to have people hear them.\n\n(49:36)\tMaya\t[Soft electronic music begins to pla]\nElla’s observations about the need to incorporate the different sounds she was working with,once again return us to Jentery’s idea of audio achieving a context.\n\nIn order to describe and situate 19th century wax cylinder recordings within their particular historical and technological moment, it is necessary to hear them in the same way that we say a picture is worth a thousand words. A short audio clip, here, the Tennyson recording on wax cylinder that Ella refers to is likewise easier to understand when heard.\n\n[An audio clip of Tennyson reading poetry plays]\n\nIn addition, Ella explained her preference for the audio essay format by echoing Jentery’s sense that there might be something more dialogic and open about it.\n\n(50:32)\tElla\tI do think it was faster for me to write for this podcast than it was for me to write what could have been a conference paper because I don’t like the structure of the academic paper where you say your thesis statement in the beginning, prove your thesis statement, and then restate your thesis statement. I prefer a structure where you sort of go from a starting point, like essentially more of like a thought process, like, here’s my starting point and by the end of it you’re like, here’s where I got from that starting point.\nI had the option to do that with the podcast. Whereas usually when you’re writing an academic paper for a class, they don’t give you the option to just run with things. So it just went a lot faster cuz it was a form that made more sense to me.\n\n(51:11)\tMaya\tJentery also spoke about how crafting an audio essay is different than writing for the page and reading it aloud, or even reading a conference paper, which might be designed for oral delivery. An audio essay perhaps because it is modeled on the podcast may be more audience oriented. Maia reflected that having the opportunity to listen to each other’s podcast or audio essay assignment distinguished the course from others she had taken where a student’s writing is primarily directed towards the professor.\n(51:38)\tMaia (51:38)\tIt was also interesting to hear everyone else’s podcasts because in a normal normal class in, a more traditionally like written assignment based class, you don’t read everyone’s essays and get to interact with your classmates like that. And I think, for me, it was a really interesting atmosphere that I don’t know that I’ll ever have again. It was really, really special in the way that we all interacted and I don’t know to what part of that was the sharing in a medium that is more shared, listening of togetherness rather than kind of an individualized personalized reading.\n(52:13)\tMaya\tFor Andy and Ghislaine, the audio essay felt different than in-class presentations, which are to a great extent formalized. By contrast, the audio assignments were diverse, fresh, and engaging.\n(52:27)\tAndy\tEveryone took it in such a different direction. So it was like when you have a presentation, I feel often they follow a similar format and structure, but with this it was completely different in every kind of way. Genres across the board, like kind of there were no limits of what you could really do and I think that’s what for me made it different than just a typical class presentation. [String music begins to play]\n(52:51)\tGhislaine\tRight, that makes sense. So it’s like with regular normal class presentations, it would have been as if, you know, someone came in singing and dancing versus, you know, just with their PowerPoint. [laughs]\n(53:03)\tMaya\tWe will end with Ghislaine’s words, as her comments should inspire both instructors and students to turn to literary audio, both as a source of teaching material and as a form for student work. We believe she speaks to what we all could use in our classrooms. A little more singing and dancing and a little less PowerPoint.\nYou have been listening to “Audiobooks In the Classroom”, a SpokenWeb podcast episode by Michelle Levy and narrated by Michelle Levy and Maya Schwartz. Thanks for listening.\n\n[Electronic music ends]\n\n(53:54)\tKatherine McLeod\t[SpokenWeb theme music begins to play]\nThe SpokenWeb podcast is a monthly podcast produced by the SpokenWeb team as part of distributing the audio collected from and created using Canadian literary archival recordings found at universities across Canada.\n\nOur producers this month are Dr. Michelle Levy and MA student Maya Schwartz, both based at Simon Fraser University. Our supervising producer is Kate Moffatt. Our sound designer is Miranda Eastwood, and our transcription is done by Zoe Mix.\n\nTo find out more about SpokenWeb, visit spokenweb.ca, subscribe to the SpokenWeb podcast on Apple Podcasts, Spotify, or wherever you may listen. If you love us, let us know. Rate us and leave a comment on Apple Podcasts or say hi on our social media @SpokenWebCanada. Stay tuned to your podcast feed later this month for ShortCuts with me, Katherine McLeod. Short stories about how literature sounds.\n\n[SpokenWeb theme music ends]"],"score":0.8611313},{"id":"9670","cataloger_name":["Ella,Hooper"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SpokenWeb AV"],"source_collection_label":["SpokenWeb AV"],"collection_contributing_unit":["SpokenWeb"],"source_collection_uri":[""],"collection_image_url":["https://archiveofthepresent.spokenweb.ca/_nuxt/img/header-img_1000.fd7675f.png"],"collection_source_collection_description":["SpokenWeb Audio Visual Collection"],"collection_source_collection_id":["ArchiveOfThePresent"],"persistent_url":["https://archiveofthepresent.spokenweb.ca/"],"item_title":["SpokenWeb Podcast S2 Trailer, Season 2 Trailer. We’re Back!, 21 September 2020, McGregor and Copeland"],"item_title_source":["SpokenWeb Podcast web page."],"item_title_note":["https://spokenweb.ca/podcast/episodes/season-2-trailer-were-back/"],"item_language":["English"],"item_production_context":["Podcast"],"item_series_title":["The SpokenWeb Podcast"],"item_series_description":["Series of podcasts by the SpokenWeb network."],"item_subseries_title":["The SpokenWeb Podcast Season 2"],"item_series_wikidata_url":["https://www.wikidata.org/wiki/Q117038029"],"item_series_uri":["https://spokenweb.ca/podcast/spokenweb-podcast/"],"item_identifiers":["[]"],"rights":["Creative Commons Attribution (BY)"],"rights_license":["Creative Commons Attribution (BY)"],"access":["Streaming and download"],"creator_names":["Hannah McGregor","Stacey Copeland"],"creator_names_search":["Hannah McGregor","Stacey Copeland"],"creators":["[{\"url\":\"http://viaf.org/viaf/20153713810358661443\",\"name\":\"Hannah McGregor\",\"dates\":\"1984-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\"]},{\"url\":\"\",\"name\":\"Stacey Copeland\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\"]}]"],"contributors":["[]"],"Publication_Date":[2020],"material_description":["[]"],"digital_description":["[{\"file_url\":\"https://cdn.simplecast.com/audio/28a9da1f-8cca-410c-b5d7-8165a73f9394/episodes/cfd03a52-ba91-41a2-a177-e69003d4427e/audio/a85328c9-9743-4a2d-9c46-079bec3cd2d5/default_tc.mp3\",\"file_path\":\"\",\"filename\":\"swp-s2-teaser-trailer-2020-v2.mp3\",\"channel_field\":\"\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"00:01:30\",\"precision\":\"\",\"size\":\"1,512,638 bytes\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"MP3 audio\",\"title\":\"swp-s2-teaser-trailer-2020-v2\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://spokenweb.ca/podcast/episodes/season-2-trailer-were-back/\"}]"],"Dates":["[{\"date\":\"2020-09-21\",\"type\":\"Publication Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"Simon Fraser University Maggie Benston Centre\",\"notes\":\"\",\"address\":\"8888 University Drive, Burnaby, BC, V5A 1S6\",\"latitude\":\"49.276709600000004\",\"longitude\":\"-122.91780296438841\"}]"],"Address":["8888 University Drive, Burnaby, BC, V5A 1S6"],"Venue":["Simon Fraser University Maggie Benston Centre"],"City":["Burnaby, British Columbia"],"contents":["Get ready for Season 2 of the SpokenWeb Podcast, stories about how literature sounds. We have a brand-new line up of original episodes for you from archives, universities and in these physically distant times, the many spaces and places we call home, all across Canada and beyond.  Whether it’s a deep dive into deep curation poetry, never before heard interviews with Canadian Literature legends or fresh takes on the role of sound in listening in our lives, this season has something for every canlit curiouso, sonic explorer, poetry connoisseur, and lifelong learner at heart. Season premiere in your rss feed October 5th, 2020.\n\n\n00:03\tHannah McGregor:\t[Upbeat String Music] Last season on the SpokenWeb Podcast, we brought you stories of early spoken word recordings, etched and wax —\n00:10\tJason Camlot:\t[Instrumental Music] [Audio, from SpokenWeb Podcast S1 Ep2 plays: Old sound recordings are weird.] [Inaudible Voice] [Crackling Recording].\n00:19\tHannah McGregor:\t— And the hidden labor behind archiving and caring for literary collections.\n00:23\tKaris Shearer:\t[Audio, from SpokenWeb Podcast S1 Ep3 plays: I think often we don’t understand or see the labor that is behind that presentation.]\n00:28\tHannah McGregor:\tWe listened together to the arresting words of Dorothy Livesay and Elizabeth Smart —\n00:34\tElizabeth Smart:\t[Audio, from SpokenWeb Podcast S1 E4 plays: By Grand Central Station I Sat Down and Wept] —\n00:36\tHannah McGregor:\t— and to the sounds of the changing world around us as the pandemic changed how we work and how we listen.\n00:43\tJason Camlot & Katherine McLeod:\t[Audio, from SpokenWeb Podcast S1 E8 plays: How are you really listening, Catherine? Well, Jason, how am I really listening? Sigh.].\n00:49\tHannah McGregor:\tThis season on the SpokenWeb Podcast we have a brand new lineup of original episodes from archives, universities, and, in these physically distanced times, the many spaces and places we call home all across Canada and beyond. Whether it’s a deep dive into the deep curation of poetry, never before heard interviews with CanLit legends, or explorations of the ethics of listening, season two of the SpokenWeb Podcast has something for every sonic explorer, poetry connoisseur, or lifelong learner at heart. I hope you’ll join us at spokenweb.ca [Musical Tone] or wherever you get your podcasts."],"Note":["[]"],"Related_works":["[]"],"_version_":1853670549795897344,"timestamp":"2026-01-07T14:59:54.290Z","score":0.8611313},{"id":"9671","cataloger_name":["Ella,Hooper"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SpokenWeb AV"],"source_collection_label":["SpokenWeb AV"],"collection_contributing_unit":["SpokenWeb"],"source_collection_uri":[""],"collection_image_url":["https://archiveofthepresent.spokenweb.ca/_nuxt/img/header-img_1000.fd7675f.png"],"collection_source_collection_description":["SpokenWeb Audio Visual Collection"],"collection_source_collection_id":["ArchiveOfThePresent"],"persistent_url":["https://archiveofthepresent.spokenweb.ca/"],"item_title":["SpokenWeb Podcast S4 Trailer, Welcome to Season 4!, 19 September 2022, Moffatt, Eastwood, McGregor, McLeod"],"item_title_source":["SpokenWeb Podcast web page."],"item_title_note":["https://spokenweb.ca/podcast/episodes/welcome-to-season-4/"],"item_language":["English"],"item_production_context":["Podcast"],"item_series_title":["The SpokenWeb Podcast"],"item_series_description":["Series of podcasts by the SpokenWeb network."],"item_subseries_title":["The SpokenWeb Podcast Season 4"],"item_series_wikidata_url":["https://www.wikidata.org/wiki/Q117038029"],"item_series_uri":["https://spokenweb.ca/podcast/spokenweb-podcast/"],"item_identifiers":["[]"],"rights":["Creative Commons Attribution (BY)"],"rights_license":["Creative Commons Attribution (BY)"],"access":["Streaming and download"],"creator_names":["Katherine McLeod","Kate Moffatt","Hannah McGregor","Miranda Eastwood"],"creator_names_search":["Katherine McLeod","Kate Moffatt","Hannah McGregor","Miranda Eastwood"],"creators":["[{\"url\":\"http://viaf.org/viaf/44156495389117561605\",\"name\":\"Katherine McLeod\",\"dates\":\"1981-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\"]},{\"url\":\"\",\"name\":\"Kate Moffatt\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\"]},{\"url\":\"\",\"name\":\"Hannah McGregor\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\"]},{\"url\":\"\",\"name\":\"Miranda Eastwood\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\"]}]"],"contributors":["[]"],"Publication_Date":[2022],"material_description":["[]"],"digital_description":["[{\"file_url\":\"https://cdn.simplecast.com/audio/28a9da1f-8cca-410c-b5d7-8165a73f9394/episodes/aa749423-c429-48b9-8aaf-c150b5c0a869/audio/a0e73918-a5b1-4e35-aa6e-320e73a87208/default_tc.mp3?nocache\",\"file_path\":\"\",\"filename\":\"s4-trailer.mp3\",\"channel_field\":\"\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"00:03:37\",\"precision\":\"\",\"size\":\"3,484,987 bytes\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"MP3 audio\",\"title\":\"s4-trailer\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://spokenweb.ca/podcast/episodes/welcome-to-season-4/\"}]"],"Dates":["[{\"date\":\"2022-09-19\",\"type\":\"Publication Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"Simon Fraser University Maggie Benston Centre\",\"notes\":\"\",\"address\":\"8888 University Drive, Burnaby, BC, V5A 1S6\",\"latitude\":\"49.276709600000004\",\"longitude\":\"-122.91780296438841\"}]"],"Address":["8888 University Drive, Burnaby, BC, V5A 1S6"],"Venue":["Simon Fraser University Maggie Benston Centre"],"City":["Burnaby, British Columbia"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670549795897345,"timestamp":"2026-01-07T14:59:54.290Z","contents":["Hello and welcome to another season of The SpokenWeb Podcast! We’re back with a new line-up of exciting episodes created by researchers across the SpokenWeb network. The SpokenWeb Podcast asks, “What does literature sound like? What stories do we hear when we listen to the archive?” In this season, we have episodes that dive into the lives of archival objects—university poetry events—what it means to read an audiobook—and so much more. This season has something for everyone from lovers of literature and history to sound studies scholars, so come and join us as we continue listening to literature and the archives.\n\nWe would love to hear your reactions and ideas to our stories. If you appreciate the podcast, leave us a rating and a comment on Apple Podcasts or say hi on our social media @SpokenWebCanada.\n\n00:00\tHannah McGregor:\tWhat does The SpokenWeb Podcast sound like? [Start Music: Acoustic Strings] In our third season, we revisited Myra Bloom’s episode about Elizabeth Smart from Season 1—\n \n\n00:11\tMyra Bloom, S3E1 “Podcasting Literary Sound: Revisiting ‘The Agony and the Ecstasy of Elizabeth Smart’”\tIt suddenly occurred to me that I actually never heard her voice. (Underlaid Archival Audio of Elizabeth Smart: “I thought, if it was agreeable to you, that I’d read a chapter from By Grand Central Station I Sat Down and Wept.”\n \n\n00:17\tHannah McGregor:\t— heard the voices of poets and writers across Canada —\n \n\n00:21\tArchival Audio, Phyllis Webb, in S3E10 “‘starry and full of glory’: Phyllis Webb, in Memoriam”:\n \n\n…stars, stars, stars! [Repeats, fading out]\n \n\n00:23\tInterview Excerpt, S3E2 “Lisa Robertson and the Feminist Archive”:\tIs it the glimpse of mortality that makes you feel a bit differently about it?\nWell, it’s quite literally seeing your friends die.\n\n \n\n00:29\tFaith Paré, S3E5 “The Show Goes On: Words and Music in a Pandemic”:\tThis is not the poem I wanted / It is the poem I could.\n \n\n00:33\tHannah McGregor:\tAnd thought about how we listen.\n \n\n00:36\tStéphanie Ricci:, S3E6: “Listening, Sound, Agency: A Retrospective Listening to the 2021 SpokenWeb Symposium”:\n \n\nHow do we discuss the sounds of human beings\n \n\n00:38\tHannah McGregor:\tWe asked, what does scholarship sound like? and revisited last year’s virtual SpokenWeb Symposium—\n \n\n00:46\tStéphanie Ricci:, S3E6: “Listening, Sound, Agency: A Retrospective Listening to the 2021 SpokenWeb Symposium”:\n \n\nHow do we listen virtually?\n \n\n00:48\tMathieu Aubin, S3E6: “Listening, Sound, Agency: A Retrospective Listening to the 2021 SpokenWeb Symposium”:\n \n\nHow do you listen virtually to a conference about listening?\n00:52\tHannah McGregor:\t—and the 1983 Women and Words conference held in Vancouver.\n \n\n00:56\tArchival Audio from S3E7 “The archive is messy and so are we”:\t“[…]our subject this morning is women facing traditional criticism, criticizing criticism.” (Clip continues under Hannah and resurfaces, underlaid with the next clips)\n \n\n01:01\tHannah McGregor:\tWe explored how collaboration and conversation are central to the research and work that we do.\n \n\n01:07\tKelly Cubbon, S3E9 “Talking Transcription: Accessibility, Collaboration, and Creativity”:\tKelly: Well, the process of transcription sounds like collaboration, like a conversation\n \n\n01:12\tKatherine McLeod, S3E9 “Talking Transcription: Accessibility, Collaboration, and Creativity”:\n \n\nIt is a process that invites access to content through multiple voices and multiple senses.\n01:18\tKate Moffatt, S3E7 “The archive is messy and so are we”:\t[Warped Archival Clip Plays With Some Words Audible] And it’s funny, cuz you can almost hear it. Like you can almost hear something being said.\n \n\n01:26\tHannah McGregor:\tThis past season took us to new places and spaces, from the plains of Northern Alberta–\n \n\n01:32\tMichelle, S3E3 “Forced Migration”:\t[Michelle and a low, gravely voice recite simultaneously] But the bull dragged the man, and the rope lacerated his hands, cutting to the bone.\n \n\n01:37\tHannah McGregor:\t–back to the 80s, to the student-run campus radio shows of the CKUA network.\n \n\n01:44\tTerri Wynnyk, S3E8 “Academics on Air”:\n \n\nWe once found a boa constrictor that had escaped. Because up above us was all sorts of science labs and buildings and rabbits and cockroaches […]\n01:52\tHannah McGregor:\tMy name is Hannah McGregor, and I’ve been the host of the SpokenWeb Podcast since its inception. But I’m stepping out of this role for the next year, and I have the pleasure of passing the mic to this season’s host: Katherine Mcleod.\n \n\n02:08\tKatherine McLeod:\tThank you Hannah! [Music Swells to Atmospheric Chords] My name is Katherine McLeod, and I am so excited to host this new season of the SpokenWeb Podcast. You’ll recognize my voice from ShortCuts – our deep dive into the SpokenWeb archives that you can find right here on the same podcast feed.\n \n\nThis season on the podcast, we have a line-up of episodes that we can’t wait to share: we’re going to hear more about the “Drum Codes” we listened to in Season 2; we’ll be thinking about audiobooks as a literary medium: what is it like to read an audiobook? What is it like to teach with an audiobook in the classroom?\n\n \n\nWe’ll be re-listening to university poetry events, diving into the archives to converse with the archival objects themselves. We’re going to experience environmental sound with an episode on fire and ecopoetics; and we’ll be thinking about literary environmental sound, and even exploring the soundscapes of libraries. Whether you’re a lover of literature or a sound studies scholar, this podcast has something to share with you. Subscribe and join us for Season Four of the SpokenWeb Podcast, coming to your podcast feeds on October 3rd."],"score":0.8611313},{"id":"4126","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Fred Wah fonds"],"source_collection_label":["Fred Wah fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2022.003"],"persistent_url":[""],"item_title":["Six Poets - Readings for Heritage Festival"],"item_title_source":["Title of accompanying information."],"item_title_note":["Title on box: n/a\n\nSide A title: n/a\n\nSide B title: n/a\n\nBack of box: n/a\n\nAccompanying information:\nSimon Fraser University Sound Recording Report\n2 Track Mono\n3 3/4\nRecorded by: Doug Gyseman\nDate: May 27/78\nPlace of Recording: SFU PUB\n\nTrack: 1\nTime: 65\nTitle: Six Poets - For Readings for Heritage Festival.\nTechnical 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Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["James Laughlin: Pound Seminar at SFU on March 18, 1982 #334"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Laughlin, James"],"creator_names_search":["Laughlin, James"],"creators":["[{\"url\":\"http://viaf.org/viaf/181106029\",\"name\":\"Laughlin, James\",\"dates\":\"1914-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Vanel, Kurtis"],"contributors_names_search":["Vanel, Kurtis"],"contributors":["[{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"no info in any directories, he was an SFU technician, also known as 'Doug Gysemen'\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Vanel, Kurtis"],"Production_Date":[1982],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1162/Readings in BC_MsC199_334.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"334-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:59\",\"precision\":\"\",\"size\":\"38.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"334-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:01\",\"precision\":\"\",\"size\":\"38.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-03-18\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"Liner Notes: James Laughlin: Pound Seminar, SFU March 18, 1982  Side one: 36 Min. Side two: 35 Min. Recorded by Kurtis Vanel\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552855642118,"timestamp":"2026-01-07T14:59:57.321Z","score":0.8611313},{"id":"5307","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Coast is Only a Line: Jack Hodgins Reading at the SFU Art Gallery on July 14, 1981 #335b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Hodgins, Jack","Mandel, Eli"],"creator_names_search":["Hodgins, Jack","Mandel, Eli"],"creators":["[{\"url\":\"http://viaf.org/viaf/114666696\",\"name\":\"Hodgins, Jack\",\"dates\":\"1938-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/59095399\",\"name\":\"Mandel, Eli\",\"dates\":\"1922-1992\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Vanel, Kurtis"],"contributors_names_search":["Vanel, Kurtis"],"contributors":["[{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"no info in any directories, he was an SFU technician, also known as 'Doug Gysemen'\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Vanel, Kurtis"],"Production_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1163/Readings in BC_MsC199_335b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"335b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:29\",\"precision\":\"\",\"size\":\"30.1 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"335b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:22:03\",\"precision\":\"\",\"size\":\"22.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-07-14\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t001\tEli Mandel introduces Jack Hodgins\n\t\t025\tJack Hodgins discusses The Barclay family theatre\n\t\t085\tJack Hodgins reads chapter from The Barclay family theatre"],"Note":["[{\"note\":\"Liner Notes: The Coast is Only a Line Jack Hodgins Reading at the SFU Art Gallery, July 14, 1981 Side 1: 29:40 Side 2: 21:20 Recorded by Kurtis Vanel Dolby B\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552856690688,"timestamp":"2026-01-07T14:59:57.321Z","score":0.8611313},{"id":"5308","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Coast is Only a Line: Bill Bissett Reading at the SFU Art Gallery on July 17, 1981 #337"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Bissett, Bill"],"creator_names_search":["Tallman, Warren","Bissett, Bill"],"creators":["[{\"url\":\" http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/96127023\",\"name\":\"Bissett, Bill\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Performer\"]}]"],"contributors_names":["Vanel, Kurtis"],"contributors_names_search":["Vanel, Kurtis"],"contributors":["[{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"no info in any directories, he was an SFU technician, also known as 'Doug Gysemen'\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Vanel, Kurtis"],"Production_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1164/Readings in BC_MsC199_337.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"337-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:10\",\"precision\":\"\",\"size\":\"45.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"337-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:10\",\"precision\":\"\",\"size\":\"45.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-07-17\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU Art Gallery\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU Art Gallery"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t001\tIntroduction by Warren Tallman\n\t\t034\tBissett chanting\n\t\t080\t“running down burrard street”\n\t\t105\t“sailor”\n\t\t111\t“th neatron bomb”\n\t\t124\t“th wunderfulness uv th mountees our secret police”\n\t\t148\t“arisin”\n\t\t185\t“yu sing”\n\t\t194\t“of th land divine service”\n\t\t206\t“I come from Halifax”\n\t\t212\t“beyond even faithful legends”\n\t\t255\t“awake in th red desert”\n\t\t282\t“let me tell yu a story uv how they met”\n\t\t348\t“carrying the torch”\n\t\t375\t“rain bow music”\n\t\t397\t“that great shootin gallery in the sky”\n\t\t408\t“th guy drivin round in” from plutonium missing\n\t\t415\t“oaoabaoadabaaogaoga” from awake in th red desert\n\t\t497\t“and the green wind is moving thru th summer trees”\n\t\t549\t“courting goes on forever”\n\t\t568\t“exposing th core”\n\t\t\t“ovr the edge”\n\t\t612\t“she wantid to get rid of it”\n\t\t621\t“when I first came to Vancouver”\n\t\t646\t“coyotes are fast movin”\n\t\t697\t“th birds in color”\n\t\t746\t“hun-nee”\nTwo\t\t001\tChanting yu want to walk with me through the forest\n\t\t\tCumin into me\n\t\t\tCumin into yu\n\t\t\tPoems from Northern Birds in Colour\n\t\t108\t“th ravens uv faro”\n\t\t216\t“Collingwood”\n\t\t368\t“I remember I was getting kinduv”\n\t\t424\t“keepin th fire goin”\n\t\t496\t“th last day”\n\t\t609\t“darling”\n\t\t633\t“northern birds in colour”"],"Note":["[{\"note\":\"Liner Notes: The Coast is Only a Line: Bill Bissett Reading at the SFU Art Gallery, July 17, 1981 Side 1: 44 min. Side 2: 38:30 Recorded at the SFU Art Gallery and IMC Studio by Kurtis Vanel Dolby B\",\"type\":\"General\"},{\"note\":\"This tape is a duplicate of the tape from the Roy Miki's collection \\\"Bill Bissett Reading at SFU on July 17, 1981\\\" (SWALLOW ID 9099)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670552856690689,"timestamp":"2026-01-07T14:59:57.321Z","score":0.8611313},{"id":"5309","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Coast is Only a Line: Fred Wah Reading at the SFU Art Gallery on July 21, 1981 #338"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Tallman, Warren"],"creator_names_search":["Wah, Fred","Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Vanel, Kurtis"],"contributors_names_search":["Vanel, Kurtis"],"contributors":["[{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"no info in any directories, he was an SFU technician, also known as 'Doug Gysemen'\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Vanel, Kurtis"],"Production_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1165/Readings in BC_MsC199_338.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"338-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:02\",\"precision\":\"\",\"size\":\"47.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"338-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:03\",\"precision\":\"\",\"size\":\"45 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-07-21\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU Art Gallery\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU Art Gallery"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tIntroduction by Warren Tallman\n\t\t054\tFred Wah’s introduction to the reading, including statement “From in here” from Loki is buried at Smokey Creek: selected poems\n\t\t100\t“Lardeau summer 1964”\n\t\t119\t“Shape-of-a-bird-with-stars-in-its-eyes”\n\t\t131\t“Among”\n\t\t137\t“Hermes in the trees”\n\t\t162\t“The flower”\n\t\t175\t“Tree”\n\t\t181\t“Out here”\n\t\t193\t“On the earth”\n\t\t210\t“I imagine it”\n\t\t222\t“Severance spring water”\n\t\t247\t“It’s a red globe” from Breathin’ my name with a sigh\n\t\t290\t“I like the purity of all things seen”\n\t\t302\t“Loki death dog died”\n\t\t315\t“stomach-inging”\n\t\t321\t“Are origins magnetic lines across an ocean…?”\n\t\t328\t“Be careful story”\n\t\t340\t“mmmmmmmmm”\n\t\t348\t“I lie here and wait for life again”\n\t\t354\t“It’s not enough”\n\t\t362\t“the build up”\n\t\t368\t“lines”\n\t\t380\t“outside it’s snowing”\n\t\t388\t“OK I get a sense of it now”\n\t\t397\t“as he leaves her”\n\t\t408\t“sounds of o and ree…”\n\t\t423\t“Breathe dust like you breathe wind”\n\t\t450\t“my father hurt”\n\t\t459\t“poem lightens the lungs…”\n\t\t466\t“what’s it like to hold yourself in”\n\t\t482\t“try it”\n\t\t495\t“got his eyes sister”\n\t\t500\t“sigh”\n\t\t520\t“when he wanted to stay alive”\n\t\t530\t“to get at how the river…”\n\t\t540\t“the father grandfather”\n\t\t549\t“runs the cycle”\n\t\t565\t“waiting for Saskatchewan”\n\t\t590\t“I jazz I sing”\n\t\t595\t“next spring”\nTwo\t\t000\tIntroduction by Fred Wah\n\t\t012\t“How does the jazz go?”\n\t\t024\t“…With feeling”\n\t\t038\t“Introduction to Owner’s manual\n\t\t052\t“How to get across the river”\n\t\t067\t“How to do this”\n\t\t093\t“How to get back”\n\t\t094\t“How to read a map”\n\t\t148\t“How to be something”\n\t\t161\t“How to go south”\n\t\t174\t“How to hunt”\n\t\t192\t“What to do when you get there”\n\t\t209\t“How to disappear”\n\t\t222\t“How to build a fire”\n\t\t241\t“Guardian spirit”\n\t\t253\t“How to nest”\n\t\t269\t“How to take a leak in the snow on a January night up the valley”\n\t\t280\t“How to clean up in the spring and fall”\n\t\t300\t“How to farm”\n\t\t310\t“How to get away”\n\t\t322\t“How to find something”\n\t\t349\t“How to be sure”\n\t\t372\tIntroduction to translations from Nicole Brossard’s Mon continent\n\t\t378\t“But land which is placed to a set time…”\n\t\t398\t“My female place of all spaces”\n\t\t413\t“But my world these spaces of the mind”\n\t\t433\t“My multiple world of cells”\n\t\t467\t“My continent” from Breathin’ my name with a sigh\n\t\t489\t“stomach-inging”\n\t\t510\t“lines”\n\t\t540\t“poem lightens the lungs…”\n\t\t560\t“try it adds up to a colour”\n\t\t588\t“world”\n\t\t617\t“trumpet grammar subject act”\n\t\t641\t“I jazz I sing”"],"Note":["[{\"note\":\"Liner Notes: The Coast is Only a Line:  Fred Wah Reading at the SFU Art Gallery and IMC Sound Studio July 21, 1981 Side 1: 43:30. Side 2: 29:30 Recorded by Kurtis Vanel Dolby B\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552856690690,"timestamp":"2026-01-07T14:59:57.321Z","score":0.8611313},{"id":"5310","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Coast is Only a Line: B.P. Nichol Reading at the SFU Art Gallery on July 23, 1981 #339a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P.","Tallman, Warren"],"creator_names_search":["Nichol, B.P.","Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Vanel, Kurtis"],"contributors_names_search":["Vanel, Kurtis"],"contributors":["[{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"He was an SFU technician, also known as 'Doug Gysemen'\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Vanel, Kurtis"],"Production_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1166/Readings in BC_MsC199_339a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"339a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:02\",\"precision\":\"\",\"size\":\"31.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"339a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:24:04\",\"precision\":\"\",\"size\":\"24.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-07-23\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU Art Gallery\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU Art Gallery"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t001\tCrowd noise and mumblings\n\t\t008\tIntroduction by Warren Tallman\n\t\t053\tSketch of Steve McCaffery performing with CCMC\n\t\t079\tThe frog variations…\n\t\t091\t“Bashaiku”\n\t\t095\t“Oh moon…, splash”\n\t\t105\tOrgan music\n\t\t115\t“The vagina”\n\t\t146\t“The anus”\n\t\t182\tThe book of hours: 15, 16, 17\n\t\t320\tMartyrology, Book 5, Chain 7\n\t\t500\t“The tonsils”\n\t\t560\t“After words (for Gerry Gilbert)”\n\t\t568\t“Vortext”\n\t\t610\t“Robotics”"],"Note":["[{\"note\":\"Liner Notes: The Coast is Only a Line: B.P. Nichol Reading at the SFU Art Gallery and IMC Sound Studio July 23, 1981 Side 1: 25:30. Side 2: 22:40 Recorded by Kurtis Vanel Dolby B\",\"type\":\"General\"},{\"note\":\"This tape is a duplicate of the Fred Wah fonds tapes   \\\"bp Nichol reading for the Coast is Only a Line at Simon Fraser University on July 3, 1981\\\" (SWALLOW ID 6949)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670552856690691,"timestamp":"2026-01-07T14:59:57.321Z","score":0.8611313},{"id":"5311","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Coast is Only a Line: B.P. Nichol Reading at the SFU Art Gallery on July 23, 1981 #339b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P."],"creator_names_search":["Nichol, B.P."],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Vanel, Kurtis"],"contributors_names_search":["Vanel, Kurtis"],"contributors":["[{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"no info in any directories, he was an SFU technician, also known as 'Doug Gysemen'\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Vanel, Kurtis"],"Production_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1167/Readings in BC_MsC199_339b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"339b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:50\",\"precision\":\"\",\"size\":\"25.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"339b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:24:34\",\"precision\":\"\",\"size\":\"26 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-07-23\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t009\t“Martyrology, Book 5, Chain 1\n\t\t476\tThe Catullus translations\n\n"],"Note":["[{\"note\":\"Liner Notes: The Coast is Only a Line: B.P. Nichol Reading at the SFU Art Gallery and IMC Sound Studio July 23, 1981 Side 1: 20:30. Side 2: 21:15 Recorded by Kurtis Vanel Dolby B\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552856690692,"timestamp":"2026-01-07T14:59:57.321Z","score":0.8611313},{"id":"5312","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Coast is Only a Line: Robert Kroetsch Reading at the SFU Art Gallery on July 28, 1981 #340"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Mandel, Eli","Kroetsch, Robert"],"creator_names_search":["Mandel, Eli","Kroetsch, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/59095399\",\"name\":\"Mandel, Eli\",\"dates\":\"1922-1992\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"known as Bob Kroetsch too\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Vanel, Kurtis"],"contributors_names_search":["Vanel, Kurtis"],"contributors":["[{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"no info in any directories, he was an SFU technician, also known as 'Doug Gysemen'\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Vanel, Kurtis"],"Production_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1168/Readings in BC_MsC199_340.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"340-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:09\",\"precision\":\"\",\"size\":\"46.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"340-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:27\",\"precision\":\"\",\"size\":\"45.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-07-28\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU Art Gallery\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU Art Gallery"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tEli Mandel introduces Robert Kroetsch\n\t\t029\tExcerpts from The crow journals\n\t\t\tFebruary 28, 1974\n\t\t\tOctober 12, 1976\n\t\t\tSeptember 26, 1976\n\t\t\tAugust 6, 1977\n\t\t\tAugust 7, 1977\n\t\t104\tOpening of Badlands\n\t\t\tFrom Field notes\n\t\t173\t“Sketches of a lemon”\n\t\t225\t“The criminal intensities of love as paradise”\n\t\t326\tSelections from “Seed catalogue”\n\t\t534\tFrom “The sad Phoenician”\n\t\t\t“a to g,” “The silent poet eats his words”\nTwo\t\t\tFrom Field notes\n\t\t000\t“Stone hammer poem”\n\t\t115\tSelections from “Seed catalogue”\n\t\t211\t“Sketches of a lemon”\n\t\t296\tFrom “The criminal intensities of love as paradise”\n\t\t\t‘Bear story with or without bear’\n\t\t\t‘And dreamers, even then, if dreaming’\n\t\t365\t“How I joined the seal herd”\n\t\t522\t“The silent poet sees red”"],"Note":["[{\"note\":\"Liner Notes: The Coast is Only a Line: Robert Kroetsch Reading at the SFU Art Gallery and IMC Sound Studio July 23, 1981 Side 1: 40:20. Side 2: 39:45 Recorded by Kurtis Vanel Dolby B\",\"type\":\"General\"},{\"note\":\"This tape is the complete duplicate of the tape from Roy Miki's collection \\\"Robert Kroetsch Reading at the SFU Art Gallery on July 28, 1981\\\" (SWALLOW ID 9091) and a duplicate of the tape from Roy Miki's collection \\\"Robert Kroetsch Reading at SFU on July 28, 1981\\\" (SWALLOW ID 9100)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670552857739264,"timestamp":"2026-01-07T14:59:57.321Z","score":0.8611313},{"id":"5313","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Coast is Only a Line: Gladys Hindmarch Reading at the SFU Art Gallery on July 29, 1981 #341a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Hindmarch, Gladys","Tallman, Warren"],"creator_names_search":["Hindmarch, Gladys","Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/38164256\",\"name\":\"Hindmarch, Gladys\",\"dates\":\"1940-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Vanel, Kurtis"],"contributors_names_search":["Vanel, Kurtis"],"contributors":["[{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"no info in any directories, he was an SFU technician, also known as 'Doug Gysemen'\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Vanel, Kurtis"],"Production_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1169/Readings in BC_MsC199_341a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"341a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:00\",\"precision\":\"\",\"size\":\"22.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"341a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:54\",\"precision\":\"\",\"size\":\"37.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-07-29\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU Art Gallery\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU Art Gallery"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tIntroduction by Warren Tallman\n\t\t030\tGladys Hindmarch reading From Boat Stories\n\t\t\tFirst story (untitled)\ntwo\t\t262\tHalf of following story (untitled)\n\t\t513\tNew story (untitled) beginning “Sunday night I head back”"],"Note":["[{\"note\":\"Liner Notes: The Coast is Only a Line: Gladys Hindmarch Reading at the SFU Art Gallery and IMC Sound Studio July 23, 1981 from Boat Stories: Side 1 Part 1 21:57 Side 2 Part 2 15:20 Part 3 21:35 Recorded by Kurtis Vanel Dolby B\",\"type\":\"General\"},{\"note\":\"This tape is the duplicate of the tape from Roy Miki's collection \\\"Gladys Hindmarch Reading at SFU on July 29, 1981\\\" (SWALLOW ID 9101)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670552857739265,"timestamp":"2026-01-07T14:59:57.321Z","score":0.8611313},{"id":"5314","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Coast is Only a Line: Lionel Kearns Reading in SFU Room AQ 3003 on July 30, 1981 #341b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kearns, Lionel","Mandel, Eli"],"creator_names_search":["Kearns, Lionel","Mandel, Eli"],"creators":["[{\"url\":\"http://viaf.org/viaf/30784380\",\"name\":\"Kearns, Lionel\",\"dates\":\"1937-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/59095399\",\"name\":\"Mandel, Eli\",\"dates\":\"1922-1992 \",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Vanel, Kurtis"],"contributors_names_search":["Vanel, Kurtis"],"contributors":["[{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"no info in any directories, he was an SFU technician, also known as 'Doug Gysemen'\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Vanel, Kurtis"],"Production_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1170/Readings in BC_MsC199_341b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"341b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:57\",\"precision\":\"\",\"size\":\"36.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"341b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:24\",\"precision\":\"\",\"size\":\"28.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-07-30\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nTwo\t\t000\tIntroduction: Eli Mandel\n\t\t025\tLionel begins\n\t\t\tReading from Soft Inventions “The birth of God”\n\t\t045\tTalks about one and nothing as binary system and ikon.  Statement of poetic: language which draws attention to its own form.  Talks about animation of one and zero film, called the Berth of God improvisations on a 100 cycle hum, done with film maker Gordon Payne and Musician Peter Huse\n\t\t229\tShows film\n\t\t298\tReads poem “Art”\n\t\t329\tReads story “Blue moon”\n\t\t605\tIntroduces “Recycled poem”\n\t\t608\tGeorge Bowering reads “The Brush Fire”\n\t\t680\tLionel reads “Recycled poem”\n\t\t757\tLionel reads “Trap”\n\t\t792\tLionel reads “Market forces”\n\t\t896\tQuestions from audience\n\t\t1032\tEnd"],"Note":["[{\"note\":\"Liner Notes: Lionel Kearns Reading in SFU Room AQ 3003, July 30, 1981 Side 1 36:40 Side 2 28:28 Recorded by Kurtis Vanel Dolby B\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552857739266,"timestamp":"2026-01-07T14:59:57.321Z","score":0.8611313},{"id":"5315","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Coast is Only a Line: Peter Trower Reading at the SFU Art Gallery and the IMC studio on July 31, 1981 #342"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Trower, Peter","Tallman, Warren"],"creator_names_search":["Trower, Peter","Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/56698931\",\"name\":\"Trower, Peter\",\"dates\":\"1938-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Vanel, Kurtis"],"contributors_names_search":["Vanel, Kurtis"],"contributors":["[{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"no info in any directories, he was an SFU technician, also known as 'Doug Gysemen'\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Vanel, Kurtis"],"Production_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1171/Readings in BC_MsC199_342.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"342-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:50\",\"precision\":\"\",\"size\":\"47.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"342-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:17\",\"precision\":\"\",\"size\":\"46.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-07-31\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU Art Gallery\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU Art Gallery"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tIntroduction by Warren Tallman\n\t\t\tPeter Trower as “working man poet”\n\t\t\tLOGGING POEMS\n\t\t022\t“The last hand fallers”\n\t\t041\t“The Reclaimed”\n\t\t061\t“The Beacons of the Bad Days”\n\t\t086\t“The Last Spar Tree on Elphiastone Mountain”\n\t\t124\t“Grease for the Wheels of Winter”\n\t\t148\t“The Ravens”\n\t\t174\t“The Alders”\n\t\t\tNEW POEMS\n\t\t195\t“Shawnee of the Downfall days”\n\t\t215\t“Annie of the Corridors”\n\t\t250\t“Wispering Chester”\n\t\t268\t“The Last Living Room”\n\t\t288\t“Boat House”\n\t\t311\t“Brawls”\n\t\t\tPOEMS FROM THE INTERIOR\n\t\t353\t“The Guests”\n\t\t373\t“No Breeze on Lake Louise”\n\t\t390\t“The Abandoned Alexandra bridge”\n\t\t413\t“Hell’s Gate”\n\t\t430\t“Grindrod”\n\t\t\tMISCELLANEOUS POEMS\n\t\t465\t“In the Church Yard”\n\t\t494\t“Overhead Crane”\n\t\t540\t“Outhouse”\n\t\t577\t“Not-so-still life with Damp Beer Tables”\n\t\t590\t“Outside the Courtroom”\n\t\t621\t“The East End Toronto Railroad Insomnia Blues”\n\t\t659\t“A Pay with Big Dutch”\n\t\t705\t“The Popcorn Man’\n\t\t754\t“Kisses in the whiskey” ded. To Tom Waits\n\t\t805\t“Requirements”\nTwo\t\t007\tIntroduction by Peter Trower – “These poems are from a new manuscript called Music Against Midnight”\n\t\t012\t“The ghosts”\n\t\t070\t“Goose quill snags”\n\t\t111\t“Sailor”\n\t\t167\t“The million glitter”\n\t\t205\t“Where roads lead”\n\t\t260\t“Driftwood”\n\t\t309\t“The gathering”\n\t\t406\t“The beginning again”\n\t\t453\t“The storm riders”\n\t\t502\t“Boondocks”\n\t\t619\t“Kingdom of rust”\n\t\t673\t“The crippled girl”\n\t\t720\t“Windworld”\n\t\t774\t“A man goes mad with logging”\n\t\t871\t“The peaks”\n\t\t948\tEnd of tape"],"Note":["[{\"note\":\"Liner Notes: The Coast is Only a Line: Peter Trower Reading at the SFU Art Gallery and IMC Sound Studio July 31, 1981 Side 1: 42:30. Side 2: 42:30 Recorded by Kurtis Vanel Dolby B\",\"type\":\"General\"},{\"note\":\"This tape is a duplicate of the tape from the Roy Miki's collection \\\"Peter Trower Reading at the SFU Art Gallery and the IMC studio on July 31, 1981\\\" (SWALLOW ID 9102)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670552857739267,"timestamp":"2026-01-07T14:59:57.321Z","score":0.8611313},{"id":"5316","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Coast is Only a Line: George Bowering Reading at the SFU Art Gallery and the IMC Studio on August 4 and 5, 1981 #343"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Vanel, Kurtis"],"contributors_names_search":["Vanel, Kurtis"],"contributors":["[{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"no info in any directories, he was an SFU technician, also known as 'Doug Gysemen'\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Vanel, Kurtis"],"Production_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1172/Readings in BC_MsC199_343.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch Cassette\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"343-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:23\",\"precision\":\"\",\"size\":\"29.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"343-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:26\",\"precision\":\"\",\"size\":\"30.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-08-05\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1981-08-04\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card and inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU Art Gallery\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU Art Gallery"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t004\tWarren Tallman introduces George Bowering\n\t\t\tGeorge as a self who tries to do everything\n\t\t030\tGeorge talks about his briefcase full of books\n\t\t034\tGeorge “I want to prove I’m no stranger to deconstruction”\n\t\t\tDiscusses his use of a sonnet by John Milton and explains how he wrote his poem “When I”\n\t\t053\tReads Milton’s sonnet\n\t\t067\t“When I #1”\n\t\t071\t                 #2\n\t\t075\t                 #3\n\t\t083\t                 #4\n\t\t089\t                 #5\n\t\t095\tGeorge “I’ve been getting flak about being obscure… so I’m going to read newly rewritten prose text that won’t cause any trouble at all”\n\t\t100\tFrom Comparative Deaths series\n\t\t\tSection called “Stuffed Horse”\n\t\t164\tExplains himself to eastern critics\n\t\t169\t“The Brown Mountain pets”\n\t\t259\tGeorge : Prose doesn’t need to lead anywhere – it can be nothing more than the act itself\n\t\t273\t“Matchboxes”\n\t\t573\t“Spread eagle” from Comparative Deaths series\n\t\t687\tWarren Tallman – extro\nTwo\t\t004\tIntroduction by George Bowering\n\t\t\tReading from Particular Accidents\n\t\t011\t“E” from intro to Particular accidents\n\t\t020\t“Talent”\n\t\t040\tGeorge: “What I’m doing is opening the text at random and reading”\n\t\t\t“…such is the nature of selected poems”\n\t\t047\t“The house” 1\n\t\t065\t                        2\n\t\t082\t                        3\n\t\t095\t“The White Station-Wagon Strophes”\n\t\t150\tGeorge talks about old lisp & teeth\n\t\t158\t“The Believer”\n\t\t193\t“Mars” intro to poem\n\t\t208\t1\n\t\t220\t2\n\t\t230\t3\n\t\t242\t4\n\t\t253\t5\n\t\t260\t6\n\t\t272\t7\n\t\t290\t“The Acts”\n\t\t356\t“The Scars”\n\t\t402\t“Fred Wah” from Curious\n\t\t458\t“Frank Davey”\n\t\t524\tSection 4 Alaphanes\n\t\t559\tSection 12\n\t\t601\tSection 26\n\t\t631\tGeorge: “This was one of the books that those religious guys said they could print… and every poem has ‘fucking’ in it”\n\t\t653\tChapter XIX from A short sad book\n\t\t\t“What it Means to be a Canadian”\n\t\t672\tStarts XIX over\n\t\t763\tFrom Old standards 1978\n\t\t770\tSection 1\n\t\t823\tSection 2\n\t\t861\tSection 8\n\t\t909 \tChats with Roy Miki"],"Note":["[{\"note\":\"Liner Notes: The Coast is Only a Line: George Bowering Reading at the SFU Art Gallery Aug. 4, 1981 Side 1 Beginning 42:15 Side 2 Conclusion 7:02 Reading in the IMC Studio Aug. 5, 1981 30:20 Recorded by Kurtis Vanel Dolby B\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552858787840,"timestamp":"2026-01-07T14:59:57.321Z","score":0.8611313},{"id":"5317","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Coast is Only a Line: Gerry Gilbert Reading at the SFU Art Gallery on August 7, 1981 #344a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Gilbert, Gerry"],"creator_names_search":["Gilbert, Gerry"],"creators":["[{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Vanel, Kurtis"],"contributors_names_search":["Vanel, Kurtis"],"contributors":["[{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"no info in any directories, he was an SFU technician, also known as 'Doug Gysemen'\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Vanel, Kurtis"],"Production_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1173/Readings in BC_MsC199_344a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"344a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:55\",\"precision\":\"\",\"size\":\"29.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"344a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:18\",\"precision\":\"\",\"size\":\"29.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-08-07\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU Art Gallery\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU Art Gallery"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting\n"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tIntroduction by Warren Tallman\n\t\t013\tGerry Gilbert\n\t\t034\tReads”Boredom from within – this week’s top 17 enemies of poetry”\n\t\t045\t“Wears and tears”\n\t\t049\t“Summer of 81”\n\t\t051\t“Baby gold”\n\t\t054\t“Never sniff a stinging nettle with your own nose”\n\t\t055\t“The phone woken alarm”\n\t\t056\t“Eh”\n\t\t068\t“Hoop” stops to talk about particularity\n\t\t104\t“Military comedian complex”\n\t\t106\t“Polar bear exercise”\n\t\t109\t“Big swings”\n\t\t118\t“Years & shirts”\n\t\t130\t“Don’t stumble over any stalled escalators”\n\t\t138\t“Having”\n\t\t143\t“Goes”\n\t\t151\t“Valentine”\n\t\t155\tWeeks “Tuesday”\n\t\t168\t              “Wednesday”\n\t\t175\t               “Thursday”\n\t\t183\t“Tobacco”\n\t\t195\tWeeks “Friday”\n\t\t198\t             “Saturday”\n\t\t205\t             “Sunday”\n\t\t213\t             “Monday”\n\t\t223\t            “Tuesday”\n\t\t233\t            “Wednesday”\n\t\t239\t            “Thursday”\n\t\t243\t             “Good Friday”\n\t\t250\t              “Bad Saturday”\n\t\t285\t              “Easter Sunday”\n\t\t299\t“Slow”\n\t\t311\t“Better Monday”\n\t\t318\t“Deep trigger”\n\t\t322\t“BYOP”\n\t\t336\t“Is’s and not’s”\n\t\t361\t“Days”\n\t\t364\t“At least”\n\t\t369\t“Epitaph”\n\t\t370\t“The driver”\n\t\t375\t“Free food”\n\t\t390\t“Naked similarities”\n\t\t400\t“Tune”\n\t\t421\t“A call”\n\t\t504\t“The poor baby that dies…”\n\t\t523\t“I open my notebook on the train”\n\t\t535\t“Canada House Trafalgar Square”\n\t\t561\t“BC monthly”\n\t\t725\tTalks about police downtown\n\t\t736\t“Sunday” (BC Monthly)\n\t\t765\t“Monday”\n\t\t803\t“Tuesday”\n\t\t848\t“Its taken a week and half to run out of tobacco”\n\t\t865\t“Come – come”\n\t\t892\t“Reggae is not punk-disco”\n\t\t912\t“Hear – hear”\n\t\t921\t“So – so”\n\t\t930\t“Now – now’"],"Note":["[{\"note\":\"Liner Notes: The Coast is Only a Line: Gerry Gilbert Reading at the SFU Art Gallery and IMC Sound Studio Aug. 7, 1981 Side 1: 28:20. Side 2: 30. Tape 1 of 2 Recorded by Kurtis Vanel Dolby B\",\"type\":\"General\"},{\"note\":\"This tape is a duplicate of the tape from the Roy Miki's collection \\\"Gerry Gilbert Reading at the SFU Art Gallery and Studio on August 7, 1981\\\" (SWALLOW ID 9128)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670552859836420,"timestamp":"2026-01-07T14:59:57.321Z","score":0.8611313},{"id":"5322","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Coast is Only a Line: Eli Mandel Reading at SFU on July 31, 1981 #347"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Mandel, Eli"],"creator_names_search":["Tallman, Warren","Mandel, Eli"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/59095399\",\"name\":\"Mandel, Eli\",\"dates\":\"1922-1992\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors_names":["Vanel, Kurtis","Tallman, Warren"],"contributors_names_search":["Vanel, Kurtis","Tallman, Warren"],"contributors":["[{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"no info in any directories, he was an SFU technician, also known as 'Doug Gysemen'\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Recordist_name":["Vanel, Kurtis"],"Speaker_name":["Tallman, Warren"],"Production_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1178/Readings in BC_MsC199_347.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"347-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:29\",\"precision\":\"\",\"size\":\"44.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"347-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:22\",\"precision\":\"\",\"size\":\"44.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-07-31\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t003\tIntroduction to Eli Mandel and Frank Davey by Warren Tallman.  Poetry is a language used to describe that which lies beyond language – Warren Tallman gives a little talk himself.  Questions audience about Royal Wedding.  Once again introduces Eli Mandel and Frank Davey\n\t\t123\tEli Mandel introduces his “Anima poems” written for his wife, Ann, and discusses the nature of his reading and the fact that his poetry concerns magic and fantasy.\n\t\t\tFour kinds of fantasy (Journey through time, Doppelganger, Double story and Story within story)\n\t\t171\t“Four Kinds of fantasy” prose piece by Martin Avery\n\t\t201\tEli describes a dream he recently had.  He woke up aware of himself as nothing more than a number\n\t\t240\tReintroduces the ‘Anima poems” and discusses ‘courtship’ of his wife\n\t\t248\tQuestions Anima figure\n\t\t252\t“The moon in all her phases”\n\t\t265\t“Woodbine”\n\t\t279\t“Listen the sea”\n\t\t299\t“Marina”\n\t\t335\t“Notes from the underground”\n\t\t380\tDiscusses Anima poetry as sexist.  Introduces “The return”\n\t\t420\tQuestions audience about Dr. Hoffer and his work with LSD\n\t\t440\t“The return”\n\t\t470\t“Petroglyphs at Saint Victor” introduction\n\t\t490\t“Petroglyphs at Saint Victor”\n\t\t539\tEli begins discussion of what it is to live and work within Academia, and the discrimination women face in this field.  A general discussion of discrimination in the university context\n\t\t870\tGeneral discussion of Anima to end of tape\nTwo\t\t000\tContinuation of general discussion of Anima and double\n\t\t025\tEli tells his double story\n\t\t115\tDiscusses meaning of double\n\t\t124\tQuestions from audience\n\t\t144\t“Instructions on the nature of Doubles and Doubling”\n\t\t174\t“The Doppelganger, ways to prevent me” (The double speaking)"],"Note":["[{\"note\":\"Liner Notes: The Coast is Only a Line: Eli Mandel Reading at SFU, July 31, 1981 Introduction by Warren Tallman Side 1: 42 Side 2: 40 Includes discussion of university hiring practices and Doppelgänger story and poem. Recorded by Kurtis Vanel Dolby B\",\"type\":\"General\"},{\"note\":\"This tape is a duplicate of the tape from the Roy Miki collection \\\"\\nEli Mandel Reading at SFU on July 31, 1981\\\" (SWALLOW ID 9127)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670552860884992,"timestamp":"2026-01-07T14:59:57.321Z","score":0.8611313},{"id":"5323","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Paul de Barros and Bob Rose Reading in the Special Collections at SFU Library on November 7, 1980 #348"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Rose, Bob","Barros, Paul de"],"creator_names_search":["Rose, Bob","Barros, Paul de"],"creators":["[{\"url\":\"\",\"name\":\"Rose, Bob\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/104708432\",\"name\":\"Barros, Paul de\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1980],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1179/Readings in BC_MsC199_348.