[{"id":"5350","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Cesar Vallejo: Trilce: Clayton Eshleman at SFU on February 28, 1992 part 1 of 2 #743"],"item_title_source":["cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Vanel, Kurtis","Eshleman, Clayton"],"creator_names_search":["Vanel, Kurtis","Eshleman, Clayton"],"creators":["[{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/79046419\",\"name\":\"Eshleman, Clayton\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1992],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1217/Reading in BC_MsC199_743.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:57:00\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"743-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:41\",\"precision\":\"\",\"size\":\"33.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"743-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:30\",\"precision\":\"\",\"size\":\"31.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1992-02-28\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"Note":["[{\"note\":\"the length of the digital file's side 1 is T00:30:37 and side 2 is T00:30:34, but the performance only takes 24 minute on side 1 and 28 minute on side 2 and the rest of audio is empty \",\"type\":\"\"},{\"note\":\"Liner Notes:\\nClayton Eshleman\\nFriday February 28 1992, SFU\\npart I\\nside 1: 24 minute\\nside 2: 28 minute\\nrecorded by Kurtis Vanel\\nDOLBY B\\n10:30 am-12:20 pm/ AQ5017\\nSpanish and Latin American studies. prof. Clayton Eshleman, English, Eastern Michigan U., discusses Cesar Vallejo: Trilce: a talk on the book and a bilingual reading in honor of the 100th Anniversary of Vallejo’s birth in Peru; and a short paper on the difficulties of translating Vallejo’s poetry\\n#743\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553054871552,"timestamp":"2026-01-07T14:59:57.525Z","contents":["Side\tTrack\tNo.\tComments\n\t\t\tTitle: Cesar Vallejo : Trilce : a talk on the book and a bilingual reading in honor of the 100th Anniversary of Vallejo’s birth in Peru; and a short paper on the difficulties of translating Vallejo’s poetry\nOne\t\t019\tTape starts halfway through Eshleman’s introductory comments\n\t\t036\tIntroduction to Eshleman’s Selected Poems 1960-1983 – “a bad translation is the insistent voice of the translator”.  Eshleman’s first experience with the “translator’s ego” was with Ben Belitt’s translation of Garcia Lorca’s Poet in New York in 1959.  Garcia’s last line in his poem, “La Aurora” was changed from “the shipwreck of blood” to “a bloody disaster”.  Belitt’s use of English slang effaced Lorca’s\n\t\t080\tBlood. In Belitt’s Lorca and Neruda translations, we hear the translator/poet’s own mannerisms, leaking into the meaning of the original texts.  A colonization of these poets’ terrain\n\t\t090\tThis colonization has sombre repercussions, especially in the case of a “first world” translator and a “third world” writer.  The translator implies that his mind is superior to the mind of the original text\n\t\t102\tBelitt’s translation seems more monolithic and damaging than that of other translators, says Eshleman.  Robert Lowell dropped 10 of Rimbaud’s 25 stanzas in translation for Le Bateau Ivre, (a presumption that only two thirds of this great French poem is worth carrying over to English).  Eshleman discusses further problems with translators\n\t\t112\tEshleman discusses his own ego impositions in his 1968 translation of Vallejo’s poetry\n\t\t116\tThe particular poem he discusses deals with Vallejo’s failure to connect with his wife.  Eshleman recounts the difficulties in gaining permission from Vallejo’s wife to translate his poetry, and admits the poem (Es una Historia) took on the symbolic weight of his frustration with her, resulting in his inappropriate rendition of the last line\n\t\t143\tHow might a translator work to resist ego imposition or translator imperialism?  