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"348-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:00\",\"precision\":\"\",\"size\":\"29.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"348-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:58\",\"precision\":\"\",\"size\":\"29.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1980-11-07\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t002\tIntroduction to Bob Rose and Paul De Barros by Charles Watts\n\t\t019\tBob Rose “I am going to read from Living on Islands”\n\t\t\tShort explanation of book\n\t\t028\t“Listening”\n\t\t034\t“Initiation”\n\t\t045\t“For Bill, specifically”\n\t\t060\t“After Lorca”\n\t\t069\t“September 19, Hannegan Pass”\n\t\t106\t“High ridge walker”\n\t\t115\t“Partridge Point in fog”\n\t\t124\t“Deception past, a circular meditation”\n\t\t135\t“Abundance”\n\t\t142\t“Damp sand, eighteen varas”\n\t\t160\t“The Hiccattee Hole”\n\t\t177\t“Berusu song”\n\t\t192\t“Easter Sunday”\n\t\t211\t“Waiting for Messiah”\n\t\t220\t“Counting the leaves on my new neighbour’s tree”\n\t\t239\t“Living on Islands” for Gordon Payne\n\t\t283\t“Waking next to you” for Mary\n\t\t296\t“Legacies”\n\t\t308\t“Mantas”\n\t\t312\t“Skagit May”\n\t\t315\tEnd of Bob Rose’s reading\n\t\t316\tPaul De Barros introduces himself.  Will read from The Day After They Shot the Bear\n\t\t327\tIntroduces poem “Poplars”\n\t\t335\t“Poplars”\n\t\t357\t“In a draw” (prose) ded. To Richard Gates\n\t\t531\t“Some evidence of foxing” ded. To Jack Shoemaker\n\t\t636\t“Cut off at the broken arms”\n\t\t660\t“An easement in through paradise”\n\t\t799\tEnd of reading"],"Note":["[{\"note\":\"Liner Notes: Paul de Barros and Bob Rose Reading at Special Collections, SFU Library, November 7, 1980 Side 1 26:30 + 3:25 Side 2 29  Dolby B\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552860884993,"timestamp":"2026-01-07T14:59:57.321Z","score":0.8611313},{"id":"5324","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. 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Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Jan Conn and Jane Munro Reading in the Special Collections at SFU library on December 9, 1981 #349"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Conn, Jan","Munro, Jane"],"creator_names_search":["Conn, Jan","Munro, Jane"],"creators":["[{\"url\":\"http://viaf.org/viaf/1430038\",\"name\":\"Conn, Jan\",\"dates\":\"1952-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/94943969\",\"name\":\"Munro, Jane\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1980],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1180/Readings in BC_MsC199_349.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"349-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:34\",\"precision\":\"\",\"size\":\"22.9 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"349-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:29\",\"precision\":\"\",\"size\":\"23.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1980-12-09\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU Special Collections\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU Special Collections"],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"Liner Notes: Jan Conn and Jane Munro Reading at Special Collections, December 9, 1981 Side 1 22:10 Side 2 19:50 Dolby B\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552860884994,"timestamp":"2026-01-07T14:59:57.321Z","score":0.8611313},{"id":"5325","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Sheila Watson Lecture at SFU on October 5, 1982 #350"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Watson, Sheila","Bowering, George"],"creator_names_search":["Watson, Sheila","Bowering, George"],"creators":["[{\"url\":\" http://viaf.org/viaf/35268398\",\"name\":\"Watson, Sheila\",\"dates\":\"1909-1998\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Vanel, Kurtis"],"contributors_names_search":["Vanel, Kurtis"],"contributors":["[{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"no info in any directories, he was an SFU technician, also known as 'Doug Gysemen'\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Vanel, Kurtis"],"Production_Date":[1982],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1182/Readings in BC_MsC199_350.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"350-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:21\",\"precision\":\"\",\"size\":\"31.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"350-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:20:02\",\"precision\":\"\",\"size\":\"20.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-10-05\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767 \",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t006\tIntroduction to Sheila Watson by George Bowering.  States that Sheila Watson will talk about James Joyce and modernism.  Description of ‘Watson Canon’  Sheila as a major influence on Kroetsch, Ondaatje and bp Nichol\n\t\t038\tSheila Watson begins\n\t\t\tThoughts on the problems of modernism\n\t\t062\tMemories of UBC\n\t\t115\tFuturist manifesto of 1909\n\t\t154\tEnd of manifesto\n\t\t176\tList of other, later futurist manifestos covering a wide range of the arts\n\t\t198\tWyndham Lewis and futurism and his history\n\t\t274\tLewis and Pound both publish first works in 1909\n\t\t281\t1840 as beginning of modernism\n\t\t299\tReaction against the bourgeoisie in the 1920’s\n\t\t316\tAdvertising’s use of modernist art – Bauhaus acceptance of advertising\n\t\t320\tLewis’ discomfort with this alliance\n\t\t359\tThe English and American languages\n\t\t378\tGertrude Stein – The English and insular life\n\t\t391\tStein learning how to write ‘American’ – an act of Futurism\n\t\t414\tAuthor’s intention\n\t\t442\tRegionalism – conflict between William Carlos Williams and Pound on the nature of tribe\n\t\t471\tDo we all speak the same languages\n\t\t524\tUtensils – humanity’s use of ‘things’\n\t\t548\tThe concern is how language treats these objects\n\t\t550\tLewis didn’t believe that writing could resemble painting\n\t\t571\tReduction of language\n\t\t579\tBeckett’s reductionism\n\t\t591\tLetters from Pound – attempts to get financial help for Wyndham Lewis and T.S. Eliot\n\t\t679\tRelation of art and society – who will support it and under what pressures – a major concern with Lewis\n\t\t718\tThe common voice\n\t\t724\tExtro by George Bowering"],"Note":["[{\"note\":\"Liner Notes: Lecture. Canadian novelist Shiela Watson will lecture on Wyndham Lewis. Sponsored by the English Department. Recorded at SFU by Kurtis Vanel Oct. 5, 1982 Side 1 29:50 Side 2 19:10 Dolby B\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552860884995,"timestamp":"2026-01-07T14:59:57.321Z","score":0.8611313},{"id":"5326","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Sheila Watson Reading at SFU on October 6, 1982 tape 1 of 2 #351a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George","Watson, Sheila","Miki, Roy"],"creator_names_search":["Bowering, George","Watson, Sheila","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\" http://viaf.org/viaf/35268398\",\"name\":\"Watson, Sheila\",\"dates\":\"1909-1998\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Vanel, Kurtis"],"contributors_names_search":["Vanel, Kurtis"],"contributors":["[{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"no info in any directories, he was an SFU technician, also known as 'Doug Gysemen'\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Vanel, Kurtis"],"Production_Date":[1982],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1183/Readings in BC_MsC199_351a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"351a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:31\",\"precision\":\"\",\"size\":\"32 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"351a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:20:30\",\"precision\":\"\",\"size\":\"21.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-10-06\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t003\tGeorge Bowering and Roy Miki chat\n\t\t009 \tGeorge Bowering introduces Sheila Watson\n\t\t029\tRoy talks about Coachhouse – works in process\n\t\t038\tSheila explains the background to her story “And The Four Animals”\n\t\t067\tReads “And the Four Animals”\n\t\t155\t“The Antigone”\n\t\t487\tEnd of reading – Beginning of discussion\n\t\t489\tRoy Miki questions Sheila Watson on mesh symbol in “Antigone”\n\t\t559\tGeorge Bowering talks about his experience with “Antigone”\n\t\t586\tRoy talks about his experience with “Antigone”\n\t\t637\tLevels and allegory\n\t\t723\tLearning how to stand upright in the void\n\t\t750\tWhat is the necessity of literature as ritual\n\t\t813\tEnd of side one"],"Note":["[{\"note\":\"Liner Notes: Sheila Watson Reading at SFU, October 6, 1982 Tape 1 of 2 And the Four Animals Antigone Side 1 26:20 Side 2 18:55 Recorded by Kurtis Vanel Dolby B\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552861933568,"timestamp":"2026-01-07T14:59:57.321Z","score":0.8611313},{"id":"5327","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Sheila Watson Reading at SFU on October 6, 1982 tape 2 of 2 #351b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Watson, Sheila","Bowering, George","Miki, Roy"],"creator_names_search":["Watson, Sheila","Bowering, George","Miki, Roy"],"creators":["[{\"url\":\" http://viaf.org/viaf/35268398\",\"name\":\"Watson, Sheila\",\"dates\":\"1909-1998\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Vanel, Kurtis"],"contributors_names_search":["Vanel, Kurtis"],"contributors":["[{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"no info in any directories, he was an SFU technician, also known as 'Doug Gysemen'\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Vanel, Kurtis"],"Production_Date":[1982],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1184/Readings in BC_MsC199_351b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"351b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:56\",\"precision\":\"\",\"size\":\"30.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"351b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:18:28\",\"precision\":\"\",\"size\":\"18.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-10-06\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767 \",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t006\tContinuation of discussion – ritual as a means of understanding words\n\t\t040\tMalestrom and vortex and Marshall McLuhan\n\t\t068\tThe Guttenberg revolution\n\t\t088\tRoy Miki explains Guttenberg to class – aesthetic use of the printed page\n\t\t118\tThe book as quantity\n\t\t134\tGuttenberg’s influence in the metrical tradition – the unbroken page\n\t\t195\tRoy Miki asks about which Canadian writers are dealing with this problem/situation\n\t\t199\tSheila Watson mentions The Four Horsemen of the Apocalypse and bp Nichol\n\t\t242\tCreely and Ginsburg, Curious\n\t\t248\tGeorge on Barry McKinnon and Robert Kroetsch\n\t\t286\tJohn Cage’s “James Joyce” poems\n\t\t328\tRoy on Fred Wah’s Breath[ing] my name with a sigh non-linear poetics\n\t\t373\tThe reader’s right to make his/her own judgement\n\t\t440\tPage experimentation\n\t\t450\t“Learning” to read a poem\n\t\t500\tReading as a non passive act\n\t\t602\tThe experience of reading\n\t\t672\tJoyce\n\t\t740\tThe author who writes for her/himself and for strangers – writing for a lack of knowledge\n\t\t837\tEnd of discussion\n"],"Note":["[{\"note\":\"Liner Notes: Sheila Watson October 6, 1982 Tape 2 of 2 Side 3 29:40 Side 4 17:35 Dolby B\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552861933569,"timestamp":"2026-01-07T14:59:57.321Z","score":0.8611313},{"id":"5328","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":[" B.P. Nichol Reading at SFU on November 30, 1982 tape 1 of 2 #352a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P.","Miki, Roy"],"creator_names_search":["Nichol, B.P.","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Vanel, Kurtis","Miki, Roy"],"contributors_names_search":["Vanel, Kurtis","Miki, Roy"],"contributors":["[{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"no info in any directories, he was an SFU technician, also known as 'Doug Gysemen'\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Recordist_name":["Vanel, Kurtis"],"Speaker_name":["Miki, Roy"],"Production_Date":[1982],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1185/Readings in BC_MsC199_352a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"352a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:31\",\"precision\":\"\",\"size\":\"30.6 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"352a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:31\",\"precision\":\"\",\"size\":\"30.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-11-30\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t006\tIntroduction by Roy Miki – The danger of survey and anthology courses.  The poem is complex and infinitely simple.  Poetry as a means of figuring out language.\n\t\t048\tIntroduces bp Nichol and his explorations of the inner dynamics of language, explorations analogous to the splitting of the atom (inner fission/inner vision)  The inside of a word is a sentence.  Words do do.\n\t\t103\tEnd of introduction – some reading logistics\n\t\t118\tBp Nichol discusses the background to his interest in Gertrude Stein and “I” poems\n\t\t134\tA.B.C. childhood” coll. With Brian Dedora\n\t\t138\tSection 8 from “A.B.C. childhood”\n\t\t149\tSection 9\n\t\t156\tSection 10\n\t\t162\tSection 11\n\t\t170\tIntroduction to “Organ Music” series\n\t\t183\t“The Vagina”\n1\n\t\t185\t2\n\t\t189\t3\n\t\t194\t4\n\t\t201\t5\n\t\t206\t6\n\t\t211\t7\n\t\t217\t“The Tonsils”\n\t\t221\t1\n\t\t225\t2\n\t\t231\t3\n\t\t235\t4\n\t\t239\t5\n\t\t244\t6\n\t\t246\t7\n\t\t250\t“The Anus”\n\t\t256\t1\n\t\t259\t2\n\t\t265\t3\n\t\t275\t4\n\t\t281\t5\n\t\t290\t6\n\t\t295\t7\n\t\t305\t“The Toes”\n1\n\t\t314\t2\n\t\t329\t3\n\t\t336\t4\n\t\t343\t5\n\t\t357\t6\n\t\t367\t“The lily”\n1\n\t\t374\t2\n\t\t381\t3\n\t\t389\t4\n\t\t400\t5\n\t\t409\t6\n\t\t419\t“The Mouth”\n1\n\t\t427\t2\n\t\t435\t3\n\t\t443\t4\n\t\t459\t5\n\t\t472\t6\n\t\t490\tA pause while students buy photocopies of parts of Martyrology book VI\n\t\t516\tIntroduction to “The book of hours”\n\t\t526\t“The fourth hour (9:35 am. – 10:35 am.)” from “The book of hours”\n\t\t598\t“Hour seventeen (5:35 – 6:35 pm.)”\n\t\t663\tFrom the grammar trilogy “Hour 22 (12:35 – 1:35 pm.)”\n\t\t749\tBrief explanation of “Follow-the-bouncing-ball poetry”\n\t\t770\tIntroduction to 3rd section of “Inchoate road”\n\t\t784\t“Incohate road”\n\t\t857\tEnd of tape"],"Note":["[{\"note\":\"Liner Notes: BP Nichol Reading at SFU Nov. 30, 1982 Introduction by Roy Miki Side 1 28:10 Side 2 27:30 Recorded by Kurtis Vanel Dolby B\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552861933570,"timestamp":"2026-01-07T14:59:57.321Z","score":0.8611313},{"id":"5329","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":[" B.P. Nichol Lecture at SFU on November 30, 1982  tape 2 of 2 #352b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P.","Miki, Roy"],"creator_names_search":["Nichol, B.P.","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Vanel, Kurtis","Miki, Roy"],"contributors_names_search":["Vanel, Kurtis","Miki, Roy"],"contributors":["[{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"no info in any directories, he was an SFU technician, also known as 'Doug 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files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-11-30\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t004\tIntroduction by Roy Miki\n\t\t008\tBp Nichol acknowledges that bill bissett turned him onto Stein\n\t\t015\tAn explanation of forthcoming lecture (Stein’s saying says)\n\t\t\t(lecture will center on first five pages of Ida as part of general strategy on reading Stein)\n\t\t045\tBp Nichol’s previous work on Stein\n\t\t065\tReal time fiction – writer as writer, not talker\n\t\t075\tStein’s desire for the reader to be continuous\n\t\t098\t“When the time came” beginning of lecture proper – a talking/reading of the first five pages of Ida\n\t\t104\tPage on of Ida\n\t\t148\tThe I and the not I – “twoness”\n\t\t160\t“She saw the moon, she saw the sun…”\n\t\t176\t“Th subliminal echoes below Stein’s craft”\n\t\t190\t“Ida was not idle”\n\t\t220\tExtention of the two – Tuesday to do\n\t\t245\tUse of the gap – passage of time\n\t\t249\tStein’s notion of continuous time\n\t\t261\tPage seven of Ida – Old woman – ageing\n\t\t280\tPerceptions of age\n\t\t305\tThe orange blossom – a problem\n\t\t328\tMoving on to page 2\n\t\t338\tThe third I\n\t\t364\tThe multiple self – the complexity of what makes up the I\n\t\t383\tOrange blossoms again\n\t\t426\tGrowing older\n\t\t461\tQuestions from audience re: orange blossoms\n\t\t470\tDistinctions between pear and cherry trees as sexual\n\t\t500\tNothing funny about Ida – funny things happen to Ida\n\t\t530\tHer dog, love, blind\n\t\t637\tLove me, love my dog\n\t\t650\tEnd of lecture"],"Note":["[{\"note\":\"Liner Notes: BP Nichol at SFU Nov. 30, 1982 Lecture on Gertrude Stein Side 1 29:15 Side 2 16:30 Recorded by Kurtis Vanel Dolby B\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552861933571,"timestamp":"2026-01-07T14:59:57.321Z","score":0.8611313},{"id":"5330","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":[" B.P. Nichol Reading at SFU on December 1, 1982 #353"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P.","Bowering, George","Miki, Roy"],"creator_names_search":["Nichol, B.P.","Bowering, George","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Vanel, Kurtis"],"contributors_names_search":["Vanel, Kurtis"],"contributors":["[{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"no info in any directories, he was an SFU technician, also known as 'Doug Gysemen'\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Vanel, Kurtis"],"Production_Date":[1982],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1187/Readings in BC_MsC199_353.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"SFU\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"353-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:20\",\"precision\":\"\",\"size\":\"37.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"353-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:33:00\",\"precision\":\"\",\"size\":\"33.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-12-01\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tIntroduction – Roy Miki\n\t\t027\t“Two words, a wedding”\n\t\t063\t“Scrapture seventh sequence”\n\t\t117 \tFrom The Plunket papers “We rode the train”\n\t\t140\t“Two leaves touch”\n\t\t147\t“Y” dedicated to Victor Coleman\n\t\t164\tTalks about “Y” the use of double acrostics\n\t\t\tThe American imagination and Oz, the symbolic nature of the alphabet\n\t\t195\t“Organ music” – memories of the body\n\t\t215\t“The toes”\n\t\t281\t“The mouth”\n\t\t358\tFrom the Martyrology, Book VI\n\t\t\tReads the opening quotes by C.C. Bombaus\n\t\t\t“Oddities and curiosities of Words and Literature”\n\t\t360\tChristopher Okigbo – quotes\n\t\t375\tReads from The Book of Hours\n\t\t\tExplains the writing process\n\t\t421\t“The first hour – 10:35 pm. To 11:35 pm.”\n\t\t576\tTalks of Homo-linguistic translation systems\n\t\t592\tReads “The third hour – 1:35 pm. To 2:35 pm.”\n\t\t685\tEnds\nTwo\t\t000\tBp reads “Hour 15 – 8:35 pm. To 9:35 pm.\n\t\t066\t“Hour 16 – 3:35 pm. To 4:35 pm.”\n\t\t106\t“Hour 18 – 12:35 am. To 1:35 am.”\n\t\t153\t“Hour 19 – one voice version of three voice poem”\n\t\t\t“Heart alphabet”\n\t\t205\t“The grammar trilogy” corrects typo’s\n\t\t230\tBegins to read “12:35 – 1:35 am.”  (pm?)\n\t\t281\t“11:25 pm. – 12:40 am.”\n\t\t394\tQuestions – The origins of the saints\n\t\t\tThey came out of “St” words\n\t\t\tStranglehold = St. ranglehold\n\t\t520\tGeorge Bowering heckles – what is the meaning of life, of the universe.  Bp says le “if”\n\t\t540\tRoy Miki says part of the etymology of “verb” is to suffer\n\t\t550\tBp says Anglo-Saxon source of word “death” is lost"],"Note":["[{\"note\":\"Liner Notes: BP Nichol Reading at SFU Dec. 1, 1982 Side 1 27:10 Side 2 32:15 Recorded by Kurtis Vanel Dolby B\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552861933572,"timestamp":"2026-01-07T14:59:57.321Z","score":0.8611313},{"id":"5331","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Poetry Seminar in the SFU Pub seminar room:  B.P. 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He reads “a take” on the martyrology - \n\t\t\t“The poem became the life work”\n\t\t090\tReads from book six The Martyrology.  Describes the method behind the book of hours\n\t\t115\tHours 17 – 5:35 to 6:35 pm.\n\t\t149\t“Continental Trance.”  Written on the train, Vancouver to Toronto\n\t\t346\tHour 18 – 12:35 am. To 1:35 am.  Book of Hours\n\t\t395\tThe nineteenth hour\n\t\t441\tAlphabet poem\n\t\t450\tGives textual alterations in Inchoate Road\n\t\t493\tReads “Inchoate Road”\n\t\t690\tHour 15\n\t\t755\tFinishes"],"Note":["[{\"note\":\"Liner Notes: BP Nichol Poetry Seminar in the SFU Pub Seminar Room July 21, 1982 with George Bowering and Daphne Marlatt Side 1 28:57 Side 2 28:26 Tape 1 of 3 Recorded by Kurtis Vanel Dolby B\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552862982144,"timestamp":"2026-01-07T14:59:57.321Z","score":0.8611313},{"id":"5332","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. 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Bp says because it is less personal\n\t\t130\tRoy asks about utaniki – Basho’s Form\n\t\t\tEg. – “Basho’s Narrow Road to the Deep North”\n\t\t\tAn on-going linkage of prose and poetry in the Martyrology “a constant formal interruption”\n\t\t152\tGeorge says E.A. Poe says all long poems are prose interrupted by poetry\n\t\t159\tSyntax and body structure\n\t\t\tBp sees connection in breath, sequence, poem and body\n\t\t185\tGeorge says of imagists that they replaced regular syntax with syntax of the image, and bp has replaced syntax of the image with syntax of the body\n\t\t194\tSynapse – George asks if it is a thing or an action\n\t\t\tBp says it happens between Ganglia\n\t\t215\tBp says when he initially wrote he was trying to notate his voice as it happened, get the syntax down to the body and breathing.  Later he gets down to challenge the notation, to create a particular sound effect.  So he can use syntax and notation to extend the range of sound\n\t\t238\tGeorge talks about difference between typewriting and handwriting, the presence of the body in written script.  In the typewriter you can by pass the body\n\t\t260\tDaphne Marlatt disagrees – says the rush of the body is present in fast typing"],"Note":["[{\"note\":\"Liner Notes: BP Nichol Reading From Book Six of the Martyrology SFU July 21, 1982 Side 1 28:30 Side 2 25:50 Recorded by Kurtis Vanel Dolby B\",\"type\":\"General\"},{\"note\":\"The sound quality of side one is poor at the beginning although it improves \",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670552862982145,"timestamp":"2026-01-07T14:59:57.321Z","score":0.8611313},{"id":"5333","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. 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Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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Clayton Eshleman, English, Eastern Michigan U., discusses Cesar Vallejo: Trilce: a talk on the book and a bilingual reading in honor of the 100th Anniversary of Vallejo’s birth in Peru; and a short paper on the difficulties of translating Vallejo’s poetry\\n#743\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553054871552,"timestamp":"2026-01-07T14:59:57.525Z","contents":["Side\tTrack\tNo.\tComments\n\t\t\tTitle: Cesar Vallejo : Trilce : a talk on the book and a bilingual reading in honor of the 100th Anniversary of Vallejo’s birth in Peru; and a short paper on the difficulties of translating Vallejo’s poetry\nOne\t\t019\tTape starts halfway through Eshleman’s introductory comments\n\t\t036\tIntroduction to Eshleman’s Selected Poems 1960-1983 – “a bad translation is the insistent voice of the translator”.  Eshleman’s first experience with the “translator’s ego” was with Ben Belitt’s translation of Garcia Lorca’s Poet in New York in 1959.  Garcia’s last line in his poem, “La Aurora” was changed from “the shipwreck of blood” to “a bloody disaster”.  Belitt’s use of English slang effaced Lorca’s\n\t\t080\tBlood. In Belitt’s Lorca and Neruda translations, we hear the translator/poet’s own mannerisms, leaking into the meaning of the original texts.  A colonization of these poets’ terrain\n\t\t090\tThis colonization has sombre repercussions, especially in the case of a “first world” translator and a “third world” writer.  The translator implies that his mind is superior to the mind of the original text\n\t\t102\tBelitt’s translation seems more monolithic and damaging than that of other translators, says Eshleman.  Robert Lowell dropped 10 of Rimbaud’s 25 stanzas in translation for Le Bateau Ivre, (a presumption that only two thirds of this great French poem is worth carrying over to English).  Eshleman discusses further problems with translators\n\t\t112\tEshleman discusses his own ego impositions in his 1968 translation of Vallejo’s poetry\n\t\t116\tThe particular poem he discusses deals with Vallejo’s failure to connect with his wife.  Eshleman recounts the difficulties in gaining permission from Vallejo’s wife to translate his poetry, and admits the poem (Es una Historia) took on the symbolic weight of his frustration with her, resulting in his inappropriate rendition of the last line\n\t\t143\tHow might a translator work to resist ego imposition or translator imperialism?  There is no such thing as a literal translation and denotative choices comes up in every line\n\t\t155\tDiscusses translation of Martinique poet Aimē Cesaire, and work of denotative choices through text or dead author’s background\n\t\t169\tIn the 1969 Berger Bostock translation, Notebook of Return to the Native Land, Eshleman discusses incorrect translation of word for cove, and consequent misreading of the poem\n\t\t180\tEshleman explains his process for avoiding errors, through consultation with Spanish scholars, etc. and by respecting occasional misspellings, line and stanza breaks, and by rendering Vallejo’s obscurity and flatness as well as his brilliance\n\t\t189\tHis process also allows Vallejo’s influence to enter his own poetry, to allow his imaginings of Vallejo to be incorporated into his own work rather than allowing them to spill into Vallejo’s text\n\t\t214\tEshleman reveals his secondary motivations of wanting to translate certain poets to allow their work and knowledge of poetics to fuel that of Eshleman’s.  He discusses Vallejo’s influence on his own work\n\t\t236\tDiscussion ends (Part I)\n\t\t239\tDiscussion of the book Trilce.  Eshleman refers audience to a 30-page essay on Trilce that will be part of a book (to be published Fall 92) by Marsilio in New York City, introduction by Americo Ferrari (Bilingual, including 30 pages of notes on difficult words & phrases in the poems.  Eshleman’s discussion on the meaning of Trilce is brief\n\t\t246\tFirst edition came out in 1918, and second edition from Madrid in 1930.  Crucial differences in each edition and Eshleman describes problems with texts because of Vallejo’s failure to read the galleys\n\t\t250\tDiscusses disagreement over translations between Julio Ortega and himself, and process for translating from the 1918 edition, eg. keeping many misspellings as intentional and the 1918 edition as the original text\n\t\t266\tEffects on Trilce of various events in Vallejo’s life eg. His mother’s death in 1958 and five poems concerning his childhood that act as pillars supporting the body of poems\n\t\t276\tMany love poems and sex poems involving a number of women. Poem #9 representative of very explicitly sexual expression for Peru of the 1920’s.  *[Ofelia] Villaneueva’s story as Vallejo’s girlfriend and subsequent poems wound in with Mother theme\n\t\t305\tThe third big item in the production of Trilce is Vallejo’s imprisonment in northern Peru.  Vallejo severely revised earlier poems written for Trilce.  Aspejo attributes to this prison experience, the inspiration of the breakdown and new form of the sonnet which was difficult to read and expressing a new creative force in Vallejo\n\t\t327\tDiscusses the problem of the Trilce title\n\t\t346\tThe poem, “Trilce”, written in Europe, belongs in no volume.  The poem treats Trilce as a place in the world which one knows and is always approaching, an eerie sort of paradise\n\t\t357\tCredit is due to Englishman Henry Gifford who translated with Charles Tomlinson in the early ‘70’s and credits the title, Trilce with numerical meaning.  Eshleman gives evidence from a later found poem to support Gifford’s idea that Trilce comes from the numbers trillion and thirteen\n\t\t384\tSide One Ends\nTwo\t\t009\tSide Two Begins.  Eshleman discusses various hints throughout Trilce that support this reading of the trite\n\t\t036\tTrilce is full of burned bridges, and models of what is elsewhere burned.  The most striking writing in Trilce anticipates American projective verse, and the more recent language poetry, by a number of decades\n\t\t057\tThe major psychological pressure in the poems is that of sex and death\n\t\t069\tTo the banner year of 1922 and international modernism, Trilce can be added with a number of poems Eshleman lists\n\t\t078\tEshleman says his translational intent has been to respect Vallejo’s text with no attempts to improve or outwit it : to research all rare and technical words, and translating them instead of explaining them; and to bring the English up to Vallejo’s performance level in Spanish\n\t\t093\tIntroduction to Trilce poems, one through ten by Eshleman\n\t\t101\tIntroduction is made by late arriving instructor about Eshleman’s work\n\t\t118\tBrief discussion over who will read poems in Spanish.  Students who have been working on translations will read Spanish versions\n\t\t131\tStudents will read a poem in Spanish and alternate with Eshleman’s reading of the translation\n\t\t135\tReading in Spanish of poem 1\n\t\t147\tEshleman English translation\n\t\t159\tProfessor asks Professor Jorge Garcia to read the second poem\n\t\t161\tJorge Garcia reads #2\n\t\t170\tEshleman reads #2\n\t\t189\tStudent reads #3\n\t\t209\tEshleman explains relationship of 3 children in #3 to Vallejo.  Santiago is the bell-ringer who is blind.  Notes the difference between Trilce #3 and #4 as if someone else had written it\n\t\t217\tEshleman translates #3\n\t\t238\tJorge Garcia reads #4\n\t\t250\tEshleman reads English version of #4\n\t\t268\tStudent reads #5\n\t\t280\tEshleman reads English version of #5\n\t\t295\tStudent reads #6\n\t\t309\tEshleman reads translation #6\n\t\t327\tJorge Garcia reads #7\n\t\t337\tEshleman notes on opium or “high” consciousness to #7 – notes Vallejo’s use of brothels & feel of danger within #7 that could be related to his adventures\n\t\t347\tEshleman reads translation of #7\n\t\t362\tStudent reads #8\n\t\t369\tEshleman translates\n\t\t380\tTape 1, ends mid-verse"],"score":0.8611313},{"id":"5351","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Cesar Vallejo: Trilce: Clayton Eshleman at SFU on February 28, 1992 part 2 of 2 #744"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Eshleman, Clayton"],"creator_names_search":["Eshleman, Clayton"],"creators":["[{\"url\":\"http://viaf.org/viaf/79046419\",\"name\":\"Eshleman, Clayton\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1992],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1218/Reading in BC_MsC199_744.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:42:00\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"744-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:37\",\"precision\":\"\",\"size\":\"31.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"744-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:34\",\"precision\":\"\",\"size\":\"31.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1992-02-28\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"Note":["[{\"note\":\"the length of the digital file's side 1 is T00:30:37 and side 2 is T00:30:34, but the performance only takes 29 minute on side 1 and 13 minute on side 2 and the rest of audio is empty \",\"type\":\"\"},{\"note\":\"Liner Notes:\\nClayton Eshleman  \\nSFU, February 28 1992\\nside 1: 29 minute\\nside 2: 13 minute\\npart II \\n#744\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553054871553,"timestamp":"2026-01-07T14:59:57.525Z","contents":["(Tape Two One)\t\t007\tTape 2 begins with reading by student of #9\n\t\t031\tEshleman notes, along with #4, verse #9 is the most difficult to translate.  He reads\n\t\t067\tJorge Garcia reads #10\n\t\t084\tEshleman reads English translation of #10\n\t\t113\tReading ends\n\t\t117\tEshleman is asked to read his own poetry, but he declines, announcing his evening reading as a place to hear his poetry.  He refers instead to a presentation he has prepared on Vallejo’s work\n\t\t129\tEshleman is thanked and question period is opened.  Eshleman refers students to his translation notes, including disagreements by Ortega and himself\n\t\t154\tPoem #25, is sound orientated and Eshleman discusses the possibilities of translation through sound or meaning\n\t\t162\tDiscusses differences between Ortega’s belief that the text is idiomatic rather than concerned with syntactical constructions, that Vallejo is constructing new words with suffixes and prefixes; and the opposite opinion of others (Aerico Ferrari and Alberto Escobar)\n\t\t175\tEshleman says English translation tends to agree with Ferrari’s opinion and Spanish text has called for some invention in the translations of the neologisms.  This was the root of disagreement that led to Ortega leaving the project of translating Trilce\n\t\t188\tJorge Garcia questions Eshleman’s translation of “Manana Manana” as ‘tomorrow’ instead of ‘morning’\n\t\t219\tQuestion about ‘Beethovian’ flats changed to ‘grandiose B flats’ in number 1.  Eshleman discusses the problems in translation of text because Trilce is not referential.  Aspejo believes verse 1 referred to embarrassing prison experience in the latrines\n\t\t264\tEshleman notes the need to find words that are as antiquated to the English reader as the Spanish word used by Vallejo is to the Spanish reader\n\t\t270\tQuestion regarding Vallejo’s word play.  In verse one he accents “tanta” which normally doesn’t carry an accent.  How does Eshleman deal with this?  Eshleman asks if there is any other literary tradition for this\n\t\t306\tQuestion about the use of ‘era era’ as verb or noun.  Suggestion that era could mean ‘fertile land that is prepared for sowing’ and that Vallejo’s word play could involve multiple meanings.  Garcia disputes any agricultural reference\n\t\t348\tGarcia argues that Vallejo’s rich vocabulary is not free to be translated; the internal contextualization of the poetry will help the reader cancel out the meanings that don’t belong.  The reader has to try to cancel out false meanings in order to decode the poem\n\t\t361\tHow does Eshleman translate sounds?  Eshleman says he almost hesitates to explain what he did in #25, but he does\n\t\t390\tEnd of Side 1\n\t\t\tTape Accession #744\nTwo\t\t007\tSide 2 (tape 2).  Question about the relative difficulty of translating different poets\n\t\t011\tEshleman talks about travelling to Mexico and Japan with volumes of Neruda and Vallejo, and his decision to do a translation of the European poetry of Vallejo as a translator’s apprenticeship\n\t\t066\tQuestion regarding Eshleman’s relationship to the language of Spanish as it pertains to the translator’s ego\n\t\t072\tEshleman said he chose Vallejo, not the Spanish language because of the inspiration brought about by Vallejo’s poetry.  Eshleman gives some background to his connection to Vallejo and Mexico\n\t\t104\tThis is a poet to poet relationship as opposed to that of professional translator.  Eshleman works with professional Spanish translators because of his lack of thorough knowledge of the language.  This makes a certain kind of translating possible, because he wouldn’t be writing poetry if he were to spend the time studying Spanish\n\t\t126\tQuestion whether it is more appropriate to work with a co-translator whose language is the same as the poet’s, in order to deal with the issue of translator as colonizer\n\t\t130\tEshleman counters that professors and bi-lingual people are some of the worst translators.  He uses the example of Belitt\n\t\t150\tQuestion about the fifth poem and translation of “mi amor” to”amour”\n\t\t165\tWhat kind of influence did Vallejo have on Eshleman’s own works?\n\t\t167\tEshleman says the time spent on Vallejo has been a form of homework.  Who are you going to read and what is your relationship going to be with these people?\n\t\t190\tTape appears to cut off Eshleman’s above discussion and fades in halfway through a comment by Jorge Garcia.  Garcia is arguing that while Pablo Neruda has beautiful poetry, Eshleman has picked the great poet, in terms of working structurally with the language\n\t\t198\tEshleman recounts anecdote about Octavio Paz in response to Garcia’s point\n\t\t211\tThanks to Eshleman\n\t\t214\tSide 2 ends"],"score":0.8611313},{"id":"5353","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Side one: Steve McCaffery reading his poems recorded over Eli Mandel's lecture of English 360, Side two: Eli Mandel's lecture of English 360 at SFU on July 14, 1981 Part 1 of 2 #918"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Mandel, Eli","McCaffery, Steve"],"creator_names_search":["Mandel, Eli","McCaffery, Steve"],"creators":["[{\"url\":\"http://viaf.org/viaf/59095399\",\"name\":\"Mandel, Eli\",\"dates\":\"1922-1992\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/38243\",\"name\":\"McCaffery, Steve\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1220/Reading in BC_McS199_918.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:22:32\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"918-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:59:24\",\"precision\":\"\",\"size\":\"58.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"918-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:40:16\",\"precision\":\"\",\"size\":\"38.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-07-14\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU  \",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2770\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU  "],"City":["Burnaby, British Columbia"],"content_notes":["Side 1: Steve McCaffery's poetry reading is recorded over Mandel's lecture. MacCaffery's first poem is still clear although with background noise of the class from Mandel's recording. After about 4.5 minutes Mandel's and McCaffery's voices interrupt each other, but can still be distinguished and recognized if needed"],"Note":["[{\"note\":\"The sound quality improves on side 2\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553056968704,"timestamp":"2026-01-07T14:59:57.525Z","score":0.8611313},{"id":"5354","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Coast is Only a Line: Conclusion of gallery reading, Gerry Gilbert Reading at the SFU Art Gallery and Studio Booth on August 7, 1981 #344b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Gilbert, Gerry"],"creator_names_search":["Gilbert, Gerry"],"creators":["[{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1174/Readings in BC_MsC199_344b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"344b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:24:55\",\"precision\":\"\",\"size\":\"24.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"344b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:15:34\",\"precision\":\"\",\"size\":\"15.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-08-07\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nTwo\t\t000\tReads from Phonebook brief intro.\n\t\t087\t*see above\n\t\t100\t4\n\t\t112\t5\n\t\t122\t6\n\t\t137\t7\n\t\t150\t8\n\t\t166\t9\n\t\t175\t10\n\t\t182\t11\n\t\t195\t12\n\t\t219\t14\n\t\t228\t15\n\t\t244\t16\n\t\t267\t17\n\t\t288\t18\n\t\t306\t19\n\t\t325\t20\n\t\t345\t21\n\t\t357\t22\n\t\t368\t23\n\t\t382\t24\n\t\t394\t25\n\t\t412\t26\n\t\t453\t27\n\t\t473\t28\n\t\t487\t29\n\t\t495\t30\n\t\t502\t31\n\t\t532\t33\n\t\t587\t34\n\t\t610\t35\n\t\t640\t36\n\t\t661\t37\n\t\t672\t38\n\t\t682\t39\n\t\t695\t40\n\t\t712\t41\n\t\t730\t42\n\t\t747\t43\n\t\t771\t44\n\t\t795\t45\n\t\t824\t46\n\t\t840\t47\n\t\t854\t48\n\t\t942\t49"],"Note":["[{\"note\":\"Liner Notes: Gerry Gilbert, August 7, 1981 Aug. 7, 1981 Conclusion of Gallery Reading Side 3 3:11 Reading in the IMC Studio: Phone Book 1-26 17:43 Side 3 14:48 Side 4 14:48 27-49, Retakes on 36 + 49\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553063260167,"timestamp":"2026-01-07T14:59:57.525Z","score":0.8611313},{"id":"5319","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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Kurtis"],"contributors":["[{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"no info in any directories, he was an SFU technician, also known as 'Doug Gysemen'\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Vanel, Kurtis"],"Production_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1175/Readings in BC_MsC199_345.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"345-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:31\",\"precision\":\"\",\"size\":\"44.8 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"345-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:59\",\"precision\":\"\",\"size\":\"31.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-08-11\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU Art Gallery\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU Art Gallery"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t002\tIntroduction to Daphne Marlatt by George Bowering\n\t\t029\tDaphne: I will read a few poems suggested by other people\n\t\t033\t“Old Wood”\n\t\t063\tDaphne: I would like to use forests and totems as a kind of key note for this reading\n\t\t067\t“Sea treck etc” – from Steveston\n\t\t079\t“March 13, 1969 – Into the world”\n\t\t094\t“March 16, 1970” – written on a farm in Wisconson\n\t\t114\t“Last section of rings”\n\t\t261\t“When I was young”\n\t\t280\t“Note”\n\t\t297\tBackground for selections from Here and there\n\t\t313\t“Begin with ai  from Here and there\n\t\t347\t“Drive”\n\t\t377\t“In passing”\n\t\t418\tIntroduction to a series of new prose works dealing with a trip to Britain\n\t\t435\t“Departure – Beginning and ending”\n\t\t473\t“Kinderjune”\n\t\t529\t“On Dartmoor”\n\t\t605\tIntroduction to “To Ilfrecoombe”\n\t\t621\t“To Ilfrecoombe”\n\t\t671\t“Coombe Martin”\nSide\tTrack\tNo.\tComments\nTwo\t\t003\tDaphne: “I’m going to read from a sequence of poems titled Here and there (July 1980)\n\t\t009\t#1 “Arriving…”\n\t\t014\t“Arriving” (For Fred and Pauline)\n\t\t084\t“Where” (For David)\n\t\t153\t“Drive”\n\t\t193\t“Held” (For Gloria)\n\t\t260\t“In passing”\n\t\t318\t“Begin with ai” from Here and there\n\t\t373\t“From somewhere”\n\t\t438\t“Here”\n\t\t520\t“The car…”\n"],"Note":["[{\"note\":\"Liner Notes: The Coast is Only a Line: Daphne Marlatt Reading at the SFU Art Gallery Aug. 11, 1981 Side 1 Beginning 43:30 Side 2 Conclusion 9:30 Reading in the IMC Studio 22:17 Recorded by Kurtis Vanel Dolby B\",\"type\":\"General\"},{\"note\":\"This tape is a duplicate of the tape from the Roy Miki's collection \\\"Daphne Marlatt Reading at the SFU Art Gallery and Studio on August 11, 1981 (SWALLOW ID 9129)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670553064308736,"timestamp":"2026-01-07T14:59:57.525Z","score":0.8611313},{"id":"5320","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-08-14\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU Art Gallery\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU Art Gallery"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nTwo\t\t000\tRoy Miki introduces George Bowering\n\t\t013\tGeorge Bowering introduces Robin Blaser\n\t\t056\tRobin Blaser reads from Syntax\n\t\t074\t“The truth is laughter”\n\t\t135\t“Dreams – Jan. 1981”\n\t\t145\t“The truth is laughter”\n\t\t149\t“Tombstone”\n\t\t157\t“The truth is laughter”\n\t\t164\t“Image Nation 15”\n\t\t180\t“Image Nation 16 – Anaclytic variations”\n\t\t191\t“The truth is laughter”\n\t\t198\t“Alert d’or”\n\t\t210\t“The truth is laughter”\n\t\t230\t“The ceremony”\n\t\t240\t“Dreams, April 1981”\n\t\t266\t“Diary, April 11, 1981”\n\t\t296\t“The truth is laughter”\n\t\t304\t“Occasional thought”\n\t\t309\t“Image Nation 17 – Opercula”\n\t\t368\t“Graffito”\n\t\t372\t“The mystic east”\n\t\t405\t“Lake of souls” – Reading notes\n\t\t471\t“Song in four parts for Christ the Son”\n\t\t490\t“I think non[-sensically…”\n\t\t624\tFinishes"],"Note":["[{\"note\":\"Liner Notes: The Coast is Only a Line: Robin Blaser Reading in the SFU Art Gallery, August 14, 1981 Side 1: 26:15 Side 2: 21:15 Recorded by Kurtis Vanel Dolby B\",\"type\":\"General\"},{\"note\":\"This tape is a duplicate of the tape from the Roy Miki's collection \\\"Robin Blaser Reading at the SFU Art Gallery on August 14, 1981\\\" (SWALLOW ID 9131)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670553064308738,"timestamp":"2026-01-07T14:59:57.525Z","score":0.8611313},{"id":"5366","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. 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Not sue who he might be\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1236/Reading in BC_McS199_926.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"926-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:07\",\"precision\":\"\",\"size\":\"31.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"926-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:47\",\"precision\":\"\",\"size\":\"31.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-07-28\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU  \",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2770\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU  "],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"Liner Notes: Copy 1\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553065357312,"timestamp":"2026-01-07T14:59:57.525Z","score":0.8611313},{"id":"5371","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Hugh Kenner lecture about Ezra Pound, Language, and Literature Recorded at SFU on February 25th, 1975 #511"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Kenner, Hughes"],"creator_names_search":["Kenner, Hughes"],"creators":["[{\"url\":\"http://viaf.org/viaf/106966232\",\"name\":\"Kenner, Hughes\",\"dates\":\"1923-2003\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1975],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1290/511.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"511-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:18\",\"precision\":\"\",\"size\":\"80.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"511-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:54\",\"precision\":\"\",\"size\":\"66.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975-02-25\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t\tLanguage and literature – Ezra Pound\n\t\t000\tIntroduction: Pound as a manipulator of large-scale forms\n\t\t042\tTwo questions are posed: “How can we sustain a conception of some length?” and “What do we have when we have a form?”\n\t\t115\tForms are accidents repeated by design; how this affected Pound’s poetry when fragments of Sopho manuscript were discovered\n\t\t154\tEdmond’s reconstruction of the Sopho poems\n\t\t178\tPound’s interest in archaeology: Sir Evans’ restorations in Crete\n\t\t202\tKenner points out that there are a great number of possible accidents in language.  Elaborate rhyme schemes, combined with a chance convergence of the poet’s intent and suitable sounding words, can be very important in determining the poem’s outcome\n\t\t275\tKenner talks about poetic forms as a way of “playing it safe”; he gives as examples Virgil’s and Milton’s indebtedness to Homeric forms\n\t\t340\tKenner tries to reconstruct Pound’s thinking in creating the forms of his poetry\n\t\t370\tPound’s system governing the use of his repetitions – details form a model of the larger structure in which the detail will function\n\t\t390\tPound’s motives for paying intense attention to detail\n\t\t415\tKenner reads a passage from Canto VII, relates its sonorities to the beginning of Canto I with the word “and”\n\t\t445\tThe poem begins with “and” because it is based on Book XI of The Odyssey, which begins with “et”\n\t\t475\tPound’s remark that one should “introduce new material near the end”\n\t\t505\tAnother fortunate accident: The decision to simply reproduce a portion of Divas resulted in Canto I having the appearance of a fragment, beginning with “and” & ending with “so that:”\n\t\t544\t“Where does ‘so that:’ go?”\n\t\t568\tKenner discusses Cathay\n\t\t599\tIn original Cathay, Pound put “The Seafarer” next to “Exile’s Letter” – an attempt at “rhyming one culture with another”\n\t\t632\tPound’s rhyme scheme: “Hugh Selwyn Mauberley” – (a study in form) a two-part poem somewhat based on James’ notes to The Ivory Tower\n\t\t688\tThe Cantos containing an array of possibilities, for example, the option to more extensively draw upon the Homeric hymns\n\t\t755\tOther options: Form of Canto I is repeated in Canto LXXXIII, with “Brother Wasp” going to “have speech with Tiresias”\n\t\t824\tThe “economic theme” of the early Cantos, especially regarding Sigismundo Malatestis, becomes important later\n\t\t880\tPound’s numerical sequences in the Cantos\nTwo\t\t000\tPound’s numerical devices reassure the reader of the poem’s formality\n\t\t022\tJuxtaposition of China and America in the Cantos\n\t\t039\tCantos II setting the pattern of cats being a prelude to visions of gods\n\t\t068\tNew material introduced near the end validates the pattern of the poem; the form is repeated, but the particulars are different\n\t\t082\tThe ability of the Cantos to withstand and assimilate the disastrous public events of the 20th century\n\t\t108\tPound’s willingness to accept Chance as a collaborator (Fortuna in Canto-XCVII)\n\t\t125\tLecture ends"],"Note":["[{\"note\":\"Liner Notes: Dr. Hugh Kenner, Language and Literature Recorded at SFU February 25th 1975\\nSide 1: 37:15\\nSide 2: 36:15\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553271926784,"timestamp":"2026-01-07T14:59:57.732Z","score":0.8611313},{"id":"5486","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Elizabeth Brewster Reading for English 102 at SFU on March 3, 1981 #373"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Brewster, Elizabeth"],"creator_names_search":["Brewster, Elizabeth"],"creators":["[{\"url\":\"http://viaf.org/viaf/59125943\",\"name\":\"Brewster, Elizabeth\",\"dates\":\"1922-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/3424/Readings in BC_MsC199_373.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"SFU\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"373-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:48\",\"precision\":\"\",\"size\":\"46.6 MB\",\"bitrate\":\"32.9 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"373-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:48\",\"precision\":\"\",\"size\":\"29.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-03-03\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n\t\t000\tLong silence then inaudible\n\t\t163\tBrewster introduces her work – reads from The Form\n\t\t171\tBegins to read “_______at the end of the Form”\n\t\t204\t“Reason for reason”\n\t\t219\t“In favour of being alive’\n\t\t242\t“Aftermath of the Titanic”\n\t\t272\t“On the value of Fantasy”\n\t\t296\t“Man who is half there’\n\t\t335\t“Vancouver poems”\n\t\t360\t“On my way home”\n\t\t377\t“Sometimes I think of moving”\n\t\t415\t“Agent orange”\n\t\t479\t“The coup”\n\t\t546\t“Peeking in”\n\t\t583\t“This is west”\n\t\t618\t“West is west”\n\t\t655\t“Somebody said you have to be careful”\n\t\t740\tQuestions from audience\n\t\t859\tEnds"],"Note":["[{\"note\":\"Liner Notes: Elizabeth Brewster reading for English 102 March 3, 1981 (didn't wear mic; lots of buzz) Side 1 27: 25 Side 2 20:00 Dolby B\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553281363970,"timestamp":"2026-01-07T14:59:57.732Z","score":0.8611313},{"id":"5487","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Eli Mandel Reading at SFU on February 7, 1985 #374"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Mandel, Eli"],"creator_names_search":["Mandel, Eli"],"creators":["[{\"url\":\"http://viaf.org/viaf/59095399\",\"name\":\"Mandel, Eli\",\"dates\":\"1922-1992\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Vanel, Kurtis","Buitenhuis, Peter"],"contributors_names_search":["Vanel, Kurtis","Buitenhuis, Peter"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/44322302\",\"name\":\"Buitenhuis, Peter\",\"dates\":\"1925-\",\"notes\":\"He introduces Eli Mandel\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Recordist_name":["Vanel, Kurtis"],"Speaker_name":["Buitenhuis, Peter"],"Production_Date":[1985],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/3425/Readings in BC_MsC199_374.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"SFU\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent \",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"374-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:29\",\"precision\":\"\",\"size\":\"30.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"374-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:57:11\",\"precision\":\"\",\"size\":\"56.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-02-07\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n\t\t000\tIntroduction by Peter Buitenhuis\n\t\t023\tMandel – reads prose journal entries about India\n\t\t052\tJan. 10 1977, journal entry\n\t\t133\tUdaipur entry\n\t\t159\tBombay entry\n\t\t221\tMysore entry\n\t\t249\tReads the poem “The Gods of India’\n\t\t277\t“Fatepur Sikri –The lost city”\n\t\t316\tReads poems from Out of Place\n\t\t336\t“Estavan 1934”\n\t\t357\t“Locality”\n\t\t384\t“Earthworms eat earthworms and learn”\n\t\t423\t“The return”\n\t\t452\t“Lost place”\n\t\t473\t“Doubles”\n\t\t529\t“Parting at the Lake Palace at Udaipur”\n\t\t507\t“It’s variously believed that this world is a double”\n\t\t569\tQuestion period\n\t\t673\tEnds"],"Note":["[{\"note\":\"Liner Notes: Eli Mandel Reading at SFU, February 7, 1985 Introduced by Peter Buitenhuis Recorded by Kurtis Vanel Side 1 27:10 Side 2 23:10 Dolby B\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553281363971,"timestamp":"2026-01-07T14:59:57.732Z","score":0.8611313},{"id":"5488","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Joanne Kyger Reading at SFU on February 26, 1985 #375"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Lord, Susan","Kyger, Joanne"],"creator_names_search":["Lord, Susan","Kyger, Joanne"],"creators":["[{\"url\":\"http://viaf.org/viaf/337901\",\"name\":\"Lord, Susan\",\"dates\":\"1959-\",\"notes\":\"She introduces Joanne Kyger\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\" http://viaf.org/viaf/71627705\",\"name\":\"Kyger, Joanne\",\"dates\":\"1934-2017\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors_names":["Vanel, Kurtis"],"contributors_names_search":["Vanel, Kurtis"],"contributors":["[{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Vanel, Kurtis"],"Production_Date":[1985],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/3426/Readings in BC_MsC199_375.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"SFU\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent \",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"375-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:20\",\"precision\":\"\",\"size\":\"37.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"375-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:39:19\",\"precision\":\"\",\"size\":\"38.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-02-26\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n\t\t000\tIntroduction by Susan Lord\n\t\t009\tJoanne Kyger – reads from her Selected Poems\n\t\t027\t“Tapestry” – first published poem\n\t\t040\t“Refresh my thoughts on Penelope again”\n\t\t057\tReads from All This Everyday\n\t\t068\t“Tuesday Oct. 18”\n\t\t076\t“Wednesday dream”\n\t\t095\t“I am facing an expanse of water”\n\t\t117\t“Not yet”\n\t\t121\t“Notes from the revolution” –“Its been a long time”\n\t\t140\t“Soon”\n\t\t157\t“Noone was watching the tortillas”\n\t\t165\t“A small field”\n\t\t175\t“The grasses are light brown”\n\t\t196\t“O fresh day in February”\n\t\t217\t“I don’t believe in any of your gods or powers”\n\t\t222\t“The far off pine whose branches turn yellow”\n\t\t233\t“I thought I would never get out here again”\n\t\t246\t“Wooden walls”\n\t\t248\t“Of all things for you to go away made”\n\t\t262\t“The apple tree burgeoning\n\t\t271\t“I don’t want to repeat the same mistakes”\n\t\t286\t“Bear destruction”\n\t\t311\t“O well it’s a gray day”\n\t\t330\tBreak and questions.  She talks about her writing practises, and life in Bolinas\n\t\t440\t[Bhuddism] and writing\n\t\t493\tShe talks about her influences – T.S. Eliot, Duncan and Spicer, and later Whalen\n\t\t681\tTalks about Richard Brautigan’s In Watermelon Sugar\n\t\t758\tTalks about the publishing industry\n\t\t943\tShe talks about the influence of Pound and Williams\n\t\t969\tEnd of tape"],"Note":["[{\"note\":\"Liner Notes: Joanne Kyger Reading at SFU, February 26, 1985 Side 1 29 min. Side 2 34:25 Recorded by Kurtis Vanel Dolby B\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553281363972,"timestamp":"2026-01-07T14:59:57.732Z","score":0.8611313},{"id":"5518","cataloger_name":["Nina,Fesenko"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["BP Nichol open interview at SFU on July 7, 1983 part 1 of 2 #411"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P.","Bowering, George","Niechoda, Irene","Scobie, [Stephen?]","Miki, Roy"],"creator_names_search":["Nichol, B.P.","Bowering, George","Niechoda, Irene","Scobie, [Stephen?]","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105110668\",\"name\":\"Niechoda, Irene\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/18385392\",\"name\":\"Scobie, [Stephen?]\",\"dates\":\"1943-\",\"notes\":\"On the J-card, it's written Steven Scobie\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5838/Reading in BC_MsC199_411.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"411-tape-1-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:21\",\"precision\":\"\",\"size\":\"43.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"411-tape-1-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:24\",\"precision\":\"\",\"size\":\"43.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-07-07\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University \",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["Simon Fraser University "],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tTalking about fiction – pronoun as fictional carrier – with George Bowering\n\t\t035\tTalks about the three day Novel and writing practise\n\t\t105\tStructuring the Novel\n\t\t135\tChronological method of publishing – George talking about Robert Duncan\n\t\t250\tGertrude Stein and the muse contained within the text\n\t\t272\tVocabulary and de-centered meaning\n\t\t408\tScobie talks about homolinguistic translation\n\t\t570\tEnds\nTwo\t\t000\tBp reads from The Martyrology, p. 2\n\t\t026\tReading from typescript as a translation\n\t\t054\tCollage as a translative gesture, a move into pure texture\n\t\t109\tRecycling rejected text – Book Two of The Martyrology\n\t\t176\tToronto Research Group as “written thinking” (bp and Frank Davey/Steven Scobie)\n\t\t250\tThe Plunket Papers and sentimentalization of information bp calls it “bad romanticism”\n\t\t306\tTherafields, Freud, Lacan, psychology & language\n\t\t336\tBp talks about Jung, Lacan, sentimentalization and “False mystery”\n\t\t403\tPsychologized autobiography – nothing new done with the information that is put across\n\t\t459\tRoy asks what is the function of self in poems?\n\t\t\tThey concur none.  The poem is not a therapy\n\t\t\tBp says writing is a transformative strategy in life\n\t\t530\tWriting analogous to ritual in its transformative function\n\t\t597\tEnds "],"Note":["[{\"note\":\"It's part of BP Nichol's visit to SFU, writer-in-residence, July 5-8 \",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553737494528,"timestamp":"2026-01-07T14:59:58.173Z","score":0.8611313},{"id":"5662","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["BP Nichol open interview at SFU on July 7, 1983 part 2 of 2 #412"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P.","Bowering, George","Scobie, Stephen","Niechoda, Irene","Miki, Roy"],"creator_names_search":["Nichol, B.P.","Bowering, George","Scobie, Stephen","Niechoda, Irene","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/18385392\",\"name\":\"Scobie, Stephen\",\"dates\":\"1943-\",\"notes\":\"On the J-card, it's written Steven Scobie\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105110668\",\"name\":\"Niechoda, Irene\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5840/Reading in BC_MsC199_412.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"412-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:18\",\"precision\":\"\",\"size\":\"43.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"412-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:12\",\"precision\":\"\",\"size\":\"43.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-07-07\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University \",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["Simon Fraser University "],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tContinue to talk about subjectivity, self and poetry \n\t\t035\tBp says the use of creative writing classes is to make good readers and that publishing does the same for a writer\n\t\t052\tWilliams and Stein making the text an objective place, demanding a denial of subjectivity\n\t\t091\tGeorge talking about Virginia Woolf’s Jacob’s Room and its similarity to Gertrude Stein’s writing, esp., Composition as Explanation\n\t\t137\tPre WWII German film – H.D.’s movie\n\t\t157\tTalk turns to Ondaatje’s film The Sons of Captain Poetry\n\t\t166\tBill Bisset’s film Strange Gray Town\n\t\t255\tBp’s subtexts – Dr. Seuss, Mother Goose, the Alphabet\n\t\t303\tThe “I” as a construct of autobiographical moments, used to elucidate the writing (bp, and The Martyrology)\n\t\t374\tMaking use of computer graphics and type combinations in the poetic text\n\t\t509\tApplication of technological Innovations to poetry\n\t\t\tThe contest to be first\n\t\t601\tOver\nTwo\t\t000\tGeorge talking about the categorization of literature\n\t\t041\tThey talk about chain letters\n\t\t092\tDiscussion of American culture\n\t\t158\tBp reads from Book 6, The Martyrology, “The Plunket Hotel”\n\t\t219\tRoy mentions the sacred and the family in Book 6\n\t\t245\tMartyrology about moving, and written while moving\n\t\t258\tTravel as an enactment of metonymy as opposed to metaphone\n\t\t284\tThe shape of the letter H\n\t\t307\tThey talk about using computers to write\n\t\t327\tBp says he composes in the unit of the page\n\t\t351\tCaesura and line break affecting meaning\n\t\t425\tThey talk about bad poems and bad lines\n\t\t549\tRoy talks about tracking the sound of rhythmical units, saying bp has a characteristic unit of tracking\n\t\t601\tGeorge says bp used a lot of adverb clauses which makes for a larger more convolute rhythm"],"Note":["[{\"note\":\"It's part of BP Nichol's visit to SFU, writer-in-residence, July 5-8 \",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553737494529,"timestamp":"2026-01-07T14:59:58.173Z","score":0.8611313},{"id":"5663","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["bp Nichol reading from \"The Martyrology\" at SFU on July 8, 1983 part 1 of 3 #413"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P.","Miki, Roy"],"creator_names_search":["Nichol, B.P.","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5841/Reading in BC_MsC199_413.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"413-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:23\",\"precision\":\"\",\"size\":\"44.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"413-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:17\",\"precision\":\"\",\"size\":\"44.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-07-08\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University, Blue Room \",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["Simon Fraser University, Blue Room "],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tRoy Miki introduces bp\n\t\t020\tBp talks about the origins of The Martyrology\n\t\t045\tBegins reading from Book One – The geneology\n\t\t060\tFrom the chronicals of Narn\n\t\t070\tFrom the writings of St. And\n\t\t083\tMartyrology of St. And\n\t\t155\tScenes from the lives of the Saints\n\t\t234\tReads from “St. Reat and the 4 winds of the world” – 4th section of Book One\n\t\t286\tBeginning of Book 2. “Speech – each to each”\n\t\t292\tBook of Common Prayer\n\t\t373\tThe Clouds\n\t\t570\tEnds \nTwo\t\t000\t“It is the minute haunts you”\n\t\t030\t“This morning there are no clouds anywhere”\n\t\t059\tFrom the folk-tales of the Saints\n\t\t082\tSuns and divinations – 4th section of Book Two\n\t\t150\tFriends and footnotes – closing poem\n\t\t193\tBook Three – beginning – “Carrots, celery…”\n\t\t298\t“The book of Oz”\n\t\t366\t“Ellie and me”\n\t\t505\tEnds "],"Note":["[{\"note\":\"This tape is a duplicate of the Fred Wah fonds tapes   bp Nichol reading from The Martyrology at SFU on July 8, 1983 Tape 1 of 3 (SWALLOW ID 6943 and 6957)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670553737494530,"timestamp":"2026-01-07T14:59:58.173Z","score":0.8611313},{"id":"5664","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Jeremy H. Prynne discussion on Charles Olson's Maximus Poems at SFU on July 29, 1971 #542a"],"item_title_source":["cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Olson, Charles","Prynne, J. H."],"creator_names_search":["Olson, Charles","Prynne, J. H."],"creators":["[{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"Topic of Discussion\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/39547652\",\"name\":\"Prynne, J. H.\",\"dates\":\"1936-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1971],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5999/Reading in BC_MsC199_542_2.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"542_2-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:39\",\"precision\":\"\",\"size\":\"40.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"542_2-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:34\",\"precision\":\"\",\"size\":\"42.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1971-07-29\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2767,-122.9178 \",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t\tJeremy H. Prynne, Olson’s Maximus IV, V, VI\n\t\t000\tIntroduction\n\t\t024\tMaximus IV, V, VI, a “simple poem”.  It is not a lyric poem\n\t\t065\tHow a seemingly lyrical poem like “The Twist” avoids being lyrical\n\t\t071\t…poem is “simple” but Olson’s life dense and complex\n\t\t087\tDefinition of “cosmos”, “cosmology”\n\t\t100\t“Lyric” relies on metaphor; a condition “of the part”, not “of the whole”\n\t\t110\tFirst part of Maximus has a “lyrical” thrust outward into the ocean and cosmos; later part (IV, V, VI) man turns his back on the sea, back to the land\n\t\t148\tMaximus “folds back on itself”, from cosmos to land, from story to myth – “muthos”\n\t\t180\tMaximus a “circular” poem; when “lyric’ concludes, condition of myth takes over\n\t\t204\tMilton’s “Paradise Lost” a circular poem with a fault (original sin); Maximus a circular poem without a fault – “the world is an eternal event”\n\t\t240\tOlson gets away from the “lyric” by becoming “estranged from that which was most familiar”: the Earth, “home”\n\t\t288\t“Obscure LYRIC” IS PERMISSABLE; “OBSCURE EPIC” is a failed epic\n\t\t320\tSecond Maximus a simple part of an epic poem; describes “homecoming”\n\t\t340\tMaximus a “complete” poem\n\t\t389\t“We escape the metaphor… We participate in the condition of being… beyond the condition of meaning”\n\t\t406\t“The ‘love epic’” : Love for the “whole”, for the cosmos\n\t\t420\tOlson “nods to” Ezra Pound in his epic\n\t\t429\tKeats’ struggle to get out of “local” “lyrical” condition in “Hyperion”; struggle to do what Olson does\n\t\t467\t“the ‘curvature’ of the universe is love”\n\t\t502\tThe universe is simple as a whole, as is its language: a “capacity for love”\n\t\t576\tQuestions from the audience"],"Note":["[{\"note\":\"Released on Folkways FL 9738\\nSide 1 30:40\\nSide 1 30:55\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553750077442,"timestamp":"2026-01-07T14:59:58.173Z","score":0.8611313},{"id":"5708","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robin Blaser, bp Nichol, Sharon Thesen in Poetry and the sacred at SFU on July 6th, 1983 tape 1 of 2 #425"],"item_title_source":["J-card and inventory"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Blaser, Robin","Nichol, B.P.","Thesen, Sharon","Vanel, Kurtis","Miki, Roy"],"creator_names_search":["Blaser, Robin","Nichol, B.P.","Thesen, Sharon","Vanel, Kurtis","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"bp Nichol\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/115694373\",\"name\":\"Thesen, Sharon\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"no info in any directories, he was an SFU technician, also known as 'Doug Gysemen'\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy \",\"dates\":\"1942-2024\",\"notes\":\"He does the introduction part\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6007/Reading in BC_MsC199_425.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"425-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:41:35\",\"precision\":\"\",\"size\":\"62.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"425-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:10\",\"precision\":\"\",\"size\":\"40.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-07-06\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"The location is mentioned in inventory \",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t002\tIntroduction to the topic by Roy Miki\n\t\t049\tThe Sacred: “The disappearance of the sacred is tied to the birth of its necessity…”; Miki quotes relevant lines from H.D. and Gertrude Stein\n\t\t065\tGod died in the 19th century, but only that God dies who is removed from his creation\n\t\t080\tThe 20th century obsessive drive to de-sacrilize the World, relegate ritual to a “dead” past history…\n\t\t110\tSharon Thesen talks about the deanimation and reanimation of the World\n\t\t120\tThe epigraph of Thesen’s prepared statement on Poetry and the sacred: “Big Science… Hallelujah!” – Laurie Anderson\n\t\t130\tIssues of the sacred in these final years of the 20th century\n\t\t138\t“To what extent is poetry, then, the repository of the sacred in our time?”\n\t\t157\t“…the sacred is involved when poetry enacts or experiences limitation…”; both poetry and the language of religion express the limits of our understanding of our own experience.\n\t\t184\t“…the sacred inhabits the realm of what we call meaning and language is a trespass into this realm.”\n\t\t204\t“There is no form in scientific ideology… only method and results!  Poetry’s procedures mirror… the language of our apprehension of all creation… the interpenetration of flesh and spirit, one –and many, word and love, the feminine source of both.”\n\t\t223\tPoetry has to contend with the minute scrutiny of science, Thesen feels that it will\n\t\t240\tBp Nichol talks about the effects of the sacred and of faith on his own poetry\n\t\t442\tSide one ends\nTwo\t\t003\tRobin Blaser introduces his approach to the topic: an anthology of writing on the sacred\n\t\t018\tThe “God is dead” argument; Blaser reads second chapter of first book of Thus Spake Zarathustra\n\t\t060\tThe deconstruction of the Western tradition of humanism, and the peculiarities of the reconstruction; Blaser reads a passage from Faucault\n\t\t082\tThe etymology of the word “sacred”\n\t\t089\tAll men and women respond to a cosmology, it is the job of poetry to build this cosmos.  The structuralist movement was mistaken in trying to separate poetry from myth, and in continuing the battle between science and poetry\n\t\t114\tReads from Philip Rieff’s Triumph of the Therapeutic\n\t\t134\tReads a passage by Octavio Paz, on contemporary Marxist thought\n\t\t198\tDiscusses and reads from Rene Girard’s book Violence and the Sacred (sacrifice is necessary to “hold down” and hide human violence)\n\t\t316\tSide two ends\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553751126018,"timestamp":"2026-01-07T14:59:58.173Z","score":0.8611313},{"id":"5709","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robin Blaser, bp Nichol, Sharon Thesen in Poetry and the sacred on at SFU July 6th, 1983, tape 2 of 2 #426"],"item_title_source":["J-card and inventory"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Blaser, Robin","Nichol, B.P.","Thesen, Sharon","Vanel, Kurtis"],"creator_names_search":["Blaser, Robin","Nichol, B.P.","Thesen, Sharon","Vanel, Kurtis"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"bp Nichol\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/115694373\",\"name\":\"Thesen, Sharon\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"no info in any directories, he was an SFU technician, also known as 'Doug Gysemen'\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6008/Reading in BC_MsC199_426.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"426-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:17\",\"precision\":\"\",\"size\":\"38.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"426-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:57\",\"precision\":\"\",\"size\":\"40.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-07-06\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"The location is mentioned in inventory \",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t002\tRobin Blaser continues his lecture; reads a quotation for Guy Davenports’ The Geography of the Imagination\n\t\t111\tReads a passage on the state of modern science from Ruth Nanda Anshen’s essay “Convergence” (in Bernard Lovell’s Emerging Cosmology)\n\t\t026\tReads a passage by Michel Serres on knowledge\n\t\t065\tBlaser’s lecture ends; the panel begins an open discussion.  Sharon Thesen expresses an initial repulsion at the idea of convergence (of mind and matter).  Blaser responds\n\t\t114\tQuestion from the floor to the panel about the “slippage” between the very abstract notions of the sacred, and those notions derived from Social institutions which deal with the sacred… bp Nichol responds\n\t\t146\tBp Nichol is asked about whether there is any relationship between his view of the sacred and his work at Therfields; he responds\n\t\t203\tBp Nichol responds to a question about how he views the relationship between the family and the sacred\n\t\t257\tA question about the distinction between the sacred and the divine; the panel responds\n\t\t393\tQuestion about birth and death and their relationship to the sacred; Roy Miki and Robin Blaser respond, discussing how the certitude of death has affected poetry and contemporary attitudes toward the family.  Blaser begins to relate the yearning for family with the yearning for love\n\t\t473\tSide one ends\nTwo\t\t003\tBlaser continues to talk about love\n\t\t012\tSharon Thesen talks about the fragmentation of the family, says this is more easily related to deficiencies of language than to poetry or the sacred\n\t\t038\tComment from the audience and response by Robin Blaser about the language of the family and of the sacred\n\t\t058\tBlaser talks about ‘culture, institutions, power and civilization (as an “individual task”)\n\t\t074\tQuestion from audience: The tone of the present discussion seems to suggest a kind of lament for the loss of the sacred, but isn’t it true that the panel has been merely talking about the sacred, rather than acting within it?\n\t\t104\tA response: The poem, Portrait of the Poet as Landscape is a kind of lament for the absence of the sacred, but he failed to recognize that the sacred has become a part of the ordinary.  The disappearance of the sacred is at the base of modern thought\n\t\t133\tQuestion from audience about whether the fact that much respected modern writing on the sacred is in prose (not poetry) is a comment on the disappearance of the sacred.  The response: There is no distinguishable difference between poetry and the best prose on the sacred (Blaser: “…scholarship is a poetic act”)\n\t\t157\tBp Nichol brings the discussion back to the topic of death\n\t\t195\tComment from the audience on the relationship between violence and the sacred, and a question about whether the present discussion is a \"funeral or a party” for the sacred\n\t\t204\tBlaser expresses the view that “…we’re headed for a different kind of poem” in this so-called “post-modern” era; refers to Olson’s (and Pound’s) view that poetry and scholarship must come together\n\t\t244\tThe discussion ends, it is proposed that the panel reads some of their poetry\n\t\t259\tBp Nichol reads “Hour 24” from the second book of Book 6 of The Martyrology\n\t\t294\tSharon Thesen reads – from “Snakes and Ladders”\n\t\t321\t“What Now” – Thesen\n\t\t340\tRobin Blaser reads “The Universe Is a part of ourselves…”\n\t\t354\t“I have tried for 35 to redefine sweetness…” – Blaser\n\t\t261\tEnd of discussion"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553752174592,"timestamp":"2026-01-07T14:59:58.173Z","score":0.8611313},{"id":"5710","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Michael McClure lecture at SFU on March 2, 1984 Tape 1 of 2 #427"],"item_title_source":["cassette and J-card"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Mcclure, Michael","Blaser, Robin"],"creator_names_search":["Mcclure, Michael","Blaser, Robin"],"creators":["[{\"url\":\"http://viaf.org/viaf/71493269\",\"name\":\"Mcclure, Michael\",\"dates\":\"1932-2020\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1984],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6009/Reading in BC_MsC199_427.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"427-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:41\",\"precision\":\"\",\"size\":\"35.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"427-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:31\",\"precision\":\"\",\"size\":\"34.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1984-03-02\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t003\tIntroduction by Robin Blaser\n\t\t063\tBlaser introduces and reads the preface to “The Surge” by Michael McClure\n\t\t083\tBlaser introduces and reads McClure’s “Plank” from Sagetrieb Vol. 2 No. 3\n\t\t100\tMcClure introduces his lecture by reading a poem by William Blake\n\t\t124\tMcClure reads the American Indian hunting song from the beginning of “The Beat Surface” as found in Scratching the Beat Surface (1982)\n\t\t128\tIntroduces and reads the introduction to “The Beat Surface” (“In 1958 I ate the American Indian drug peyote for the first time”)\n\t\t172\tReads “Peyote Poem”\n\t\t211\t“Of the one hundred and fifty copies of ‘Peyote Poem’ that Berman published, several were sold in City Lights Books…”\n\t\t222\tExplains that his lecture is about the relationship between the Beat Movement and nature, consciousness, the mind, and the environment\n\t\t235\tContinues reading from “The Beat Surface”\n\t\t315\tReads First part of “Howl” by Allen Ginsberg\n\t\t347\tReads first section of Gary Snyder’s “Berry Feast”\n\t\t377\t“Snyder’s gloss on the poem reads:…”\n\t\t395\tSide one ends\nTwo\t\t003\tContinues reading from “The Beat Surface”\n\t\t018\tIntroduces and reads Philip Whalen’s “Plus Ca Change”\n\t\t067\tReads his poem “Point Lobos: Animism”\n\t\t099\tReads “Poem” (“Linked part to part, toe to knee…”)\n\t\t110\tIntroduces and reads “For the Death of 100 Whales”\n\t\t154\tIntroduces and reads Robert Creeley’s “Desultory Days”\n\t\t207\tMcClure’s lecture ends.  Robin Blaser comments on the “postmodern” movement in poetry\n\t\t267\tMcClure talks about meeting Charles Olson in Gloucester\n\t\t313\tMcClure responds to a question on his feelings on science, especially biology\n\t\t402 \tSide two ends"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553752174593,"timestamp":"2026-01-07T14:59:58.173Z","score":0.8611313},{"id":"5711","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Michael McClure lecture at SFU on March 2, 1984 Tape 2 of 2 #428"],"item_title_source":["cassette and J-card"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Mcclure, Michael"],"creator_names_search":["Mcclure, Michael"],"creators":["[{\"url\":\"http://viaf.org/viaf/71493269\",\"name\":\"Mcclure, Michael\",\"dates\":\"1932-2020\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1984],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6011/Reading in BC_MsC199_428.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"428-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:09\",\"precision\":\"\",\"size\":\"49.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"428-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:57\",\"precision\":\"\",\"size\":\"48.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1984-03-02\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t002\tMcClure continues talking about his feelings on biology, nature, poetry, etc., and the effects of the Beat Movement\n\t\t074\tResponds to a question about literature critics and the difference (or lack thereof) between East and West Coast poetry\n\t\t130\tResponds to a question about how he feels about the relationship between the various arts\n\t\t184\tTalks about living in New York\n\t\t203\tTalks about John Wieners\n\t\t228\tHow McClure started writing plays\n\t\t275\tResponds to question about what is necessary for the act of composition\n\t\t337\tQuestion about the composition of “Fleas”, and “Ghost Tantras”\n\t\t405\tQuestion about whether McClure uses mind altering drugs while composing poetry (Answer: “No”)\n\t\t438\tQuestion about McClure’s feelings on the sonnet\n\t\t483\tMcClure’s variation on the sonnet: the “mad sonnet”\n\t\t\tReads two examples of “mad sonnets”\n\t\t544\tSide one ends\nTwo\t\t002\tMcClure’s feelings about Robinson Jeffers poetry\n\t\t027\tMcClure’s impressions of current performance artists like Laurie Anderson\n\t\t047\tTalk returns to sonnets, especially altered sonnets\n\t\t120\tThe American poets whose work McClure reads, from both the 19th and 20th centuries\n\t\t151\tMcClure responds to a question about “drive words’ in poetry; recites an example of a poem which makes almost exclusive use of these words\n\t\t218\tQuestion about Zukofsky’s notion of a poem’s sound preceding the words\n\t\t236\tMcClure’s feelings about abstract expressionism and the current art scene (especially in New York)\n\t\t315\tQuestion about whether there is anything happening in writing that is comparable to the current trends in painting.  McClure talks about European sound poetry\n\t\t352\tQuestion about whether the political significance of the harsh black and white handbills that are now so common\n\t\t378\tMcClure’s impressions of Henry Miller, Kenneth Rexroth, Kenneth Patchen and Robinson Jeffers\n\t\t491\tMcClure responds to a question about the Tung Dynasty\n\t\t518\tEnd of lecture and question period"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553752174594,"timestamp":"2026-01-07T14:59:58.173Z","score":0.8611313},{"id":"5712","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Miriam Nichols and Caffyn Kelley at SFU on November 14th, 1985 #429"],"item_title_source":["J-card and inventory"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichols, Miriam","Kelley, Caffyn"],"creator_names_search":["Nichols, Miriam","Kelley, Caffyn"],"creators":["[{\"url\":\"http://viaf.org/viaf/104945553\",\"name\":\"Nichols, Miriam\",\"dates\":\"1952-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/73451944\",\"name\":\"Kelley, Caffyn\",\"dates\":\"1957-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1985],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6012/Reading in BC_MsC199_429.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"429-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:23\",\"precision\":\"\",\"size\":\"30.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"429-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:17\",\"precision\":\"\",\"size\":\"31.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-11-14\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n\t\t\tMiriam Nichols reading\nOne\t\t007\tPastoral I\n\t\t020\tPastoral II\n\t\t041\tReversing the Negative\n\t\t051\tSonata\n\t\t068\tDevelopment\n\t\t085\tRecapitulation\n\t\t094\t“Like being stranded on a small island in the middle of the ocean…”\n\t\t106\tArrogance of the Code, As It Imposes Direction On the Organism\n\t\t125\tPostscript\n\t\t128\tAntipastoral\n\t\t136\tMatrix Genatrix\n\t\t148\tMid-May\n\t\t160\tA story\n\t\t175\tThe Ice Palace\n\t\t209\tCold Paradise\nTwo\t\t\tCaffyn Kelley reading\n\t\t002\tNever the Same I\n\t\t048\tNever the Same II\n\t\t100\tNever the Same III\n\t\t145\tNever the Same IV\n\t\t185\tNever the Same V\n\t\t242\t“Work”, from Cumulation and Arrangement\n\t\t375\tReadings ends"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553752174595,"timestamp":"2026-01-07T14:59:58.173Z","score":0.8611313},{"id":"5713","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Nicole Brossard at SFU on February 10th, 1983 #430"],"item_title_source":["cassette and J-card"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English, French"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Brossard, Nicole"],"creator_names_search":["Brossard, Nicole"],"creators":["[{\"url\":\"http://viaf.org/viaf/7387642\",\"name\":\"Brossard, Nicole\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6013/Reading in BC_MsC199_430.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"430-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:24\",\"precision\":\"\",\"size\":\"44.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"430-side-1 - blank.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:44\",\"precision\":\"\",\"size\":\"47.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-02-10\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553753223168,"timestamp":"2026-01-07T14:59:58.173Z","score":0.8611313},{"id":"5723","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering English 414 Lecture 1 at SFU on September 11, 1973 #660"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: English 414 1973 George Bowering Lecture 1 Sept. 11 Outline of course; H.D.'s poem: Pink Rose"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6023/Reading in BC_MsC199_660.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_660 side 1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:18\",\"precision\":\"\",\"size\":\"35.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_660 side 2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:18\",\"precision\":\"\",\"size\":\"33.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-09-11\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\nTrack\nNo.\nComments\nOne\n000\n005\nBowering tells a funny tale concerning Euripides & the SFU library\n012\nMicrophone problems, class takes direct interest in helping Bowering with this problem\n034\nBeing that this is a 20th century American poetry course, Bowering gives a list of recommended readings (essays actually).\nEmerson’s “The Poet” not his poem “The Poet”\nWhitman’s preface to the 1856 ed. of “Leaves of Grass”\nPoe’s essays, start with “The Rational of Verse”\n045\nBowering finds evidence for his “feeling” of a connection between H.D. & Poe\n060\nBegins H.D. discussion with a discussion on Poe’s essays\n079\nPoe’s influence abroad\n083\nPoe’s influence in America\nThe characterization of Poe – its intent\n118\nPoe’s image of the making of a work of art\nA duty to the Muse to prepare one’s self\n172\nThe analysis of definitions by quality\n200\n20th century assumptions about poetry\n“Patterson”\n“The Lantos”\n“Maximus” poems\n“A”\n216\nPoe’s stress on the effect the poem makes on the person\n230\nPoe’s concept of beauty\n242\nH.D. poem read as example\n282\nPreoccupation with “looking at Verse” not “listening to Verse”\n310\nAmerican poets using rhyme as functional technique not because it was what was required\n327\nPoe’s feud with established literary forces\n373\nPoe’s view that the best poem is “written solely for the poem’s sake”\nArt as an entity, not an isolated entity though\n450\nBowering takes a job at Robert Frost’s comments on free Verse, praises Robert Duncan\n490\nH.D. poem read\n536\nPoe’s concept of the desire for beauty\n561\nBowering apologizes for “Imagism”\n620\nWhy Poe is placed so low commonly on the American literary pole\n671\nAmerican attitudes towards writing ; how American writing is self-imploding\n736\nStates next class’s subject matter\n758\nSide one ends\nTwo\n000\nBlank"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553755320324,"timestamp":"2026-01-07T14:59:58.173Z","score":0.8611313},{"id":"5726","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Margaret Atwood reads \"Landscape as image bank\" recorded at SFU on March 14, 1975 #443"],"item_title_source":["cassette and j-card"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Atwood, Margaret"],"creator_names_search":["Atwood, Margaret"],"creators":["[{\"url\":\"http://viaf.org/viaf/109322990\",\"name\":\"Atwood, Margaret\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1975],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6026/Reading in BC_MsC199_443.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"443-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:50:52\",\"precision\":\"\",\"size\":\"49.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"443-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:17\",\"precision\":\"\",\"size\":\"44.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975-03-14\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tIntroduction\n\t\t015\tTalks about writing The Circle Game and its exploration of geography and landscape as metaphor\n\t\t039\tReads “This is a photograph of Me”\n\t\t079\tReads “An Attempted solution for chess problems”\n\t\t121\tReads “The City Planners”\n\t\t162\tReads “At the Tourist Centre in Boston”\n\t\t204\tReads “The Reincarnation of Captain Cook”\n\t\t224\tReads from Surfacing\n\t\t249\tReads from her work-in-progress Lady Oracle\n\t\t\t-\tChapter 9 of Lady Oracle\n\t\t684\tFinishes chapter 9.  Answers questions from audience\n\t\t717\tCritical response to a poet-novelist\n\t\t775\tSusan McFarlane asks about the length and procedures of the publishing process, and the status of women writers\nTwo\t\t000\tQuestions from Audience – regarding publishing procedures, and her thoughts about old writing\n\t\t072\tTalks about movie rights for Surfacing\n\t\t097\tQuestion “Is the end of Surfacing a mushroom trip”\n\t\t\tNo, famine\n\t\t119\tAlternate titles for Surfacing : “Where is Here” & “Forehead Eye”\n\t\t150\tHer attitude towards critical response\n\t\t182\tParallels between plot structures and landscapes\n\t\t211\tTape ends"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553756368898,"timestamp":"2026-01-07T14:59:58.173Z","score":0.8611313},{"id":"5734","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Falcon Scott reading at SFU on November 4, 1974 #474a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Scott, Robert Falcon"],"creator_names_search":["Scott, Robert Falcon"],"creators":["[{\"url\":\"http://viaf.org/viaf/66475494\",\"name\":\"Scott, Robert Falcon\",\"dates\":\"1868-1912\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1974],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6036/Reading in BC_MsC199_474a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"474a-Side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:17\",\"precision\":\"\",\"size\":\"29.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"474a-Side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:20\",\"precision\":\"\",\"size\":\"30.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1974-11-04\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2780\",\"longitude\":\"-122.9283\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"The last 40 minutes of track two is empty\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553758466048,"timestamp":"2026-01-07T14:59:58.173Z","score":0.8611313},{"id":"5648","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Margaret Atwood reading at SFU on June 13, 1978 #397"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Atwood, Margaret","Vanel, Kurtis"],"creator_names_search":["Atwood, Margaret","Vanel, Kurtis"],"creators":["[{\"url\":\"http://viaf.org/viaf/109322990\",\"name\":\"Atwood, Margaret\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Vanel, Kurtis \",\"dates\":\"1936-2017\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1978],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5825/Reading in BC_MsC199_397.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"397-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:36\",\"precision\":\"\",\"size\":\"32.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"397-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:29\",\"precision\":\"\",\"size\":\"32.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1978-06-13\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t006\t“This is a photograph of me”\n\t\t025\tTalks about The Journals of Susannah Moodie\n\t\t052\tReads “Death of a Young Son by Drowning”\n\t\t077\tReads “The Were-man”\n\t\t094\tTalks about The Journals of Susannah Moodie\n\t\t102\tReads “The woman who could not live with her faulty heart”\n\t\t136\t“Note from an Italian postcard factory”\n\t\t170\t“You begin”\n\t\t193\t“Dreams of the animals”\n\t\t240\tEnds "],"Note":["[{\"note\":\"This program is recorded for PEMC\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553957695489,"timestamp":"2026-01-07T14:59:58.384Z","score":0.8611313},{"id":"5755","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Research on the mouth: Steve McCaffery sound poetry performance at SFU, 1977 and 1978 #493 "],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Southam, Ann","O'Huigin, Sean","Nichol, B.P.","Moses, Ted","McCaffery, Steve"],"creator_names_search":["Southam, Ann","O'Huigin, Sean","Nichol, B.P.","Moses, Ted","McCaffery, Steve"],"creators":["[{\"url\":\"http://viaf.org/viaf/65517963\",\"name\":\"Southam, Ann\",\"dates\":\"1937-2010\",\"notes\":\"Synthesization by Ann Southam\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/62816056\",\"name\":\"O'Huigin, Sean\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Moses, Ted\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/38243\",\"name\":\"McCaffery, Steve\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\",\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1977],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6060/Reading in BC_MsC199_493.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"493-Side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:25\",\"precision\":\"\",\"size\":\"43.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"493-Side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:25\",\"precision\":\"\",\"size\":\"43.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1977\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1978\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2773\",\"longitude\":\"-122.9236\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tS.I.S.M.A. (Movements 1 & 2)\n\t\t107\tPortraits 1-34\n\t\t170\t121123\n\t\t\tSZZERZ\n\t\t294\t“Names for Cricket”\n\t\t389\t“Structure of Incident”\n\t\t501\t“A Little Valentine”\n\t\t637\t“Pleasant Ode for Vincent Trasov”\n\t\t689\tS.I.S.M.A. (Movement 3)\nTwo\t\t000\tAupe Relationships\n\t\t140\tBlack Aleph (1)\n\t\t359\tBlack Aleph (2)"],"Note":["[{\"note\":\"The last 16 minutes of side one and 18 minutes of side two is empty\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553957695491,"timestamp":"2026-01-07T14:59:58.384Z","score":0.8611313},{"id":"5757","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Victor Coleman reading from 33/3 Vic d’Or album at SFU on January 11, 1978 #496"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Coleman, Victor"],"creator_names_search":["Coleman, Victor"],"creators":["[{\"url\":\"http://viaf.org/viaf/38160442\",\"name\":\"Coleman, Victor\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1978],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6063/Reading in BC_MsC199_496.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card \",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"496-Side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:13\",\"precision\":\"\",\"size\":\"41.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"496-Side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:15\",\"precision\":\"\",\"size\":\"51.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1978-01-11\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University Stereo\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2773\",\"longitude\":\"-122.9236\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["Simon Fraser University Stereo"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t\t“Moving Van”\n\t\t\tSolo voice\n\t\t027\t“Asymptote”\n\t\t\tWritten in collaboration with Penny Kemp, Larry Dubin, percussion and marimba\n\t\t361\t“No Flies”\n\t\t\tCasey Sokol, prepared piano & pocket trumpet\n\t\t487\t“Masturbation Ramble”\n\t\t\tLarry Dubin, drums, Al Mattes, bass\n\t\t510\t“Memory”\n\t\t\tMichael Snow, piano\n\t\t587\tRecording ends\nTwo\t\t000\t“Bulge event for the batty persons gallery” Michael Snow, muted trumpet\n\t\t039\t“From the realms of the unseen Father” Al Mattes, bass\n\t\t276\t“Birds” written in collaboration with Patrick Ready, Bill Smith, wooden flute, bird whistle, soprano saxophone, gongs & bells\n\t\t515\t“Rand McNally Ramble” Larry Dubin, drums.  Al Mattes, bass.\n\t\t540\t“Reply to an adamant lover at a distance” Michael Snow, trumpet\n\t\t610\t“Things to do in Northampton with my ‘Pectus Excavatum’”\n\t\t\tMichael Snow, piano\n\t\t680\tRecording ends\n\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553958744064,"timestamp":"2026-01-07T14:59:58.384Z","score":0.8611313},{"id":"5760","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Creeley lecturing and reading at SFU theater on February 9, 1968 #498"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert"],"creator_names_search":["Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1968],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6067/Reading in BC_MsC199_498.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"498-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:07\",\"precision\":\"\",\"size\":\"37.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"498-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:58\",\"precision\":\"\",\"size\":\"37.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1968-02-09\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University \",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2790\",\"longitude\":\"-122.9256\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["Simon Fraser University "],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553958744067,"timestamp":"2026-01-07T14:59:58.384Z","score":0.8611313},{"id":"5769","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering English 414 Lecture 2 at SFU on September 13, 1973 #661"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: English 414 Lecture 2 Sept. 13, 1973; H.D. and Imagism"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6076/Reading in BC_MsC199_661.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_661 side 1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:13\",\"precision\":\"\",\"size\":\"35.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_661 side 2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:09\",\"precision\":\"\",\"size\":\"49.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-09-13\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\nTrack\nNo.\nComments\nOne\n000\n009\nTape breaks into a discussion on a SFU Bookstore mix-up\nSounds quite familiar doesn’t it?\n022\nBowering decides to disregard the text book problem & forge ahead, at one point, with a discussion on Naturalism\n027\nMore comments on Poe & the American Imagist poets’ connection. Similar ideals\n065\nPoe’s sense of an “original style which would be totally answerable to the soul”\n081\nIdeals of Imagism\n091\nClassism –What is it?\n101\nNouns that best define Imagism\n117\nH.D.’s notion that Imagism was really the self-instruction of young poets\n140\nH.D.’s translation of Euripides\nIn the introduction H.D. talks about the problems of translation; laying a lot of the blame at the feet of Swinburne & his ilk\n174\nH.D.’s outrage at the abuse of language\n177\nT.D. Humes essay “Romanticism & Classism” announcing the break with the 19th century\n209\nEzra Pound essay “A Retrospect”’ explaining the school of Imagism\n231\nDefinitions of what an “Image” is\n252\nDefinition by Bowering, of “description: - the process of the writer interpreting an experience for the reader (removing individual interpretation)\n290\nPound’s definition of “symbols”\n300\nSymbols must not only be accessible to an intellectual elite – Pound paraphrased\n328\nReading of a Swinburne sonnet\n352\nReading of a H.D. poem\n357\nDiscussion on contrasts between the two poems\n384\nImagist school innate legacy\n427\nPerfectibility of Man notion disregarded by 1905 / Influence of World War I\n447\nBowering places his emphasis on the period between 1903-1915 “Major change in American writing”\n465\nImagist desire to seek out foreign influences\n489\nRecommendation of The Imagist Poem by William Pratt as a “handy” source of reference\n496\nExamples of sources, Bowering reads aloud two Greek poems :\n“Poesidipus”\n“Refinis”\n518\nAn Ezra Pound poem from 1912 Awpia; this poem is to be seen, so Bowering feels, in reference to the two Greek poems read previously\n530\nH.D. poem, also written in 1912 “Orchid” or “Pryapous”\n550\nDiscussion of initial Imagist output/ The Eaglist magazine/Imagist anthology “Des Imagists”\n613\nPound’s discovery/creation of “Voiceism”. Bowering admits he is just skimming over things, he feels that those who are interested will investigate further for themselves & those who are not interested will be content with the information presented\n622\nOverview of next class “What Imagism did to Poetry” with emphasis on the work of H.D.\n627\nClass over\n982\nSide One over\nTwo\nSide two is blank"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553960841216,"timestamp":"2026-01-07T14:59:58.384Z","score":0.8611313},{"id":"5770","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering English 414 Lecture 3 at SFU on September 17, 1973 #662"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: English 414 Lecture 3 Sept. 17, 1973; Imagism continued"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6077/Reading in BC_MsC199_662.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_662 side 1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:16\",\"precision\":\"\",\"size\":\"38.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_662 side 2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:42\",\"precision\":\"\",\"size\":\"35.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-09-17\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"Note":["[{\"note\":\"Voice is clear but there is a low buzz throughout\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553961889792,"timestamp":"2026-01-07T14:59:58.384Z","contents":["Side\nTrack\nNo.\nComments\nOne\n000\n012\nH.D. (Bowering explains that he is aiming towards selections from War Trilogy)\n019\nWhat Imagism did to poetry\n021\nT.E. Hume – “A lecture on Modern Poetry”. Modern poetry at that time meant what the Imagists were doing and to a certain extent Symbolists and English poets\n029\nModern art makes its break with the Victorians in that “it no longer deals with heroic action. It has become definitely and finally introspective and deals with expression and communication of momentary phases in the poet’s mind”\n035\nExplains different relationship of reader to writer caused by shift in perspective: Impression vs. described action. Outlines implications of this with examples\n060\nRevelations rather than deliver. Likens Imagists to psychologists\n074\nH.D. and Freud\n082\nFreudian analysis – dredging up of an image\n090\nFreud actually did have a couch and sexually harassed H.D., George informs us\n0100\nReader’s participation in meaning\n0113\nWriter’s non-interference\n0118\nWhat does the iambic pentameter do to us? Looks at Pope’s poetry. Talks about its structure\n0137\nWhy is the structure there?\n0147\nFree verse is the scariest phrase in literature\n0160\nFrench meaning different from English. Defined in a negative sense\n0172\nPrescribed forms like airplane flight; free verse, like a bird’s\n0189\nSynthesis between different structures is what free verse does. Body is the determinant\n0200\nHighly structured works and automatic pilots\n0216\nRhythm and images\n0239\nHow can one portray a dream without converting it into a conscious censored pattern?\n0250\nGeorge’s diary entry from 1961\n0261\nInability of language to explain dreams\n0270\nSocial contract and manipulation\n0284\nHopkins\n0301\nBegin with sound\n0314\nReads from “Music of Poetry”, T.S. Eliot. Inner and outer unity. Organic form\n0340\nWhat has been thrown out in free verse\n0346\nWilliams – measure and metre\n0364\nCadence replaces metre as ordering principle\n0400\nStill waiting for definition of cadence from students, Bowering offers the word cadaver because it has same root\n0408\nGeorge offers definition – “where the foot falls”\n0414\nDefinition applied to English and Latin, qualitative and quantitative, respectively\n0419\nParallel with music (i.e. cadenza)\n0439\nCadence verse (as far as rhythm is concerned) and the English language\n0447\nE.A. Poe and the scansion of verse (in English), characterizing how to put a poem together moment by moment\n0461\nThe difference between a good H.D. poem and a bad H.D. poem is determined by the degree to which she “meddles”\n0465\nPound thought H.D. was getting “too mystical”\n0472\nWhat is being sought in an Imagist poem “to discover the inevitable”\n0483\nPope’s form social convention – English isn’t spoken in iambic\n0496\nRecommends John Gould Fletcher’s book Irradiations Sand and Spray. The preface describes how one goes about making an Imagist poem\n0506\nParaphrases T.E. Hume – Images are the only way to communicate with each other (verbal or pictorial)\n0536\nWhat is the poet’s job? To communicate with images; make those images fresh and make the combinations of those images fresh\n0545\nCraze to find new imagists (Imagists and Surrealists) and to rely as little as possible on descriptions, abstractions, and ‘function’ words (i.e. of, about, by for, from, until, etc.)\n0555\nContrasts with 18th century verse which relied on function words in order to be iambic\n0578\nImages for imagists not there to decorate the verse or illustrate an argument (as in 18th century especially)\nBowering offers other examples\n0613\nIn England in 1914 the Imagists were ridiculed (and in U.S.A.)\n0619\nGertrude Stein’s writing became a joke but her name became a household word. The situation was not this extreme for the Imagists\n0633\nImagists views became truisms about verse later on\n0665\nBowering stresses that every Imagist poem is by its own terms a failure because they had to compromise with language. Each making of poetic language is a compromise. Measuring the poem moment by moment works against the knowledge that it is a compromise. Quotes Pound “compromise as little as you can”. Bowering says this means “stay awake” when writing and reading the poem. Recommends Chapter 8 in ABC\nOf Reading, p. 63\n0696\nWill look at the first H.D. poems next time\nTwo\nSide two is blank"],"score":0.8611313},{"id":"5771","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering English 414 Lecture 4 at SFU on September 18, 1973 #663"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: English 414 Lecture 4 Sept. 18, 1973; Imagism continued; biography of H.D.; influence of Freud; influence of classicism"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6078/Reading in BC_MsC199_663.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_663 side 1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:20\",\"precision\":\"\",\"size\":\"36.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_663 side 2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:17\",\"precision\":\"\",\"size\":\"35.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-09-18\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553961889793,"timestamp":"2026-01-07T14:59:58.384Z","contents":["Side\nTrack\nNo.\nComments\nOne\n000\n003\nTape begins\n005\nBowering begins with page 63 of ABC of Reading by J.G. Fletcher\n008\nDiscusses the principles that are presented in this chapter. (i.e. 1 – Incompetence will show in the use of too many words). Bowering sees this book as a good demonstration of what it asks for itself\n017\nAs Pound notes, the principles that are set here are common to all poetry not just Imagist. The principles that Hume, Pound, Fletcher, etc. set are not an invention of imagism\n0027\n“Archaeological dig” of classicism especially for H.D.\n0029\nPoetic images and dream images. Hume and Freud. Pound and H.D.\n0052\nImagist poetry was sculpture just coming over into speech. Sculpture, like dreams cannot be discussed in terms of meaning save as you attend to its physical properties\n0062\nBowering recommends Pratt’s book on the Imagist poem, particularly the section on Pound’s “Station and the Metro”. “The making of that poem is almost a short history on the making of the Imagist movement”\n0071\nImagism, Bowering says, is a funny thing to have happened in the 20th century. Why should it show up in the 20th Century except as a response to the death of Romantic poetry in the hands of Swinbourne and company\n0077\nDiscussion of images in Romantic poetry at its height (Coleridge and Shelley). Images are not fixed. They are always in motion, in flight\n0098\nConstant flux picked up by American Poets. The prime images in Whitman, for example, are images of things in motion\n0105\nThe beginning of the 19th C. perspective akin to 20th C. notion in physics: impossible to distinguish between matter and energy. To carry (or impose) the image of matter that is not in motion is to impose a false image. And yet, the imagist poem suggest that there are absolute unchanging, eternal realities (with Pound it is rhythm)\n0117\nH.D.’s setting of ancient Greece for the modern mind is one of stasis. She uses “timeless” setting\n0124\nWhat do we make of this?