There is no such thing as a literal translation and denotative choices comes up in every line\n\t\t155\tDiscusses translation of Martinique poet Aimē Cesaire, and work of denotative choices through text or dead author’s background\n\t\t169\tIn the 1969 Berger Bostock translation, Notebook of Return to the Native Land, Eshleman discusses incorrect translation of word for cove, and consequent misreading of the poem\n\t\t180\tEshleman explains his process for avoiding errors, through consultation with Spanish scholars, etc. and by respecting occasional misspellings, line and stanza breaks, and by rendering Vallejo’s obscurity and flatness as well as his brilliance\n\t\t189\tHis process also allows Vallejo’s influence to enter his own poetry, to allow his imaginings of Vallejo to be incorporated into his own work rather than allowing them to spill into Vallejo’s text\n\t\t214\tEshleman reveals his secondary motivations of wanting to translate certain poets to allow their work and knowledge of poetics to fuel that of Eshleman’s.  He discusses Vallejo’s influence on his own work\n\t\t236\tDiscussion ends (Part I)\n\t\t239\tDiscussion of the book Trilce.  Eshleman refers audience to a 30-page essay on Trilce that will be part of a book (to be published Fall 92) by Marsilio in New York City, introduction by Americo Ferrari (Bilingual, including 30 pages of notes on difficult words & phrases in the poems.  Eshleman’s discussion on the meaning of Trilce is brief\n\t\t246\tFirst edition came out in 1918, and second edition from Madrid in 1930.  Crucial differences in each edition and Eshleman describes problems with texts because of Vallejo’s failure to read the galleys\n\t\t250\tDiscusses disagreement over translations between Julio Ortega and himself, and process for translating from the 1918 edition, eg. keeping many misspellings as intentional and the 1918 edition as the original text\n\t\t266\tEffects on Trilce of various events in Vallejo’s life eg. His mother’s death in 1958 and five poems concerning his childhood that act as pillars supporting the body of poems\n\t\t276\tMany love poems and sex poems involving a number of women. Poem #9 representative of very explicitly sexual expression for Peru of the 1920’s.  *[Ofelia] Villaneueva’s story as Vallejo’s girlfriend and subsequent poems wound in with Mother theme\n\t\t305\tThe third big item in the production of Trilce is Vallejo’s imprisonment in northern Peru.  Vallejo severely revised earlier poems written for Trilce.  Aspejo attributes to this prison experience, the inspiration of the breakdown and new form of the sonnet which was difficult to read and expressing a new creative force in Vallejo\n\t\t327\tDiscusses the problem of the Trilce title\n\t\t346\tThe poem, “Trilce”, written in Europe, belongs in no volume.  The poem treats Trilce as a place in the world which one knows and is always approaching, an eerie sort of paradise\n\t\t357\tCredit is due to Englishman Henry Gifford who translated with Charles Tomlinson in the early ‘70’s and credits the title, Trilce with numerical meaning.  Eshleman gives evidence from a later found poem to support Gifford’s idea that Trilce comes from the numbers trillion and thirteen\n\t\t384\tSide One Ends\nTwo\t\t009\tSide Two Begins.  Eshleman discusses various hints throughout Trilce that support this reading of the trite\n\t\t036\tTrilce is full of burned bridges, and models of what is elsewhere burned.  The most striking writing in Trilce anticipates American projective verse, and the more recent language poetry, by a number of decades\n\t\t057\tThe major psychological pressure in the poems is that of sex and death\n\t\t069\tTo the banner year of 1922 and international modernism, Trilce can be added with a number of poems Eshleman lists\n\t\t078\tEshleman says his translational intent has been to respect Vallejo’s text with no attempts to improve or outwit it : to research all rare and technical words, and translating them instead of explaining them; and to bring the English up to Vallejo’s performance level in Spanish\n\t\t093\tIntroduction to Trilce poems, one through ten by Eshleman\n\t\t101\tIntroduction is made by late arriving instructor about Eshleman’s work\n\t\t118\tBrief discussion over who will read poems in Spanish.  Students who have been working on translations will read Spanish versions\n\t\t131\tStudents will read a poem in Spanish and alternate with Eshleman’s reading of the translation\n\t\t135\tReading in Spanish of poem 1\n\t\t147\tEshleman English translation\n\t\t159\tProfessor asks Professor Jorge Garcia to read the second poem\n\t\t161\tJorge Garcia reads #2\n\t\t170\tEshleman reads #2\n\t\t189\tStudent reads #3\n\t\t209\tEshleman explains relationship of 3 children in #3 to Vallejo.  