\n0128\nFreud (not a political radical, says Bowering) offers a suggestion, a clue as William James did to G. Stein (another conservative) : there is a common bank of images and a common bank of symbols, that we can share\n0145\nThe mind is a flower pot, says Bowering, and the flower is the same as the one that grew in Greece. A yellow orchid in H.D.’s instance\n0149\nH.D.’s novel Palimpsest is discussed as an example of H.D.’s method\n0184\nImagists especially H.D. used experiences over and over again (“spiral”). A sense that she is hovering over the experiences getting different views, similar to the effect of walking by a Cezanne canvas\n0190\nShe is loyal in terms of detail to each of these times, but there is the sense that time hasn’t happened between them. The images know of no boundary called time\n0206\nShared memory (archetypes). For Freud all images are automatically symbols as soon as people become aware of them (this is echoed by Hume)\n0216\nShelley – I, she, he, it, etc. are simply different words denoting the same thing. Yeats as discussed by Unterraker is presented as an example: “No symbol has a meaning”\n0225\nImplication(s) of this discussed. Word-as-sign is the only exception but as soon as associations are made it becomes a symbol\n0232\nImagists provide exactly what the Freudian analysts did. Images are shared images. What H.D. is looking for according to Robert Duncan, is what the words can offer her. Because for H.D. words offer the unknown, they are not tools as for rationalist poets\n0253\n“What the words conceal” is the quality of words that H.D. is looking for in her poems. She is not using words to do this, the words are using her. Bowering likens this to dreams and psychoanalysis\n0274\nPresents Herbert Read’s discussion/demonstration of the difference between a sign and an image and a metaphor and symbol. Discussed in terms of psychoanalysis\n0297\nThe difference between bad imagist poem and good imagist poem. If the poet cannot resist hinting at the “meaning” of an image this is not an imagist poem. This is connected to the example of a patient undergoing psychoanalysis\n0301\nH.D.’s “Oread” closest to the most perfect imagist poem. Ironically, if patient/reader is asked to find out meaning rather than having one imposed upon her by analyst/poet then s/he is likely to come much closer to “intended” or “shared” meaning, says Bowering. He gives examples (similes, as well as metaphors)\n0324\nT.S. Eliot is quoted (from Preludes) on the experience that the writer/reader of imagist poem has\n0337\nHow are imagist procedures used to make a long poem or a novel? Pound is quoted (on the haiku & noh play) : “its unity consists in one image”\n0356\nBowering presents another view “an aggregate of images” that would lead to Pound’s discovery of ideograms\n0362\nPound’s definition of periplume (?) is given because none other is available\n0373\nPratt’s remarks on the long poems of Pound, Williams & Eliot “aggregate imagist poems set in a mosaic pattern around a dominant image” such as The Wasteland, Bowering likens these to certain early 205h C. paintings\n0380\nThe effect of instantaneous perception is discussed\n0393\nThe isolation of images from their surroundings is more pronounced in 20th C. paintings “unclouded by rhetoric”\n0421\nSolicits questions from students. Explains relation between psychoanalysis and imagism briefly\n0467\nLaunches into H.D. discussion. Mentions key things. Recommends Tribute to Freud and other biographies and autobiographies – Ezra Pound, Williams, Hemingway\n0504\nBegins with particulars of H.D.’s life\n0517\nDescription by H.D. in Tribute to Freud of her experience as a child being the only living daughter\n0542\nWhat her experience as being “only one in a world of twos” means (two things); First, (that she is) an outsider without balance and secondly, a rich interior life\n0566\nBowering discusses further H.D.’s feelings of isolation and estrangement\n0575\nDiscusses H.D.’s time at Bryn Mawr with Pound, Williams and Moore\n0581\nDiscusses two visions H.D. had: A childhood vision in which she sees a glowing block with a picture of a serpent and a thistle. Years later she sees a ring in the Louvre which has these images on it. Bowering connects this to collective unconscious (i.e. that images re (re)discovered or (re)membered not invented by individuals\n0617\nH.D.’s search for real and healing images\n0635\nExplains the peculiarly 20th C. view of art: Fragments to be gathered and reconstructed. This “archaeological” approach is connected to collective unconscious\n0700\nDecides to end lecture\n0712\nRecording ends\nTwo\nBlank"],"score":0.8611313},{"id":"5772","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering English 414 Lecture 5 at SFU on September 20, 1973 #664"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: English 414 Lecture 5 Sept. 20, 1973; Biography of H.D. continued"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6079/Reading in BC_MsC199_664.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_664 side 1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:11\",\"precision\":\"\",\"size\":\"34.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_664 side 2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:15\",\"precision\":\"\",\"size\":\"33.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-09-20\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\nTrack\nNo.\nComments\nOne\n0000\n0004\nLecture begins. Various announcements\n0036\nRecaps. (i.e. great interest in classical world)\n0045\nDiscusses translations and H.D.’s decision to not be “slavish” in translating\n0058\nImagists don’t have a “split” between translations and other poems: “She seeks the elemental (images)”\n0065\nThis ain’t no soft focus Greece\n0073\nBowering reads passages from Wm. Carlos Williams’ autobiography who was madly in love with H.D.\n0134\nBowering says that these passages give a different sense of her because they discuss her in relation to sea, storm, the sky, etc.\n0144\nSome biographical anecdotes\n0161\nRecommends My Friends When Young. More anecdotes and titles\n0183\nDiscusses impact of war on H.D. and her marriage and affairs. Mentions Bloomsbury Group. More biographical stories\n0213\nMentions that poems ‘reflect’ this turmoil. More biographical stories\n0232\n“The Islands” is discussed, esp. section IV which is read\n0290\nDiscusses Sappho’s “Fragment #113” and reads last stanza\n0312\nH.D.’s second famous vision (in Tribute to Freud) is discussed. More biographical stories follow\n0403\nWorld War II’s impact on H.D. Reads from Tribute to the Angels. (p.85). More titles and stories\n0446\n20th century chaos affects and resembles H.D. life. She tries to (re)discover who she is. Poems are an attempt at resolution\n0466\n“The blank page is a perfect poem” – Mallarme\n0467\nFreud “The childhood of the individual is the childhood of the race”. Discussed briefly in relation to H.D. and her work\n0475\nNew editions. Bowering reads some passages\n0502\nH.D.’s poems as a search for identity (partly). Bowering says he, unlike everyone else he knows, has not been in analysis because he does not believe in the unconscious (which some say proves one needs analysis!) Analysis anecdotes\n0519\nGreek myth as a metaphor but all poems autobiographical for H.D. This prevents the Sylvia Plath syndrome\n0541\nH.D.’s admiration for the hard, elemental strength of singularity versus the ease that the late Victorian Poets were being accused of. Mentions “Sea Rose” and mentions poem about Shakespeare “Good Friend”. Mentions various other titles\n0590\nLecture ends\n0673\nEnd of Side One"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553962938368,"timestamp":"2026-01-07T14:59:58.384Z","score":0.8611313},{"id":"5773","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering English 414 Lecture 6 at SFU on September 24, 1973 #665"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: English 414 Lecture 6 Sept. 24, 1973; H.D. continued"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6080/Reading in BC_MsC199_665.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_665 side 1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:39\",\"precision\":\"\",\"size\":\"39.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_665 side 2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:26\",\"precision\":\"\",\"size\":\"36.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-09-24\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553962938369,"timestamp":"2026-01-07T14:59:58.384Z","contents":["Side\nTrack\nNo.\nComments\nOne\n0000\n0024\nLecture begins\n0037\nMentions Harold Watts essay “H.D. and the Age of Myth” in Sewanee Review LVI Apr. 1948, and some dictionaries of myth (e.g. Classic Myths)\n0062\nDiscusses H.D.’s admiration for hard, elemental strength/courage in relation to “The Sea Rose”\n0074\n‘Rhyme and reason’ and the cult of mass communication\n0087\n“Words are not counters or tools… (They) are manifestations of a world we enter not as users or owners but, at the very most, equals to”\n0099\n“The qualities of words that can’t be described as things that we can own, explain or interpret,” in relation to “The Sea Rose”\n0145\nMentions “A Sea Lily”\n0159\nPsychological and aesthetic ramifications. Poems might be made to survive by their singularity\n0175\nBriefly looks at “North Star”\n0188\nThe connection between beauty and (the sustenance of) life. The only worthwhile beauty, for H.D., is assertive of life and survival versus decadence. Discusses in relation to the goddesses that H.D. admires (esp. Artemis who is inviolable as well, Athena, Demeter, Circe)\n0241\nIn “The Walls do not Fall” she becomes ISIS, Classicist aesthetics are concerned with the strength and survival of that which is beautiful; that which is beautiful is seen as that which lasts\n0252\nLooks at poem about Athena “Pallas”, an introductory poem. “They” in the poem refers to men\n0262\nReads out a passage. Athena is simultaneously the goddess; protector; example and at the same time, Greece (Athens) and women\n0296\nDiscusses the end-rhyme in the poem\n0302\n“What are the rhymes making you do?” asks Bowering. “This is the angle to attack the poem on.” Uses of rhyme are subtle. They don’t discard real speech patterns\n0332\nDon’t think that H.D. was just an anti-male amazon\n0347\nAnother aspect of the “War Trilogy” that must be kept in mind. One does not reach ‘The Mystery’ by abstractions but by sharp detail. Mentions “the scribe”. H.D. places herself philosophically against the Aristotelian genus sorting. She wants to portray how things come together, “wildly dissimilar yet actuated by the same fear the hippopotamus and the wild deer hide by the same river…”\n0365\nShe is against associating things in that organization “that places everything in boxes”. George discusses the scientific objectification of the world and its relation to capitalistic exploitation\n0408\nLooks at two more poems that connect to “The Walls do not Fall” whose theme is: What do we do with language?\n0413\nAfter the work of the poet has been done the mysteries remain\n0427\nThe mysteries are not explained away as is so common in the 20th Century where mystery gets changed into a puzzle – something solvable (i.e. poems of Tate, Ransom, etc.)\n[0042]\n“The Moon in your Hands” is discussed\n0460\n“The Good Friend” is discussed. A poem about poetry of the Elizabethans and her own – similarities between Elizabethans and moderns. Introduces “War Trilogy” and “Walls do not Fall”\n0514\nGreece is not the metaphor in “The Walls do not Fall”. All the sources of magic, religion, myth (i.e. Christian, Hebraic, Egyptian, Theban and the secret, hermetic forbidden) are there\n0550\nSense that she takes structures from Christianity and extends them so that they will take all the beginnings of myth and religion. The Holy Ghost becomes dreams. We admit the transubstantiation\n0578\nH.D. makes association between rhymes, images and between gods that nobody ever made before because she makes them purely on the basis of sound. Necromancy\n0597\nH.D. wants to make the “associations of delight” in terms of rhyme. She doesn’t see mystery as a puzzle (i.e. something that is outside of us that we can solve)\n0619\nH.D. doesn’t want any frills or ‘poetic devices’ for the war in terms of the use of the language. She wants to show the continuation of the spirit despite the mechanical horrors of war. This is discussed at some length\n0741\n“Inspiration stalks us through gloom” (stalks us unaware as Coleridge said)\n0750\nQuotes Joseph Riddle. “H.D. is like Helen in that she is captive at her loom within the sacred space of the walls (i.e. in Troy) which both protect her and hold her captive”\n0765\nLecture ends\n0771\nEnd of Side One\nSide Two is blank"],"score":0.8611313},{"id":"5774","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering English 414 Lecture 7 at SFU on September 25, 1973 #666"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: English 414 Lecture 7 Sept. 25, 1973; H.D. continued; The War Trilogy, The Walls Do Not Fall"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6081/Reading in BC_MsC199_666.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_666 side 1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:13\",\"precision\":\"\",\"size\":\"37.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_666 side 2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:12\",\"precision\":\"\",\"size\":\"35.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-09-25\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\nTrack\nNo.\nComments\nOne\n0000\n0004\nLecture begins\nMentions Gertrude Stein exhibit\n0018\nRecommends bibliography on H.D. in Wisconsin Studies in Contemporary Literature – 1969, “A Preliminary Checklist”\n0033\n“The Walls do not Fall” is poem of discussion. There is a change in H.D.’s thinking from volume to volume\n0046\n“Sand drifts… eternity endures… inspiration stalks us” taken as totems for theme\n0060\n“Stalked unaware” a vision is placed in front of us. Reads passage from poem\n0064\n“Stalked unaware” a vision is placed in front of us. Reads passage from poem\n0077\nPatterns of images (e.g. The python, etc.)\n0088\nPoem made up of fragments\n0093\nPoet (H.D.) looking for fragments to piece together universe\n0101\nH.D. says that there is a parallel between the smashed city and the condition of the 20th century (“sensitive”) mind\n0109\nShe posits a difference between scribes and priests. The priests have always been removed from the source of power (especially cosmic power) unlike the poets. The poets have revelations which the priests have to interpret. Poets do not close off any experience\n127\nH.D. does not see the subject/object split. Objects are “messages”\n0141\n“I sense my own limit… Be indigestible, hard, ungiving…” What is suggested by this to Bowering is that the individual consciousness can find access to all truth that has ever existed (D.N.A. : R.N.A. can be seen as repositories of all of it)\n0167\nWhy does anyone break into a song or dance?\n0174\nImage of worm as passage of time\n0188\nIs the genius in the jar another hermetically sealed room? Look at Fisher-King and worm images at some length\n0240\nImage of worm spinning its own shroud –a cocoon Imago – the last flowering stage of metamorphosis and root for image and has specific meaning in Freudian psychology (one’s image of one’s self after having gone through a dialective). Worm image discussed further\n0282\n“We are bearers of the secret wisdom … we are not only non-utilitarian we are pathetic/this is the new heresy/but if you cannot even understand what words say how can you expect to pass judgement on what words conceal.” Words are not tools any more than nature is a tool. Central poetic for H.D.\n0295\n“Speech is not only for use,” this is to destroy reactionary notions that poetry is frivolous\n0309\nThe writing on the wall\n0345\nThe holy ghost, for H.D., comes in terms of dreams. Discussion of dreams in “Walls do not Fall”. Visions that H.D. has had come up in the poem\n0397\nH.D.’s condemnation of Christianity. She sees it as out of touch with the mystery that inspires. Christianity is guilty of the objectification of the world which allows the exploitation of human beings and the destruction of the planet\n0421\nBowering reads section 20 of “Walls do not Fall”\n0442\nPassage 28 is discussed briefly\n0450\nPassage 36 is discussed along with 37\n0509\nThe poem, says Bowering, begins to feed upon itself. Poem not seeking status for timeless imagist poem. Time becomes part of the process of the poem itself. This is not referential time\n0538\nNon-referential time is a matter of process. The poem does not hover in imagistic stillness but becomes an act\n0548\nDiscussion of polytheism and monotheism. Explains relation between monotheism, the scientific objectification of life and capitalism\n0586\nBowering reads final section of “Walls do not Fall”\n0616\nDiscusses H.D.’s play(ing) with words as the loosening of the spirit. Sequential thinking is repressive. Bowering discusses Joker-Gods. (e.g. joker-coyote of the northwest Indians; the spider-joker of West Africa)\n0668\nLecture ends\n0680\nEnd of Side one\nSide two is blank"],"Note":["[{\"note\":\"Intermittent audio problem for first six minutes [indicated on J-card]\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553963986944,"timestamp":"2026-01-07T14:59:58.384Z","score":0.8611313},{"id":"5775","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering English 414 Lecture 8 at SFU on September 27, 1973 #667"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: English 414 Lecture 8 Sept. 27, 1973; H.D. continued"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6082/Reading in BC_MsC199_667.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_667 side 1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:11\",\"precision\":\"\",\"size\":\"36.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_667 side 2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:16\",\"precision\":\"\",\"size\":\"32.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-09-27\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\nTrack\nNo.\nComments\nOne\n0000\n0023\n(Tape begins with horrible high-pitched squeal and other loud noises)\n0023\nBowering begins speaking but noises still continue\n0034\nBowering begins by discussing H.D’s response to 1st World War in relation to Walls Do Not Fall and Tribute to the Angels\n0050\nThe reappearance of ruination in Tribute to the Angels. Views poem as a process or act\n0059\nThebes and Jerusalem become the major bodies of mytho-history that H.D. feeds on in poem\n0101\nBowering reads section 3 and discusses the “angelology”\n0121\nWar becomes part of process (of poem and history). Discusses view of war as inevitable part of progress (Whitman)\n0132\nSections 6 to 17, main passages on Aphrodite who becomes Mary. Bowering reads section 12. Discusses goddesses. Explains that there is a balance struck up between Aphrodite (the mother of us all, for H.D.) and Amen (Father)\n0162\nDiscusses images of beauty in relation to war, Section 17, and discusses H.D.’s two major visions in Section 23\n0200\nTransubstantiation image is discussed while reading Section 23\n0216\nThe second vision first appears in Section 28. The fusion of Venus and Mary is made here\n0231\nThe figure of Mary, explains Bowering, is not simply the Christian Figure of Mary. It is the figure of Mary as she becomes merged with ISIS, ASARTE, Demeter, etc.\n0236\nAn ambiguous gesture in Section 29 – the appearance of Mary gives us the sense that H.D. is expanding to all the Venus figures\n0247\nThe series of painters’ images of Mary in Section 29 is discussed\n0263\nThe ‘Palimpsest process’ is pointed out (i.e. Mary keeps resurfacing again and again)\n0274\nMary’s son combines Adonis and Dionysius, explains Bowering, during a discussion of the ‘evolution’ of religions. A lengthy discussion of collective dreams ensues\n0332\nFreudian dream theory\n0344\nSections 32, 35, 36 and 37 are discussed\n0400\nSection 1 is read and discussed. The totally purified Mary, before the Church imposes its image upon her, is the one H.D. wants to see/show\n0459\nSection 39 is read. Primitive terror is discussed, as well as the inability of language to express or convey a synthesis of ‘same’ and ‘different’\n0497\nSection 40 is read and discussed. In particular, Bowering discusses the subjection of experience by representation, and the inability of representation to ‘capture’ an impression or experience. One of the oldest problems artists have had\n0516\nBowering reads Section 41 and discusses it\n0554\nSection 43 is read and discussed\n0626\nLecture ends\nEnd of Side one\nSide Two is blank"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553963986945,"timestamp":"2026-01-07T14:59:58.384Z","score":0.8611313},{"id":"5776","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering English 414 Lecture 9 at SFU on October 1, 1973 #668"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: English 414 Lecture 9 Oct. 1, 1973; H.D - The War Trilogy, Flowering of the Rod"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6083/Reading in BC_MsC199_668.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_668 side 1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:16\",\"precision\":\"\",\"size\":\"35.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_668 side 2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:14\",\"precision\":\"\",\"size\":\"34.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-10-01\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\nTrack\nNo.\nComments\nOne\n0000\n0004\nRecording begins. Bowering comments on strange 747 noise. More noise\n0018\nLecture begins. Bowering outlines Gertrude Stein readings\n0040\nH.D. discussion begins with a question to the students and an explanation of the amount of time spent on H.D.\n0049\nPromotion for Special Collections room\n0065\nDiscussion of Flowering of the Rod begins with a comment on aesthetics\n0074\nThe Flowering of the Rod is the flowering of the pen and of the tree. Biblical story is mentioned. Sexual connotations of story are mentioned\n0090\nH.D.’s visions and her relationship to the war. Transcendence which is not merely resurrection\n0102\nResurrection images/metaphor\n0109\nBeginning of Section 3 of Flowering of the Rod is read and discussed\n0117\nSection 1 is rad and discussed in relation to other two volumes of War Trilogy\n0133\nSection 2 is read and discussed in part\n0142\nSection 3 is discussed further. Atlantis is supreme example of of the cities with walls\n0185\nSection 4 is read in part and discussed. The continued images of beauty and love are H.D.’s longing for the perfect\n0210\nH.D.’s position as an artist (in relation to poem) : she stands unsatisfied. Her search for beauty and the eternal is what is left instead of the eternal, beautiful, perfect\n0222\nBowering explains the difference between a cynic and a skeptic: a cynic denounces the search for the perfect because it is impossible to reach (this in itself is idealism). A skeptic accepts that we seek the perfect in art because that is the impulse to create all the while realizing that this is impossible. The difference between an artist and a “sensible” person lies in the acceptance or rejection, respectively, of this search\n0245\nThis eternal urge is the urge of dreamers, explains Bowering. He discusses the aforementioned in relation to art in general and the imagist’s use of Freudian dream theory. Section 5 is read in part and discussed\n0289\nBeatitudes in St. Matthew are discussed in relation to Section 5 images. Suffering and art are discussed in relation to H.D. and Romantics\n0324\nSection 6 is read and discussed. Bowering notes how the poem again feeds on itself\n0326\nSection 9 and 10 are discussed\n0473\nSection 11 is read and discussed. H.D.’s use of resurrection is looked at again\n0516\nSection 12 is read in part and discussed. H.D. ; Mary Magdalene; Eve and Lilith are connected. A woman from Atlantis who H.D. does not name is seen by her to be before Lilith (who is before Eve)\n0590\nFor H.D. doubt is absolutely necessary for the recurrence of faith. Could Faith exist without doubt? Faith and doubt are discussed at some length\n0690\nLecture ends\nEnd of Side one\nSide two is blank"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553963986946,"timestamp":"2026-01-07T14:59:58.384Z","score":0.8611313},{"id":"5778","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering English 414 Lecture 10 at SFU on October 2 , 1973 #669"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: English 414 Lecture 10 Oct. 2, 1973; Gertrude Stein, Composition as Explanation"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6085/Reading in BC_MsC199_669.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_669 side 1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:45\",\"precision\":\"\",\"size\":\"34.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_669 side 2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:47\",\"precision\":\"\",\"size\":\"35.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-10-02\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553965035520,"timestamp":"2026-01-07T14:59:58.384Z","contents":["Side\nTrack\nNo.\nComments\nTwo\n0000\n0025\nLecture on Gertrude Stein begins\n0045\nDiscussion of place of Stein’s writing in relation to William James’\n0051\nThe area of the reading experience that Stein is primarily interested in as a student of William James\n0066\nStein saw her writing as a continuation of Henry James’ psychological realism. She tried to move beyond that\n0086\nWilliam James did not see abstract, logical entities only moving and becoming. This was why he was interested in the process of mind\n0095\nDiscussion of native Indians in California who perceive the world in motion. Their language does not allow for talking about anything at rest. Things are not manifest they are manifesting\n0105\nHow can H.D.’s sense of the past/present which doesn’t have any levels to it be compared to Stein’s sense of time?\n0123\nReads first scene of a Stein play\n0160\nPlays tape of Stein reading “If I Told Him” (her later portrait of Picasso)\n0203\nStein reading ends\n0219\nWhat does Stein mean when she says that “civilization began with a rose a rose is a rose is a rose”\n0230\nStein is stalling that process called reference (allusion or metaphor and even description)\n0244\nStein is perhaps attempting to do here what Buddha was trying to do in “The Flower Sutra”. Bowering discusses experience and its representation in language. What is the relationship between the primary experience and its representation? This is discussed at some length\n0340\nStein is interested in the conscious mind and its possibilities. Her Poetry works on this as opposed to turn-of-the-century (and later) “mining the unconscious” Stein doesn’t believe in the unconscious\n0354\nStein asks about how we can know the unconscious, consciously\n0363\nIn the late-early period of the early portraits on Tender Buttons Stein no longer thinks that words have to be used to refer to a world. She believes that they can fashion a world or become a world. Words do not have to be signs, images, or symbols\n0424\nRecommends The Third Rose by Malcolm Brinnin (a critical biography of Steins work). “Models’, (Stein reminds us in Brinnin’s book) “were everything until the beginning of the 20th century and now hardly any painter who interests anyone really has any realization that everybody used to have a model.:” This is discussed\n0478\nStein said that it was possible to use language in the way that painters could use color. (But color, plane and proportion in painting are not of themselves highly referential in the same way that language is in the “real” world.) Stein was trying to rescue them from their common dulling associations. She makes an assumption about the effect/experience of language\n(i.e. under the conventions that we have applied to the way we make language work is a primary language, a primary association with words). She believed (quite rightly) that each society’s syntactic habits are enforced in order to enforce political, economic, tribal preferences on the parts of those in power. In our post-Aristotlean world, we, like the Russians and Chinese put subject-over-object in that order. The subject is taken to exist previous to action. The object is only brought into being when that subject acts upon it. The subject object split maintained by language is the root of our exploitive capitalism. Stein is attempting to see the world previous to that overlay (her use of language is remedial)\n0556\nThe art is one’s primary experience while one is viewing it (“reality”). It doesn’t have to refer to some previous model. Bowering says that he will look at cubism later to further illustrate this\n0575\nBowering’s use of the word “order” is to imply a sense of beginning\n0594\nStein is interested mainly in “brain” rather than “mind” unlike H.D. brain can be described in terms of energy (and mind in terms of sets for some reason)\n0623\nMemory in connection to “mind” and “brain” is discussed. Memory, for the purposes of the writer especially (according to Stein) is more fruitful than philosophy or conjecture\n0638\nBowering says that whenever words are put together the product is “real”. It is not possible to not do this. The concept of “real” is discussed at some length\n0724\nA test of Stein’s fiction, says Bowering, would not be whether it is a simulacrum of an experience of the readers’ but whether the reader can remember a character\n0740\nConventional 19th century novels (and paintings) are discussed for their process of cause and effect: set of conditions that becomes the environment; the suggestion is, as it is in naturalism, that environment (as well as heredity) shapes character. Environment and character come together and make the event believable. Stein doesn’t bother with this because people do not look back on their lives that way, says Bowering. She takes major characteristics of a character and shows them appearing again and again through a series of actions. She calls this the continuous present\n0800\nLecture ends\nEnd of side Two"],"score":0.8611313},{"id":"5779","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering English 414 Lecture 11  at SFU on October 4, 1973 #670"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: English 414 Lecture 11 Oct. 4, 1973; Gertrude Stein: Composition as Explanation continued"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6086/Reading in BC_MsC199_670.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_670 side 1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:21\",\"precision\":\"\",\"size\":\"35.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_670 side 2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:17\",\"precision\":\"\",\"size\":\"33.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-10-04\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553965035521,"timestamp":"2026-01-07T14:59:58.384Z","contents":["Side\nTrack\nNo.\nComments\nOne\n0000\n0028\nBowering begins by explaining title of “Composition as Explanation” at some length\n0112\nReads passage and discusses it as a further elaboration of “Composition as Explanation”. “Composition is the difference” – Stein. Things cannot be seen as different unless they are first seen as similar otherwise there would be no such\nconcept as different.” Bowering waxes metaphysical. Composition and difference are discussed at some length\n0170\nCubism does not want to arrest some object in a moment of time, it wants to get multiple views of the same thing into one space that resists the movement of time. Bowering says he will discuss this further later on in the lecture\n0178\nComposition is involved in the consciousness of seeing (the similar in the different); placing yourself physically in the scene\n0181\nStein on the avant-garde: “No one is ahead of his time. It is only that the particular variety of creating his time is the one that his contemporaries who are also creating their own time refuse to accept.” She once stated that she created the 20th Century when she wrote The Making of Americans. (Created 20th Century America)\n0190\nAgainst description. (Places the writing in past). H.G. Wells is given as an example\n0222\nMcLuhan and rear-view mirror thinking is discussed briefly. “Artists are not ahead of their time,” said McLuhan, “everyone else is behind the time.”\n0231\nStein wants to create one’s time, says Bowering. This is the only thing one can do if one is not satisfied trying to describe (or translate) one’s time. This places one in the past and Stein is not interested in this\n0240\n“Those who are creating the modern composition authentically are naturally only of importance when they are dead because by that time the modern composition having become past is classified,” said Stein, “and the description of it is classical. This is the reason why the creator of the new composition in the arts is an outlaw until he is a classic. There is hardly a moment in between and it really is too bad, very much too bad, naturally for the creator but also very much too bad for the enjoyer. They all would really enjoy the created soon after it is made than when it is already a classic”\n0250\nThe irritation (shock) of the new (in literature or visual art) is discussed\n0270\nWhat is the source of this irritation? Stein locates it at the reader’s (or audience’s) experience of the work (rather than the work itself). Bowering gives a rather unconvincing David Hume-like analogy\n0279\nWhat is the source of this irritation? Stein locates it at the reader’s (or audience’s) experience of the work (rather than the work itself). Bowering gives a rather unconvincing David Hume-like analogy\n0300\nThe Stein sense of beautiful versus H.D.’s sense of the beautiful which is the eternal and perfect\n0320\nRepetition, beginnings and the ‘natural thing’ are discussed\n0344\nStein does not want to describe but to find the main characteristic. To solve problems she looked at what was not done, Bowering explains\n0380\nThe effect Stein wants to achieve is similar to the effect the cubists wanted to achieve. She wants to get multiple views of the same thing happening in the same time, explains Bowering. Repetition is discussed again as is the parallel in writing with a painting’s effects showing no recognizable object (no nouns)\n0401\nStein’s repetition of main characteristics in different circumstances is discussed as being the way she paints a picture of a person’s life. This perspective is discussed in relation to a historical perspective. Her point was to make people look at and hear her writing in the same way that the cubists wanted people to look at painting. A great deal of art is self-referring in the 20th century, says Bowering. Visual examples are shown\n0450\nWhile showing slides, Bowering discusses perspective, composition referentiality and abstractions\n0596\nDescription is criticized again and discussed in relation to the paintings on the slides. As soon as one enters into description the elements of nature are used by the artist who wants to direct the viewer/audience into having a certain set response to his main subject material\n0622\nDescription; interpretation, perspective; values systems and ego\n0657\nStein’s phrase on composition is discussed in relation to the direction of attention versus process of mind\n0684\nEnd of lecture and side one\nSide two is blank"],"score":0.8611313},{"id":"5780","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering English 414 Lecture 12 at SFU on October 9, 1973 #671"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: English 414 Lecture 12 Oct. 9, 1973; Gertrude Stein continued"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6087/Reading in BC_MsC199_671.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_671 side 1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:13\",\"precision\":\"\",\"size\":\"34.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_671 side 2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:15\",\"precision\":\"\",\"size\":\"33.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-10-09\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\nTrack\nNo.\nComments\nOne\n0000\n0004\nBowering begins with his usual Prince George and Sylvia Plath jokes\n0035\nBegins by looking at “Composition as Explanation”. Pg. 24, “A Question on Time.”\n0042\n“(t)he time in that composition is the natural phenomena of that composition and of that perhaps everyone can be certain” – Stein. This quotation is discussed in relation to time in paintings\n0072\n“Each period of living differs from any other period not in the way life is but in the way life is conducted and that, authentically speaking, is composition.” (Stein is trying to show what it is to live in her time. Composition is discussed in relation to consciousness and against certain kinds of realism\n0112\nStein is not interested in cause and effect or in questions of why people do things but how they do it; this places her as scientist as opposed to a religious or philosophical investigator, Bowering explains\n0119\n“Everything is the same except composition and as the composition is different and always going to be different, everything is not the same”. (p. 28 “composition as explanation”). Bowering discusses this quotation\n0142\nBowering discusses above quotation in relation to H.D. who believed that anyone’s mind could tap the arche-types and dissolve the self. Stein is more interested in how one acts, explains Bowering\n0156\nBowering discusses Melanctha. Though it seems a conventional story for Stein, it is still an odd way of writing for that period (because it is not like descriptive literature), says Bowering\n0182\nStein’s parallel between writing and war. The exigencies that demand modernism : if the war demands modern techniques, those modern techniques will be there sooner than for other things\n0199\nBowering discusses “the time of the composition is a natural thing…”\n0230\nStein tries to make time inconsequential, says Bowering, and the only time that is operative at all is the actual reading time of the piece\n0242\nBowering discusses the cubist’s who did away with conventional use of time and space. They too, like Stein and linguists who study natural language, are looking for an “order’ that exists before the conventionalized, interpretive mind gets a hold of the world and conceals it. This is discussed at quite some length\n0617\nUp until the 20th Century, there are no spaces between things (all space on canvas is filled). In 20th Century art, music and writing, there are spaces between things (different ordering). This is the difference in the modern perspective\n0663\nStein makes a distinction between insistence and repetition. She, as well as Williams, says that Stein doesn’t use repetition. How she writes the portraits is related (by Stein) to how one sees the world around. “Is there repetition or is there insistence? I am included to believe there is no such thing as repetition”. – Stein. This is discussed in relation to “same’ and “different “which is explained in metaphysical terms\n0737\nEnd of lecture\nEnd of Side one\nSide two blank"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553965035522,"timestamp":"2026-01-07T14:59:58.384Z","score":0.8611313},{"id":"5781","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering English 414 Lecture 13 at SFU on October 15, 1973 #672"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: English 414 Lecture 13 Oct. 15, 1973; Gertrude Stein: Ida"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6094/Reading in BC_MsC199_672.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_672 side 1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:27\",\"precision\":\"\",\"size\":\"34.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_672 side 2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:19\",\"precision\":\"\",\"size\":\"33.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-10-15\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\nTrack\nNo.\nComments\nOne\n0000\n0006\nBowering begins with one of his standard jokes\n0031\nBowering recapitulates about Stein’s process by quoting W.C. Williams from his 1931 Selected Essays. “It is a breakaway from that paralyzing vulgarity of logic for which the habits of science and philosophy coming over into literature, where they do not belong, are to blame”\n0065\nBowering wants us to think of realism as a challenge to form not to contend\n0072\nBowering begins with them. Stein is working out the problem of identity for a famous woman (Ida). Bowering discusses the conflict between identity vs. entity at quite some length and in relation to Stein’s own life\n0206\nWhy does conventional fiction use plot etc., asks Bowering: To assert an unproven greater significance to our existence, he answers\n0220\n“Nobody has identity. Do they put up with it? They put up with identity” – Stein. (Ida’s) identity is discussed at quite some length\n0325\nBowering discusses fable, legends, saints in relation to identity and publicity\n0348\nStein’s dreams and symbols are discussed (with the examples) as well as, fable-language; legend-language (that makes time cease)\n0397\nMagic paranoia fantasy\n0434\nIda is picaresque novel\n0460\nBowering’s description of Ida : “At first there is Ida and what will she do and then there is what she does but where is Ida?”\n0467\nIn Stein’s work we are always dealing with “How it (the mind) feels” not so much with what it says. Bowering illustrates this with examples\n0485\nStein’s jokes and puns are discussed at quite some length\n0627\nThe implications of Ida “making a name for herself” are discussed\n0680\nIda falling in love. Bowering gives an example of true Gertrude Stein logic\n0700\nBowering discusses what he considers one of the greatest empirical passages about growing to love. More discussing of identity\n0813\nEnd of lecture\nEnd of Side One\nSide Two is blank"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553966084096,"timestamp":"2026-01-07T14:59:58.384Z","score":0.8611313},{"id":"5782","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering English 414 Lecture 14 at SFU on October 16, 1973 #673"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: English 414 Lecture 14 Oct. 16, 1973; Gertrude Stein: Ida concluded; Hemingway - beginning"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6095/Reading in BC_MsC199_673.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_673 side 1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:21\",\"precision\":\"\",\"size\":\"35.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_673 side 2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:00\",\"precision\":\"\",\"size\":\"34.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-10-16\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting\n"],"contents":["Side\nTrack\nNo.\nComments\nOne\n0000\n0014\nBowering begins lecture by finishing off discussion of Ida (i.e. problems of identity – Ida as type in a picaresque sense; names and naming; Ida’s relationship to Andrew; her phase as her mother’s Ida; Ida’s attempts to formulate identity; her experience as trapped in identity, etc.). Quite a lengthy discussion ensues – “the story is not over until the reader dies”\n0209\nBowering begins Hemingway discussion by introducing Death in the Afternoon which he will allude to through the lecture\n0231\n“Remarks are not literature”, Stein tells Hemingway. Bowering recommends chapter on Hemingway in Stein’s The Autobiography of Alice B. Toklas\n0239\nBiographical anecdotes\n0266\nBowering reads from “Up in Michigan” (Hemingway’s “first story”) and discusses use of language\n0296\nBowering discusses The Nick Adams Stories and interchangeable, autobiographical Hemingway heroes\n0364\nOn the necessity of human bonding which appears almost exclusively as male bonding. Bowering gives various examples\n0409\n“Grace under pressure” is discussed along with Catholicism\n0444\nNick Adams Stories are discussed as initiation stories. One of the two most common themes in American Literature, says Bowering, along with the-disappointment-of-the-promise-made-by-the-constitution (i.e. also loss of innocence like the initiation stories)\n0483\nAnti-Hemingway position is reduced to two points: 1. The women are male-identified; unreal. 2. Hemingway is obsessed by violence, pain and death. Bowering dismisses the former point quickly with an unconvincing, standard (masculine) answer. The latter is discussed and rationalized\n0555\nThe social construction of masculinity is rationalized and glorified\n0590\nBowering recommends Turgenev’s Fathers and Sons\nEnd of Side One\nSide Two is blank"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553966084097,"timestamp":"2026-01-07T14:59:58.384Z","score":0.8611313},{"id":"5783","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering English 414 Lecture 15 at SFU on November 1, 1973 #674"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: English 414 Lecture 15 Nov. 1, 1973; William Carlos Williams"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6096/Reading in BC_MsC199_674.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_674 side 1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:23\",\"precision\":\"\",\"size\":\"34.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_674 side 2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:19\",\"precision\":\"\",\"size\":\"32.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-11-01\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553966084098,"timestamp":"2026-01-07T14:59:58.384Z","contents":["Side\nTrack\nNo.\nComments\nOne\n0000\n0005\nPaterson is a town, and, a man. Bowering discusses Williams’ urban home town – dirty, filthy, the population a result of the great immigrations into the United States in the early part of the 20th Century to feed the mills\n0027\nBowering notes that Williams chose Patterson as the setting for Paterson, rather than nearby Rutherford, as “He had to write a poem about everything and set it in its specific place”. The image that Paterson contains is the very central image of the waterfalls\n0032\nLike In the American Grain, Paterson is a book, a poem, about making poetry. Bowering goes on to discuss Paterson as a veritable mine of information on what Williams and other contemporaries thought and felt about poetics\n0071\n…on some pronouncements about poetry by William Carlos Williams: -- ‘Order’ for example\n0097\nDiscusses Yeats’ views of poetics in reference to a Comparison with Williams’ ideas on ‘order’\n0116\nYeats’ idea was to write a poem that lasts forever, containing images which defy death\n0138\nWilliams on ‘Masterpieces’ – beauty is found in the fresh, the unexplored. Masterpieces are only beautiful in the tragic sense, like a starfish stretched out dead on the beach in the sun\n0151\nBeauty – Uncertainty, hence Williams’ interest in ‘accident’, an important principle in Paterson\n0207\n“The impulse to order, then, involves measure, in all its meanings. The first thing one does when one finds oneself lost is try to start measuring, and the only access one has, in order to start measuring, is one’s own lineaments.” Bowering goes on to discuss various aspects of the idea of ‘measurement’\n0303\nA swift jump into ‘perspective’, another multi-meaning word. ‘Perspective’ suggests that the viewer is at the center, and “everything else is on the outside, and the farther away that something is from that ego, then the less important it is.”\n0337\nBowering discusses the desire of the imagists and the cubists to get rid of, or distort ‘perspective’, either by deliberate placement of an image, or by ‘dis-covering’ it. One can “see the world without dominating it”, as Williams says\n0376\nW.C. Williams says: “It is not what you say that matters, but the manner in which you say it”\n0406\nWilliams on ‘Ex-pression’\n0483\nBowering discusses Williams’ The Wedge, as a book written contemporaneously with Paterson\n0533\nWilliams – “One doesn’t seek beauty, it finds you.”\n0574\nFrom Williams “Revelation”: “The objective in writing is to reveal; it is not to teach, not to advertise, not to sell, not even to communicate (for that needs two), but to “reveal”. Bowering goes on to discuss Williams’ fascination for speech undistorted, by speech that reveals through its particular genre: “As a carrot grows up through the ground will have in its shape the particulars of that ground.” In other words, the place in which a person grows up will have to constitute how that person comes to the world, and has to be ‘dis’covered’ in the work itself\n0620\nBowering closes by looking at a late work of Williams, namely The Poem as a Field of Action (1948), which came out at the same time as Book II of Paterson\n0687\nEnd of Lecture a\n0699\nEnd of Side One\nTwo\nBlank\n\n*This appears to be a second version of Accession Number #674\n\nSide\nTrack\nNo.\nComments\nOne\n0000\n0004\nLecture begins with Bowering explaining various significances of Paterson (i.e. the city in New Jersey)\n0033\nPaterson, like many of Williams’ poems, is about making poems; this is discussed\n0053\nBowering recommends In the American Grain as being one of the most useful and accessible books to an understanding of the local (language and place) and the difference between marrying the language and raping it (with reference to Williams’ writing)\n0071\nBowering gives some of Williams’ pronouncements about poetry (esp. on order). “Time is a storm in which we are all lost only inside the convolutions of the storm itself shall we find our directions”\n0087\nYeats (and Pound) in relation to Williams’ work\n0097\nA discussion of artifacts (emblems of perfection and eternity) with reference to Yeats\n0134\nWhy Williams is opposed to masterpieces – they are “like starfish lying stretched dead on the beach in the sun”. Beauty is found in uncertainty and the unknown\n0154\nWilliams’ interest in accident is discussed with reference to Paterson and “Chora in Hell” and Marchel DuChamp\n0190\nBowering discusses Williams’ view of form and structure with reference to “Against the Weather” (storm and uncertainty and order)\n0206\n“The impulse to order involves measure in all its meanings” (measure as distinct from metre because metre is seen as something predecided – measure is used as a descriptive rather than a pre-scriptive term by Bowering)\n0233\nBowering discusses Olson’s image of a bird making a nest in relation to measure\n0255\nMeasure is discussed further in relation to prose, poetry and the self. “The measure intervenes. To measure is all we know. A choice among the measures”\n0291\nImagists wanted to rid the view of her/his self-centred interpretation of the world. The act of observation is discussed\n0302\nBowering discusses perspective at some length\n0373\nProcess and composition are discussed\n0398\nBowering discusses Arthur Simon’s quotation on Mallarme – “To be rather than to express that is what Mallarme has consistently sought in verse and prose”\n0410\nThe artist for Williams is a phenomenon among phenomena. She/he is not the “I” who is a creator of order but a discoverer or a rearranger of an order that is already there. This is discussed with reference to other poets\n0482\nBowering looks at Williams’ reface to “"],"score":0.8611313},{"id":"5784","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering English 414 Lecture 16 at SFU on November 5, 1973 #675"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: English 414 Lecture 16 Nov. 5, 1973; W. C. Williams continued - Paterson, Book I"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6097/Reading in BC_MsC199_675.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_675 side 1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:30\",\"precision\":\"\",\"size\":\"34.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_675 side 2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:21\",\"precision\":\"\",\"size\":\"33.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-11-05\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\nTrack\nNo.\nComments\nOne\n0000\n0015\nBowering notes that he feels that he is learning even more now from Paterson despite his experience and travails as a writer – each reading brings to light new issues and ideas\n0045\nPaterson is an example of how to write a long imagist or objectivist poem”, notes Bowering. Paterson is very much about writing\n0071\nDiscussion of the symbolic setting of Paterson, esp. the river and the falls\n0087\nBowering makes the point that one can look at the river in terms of its representation of the passage of one’s life, a familiar metaphor. The river also can be viewed as representative of thought that has not yet been turned into voice\n0120\nComparison of the treatment of water as a metaphor in a poem of Whitman’s Starting from Paumanok\n0161\nThere is a ‘set-up’ structure to Paterson, its original four books were each divided into three sections, for a total of twelve divisions, suggesting ‘the year’. The physical setting matches also – Book II about the spring\n0180\nAnother sense of structure in the books parallels the subject matter; Book I is relatively clear and straight-forward, but as we progress through the books, the writing grows progressively more ‘muddied’, as does the river in Paterson in its journey to the sea\n0203\n“There are some very particular oppositions to Eliot in Paterson…”\n0218\nThe image of the Dog\n0275\nThe image of the ‘particulars’ of the river\n0279\nWilliams: “Beauty cannot exist in a museum out of time and away from the human”\n0294\nThe idea of ‘Quest’ in literature is discussed\n0314\nThe theme of Marriage/Union as compared to Divorce/Rape is investigated\n0363\nThe metaphor of the City (Man) and the Park (Woman), with the river as thought is looked at. Male and female images are investigated\n0373\nWilliams’ reading of Freud played, perhaps, some bearing on the creation of Paterson, especially in terms of dream signification\n0419\nContinued discussion of ‘Marriage’ vs.’Rape’ in the poetry of Paterson\n0503\nWilliams’ attack on university writers is examined\n0520\nThe symbolism of the dead water of ‘the moat’ of poetry created as a result of middle-class motivations\n0595\nWilliams’ attempts to deal with the masculine, puritanical, death-wish drive in which the masculine values are championed. The American hero at the time was the quiet, unspeaking man of action vs. the suspect, effete man of words (i.e. European). In Selected Essays (p. 68), Williams said “The perfect type of the man of action is the suicide”\n0642\nEnd of lecture\nTwo\nSide two is blank"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553968181248,"timestamp":"2026-01-07T14:59:58.384Z","score":0.8611313},{"id":"5785","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering English 414 Lecture 17 at SFU on November 6, 1973 #676"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: English 414 Lecture 17 Nov. 6, 1973; W. C. Williams - Paterson Book I continued"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6098/Reading in BC_MsC199_676.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_676 side 1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:13\",\"precision\":\"\",\"size\":\"34.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_676 side 2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:30\",\"precision\":\"\",\"size\":\"33.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-11-06\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\nTrack\nNo.\nComments\nOne\n0000\n0010\nIntroductory remarks – how to read Paterson (?!)\n0027\nThe suicide of Sam Patch is touched upon, in reference to the theme of Marriage vs. Divorce/Rape\n0053\n“Williams works with crowds throughout Paterson…”\n0069\nThe key phrase in Paterson in which Williams rails against divorce, which he associates with perfection, or the striving for perfection : “A bud forever green…” (p. 18)\n0112\nWilliams looks at the rose as an image of Woman or Christ (p. 30)\n0146\n“Woman, earth, art, proceed; they are not captured, one cannot be the master of them”, Williams says. One cannot own language or poetry or control it without disrupting its essence\n0172\nWilliams’s examination of two disparate girls who wish to be alike is discussed. This discussion leads into the topic of the range of beauty in nature (ugly to beautiful) and of how that range should be reflected in the language and imagery of poetry. The beauty can be found anywhere – it is how one applies the language to it that interests Williams\n0220\nThe Freudian imagery in Paterson is touched on again by Bowering\n0265\nWilliams views on the ‘library’ and “history, but not for the sake of the encyclopedia”, are examined\n0302\n“The first problem Williams has, if he looks around the city and sees people divorced from their past, divorced from their language, divorced from each other, divorced for the reasons they are doing their jobs, divorced from the possibility of devising their own schedules – he has to find and admit and lay out those faults within himself”\n0372\nBowering notes that, in Paterson, we see people coming together not to share language and themselves, but they gather together as crowds to see dead bodies, to see freaks, to see false language, to rape the earth, to see outside beauty rather than their own\n0432\nQuestions are fielded concerning Book I\n0481\nIf the poet will allow, Bowering notes, his discrepancies, his hesitancies, all his imperfections to appear in the body of the poem, then we are lead to a consideration of the poet, the speaker, much more than we would be if we were offered a poem as a finished and perfect artifact\n0492\nBowering starts on Book II. In Book II, Williams discusses ‘the appearance of contemporaries’\n0547\nPuritans vs. Nature is discussed; “they came across to America claiming that they were going to find and people a new world. What they actually did was to make the Old World over again its worst aspects on the American continent”\n0560\nWilliams is like an explorer of the New World in Book II. Constraint is the major them in Book II\n0600\nThe images of people laying in the grass are examined\n0653\nLecture ends\nTwo\nSide Two is blank"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553968181249,"timestamp":"2026-01-07T14:59:58.384Z","score":0.8611313},{"id":"5786","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering English 414 Lecture 18 at SFU on November 8, 1973 #677"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: English 414 Lecture 18 Nov. 8, 1973; W. C. Williams continued - Paterson Book II"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6099/Reading in BC_MsC199_677.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_677 side 1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:52\",\"precision\":\"\",\"size\":\"35.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_677 side 2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:57\",\"precision\":\"\",\"size\":\"34.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-11-08\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\nTrack\nNo.\nComments\nOne\n0000\n0015\nBowering begins the discussion with reference to Williams 1923 Volume Springdoll, and a metaphor concerning the issue of imitation vs. copying in poetry with respect to nature\n0030\n“Art is to be placed beside Nature, in its own nature…”\n0040\nFor Williams, the ideal is “that the poem operate in the world vis Nature, in the way that a tree would”, notes Bowering\n0055\nIn Paterson, Book II, notes Bowering, we have Paterson going out to find out what the nature of people in the city is on Sunday in the park. A key motif is ‘walking’\n0083\nThe image of the roots is discussed (p. 44)\n0121\nPuritanism vs. Nature is discussed\n0151\nThe idea of ’property’ in Paterson is a topic for analysis\n0218\nProperty and theme of constraint\n0222\nDiscusses ‘dogs’\n0252\nProperty and price are discussed\n0277\nIssues surrounding Hamiltonian vs. Jeffersonian politics and 20th century American government are looked\n0331\nThe Federal Reserve banks are extensively discussed\n0416\nHow slavery was made into law in relation to the Federal Reserve banks is touched upon\n0420\n“There are forces which seek to block one’s marriage with nature, with one’s language, with one’s fellow beings and so forth, to keep the people divorced, to keep them constrained…”\n0428\nThe letters of the ‘neurotic poetess’ C. are discussed in reference to the theme of divorce\n0512\nA trick of Williams is to subtly poke fun at other poets by reiterating lines from other works\n0544\nThe business of invention is discussed, in relation to the creation of poetry and nature. ‘In-ven’tion’ = ‘to come in-to’\n0588\nThe freedom of art is associated with economic freedom, an image picked straight out of Pound’s Canto about Usury\n0634\n“Your poetics are directly related to the way you measure the rest of the universe…”\n0666\nBowering will talk about the Pagan and the Descent Passage next time\n0676\nEnd of tape\nTwo\nSide two is blank"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553968181250,"timestamp":"2026-01-07T14:59:58.384Z","score":0.8611313},{"id":"5787","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering English 414 Lecture 19 at SFU on November 13, 1973 #678"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: English 414 Lecture 19 Nov. 13, 1973; W. C. Williams - Paterson Book II continued, Book III begin"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6100/Reading in BC_MsC199_678.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_678 side 1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:53\",\"precision\":\"\",\"size\":\"35.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_678 side 2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:56\",\"precision\":\"\",\"size\":\"34.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-11-13\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\nTrack\nNo.\nComments\nOne\n0000\n0023\nBowering begins with a discussion of the Pagan vs. the Puritan\n0040\nAspects of the film Viva Mexico are touched upon in Paterson\n0059\n“In the Puritan”, Bowering states, “there is a fear built in of both the beautiful and the feminine”\n0088\n“The Evangelist gives all his money away, but he is always worried about cost and price…”\n0120\nPaterson’s great discovery against the deadening absolutes one is offered in life is that “marriage in the present is the way to enter the eternal”\n0152\nIn Part III of Book II we find a refusal to be negative\n0185\nThe descent passage of Book II, Part III, is the key moment of the Book\n0242\nWaterfall imagery in Part III is discussed\n0302\n“Williams force comes from the feminine…”\n0356\nBowering begins Paterson, Book III\n0365\nThe library is discussed - a place of coolness and escape\n0378\n“The library is about the search for new language – the realization that the old has to be picked up and shaken and literally re-formed”, notes Bowering. The image of fire, flood and cyclone runs through it\n0395\nWe are now in the summer season of Paterson\n0399\nFear is a major theme in Book III\n0419\nThat which inspires fear, in all cases in Book III, is the beautiful\n0446\nPaterson remains in the library all through Book III, but his mind keeps going outside to ’beautiful things’\n0526\nIn the library, Paterson is cut off from the city, ‘divorced’ and silent\n0556\nThe dreams of dead men are prisoners in the library\n0561\nThe moth image is discussed\n0607\nThe ‘toilet-training’ theory of literature is discussed\n0622\nThe imagery of the library sign ‘SILENCE!’ is discussed\n0650\nBowering talks about metamorphosis – of the worm, of the cyclone, of the flood, of the fire\n0685\nLecture ends\nTwo\nSide Two is blank"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553969229824,"timestamp":"2026-01-07T14:59:58.384Z","score":0.8611313},{"id":"5788","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering English 414 Lecture 20 at SFU on November 15, 1973 #679"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: English 414 Lecture 20 Nov. 15, 1973; W. C. Williams continued - Paterson Book III"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6101/Reading in BC_MsC199_679.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_679 side 1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:05\",\"precision\":\"\",\"size\":\"36.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_679 side 2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:16\",\"precision\":\"\",\"size\":\"35.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-11-15\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\nTrack\nNo.\nComments\nOne\n0000\n0020\nBowering discusses the nature of the course’s final exam\n0087\nPart III of Book III is discussed\n0131\nBowering relates an anecdote about auto-destructive art\n0185\nThe library image as a dam for fresh thought is discussed\n0230\nReference to In the American Grain is made in terms of the beauty of the un-raped, the new\n0266\nThe passage about the Indians turned over to the soldiers is analyzed. The idea of Williams as doctor is touched upon\n0278\nThe colonists were little more than rapists\n0285\nOn the nature of rapists\n0304\nMarriage vs. Death and Destroying is discussed\n0343\nThe puritan answer to the beauty that the poet hopes to encounter in his art in Paterson (that it is an unproductive useless activity or that it is a ‘dirty book’)\n0348\n“the puritan ethic”, states Bowering, “means the opposite of Williams’ decision to embrace the foulness – they do it without thinking they do, they do it while denying they’ve done it”\n0362\nThe Puritans were not only afraid of the animals in the forest, they were afraid of the animal in man\n0380\nToulouse Lautrec is discussed in the context of Paterson, Book III\n0490\n“So, beauty is not to be divorced from the local, not to be divorced from the vulgar”, states Bowering\n0552\nBeauty is not the moment of rest and contentment, but rather it is at the moment of being shaken just like the volcano or the raging fire – because it cracks open new places\n0628\nThe image of flame is reiterated: it consumes things of elementally lower order and raises them to a higher order – it is the one element (of Earth, Air, Water, Fire) that does not have any weight and is always in change. It is like the waterfall in Paterson\n0689\nEnd of lecture\nTwo\nSide Two is blank"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553969229825,"timestamp":"2026-01-07T14:59:58.384Z","score":0.8611313},{"id":"5789","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering English 414 Lecture 21 at SFU on November 19, 1973 #680"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: English 414 Lecture 21 Nov. 19, 1973; W. C. Williams: Paterson III"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6102/Reading in BC_MsC199_680.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_680 side 1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:58\",\"precision\":\"\",\"size\":\"35.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_680 side 2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:57\",\"precision\":\"\",\"size\":\"34.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-11-19\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\nTrack\nNo.\nComments\nOne\n0000\n0002\nBowering makes light of the fact that he is early for lecture\n0019\nPaterson, Book III is, as far as Bowering is concerned, the best in terms of verse, in terms of art, in the Paterson series\n0024\nBowering recaps his discussion on beauty and the significance of the fire, the flood and the cyclone\n0040\nReference is made to Shelley’s concept of the flame\n0105\nFlame and fire are the most common images for those things which both destroy and preserve. Water also has this quality\n0122\nWilliams said, “The province of the poem is the world. When the sun rises, it rises in the poem and when it sets, darkness comes down and the poem is dark”. That is to say that the poem is not a description of the world, the poem is a world – its own world\n0144\nBowering relates the history of Capt. Vancouver’s voyage up the Northwest Cost\n0165\nThe tightrope passage is discussed\n0204\nThe poetics of wind, the “Breath of poetry” is discussed\n0254\nWilliams’s attitude about the ‘doom’ of the city is looked at. Why does the puritan fear fire?\n0270\nThe events of the Apocalypse are discussed in light of Paterson\n0287\n“Rather than fear the flames”, notes Bowering, “or rather than be gloomy, N.F. Paterson, the poet, hears the laughter all the way through it”\n0315\nThe central image in Book III is the old bottle mauled by the fire. In-depth discussion follows\n0399\nAnother image of the accidental is discussed\n0454\nMore interpenetration and marriage images are given mention\n0493\n“Those books (in the Library)”, says Bowering, “that record of the confrontation with beauty are not the inspiration of the imagination in action at the moment”. What we get is what the guy wrote about that in most cases. How can we get past this conundrum? Asks Williams.\n0535\n“In Part III of Book III we get the flood”, states Bowering\n0547\nWhile the fire changes and form and makes beauty, the flood piles up the debris – it is the past, piling up like property\n0645\nThe wonder of the tin roof is mentioned, with reference to the apocalyptic\n0703\nTape ends abruptly in mid-sentence\nTwo\nSide Two is blank"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553969229826,"timestamp":"2026-01-07T14:59:58.384Z","score":0.8611313},{"id":"5790","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering English 414 Lecture 22 at SFU on November 20, 1973 #681"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: English 414 Lecture 22 Nov. 20, 1973; W. C. Williams: Paterson IV"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6103/Reading in BC_MsC199_681.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_681 side 1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:23\",\"precision\":\"\",\"size\":\"33.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"bowering_681 side 2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:45\",\"precision\":\"\",\"size\":\"34.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-11-20\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\nTrack\nNo.\nComments\nOne\n0000\n0004\nBowering begins with a comment from Olson, that Poetry seeks not to describe but to enact. Sound quality is poor\n0033\nComments about the pastoral are made\n0053\nThe setting for Book IV is New York City\n0063\nThe key word for Book IV is Rebirth. It is a mighty optimistic book, taking place, as it were, in the sewer\n0094\nThere is a lot of ‘busy’ poetry in Book IV that can lead the reader to a sense of disappointment, but Bowering feels that this is deliberate on Williams’ part\n0136\nBowering discusses a letter Williams wrote in 1951, the same time that the book came out\n0178\nBowering announces that since the form of Book IV is very ordered, he will discuss the work section by section in a linear fashion\n0222\nPeople in Paterson reveal themselves by their language, especially the early passage in the text concerning Corydon and Phyllis\n0331\n“The poetess, though”, notes Bowering, “must set up a game, a play if you like, and she is so divorced from the real that she can, at will, reverse the roles”\n0387\nThe ‘disappearance’ of the river is mentioned\n0400\nSound quality dramatically improves\n0494\nIn Book IV we are dealing with October-December, the end of the year…\n0514\nBowering remarks that certain sections of Book IV act in the opposite way of the ‘Fire’, in Book III : they bring a death to language, to the imagination, to the sense of love. It is not a burning away of the old, it is a forcing of people to live in out-worn buildings or poems. It is just a play at poetry\n0524\nThe image of Dr. Paterson is discussed\n0550\nThe association between the East River and Death is touched upon\n0571\nThe significance of the passage on the ‘Indian Princess’ is looked at\n0600\nThe theme of particularity is expanded upon\n0671\nTape ends abruptly – lecture was ending\nTwo\nSide Two is blank"],"Note":["[{\"note\":\"[From J-card] Poor quality copy - low volume and high noise\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553969229827,"timestamp":"2026-01-07T14:59:58.384Z","score":0.8611313},{"id":"5791","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering English 414 Lecture 23 at SFU on November 22, 1973 #682"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: English 414 Lecture 23 Nov. 22, 1973; W. C. Williams: Paterson Book IV continued"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6104/Reading in BC_MsC199_682.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Bowering_682A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:26:28\",\"precision\":\"\",\"size\":\"33.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Bowering_682B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:19:34\",\"precision\":\"\",\"size\":\"24.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-11-22\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\nTrack\nNo.\nComments\nOne\n0000\n0013\nDiscussion of take-home final exam\n0026\nSection II introduces themes of marriage and pregnancy. Paterson is himself a family man\n0054\nThe building imagery in Paterson is discussed, in light (pun intended) of the solarium\n0085\nBowering asks the class if anyone can give him a brief synopsis on how nuclear fission works. No response\n0118\nBowering notes that the destruction of uranium in a nuclear reaction to produce energy is beautiful in Williams’ terms\n0124\nThe parallel between the division of cells to create life and the division of atoms to create energy is discussed\n0156\nMadame Currie’s discovery of Radium is an important image in Book IV\n0198\nThe letter of ‘A.P.’ is discussed\n0212\nThe marriage and ‘pregnancy’ of M. Currie is looked at, and linked to discovery and invention\n0285\nWilliams wants to write the poem with dissonance, so that the slightest disturbance in its movement will hopefully set off a ‘chain reaction’ of thought or other response in the reader, much as a nuclear reaction is set off by the dissonance of a uranium atom losing valency and setting off a chain reaction\n0307\nThe Billy Sunday passage is discussed\n0350\nThe ‘coarsened hands’ passage is analyzed\n0434\nThe irony of relating M. Currie to Corydon is discussed\n0458\nAgain the piece returns to the American Federal Reserve and money : joke\n0557\nBowering starts Part III of Book IV. The year is December, and the river runs slowly now in Paterson\n0612\n“Writing will always be failure if one aims at the ideal, the perfect”\n0666\nThe lecture closes with a recommendation to look at reveries in Part III\n0673\nEnd of lecture\nTwo\nSide Two is blank"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553969229828,"timestamp":"2026-01-07T14:59:58.384Z","score":0.8611313},{"id":"5792","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering English 414 Lecture 24 at SFU on November 26, 1973 #683"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: English 414 Lecture 24 Nov. 26, 1973; W. C. Williams: Paterson Book IV cont'd"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6105/Reading in BC_MsC199_683.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Bowering_683A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:17\",\"precision\":\"\",\"size\":\"35.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Bowering_683B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:19:23\",\"precision\":\"\",\"size\":\"22.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-11-26\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\nTrack\nNo.\nComments\nOne\n0000\n0025\nMention of the take-home final is made once again\n0042\nBowering begins with a look at the poet’s offering of cop-outs and solace for his failures and his move into reveries\n0069\nThe poetry returns to a smooth and relaxed mode\n0082\nThe mention of I Ching is touched upon and its relevance to wind imagery in Paterson\n0116\nThe birth images from earlier sections, expressed in lively verse much like dance music, now alternates with the ‘weakness’ – this is the enactment of mind, we are given the state of Paterson’s mind as it goes back and forth between excitement and reverie\n0205\nWilliams intersperses the relaxed flow of the poetry with stories of murder and divorce and war and other violence. It’s like the river is just flowing along and people are dumping crap in it\n0253\n“Finally his reverie is broken with the word ‘falls…’\n0290\nImages of war and violence are examined more closely\n0377\nThe image of the seeds floating in the sea is discussed\n0480\nThe dogs reappear in Paterson again late in Book IV\n0525\nThe ‘beach plums’ passage at the very end of the book is discussed\n0545\nThe nature of crowds is again touched on\n0556\nThe ambiguity of pronunciation of the word ‘close’ in the final stanza is analyzed\n0574\nBowering feels that although the poem ends with reference to death, there is room for the view that it really ends with birth\n0594\nBowering returns to the beginning of Paterson to look at the section on ‘nine months’\n0634\n“So much death and graveyard is in Book IV that it seems a wonder that it should end in birth”\n0681\nThe author’s introduction to Paterson is examined\n0767\nEnd of lecture – Book V next time\nTwo\nSide Two is blank"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553970278400,"timestamp":"2026-01-07T14:59:58.384Z","score":0.8611313},{"id":"5793","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering English 414 Lecture 25 at SFU on November 27, 1973 #684"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: English 414 Lecture 25 Nov. 27, 1973; W. C. Williams: Paterson V"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6106/Reading in BC_MsC199_684.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Bowering_684A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:39:51\",\"precision\":\"\",\"size\":\"103 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Bowering_684B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:14:52\",\"precision\":\"\",\"size\":\"18.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-11-27\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\nTrack\nNo.\nComments\nOne\n0000\n0007\nDiscussion of take-home final exam\n0034\nWilliams, in talking about Paterson in “I Wanted to Write a Poem”, said that Paterson IV ends with the protagonist breaking through the bushes, identifying himself with the land, with America. He finally will die but it can’t be categorically stated that Death ends anything”\n0044\nBowering remarks that there is an interesting treatment of time in Book V, an embracing of the past and hope for art in the future\n0070\nPaterson V is, somewhat, a separate poem from the others\n0078\nThe language in Book V no longer descends or ascends – it can just soar. Bowering thinks of the poet as having died in Book V\n0095\nBook V was written after Williams had had a series of strokes which had nearly killed him. He had to quit his medical practice as a result. Much of Book V involves memory\n0132\nA key instruction to the reader in Book V is “What but indirection will get to the end of the sphere?”\n0200\nThe unicorn image is introduced in the context of the tapestries in Upper New York\n0242\nThe unicorn was generally treated in medieval art as an apparition of Christ. In Book V, the unicorn is the poet\n0300\nTime cannot be localized to a particular month in the year in Book V as it could in the other Paterson books. Williams is now writing for all time – a coda\n0309\nThe image of the tail (coda) is discussed\n0355\nSappho is discussed\n0410\nThe ‘deformed great toe-nail’ passage is looked at. The passage is a weaving of different images, just like the unicorn tapestry\n0471\nThat form of the poem in Book V is a record of the very search for that form; it does not end\n0509\nBowering returns to the beginning of the Book, and the eagle image\n0561\nBowering does ‘a little number’ on perspective and ends with it\n0643\nLecture ends\nTwo\nSide Two is blank"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553970278401,"timestamp":"2026-01-07T14:59:58.384Z","score":0.8611313},{"id":"5794","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering English 414 Lecture 26 at SFU on November 29, 1973 #685"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: English 414 Lecture 26, Nov. 29, 1973; W. C. Williams: Paterson Book V"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6107/Reading in BC_MsC199_685.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Bowering_685A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:25:59\",\"precision\":\"\",\"size\":\"33.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Bowering_685B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:42\",\"precision\":\"\",\"size\":\"53.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-11-29\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\nTrack\nNo.\nComments\nOne\n0000\n0009\nBowering continues from last time with his discussion on perspective, moving into Arabic Art. Poor quality sound\n0058\nWatch it! Sound suddenly increases in volume\n0068\nBowering now returns (again) to the start of Book V\n0092\nWhat is being contemplated in Book V is women and flowers\n0125\nBowering discusses virginity as a possession for barter\n0206\nThe letter from Josie is touched upon\n0226\nAudubon is discussed as a type of artist\n0316\nThe letter of Ginsberg is discussed (#1); “Paterson is not a task like Milton going down to hell, it’s a flower to the mind”\n0332\nBowering refers to an earlier work from Williams – “Poetry does not tamper with the world, but moves it…”\n0352\nThe business of Sappho (Part 2) is returned to\n0394\nPaterson is virtually a disembodied sensitivity in Book V\n0430\n“The woman in our town” passage is discussed. Williams speaks out of a sense of beauty\n0450\nBessie Smith is discussed, with further discussion of dance and Satyric Plays\n0560\nPaul Klee, a 20th century artist who does not employ perspective, is mentioned\n0571\nBoshe is also mentioned in the same context of non-perspective art\n0632\nPaterson V is an instruction: “Dreams possess me and the dance of my thoughts…”\n0685\nEnd of lecture\nTwo\nSide Two is blank"],"Note":["[{\"note\":\"Note from J-card: First 5 min. very noisy\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553971326977,"timestamp":"2026-01-07T14:59:58.384Z","score":0.8611313},{"id":"5828","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering lecture: “Poetic Measure and the Size of the World.” PI-DIGAMMA Open Seminars at SFU on March 19, 1987 Tape 1 of 2 #570"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1987],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6149/Reading in BC_MsC199_570.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"570-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:53\",\"precision\":\"\",\"size\":\"60.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"570-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:04\",\"precision\":\"\",\"size\":\"61.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987-03-19\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tBlank until 047\n\t\t047\tQuotation from Williams’ “Desert Music” on measure in poetry\n\t\t059\tReads a statement on measure called “The end of the line”\n\t\t\tSpeech is a line lasting 90 years\n\t\t075\t-\tA Fetish for the page, the physical book\n\t\t094\tLine endings in conventional magazine verse usually serve no purpose\n\t\t120\tDiscusses Wordsworth’s metrics and long lines\n\t\t140\tYeats’ end rhymes in “Sailing to Byzantium” Line metrics and sentences working together\n\t\t198\tW.C. Williams’ use of active voice as a source for poetry\n\t\t228\tReads Williams’”By the road to the contagious hospital”\n\t\t238\tThe poem as a record of perception, not simply image\n\t\t256\tReads Williams’ “Unspeakable”\n\t\t269\tLine break recording meeting of self and other\n\t\t310\tTalks about John Donne’s use of difficult grammar to record a dialectic struggle in the self\n\t\t422\tModernism as a step out of Nature and into history\n\t\t480\tTalks about social & poetic “seriousness” as evident in the line\n\t\t548\tDiscusses Bill Bisset’s* use of alternate spelling, lower case, and chant\n\t\t595\tBisset’s written poems as scores for the voice\n\t\t598\tOver\nTwo\t\t000\tUse of measure in poetry analogous to measure in Music\n\t\t028\tRelationship of rhyme and measure\n\t\t059\tPossibility of cohering visual form of the poem with content\n\t\t069\tThe notion of experimentation\n\t\t081\tReading as the primary activity of language, preceding writing and language\n\t\t099\tDiscussion of the audience of poetry\n\t\t140\tFailures of criticism, & the role of criticism\n\t\t170\tThe poet’s responsibility to consider criticism\n\t\t300\tCharles Olson’s use of geography & ethnology\n\t\t340\tOlson’s sense and use of measure\n\t\t450\tWilliams’ explorations of American speech\n\t\t553\tDifferences between prose & poetry\n\t\t602\tEnd of side 2\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553978667011,"timestamp":"2026-01-07T14:59:58.384Z","score":0.8611313},{"id":"5829","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering lecture: “Poetic Measure and the Size of the World.” PI-DIGAMMA Open Seminars at SFU on March 19, 1987 Tape 2 of 2 #571"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1987],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6150/Reading in BC_MsC199_571.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"571-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:30\",\"precision\":\"\",\"size\":\"61.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"571-side-2 - blank.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:27\",\"precision\":\"\",\"size\":\"63.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987-03-19\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\nTrack\nNo.\nComments\nThree\n000\nPoetry as celebration\n028\nEmotive content of poetry carried by Rhythm & stress of language, not content\n037\nEzra Pound’s use of slang\n062\nHow is a particular genre chosen?\n110\nProcesses of revision\n140\nCompositional differences with computer typewriter and pen\n195\nHistory influences form\n220\nThe value of geography as a physical discipline\n250\nLinguistics as a disciplined approach to language\n263\nEnd of side 3"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553978667012,"timestamp":"2026-01-07T14:59:58.384Z","score":0.8611313},{"id":"5831","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["bp Nichol Reading at SFU on July 2, 1987 #573"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B. P.","Miki, Roy"],"creator_names_search":["Nichol, B. P.","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B. P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy \",\"dates\":\"1942-2024\",\"notes\":\"Roy Miki introduces bp\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1987],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6152/Reading in BC_MsC199_573.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"573-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:52\",\"precision\":\"\",\"size\":\"51.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"573-side-2 - blank.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:51\",\"precision\":\"\",\"size\":\"47.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987-07-02\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tRoy Miki introduces bp\n\t\t015\tBp reads from Book 6 of The Martyrology – the 6th book of Book 6, called “The Grace of the Moment”\n\t\t105\t“After Bird – improvising”\n\t\t136\tExplains the structures of Book 6, Book 7, & Book 8 \n\t\t157\tReads a Fragment of Book 7, beginning with a quote from Sharon Thesen.  “Language all her life is a second language”\n\t\t166\t“The punctuation periods of co-longing…”\n\t\t180\t“The night the man drowned in the canal…”\n\t\t218\t“Our Lady of the Assumption”\n\t\t258\t“Names lists”\n\t\t274\t“All these assumptions”\n\t\t290\t“Sun not yet visible…”\n\t\t300\t“Passion or Pa shun…”\n\t\t317\t“Rap traps”\n\t\t343\t“St Anzas” – From Book 10 Working in the Form of the Ode\n\t\t440\t“St. Anzas”, Part 2\n\t\t452\tPart 3 “and then your voice”\n\t\t479\tPart 6 “Three ‘Id end the same way”\n\t\t511\t“The white stone wall” from Book 7\n\t\t582\tEnd of tape\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553979715584,"timestamp":"2026-01-07T14:59:58.384Z","score":0.8611313},{"id":"5832","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Kroetsch Open Interview with George Bowering, Fred Wah, and Roy Miki at SFU on July 10, 1986 Tape 1 of 2 #574"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George","Wah, Fred","Kroetsch, Robert","Miki, Roy"],"creator_names_search":["Bowering, George","Wah, Fred","Kroetsch, Robert","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6153/Reading in BC_MsC199_574.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"574-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:50\",\"precision\":\"\",\"size\":\"34.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"574-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:35\",\"precision\":\"\",\"size\":\"32.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-07-10\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t30:14 min\t000\tRoy Miki opens the discussion as George Bowering and Fred Wah arrive\n\t\t036\tThe Long Poem and Wallace Stevens\n\t\t050\tKroetsch talks about teaching in the United States.  The Odyssey and The Divine Comedy as introductions to the long poem form\n\t\t086\tPatterson and Williams’ insistence on local pride\n\t\t114\trelation of American poetry to Kroetsch’s rural Canadian background\n\t\t138\tFred Wah talks about Olson studies in Buffalo, 1964\n\t\t160\tInfluence of Williams\n\t\t189\tThe New Criticism and John Donne as a model of lyric complexity\n\t\t212\tStudy of the long poem as a lesson in construction of the novel\n\t\t289\tDiscovering an old seed catalogue in an archive in Calgary, 1975, and the poem “Seed catalogue”  coming together\n\t\t337\tWhitman’s “Leaves of Grass” as a model, and the method of adding more material\n\t\t361\tIncompletion as an exciting model in [Chancer]*, Spencer & Whitman\n\t\t396\tTape ends\nTwo\t26:25 min\t000\t“Applegarth” publication of The Ledger\n\t\t036\tThe idea of Field notes – notes towards a fiction\n\t\t083\tT.S. Eliot as the failed modernist poet.  Kroetsch’s resistance of the notion of poet in Four Quartets\n\t\t126\tThe Last Phoenicians – non-sacred language\n\t\t157\tIs there a difference between failing and abandoning a poem?\n\t\t188\tKroetsch’s sense of rapport with bp Nichol, Bowering, Marlatt, Wah\n\t\t208\tDifference between Canadian & American Experience.  Canadians live with a fragmentation which can be explored in the long poem\n\t\t257\tLevi-Strauss’ idea of bricaleur, as long-poem poet\n\t\t281\tUse of prose-poem form. An anxiety concerning the line\n\t\t226\tEnd of tape\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553979715585,"timestamp":"2026-01-07T14:59:58.384Z","score":0.8611313},{"id":"5833","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Kroetsch Open Interview with George Bowering, Fred Wah, and Roy Miki at SFU on July 10, 1986 Tape 2 of 2 #575"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kroetsch, Robert","Bowering, George","Wah, Fred","Miki, Roy"],"creator_names_search":["Kroetsch, Robert","Bowering, George","Wah, Fred","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6154/Reading in BC_MsC199_575.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"575-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:31\",\"precision\":\"\",\"size\":\"32.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"575-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:32\",\"precision\":\"\",\"size\":\"32.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-07-10\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tKroetsch discusses Ondaatje’s poem Billy the Kid.  The notion of borrowed material as an evasion of “here”\n\t\t029\tBowering talks about Ondaatje’s early British influence and the development away from that, in long poems such as “Tin Roof”\n\t\t068\tKroetsch talks about Phyllis Webb’s “Naked Poems”\n\t\t099\tKroetsch discusses unusual poetic Forms such as folding [bocks]*, poster poems, and stained glass windows\n\t\t125\tInvolvement in the physical production of the poem as part of the poetic process\n\t\t190\tKroetsch discusses his early life as a writer\n\t\t248\tThe arbitrary systems of numbers and the mathematics of a poem\n\t\t307\t[Ray]** Miki asks about the idea of “process poetry”\n\t\t391\tEnd of side one\nTwo\t\t000\tThe nation of “middles” in the long poem as opposed to an insistence on endings\n\t\t021\tBowering talks about Louis Sullivan’s notion of architecture in which beauty is equal to perfect economy, and how this concept carried into modernism\n\t\t056\t“notion of origins has been turned upside down”  A poetry of quotation announces the abundance of beginnings\n\t\t077\tAmerican long poem as epic.  In Canada long poem is simply long, Miki says, and remains undefined\n\t\t122\tCanadian scholarship and the problem of genre\n\t\t145\tUncertain origins in both Field Notes and The Martyrology\n\t\t174\tLong poem as a mode of discourse, away of dealing with complexities of thought\n\t\t221\tYeats’ developmental form\n\t\t250\tAccumulative function of the long poem\n\t\t294\tFred Wah says the long poem and the prose poem are needed to explore a mode of writing which is not lyric\n\t\t350\tEnd of discussion\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553979715586,"timestamp":"2026-01-07T14:59:58.384Z","score":0.8611313},{"id":"5834","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Kroetsch Reading at SFU on July 11, 1986 Tape 1 of 4 #576"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kroetsch, Robert"],"creator_names_search":["Kroetsch, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6155/Reading in BC_MsC199_576.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"576-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:37\",\"precision\":\"\",\"size\":\"74.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"576-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:02\",\"precision\":\"\",\"size\":\"68.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-07-11\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\" 8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":[" 8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t44 min.\t000\tKroetsch opens by saying that boredom is a part of performance\n\t\t034\tField Notes “Stone Hammer Poem” 1.\n\t\t040\t2. “This paperweight on my desk…”\n\t\t043\t3. “Grey, two-headed”\n\t\t047\t4. “This stone maul…”\n\t\t048\t5. “It is a stone…”\n\t\t052\t6.“This stone maul…”\n\t\t057\t7. “The poem…”\n\t\t058\t8. “Now the field is…”\n\t\t064\t9. “This won’t…”\n\t\t065\t10. “My Father (retired)…”\n\t\t072\t11. “I keep it…”\n\t\t078\t“The Ledger”\n\t\t347\t“Seed Catalogue” 1.\n\t\t394\t2. “My Father was mad at the badger”\n\t\t412\t3. “No. 1248 – Hubbard Squash:”\n\t\t448\t4.“It arrived in winter, the seed catalogue”\n\t\t489\t5. “I planted some melons…”\n\t\t495\t6. “No. 339 – McKenzie’s Pedigreed Early Snowcap Cauliflower:”\n\t\t560\tEnd of Side One\nTwo\t\t000\t7. “Brome Grass (Bromuslnermis)”\n\t\t026\t8. “We silence words…”\n\t\t035\t9. “The danger of merely living”\n\t\t050\t10.“After the bomb/blossoms…”\n\t\t070\t“How I Joined the Seal Herd”\n\t\t132\t“The Sad Phoenician” “A”\n\t\t455\tEnd of side two\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553980764160,"timestamp":"2026-01-07T14:59:58.384Z","score":0.8611313},{"id":"5835","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Kroetsch Reading at SFU on July 11, 1986 Tape 2 of 4 #577"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kroetsch, Robert"],"creator_names_search":["Kroetsch, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6156/Reading in BC_MsC199_577.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"577-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:26\",\"precision\":\"\",\"size\":\"49.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"577-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:53:00\",\"precision\":\"\",\"size\":\"56.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-07-11\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\" 8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":[" 8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t“The Silent Poet Sequence”\n\t\t\t“The Silent Poet Sees Red”\n\t\t021\t“The Silent Poet Moves his Office”\n\t\t041\t“The Silent Poet at Intermission”\n\t\t059\t“The Silent Poet Finds Out”\n\t\t093\t“The Silent Poet Eats his Words”\n\t\t118\t“The Winnipeg Zoo”\n\t\t165\t“Sketches of a Lemon” 1.\n\t\t171\t2. “As my father used to say…”\n\t\t173\t3. “I went and looked at Francis Ponge’s poem…”\n\t\t175\t4.“Sketches, I reminded myself”\n\t\t181\t5.“What about oranges?”\n\t\t184\t6. “Smaro is rolling a lemon on the breadboard”\n\t\t188\t7.“I had a very strong desire”\n\t\t190\t8.“I bought a second-hand car”\n\t\t191\t9.“If someone asked me”\n\t\t194\t10.“The lemon cure”\n\t\t197\t11.“Poem for a child who has just bit into”\n\t\t203\t12.“This hour is shaped like”\n\t\t207\t“The Criminal Intensities of Love as Paradise” ‘Morning’, Jasper Park’\n\t\t220\t‘Fire & Pan’\n\t\t233\t‘Breakfast, After, & Looking’\n\t\t244\t‘Standing Near a Waterfall’\n\t\t258\t‘Salt of Ocean Sea, of Tears”\n\t\t270\t‘Awoken and, Again, Hungry, Again’\n\t\t279\t‘Into Town’\n\t\t290\t‘Post Card to a Hillside’\n\t\t299\t‘Nude Swimmers in Late Afternoon’\n\t\t313\t‘Campsite, Home, Away From’\n\t\t324\t‘Bear Story with or without Bear’\n\t\t341\t‘And Dreamers, Even Thou, if Dreaming’\n\t\t363\t“Advice to my friends,” 1.\n\t\t377\t2. “To Eli Mandel, Setting his new alarm”\n\t\t392\t3. “To the Wahs, on the Kootenay River”\n\t\t408\t4. “Slocan Valley, July 17”\n\t\t424\t5. “Listening to the Radio, for Michael Ondaatje”\n\t\t440\t6.“Reading it in the Comics, for bp”\n\t\t456\t7. “The Bridegroom rises to speak”\n\t\t474\t8. “Wedding Dance, country style”\n\t\t493\t9. “Philosophy of composition, for Paul Thompson”\n\t\t512\t10. “Back in the spring of ’76, for Laurie Racoux”\n\t\t533\t11.“Laurie Racoux waiting to present a paper…”\n\t\t552\t12.“Late fall drive, for Berna Barclay”\n\t\t574\t13. “November 9, 1983, for Robert Hillas”\n\t\t597\tEnd of Side One\nTwo\t\t000\t14. “I find myself reading the old guys now”\n\t\t014\t15. “For Doug James: The Explanation”\n\t\t022\t16. “Seeing the Bear”\n\t\t028\t17. “Having a word with Columbus”\n\t\t037\t18. “Four questions for George Bowering”\n\t\t047\t19. “Stairway, for Giovanna Capon”\n\t\t056\t20. “A ritual for one”\n\t\t066\t“Mile Zero” \n\t\t085\t2. “Where did the Virgin come from…”\n\t\t099\t3. “On the third night west”\n\t\t123\t4.“Order Gentlemen, Order’\n\t\t139\t5. “The bindertwine of place”\n\t\t158\t6.“What I took to be an eagle”\n\t\t189\tLetters to Salonika\n\t\t500\tEnd of side two\n"],"Note":["[{\"note\":\"This tape is a duplicate of the tape from the Roy Miki's collection \\\"Robert Kroetsch Reading at SFU on July 11, 1986 Side 3\\\" (SWALLOW ID 9239)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670553980764161,"timestamp":"2026-01-07T14:59:58.384Z","score":0.8611313},{"id":"5836","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Kroetsch Reading at SFU on July 11, 1986 Tape 3 of 4 #578"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kroetsch, Robert"],"creator_names_search":["Kroetsch, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6157/Reading in BC_MsC199_578.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"578-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:36\",\"precision\":\"\",\"size\":\"54.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"578-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:37\",\"precision\":\"\",\"size\":\"53.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-07-11\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\" 8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":[" 8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tPost cards from China July 1\n\t\t024\tJuly 2 “You must have a guide”\n\t\t056\tJuly 3 “The bicycle riders are dancing”\n\t\t096\tJuly 4 “Tea in the cool dawn”\n\t\t112\tJuly 5\n\t\t144\tJuly 6 “The Tong Museum”\n\t\t171\tJuly 7 “Here Where the silk route began”\n\t\t200\tJuly 8 “Up early to fly to Gwan-Jo”\n\t\t221\tJuly ? “Taking the train from Gwan-Jo to Hong-Kong”\n\t\t236\t“Delphi Commentary”\n\t\t500\tEnd of side one\nTwo\t\t000\t“the wind was a dry wind…” Delphi Commentary, continued\n\t\t050\t“The Frankfurt Haubt: Bannhoff” 1. “Keep an eye peeled for an ancestor”\n\t\t097\t“Grab a cab…”\n\t\t500\tEnd of side two\nThree\t\t109\t3. “Frankfurt Main”\n\t\t138\t5.“Notation, divination, augury”\n\t\t151\t6.“the immense sadness of travel”\n\t\t163\t7.“Notation is a set of instructions for reading in the future”\n\t\t177\t8.“Notation in Field Notes.  Barry, is the relation between the reader and the text”\n\t\t185\t9.“Notation is the double of the poem”\n\t\t202\t10.“I was in the main railway station”\n\t\t227\t11.“Like I mean out and in…”\n\t\t236\tSounding the Name. Sonnet #1\n\t\t248\t“Birthday”\n\t\t273\t“Sounding the name”\n\t\t287\t“Sonnet #5”\n\t\t292\t“Sonnet for my daughters”\n\t\t299\t“The Poets’s mother” 1.\n\t\t309\t2. “I have sought my mother”\n\t\t315\t3. “I the fall of snow I hear my mother”\n\t\t323\t4. “these are the scars”\n\t\t352\tExcerpts from the real world\n"],"Note":["[{\"note\":\"This tape is a duplicate of the tape from Roy Miki's collection \\\"Robert Kroetsch Reading at SFU on July 11, 1986 Side 5 and 6\\\" (SWALLOW ID 9092)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670553980764162,"timestamp":"2026-01-07T14:59:58.384Z","score":0.8611313},{"id":"5837","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Kroetsch Reading at SFU on July 11, 1986 Tape 4 of 4 #579"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kroetsch, Robert","McFarlane, Susan"],"creator_names_search":["Kroetsch, Robert","McFarlane, Susan"],"creators":["[{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/106220852\",\"name\":\"McFarlane, Susan\",\"dates\":\"\",\"notes\":\"She is present in this reading session \",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6158/Reading in BC_MsC199_579.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"579-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:14\",\"precision\":\"\",\"size\":\"54.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"579-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:15\",\"precision\":\"\",\"size\":\"51.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-07-11\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\" 8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":[" 8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting\n"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tExcerpts from the real world continued 15 March “I liked the telegram…”\n\t\t245\t22 August\n\t\t267\t31 August\n\t\t282\t23 September\n\t\t319\t1 October\n\t\t357\t9 November\n\t\t404\t30 November\n\t\t444\tEnd of Excerpts from the real world\nTwo\t\t000\tDiscussion. Kroetsch comments on his penchant for endings, the appeal of the domestic, his difficulties with the feminine\n\t\t102\tThe dedication of Excerpts from the real world “to you, Ishtar” The power of language to elucidate a presence\n\t\t146\tSusan McFarlane asks if the excerpt is to leave out, or things that are not real\n\t\t196\tThe suppressed story of the Pacific, of Asia, and the restriction of the Atlantic story\n\t\t260\tDeconstructing Greece as an originary point\n\t\t317\tEnd of discussion\n"],"Note":["[{\"note\":\"This tape is a duplicate of the tape from Readings in BC collection \\\"Robert Kroetsch Reading at SFU on July 11, 1986 Side 7 and 8\\\" (SWALLOW ID 9093)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670553980764163,"timestamp":"2026-01-07T14:59:58.384Z","score":0.8611313},{"id":"5846","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["English Department Colloquium with Robin Blaser, George Bowering, Fred Candelaria, Stanley Cooperman, Lionel Kearns at SFU on July 27th, 1972 tape 1 of 2 #447a"],"item_title_source":["J-card and inventory"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George","Candelaria, Frederick H.","Cooperman, Stanley","Kearns, Lionel","Blaser, Robin"],"creator_names_search":["Bowering, George","Candelaria, Frederick H.","Cooperman, Stanley","Kearns, Lionel","Blaser, Robin"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935- \",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94938550\",\"name\":\"Candelaria, Frederick H.\",\"dates\":\"1929-2006\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/42882018\",\"name\":\"Cooperman, Stanley\",\"dates\":\"1929-1976\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/30784380\",\"name\":\"Kearns, Lionel \",\"dates\":\"1937-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1972],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6168/Reading in BC_MsC199_447a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"447a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:29\",\"precision\":\"\",\"size\":\"32.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"447a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:25\",\"precision\":\"\",\"size\":\"33.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1972-07-27\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU, AQ 3003\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU, AQ 3003"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tPanel members: Fred Candelaria, Lionel Kearns, Stanley Cooperman, George Bowering, Robin Blaser.  Moderator: Evan Alderson\nAlderson introduces the Panel\n\t\t052\tCandelaria speaks of Wittgenstein, language & poetics\n\t\t152\tCandelaria reads the poem “Survivors”\n\t\t158\tLionel Kearns speaks\n\t\t178\tKearns reads poem “Entropy”\n\t\t208\tKearns reads statement on poetry called “Ick”\n\t\t222\tKearns reads poem “Contra Diction”\n\t\t229\tStanley Cooperman speaks about poetry’s relation to reality and the state of language\n\t\t283\tHe says poetry is the creation of things to be remembered\n\t\t305\tReads poem “The Cannibal”\n\t\t333\tGeorge Bowering reads a statement on Composition\n\t\t380\tReads a piece called “The Code”\n\t\t415\tThey argue about the page, chaos and order\n\t\t447\tReads a piece called “Events and Things”\n\t\t472\tReads an autobiographical piece called “It”\n-\tCalls it “prosaics”\n\t\t504\tRobin Blaser speaks.  Poetry as a composition of the real\n\t\t544\tHe talks about the beginning of The Moth Poem\n\t\t559\tReads the section where “it” is born, in The Moth Poem\n\t\t668\tStanley Cooperman disagrees that poetry is an ineffable quality.  He says it is the perception of the rational\n\t\t795\tCooperman reads his poem “Cannibals” as an example of a poem with an overt polemic\n\t\t972\tEnd of side one"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554170556416,"timestamp":"2026-01-07T14:59:58.590Z","score":0.8611313},{"id":"5847","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["English Department Colloqium with Robin Blaser, George Bowering, Fred Candelaria, Stanley Cooperman, Lionel Kearns at SFU on July 27th, 1972 tape 2 of 2 #447b"],"item_title_source":["J-card and inventory"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George","Candelaria, Frederick H.","Cooperman, Stanley","Kearns, Lionel","Blaser, Robin"],"creator_names_search":["Bowering, George","Candelaria, Frederick H.","Cooperman, Stanley","Kearns, Lionel","Blaser, Robin"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935- \",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94938550\",\"name\":\"Candelaria, Frederick H.\",\"dates\":\"1929-2006\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/42882018\",\"name\":\"Cooperman, Stanley\",\"dates\":\"1929-1976\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/30784380\",\"name\":\"Kearns, Lionel \",\"dates\":\"1937-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1972],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6169/Reading in BC_MsC199_447b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"447b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:27\",\"precision\":\"\",\"size\":\"31.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"447b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:35:22\",\"precision\":\"\",\"size\":\"36.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1972-07-27\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU, AQ 3003\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU, AQ 3003"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t000\tQuestions from the audience\n\t\t027\tDoes the poet write with a potential reader in mind? – is there a relationship of trust with the audience?\n\t\t052\tBlaser answers that in the public world there is no place for a language made abstract and transparent, and that the role of the poem is to put the particularities of experience in the world, making a dialectic of “binding”.  He says as long as the\n\t\t090\tdialectic is experiential the readership can include everyone\n\t\t141\tCooperman says for him the poem is a catalyst with an objective shape\n\t\t208\tBlaser says that every methodology is a record of belief\n\t\t248\tBernard Curtin asks about the social responsibility of the poet in a capitalist system\n\t\t275\tBlaser says that the poet has an absolute social responsibility, but that language extends beyond the social\n\t\t342\tLionel Kearns says he sees poetry as a kind of superior propaganda\n\t\t370\tBowering says perhaps the fault lies in reading the wrong poets, and that the poets responsibility is to avoid exploiting language, and thus, the people who use it\n\t\t445\tCooperman speaks of poetry and social responsibility\n\t\t480\tCandelaria reads the poem “Boundary Bay”\n\t\t494\tKearns reads “Trap”\n\t\t519\tCooperman reads “Flyleaf”\n\t\t534\tBowering reads “The Body” from Autobiology\n\t\t565\tBlaser reads the last of The Moth Poems\n\t\t602\tTape ends"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554171604992,"timestamp":"2026-01-07T14:59:58.590Z","score":0.8611313},{"id":"5857","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Heritage Writers' Festival. George Bowering, John Mills, and Audrey Thomas discuss Problems of the B.C. Writer moderated by Bruce Nesbitt at SFU on June 13th, 1978 Tape 1 of 2  #448 - tape 1"],"item_title_source":["cassette and j-card"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George","Mills, John","Thomas, Audrey","Nesbitt, Bruce"],"creator_names_search":["Bowering, George","Mills, John","Thomas, Audrey","Nesbitt, Bruce"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935- \",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/107592894\",\"name\":\"Mills, John\",\"dates\":\"1930-2016\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/27082708\",\"name\":\"Thomas, Audrey\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/40907542\",\"name\":\"Nesbitt, Bruce\",\"dates\":\"1941-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1978],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6192/Reading in BC_MsC199_448-tape1.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card \"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"448-tape-1-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:33\",\"precision\":\"\",\"size\":\"40.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"448-tape-1-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:16\",\"precision\":\"\",\"size\":\"45.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1978-06-13\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tProf. Bruce Nesbitt introduces the panel\n\t\t\tHe gives a history of the problem of Canadian writing\n\t\t072\tJohn Mills begins by saying he has not experienced problems as a writer here.  The first problem he thinks of, is that a BC writer is seldom reviewed here.  It is hard to get a reputation locally\n\t\t191\tAudrey Thomas agrees with Mills – writers here are poorly reviewed\n\t\t284\tGeorge Bowering – says he writes much better here but makes very little money doing it\n\t\t444\tThomas says writers here are loyal to one another\n\t\t467\tMills talks about the falsity of “Canadian identity” and says that he thinks most writers are deracinated\n\t\t578\tBowering says he has always been bothered by “coast chauvinism”.  His landscape is neither green nor watery\n\t\t702\tMills says if you get published by an eastern publisher, you will get reviewed.   If you only get published in the west, you may be a loser\n\t\t787\tThomas talks about being labelled “a woman writer”\n\t\t814\tMills says the basic Canadian short story is boy-goes-out-shoots-coon-feels-guilt\n\t\t855\tRoy Miki comments that they all approach B.C. as a negativity, and that there has been no discussion of a political affiliation with a place\n\t\t914\tThomas responds that if you write sincerely about the human condition, that constitutes a political act"],"Note":["[{\"note\":\"Tape 2 is missing\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670554173702145,"timestamp":"2026-01-07T14:59:58.590Z","score":0.8611313},{"id":"5859","cataloger_name":["Nina,Fesenko"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Martin J. Lowry reading at SFU Friends of the Library lecture series #1042"],"item_title_source":["cassette and j-card"],"item_title_note":["Label indicates confusion over whether the name is \"Malcolm\" or \"Martin\" - based on lecture content and titles written under name of Martin J. Lowry, \"Martin\" seems to be correct\nLiner notes: see the photo in the material description"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Lowry, Martin J."],"creator_names_search":["Lowry, Martin J."],"creators":["[{\"url\":\"\",\"name\":\"Lowry, Martin J.\",\"dates\":\"\",\"notes\":\"No VIAF profile but found some of his publications:\\n\\\"The 'New Academy' of Aldus Manutius: a Renaissance dream\\\" (1976)\\n\\\"The World of Aldus Manutius: Business and Scholarship in Renaissance Venice. Cornell University Press\\\" (1979)\\n\\\"Nicholas Jenson and the Rise of Venetian Publishing in Renaissance Europe\\\" (1991)\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6221/Reading in BC_McS199_1042(1).jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"1042-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:36\",\"precision\":\"\",\"size\":\"48.