Santiago is the bell-ringer who is blind.  Notes the difference between Trilce #3 and #4 as if someone else had written it\n\t\t217\tEshleman translates #3\n\t\t238\tJorge Garcia reads #4\n\t\t250\tEshleman reads English version of #4\n\t\t268\tStudent reads #5\n\t\t280\tEshleman reads English version of #5\n\t\t295\tStudent reads #6\n\t\t309\tEshleman reads translation #6\n\t\t327\tJorge Garcia reads #7\n\t\t337\tEshleman notes on opium or “high” consciousness to #7 – notes Vallejo’s use of brothels & feel of danger within #7 that could be related to his adventures\n\t\t347\tEshleman reads translation of #7\n\t\t362\tStudent reads #8\n\t\t369\tEshleman translates\n\t\t380\tTape 1, ends mid-verse"],"score":3.934999},{"id":"5708","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robin Blaser, bp Nichol, Sharon Thesen in Poetry and the sacred at SFU on July 6th, 1983 tape 1 of 2 #425"],"item_title_source":["J-card and inventory"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Blaser, Robin","Nichol, B.P.","Thesen, Sharon","Vanel, Kurtis","Miki, Roy"],"creator_names_search":["Blaser, Robin","Nichol, B.P.","Thesen, Sharon","Vanel, Kurtis","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"bp Nichol\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/115694373\",\"name\":\"Thesen, Sharon\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"no info in any directories, he was an SFU technician, also known as 'Doug Gysemen'\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy \",\"dates\":\"1942-2024\",\"notes\":\"He does the introduction part\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6007/Reading in BC_MsC199_425.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"425-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:41:35\",\"precision\":\"\",\"size\":\"62.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"425-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:10\",\"precision\":\"\",\"size\":\"40.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-07-06\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"The location is mentioned in inventory \",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t002\tIntroduction to the topic by Roy Miki\n\t\t049\tThe Sacred: “The disappearance of the sacred is tied to the birth of its necessity…”; Miki quotes relevant lines from H.D. and Gertrude Stein\n\t\t065\tGod died in the 19th century, but only that God dies who is removed from his creation\n\t\t080\tThe 20th century obsessive drive to de-sacrilize the World, relegate ritual to a “dead” past history…\n\t\t110\tSharon Thesen talks about the deanimation and reanimation of the World\n\t\t120\tThe epigraph of Thesen’s prepared statement on Poetry and the sacred: “Big Science… Hallelujah!” – Laurie Anderson\n\t\t130\tIssues of the sacred in these final years of the 20th century\n\t\t138\t“To what extent is poetry, then, the repository of the sacred in our time?”\n\t\t157\t“…the sacred is involved when poetry enacts or experiences limitation…”; both poetry and the language of religion express the limits of our understanding of our own experience.\n\t\t184\t“…the sacred inhabits the realm of what we call meaning and language is a trespass into this realm.”\n\t\t204\t“There is no form in scientific ideology… only method and results!  Poetry’s procedures mirror… the language of our apprehension of all creation… the interpenetration of flesh and spirit, one –and many, word and love, the feminine source of both.”\n\t\t223\tPoetry has to contend with the minute scrutiny of science, Thesen feels that it will\n\t\t240\tBp Nichol talks about the effects of the sacred and of faith on his own poetry\n\t\t442\tSide one ends\nTwo\t\t003\tRobin Blaser introduces his approach to the topic: an anthology of writing on the sacred\n\t\t018\tThe “God is dead” argument; Blaser reads second chapter of first book of Thus Spake Zarathustra\n\t\t060\tThe deconstruction of the Western tradition of humanism, and the peculiarities of the reconstruction; Blaser reads a passage from Faucault\n\t\t082\tThe etymology of the word “sacred”\n\t\t089\tAll men and women respond to a cosmology, it is the job of poetry to build this cosmos.  