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"1042-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:35:28\",\"precision\":\"\",\"size\":\"40.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2770\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"contents":["Lecture on Italian Renaissance-era books/libraries and Aldus Manutius"],"Note":["[{\"note\":\"Lecture being given to students of SFU Publishing MA program\",\"type\":\"General\"},{\"note\":\"Very quiet with white noise\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670554173702147,"timestamp":"2026-01-07T14:59:58.590Z","score":0.8611313},{"id":"5860","cataloger_name":["Nina,Fesenko"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. 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files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976-11-23\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tGeorge Bowering introduces Gerry Gilbert\n\t\t015\tGilbert talks about meeting Birney at UBC in the late 50’s.\n\t\t\tBirney suggested the Iowa writer’s workshop, then told him about “Tish”\n\t\t039\tIn the late 60’s the idea was “collage or perish” Now it is “straight writing”\n\t\t045\tReads “Starshit”\n\t\t051\t“Right here”\n\t\t060\t“Mass”\n\t\t070\t“and how”\n\t\t076\t“I’m going there now”\n\t\t084\tReads sequence from From Next Spring\n\t\t\t“Thanksgiving, 1976”\n\t\t096\t“The silence is more than we can hear”\n\t\t114\t“each other”\n\t\t130\t“your sure lightness”\n\t\t139\t“Canada isn’t an invention”\n\t\t152\t“That’s my old cup”\n\t\t190\t“Where were you Monday afternoon”\n\t\t230\tReads the Captions for 15 photographs of a tacky blues singer running From Burnaby Art Gallery to Vancouver City Hall\n\t\t276\tReads From a sequence called Due East, numbers 11 to 16\n\t\t331\tReads from his First book, White Lunch, from 1964\n\t\t\t-\tA version consisting of the cut-up then reconstructed \n\t\t\t-\tOriginal text\n\t\t525\tSections from From Next Spring\n\t\t527\t“You know the end of July”\n\t\t560\t“This place used to be called Eng’s”\n\t\t593\t“Prior to Union”\n\t\t691\t“Hero Duty”\n\t\t753\t“Giddy”\n\t\t778\t“A Dream”\n\t\t800\tTape ends"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554174750725,"timestamp":"2026-01-07T14:59:58.590Z","score":0.8611313},{"id":"5868","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering English 414 Lecture 27 at SFU on  December 3, 1973 #686"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: English 414 Lecture 27 Dec. 3, 1973; W. C. Williams: Paterson Book V concl."],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6232/Reading in BC_MsC199_686.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Bowering_686 side 1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:16\",\"precision\":\"\",\"size\":\"35.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Bowering_686 side 2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:16\",\"precision\":\"\",\"size\":\"36.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-12-03\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting\n"],"contents":["Side\nTrack\nNo.\nComments\nOne\n0000\n0033\nWe ‘zoom’ into Section 3 of Book V, with the Brueghel painting, which is discussed in great detail\n0130\nThe particularity of Brueghel’s work is compared to the local work that Williams picks up on. More discussion of Brueghel follows\n0232\nThe relation between gifts and art is mentioned\n0276\nThe particularity of Brueghel’s Joseph scene is immediately followed and associated with the local work\n0299\nThe letter from Edward is discussed\n0320\nThe connection between art and the imagination as escapes of death is seen in Book V. The tapestries stayed 500 years\n0400\nThe serpent with a tail in its mouth is discussed\n0448\nThe unicorn appears, to Bowering, as an image of art as a record of the imagination, where love is engendered\n0483\nOn the significance of digging in Paterson\n0504\nThe flowers of particularity in relation to the unicorn’s capture is touched upon. The description of every kind of flower hints that by showing the whole of the world, the magical qualities embodied in the unicorn may be appreciated\n0601\nThe last page of Book V is gone through line by line\n0639\nThe significance of ‘in-ter-vention’\n0696\n‘Assume’ is linked to the Hamiltonian ‘appropriate’\n0706\n“The unicorn is not going to leap into your garden if you do not make the effort to be ready for it, if you don’t have a virgin out there to capture it”, notes Bowering\n0735\nBowering was initially bothered by the end lines of Book V, but the tape cuts short before he can explain how he resolved this\n0764\nEnd\nTwo\nSide Two is blank"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670554181042177,"timestamp":"2026-01-07T14:59:58.590Z","score":0.8611313},{"id":"5869","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering English 414 Lecture 28 at SFU on December 4, 1973 #687"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: English 414 Lecture 28 Dec. 4, 1973; Charles Olson: Introduction and Maximus poems"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6233/Reading in BC_MsC199_687.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Bowering_687 side 1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:42\",\"precision\":\"\",\"size\":\"38.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Bowering_687 side 2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:20\",\"precision\":\"\",\"size\":\"35.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-12-04\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\nTrack\nNo.\nComments\nOne\n0000\n0036\nBowering gives a definition of Olson’s Maximus – Maximus is not a persona for Charles Olson; it is a metaphor\n0060\nOlson bases Maximus at Gloucester, Massachusetts\n0083\nBowering quotes from Letter 3 (3), and notes that one of the first questions one must ask upon reading poetry is “Who am I?”\n0117\nBowering discusses the geography of Gloucester as a small island and seaport\n0152\nOlson’s major themes are:\n1) Man should not exploit nature beyond his necessities\n2) Man should not assume that he be placed above nature, but rather be part of it\n3) Men should live communally and not exploit each other\n4) Men cannot exploit nature or others without exploiting themselves\n0250\nBowering quotes from an 1804 translation of Maximus of Tyre\n0323\nOlson goes through a litany of seamen and fishermen and their enemies through the three or four hundred year history of Maximus itself, reflects Bowering\n0327\nOlson felt that men, or artists, or poets go wrong when they demand more than they need, or more than nature can give. He is totally opposed to money being used to make money\n0383\nOlson’s enemies are greed, pride, and ambition, because they stop the mutual feeding processes in nature and man\n0441\nOlson noted that death begins to enter as soon as one begins to prefer society over the cosmos\n0458\nBowring quotes again from Maximus of Tyre\n0483\nBowering discusses the distinction between the source of the line and the source of the syllable\n0628\nOlson sees that the natural process in the world, most clearly seen in the ocean and the trees, is always shifting and always unfolding, and it is in opposition to advertising, the profit motive, exploitive power, the sprawling ego, and so forth, those cancers which seek to grow ever larger and feed themselves upon the death of others\n0652\nOlson said that you have to pay a moment-to-moment close attention to detail in reading his poems-you will not get an artifact at the end of his poem-you must pay attention to keep the poems from using you or to keep you from using the poem\n0682\nBowering notes that the poem’s use is to deliver news of the real, not to encapsulate reality\n0702\nBowering quotes from “Letter 22” of Maximus\n0738\nEnd of Lecture\nTwo\nSide two is blank"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670554181042178,"timestamp":"2026-01-07T14:59:58.590Z","score":0.8611313},{"id":"5870","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering English 414 Lecture 29 at SFU on December 6, 1973 #688"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: English 414 Lecture 29 Dec. 6, 1973; Charles Olson: Letters and songs of Maximus"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6234/Reading in BC_MsC199_688.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Bowering_688 side 1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:19\",\"precision\":\"\",\"size\":\"34.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Bowering_688 side 2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:38\",\"precision\":\"\",\"size\":\"28.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973-12-06\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\nTrack\nNo.\nComments\nOne\n0000\n0027\nBowering begins by looking at a passage in Section 2 of Letter 3 of Maximus\n0060\nThe movement in Maximus is: your earth – your community – your language – the sources of your language – the depths of Tartarus\n0090\nThe braid image in Letter 1 is discussed\n0105\nBowering discusses the semantics of the words ‘true’, ‘actual’, and ‘real’\n0145\nDiscussion of Olson’s reluctance to create artifacts\n0190\nOlson’s ideas on history and the poem are discussed. Olson wanted the actual to be evident\n0215\nOn the difficulty of reading Olson\n0283\n“What we have in Gloucester,” notes Bowering, “is a perfect location for…”\n0320\nOlson’s perceptions on the mechanisms of being cut off from your roots forms a topic of discussion\n0375\nLetter 9 in Maximus and the bee image and the immediate\n0445\n‘The Songs of Maximus’ is discussed, and Bowering notes that the poem is at its most powerful when it is heard\n0540\nThe image of dirty postcards is touched upon\n0580\nThe irony of not knowing your own city after being raised in it (so that it should be reflected in your very being) because of the words that are laid on top of it in description\n0643\nThe flat Earth Society\n0710\nThe importance of Herodotus\n0736\nMaximus Letter 2\n0782\nEnd of lecture\nTwo\nSide Two is blank"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670554181042179,"timestamp":"2026-01-07T14:59:58.590Z","score":0.8611313},{"id":"5884","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Marlene Swidzinksi and Angela Hryniuk reading at SFU on November 21, 1985 #612"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: Readings by Marlene Swidzinski and Angela Hryniuk; recorded at SFU on Nov. 21, 1985 by Kurtis Vanel"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Swidzinski, Marlene","Hryniuk, Angela"],"creator_names_search":["Swidzinski, Marlene","Hryniuk, Angela"],"creators":["[{\"url\":\"\",\"name\":\"Swidzinski, Marlene\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"\",\"name\":\"Hryniuk, Angela\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1985],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6248/Reading in BC_MsC199_612.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"612-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:19\",\"precision\":\"\",\"size\":\"23.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"612-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:18\",\"precision\":\"\",\"size\":\"23.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-11-21\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2773\",\"longitude\":\"-122.9218\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t\tTime: 19:20 mins.\n\t\t000\t\n\t\t004\tIntroduction to both poets\n\t\t010\tMarlene Swidzinski\n\t\t012\t“Winter Poem”\n\t\t015\t“Poem in which she renounces Cowboys”\n\t\t022\t“Housecall”\n\t\t033\t“The Waiting Poem”\n\t\t039\t“They have studied the dreams of humans”\n\t\t044\t“Small talk, Mall talk”\n\t\t057\t“They have studied the dreams of humans”\n\t\t075\t“She held discourse with herself”\n\t\t123\tSwidzinski pauses to announce she will read selections from her manuscript “Heathen “Wine”\n\t\t127\t“Time and/or Space”\n\t\t158\t“Heathen Wine”\n\t\t182\t“Essenses”\n\t\t201\t“Eozone”\n\t\t215\tSwidzinski introduces selections from her Science Fiction writings\n\t\t218\t“The Kinky Season”\n\t\t257\tMarlene Swidzinski’s reading ends\n\t\t332\tSide 1 ends\nTwo\t\t\tTime: 22:00 mins.\n\t\t000\t\n\t\t003\tAngela Hryniuk introduces her work\n\t\t011\t“Full Moon/Pregnant”\n\t\t030\tIntroduces next sections, talking about trip to United Kingdom & Northern Ireland\n\t\t036\t“The Life of a Lamb”\n\t\t063\t“Belfast”\n\t\t107\t“I’m taking ya to the market”\n\t\t160\tIntroduction to reading from “Kara”\n\t\t163\t“Kara”\n\t\t231\t“I want to strangle memories”\n\t\t159\t“There really isn’t…”\n\t\t274\tWe hold each other”\n\t\t305\tAngela Hryniuk reading ends\n\t\t332\tSide 2 ends"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554185236482,"timestamp":"2026-01-07T14:59:58.590Z","score":0.8611313},{"id":"5892","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Helen Adam reading at SFU on August 9, 1979 #205"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Adam, Helen","Blaser, Robin"],"creator_names_search":["Adam, Helen","Blaser, Robin"],"creators":["[{\"url\":\" http://viaf.org/viaf/105174496\",\"name\":\"Adam, Helen\",\"dates\":\"1953-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1979],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/176/Readings in BC_MsC199_205.jpg\",\"other\":\"J-card\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:18:85\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Black and white clear jewel case with J card\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"205-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:39:26\",\"precision\":\"\",\"size\":\"37.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"205-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:54\",\"precision\":\"\",\"size\":\"44.4 MB \",\"bitrate\":\"32 Bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1979-08-09\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU \",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU "],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"Liner Notes: Helen Adam reading at SFU on August 9, 1979, with an introduction by Robin Blaser. Side 1: 35:40 min Side 2: 43.45 min Dolby B\",\"type\":\"General\"},{\"note\":\"This tape is the duplicate of the tape from Roy Miki's collection \\\"Helen Adam, introduced by Robin Blaser, reading at SFU on August 9, 1979\\\" (SWALLOW ID 9087)\",\"type\":\"Related Version\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554189430784,"timestamp":"2026-01-07T14:59:58.590Z","score":0.8611313},{"id":"5897","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Coast is Only a Line: Phyllis Webb reading at the SFU Art Gallery on July 9, 1981 #335a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Vanel, Kurtis","Webb, Phyllis"],"creator_names_search":["Vanel, Kurtis","Webb, Phyllis"],"creators":["[{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\" 1936-2017\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/29847238\",\"name\":\"Webb, Phyllis\",\"dates\":\"1927-2021\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7366/Reading in BC_MsC199_335a.jpg\",\"other\":\"J-card\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Black and white clear jewel case with J card\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"335a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:35\",\"precision\":\"\",\"size\":\"30.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"335a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:28\",\"precision\":\"\",\"size\":\"31.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-07-09\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU Art Gallery\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU Art Gallery"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tRoy Miki introduces the reading series The Coast is Only a Line\n\t\t010\tEli Mandel introduces Phyllis Webb\n\t\t050\t“Here I am reading at the Planetarium”\n\t\t070\t“Field guide to snow crystals”\n\t\t099\tIntroduction to Wilson’s Bowl\n\t\t108\t“Poems of failure I”\n\t\t130\t“Father”\n\t\t145\t“Vasarely”\n\t\t185\t“Solitary confinement”\n\t\t210\t“from The Kropotkin poems”\n\t\t236\t“Wilson’s Bowl”\n\t\t259\t“Found poem”\n\t\t274\t“The Bowl”\n\t\t286\t“She sings”\n\t\t293\t“In this place”\n\t\t314\tThe place is where you find it\n\t\t329\tTwin masks\n\t\t350\tImperfect sestina\n\t\t413\tMetaphysics of spring\n\t\t432\tEschatology of spring\n\t\t465\tSpring thing\n\t\t482\tMessages\n\t\t467\tThe days of the unicorns\n\t\t620\tAnswer to inaudible question from the audience about the “Imperfect Sestina”\n\t\t697\tSpots of blood"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554189430789,"timestamp":"2026-01-07T14:59:58.590Z","score":0.8611313},{"id":"5906","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Allen Ginsberg and Friends at SFU on March 11 and 12,1969 #233"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Ginsberg, Allen"],"creator_names_search":["Ginsberg, Allen"],"creators":["[{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1969],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/196/Readings in BC_MsC199_233.jpg\",\"other\":\"J-card\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Black and white clear jewel case with J card\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"233-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:41\",\"precision\":\"\",\"size\":\"44.2 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"233-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"\",\"precision\":\"\",\"size\":\"T00:45:58\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1969-03-11\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1969-03-12\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2775\",\"longitude\":\"-122.9246\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"Liner Notes: Allen Ginsberg and Friends reading at SFU on March 11-12, 1969 #233 Side 1: 44:40 min Side 2: 31:05 min Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554192576512,"timestamp":"2026-01-07T14:59:58.590Z","score":0.8611313},{"id":"5927","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Allen Ginsberg and Peter Orlovski at SFU on March 12, 1969 #10b"],"item_title_source":["cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Blake, William","Ginsberg, Allen","Orlovsky, Peter"],"creator_names_search":["Blake, William","Ginsberg, Allen","Orlovsky, Peter"],"creators":["[{\"url\":\"http://viaf.org/viaf/54144439\",\"name\":\"Blake, William\",\"dates\":\"1757-1827\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/34654554\",\"name\":\"Orlovsky, Peter\",\"dates\":\"1933-2010\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Enomoto, Randy"],"contributors_names_search":["Enomoto, Randy"],"contributors":["[{\"url\":\"http://viaf.org/viaf/256444645\",\"name\":\"Enomoto, Randy \",\"dates\":\"1944-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1969],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/221/Reading in BC_MsC199_10b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:58:40\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"10b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:23\",\"precision\":\"\",\"size\":\"20.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"10b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:22:41\",\"precision\":\"\",\"size\":\"21 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1969-03-12\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t000\tKral Majales\n\t\t030\tIntroduction – SFU\n\t\t043\tGinsberg and Orlovski sing The Chimney Sweeper\n\t\t069\tThe Lamb\n\t\t084\tThe Laughing Song\n\t\t091\tFragments of a long poem\n\t\t250\tWichita Vortex Sutra\n"],"Note":["[{\"note\":\"Liner Notes: Allen Ginsberg, SFU March 12, 1969  From Enomoto #10 Side 1: 29:00 min  Side 2: 29:40 min Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554197819394,"timestamp":"2026-01-07T14:59:58.590Z","score":0.8611313},{"id":"5937","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The phantom English Dept: Stan Persky, Judith Copithorne, Brain Fawcett, Gwen Hauser, Tom Wayman reading at SFU on October 16 and 10 #16"],"item_title_source":["cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Hoover, Neap","Persky, Stan","Fawcett, Brian","Copithorne, Judith","Hauser, Gwen","Wayman, Tom"],"creator_names_search":["Hoover, Neap","Persky, Stan","Fawcett, Brian","Copithorne, Judith","Hauser, Gwen","Wayman, Tom"],"creators":["[{\"url\":\"\",\"name\":\"Hoover, Neap\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/57448780\",\"name\":\"Persky, Stan\",\"dates\":\"1941-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/35890\",\"name\":\"Fawcett, Brian\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/63020479\",\"name\":\"Copithorne, Judith\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/25971407\",\"name\":\"Hauser, Gwen\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/98293283\",\"name\":\"Wayman, Tom\",\"dates\":\"1945-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Enomoto, Randy"],"contributors_names_search":["Enomoto, Randy"],"contributors":["[{\"url\":\"http://viaf.org/viaf/256444645\",\"name\":\"Enomoto, Randy \",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/298/Reading in BC_MsC199_16.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:16:10\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"16-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:44:23\",\"precision\":\"\",\"size\":\"30 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"16-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:18\",\"precision\":\"\",\"size\":\"21.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"19?-10-10\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"19?-10-16\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/search?query=SFU#map=15/49.2767/-122.9183\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tStan Persky provides introduction on Olson\n\t\t105\tPersky reading Maximus to Dogtown\n\t\t157\tJudith Copithorne reading Swamp People\n\t\t185\tWhen the Night Seizes You\n\t\t197\tAt Sechelt\n\t\t230\tElectronic Dreams\n\t\t240\tPoem\n\t\t254\tBrian Fawcett reading “The man wants power over animals…”\n\t\t264\tOrpheus\n\t\t269\t“If love can span seasons, worlds…”\n\t\t273\tOrion\n\t\t279\tThe Word\n\t\t285\tUrsus Horriblis\n\t\t290\tA Story Told To Me\n\t\t294\tAnd Love Returned\n\t\t299\tVariations I\n\t\t303\tVariations II\n\t\t307\tVariations III\n\t\t311\tBoulder Creek\n\t\t315\t“And hell is a created place”\n\t\t321\t“It is always spring when…”\n\t\t337\tGwen Hauser reading “When first I discovered that I had been raped…”\n\t\t349\tIn Your House\n\t\t358\tNotes From the Doll-house\n\t\t365\tControl Yourself\n\t\t370\tResponsibility\n\t\t372\tPoem written during housing shortage\n\t\t378\t“The important thing is about the triangle…”\nside \ntwo           395\tBridge Poem\n\t\t402\t“The sky is a reasonable blue today…”\n\t\t413\tPoem composed to a song\n\t\t468 \t“Another variation on a sound…”\n\t\t483\tBread Poem\n\t\t504\tPostscripts from insanity\n\t\t530\tPoem about a pig\n\t\t542\tPoem for Joan\n\t\t555\tMad Red Woman\n\t\t569\tCont. Tom Wayman reading Freeway\n\t\t603\tDespair\n\t\t659\t“The class becomes the poem…”\n\t\t687\tThe Dream of the Guerillas\n\t\t728\tNeap Hoover reading Friendly Cove\n\t\t743\t“Love echoing the boy who bends the ground…”\n\t\t751\tFragment-tape runs out midway through this poem\n\t2\t\tPhantom English Dept. Oct. 16 – 1 hour\n"],"Note":["[{\"note\":\"Liner Notes: Randy Enomoto #16 Side 1 44:50 min., Side 2 31:20 min., The phantom English Dept. - stan Persky; Judith Copithorne; Brain Fawcett; Owen; etc. \",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554200965122,"timestamp":"2026-01-07T14:59:58.590Z","score":0.8611313},{"id":"5949","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Mountain Pass No 31,32: Timothy Shay at SFU in Summer 1976 #31,32"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["[McNeill, Alan?]","Shay, Timothy"],"creator_names_search":["[McNeill, Alan?]","Shay, Timothy"],"creators":["[{\"url\":\"\",\"name\":\"[McNeill, Alan?]\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/105869663\",\"name\":\"Shay, Timothy\",\"dates\":\"1952-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors_names":["Shaddock, Phil"],"contributors_names_search":["Shaddock, Phil"],"contributors":["[{\"url\":\"\",\"name\":\"Shaddock, Phil\",\"dates\":\"\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\\n\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/355/Reading in BC_MsC199_31,32.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:59:55\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"31,32-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:42\",\"precision\":\"\",\"size\":\"21.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"31,32-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:36\",\"precision\":\"\",\"size\":\"21.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976\",\"type\":\"Production Date\",\"notes\":\"Summer\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nTwo\tOne\t000\tTimothy Shay “An Apprenticeship”\n\t\t\tPoetry is presently more of a statement than painting-poetry is didactic – the beginning of this interview includes a brief autobiographical section\n\t\t080\tReading Just Once\n\t\t\tDiscusses some of the literary influences in his life such as Al Purdy, Michael Ondaatje, Milton Acorn, Pat Lane and particularly Malcolm Lowry – discussion of his concern with roots, heritage\n\t\t236\tReading Mourning Song For Grandpa Kenneth\n\t\t\tDiscussion re double nature of seeking out one’s roots i.e. identification and exorcism\n\t\t333\tReading Rosy\n\t\t\tDiscussion re the interaction of image and thought\nRe “A word doesn’t live until it’s spoken” – assonance \nas major part of poetry, essential to communication- \nre narrative form-storytelling as artifact \nre fire in reference to his poem Fire, Fireman, Fire\n\t\t570\tShay reading ‘Fire, Fireman, Fire’ at the SFU Pub\n"],"Note":["[{\"note\":\"Liner Notes: Mountain Pass Series - CFRO Timothy Shay Side 1 29:45 min. Side 230:10 min Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554394951684,"timestamp":"2026-01-07T14:59:58.804Z","score":0.8611313},{"id":"5979","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Lionel Kearns in an interview with Maurice Gibbons and his students at SFU on November 28, 1969 part 1 of 2 #78a"],"item_title_source":["J-card and inventory "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kearns, Lionel","Gibbons, Maurice"],"creator_names_search":["Kearns, Lionel","Gibbons, Maurice"],"creators":["[{\"url\":\"http://viaf.org/viaf/30784380\",\"name\":\"Kearns, Lionel \",\"dates\":\"1937-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/108708897\",\"name\":\"Gibbons, Maurice\",\"dates\":\"1931-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Gyseman, Doug"],"contributors_names_search":["Gyseman, Doug"],"contributors":["[{\"url\":\"\",\"name\":\"Gyseman, Doug \",\"dates\":\"1936-2017\",\"notes\":\"also known as Curtis Vanel\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Gyseman, Doug "],"Production_Date":[1969],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/412/Reading in BC_MsC199_78a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"78a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:33:16\",\"precision\":\"\",\"size\":\"23.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"78a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:27:41\",\"precision\":\"\",\"size\":\"19.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1969-11-28\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Inventory \"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n\tOne\t\tLionel Kearns in an interview with Maurice Gibbons and his students\nTime: 59 minutes\n\t"],"Note":["[{\"note\":\"Liner Notes: Interview with Maurice Gibbons and his students (before interview began, the group heard a recording of \\\"The woman who\\\")\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554403340288,"timestamp":"2026-01-07T14:59:58.804Z","score":0.8611313},{"id":"5980","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Bill Bissett in an interview with Maurice Gibbons and his students at SFU on November 28, 1969 part 2 of 2 #78b"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bisset, Bill","Gibbons, Maurice"],"creator_names_search":["Bisset, Bill","Gibbons, Maurice"],"creators":["[{\"url\":\"http://viaf.org/viaf/96127023\",\"name\":\"Bisset, Bill\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/108708897\",\"name\":\"Gibbons, Maurice\",\"dates\":\"1931-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Gyseman, Doug"],"contributors_names_search":["Gyseman, Doug"],"contributors":["[{\"url\":\"\",\"name\":\"Gyseman, Doug \",\"dates\":\"1936-2017\",\"notes\":\"also known as Curtis Vanel\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Gyseman, Doug "],"Production_Date":[1969],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/413/Reading in BC_MsC199_78b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\" Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"78b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:30\",\"precision\":\"\",\"size\":\"31.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"78b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:15:28\",\"precision\":\"\",\"size\":\"10.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1969-11-28\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Inventory \"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["\tTwo\t\tBill Bissett in an interview with Maurice Gibbons and his students\nTime: 60 minutes\n\n"],"Note":["[{\"note\":\"Liner Notes: Bill Bissett Interview with Maurice Gibbons and his students (includes some readings)\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554403340289,"timestamp":"2026-01-07T14:59:58.804Z","score":0.8611313},{"id":"6023","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Karl Siegler Reading from His Translation of Rilke at SFU on February 8, 1979 #259"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Siegler, Karl"],"creator_names_search":["Siegler, Karl"],"creators":["[{\"url\":\"http://viaf.org/viaf/104710928\",\"name\":\"Siegler, Karl\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1979],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7493/Reading in BC_MsC199_259.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:26:45\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"259-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:51\",\"precision\":\"\",\"size\":\"46.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"259-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:17\",\"precision\":\"\",\"size\":\"45.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1979-02-08\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["No contents in the inventory file"],"Note":["[{\"note\":\"Liner Notes: Karl Siegler reading from his translation of Rilke: Sonnets to Orpheus recorded at SFU Feb 8, 1979 Side 1: 44:30 Side 2: 42:15 Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554412777476,"timestamp":"2026-01-07T14:59:58.804Z","score":0.8611313},{"id":"6025","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Six poets reading at SFU Pub: Wah, Fawcett, Blaser, Marlatt, Bowering, Kearns reading on May 27, 1978 Tape 1 of 2 #87a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Blaser, Robin","Bowering, George","Kearns, Lionel","Fawcett, Brian","Wah, Fred","Marlatt, Daphne","Tallman, Warren","Miki, Roy"],"creator_names_search":["Blaser, Robin","Bowering, George","Kearns, Lionel","Fawcett, Brian","Wah, Fred","Marlatt, Daphne","Tallman, Warren","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935- \",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/30784380\",\"name\":\"Kearns, Lionel \",\"dates\":\"1937-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/35890\",\"name\":\"Fawcett, Brian\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, 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Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Earle Birney reading at SFU on January 27, 1969 #92"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Birney, Earle","Newlove, John"],"creator_names_search":["Birney, Earle","Newlove, John"],"creators":["[{\"url\":\"http://viaf.org/viaf/97679781\",\"name\":\"Birney, Earle\",\"dates\":\"1904-1995\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/92277383\",\"name\":\"Newlove, John\",\"dates\":\"1938-2003\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Enomoto, Randy"],"contributors_names_search":["Enomoto, Randy"],"contributors":["[{\"url\":\"http://viaf.org/viaf/256444645\",\"name\":\"Enomoto, Randy \",\"dates\":\"1944-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1969],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/503/Reading in BC_MsC199_92.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:54:10\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"92-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:27:47\",\"precision\":\"\",\"size\":\"25.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1969-01-27\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t000\tEarle Birney reads:\n\t\t\tFound Swahili Serenade\n\t\t020\tAlaska Passage\n\t\t034\tLines (a computer poem)\n\t\t071\tCaptain Cook\n\t\t110\tHalifax\n\t\t125\t1497 Giovanni sailed\n\t\t135\tThe Maple Leaf Forever\n\t\t160\tBillboard Poem\n\t\t180\tCampus Theatre Steps\n\t\t190\tGuadalupe\n\t\t200\tSinaloa\n\t\t232\tPlaza de Inquisicion\n\t\t240\tEl Greco: Espolio\n\t\t267\tSalt Fish With ?\n\t\t285\tFor George Lamming\n\t\t310\tMeeting of Strangers\n\t\t338\tA poem by W.B. Yeats – Prayer For Old Age\n\t\t350\tCuracao\n\t\t360\tStill\n\t\t366\tI think you are a whole city…\n\t\t380\tLike an eddy, my words turn…\n\t\t392\tA Song For Sunsets\n\t\t410\tFine Arts\n\t\t420\tAnswers to a Grade School Biology Test\n\t\t455\tHippodorus\n\t\t475\tWind-chimes in a Temple Ruin\n\t\t485\tFrom The Hazel-bough\nOne\tB\t000\tJohn Newlove reads:\n\t\t014\tIt Just Lay There\n\t\t019\tFor Judith Now About Ten Years Old\n\t\t029\tBlack Night Window\n\t\t033\tThe Pride\n"],"Note":["[{\"note\":\"Liner Notes: Earle Birney Reading at SFU Jan. 27, 1960 Side 1 27:50 Side 2 25:20\",\"type\":\"General\"},{\"note\":\"No digital file for Side 2\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554415923202,"timestamp":"2026-01-07T14:59:58.804Z","score":0.8611313},{"id":"6053","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Tom McGauley and Carolyn Zonailo reading their poems at SFU on July 27, 1978 #101"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["McGauley, Tom","Zonailo, Carolyn"],"creator_names_search":["McGauley, Tom","Zonailo, Carolyn"],"creators":["[{\"url\":\"http://viaf.org/viaf/104061105\",\"name\":\"McGauley, Tom\",\"dates\":\"1948-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/1419062\",\"name\":\"Zonailo, Carolyn\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1978],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/534/Reading in BC_MsC199_101.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:08:52\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"101-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:40:19\",\"precision\":\"\",\"size\":\"29.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"101-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:28:22\",\"precision\":\"\",\"size\":\"21.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1978-07-27\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n\t\t\tTom McGauley and Carolyn Zonailo reading their poetry\n\n\nSide\tTrack\tNo.\tComments\n\t\t\tTom McGauley and Carolyn Zonailo reading their poetry\n\n\n"],"Note":["[{\"note\":\"Liner Notes: Tom MacGauley reading his poems 40:22 Carolyn Zonailo reading her poems 28:30 \",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554726301700,"timestamp":"2026-01-07T14:59:59.119Z","score":0.8611313},{"id":"6054","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Paul Kelley and Ted Byrne reading at SFU on August 3, 1978 #102"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Byrne, Ted","Kelley, Paul"],"creator_names_search":["Byrne, Ted","Kelley, Paul"],"creators":["[{\"url\":\"http://viaf.org/viaf/45924960\",\"name\":\"Byrne, Ted\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/105702628\",\"name\":\"Kelley, Paul\",\"dates\":\"1951\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1978],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/535/Reading in BC_MsC199_102.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:52:55\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"102-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:28:57\",\"precision\":\"\",\"size\":\"20.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"102-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:24:17\",\"precision\":\"\",\"size\":\"17.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1978-08-03\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n\t\t\tPaul Kelley and Ted Byrne reading their poetry.\n"],"Note":["[{\"note\":\"Liner Notes: Ted Byrne and Paul Kelley reading at SFU Aug. 3 1978 Side 1 Ted Byrney 28:50 Side 2 Paul Kelley 24:05 Doly B #102\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554727350272,"timestamp":"2026-01-07T14:59:59.119Z","score":0.8611313},{"id":"6119","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Heritage Festival: Roch Carrier at Continuing Studies SFU, 9002 AQ 12:30 May 9, 1979  #120"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nesbitt, Bruce","Carrier, Roch"],"creator_names_search":["Nesbitt, Bruce","Carrier, Roch"],"creators":["[{\"url\":\"http://viaf.org/viaf/40907542\",\"name\":\"Nesbitt, Bruce\",\"dates\":\"1941-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/61543190\",\"name\":\"Carrier, Roch\",\"dates\":\"1937-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1979],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/668/Reading in BC_McS199_120.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"120-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:44:32\",\"precision\":\"\",\"size\":\"31.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"120-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:17:55\",\"precision\":\"\",\"size\":\"12.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1979-05-09\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Continuing Studies, SFU AQ 9002\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["Continuing Studies, SFU AQ 9002"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t000\tReading does not begin until 150\n\t\t150\tIntroduction by Bruce Nesbitt\n\t\t205\tRoch Carrier reads The Story of Sister Brigitte\n\t\t390\tIndustry In My Village\n\t\t545\tMedals\n\t\t690\tThe Sweater\n\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554744127494,"timestamp":"2026-01-07T14:59:59.119Z","score":0.8611313},{"id":"6120","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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Disgusting!  The American poet Billy Little / aka Zonko / will bore you silly / reading his poetry.”\n"],"Note":["[{\"note\":\"Liner Notes: side 1 and 2\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554747273216,"timestamp":"2026-01-07T14:59:59.119Z","score":0.8611313},{"id":"6129","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. 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Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Billy Little reading poems at SFU on February 19, 1979 #128b"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Little, Billy"],"creator_names_search":["Little, Billy"],"creators":["[{\"url\":\"http://viaf.org/viaf/223141797\",\"name\":\"Little, Billy\",\"dates\":\"1943-2009\",\"notes\":\"Zonko\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1979],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/679/Reading in BC_McS199_128b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"128-side-3.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:17:18\",\"precision\":\"\",\"size\":\"12.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1979-02-19\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\tA&B\t000\tReading continues.\n\n"],"Note":["[{\"note\":\"Liner Notes: side 3 and 4\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554747273217,"timestamp":"2026-01-07T14:59:59.119Z","score":0.8611313},{"id":"6216","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Reading by members of the Kootenay school of writing at SFU on April 4, 1985 #380"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Whitehead, Gary","Derksen, Jeff","Wharton, Calvin","Lord, Susan","Vanel, Kurtis"],"creator_names_search":["Whitehead, Gary","Derksen, Jeff","Wharton, Calvin","Lord, Susan","Vanel, Kurtis"],"creators":["[{\"url\":\"http://viaf.org/viaf/29421904\",\"name\":\"Whitehead, Gary \",\"dates\":\"1957-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/30591332\",\"name\":\"Derksen, Jeff \",\"dates\":\"1958-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/23765293\",\"name\":\"Wharton, Calvin \",\"dates\":\"1952-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/337901\",\"name\":\"Lord, Susan \",\"dates\":\"1959-\",\"notes\":\"She does the introduction part \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1985],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7849/Readings in BC_MsC199_380.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"380-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:48\",\"precision\":\"\",\"size\":\"40.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"380-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:51\",\"precision\":\"\",\"size\":\"39.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-04-04\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"Burnaby, British Columbia, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["Burnaby, British Columbia, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t004\tIntroduction to three Kootenay School writers by Susan Lord\n\t\t008\tFirst reader Calvin Wharton – from Gebiki (dictionary)\n\t\t013\t“Gebiki” 1\n\t\t016\t“Gebiki” 2\n\t\t020\t“Herons”\n\t\t025\t“Ten”\n\t\t030\t“Foreign Cycle”\n\t\t039\t“The profound desire of the Gods”\n\t\t050\t“Nihon jazz”\n\t\t054\t“Angler photo 1941”\n\t\t061\t“Chicken of the sea, tuna of the land”\n\t\t065\t“This day our daily bread”\n\t\t101\t“Tough hombre” a short story\n\t\t203\tEnd of first reading\n\t\t209\tSecond reader begins Gary Whitehead\n\t\t216\t“Supply and demand” –a ‘true’ story\n\t\t426\tEnd of second reader\n\t\t427\tJeff Derksen begins\n\t\t432\t“Wrists”\n\t\t556\t“Thanks to a dictionary, Louis” for Louis Zukovsky\n\t\t594\t“Appendix”\n\t\t1045\tEnd of Jeff Derksen’s reading\n\t\t1052\tEnd of tape"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554842693635,"timestamp":"2026-01-07T14:59:59.214Z","score":0.8611313},{"id":"6227","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Heritage Writers' Festival: George Bowering, John Mills, and Audrey Thomas discuss Problems of the B.C. Writer moderated by Bruce Nesbitt at SFU on June 13th, 1978 Tape 2 of 2  #448 - tape 2"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George","Mills, John","Thomas, Audrey","Nesbitt, Bruce"],"creator_names_search":["Bowering, George","Mills, John","Thomas, Audrey","Nesbitt, Bruce"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/17408236\",\"name\":\"Mills, John\",\"dates\":\"1908-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\" http://viaf.org/viaf/27082708\",\"name\":\"Thomas, Audrey\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/40907542\",\"name\":\"Nesbitt, Bruce\",\"dates\":\"1941-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1978],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7865/Reading in BC_MsC199_448-tape2.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"448-tape-2-side-1.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:24:57\",\"precision\":\"\",\"size\":\"26.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"448-tape-2-side-2.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:24:57\",\"precision\":\"\",\"size\":\"26.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1978-06-13\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767 \",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t000\tJohn Mills says moralism is not a motivation for writing, and that the act of writing is an act of play\n\t\t030\tBowering talks about Captain George Vancouver’s botanist Archibald Menzies, who drew and reported on the plant and animal life of this coast.  He likens this act to the pet’s function as a political activator\n\t\t080\tBowering talks about Canadian writers or B.C. writers as being those who speak the vocabulary and the imagery of the place, rather than those who were born in the place\n\t\t114\tJohn Mills talks about the problem of the limited readership in B.C.\n\t\t130\tAudrey Thomas says she gets more reviews in the east than here\n\t\t168\tThomas and Bowering talk about their ideas of who they are writing for.  Mills says he writes for an imaginary ear.  He questions the relevance of labelling a writer by nationality\n\t\t207\tMills says reading a lot helped him most, as a beginning writer.  Bowering talks about the combination of reading a lot and finding peers who helped him.  Thomas says the discovery of women writers urged her to write\n\t\t271\tMills talks about search for an artificial sense of identity in a place\n\t\t295\tBowering tells about bad writing advice\n\t\t\tWrite about what you know, & find your own voice\n\t\t323\tThomas says writing is essentially the discovery of language and its roots\n\t\t373\tJohn Mills says that he writes novels because they can pose epistemological questions\n\t\t435\tThey talk about “suitable subjects” for writing.  Mills says that relationships interest him more than characters.  Bowering says autobiographical content is more acceptable in poems, and that revenge is a good motivation for writing\n\t\t497\tBowering says that content-oriented writing holds women back from the forefront of the avant guard, where Stein and H.D. were 50 years ago\n\t\t540\tThey discuss realism and writing and lyricism\n\t\t581\tTape ends"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554845839361,"timestamp":"2026-01-07T14:59:59.214Z","score":0.8611313},{"id":"6228","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Tom Marshall reading his poems at SFU on September 30, 1975 tape 2 of 2 #450 - tape 2"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Marshall, Tom"],"creator_names_search":["Marshall, Tom"],"creators":["[{\"url\":\"http://viaf.org/viaf/75682376\",\"name\":\"Marshall, Tom \",\"dates\":\"1921-1993\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1975],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7866/Reading in BC_MsC199_450-tape2.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"450-tape-2-side-1.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T01:08:03\",\"precision\":\"\",\"size\":\"67.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"450-tape-2-side-2.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:44:58\",\"precision\":\"\",\"size\":\"44.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975-09-30\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767 \",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t07\tIntroduction to whole Canadian poetry series at SFU sponsored by English Dept.\n\t\t19\tIntroduction to Tom Marshall\n\t\t38\tTom Marshall begins – description of the format of his books – the associations involved\n\t\t57\tThe elements in elemental poetry\n\t\t68\tExperience as a literary form\n\t\t83\t“Surely there was no more violence…” from Silence of Fire\n\t\t112\t“Interior Monologue - #666”\n\t\t123\t“Winter Angels’ from Magic Water (ded. To Gail Fox)\n\t\t144\t“Spring Angels” from Magic Water\n\t\t159\tDescriptions of new poems from Hot Air\n\t\t163\t“Visiting Trent University”\n\t\t203\t“Definitions of Paradise” (for Ezra Pound)\n\t\t218\t“Country Places”\n\t\t249\t“Out There: Objects Disposed, Fragmenting In Our Own Space” – the introduction – from Hot Air\n\t\t298\tFrom the conclusion of “Out There”\n\t\t323\t“The Earth Book” from The Earth Booi\n\t\t338\t“Crab Tryptich” from The Earth Book\n\t\t362\t“Legend”\n\t\t368\t“Second Legend”\n\t\t377\t“An Elegy for A.M. Klein”\n\t\t390\t“Prothylamium”\n\t\t406\t“Indian Summer”\n\t\t483\tDescription of next poems – from 4 Women section of Hot Air\n\t\t502\t“Susannah Moodie”\n\t\t522\t“Hygia”\n\t\t566\t“The Poet”\n\t\t614\t“The Lamb”"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554847936512,"timestamp":"2026-01-07T14:59:59.214Z","score":0.8611313},{"id":"6233","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Pat Lane and Allan Safarik reading at SFU on November 18, 1974 tape1 of 2 #454 tape 1"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Lane, Pat","Safarik, Allan"],"creator_names_search":["Lane, Pat","Safarik, Allan"],"creators":["[{\"url\":\"http://viaf.org/viaf/18752295\",\"name\":\"Lane, Pat\",\"dates\":\"1931-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/92512913\",\"name\":\"Safarik, Allan\",\"dates\":\"1948-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1974],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7871/Reading in BC_MsC199_454.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"454-tape1_side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:18\",\"precision\":\"\",\"size\":\"28.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"454-tape1_side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:42\",\"precision\":\"\",\"size\":\"29.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1974-11-18\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\" 8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":[" 8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t05\t“Loneliness of the Unemployed” – Allan Safarik\n\t\t29\t“Yellow On the Grave Sea”\n\t\t52\t“Blood Pie or Zeal for Revolutionary Zeal”\n\t\t74\t“To the Dynamite Man”\n\t\t99\tLife in a bus and a bus depot\n\t\t104\t“Cache Creek”\n\t\t140\t“Poem of Record for K.P.”\n\t\t149\t“The Art of Diplomacy or A Quick end to a Shit Kicking”\n\t\t178\t“Going up the Stairs”\n\t\t207\tPat Lane begins.  Will begin with poems from Passing in the Storm\n\t\t312*\t“Know him for a white man…”\n\t\t226\t“After” (for Pat Lowther & John Newlove)\n\t\t240\t“Sleep is the Silence Darkness Takes” for Pat Lane’s father\n\t\t291\t“There was a woman bending…”\n\t\t278\t“For Rita In Asylum”\n\t\t337\t“The Huster”\n\t\t376\t“Chile”\n\t\t387\t“The Man”\n\t\t397\t“Her”\n\t\t414\t“Farmers”\n\t\t442\t“Unborn Things”\n\t\t468\t“The Carpenter”\n\t\t494\t“George”\n\t\t519\t“From the Hot Hills”\n\t\t561\t“Albino Pheasants”\n\t\t624\t“Thinking On That Contest”\n\t\t627\t“30 Miles in from the coast”\n\t\t647\t“Gerald”\n\t\t681\t“The Bird you Captured is Dead”\n\t\t697\t“Gray John”\n\t\t714\t“The Interior”\n\t\t731\t“Bunkhouse North”\n\t\t757\tRecording ends"],"Note":["[{\"note\":\"P.K. Page also is written to be reading on #454 tape 2 although the digital files are missing \",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554847936513,"timestamp":"2026-01-07T14:59:59.214Z","score":0.8611313},{"id":"6235","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Allen Ginsberg and friends recorded at SFU on March 12, 1969 #457"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Ginsberg, Allen"],"creator_names_search":["Ginsberg, Allen"],"creators":["[{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1969],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7873/Reading in BC_MsC199_457.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"457-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:50:03\",\"precision\":\"\",\"size\":\"66.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"457-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:42\",\"precision\":\"\",\"size\":\"63.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1969-03-12\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t04\tGinsberg questions audience about quality of sound\n\t\t11\tSongs from Blake’s Songs of Innocence & Experience put to music by Ginsberg\n\t\t\t“The Chimney Sweeper” (recording levels fluctuate a great deal)\n\t\t42\t“The Lamb”\n\t\t65\tAnother of Blake’s songs – title indistinguishable\n\t\t78\tGinsberg decides not read “Witchita Vortex Sutra” but other long poems which are continuations of it – a mind collage – “A Long Poem On These States”\n\t\t88\tFirst sections – travelling around the States – 1965 to pres. Starting with California\n\t\t100\t1.\t“Hollywood to San Francisco”\n\t\t209\t2.\t“Movie in Hollywood – 1966”\n\t\t300\tGinsberg reads an announcement about a rally protesting the arrest of a draft deserter\n\t\t318\tInto middle America – from Witchita Kansas to Lincoln Nebraska from “Witchita Vortex Sutra”\n\t\t472\t“Kansas City to St. Louis” Middle of “a long poem on these states”\n\t\t482\tGinsberg decides to take a break before reading Kansas to St. Louis\n\t\t\t-chants a Hare Krishna mantra\n\t\t638\tBack to the middle of “a long poem on these states”\n\t\t\t-Kansas to St. Louis\n\t\t837\tEnd of reading on side one\nTwo\t\t03\tJan. 8, 1967\n\t\t71\tA year later – Chicago to Salt Lake – March 30, 1968\n\t\t163\tSings William Blake’s “Holy Thursday”\n\t\t197\t“I die, I die…” (a song)\n\t\t235\tGinsberg repeats message about rally\n\t\t240\tEnd of reading"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554848985089,"timestamp":"2026-01-07T14:59:59.214Z","score":0.8611313},{"id":"6241","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Sacred Geography Seminar: Prof. Robin Blaser lecture at SFU on September 13, 1976 Tape 1 of 2 #617"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[RB_617]"],"rights":["In Copyright (InC)"],"access":["Streaming"],"creator_names":["Blaser, Robin"],"creator_names_search":["Blaser, Robin"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7879/Reading in BC_MsC199_617.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/rbr-179/rb617a\",\"file_path\":\"\",\"filename\":\"617-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:00\",\"precision\":\"\",\"size\":\"38.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/rbr-180/rb617b\",\"file_path\":\"\",\"filename\":\"617-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:48\",\"precision\":\"\",\"size\":\"37.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976-09-13\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t001\tInaudible voices, something about getting a “copy… in West Vancouver.”  A man’s voice & a woman’s voice.  The discussion seems to revolve around poetics.  The tape covers a university seminar on poetics.  The predominant man’s voice, whom we assume is the instructor, goes on to warn his student about being too academic & attempting to be too clever in their essays\n\t\t113\tDiscussion on poetic creation, with reference to Charles Olson\n\t\t140\tGroup discussion on students intellectual merits\n\t\t240\tThe group wade into Olson’s “Maximus” poems\n\t\t315\tDiscussion of other seminar texts\n\t\t415\tSide one ends midway through a long-wind sermon on issues the seminar will not address\nTwo\t\t000\t\n\t\t001\tThe same voices, all the more difficult to hear properly.  Though I did make out something about Olson\n\t\t017\tQuotations from Marx in reference to poetics, its response to standard bourgeois literature.  The instructor calls such a view a “cop-out”.  Control, tradition, & eloquence are the standards to be observed\n\t\t090\tA class discussion that, like most of the tape, is basically inaudible\n\t\t130\tSomething about the poetic pitfalls of an addiction to alcohol\n\t\t162\tTape lapses into almost complete inaudibility\n\t\t260\tPound, Eliot & Yeats are mentioned\n\t\t297\tDiscussion on’Yeats’ reputation & his own hand in fostering it.  From this point onwards the conversation wanders\n\t\t389\tClass dismissed.  Feet shuffle & chairs are moved about\n\t\t419\tSide two ends"],"Note":["[{\"note\":\"Prof. Blaser’s “Sacred Geography” series breaks down into two organizational components, that of semi-formal lectures and that of seminars. The lectures have been indexed and are to be found throughout the Audio Tape Holdings catalogue under their respective accession numbers. The indexing is fairly self-explanatory. The seminars are not indexed for a variety of reasons, however, in conjunction with its respective lecture tape, each seminar is both important and invaluable to an understanding of the “Sacred Geography” series and the intentions of Prof. Blaser.\\n“And knowing”, Confucius says, “brings one to the goal”. Sacred Geography Lecture, October 22, 1976 (#630)\",\"type\":\"\"},{\"note\":\"It seems the whole seminar was happening from Sep 13 to Dec 3 in 1976\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554850033667,"timestamp":"2026-01-07T14:59:59.214Z","score":0.8611313},{"id":"6242","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Sacred Geography Seminar: Prof. Robin Blaser lecture at SFU on September 13, 1976 Tape 2 of 2 #618"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[RB_618]"],"rights":["In Copyright (InC)"],"access":["Streaming"],"creator_names":["Blaser, Robin"],"creator_names_search":["Blaser, Robin"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7899/Reading in BC_MsC199_618.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/rbr-182/rb618a\",\"file_path\":\"\",\"filename\":\"618-tape-2_side 1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:33:48\",\"precision\":\"\",\"size\":\"31.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/rbr-183/rb618b\",\"file_path\":\"\",\"filename\":\"618-tape-2_side 2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:16\",\"precision\":\"\",\"size\":\"30.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976-09-13\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"Prof. Blaser’s “Sacred Geography” series breaks down into two organizational components, that of semi-formal lectures and that of seminars. The lectures have been indexed and are to be found throughout the Audio Tape Holdings catalogue under their respective accession numbers. The indexing is fairly self-explanatory. The seminars are not indexed for a variety of reasons, however, in conjunction with its respective lecture tape, each seminar is both important and invaluable to an understanding of the “Sacred Geography” series and the intentions of Prof. Blaser.\\n“And knowing”, Confucius says, “brings one to the goal”. Sacred Geography Lecture, October 22, 1976 (#630)\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554851082240,"timestamp":"2026-01-07T14:59:59.214Z","score":0.8611313},{"id":"6243","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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The lectures have been indexed and are to be found throughout the Audio Tape Holdings catalogue under their respective accession numbers. The indexing is fairly self-explanatory. The seminars are not indexed for a variety of reasons, however, in conjunction with its respective lecture tape, each seminar is both important and invaluable to an understanding of the “Sacred Geography” series and the intentions of Prof. Blaser.\\n“And knowing”, Confucius says, “brings one to the goal”. Sacred Geography Lecture, October 22, 1976 (#630)\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555057651712,"timestamp":"2026-01-07T14:59:59.437Z","score":0.8611313},{"id":"6244","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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Sacred Geography Lecture, October 22, 1976 (#630)\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555058700288,"timestamp":"2026-01-07T14:59:59.437Z","score":0.8611313},{"id":"6246","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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Sacred Geography Lecture, October 22, 1976 (#630)\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555058700289,"timestamp":"2026-01-07T14:59:59.437Z","score":0.8611313},{"id":"6250","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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How he dealt with living at the end of civilization\n\t\t144\tPolitics: Why Olson did not fight in the Spanish Civil War : Olson’s personal papers, 1967; recollections of Olson’s friend, who did fight\n\t\t275\tOlson not as interested in politics or war as in creation of a language to transcend politics, help build a “New republic”\n\t\t295\tHow does Olson’s individualism relate to republicanism (communism, Marxism)? – Olson and national politics\n\t\t532\tWhy Olson “stayed at home” in late ‘60’s did not run for president – notes from Olson’s journal\n\t\t644\tPoem: “Wholly absorbed into my own conduits…”\n\t\t682\tOlson’s ambitions for movies, poems, etc. (idea for West) – his prolific writing and incredible scope of reading; His reason for limiting focus of Maximus to Gloucester\n\t\t850\tButterick reads “Dylan Thomas, and now Matthew Mead, as he himself, to Edward Thomas”"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555058700293,"timestamp":"2026-01-07T14:59:59.437Z","score":0.8611313},{"id":"6251","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Butterick lecture and reading on Charles Olson \"The Entailment\" at SFU on November 10, 1970 part 2 of 2 #541b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Butterick, George F."],"creator_names_search":["Butterick, George F."],"creators":["[{\"url\":\"http://viaf.org/viaf/109397621\",\"name\":\"Butterick, George F.\",\"dates\":\"1942-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7954/Reading in BC_MsC199_541_2.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"541_2-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:59\",\"precision\":\"\",\"size\":\"45.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"541_2-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:02\",\"precision\":\"\",\"size\":\"49.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1970-11-10\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"},{\"url\":\"https://www.openstreetmap.org/relation/6961857\",\"venue\":\"Wilson College\",\"notes\":\"There are two locations on the J-card, and it's not known what happened at each\",\"address\":\"1015 Philadelphia Ave, Chambersburg, PA 17201, United States\",\"latitude\":\"39.9508\",\"longitude\":\"-77.6527\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6","1015 Philadelphia Ave, Chambersburg, PA 17201, United States"],"Venue":["SFU","Wilson College"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t000\tReads “As the Shield Goddess, Mycenae…”\n\t\t034\tReads “The chain of memory is resurrection…”\n\t\t041\tSays, on finishing last poem “It’s in the poetry, not the life”, quotes from a lecture of Olson’s\n\t\t148\tCoffee break\n\t\t199\tOlson’s mother, “The Temple of Childhood”; his mother’s forcefulness, its effect on Olson\n\t\t280\tOlson had to “wrestle with” his mother; end of Maximus IV, V, VI a “teaser”, originally from a longer, unpublished poem, which Butterick reads, and relates to Maximus\n\t\t311\tOlson’s notes on Maximus: “What 1) is Maximus, and 2) where can he go?:” – purpose of Maximus\n\t\t380\tQuestions from the audience\n\t\t684\tQuestions end, remainder of the tape is idle chit-chat"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555059748864,"timestamp":"2026-01-07T14:59:59.437Z","score":0.8611313},{"id":"6255","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Lionel Kearns reading his poems at the SFU Theater on January 18, 1968 #545"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kearns, Lionel"],"creator_names_search":["Kearns, Lionel"],"creators":["[{\"url\":\"http://viaf.org/viaf/30784380\",\"name\":\"Kearns, Lionel \",\"dates\":\"1937-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1968],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7960/Reading in BC_MsC199_545.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"545-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:14\",\"precision\":\"\",\"size\":\"30.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"545-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:18\",\"precision\":\"\",\"size\":\"30.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1968-01-18\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/7587825763\",\"venue\":\"SFU Theater\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.27976\",\"longitude\":\"-122.91690\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU Theater"],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"\\nSide 3 36:15\\nSide 4 26:00\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555060797440,"timestamp":"2026-01-07T14:59:59.437Z","score":0.8611313},{"id":"6260","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Sacred Geography Seminar: Prof. Robin Blaser lecture at SFU on October 1, 1976 Tape 1 of 2 #621"],"item_title_source":["cassette and j-card"],"item_title_note":["J-card mistakenly indicates both Sept. 13 and Sept. 29 as the dates of this seminar; the correct date is September 29, 1976."],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[RB_621]"],"rights":["In Copyright (InC)"],"access":["Streaming"],"creator_names":["Blaser, Robin"],"creator_names_search":["Blaser, Robin"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7984/Reading in BC_MsC199_621.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/rbr-196/rb621a\",\"file_path\":\"\",\"filename\":\"621-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:46\",\"precision\":\"\",\"size\":\"29.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/rbr-197/rb621b\",\"file_path\":\"\",\"filename\":\"621-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:36\",\"precision\":\"\",\"size\":\"29.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976-10-01\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"Note":["[{\"note\":\"Prof. Blaser’s “Sacred Geography” series breaks down into two organizational components, that of semi-formal lectures and that of seminars. The lectures have been indexed and are to be found throughout the Audio Tape Holdings catalogue under their respective accession numbers. The indexing is fairly self-explanatory. The seminars are not indexed for a variety of reasons, however, in conjunction with its respective lecture tape, each seminar is both important and invaluable to an understanding of the “Sacred Geography” series and the intentions of Prof. Blaser.\\n“And knowing”, Confucius says, “brings one to the goal”. Sacred Geography Lecture, October 22, 1976 (#630)\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555062894592,"timestamp":"2026-01-07T14:59:59.437Z","contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t001\tBlaser’s voice is heard in mid-sentence\n\t\t002\tDiscussion of the text, Egyptian Book of the Dead, Blaser will be relying on\n\t\t015\tApparent continuation of discussion on the Divine Falcon.  A part of enactment mythology & an enactment ritual in Egyptian myth Osiris, etc.\n\t\t037\t“The cosmology is still not entirely understood” Set & Isis are cited\n\t\t054\tImportance of Horus [god/god-like figure in the text] not the poet\n\t\t058\tMovement towards Death in Egyptian mythology; Principle of passage\n\t\t069\tOsiris arising to serve the order of the world\n\t\t088\tRites of Osiris\n\t\t094\tBlaser’s theory that the priests of the temples kept certain aspects of the rituals a mystery as a representation of the aspects of the god that were indeed a mystery.  He rejects the contemporary notion that it was done as a form of social control on the part of the priests\n\t\t100\tRituals serving as an enactment of metaphysical concepts.  For example, The Book of the Dead: its use of Time & Space\n\t\t120\tBlaser’s main point being that of duel nature of God/Godhead.  Double in nature, but transcendent\n\t\t138\tTheory of the emergent & the transcendent\n\t\t179\tDoctrine of Osiris resurrection as found in the Pyramid texts. The Doctrine is contrasted & compared with the Legend of the Holy Grail\n\t\t215\tHerodious’  work is utilized, at this point, for its significant references to Mystery Cults/Religions\n\t\t243\tPassage dealing with the Osiris cult & its rituals as found in The Book of the Dead.  Discussion follows dealing with the innate significance of the passage\n\t\t287\t“The Ancients thought of death as the essential prelude to life.”  A polarity existing in all of nature.  Further definition, especially of the concept of the “underworld” is given\n\t\t345\tGeneology of Osiris & his fellow gods, also the concept of his Kingship is explained\n\t\t400\tPrimeval time to be considered as the time before duality\n\t\t412\tLecture broken off in mid-sentence as tape ends\nTwo\t\t000\t\n\t\t001\tBlaser’s voice in mid-sentence.  He is explaining, more so outlining, the concept of the original duality of male & female.  It is a complimentary notion, that is, unfortunately altered with the birth of Set.  Set represents elements of confusion/chaos\n\t\t027\tBlaser notes the lack of love between Set and his mother.  He comments, in words to the effect of, that this is a strange twist on a rather common theme, that of Mother fixation in no way does this even begin to imply that Set is in any way a child god\n\t\t047\tSet as existing “outside” the community of the gods\n\t\t072\tThe birth of Horus, the undefinable conflict that arises between Horus and Set [in the tangible forms of a homosexual element that seems to be mostly implied in The Book of the Dead and a physical fight that is much more than merely implied]\n\t\t104\tThe importance of the eyes of a being.  Special reference is given to what the eyes reveal after one engages in considerable sexual activity.  Even the gods of The Book of the Dead, according to Blaser feel this is important\n\t\t115\tThe poison semen that Horus receives; the warning given Horus\n\t\t137\tThe sexual element between Horus and Set, noted also is the role Isis plays.  As the conflict intensifies, the seed of Horus is spread on the vegetables growing in Set’s garden\n\t\t167\tThe pregnancy of Set; the battle for the disc; the notion that the eye of Horus comes from the forehead of Set; the birth of Wroth\n\t\t177\tOrigin of the creation of the moon [i.e. the eye of Horus] myth.  Explanation on the religious symbol that the moon becomes.  Blaser goes on to define a ‘symbol’ as a sign that conveys an image, that in our reality gives expression to a reality of a different order\n\t\t237\tThe ‘sound eye’ the eye that has been healed.  Blaser utilizes mathematical concepts to further develop his position.  The ‘sound eye’ serves as a notion of soundness and reality, via integrated contrasts.  The newborn and Wroth has constructed the ‘eye’ in such a way that it presents a ‘new image of reality’ (being and non-being)\n\t\t292\tBlaser comments on what he feels is the greatest wonder of Egypian mythology, the notion of the journey to the underworld as an experience of complete totality\n\t\t314\tEgyptian concept of the essential duality that always exists, a series of contrasts and comparisons.  Blaser calls them ‘polarities’\n\t\t340\tThe element of metamorphosis.  Light and Sexuality become the focal points for the ensuing discussion\n\t\t411\tSide two ends"],"score":0.8611313},{"id":"6261","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Sacred Geography Seminar: Prof. Robin Blaser lecture at SFU on October 1, 1976 Tape 2 of 2 #622"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[RB_622]"],"rights":["In Copyright (InC)"],"access":["Streaming"],"creator_names":["Blaser, Robin"],"creator_names_search":["Blaser, Robin"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7985/Reading in BC_MsC199_622.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"622-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:50\",\"precision\":\"\",\"size\":\"39.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/rbr-201/rb622a\",\"file_path\":\"\",\"filename\":\"622-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:50\",\"precision\":\"\",\"size\":\"39.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976-10-01\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2784\",\"longitude\":\"-122.9231\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t001\tBlaser discussing the notion of duality in Egyptian cosmology as found in The Book of the Dead.  He then goes on to speculate on the alterations in the relationships between the Egyptian gods.  Further speculation is given to the results of Set; homosexual tendencies\n\t\t037\tNotion of duality.  Blaser draws interesting assumption as he displays that Oasis is death from which life arises and Set is life from which death arises.  As the relationship between the two gods deteriorate, Death becomes a visible, semi-separate entity unto itself\n\t\t055\tThe shift in emphasis on the worship of Set by the Egyptians\n\t\t074\tBlaser describes the ideas, mainly the “layers of the world” concept, that he wants the students to keep in mind as they read and re-read the text(s)\n\t\t160\tDiscussion turns to the “central issues”, relating from two particular texts, they being Causal Mythology and Poetry and Truth.  Some of these “issues” include the notions of narrative and vocabulary\n\t\t203\tBeginning of a discussion on the narrative as having two particular facets, that of speech and that of speaking.  Blaser goes on to say “…narrative is made up of events, not facts.”  He stresses the ability of the narrative to pull the reader into the work\n\t\t225\tInvestigation into what Blaser calls “the means whereby we wish to speak of the active mode…”  Topics such as sense, nonsense and a “pure” language are to be raised\n\t\t250\tReiteration of the active role the reader must play in the events of the narrative\n\t\t277\t“Presence” in the work of Jack Spicer, who most of the preceding discussion dealt with.  Also, introduction of Surrealistic concepts into the discourse, specifically “the violent displacement of language that is then intended to control the marvelous”\n\t\t292\tSuggestion to read specific letters of Arthur Rimbaud.  The letters announce the psychological notion of “otherness”\n\t\t325\tBlaser lays great emphasis, perhaps even the major emphasis of the entire course, on the “constant operation of the language”.  Elaboration follows\n\t\t367\tFoucault, French poet, and his analysis of the evolution of the modern mind is stressed.  It too utilized the concept of “otherness’ in a slightly economic sense\n\t\t420\tTape ends, cutting Blaser off in a discussion of scientific principles\nTwo\t\t000\t\n\t\t001\tTape cuts in on some humorous interplay between Blaser and his students\n\t\t003\tDiscussion moves back to the multi-textured issue of language.  Language, it is stressed, by its very nature involves a sense of “otherness”.  “I’m not paying any attention, at this point, to God and all that stuff” says Blaser; he is dealing with direct experience\n\t\t010\tThe consciousness of modern language and its restructuring.  Blaser reads from an essay by Zollah, the title of the essay is unintelligible – that stresses social oneness.  Linguistic origins and the developments of Indo-European tongue are brought to the discussion, especially the connection between myth, symbols and the resulting language in the construction of the self\n\t\t075\tQuestion of a point of detail from a member of the seminar.  Blaser responds by reading from the text and repeating some of what he said previously.  He uses the question as the link to “the consistent movement inside language”\n\t\t095\tBlaser turns to a book by Western Labarr called Ghostdance for which he expresses particular disdain for its overly simplistic and naturalistic approach to the subject of religion\n\t\t148\tQuestion from a seminar member concerning Spicer.  Blaser feels the student has misunderstood his position and goes to re-explain that “the consistent efforts of all these texts is to speak to its own historical past”, adding further examples to strengthen his position.  The student seems satisfied with the response, as do others in the seminar\n\t\t278\tTurn to Causual Mythology as reading for next seminar is assigned\n\t\t282\tClass breaks up with Blaser commenting on how much he appreciates question and dissent in his classes\n\t\t287\tSound ends\n\t\t410\tSide two over"],"Note":["[{\"note\":\"Prof. Blaser’s “Sacred Geography” series breaks down into two organizational components, that of semi-formal lectures and that of seminars. The lectures have been indexed and are to be found throughout the Audio Tape Holdings catalogue under their respective accession numbers. The indexing is fairly self-explanatory. The seminars are not indexed for a variety of reasons, however, in conjunction with its respective lecture tape, each seminar is both important and invaluable to an understanding of the “Sacred Geography” series and the intentions of Prof. Blaser.\\n“And knowing”, Confucius says, “brings one to the goal”. Sacred Geography Lecture, October 22, 1976 (#630)\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555062894593,"timestamp":"2026-01-07T14:59:59.437Z","score":0.8611313},{"id":"6262","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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Sacred Geography Lecture, October 22, 1976 (#630)\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555063943168,"timestamp":"2026-01-07T14:59:59.437Z","score":0.8611313},{"id":"6263","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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Sacred Geography Lecture, October 22, 1976 (#630)\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555063943169,"timestamp":"2026-01-07T14:59:59.437Z","score":0.8611313},{"id":"6264","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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Pure language being that which involves “us” in polarities and opposites\n\t\t047\tBlaser draws a link from confusion to sexuality to language, making reference to past lectures and the Osiris myth of Kingship\n\t\t054\tDiscussion on the mythological language of “Theogony”, a poem, mentions Blaser, that “is extremely difficult to interpret”, yet this is, in many ways, why he chose to include it in the seminar, especially for its broken narrative\n\t\t063\tThe direct engagement of the poet in his historical condition, “there are not many poets who are engaged in this way”\n\t\t071\tBlaser’s question “Why does theology appear repeatedly?”  Ensuing discussion with emphasis on Spicer and Olson\n\t\t099\tWide tradition of “Theogony”, its language is to be found all around the world – it’s the primary/the pure language\n\t\t135\tThe primary place of “Theogony” in Babylonian New Year worship of Marduk.  Blaser stresses the powerful interaction the piece played in society\n\t\t171\tAfter reading from Genesis, Blaser develops a pattern of “cosmogony and cosmology followed by the genealogy of heroes and priests”.  The Persian story of Ohrmzd and his opposite Ahraman is cited as example of a narration that speaks of polarity.  Blaser notes the “listing” pattern (names, titles, deeds, etc.) in mythology drawing an appropriate contrast between the 50 names of Marduk and the equally numerous names of the Norse God, Odin\n\t\t243\tViolva’s Prophecy is noted as the voice of past, present and future.  Yet another creation myth confirming the listing pattern.  The original tie between the magic and the poetic, before the written word, which implies the theory of the language, the nature of the word.  The magical aspect manifests itself in the power it gives; power over the order or to reveal the order\n\t\t319\tThe need to gather a better understanding of the narrative, utilizing unseen diagrams which draw heavily from West’s introduction to “Theogony” and Normana/Brown.  In the case of “Theogony” this is best displayed in the invocations\n\t\t374\tBlaser draws a parallel between the generational narrative of the Old Testament and other such ancient relevant texts as an example\n\t\t416\tUtilizing the many myths of Zeus and his children as further example, Blaser seeks to display the exclusive nature in his estimation of the generational narrative. The tape ends sharply, cutting Blaser off\nTwo\t\t000\t\n\t\t001\tBlaser’s voice comes in during mid-sentence stressing the need to move through the process of the “Theogony” to reach the generational climax of Zeus and his supreme intelligence\n\t\t021\tThe succession story of Zeus, the birth of Aphrodite and story of Medusa, etc., all flow through each other.  Almost “mythological digressions” yet completely necessary to the great whole of the story\n\t\t070\tThe structure of the poem is the succession story, which Blaser outlines.  He then explores, by listing, the descriptive catalogues of the poem linking them to an implied movement in the human order\n\t\t141\tThe oriental flavor of the poem is pointed out as is West’s mention of a Phoenician history text compiled/written by San Chuniathon (a Phoenician poet) that was translated into Greek around the 2nd century A.D. and eventually translated into English on the insistence of Charles Olson.   Both examples add further strength to the pure/primary language theory\n\t\t230\tSan Chuniathon’s work as yet further example of the narrative move towards an established order\n\t\t244\tBlaser announces a contemporary reading he would like the class to attend.  The writer in question is [Foelling]* Dawson, reading at the Odd Infanitum Gallery, 3632 W. 4th Avenue on October 16/76.  Blaser goes on to discourse on the importance of the contemporary\n\t\t266\tGenealogy in the structural poem “What should be the critic’s vocabulary?”  The succession myth as the plot that is not truly apparent.  Blaser links the genealogy as the “living movement of that succession (myth)” also taken into account is the cosmology\n\t\t319\tDistinction drawn between visionary and prophet.  Examples and embellishment are provided by Blaser to further his point\n\t\t348\tThe prophet poet as one who “looks into his own time” which involves a use of “pure language”, Spicer and Olson are cited\n\t\t379\tReturn to the genealogy of ”Theogony” as the subject of discussion\n\t\t413\tAs Blaser was reintroducing the use of the listing pattern his voice was cut off\n\t\t413\tSide Two ends"],"score":0.8611313},{"id":"6267","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. 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Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Sacred Geography Seminar with Prof. Robin Blaser on October 15, 1976 tape 2 of 2 #628"],"item_title_source":["j-card"],"item_title_note":["Liner notes: see the photo in the material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[RB_628]"],"rights":["In Copyright (InC)"],"access":["Streaming"],"creator_names":["Blaser, Robin"],"creator_names_search":["Blaser, Robin"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/8104/628.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Clear box with j-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/rbr-219/rb628a\",\"file_path\":\"\",\"filename\":\"628-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:08:34\",\"precision\":\"\",\"size\":\"83.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/rbr-220/rb628b\",\"file_path\":\"\",\"filename\":\"628-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:58:25\",\"precision\":\"\",\"size\":\"72.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976-10-15\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"Location taken from cassette 627\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.276709600000004\",\"longitude\":\"-122.91780296438841\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555064991744,"timestamp":"2026-01-07T14:59:59.437Z","score":0.8611313},{"id":"6268","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Sacred Geography Seminar with Prof. Robin Blaser on October 20, 1976 tape 2 of 2 #629"],"item_title_source":["j-card"],"item_title_note":["Liner notes: see the photo in the material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[RB_629]"],"rights":["In Copyright (InC)"],"access":["Streaming"],"creator_names":["Blaser, Robin"],"creator_names_search":["Blaser, Robin"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/8105/629.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Clear box with j-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/rbr-224/rb629a\",\"file_path\":\"\",\"filename\":\"629-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:41\",\"precision\":\"\",\"size\":\"30.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/rbr-225/rb629b\",\"file_path\":\"\",\"filename\":\"629-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:31\",\"precision\":\"\",\"size\":\"29.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976-10-20\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"Location taken from cassette #630\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.276709600000004\",\"longitude\":\"-122.91780296438841\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"Only part 2 of 2 from October 20, 1976 is available\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555064991745,"timestamp":"2026-01-07T14:59:59.437Z","score":0.8611313},{"id":"6270","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Sacred Geography Seminar with Prof. Robin Blaser on October 22, 1976 tape 1 of 2 #630"],"item_title_source":["j-card"],"item_title_note":["Liner notes: see the photo in the material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[RB_630]"],"rights":["In Copyright (InC)"],"access":["Streaming"],"creator_names":["Blaser, Robin"],"creator_names_search":["Blaser, Robin"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/8113/630.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Clear box with j-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/rbr-227/rb630a\",\"file_path\":\"\",\"filename\":\"630-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:29\",\"precision\":\"\",\"size\":\"29.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/rbr-228/rb630b\",\"file_path\":\"\",\"filename\":\"630-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:45\",\"precision\":\"\",\"size\":\"29.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976-10-22\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"Location taken from cassette #631\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.276709600000004\",\"longitude\":\"-122.91780296438841\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"Note":["[{\"note\":\"The numbers of tapes #631 and #630 are confused either on the cassette or on J-card. We made the order according to the contents of the cassettes, so the go in the proper order. \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555064991747,"timestamp":"2026-01-07T14:59:59.437Z","contents":["Side\tTrack\tNo.\tComments\nOne\t\t003\tTape begins with Blaser discussing the need to find a vocabulary fitting for investigation of ‘the primary world’\n\t\t030\tHomer & Hesiod & the defense of divinity in the social world.  Hesiod as a progression over Homer, Hesiod touted as the more abstract of the two writers, Blaser agrees but with distinct reservations, which he explains\n\t\t105\tStructure of The Iliad.  Its narrative, its core story & its engaging formula.  Pound & Olson are mentioned as inheritors of The Iliad’s formula, it’s a literary tradition utilized to maintain that which the culture must remember “in order to continue”\n\t\t127\tPreface to Plato by Havelock & the attempt to defeat poetry.  Blaser utilizes Havelock’s book to examine the didactic nature of Homer & Hesiod in the transmission of social knowledge, public usage & private habit\n\t\t154\tHavelock’s outline of The Iliad\n\t\t170\tStudent presentation dealing with descriptive & connective phrasing, as well as the meter of The Iliad\n\t\t226\tOutline of The Iliad again, with scant commentary of Blaser’s part\n\t\t260\tPoetry as the transmission of social knowledge.  Meaning & the interplay with the existing social structure.  Plato wanted to remove the poet for such a powerful position in society & place the philosopher in such a role\n\t\t290\tExamination of the work of Hesiod, specifically the first 130 lines, Hymns to the Muses.  Here we find, for the first time in the history of the West, the poet’s view of himself, his profession & what it means.  Blaser feels that Hesiod’s Hymns teach History & Prophecy, they also teach morality & philosophy.  This is the poet’s vital social role\n\t\t307\tThe creation of a realm of belief.  How such a realm came to be is a major element of Hesiod’s work.  This is the creation of a mythology\n\t\t315\tThe mythology of the ancient world, that of Olympia, & its central link to poetry\n\t\t393\tHesiod’s “rationalization of world history”, the nation is explored by the seminar\n\t\t406\tSide one ends, unfortunately cutting Blaser off in mid-sent.\nTwo\t\t002\tTape cuts in, picking up where Side one left off.  Continuation of investigation of the poetic process with supplementation from Havelock text\n\t\t035\tHesiod’s description of the Muses\n\t\t077\tHavelock & Hesiod’s catalogue of the nine Muses.  This discussion moves into the area of the [segmentized] educational system perfected by the 5th century B.C. Greeks & still haunting us to this very day\n\t\t175\tA look at the principles of the poetic which exists in our modern lives.  Definitions of “reason” & “subject” which thematically structure contemporary perspectives.  Marcuse’s Reason & Revolution, especially the Preface, is utilized at this point\n\t\t213\tThe rejection of the contradiction in search for synthesis which results in a return to the subject, Blaser views this as an enormous distortion of the real.  Marcuse desires a system of thought by negation\n\t\t230\tNegation as a positive act, it comes far closer to a reality than the world of figures & facts ever could.  Obviously Blaser elaborates on this notion\n\t\t239\tThe “experience” of poetry.  Also a reference to Spicer & his use of the “primary”\n\t\t250\tThe poet who stresses the “primary” battles against the ideology of factual language, out of logical & into experiential form\n\t\t262\tThe search for an authentic language, a common element.  Robert Duncan’s objections to this are mentioned & briefly addressed. Blaser stresses that “ideas” are not being disregarded rather they are being re-positioned.\n\t\t319\tCharles Olson’s letter to Elaine Feinstein (May 1959).  Blaser gives background information & then goes on to read the letter.  The letter is a response to general questions on poetics & more specific queries on the use of the image.  Blaser peppers his reading of the letter with extremely relevant commentary\n\t\t362\tOlson letter continues, as does Blaser’s commentary\n\t\t390\tThe peripheral role given to poetry in the modern world is a victory of the logical.  Blaser, quite rightly, feels that the logical must be resisted & poetry returned to its central social role\n\t\t406 \tSide two ends"],"score":0.8611313},{"id":"6271","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Sacred Geography Seminar with Prof. Robin Blaser on October 22, 1976 tape 2 of 2 #631"],"item_title_source":["j-card"],"item_title_note":["Liner notes: see the photo in the material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[RB_631]"],"rights":["In Copyright (InC)"],"access":["Streaming"],"creator_names":["Blaser, Robin"],"creator_names_search":["Blaser, Robin"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/8114/631.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Clear box with j-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/rbr-230/rb631a\",\"file_path\":\"\",\"filename\":\"631-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:00\",\"precision\":\"\",\"size\":\"29.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/rbr-231/rb631b\",\"file_path\":\"\",\"filename\":\"631-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:37\",\"precision\":\"\",\"size\":\"30.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976-10-22\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"Location taken from cassette #631\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.276709600000004\",\"longitude\":\"-122.91780296438841\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"Note":["[{\"note\":\"The numbers of tapes #631 and #630 are confused either on the cassette or on J-card. We made the order according to the contents of the cassettes, so the go in the proper order. \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555064991748,"timestamp":"2026-01-07T14:59:59.437Z","contents":["Side\tTrack\tNo.\tComments\nOne\t\t003\tTape begins with Blaser discussing the need to find a vocabulary fitting for investigation of ‘the primary world’\n\t\t030\tHomer & Hesiod & the defense of divinity in the social world.  Hesiod as a progression over Homer, Hesiod touted as the more abstract of the two writers, Blaser agrees but with distinct reservations, which he explains\n\t\t105\tStructure of The Iliad.  Its narrative, its core story & its engaging formula.  Pound & Olson are mentioned as inheritors of The Iliad’s formula, it’s a literary tradition utilized to maintain that which the culture must remember “in order to continue”\n\t\t127\tPreface to Plato by Havelock & the attempt to defeat poetry.  Blaser utilizes Havelock’s book to examine the didactic nature of Homer & Hesiod in the transmission of social knowledge, public usage & private habit\n\t\t154\tHavelock’s outline of The Iliad\n\t\t170\tStudent presentation dealing with descriptive & connective phrasing, as well as the meter of The Iliad\n\t\t226\tOutline of The Iliad again, with scant commentary of Blaser’s part\n\t\t260\tPoetry as the transmission of social knowledge.  Meaning & the interplay with the existing social structure.  Plato wanted to remove the poet for such a powerful position in society & place the philosopher in such a role\n\t\t290\tExamination of the work of Hesiod, specifically the first 130 lines, Hymns to the Muses.  Here we find, for the first time in the history of the West, the poet’s view of himself, his profession & what it means.  Blaser feels that Hesiod’s Hymns teach History & Prophecy, they also teach morality & philosophy.  This is the poet’s vital social role\n\t\t307\tThe creation of a realm of belief.  How such a realm came to be is a major element of Hesiod’s work.  This is the creation of a mythology\n\t\t315\tThe mythology of the ancient world, that of Olympia, & its central link to poetry\n\t\t393\tHesiod’s “rationalization of world history”, the nation is explored by the seminar\n\t\t406\tSide one ends, unfortunately cutting Blaser off in mid-sent.\nTwo\t\t002\tTape cuts in, picking up where Side one left off.  Continuation of investigation of the poetic process with supplementation from Havelock text\n\t\t035\tHesiod’s description of the Muses\n\t\t077\tHavelock & Hesiod’s catalogue of the nine Muses.  This discussion moves into the area of the [segmentized] educational system perfected by the 5th century B.C. Greeks & still haunting us to this very day\n\t\t175\tA look at the principles of the poetic which exists in our modern lives.  Definitions of “reason” & “subject” which thematically structure contemporary perspectives.  Marcuse’s Reason & Revolution, especially the Preface, is utilized at this point\n\t\t213\tThe rejection of the contradiction in search for synthesis which results in a return to the subject, Blaser views this as an enormous distortion of the real.  Marcuse desires a system of thought by negation\n\t\t230\tNegation as a positive act, it comes far closer to a reality than the world of figures & facts ever could.  Obviously Blaser elaborates on this notion\n\t\t239\tThe “experience” of poetry.  Also a reference to Spicer & his use of the “primary”\n\t\t250\tThe poet who stresses the “primary” battles against the ideology of factual language, out of logical & into experiential form\n\t\t262\tThe search for an authentic language, a common element.  Robert Duncan’s objections to this are mentioned & briefly addressed. Blaser stresses that “ideas” are not being disregarded rather they are being re-positioned.\n\t\t319\tCharles Olson’s letter to Elaine Feinstein (May 1959).  Blaser gives background information & then goes on to read the letter.  The letter is a response to general questions on poetics & more specific queries on the use of the image.  Blaser peppers his reading of the letter with extremely relevant commentary\n\t\t362\tOlson letter continues, as does Blaser’s commentary\n\t\t390\tThe peripheral role given to poetry in the modern world is a victory of the logical.  Blaser, quite rightly, feels that the logical must be resisted & poetry returned to its central social role\n\t\t406 \tSide two ends"],"score":0.8611313},{"id":"6272","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Sacred Geography Seminar with Prof. Robin Blaser on October 29, 1976 tape 2 of 2 #634"],"item_title_source":["j-card"],"item_title_note":["Liner notes: see the photo in the material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[RB_634]"],"rights":["In Copyright (InC)"],"access":["Streaming"],"creator_names":["Blaser, Robin"],"creator_names_search":["Blaser, Robin"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/8117/634.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Clear box with j-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/rbr-239/rb634a\",\"file_path\":\"\",\"filename\":\"634-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:31\",\"precision\":\"\",\"size\":\"29.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/rbr-240/rb634b\",\"file_path\":\"\",\"filename\":\"634-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:34:05\",\"precision\":\"\",\"size\":\"33.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976-10-29\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"Location taken from cassette #631\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.276709600000004\",\"longitude\":\"-122.91780296438841\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"Note":["[{\"note\":\"Part 1 of 2 is on tape #635\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555067088898,"timestamp":"2026-01-07T14:59:59.437Z","contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t002\tTape begins with Blaser’s voice in mid-sentence.  References to Olson & nature of the “primary” soon follow\n\t\t018\tThe historical task of the poet, the greater context.  Once this has been understood one can truly appreciate texts that stand outside their mere contemporary context, the “otherness” of a poetic text\n\t\t040\tThe 20th century “consciousness of language”, Blaser agrees that the Romantics started the move towards the notion of language but he thinks it was individuals such as Pound who began to comprehend and appreciate the polar relationships of poetry with a consciousness of the nature of language\n\t\t074\tBy way of an investigation into divine poetic nature, Blaser examines texts that detail the relationship between the Ancient (Homeric?) Greeks and their gods\n\t\t104\tThe balance of heaven and earth (“earth and sky”) and the emerging notion of “the universe”.  “A destiny of the Greeks is neither a justification nor disruption or elimination of the natural course of the world.  It is this natural course of the world itself”\n\t\t130\tTo create an understanding of the foundation of this world view, Blaser explains that to the Homeric Greeks the world was not an observable, examinable place but a “realm” of “the ever unobjective to which we are subordinate as long as the paths of birth and death, of blessing and curse, hold us thrust into being where the essential lessons of our history befall us and which are taken over and abandoned, misunderstood and again sought by us.  Their world’s the world.  Prof. Blaser is drawing most of his material from Victor Vycinas’ The Earth and Gods : an introduction to the Philosophy of Martin Heidegger\n\t\t142\tArt as the stabilizer of the lucidity of the world\n\t\t\tProf. Blaser, as he does on other tapes in the series, argues that, as part of human being’s nature, Truth is to be found only in “unreason”.  Truth as emerging from the primeval strife to “that which is”.  The strife between the world and the earth can “only become Truth when it takes a stand within the realm of openness obtained by it.  “….such a “stand” can only be actualized as an Artwork”\n\t\t220\tHermes, who “what he is, as an example of a deity.  The various roles and responsibilities of the god are listed and detailed; an attempt is made by Blaser to limit the god’s many titles into a conceptual whole\n\t\t269\tThe discussion on the many traits of Hermes continues\n\t\t276\tBlaser turns onto Zeus “The worldness of a world is Zeus”.  Zeus as a god of light, which innately infers that Zeus is a god of revealing, “of disclosing… by reflecting the truth of the god, these forms are true.  They are the logos of this god.  Zeus, then, is the logos par excellence\n\t\t289\tThe nature of Truth.  “Truth as Reason, becomes in the poetic argument simply our Reason.  And this confronts what Olson calls the “demonic nature of experience”.  The link is made easily between this notion and the notion of the polarity, the “tension” of experience in mythology.  Reference is made to Charles Olson’s Poetry and Truth (The Beloit Lectures and Poems).  In the existence that lies behind poetry, more than the language we speak\n\t\t311\tReturn of topic to the “tension of existence”.  Blaser notes the interdependence to the “other”.  Olson’s so-called attack on Einstein in Poetry and Truth is brought up to display the content of the concept; Einstein’s relativity is viewed as another one of the modes of reason.  Olson harkens to the dynamically-relational.  A Maurice Merleon-Ponty essay to be found in Sense-non-Sense, is cited by Blaser as summing up the issue at immediate hand here\n\t\t333\tThe disclosure of the world the way it appears to the I.  Again Olson’s Poetry and Truth is mentioned.  One point of particular noteworthiness is that the “I” is to be found “among” not isolated in any manner.  Notion of disclosure and concealment; the “active” agent of the unknown\n\t\t348\tSpeech as a stance of language, revealing the relationship(s) between intellect and objects.  Language and freedom.  Freedom as possessing the individual (not vice versa), Spicer and Olson cited.  Human referring as a result of the outward mode, Logos, in this primary sense, “is our assembling of otherness to ourselves”\n\t\t368\tClassroom confusion results in Blaser repeating his previous statements to clarify their meaning\n\t\t384\tMartin Heidegger is cited once again, a quotation “Our thinking is giving thanks”.  Further quotations are given and explored, all searching for the language behind language\n\t\t398\tOlson’s notion that “so say” (speech) is “to bring into appearance”.  Such a notion should not be confused with the “creation” of appearance; words do not follow things”.  Olson calls this “Mythologos”, words bringing things from their position of concealment\n\t\t407\tSide One ends\nTwo\t\t000\t\n\t\t003\tBlaser’s voice emerges in mid-sentence, discussing such topics as “truth” and “freedom”.  The movement toward “the future” and its being is discussed.  Vyainds’ is quoted and references to Olson and Spicer are made\n\t\t029\tThe future “as “improvised… in Utopias”; with the absence of a tradition, human beings “therefore… constantly break the ties of tradition by revolts”.  While the concept seemingly contradicts itself, Blaser proves the opposite to in fact be the case\n\t\t052\tContemporary human beings standing between philosophy and the upcoming of a greater thought, the thought of being itself”.  Blaser, utilizing Heidegger directly, states that thinking of the future assembles the language/being of the future thinking as no longer philosophy but now mythology\n\t\t106\tOperative and Representational language: Representational language represent the “red” of the world.  Operative language presents – discloses – what was previously covered.  The language is interactive when its operative sense\n\t\t132\tStructural elements of the world: Earth, Sky, Mortals and Gods.  Together they make up the “action of the world… its light”.  Concealment and Revealment are explored once again; Earth as having a “tendency to concealment, the World to revealment.  Art, the Truth, emerges from the strife between the Earth and the World\n\t\t160\tChaos as “the holiness itself: (L. Heidegger), it stands as the ultimate course of all.  The Realm of Destiny, binding everything.  Blaser embellishes this fully, conjuring up Heroditas, Spicer and Olson\n\t\t198\tThe song of the poet being the place where ghouls, human beings and holiness can all appear.  “All true poetry has its beginning in an encounter with the divine”\n\t\t215\tDiscussion moves onto earth-centered religions; the cathonoing society in which the dead are real and powerful in that they go to the earth.  Blaser notes that Spiker refused to separate the dead and the living, and in fact gave the dead a prominence over the living\n\t\t229\tOlympian religion gains prominence over the Cathonain religion, death is shunned.  Numerous references made to Homer’s place in this\n\t\t247\tThe reversal of Logos, the reversal of light.  Characteristics of Olympian and Cathonain religion are explored in contrast\n\t\t280\tEarth, Sky, Gods, Mortal men – “all of them are in strife, as parts of the world”.  Art as a creating a world, creating a hold on the “earth in the world”.  The guarding of the earth and the world in their strife is a fundamental feature of Art work.  Letting the Truth take place in the struggle between the worldness of the world and earth\n\t\t311\tBlaser draws a transition connecting concepts of the ancient world with the contemporary interest in “open form”.  Charles Olson is cited as using such “open form” as projective and as field; Jack Spicer is also cited for his “serial poems’ a constant opening of time itself\n\t\t322\tBlaser vocalizes his view that he feels the “openform” vs. “closed form” debate is little more than an intellectual “hang-up”\n\t\t330\tThe nature of “open form”; openness as it is “attached to a primary condition” – the narrative as a new stance, a new content.  Blaser quotes\n\t\t340\tClosing remarks.  Blaser answers a class question.  Blaser reading (his own work?)\n\t\t359\tSide Two ends"],"score":0.8611313},{"id":"6275","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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The topic is then further expanded into that of Norse religion and the old Norse world view.  Blaser elaborates and explains the myths with references to Indo-European cultures\n\t\t0038\tBlaser discusses the family of languages.  He refers to Webster’s International Dictionary.  He draws together various pieces of cultural evidence to construct the characteristics of “Indo-European speech and culture”\n\t\t0105\tBlaser looks at “The Volaspa” for its Norse creation story.  Discusses the generative act where we have a mutual attraction and opposition of cold and heat.  The singular origin and identity is not the same as the Platonic one; this is a flow\n\t\t0155\tEverything, in this cosmology, returns to matter.  Matter and spirit are not split as in our tradition.  This difference is discussed\n\t\t185\tBlaser discusses the lack of creator in the Norse mythology.  Creation is assumed to be spontaneous as a product of two opposed forces (heat and cold)\n\t\t214\tBlaser refers to Hinduism: he discusses the shape of the cosmos (shaped around the “eternal conflict which is life”).  The cosmos develops in one of a fragile “order” of time and temporal relations with the “threat of disorder” always looming.  Blaser discusses the structure of the Norse cosmos in some detail\n\t\t250\tThe connection between the world of gods and the world of men, the ash tree, Yggdrasil.  Blaser postulates that the world tree, any mythological world tree is the “latent invisible fire in the living wood which is the perfect symbol of eternal spirit trapped in matter”.  Dionysus is an anthropomorphized version of this vision\n\t\t270\tA thorough examination of the Norse world-tree ensues\n\t\t319\tEnd of lecture\nTwo\t\t000\t\n\t\t003\tTape begins with an announcement of a poetry reading.  Blaser begins his lecture by introducing Charles Olson’s “The Horses of the Sea” [to be found in Sparrow, 43, Black Sparrow Press]\n\t\t055\tA very lengthy discussion of sources in Olson’s work ensues\n\t\t0156\tBlaser introduces a passage from Fowler’s book on Norse religions and present some propositions that he has been building that are meant to allow us to speak to the nature of the “real”"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555068137472,"timestamp":"2026-01-07T14:59:59.437Z","score":0.8611313},{"id":"6276","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. 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Maud\n\t\t224\t1.\t“the manner of his death…” from Iron : 3\n\t\t231\t2.\t“The queerness of things…”\n\t\t238\t3.\t“Remember all that sound…”\n\t\t241\t4.\t“It was a snake that bit Euridice…”\n\t\t249\t5.\t“The hummingbirds…”\n\t\t255\t6.\t“Lets go back to camp Orpheus…”\n\t\t264\tSong 1 “When you Came To…”\n\t\t269\tSong 2 “Unfortunately its not that simple…”\n\t\t274\tBibliographies II\n\t\t284\t“Nobody listens to poetry…”\n\t\t293\tLandscapes – physical and spiritual\n\t\t303\t“The sea breeze…” from the fifth book\n\t\t307\t“The ocean at high tide…”\n\t\t312\t“Tonight At Kitsilano Park”\n\t\t322\t“Jack Spicer stumbling along…”\n\t\t338\tMoving away from the are \n1. –away from the sea\n\t\t347\t2. \n\t\t355\t3.\n\t\t362\t“A transcription”\n\t\t378\t1.\t“The heart of it, North…” (on returning to Prince George)\n\t\t403\t2.\t“The heart is between us…”\n\t\t420\t“The girls you know…” (for Elbin Golden)\n\t\t452\tNew poems (“for all my friends”)\n\t\t455\t1.\t“The man wants power over animals…”\n\t\t462\t2.\t“Orpheus charming birds with his flute…”\n\t\t470\t3.\t“If love can span seasons…”\n\t\t476\t“Isis is physis…” (for Colin Stuart)\n\t\t497\t“Forest”\n\t\t511\t“Ursus horiblus” (grizzly bear)\n\t\t531\t“Orion”\n\t\t539\t“The World”\n\t\t557\tThe poet struck with his own vision\n\t\t565\t“Spring Song” (a poem helped along by Alan* Ginsberg)\n\t\t594\tEnd of Brian Fawcett’s reading"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555069186050,"timestamp":"2026-01-07T14:59:59.437Z","score":0.8611313},{"id":"6284","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. 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Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Coast is Only a Line: Weekend Conference/Festival at SFU on July 24, 1981 Session 2, part 1 of 2 #319"],"item_title_source":["J-card and inventory"],"item_title_note":["Liner notes: see the photo in the material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Zieroth, Dale","Mezei, Kathy","Fiamengo, Marya","Lane, Patrick","Zonailo, Carolyn","Potrebenko, Helen"],"creator_names_search":["Zieroth, Dale","Mezei, Kathy","Fiamengo, Marya","Lane, Patrick","Zonailo, Carolyn","Potrebenko, Helen"],"creators":["[{\"url\":\"http://viaf.org/viaf/48342759\",\"name\":\"Zieroth, Dale\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/115294489\",\"name\":\"Mezei, Kathy\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/75327116\",\"name\":\"Fiamengo, Marya\",\"dates\":\"1926-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/66513400\",\"name\":\"Lane, Patrick\",\"dates\":\"1939-2019\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/1419062\",\"name\":\"Zonailo, Carolyn\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/92400798\",\"name\":\"Potrebenko, Helen\",\"dates\":\"1940-2022\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/8139/Reading in BC_MsC199_319.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"SFU\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Clear case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"319-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:20\",\"precision\":\"\",\"size\":\"30.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"319-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:28\",\"precision\":\"\",\"size\":\"31.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-07-24\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555071283204,"timestamp":"2026-01-07T14:59:59.437Z","score":0.8611313},{"id":"6298","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Coast is Only a Line Series: P. K. Page reading her poetry at SFU on July 10, 1981 #336\t"],"item_title_source":["cassette and j-card"],"item_title_note":["Liner notes: see the photo in the material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Page, P. K.","Mandel, Eli","Vanel, Kurtis","Miki, Roy"],"creator_names_search":["Page, P. K.","Mandel, Eli","Vanel, Kurtis","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/59208470\",\"name\":\"Page, P. K.