The structuralist movement was mistaken in trying to separate poetry from myth, and in continuing the battle between science and poetry\n\t\t114\tReads from Philip Rieff’s Triumph of the Therapeutic\n\t\t134\tReads a passage by Octavio Paz, on contemporary Marxist thought\n\t\t198\tDiscusses and reads from Rene Girard’s book Violence and the Sacred (sacrifice is necessary to “hold down” and hide human violence)\n\t\t316\tSide two ends\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553751126018,"timestamp":"2026-01-07T14:59:58.173Z","score":3.934999},{"id":"5709","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robin Blaser, bp Nichol, Sharon Thesen in Poetry and the sacred on at SFU July 6th, 1983, tape 2 of 2 #426"],"item_title_source":["J-card and inventory"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Blaser, Robin","Nichol, B.P.","Thesen, Sharon","Vanel, Kurtis"],"creator_names_search":["Blaser, Robin","Nichol, B.P.","Thesen, Sharon","Vanel, Kurtis"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"bp Nichol\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/115694373\",\"name\":\"Thesen, Sharon\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"no info in any directories, he was an SFU technician, also known as 'Doug Gysemen'\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6008/Reading in BC_MsC199_426.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"426-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:17\",\"precision\":\"\",\"size\":\"38.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"426-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:57\",\"precision\":\"\",\"size\":\"40.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-07-06\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"The location is mentioned in inventory \",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t002\tRobin Blaser continues his lecture; reads a quotation for Guy Davenports’ The Geography of the Imagination\n\t\t111\tReads a passage on the state of modern science from Ruth Nanda Anshen’s essay “Convergence” (in Bernard Lovell’s Emerging Cosmology)\n\t\t026\tReads a passage by Michel Serres on knowledge\n\t\t065\tBlaser’s lecture ends; the panel begins an open discussion.  Sharon Thesen expresses an initial repulsion at the idea of convergence (of mind and matter).  Blaser responds\n\t\t114\tQuestion from the floor to the panel about the “slippage” between the very abstract notions of the sacred, and those notions derived from Social institutions which deal with the sacred… bp Nichol responds\n\t\t146\tBp Nichol is asked about whether there is any relationship between his view of the sacred and his work at Therfields; he responds\n\t\t203\tBp Nichol responds to a question about how he views the relationship between the family and the sacred\n\t\t257\tA question about the distinction between the sacred and the divine; the panel responds\n\t\t393\tQuestion about birth and death and their relationship to the sacred; Roy Miki and Robin Blaser respond, discussing how the certitude of death has affected poetry and contemporary attitudes toward the family.  Blaser begins to relate the yearning for family with the yearning for love\n\t\t473\tSide one ends\nTwo\t\t003\tBlaser continues to talk about love\n\t\t012\tSharon Thesen talks about the fragmentation of the family, says this is more easily related to deficiencies of language than to poetry or the sacred\n\t\t038\tComment from the audience and response by Robin Blaser about the language of the family and of the sacred\n\t\t058\tBlaser talks about ‘culture, institutions, power and civilization (as an “individual task”)\n\t\t074\tQuestion from audience: The tone of the present discussion seems to suggest a kind of lament for the loss of the sacred, but isn’t it true that the panel has been merely talking about the sacred, rather than acting within it?\n\t\t104\tA response: The poem, Portrait of the Poet as Landscape is a kind of lament for the absence of the sacred, but he failed to recognize that the sacred has become a part of the ordinary.  The disappearance of the sacred is at the base of modern thought\n\t\t133\tQuestion from audience about whether the fact that much respected modern writing on the sacred is in prose (not poetry) is a comment on the disappearance of the sacred.  The response: There is no distinguishable difference between poetry and the best prose on the sacred (Blaser: “…scholarship is a poetic act”)\n\t\t157\tBp Nichol brings the discussion back to the topic of death\n\t\t195\tComment from the audience on the relationship between violence and the sacred, and a question about whether the present discussion is a \"funeral or a party” for the sacred\n\t\t204\tBlaser expresses the view that “…we’re headed for a different kind of poem” in this so-called “post-modern” era; refers to Olson’s (and Pound’s) view that poetry and scholarship must come together\n\t\t244\tThe discussion ends, it is proposed that the panel reads some of their poetry\n\t\t259\tBp Nichol reads “Hour 24” from the second book of Book 6 of The Martyrology\n\t\t294\tSharon Thesen reads – from “Snakes and Ladders”\n\t\t321\t“What Now” – Thesen\n\t\t340\tRobin Blaser reads “The Universe Is a part of ourselves…”\n\t\t354\t“I have tried for 35 to redefine sweetness…” – Blaser\n\t\t261\tEnd of discussion"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553752174592,"timestamp":"2026-01-07T14:59:58.173Z","score":3.934999},{"id":"5648","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Margaret Atwood reading at SFU on June 13, 1978 #397"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Atwood, Margaret","Vanel, Kurtis"],"creator_names_search":["Atwood, Margaret","Vanel, Kurtis"],"creators":["[{\"url\":\"http://viaf.org/viaf/109322990\",\"name\":\"Atwood, Margaret\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Vanel, Kurtis \",\"dates\":\"1936-2017\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1978],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5825/Reading in BC_MsC199_397.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"397-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:36\",\"precision\":\"\",\"size\":\"32.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"397-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:29\",\"precision\":\"\",\"size\":\"32.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1978-06-13\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t006\t“This is a photograph of me”\n\t\t025\tTalks about The Journals of Susannah Moodie\n\t\t052\tReads “Death of a Young Son by Drowning”\n\t\t077\tReads “The Were-man”\n\t\t094\tTalks about The Journals of Susannah Moodie\n\t\t102\tReads “The woman who could not live with her faulty heart”\n\t\t136\t“Note from an Italian postcard factory”\n\t\t170\t“You begin”\n\t\t193\t“Dreams of the animals”\n\t\t240\tEnds "],"Note":["[{\"note\":\"This program is recorded for PEMC\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553957695489,"timestamp":"2026-01-07T14:59:58.384Z","score":3.934999},{"id":"5897","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Coast is Only a Line: Phyllis Webb reading at the SFU Art Gallery on July 9, 1981 #335a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Vanel, Kurtis","Webb, Phyllis"],"creator_names_search":["Vanel, Kurtis","Webb, Phyllis"],"creators":["[{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\" 1936-2017\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/29847238\",\"name\":\"Webb, Phyllis\",\"dates\":\"1927-2021\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7366/Reading in BC_MsC199_335a.jpg\",\"other\":\"J-card\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Black and white clear jewel case with J card\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"335a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:35\",\"precision\":\"\",\"size\":\"30.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"335a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:28\",\"precision\":\"\",\"size\":\"31.