\",\"dates\":\"1916-2010\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Author\"]},{\"url\":\"http://viaf.org/viaf/59095399\",\"name\":\"Mandel, Eli\",\"dates\":\"1922-1992\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"no info in any directories, he was an SFU technician, also known as 'Doug Gysemen'\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]}]"],"contributors":["[]"],"Production_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/8143/Reading in BC_MsC199_336.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"SFU\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"336-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:25\",\"precision\":\"\",\"size\":\"45.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"336-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:03\",\"precision\":\"\",\"size\":\"31.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-07-10\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU Gallery\",\"notes\":\"The Art Gallery and IMC Studio at SFU\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6, Canada\",\"latitude\":\"122.9192\",\"longitude\":\"49.2787\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6, Canada"],"Venue":["SFU Gallery"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nTwo\t\t000\tRoy Miki introduces George Bowering\n\t\t013\tGeorge Bowering introduces Robin Blaser\n\t\t056\tRobin Blaser reads from Syntax\n\t\t074\t“The truth is laughter”\n\t\t135\t“Dreams – Jan. 1981”\n\t\t145\t“The truth is laughter”\n\t\t149\t“Tombstone”\n\t\t157\t“The truth is laughter”\n\t\t164\t“Image Nation 15”\n\t\t180\t“Image Nation 16 – Anaclytic variations”\n\t\t191\t“The truth is laughter”\n\t\t198\t“Alert d’or”\n\t\t210\t“The truth is laughter”\n\t\t230\t“The ceremony”\n\t\t240\t“Dreams, April 1981”\n\t\t266\t“Diary, April 11, 1981”\n\t\t296\t“The truth is laughter”\n\t\t304\t“Occasional thought”\n\t\t309\t“Image Nation 17 – Opercula”\n\t\t368\t“Graffito”\n\t\t372\t“The mystic east”\n\t\t405\t“Lake of souls” – Reading notes\n\t\t471\t“Song in four parts for Christ the Son”\n\t\t490\t“I think non[-sensically…”\n\t\t624\tFinishes\n"],"Note":["[{\"note\":\"This tape is a duplicate of the tape from the Roy Miki's collection \\\"P. K. Page reading her poetry at SFU Gallery on July 10, 1981\\\" (SWALLOW ID 9098)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670555073380352,"timestamp":"2026-01-07T14:59:59.437Z","score":0.8611313},{"id":"6302","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["P. K. Page  reading at SFU on November 25, 1974 tape 2 of 2 #454 tape 2"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Page, P. K."],"creator_names_search":["Page, P. K."],"creators":["[{\"url\":\"http://viaf.org/viaf/59208470\",\"name\":\"Page, P. 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Will begin with poems from Passing in the Storm\n\t\t312*\t“Know him for a white man…”\n\t\t226\t“After” (for Pat Lowther & John Newlove)\n\t\t240\t“Sleep is the Silence Darkness Takes” for Pat Lane’s father\n\t\t291\t“There was a woman bending…”\n\t\t278\t“For Rita In Asylum”\n\t\t337\t“The Huster”\n\t\t376\t“Chile”\n\t\t387\t“The Man”\n\t\t397\t“Her”\n\t\t414\t“Farmers”\n\t\t442\t“Unborn Things”\n\t\t468\t“The Carpenter”\n\t\t494\t“George”\n\t\t519\t“From the Hot Hills”\n\t\t561\t“Albino Pheasants”\n\t\t624\t“Thinking On That Contest”\n\t\t627\t“30 Miles in from the coast”\n\t\t647\t“Gerald”\n\t\t681\t“The Bird you Captured is Dead”\n\t\t697\t“Gray John”\n\t\t714\t“The Interior”\n\t\t731\t“Bunkhouse North”\n\t\t757\tRecording ends"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555073380356,"timestamp":"2026-01-07T14:59:59.437Z","score":0.8611313},{"id":"6306","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Poetry Reading at SFU: Tom McGauley and Paul Kelley on March 7, 1985 part 1 of 2  #376a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kelley, Paul","McGauley, Tom"],"creator_names_search":["Kelley, Paul","McGauley, Tom"],"creators":["[{\"url\":\"http://viaf.org/viaf/105702628\",\"name\":\"Kelley, Paul\",\"dates\":\"1951-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/104061105\",\"name\":\"McGauley, Tom\",\"dates\":\"1948-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1985],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"4 track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"White clear jewel case with J card\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/8514/Readings in BC_MsC199_376a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent \",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"White clear jewel case with J card\"}]"],"material_designations":["Reel to Reel","Cassette"],"physical_compositions":["Magnetic Tape","Magnetic Tape"],"recording_type":["Analogue","Analogue"],"AV_type":["Audio","Audio"],"playback_mode":["Stereo","Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"376a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:27\",\"precision\":\"\",\"size\":\"25.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"376a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:26:12\",\"precision\":\"\",\"size\":\"28.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-03-07\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["One\t\t000\tIntroduction\n\t\t012\tTom McGauley – reads a short story and a poem\n\t\t025\tReads the story first.  Untitled, dealing with a young boy and a murder\n\t\t330\tStory ends.  Tom introduces his second piece, gives the background – a Russian [Dhukobour] funeral\n\t\t408\tReads the Funeral poem\n\t\t563\tFinishes\n\t\t579\tPaul Kelley reads “Father time”\n\t\t633\t“A certain Jonathan”\n\t\t681\t“Jeu d’Enfants”\n\t\t729\tTape ends"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555074428930,"timestamp":"2026-01-07T14:59:59.437Z","score":0.8611313},{"id":"6308","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. 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He says a main job of Tish was to be a poetry newsletter, and to react against Prism\n\t\t493\tQuestions from audience – Kearns talks about the importance of poets working in groups, in a collective space\n\t\t549\tBowering says he used Williams as a model, and Kearns says Kerouac was his\n\t\t595\tBowering says that since Kerouac was not prestigious, they quoted Olson\n\t\t630\tKearns says the Tish poets were very derivative, but that Gilbert’s poetry was distinctly unique\n\t\t661\tGilbert talks about the Zen influence and aesthetic\n\t\t695\tBowering talks about the value of imitation as a learning tool\n\t\t709\tTape ends\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555075477504,"timestamp":"2026-01-07T14:59:59.437Z","score":0.8611313},{"id":"6319","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. 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The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 28 May and 1 June, 1989"],"item_title_source":["item and j-card"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Bromige, David","Gilbert, Gerry","Lander, Tim"],"creator_names_search":["Bromige, David","Gilbert, Gerry","Lander, Tim"],"creators":["[{\"url\":\"https://viaf.org/viaf/7436750/#Bromige,_David\",\"name\":\"Bromige, David\",\"dates\":\"1933-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/13554305/#Gilbert,_Gerry\",\"name\":\"Gilbert, 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The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 5 January, 1986"],"item_title_source":["item and j-card"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Gilbert, Gerry","McGauley, Tom","Gadd, Maxine","Hoffman, Avron"],"creator_names_search":["Gilbert, Gerry","McGauley, Tom","Gadd, Maxine","Hoffman, Avron"],"creators":["[{\"url\":\"http://viaf.org/viaf/13554305/#Gilbert,_Gerry\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"host\",\"nation\":[],\"role\":[\"Series 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The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Fred Wah Reading for SFU Class with Roy Miki on Vancouver Co-op Radio \"Prismatic\" Program, March 8, 1990 (Aired March 21, 1990)"],"item_title_source":["item, j-card, recording"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Miki, Roy"],"creator_names_search":["Wah, Fred","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939–\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1990],"Performance_Date":[1990],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7980/Fred Wah Fonds_MsC 17e_18.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from cassette (complementary copy)\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"j-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/_flysystem/fedora/2025-03/MSC17E-18-Service%20File.mp3\",\"file_path\":\"\",\"filename\":\"MSC17E-18-01.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:31\",\"precision\":\"\",\"size\":\"30.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://digital.lib.sfu.ca/unarchiving-margins/fred-wah-reading-sfu-class-roy-miki-vancouver-co-op-radio-prismatic-program\"}]"],"Dates":["[{\"date\":\"1990-03-08\",\"type\":\"Performance Date\",\"notes\":\"Date of reading event\",\"source\":\"j-card, recording\"},{\"date\":\"1990-03-21\",\"type\":\"Production Date\",\"notes\":\"Broadcast date\",\"source\":\"j-card, recording\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/7802936235#map=19/49.28180/-123.10236\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\"370 Columbia St. Vancouver BC V6A 4J1\",\"latitude\":\"49.2817999\",\"longitude\":\"-123.1020211\"},{\"url\":\"https://www.openstreetmap.org/way/102254132#map=15/49.2767/-122.9236\",\"venue\":\"SFU\",\"notes\":\"Building/room unknown\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.276709600000004\",\"longitude\":\"-122.91780296438841\"}]"],"Address":["370 Columbia St. Vancouver BC V6A 4J1","8888 University Dr, Burnaby, BC, Canada"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM","SFU"],"City":["Vancouver, British Columbia","Burnaby, British Columbia"],"content_notes":["Side 1: Reading ends at T00:22:00\nRecording ends at T00:27:05\n\nSide 2: Blank\n"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556052750336,"timestamp":"2026-01-07T15:00:00.367Z","score":0.8611313},{"id":"6947","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["bp Nichol reading from The Martyrology at SFU on July 8, 1983 Tape 3 of 3 - DUPLICATE 2 of 2"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George","Bowering, Angela","Wah, Fred","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Bowering, George","Bowering, Angela","Wah, Fred","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/93542147\",\"name\":\"Bowering, Angela \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\",\"Performer\"]}]"],"contributors":["[]"],"Production_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/6947/Fred Wah Fonds_MsC 17f_40.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-040-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:49:44\",\"precision\":\"\",\"size\":\"54.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-040-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:49:45\",\"precision\":\"\",\"size\":\"49.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-07-08\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"j-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tBegins reading “chain one”, through “chain two”, From Book 5 then “chain seven” which is a particular reading of Book 1 of The Martyrology\n\t\t217\tBegins at “chain one” again, Shifts at the bottom of page 2 to “chain three”\n\t\t578\tRecording ends\nTwo\t\t000\tFrom “Deconstruction” – “driving east on 60 through Algonguin Park” (The Martyrology Book 5)\n\t\t044\tFrom Book 6, second book – “The book of hours”\n\t\t068\tThe first hour.  “Met a physic on the road…”\n\t\t134\t“The Birth-Death Cycle” From “The Book of Hours” – hours 12, 13 and 14\n\t\t138\t“hour twelve” “order/sweet seduction of that odour”\n\t\t166\t“hour 13” “briefly the heart does break”\n\t\t188\t“hour 14” “Passages from death into life”\n\t\t234\tBeginning of the fifth book of Book 6\n\t\t\t“In the Plunket Hotel the stairs creak all night”\n\t\t297\tbp, George Bowering, Roy Miki and Sharon Thesen talk about the connection of bp’s work, and the idea of family, with the sacred"],"Note":["[{\"note\":\"Side A and B contain readings from select chains from Book 5 of The Martyrology. Side B contains a long conversation between bpNichol, Bowering, and numerous other unidentified speakers.\",\"type\":\"General\"},{\"note\":\"This tape is the duplicate of Fred Wah fonds \\\"bpNichol reading from The Martyrology at SFU on July 8, 1983 Tape 3 of 3 - DUPLICATE 1 of 2\\\" (SWALLOW ID 6945) and from Readings in BC collection: bpNichol reading from \\\"The Martyrology\\\" at SFU on July 8, 1983 part 3 of 3 #415 (SWALLOW ID 5665). Original not determined \",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670556238348289,"timestamp":"2026-01-07T15:00:00.560Z","score":0.8611313},{"id":"6949","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["bp Nichol reading for the Coast is Only a Line at Simon Fraser University on July 3, 1981"],"item_title_source":["J-card and Recording"],"item_title_note":["The content on this tape matches that of MsC 199.339a, (Reading in BC collection), so a title was created from this information in lieu of a photo of this tape itself (MsC 17.e.42)."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Wah, Fred","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Tallman, Warren","Wah, Fred","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Presenter\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/6949/Fred Wah Fonds_MsC 17 f_42.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-042-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:21\",\"precision\":\"\",\"size\":\"51 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-042-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:26\",\"precision\":\"\",\"size\":\"50 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"No content on this recording.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-07-03\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Recording\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/export#map=15/49.2767/-122.9182\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2877\",\"longitude\":\"-122.9430\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"This tape records the same event as The Readings in BC \\\"The Coast is Only a Line: B.P. Nichol Reading at the SFU Art Gallery on July 23, 1981 #339a\\\". Unlike 399, it does not contain a B side.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556239396864,"timestamp":"2026-01-07T15:00:00.560Z","score":0.8611313},{"id":"6957","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["bp Nichol reading from The Martyrology at SFU on July 8, 1983 Tape 1 of 3 - DUPLICATE 2 of 2"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Wah, Fred","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/6957/Fred Wah Fonds_MsC 17f_38.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-038-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:03\",\"precision\":\"\",\"size\":\"51 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-038-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:44\",\"precision\":\"\",\"size\":\"50.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-07-08\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tRoy Miki introduces bp\n\t\t020\tbbb p talks about the origins of The Martyrology\n\t\t045\tBegins reading from Book One – The geneology\n\t\t060\tFrom the chronicals of Narn\n\t\t070\tFrom the writings of St. And\n\t\t083\tMartyrology of St. And\n\t\t155\tScenes from the lives of the Saints\n\t\t234\tReads from “St. Reat and the 4 winds of the world” – 4th section of Book One\n\t\t286\tBeginning of Book 2. “Speech – each to each”\n\t\t292\tBook of Common Prayer\n\t\t373\tThe Clouds\n\t\t570\tEnds \nTwo\t\t000\t“It is the minute haunts you”\n\t\t030\t“This morning there are no clouds anywhere”\n\t\t059\tFrom the folk-tales of the Saints\n\t\t082\tSuns and divinations – 4th section of Book Two\n\t\t150\tFriends and footnotes – closing poem\n\t\t193\tBook Three – beginning – “Carrots, celery…”\n\t\t298\t“The book of Oz”\n\t\t366\t“Ellie and me”\n\t\t505\tEnds "],"Note":["[{\"note\":\"This tape is the duplicate of Fred Wah fonds \\\"bp Nichol reading from The Martyrology at SFU on July 8, 1983 Tape 1 of 3 - DUPLICATE 1 of 2\\\" (SWALLOW ID 6943) and from Readings in BC collection: bp Nichol reading from \\\"The Martyrology\\\" at SFU on July 8, 1983 part 1 of 3 #413 (SWALLOW ID 5663). Original not determined \",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670556240445444,"timestamp":"2026-01-07T15:00:00.560Z","score":0.8611313},{"id":"7009","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["bpNichol Fonds"],"source_collection_label":["bpNichol Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of correspondence, poems (including concrete, experimental and sound poem drafts), manuscripts (including drafts), notebooks, and journals of bp Nichol. Fonds includes records (1964-1987) of Nichol's presses, Ganglia and grOnk, consisting of manuscript files, correspondence files, mockups, business and reference files, computer discs, the authors poetry and comic book collections, photographs, television scripts, etc. Correspondents and contributors include Bill Bissett, Gerry Gilbert, Margaret Avison, Earle Birney, David Harris, David Phillips, David McFadden and others"],"collection_source_collection_id":["MsC 12"],"persistent_url":[""],"item_title":["bpNichol reading the Martyrology at SFU on July 23, 1981 #7"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P."],"creator_names_search":["Nichol, B.P."],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Speaker\",\"Donor\"]}]"],"contributors":["[]"],"Performance_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11799/bpNichol Fonds_MsC12_7.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"007 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:46\",\"precision\":\"\",\"size\":\"36.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"007 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:05\",\"precision\":\"\",\"size\":\"33.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-07-23\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"j-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/export#map=15/49.2767/-122.9182\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2884\",\"longitude\":\"-122.9430\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"contents":["This is a reading of Book 5 of the Martyrology. At multiple points in the reading Nichol re-reads certain verses in order to get them the way in which he wants them read. \n\nSide A\n0:00 - Introduction discussing the beginnings of this section of the Martyrology as based on the street names in the Annex or Toronto. He also mentions Fred Wah and his notion of \"place...rooted in a certain sense of language.\"\n1:05 -  Chain 1 from \"Book 5 of the Martyrology\" \n28:00 - At this point in the recording, the quality of the audio decreases and the sound waves become much wider, perhaps indicating that this tape was comprised of different recordings.\n\nSide B\nThis recording is a continuation of the former. Nichol finishes reading Chain 5 of Book 5 of the Martyrology and at one point speaks to a recordist. Toward the end of the tape he reads from TTA, Translating Translating Appolinaire.\n0:00 - from Chain 1 of Book 5\n0:27 - Nichol speaks to recordist\n0:38 - Chain 1 of Book 5\n7:50 - from Catulsis of TTA.\n8:30 - Poem 31 from TTA\n9:24 - Catulis 93\n9:48 - Catulis 91. Here Nichol also speaks directly to a Fred, presumably Fred Wah.\n10:35 - Catulis 111"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556251979779,"timestamp":"2026-01-07T15:00:00.560Z","score":0.8611313},{"id":"6943","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["bp Nichol reading from The Martyrology at SFU on July 8, 1983 Tape 1 of 3 - DUPLICATE 1 of 2"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Wah, Fred","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/6943/Fred Wah Fonds_MsC 17f_35.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-035-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:12\",\"precision\":\"\",\"size\":\"50.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-035-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:42\",\"precision\":\"\",\"size\":\"51.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-07-08\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tRoy Miki introduces bp\n\t\t020\tbp talks about the origins of The Martyrology\n\t\t045\tBegins reading from Book One – The geneology\n\t\t060\tFrom the chronicals of Narn\n\t\t070\tFrom the writings of St. And\n\t\t083\tMartyrology of St. And\n\t\t155\tScenes from the lives of the Saints\n\t\t234\tReads from “St. Reat and the 4 winds of the world” – 4th section of Book One\n\t\t286\tBeginning of Book 2. “Speech – each to each”\n\t\t292\tBook of Common Prayer\n\t\t373\tThe Clouds\n\t\t570\tEnds \nTwo\t\t000\t“It is the minute haunts you”\n\t\t030\t“This morning there are no clouds anywhere”\n\t\t059\tFrom the folk-tales of the Saints\n\t\t082\tSuns and divinations – 4th section of Book Two\n\t\t150\tFriends and footnotes – closing poem\n\t\t193\tBook Three – beginning – “Carrots, celery…”\n\t\t298\t“The book of Oz”\n\t\t366\t“Ellie and me”\n\t\t505\tEnds "],"Note":["[{\"note\":\"This tape is the duplicate of Fred Wah fonds \\\"bp Nichol reading from Martyrology at SFU on July 8, 1983 Tape 1 of 3 - DUPLICATE 1 of 2\\\" (SWALLOW ID 6957) and from Readings in BC collection: bp Nichol reading from \\\"The Martyrology\\\" at SFU on July 8, 1983 part 1 of 3 #413 (SWALLOW ID 5663). Original not determined\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670556460646409,"timestamp":"2026-01-07T15:00:00.772Z","score":0.8611313},{"id":"6944","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["bp Nichol reading from The Martyrology at SFU on July 8, 1983 Tape 2 of 3 - DUPLICATE 1 of 2"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Wah, Fred","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/6944/Fred Wah Fonds_MsC 17f_36.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-036-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:26\",\"precision\":\"\",\"size\":\"51.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-036-Side Bwav.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:59\",\"precision\":\"\",\"size\":\"51.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-07-08\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t-begins halfway through Book 3 part V\n\t\t\t“hot night/sleepless in bed/I drempt of nothing…”\n\t\t090\tBook 3, part VI “Snow across the prairies”\n\t\t171\t- skips over “INTERLUDE : Double Vision”, and most of part VII\n\t\t173\tReads the last two parts of part VII, beginning “how is it done how is it said”\n\t\t200\tPart VIII “gazing into the sky”\n\t\t424\t“CODA: Mid-Initial Sequence”\n\t\t526\tSide one ends\nTwo\t\t000\tbp beings reading Book 4\n\t\t\t“purpose is a porpoise/a conceit”\n\t\t366\tBook 4 ends"],"Note":["[{\"note\":\"This tape begins halfway through book number three, and he continues on from there.\",\"type\":\"General\"},{\"note\":\"This tape is the duplicate of Fred Wah fonds \\\"bpNichol reading from The Martyrology at SFU on July 8, 1983 Tape 2 of 3 - DUPLICATE 2 of 2\\\" (SWALLOW ID 6946) and from Readings in BC collection: bpNichol reading from \\\"The Martyrology\\\" at SFU on July 8, 1983 part 2 of 3 #414 (SWALLOW ID 5664). Original not determined \",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670556461694976,"timestamp":"2026-01-07T15:00:00.772Z","score":0.8611313},{"id":"6945","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["bp Nichol reading from The Martyrology at SFU on July 8, 1983 Tape 3 of 3 - DUPLICATE 1 of 2"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, Angela","Bowering, George","Wah, Fred","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Bowering, Angela","Bowering, George","Wah, Fred","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/93542147\",\"name\":\"Bowering, Angela \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/6945/Fred Wah Fonds_MsC 17f_37.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-037-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:31\",\"precision\":\"\",\"size\":\"48.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-037-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:00\",\"precision\":\"\",\"size\":\"49.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-07-08\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tBegins reading “chain one”, through “chain two”, From Book 5 then “chain seven” which is a particular reading of Book 1 of The Martyrology\n\t\t217\tBegins at “chain one” again, Shifts at the bottom of page 2 to “chain three”\n\t\t578\tRecording ends\nTwo\t\t000\tFrom “Deconstruction” – “driving east on 60 through Algonguin Park” (The Martyrology Book 5)\n\t\t044\tFrom Book 6, second book – “The book of hours”\n\t\t068\tThe first hour.  “Met a physic on the road…”\n\t\t134\t“The Birth-Death Cycle” From “The Book of Hours” – hours 12, 13 and 14\n\t\t138\t“hour twelve” “order/sweet seduction of that odour”\n\t\t166\t“hour 13” “briefly the heart does break”\n\t\t188\t“hour 14” “Passages from death into life”\n\t\t234\tBeginning of the fifth book of Book 6\n\t\t\t“In the Plunket Hotel the stairs creak all night”\n\t\t297\tbp, George Bowering, Roy Miki and Sharon Thesen talk about the connection of bp’s work, and the idea of family, with the sacred"],"Note":["[{\"note\":\"There is a conversation happening at the end of the second side, and some anonymous people's voices are heard.\",\"type\":\"General\"},{\"note\":\"bpNichol finishes reading books one to four on tapes #35 \\\"bp Nichol reading from The Martyrology at SFU on July 8, 1983 Tape 1 of 3 - DUPLICATE 1 of 2\\\" (SWALLOW ID 6943) and #36 \\\"bpNichol reading from Martyrology at Simon Fraser University on July 8, 1983 Tape 2 of 3 - DUPLICATE 1 of 2\\\" (SWALLOW ID 6944). \\n\\nbpNichol begins with a complete reading path, then continues with selected passages from different books from The Martyrology series.\",\"type\":\"General\"},{\"note\":\"This tape is the duplicate of Fred Wah fonds \\\"bp Nichol reading from The Martyrology at SFU on July 8, 1983 Tape 3 of 3 - DUPLICATE 2 of 2\\\" (SWALLOW ID 6947) and from Readings in BC collection: bp Nichol reading from \\\"The Martyrology\\\" at SFU on July 8, 1983 part 3 of 3 #415 (SWALLOW ID 5665). Original not determined \",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670556461694977,"timestamp":"2026-01-07T15:00:00.772Z","score":0.8611313},{"id":"7108","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Warren Tallman's tape for Adeena Karasick recorded at Red Wallbarrow on March 29, 1990 including Tallman reading aloud to Roy Miki a letter he is writing to invite guests to events for Robert Creeley in June 1990\n"],"item_title_source":["Recording and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Miki, Roy"],"creator_names_search":["Tallman, Warren","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"Warren Tallman reads the letter he'd written about Robert Creeley to Roy Miki at SFU. They also have a discussion regarding that letter afterwards\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1990],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11247/Warren Tallman Fonds_MsC 26.42_104.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-104-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:11\",\"precision\":\"\",\"size\":\"51.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-104-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:23\",\"precision\":\"\",\"size\":\"52.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1990-03-29\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"Warren Tallman reads his letter about Robert Creeley at Simon Fraser University \",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"},{\"url\":\"https://www.openstreetmap.org/way/298855107\",\"venue\":\"[Red Wallbarrow?]\",\"notes\":\"According to what Warren Tallman says in tape 60, [Red Wallbarrow?] is located at \\\"109, 88 East Pender Street, Vancouver, BC, [15L 1W7?] and named after William Carlos Williams by Warren Tallman. The Url we get for 88 East Pender Street, Vancouver, BC points to the current \\\"Vancouver Film School\\\". We are not sure, but this location could be the current Vancouver Film School in 88 E Pender.\\n\",\"address\":\"109, 88 East Pender Street, Vancouver, BC, [15L 1W7?]\",\"latitude\":\" 49.28018\",\"longitude\":\"-123.10266\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada","109, 88 East Pender Street, Vancouver, BC, [15L 1W7?]"],"Venue":["SFU","[Red Wallbarrow?]"],"City":["Burnaby, British Columbia","Vancouver, British Columbia"],"Note":["[{\"note\":\"As Warren Tallman states in the beginning of Side One, he records this tape for Adeena Karasick and plans to mail it to her address in Toronto. \\n\\nOn this tape he reproduces a conversation between he and Roy Miki the same day, at Simon Fraser University. Tallman reads Roy a letter he has been working on for invitees to events celebrating Robert Creeley, planned for early June, 1990. He begins reading with the salutation, \\\"Dear George [Bowering],\\\" but it seems to be a letter he will send to all invitees that is poetic in nature and reflects on Creeley's life. The letter continues until 15:42.\\n\\nRoy and Warren continue discussion of the invitation and events during Creeley's visit. Tallman debates speakers, \\\"Fred [Wah] and Pauline [Butling], George and Angela [Bowering],\\\" and Roy asks if they might collect photos of Creeley from the invitees. They also discuss the possibility of a feature in Miki's West Coast Line journal, which was published in Vol. 24, Iss. 3 (January 1990).\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556681895939,"timestamp":"2026-01-07T15:00:00.983Z","score":0.8611313},{"id":"7152","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. 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Gordon Goichi Nakayama, as a guest speakers. \\nOn this tape, Nakayama delivers a speech, sharing his insights, which is followed by a Q&A session where students engage with him. The session transitions into students asking Joy Kogawa questions about Itsuka (1992), the novel she read during the first part of the lecture.\",\"type\":\"General\"},{\"note\":\"This tape is a duplicate of Tape 25 (SWALLOW ID: 8588)\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557463085057,"timestamp":"2026-01-07T15:00:01.720Z","score":0.8611313},{"id":"8622","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Eli Mandel's English 360 Lecture at SFU on July 7, 1981 Part 1 COPY 1"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Mandel, Eli","Tallman, Warren","Miki, Roy"],"creator_names_search":["Mandel, Eli","Tallman, Warren","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/59095399\",\"name\":\"Mandel, Eli\",\"dates\":\"1922-1992\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"He is present \",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/8622/Roy Miki Fonds_MsC 161_53.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-53SideA\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:03\",\"precision\":\"\",\"size\":\"41.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-53SideB\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:45\",\"precision\":\"\",\"size\":\"41.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-07-07\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\" 8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2770\",\"longitude\":\"-122.9178\"}]"],"Address":[" 8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"At the start of side one, the speaker introduces herself, but due to poor audio quality, her name is difficult to discern. Following this, Roy Miki discusses the structure of the summer course, outlining that it includes both tutorials and lectures. He also explains the modifications made to the course for the current term.\\nIt seems, Eli Mandel and Warren Tallman will be leading the lectures. After Roy Miki, Eli Mandel takes the microphone to outline the four topics he plans to cover during his seminars. Once Mandel finished explaining about the structure of his class, he will clarify a few points about the assignments and the final evaluation and he begins his lecture \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557467279361,"timestamp":"2026-01-07T15:00:01.720Z","score":0.8611313},{"id":"8623","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Eli Mandel's English 360 Lecture at SFU on July 7, 1981 Part 2 COPY 1 "],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Mandel, Eli","Tallman, Warren","Miki, Roy"],"creator_names_search":["Mandel, Eli","Tallman, Warren","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/59095399\",\"name\":\"Mandel, Eli\",\"dates\":\"1922-1992\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"Eli Mandel calls Warren Tallman if he could hear him well, so he is present in the lecture \",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/8623/Roy Miki Fonds_MsC 161_54.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-54SideB\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:07\",\"precision\":\"\",\"size\":\"41.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-54SideA\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:47\",\"precision\":\"\",\"size\":\"40.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-07-07\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\" 8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2770\",\"longitude\":\"-122.9178\"}]"],"Address":[" 8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"Eli Mandel discusses the revisions he has made to the reading list for this term, outlining the sequence of readings he plans to follow for the remainder of the semester. 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Mandel also highlights the work of distinguished British Columbia and West Coast writers on side two.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557467279362,"timestamp":"2026-01-07T15:00:01.720Z","score":0.8611313},{"id":"8624","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Recorded University Lecture"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren"],"creator_names_search":["Tallman, 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poet sees red”"],"Note":["[{\"note\":\"This tape is an abridged duplicate of the tape from Readings in BC collection \\\"The Coast is Only a Line: Robert Kroetsch Reading at the SFU Art Gallery on July 28, 1981 #340\\\" (SWALLOW ID 5312)\\nThis tape also has some duplicate parts of tape 285 (SWALLOW ID 9100) \",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670558011490304,"timestamp":"2026-01-07T15:00:02.246Z","score":0.8611313},{"id":"9092","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Robert Kroetsch Reading at SFU on July 11, 1986 Side 5 and 6 "],"item_title_source":["cassette and 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dancing”\n\t\t096\tJuly 4 “Tea in the cool dawn”\n\t\t112\tJuly 5\n\t\t144\tJuly 6 “The Tong Museum”\n\t\t171\tJuly 7 “Here Where the silk route began”\n\t\t200\tJuly 8 “Up early to fly to Gwan-Jo”\n\t\t221\tJuly ? “Taking the train from Gwan-Jo to Hong-Kong”\n\t\t236\t“Delphi Commentary”\n\t\t500\tEnd of side one\nTwo\t\t000\t“the wind was a dry wind…” Delphi Commentary, continued\n\t\t050\t“The Frankfurt Haubt: Bannhoff” 1. “Keep an eye peeled for an ancestor”\n\t\t097\t“Grab a cab…”\n\t\t500\tEnd of side two\nThree\t\t109\t3. “Frankfurt Main”\n\t\t138\t5.“Notation, divination, augury”\n\t\t151\t6.“the immense sadness of travel”\n\t\t163\t7.“Notation is a set of instructions for reading in the future”\n\t\t177\t8.“Notation in Field Notes.  Barry, is the relation between the reader and the text”\n\t\t185\t9.“Notation is the double of the poem”\n\t\t202\t10.“I was in the main railway station”\n\t\t227\t11.“Like I mean out and in…”\n\t\t236\tSounding the Name. 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files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-07-17\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU Gallery\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU Gallery"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t001\tIntroduction by Warren Tallman\n\t\t034\tBissett chanting\n\t\t080\t“running down burrard street”\n\t\t105\t“sailor”\n\t\t111\t“th neatron bomb”\n\t\t124\t“th wunderfulness uv th mountees our secret police”\n\t\t148\t“arisin”\n\t\t185\t“yu sing”\n\t\t194\t“of th land divine service”\n\t\t206\t“I come from Halifax”\n\t\t212\t“beyond even faithful legends”\n\t\t255\t“awake in th red desert”\n\t\t282\t“let me tell yu a story uv how they met”\n\t\t348\t“carrying the torch”\n\t\t375\t“rain bow music”\n\t\t397\t“that great shootin gallery in the sky”\n\t\t408\t“th guy drivin round in” from plutonium missing\n\t\t415\t“oaoabaoadabaaogaoga” from awake in th red desert\n\t\t497\t“and the green wind is moving thru th summer trees”\n\t\t549\t“courting goes on forever”\n\t\t568\t“exposing th core”\n\t\t\t“ovr the edge”\n\t\t612\t“she wantid to get rid of it”\n\t\t621\t“when I first came to Vancouver”\n\t\t646\t“coyotes are fast movin”\n\t\t697\t“th birds in color”\n\t\t746\t“hun-nee”\nTwo\t\t001\tChanting yu want to walk with me through the forest\n\t\t\tCumin into me\n\t\t\tCumin into yu\n\t\t\tPoems from Northern Birds in Colour\n\t\t108\t“th ravens uv faro”\n\t\t216\t“Collingwood”\n\t\t368\t“I remember I was getting kinduv”\n\t\t424\t“keepin th fire goin”\n\t\t496\t“th last day”\n\t\t609\t“darling”\n\t\t633\t“northern birds in colour”"],"Note":["[{\"note\":\"This tape is a duplicate of the tape from the Readings in BC collection \\\"The Coast is Only a Line: Bill Bissett Reading at the SFU Art Gallery on July 17, 1981 #337\\\" (SWALLOW ID 5308)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670558012538884,"timestamp":"2026-01-07T15:00:02.246Z","score":0.8611313},{"id":"9100","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Robert Kroetsch Reading at the SFU Art Gallery on July 28, 1981 DUPLICATE 2 OF 2"],"item_title_source":["cassette and 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lemon”\n\t\t225\t“The criminal intensities of love as paradise”\n\t\t326\tSelections from “Seed catalogue”\n\t\t534\tFrom “The sad Phoenician”\n\t\t\t“a to g,” “The silent poet eats his words”\nTwo\t\t\tFrom Field notes\n\t\t000\t“Stone hammer poem”\n\t\t115\tSelections from “Seed catalogue”\n\t\t211\t“Sketches of a lemon”\n\t\t296\tFrom “The criminal intensities of love as paradise”\n\t\t\t‘Bear story with or without bear’\n\t\t\t‘And dreamers, even then, if dreaming’\n\t\t365\t“How I joined the seal herd”\n\t\t522\t“The silent poet sees red”"],"Note":["[{\"note\":\"This tape is a duplicate of the tape from the Readings in BC collection \\\"The Coast is Only a Line: Robert Kroetsch Reading at the SFU Art Gallery on July 28, 1981 #340\\\" (SWALLOW ID 5312);\\nA part of tape 276 (SWALLOW ID 9091) in this collection is also a duplicate of this tape\",\"type\":\"Related 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days”\n\t\t215\t“Annie of the Corridors”\n\t\t250\t“Wispering Chester”\n\t\t268\t“The Last Living Room”\n\t\t288\t“Boat House”\n\t\t311\t“Brawls”\n\t\t\tPOEMS FROM THE INTERIOR\n\t\t353\t“The Guests”\n\t\t373\t“No Breeze on Lake Louise”\n\t\t390\t“The Abandoned Alexandra bridge”\n\t\t413\t“Hell’s Gate”\n\t\t430\t“Grindrod”\n\t\t\tMISCELLANEOUS POEMS\n\t\t465\t“In the Church Yard”\n\t\t494\t“Overhead Crane”\n\t\t540\t“Outhouse”\n\t\t577\t“Not-so-still life with Damp Beer Tables”\n\t\t590\t“Outside the Courtroom”\n\t\t621\t“The East End Toronto Railroad Insomnia Blues”\n\t\t659\t“A Pay with Big Dutch”\n\t\t705\t“The Popcorn Man’\n\t\t754\t“Kisses in the whiskey” ded. To Tom Waits\n\t\t805\t“Requirements”\nTwo\t\t007\tIntroduction by Peter Trower – “These poems are from a new manuscript called Music Against Midnight”\n\t\t012\t“The ghosts”\n\t\t070\t“Goose quill snags”\n\t\t111\t“Sailor”\n\t\t167\t“The million glitter”\n\t\t205\t“Where roads lead”\n\t\t260\t“Driftwood”\n\t\t309\t“The gathering”\n\t\t406\t“The beginning again”\n\t\t453\t“The storm riders”\n\t\t502\t“Boondocks”\n\t\t619\t“Kingdom of rust”\n\t\t673\t“The crippled girl”\n\t\t720\t“Windworld”\n\t\t774\t“A man goes mad with logging”\n\t\t871\t“The peaks”\n\t\t948\tEnd of tape"],"Note":["[{\"note\":\"This tape is a duplicate of the tape from the Readings in BC collection \\\"\\nThe Coast is Only a Line: Peter Trower Reading at the SFU Art Gallery and the IMC studio on July 31, 1981 #342\\\" (SWALLOW ID 5315)\",\"type\":\"Related 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Poetry is a language used to describe that which lies beyond language – Warren Tallman gives a little talk himself.  Questions audience about Royal Wedding.  Once again introduces Eli Mandel and Frank Davey\n\t\t123\tEli Mandel introduces his “Anima poems” written for his wife, Ann, and discusses the nature of his reading and the fact that his poetry concerns magic and fantasy.\n\t\t\tFour kinds of fantasy (Journey through time, Doppelganger, Double story and Story within story)\n\t\t171\t“Four Kinds of fantasy” prose piece by Martin Avery\n\t\t201\tEli describes a dream he recently had.  He woke up aware of himself as nothing more than a number\n\t\t240\tReintroduces the ‘Anima poems” and discusses ‘courtship’ of his wife\n\t\t248\tQuestions Anima figure\n\t\t252\t“The moon in all her phases”\n\t\t265\t“Woodbine”\n\t\t279\t“Listen the sea”\n\t\t299\t“Marina”\n\t\t335\t“Notes from the underground”\n\t\t380\tDiscusses Anima poetry as sexist.  Introduces “The return”\n\t\t420\tQuestions audience about Dr. Hoffer and his work with LSD\n\t\t440\t“The return”\n\t\t470\t“Petroglyphs at Saint Victor” introduction\n\t\t490\t“Petroglyphs at Saint Victor”\n\t\t539\tEli begins discussion of what it is to live and work within Academia, and the discrimination women face in this field.  A general discussion of discrimination in the university context\n\t\t870\tGeneral discussion of Anima to end of tape\nTwo\t\t000\tContinuation of general discussion of Anima and double\n\t\t025\tEli tells his double story\n\t\t115\tDiscusses meaning of double\n\t\t124\tQuestions from audience\n\t\t144\t“Instructions on the nature of Doubles and Doubling”\n\t\t174\t“The Doppelganger, ways to prevent me” (The double speaking)"],"Note":["[{\"note\":\"This tape is a duplicate of the tape from the Readings in BC collection \\\"\\nThe Coast is Only a Line: Eli Mandel Reading at SFU on July 31, 1981 #347\\\" (SWALLOW ID 5322)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670558016733186,"timestamp":"2026-01-07T15:00:02.246Z","score":0.8611313},{"id":"9128","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds 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1.\n\t\t171\t2. “As my father used to say…”\n\t\t173\t3. “I went and looked at Francis Ponge’s poem…”\n\t\t175\t4.“Sketches, I reminded myself”\n\t\t181\t5.“What about oranges?”\n\t\t184\t6. “Smaro is rolling a lemon on the breadboard”\n\t\t188\t7.“I had a very strong desire”\n\t\t190\t8.“I bought a second-hand car”\n\t\t191\t9.“If someone asked me”\n\t\t194\t10.“The lemon cure”\n\t\t197\t11.“Poem for a child who has just bit into”\n\t\t203\t12.“This hour is shaped like”\n\t\t207\t“The Criminal Intensities of Love as Paradise” ‘Morning’, Jasper Park’\n\t\t220\t‘Fire & Pan’\n\t\t233\t‘Breakfast, After, & Looking’\n\t\t244\t‘Standing Near a Waterfall’\n\t\t258\t‘Salt of Ocean Sea, of Tears”\n\t\t270\t‘Awoken and, Again, Hungry, Again’\n\t\t279\t‘Into Town’\n\t\t290\t‘Post Card to a Hillside’\n\t\t299\t‘Nude Swimmers in Late Afternoon’\n\t\t313\t‘Campsite, Home, Away From’\n\t\t324\t‘Bear Story with or without Bear’\n\t\t341\t‘And Dreamers, Even Thou, if Dreaming’\n\t\t363\t“Advice to my friends,” 1.\n\t\t377\t2. “To Eli Mandel, Setting his new alarm”\n\t\t392\t3. “To the Wahs, on the Kootenay River”\n\t\t408\t4. “Slocan Valley, July 17”\n\t\t424\t5. “Listening to the Radio, for Michael Ondaatje”\n\t\t440\t6.“Reading it in the Comics, for bp”\n\t\t456\t7. “The Bridegroom rises to speak”\n\t\t474\t8. “Wedding Dance, country style”\n\t\t493\t9. “Philosophy of composition, for Paul Thompson”\n\t\t512\t10. “Back in the spring of ’76, for Laurie Racoux”\n\t\t533\t11.“Laurie Racoux waiting to present a paper…”\n\t\t552\t12.“Late fall drive, for Berna Barclay”\n\t\t574\t13. “November 9, 1983, for Robert Hillas”\n\t\t597\tEnd of Side One\nTwo\t\t000\t14. “I find myself reading the old guys now”\n\t\t014\t15. “For Doug James: The Explanation”\n\t\t022\t16. “Seeing the Bear”\n\t\t028\t17. “Having a word with Columbus”\n\t\t037\t18. “Four questions for George Bowering”\n\t\t047\t19. “Stairway, for Giovanna Capon”\n\t\t056\t20. “A ritual for one”\n\t\t066\t“Mile Zero” 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He then reads and talks about several poems from his book Selected Poems: Particular Accidents\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558212816900,"timestamp":"2026-01-07T15:00:02.444Z","score":0.8611313},{"id":"9318","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["George Bowering reading poetry at SFU on August 4 and 5, 1981"],"item_title_source":["Cassette and J-card "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George","Tallman, Warren","Vanel, Kurtis","Miki, Roy"],"creator_names_search":["Bowering, George","Tallman, Warren","Vanel, Kurtis","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Vanel, Kurtis \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"Roy Miki is heard on side B\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/9318/Roy Miki Fonds_MsC 161_346.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-346_Side-A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:51\",\"precision\":\"\",\"size\":\"42.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-346_Side-B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:51\",\"precision\":\"\",\"size\":\"42.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-08-04\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1981-08-05\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU Gallery and Studio \",\"notes\":\"\",\"address\":\" 8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2770\",\"longitude\":\"-122.9178\"}]"],"Address":[" 8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["SFU Gallery and Studio "],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"George Bowering's reading at SFU concludes at 7:20 on Side B, after which he begins reading poetry from Selected Poems: Particular Accidents. 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Two dates are listed on the J-card, making it unclear which corresponds to which recording; therefore, the exact recording dates for each side remain unknown\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558213865475,"timestamp":"2026-01-07T15:00:02.444Z","score":0.8611313},{"id":"9371","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Poetry Seminar with George Bowering, bpNichol, Daphne Marlatt, and Roy Miki at SFU on July 21, 1982 Part 3 of 3"],"item_title_source":["Cassette and J-card "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George","Miki, Roy","Vanel, Kurtis","Marlatt, Daphne","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Bowering, George","Miki, Roy","Vanel, Kurtis","Marlatt, Daphne","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Vanel, Kurtis \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1982],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/9371/Roy Miki Fonds_MsC 161_347.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-347_Side-A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:26\",\"precision\":\"\",\"size\":\"21.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-347_Side-B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:21\",\"precision\":\"\",\"size\":\"21.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-07-21\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU Pub Seminar Room\",\"notes\":\"\",\"address\":\" 8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2770\",\"longitude\":\"-122.9178\"}]"],"Address":[" 8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["SFU Pub Seminar Room"],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"This tape is related to Tape 142 in the collection, which features bpNichol reading from The Martyrology Book 6 at SFU on July 21, 1982. Given the matching date and bpNichol’s presence on all recordings, Tapes 347, 348, and 349 are connected to Tape 142\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558213865476,"timestamp":"2026-01-07T15:00:02.444Z","score":0.8611313},{"id":"9580","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Poetry Seminar with George Bowering, bpNichol, Daphne Marlatt, and Roy Miki at SFU on July 21, 1982 Part 2 of 3"],"item_title_source":["Cassette and J-card "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George","Miki, Roy","Vanel, Kurtis","Marlatt, Daphne","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Bowering, George","Miki, Roy","Vanel, Kurtis","Marlatt, Daphne","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Vanel, Kurtis \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1982],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/9580/Roy Miki Fonds_MsC 161_348.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-348_Side-A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:56\",\"precision\":\"\",\"size\":\"28.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-348_Side-B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:56\",\"precision\":\"\",\"size\":\"28.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-07-21\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU Pub Seminar Room\",\"notes\":\"\",\"address\":\" 8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2770\",\"longitude\":\"-122.9178\"}]"],"Address":[" 8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["SFU Pub Seminar Room"],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"This tape is related to Tape 142 in the collection, which features bpNichol reading from The Martyrology Book 6 at SFU on July 21, 1982. Given the matching date and bpNichol’s presence on all recordings, Tapes 347, 348, and 349 are connected to Tape 142\\n\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558213865477,"timestamp":"2026-01-07T15:00:02.444Z","score":0.8611313},{"id":"9581","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Poetry Seminar with George Bowering, bpNichol, Daphne Marlatt, and Roy Miki at SFU on July 21, 1982 Part 1 of 3"],"item_title_source":["Cassette and J-card "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George","Miki, Roy","Vanel, Kurtis","Marlatt, Daphne","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Bowering, George","Miki, Roy","Vanel, Kurtis","Marlatt, Daphne","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Vanel, Kurtis \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1982],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/9581/Roy Miki Fonds_MsC 161_349.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-349_Side-A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:17:48\",\"precision\":\"\",\"size\":\"16.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-349_Side-B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:18:15\",\"precision\":\"\",\"size\":\"16.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-07-21\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU Pub Seminar Room\",\"notes\":\"\",\"address\":\" 8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2770\",\"longitude\":\"-122.9178\"}]"],"Address":[" 8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["SFU Pub Seminar Room"],"City":["Burnaby, British Columbia"],"Note":["[{\"note\":\"This tape is related to Tape 142 in the collection, which features bpNichol reading from The Martyrology Book 6 at SFU on July 21, 1982. Given the matching date and bpNichol’s presence on all recordings, Tapes 347, 348, and 349 are connected to Tape 142\\n\",\"type\":\"General\"},{\"note\":\"The quality of side B is quite poor, and it is not audible \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558213865478,"timestamp":"2026-01-07T15:00:02.444Z","score":0.8611313},{"id":"9631","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Blank. Cindy Mochizuki at the Vancouver Conference at SFU Harbour Centre on November 1, [2003?] Tape 3 of 3"],"item_title_source":["Cassette and J-card "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Mochizuki, Cindy"],"creator_names_search":["Mochizuki, Cindy"],"creators":["[{\"url\":\"http://viaf.org/viaf/102853796\",\"name\":\"Mochizuki, Cindy\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"contributors":["[]"],"Production_Date":[0],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/9631/Roy Miki Fonds_MsC 161_361.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-361_Side-A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:23\",\"precision\":\"\",\"size\":\"62.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-361_Side-B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:45\",\"precision\":\"\",\"size\":\"62.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"[2003?]-11-01\",\"type\":\"Production Date\",\"notes\":\"Two different dates are written on the J-card, so we're unsure whether the conference took place in 2002 or 2003. The tape is also blank, which makes it difficult to investigate further or confirm the correct date\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU Harbour Centre\",\"notes\":\"\",\"address\":\" 8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2770\",\"longitude\":\"-122.9178\"}]"],"Address":[" 8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["SFU Harbour Centre"],"City":["Burnaby, British Columbia"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670558215962632,"timestamp":"2026-01-07T15:00:02.444Z","score":0.8611313},{"id":"9635","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Mari-Lou Rowley reading at Roy Miki's English 105 Lecture at SFU on March 22, 2006"],"item_title_source":["Cassette and J-card "],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Rowley, Mari-Lou","Miki, Roy"],"creator_names_search":["Rowley, Mari-Lou","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/51395082\",\"name\":\"Rowley, Mari-Lou\",\"dates\":\" 1953-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-\",\"notes\":\"Mari-Lou Rowley reads in Roy Miki's class\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[2006],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/9635/Roy Miki Fonds_MsC 161_362.jpg\",\"other\":\"\",\"extent\":\"1/8 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well as portions of Roy Miki’s and George Bowering’s readings. Additionally, Frank Davey’s reading is not included. Side one of this tape duplicates the segment from 12:44 to 25:11 on side one of tape 151.\\n\",\"type\":\"General\"},{\"note\":\"Side two of this tape is a partial duplicate of tape 155 (Swallow ID 8963) in this collection (Roy Miki); however, it is not a complete copy, as it omits Steve McCaffery’s and Irene Niechoda's readings.\\nSide two of this tape duplicates the first 29:35 on side one of tape 155.\\n\\nWe hear the missing parts on this tape on tape 380 \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558219108353,"timestamp":"2026-01-07T15:00:02.444Z","score":0.8611313},{"id":"9982","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Robert 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\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558220156928,"timestamp":"2026-01-07T15:00:02.444Z","score":0.8611313},{"id":"9983","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Renate Shearer Human Rights Award Ceremony in 1989 and Robert Kroetsch in discussion with Roy Miki in English 804 Lecture at SFU Pub Seminar Room on June 21, 1990 Tape 2 of 2"],"item_title_source":["Cassette and J-card "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kroetsch, Robert","Bowering, George","Niechoda, Irene","[Lambertson?], 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A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:35\",\"precision\":\"\",\"size\":\"44.7 GB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-385 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:41\",\"precision\":\"\",\"size\":\"44.8 GB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1990-06-21\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1989\",\"type\":\"Production Date\",\"notes\":\"Renate Shearer Human Rights Award 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