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-07-09\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU Art Gallery\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU Art Gallery"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tRoy Miki introduces the reading series The Coast is Only a Line\n\t\t010\tEli Mandel introduces Phyllis Webb\n\t\t050\t“Here I am reading at the Planetarium”\n\t\t070\t“Field guide to snow crystals”\n\t\t099\tIntroduction to Wilson’s Bowl\n\t\t108\t“Poems of failure I”\n\t\t130\t“Father”\n\t\t145\t“Vasarely”\n\t\t185\t“Solitary confinement”\n\t\t210\t“from The Kropotkin poems”\n\t\t236\t“Wilson’s Bowl”\n\t\t259\t“Found poem”\n\t\t274\t“The Bowl”\n\t\t286\t“She sings”\n\t\t293\t“In this place”\n\t\t314\tThe place is where you find it\n\t\t329\tTwin masks\n\t\t350\tImperfect sestina\n\t\t413\tMetaphysics of spring\n\t\t432\tEschatology of spring\n\t\t465\tSpring thing\n\t\t482\tMessages\n\t\t467\tThe days of the unicorns\n\t\t620\tAnswer to inaudible question from the audience about the “Imperfect Sestina”\n\t\t697\tSpots of blood"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554189430789,"timestamp":"2026-01-07T14:59:58.590Z","score":3.934999},{"id":"6216","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Reading by members of the Kootenay school of writing at SFU on April 4, 1985 #380"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Whitehead, Gary","Derksen, Jeff","Wharton, Calvin","Lord, Susan","Vanel, Kurtis"],"creator_names_search":["Whitehead, Gary","Derksen, Jeff","Wharton, Calvin","Lord, Susan","Vanel, Kurtis"],"creators":["[{\"url\":\"http://viaf.org/viaf/29421904\",\"name\":\"Whitehead, Gary \",\"dates\":\"1957-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/30591332\",\"name\":\"Derksen, Jeff \",\"dates\":\"1958-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/23765293\",\"name\":\"Wharton, Calvin \",\"dates\":\"1952-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/337901\",\"name\":\"Lord, Susan \",\"dates\":\"1959-\",\"notes\":\"She does the introduction part \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1985],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7849/Readings in BC_MsC199_380.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"380-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:48\",\"precision\":\"\",\"size\":\"40.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"380-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:51\",\"precision\":\"\",\"size\":\"39.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-04-04\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"Burnaby, British Columbia, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["Burnaby, British Columbia, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t004\tIntroduction to three Kootenay School writers by Susan Lord\n\t\t008\tFirst reader Calvin Wharton – from Gebiki (dictionary)\n\t\t013\t“Gebiki” 1\n\t\t016\t“Gebiki” 2\n\t\t020\t“Herons”\n\t\t025\t“Ten”\n\t\t030\t“Foreign Cycle”\n\t\t039\t“The profound desire of the Gods”\n\t\t050\t“Nihon jazz”\n\t\t054\t“Angler photo 1941”\n\t\t061\t“Chicken of the sea, tuna of the land”\n\t\t065\t“This day our daily bread”\n\t\t101\t“Tough hombre” a short story\n\t\t203\tEnd of first reading\n\t\t209\tSecond reader begins Gary Whitehead\n\t\t216\t“Supply and demand” –a ‘true’ story\n\t\t426\tEnd of second reader\n\t\t427\tJeff Derksen begins\n\t\t432\t“Wrists”\n\t\t556\t“Thanks to a dictionary, Louis” for Louis Zukovsky\n\t\t594\t“Appendix”\n\t\t1045\tEnd of Jeff Derksen’s reading\n\t\t1052\tEnd of tape"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554842693635,"timestamp":"2026-01-07T14:59:59.214Z","score":3.934999},{"id":"9099","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Bill Bissett Reading at SFU Art Gallery and Studio on July 17, 1981"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Vanel, Kurtis","Tallman, Warren","Bissett, Bill"],"creator_names_search":["Vanel, Kurtis","Tallman, Warren","Bissett, Bill"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"an SFU technician, also known as 'Doug Gysemen'\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\" http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/96127023\",\"name\":\"Bissett, 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files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-07-17\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU Gallery\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU Gallery"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t001\tIntroduction by Warren Tallman\n\t\t034\tBissett chanting\n\t\t080\t“running down burrard street”\n\t\t105\t“sailor”\n\t\t111\t“th neatron bomb”\n\t\t124\t“th wunderfulness uv th mountees our secret police”\n\t\t148\t“arisin”\n\t\t185\t“yu sing”\n\t\t194\t“of th land divine service”\n\t\t206\t“I come from Halifax”\n\t\t212\t“beyond even faithful legends”\n\t\t255\t“awake in th red desert”\n\t\t282\t“let me tell yu a story uv how they met”\n\t\t348\t“carrying the torch”\n\t\t375\t“rain bow music”\n\t\t397\t“that great shootin gallery in the sky”\n\t\t408\t“th guy drivin round in” from plutonium missing\n\t\t415\t“oaoabaoadabaaogaoga” from awake in th red desert\n\t\t497\t“and the green wind is moving thru th summer trees”\n\t\t549\t“courting goes on forever”\n\t\t568\t“exposing th core”\n\t\t\t“ovr the edge”\n\t\t612\t“she wantid to get rid of it”\n\t\t621\t“when I first came to Vancouver”\n\t\t646\t“coyotes are fast movin”\n\t\t697\t“th birds in color”\n\t\t746\t“hun-nee”\nTwo\t\t001\tChanting yu want to walk with me through the forest\n\t\t\tCumin into me\n\t\t\tCumin into yu\n\t\t\tPoems from Northern Birds in Colour\n\t\t108\t“th ravens uv faro”\n\t\t216\t“Collingwood”\n\t\t368\t“I remember I was getting kinduv”\n\t\t424\t“keepin th fire goin”\n\t\t496\t“th last day”\n\t\t609\t“darling”\n\t\t633\t“northern birds in colour”"],"Note":["[{\"note\":\"This tape is a duplicate of the tape from the Readings in BC collection \\\"The Coast is Only a Line: Bill Bissett Reading at the SFU Art Gallery on July 17, 1981 #337\\\" (SWALLOW ID 5308)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670558012538884,"timestamp":"2026-01-07T15:00:02.246Z","score":3.934999},{"id":"9100","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Robert Kroetsch Reading at the SFU Art Gallery on July 28, 1981 DUPLICATE 2 OF 2"],"item_title_source":["cassette and 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lemon”\n\t\t225\t“The criminal intensities of love as paradise”\n\t\t326\tSelections from “Seed catalogue”\n\t\t534\tFrom “The sad Phoenician”\n\t\t\t“a to g,” “The silent poet eats his words”\nTwo\t\t\tFrom Field notes\n\t\t000\t“Stone hammer poem”\n\t\t115\tSelections from “Seed catalogue”\n\t\t211\t“Sketches of a lemon”\n\t\t296\tFrom “The criminal intensities of love as paradise”\n\t\t\t‘Bear story with or without bear’\n\t\t\t‘And dreamers, even then, if dreaming’\n\t\t365\t“How I joined the seal herd”\n\t\t522\t“The silent poet sees red”"],"Note":["[{\"note\":\"This tape is a duplicate of the tape from the Readings in BC collection \\\"The Coast is Only a Line: Robert Kroetsch Reading at the SFU Art Gallery on July 28, 1981 #340\\\" (SWALLOW ID 5312);\\nA part of tape 276 (SWALLOW ID 9091) in this collection is also a duplicate of this tape\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670558012538885,"timestamp":"2026-01-07T15:00:02.246Z","score":3.934999},{"id":"9101","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Gladys Hindmarch Reading at SFU Art Gallery on July 29, 1981 "],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Vanel, Kurtis","Hindmarch, Gladys","Tallman, Warren"],"creator_names_search":["Vanel, Kurtis","Hindmarch, Gladys","Tallman, 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days”\n\t\t215\t“Annie of the Corridors”\n\t\t250\t“Wispering Chester”\n\t\t268\t“The Last Living Room”\n\t\t288\t“Boat House”\n\t\t311\t“Brawls”\n\t\t\tPOEMS FROM THE INTERIOR\n\t\t353\t“The Guests”\n\t\t373\t“No Breeze on Lake Louise”\n\t\t390\t“The Abandoned Alexandra bridge”\n\t\t413\t“Hell’s Gate”\n\t\t430\t“Grindrod”\n\t\t\tMISCELLANEOUS POEMS\n\t\t465\t“In the Church Yard”\n\t\t494\t“Overhead Crane”\n\t\t540\t“Outhouse”\n\t\t577\t“Not-so-still life with Damp Beer Tables”\n\t\t590\t“Outside the Courtroom”\n\t\t621\t“The East End Toronto Railroad Insomnia Blues”\n\t\t659\t“A Pay with Big Dutch”\n\t\t705\t“The Popcorn Man’\n\t\t754\t“Kisses in the whiskey” ded. To Tom Waits\n\t\t805\t“Requirements”\nTwo\t\t007\tIntroduction by Peter Trower – “These poems are from a new manuscript called Music Against Midnight”\n\t\t012\t“The ghosts”\n\t\t070\t“Goose quill snags”\n\t\t111\t“Sailor”\n\t\t167\t“The million glitter”\n\t\t205\t“Where roads lead”\n\t\t260\t“Driftwood”\n\t\t309\t“The gathering”\n\t\t406\t“The beginning again”\n\t\t453\t“The storm riders”\n\t\t502\t“Boondocks”\n\t\t619\t“Kingdom of rust”\n\t\t673\t“The crippled girl”\n\t\t720\t“Windworld”\n\t\t774\t“A man goes mad with logging”\n\t\t871\t“The peaks”\n\t\t948\tEnd of tape"],"Note":["[{\"note\":\"This tape is a duplicate of the tape from the Readings in BC collection \\\"\\nThe Coast is Only a Line: Peter Trower Reading at the SFU Art Gallery and the IMC studio on July 31, 1981 #342\\\" (SWALLOW ID 5315)\",\"type\":\"Related 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Poetry is a language used to describe that which lies beyond language – Warren Tallman gives a little talk himself.  Questions audience about Royal Wedding.  Once again introduces Eli Mandel and Frank Davey\n\t\t123\tEli Mandel introduces his “Anima poems” written for his wife, Ann, and discusses the nature of his reading and the fact that his poetry concerns magic and fantasy.\n\t\t\tFour kinds of fantasy (Journey through time, Doppelganger, Double story and Story within story)\n\t\t171\t“Four Kinds of fantasy” prose piece by Martin Avery\n\t\t201\tEli describes a dream he recently had.  He woke up aware of himself as nothing more than a number\n\t\t240\tReintroduces the ‘Anima poems” and discusses ‘courtship’ of his wife\n\t\t248\tQuestions Anima figure\n\t\t252\t“The moon in all her phases”\n\t\t265\t“Woodbine”\n\t\t279\t“Listen the sea”\n\t\t299\t“Marina”\n\t\t335\t“Notes from the underground”\n\t\t380\tDiscusses Anima poetry as sexist.  Introduces “The return”\n\t\t420\tQuestions audience about Dr. Hoffer and his work with LSD\n\t\t440\t“The return”\n\t\t470\t“Petroglyphs at Saint Victor” introduction\n\t\t490\t“Petroglyphs at Saint Victor”\n\t\t539\tEli begins discussion of what it is to live and work within Academia, and the discrimination women face in this field.  A general discussion of discrimination in the university context\n\t\t870\tGeneral discussion of Anima to end of tape\nTwo\t\t000\tContinuation of general discussion of Anima and double\n\t\t025\tEli tells his double story\n\t\t115\tDiscusses meaning of double\n\t\t124\tQuestions from audience\n\t\t144\t“Instructions on the nature of Doubles and Doubling”\n\t\t174\t“The Doppelganger, ways to prevent me” (The double speaking)"],"Note":["[{\"note\":\"This tape is a duplicate of the tape from the Readings in BC collection \\\"\\nThe Coast is Only a Line: Eli Mandel Reading at SFU on July 31, 1981 #347\\\" (SWALLOW ID 5322)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670558016733186,"timestamp":"2026-01-07T15:00:02.246Z","score":3.934999},{"id":"9128","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds 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“Thursday”\n\t\t183\t“Tobacco”\n\t\t195\tWeeks “Friday”\n\t\t198\t             “Saturday”\n\t\t205\t             “Sunday”\n\t\t213\t             “Monday”\n\t\t223\t            “Tuesday”\n\t\t233\t            “Wednesday”\n\t\t239\t            “Thursday”\n\t\t243\t             “Good Friday”\n\t\t250\t              “Bad Saturday”\n\t\t285\t              “Easter Sunday”\n\t\t299\t“Slow”\n\t\t311\t“Better Monday”\n\t\t318\t“Deep trigger”\n\t\t322\t“BYOP”\n\t\t336\t“Is’s and not’s”\n\t\t361\t“Days”\n\t\t364\t“At least”\n\t\t369\t“Epitaph”\n\t\t370\t“The driver”\n\t\t375\t“Free food”\n\t\t390\t“Naked similarities”\n\t\t400\t“Tune”\n\t\t421\t“A call”\n\t\t504\t“The poor baby that dies…”\n\t\t523\t“I open my notebook on the train”\n\t\t535\t“Canada House Trafalgar Square”\n\t\t561\t“BC monthly”\n\t\t725\tTalks about police downtown\n\t\t736\t“Sunday” (BC Monthly)\n\t\t765\t“Monday”\n\t\t803\t“Tuesday”\n\t\t848\t“Its taken a week and half to run out of tobacco”\n\t\t865\t“Come – come”\n\t\t892\t“Reggae is not punk-disco”\n\t\t912\t“Hear – hear”\n\t\t921\t“So – so”\n\t\t930\t“Now – now’"],"Note":["[{\"note\":\"This tape is a duplicate of the tape from the Readings in BC collection \\\"\\nThe Coast is Only a Line: Gerry Gilbert Reading at the SFU Art Gallery on August 7, 1981 #344a\\\" (SWALLOW ID 5317)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670558016733187,"timestamp":"2026-01-07T15:00:02.246Z","score":3.934999},{"id":"9129","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Daphne Marlatt Reading at the SFU Art Gallery and Studio on August 11, 1981"],"item_title_source":["cassette and 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