[{"id":"1194","cataloger_name":["Andrew,Roberge"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at La Sala Rossa 2002-10-19 - Short Fuse"],"item_title_source":["Container"],"item_title_note":["On MDs: \"Sala Short Fuse 19 Oct, 2002 1\" ; \"Sala Short Fuse  2\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian","Anderson, Fortner","Bolster, Stephanie","Camlot, Jason","Ferrier, Ian","Kidd, Catherine","McGimpsey, David","Stanton, Victoria","Tinguely, Vince","Dumbly, Tug","Norton, Phil","Reddy, Srikanth","Swift, Todd","Walsh, Tom","The Wild Lawns"],"creator_names_search":["Ferrier, Ian","Anderson, Fortner","Bolster, Stephanie","Camlot, Jason","Ferrier, Ian","Kidd, Catherine","McGimpsey, David","Stanton, Victoria","Tinguely, Vince","Dumbly, Tug","Norton, Phil","Reddy, Srikanth","Swift, Todd","Walsh, Tom","The Wild Lawns"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]},{\"url\":\"http://viaf.org/viaf/106026246\",\"name\":\"Anderson, Fortner\",\"dates\":\"1955-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/48840389\",\"name\":\"Bolster, Stephanie\",\"dates\":\"1969-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/90740324\",\"name\":\"Camlot, Jason\",\"dates\":\"1967-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"https://viaf.org/viaf/13542322/\",\"name\":\"Kidd, Catherine\",\"dates\":\"1967-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/117167226\",\"name\":\"McGimpsey, David\",\"dates\":\"1962-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/1975942\",\"name\":\"Stanton, Victoria\",\"dates\":\"1970-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/36425179\",\"name\":\"Tinguely, Vince\",\"dates\":\"1959-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Dumbly, Tug\",\"dates\":\"\",\"notes\":\"Not found on databases. Australian performance poet according to event poster.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"https://preachermansays.com/bio\",\"name\":\"Norton, Phil\",\"dates\":\"\",\"notes\":\"Not found on databases. URL is to personal website. Editor of Short Fuse.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/260687507\",\"name\":\"Reddy, Srikanth\",\"dates\":\"1973-\",\"notes\":\"Name on event poster: Srikanth \\\"Chicu\\\" Reddy.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/41039443\",\"name\":\"Swift, Todd\",\"dates\":\"1966-\",\"notes\":\"Performing solo and alongside Tom Walsh as Swiftly Lazarus, a poetry music team, according to event poster.\",\"nation\":[],\"role\":[\"-1\"]},{\"url\":\"http://viaf.org/viaf/102762889\",\"name\":\"Walsh, Tom\",\"dates\":\"1960-\",\"notes\":\"Performing alongside Todd Swift as Swiftly Lazarus, a poetry music team, according to event poster.\",\"nation\":[],\"role\":[\"-1\"]},{\"url\":\"\",\"name\":\"The Wild Lawns\",\"dates\":\"\",\"notes\":\"Not found on databases. Musical performer according to event poster.\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[2002],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/1194/Poster 2002-10-19.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"Uploads/1194/Brooklyn Short Fuse Oct. 17th 2002.jpg\",\"other\":\"MD tracks: 3; 1.\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"2 Minidiscs: 80 minutes, 80 minutes\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Minidisc\",\"physical_composition\":\"Magneto-Optical\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Minidisc"],"physical_compositions":["Magneto-Optical"],"recording_type":["Digital","Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2002/10/\",\"file_path\":\"\",\"filename\":\"27082019151516_DN-700R.wav\",\"channel_field\":\"Stereo\",\"sample_rate\":\"96kHz\",\"duration\":\"01:20:56\",\"precision\":\"\",\"size\":\"1.3GB\",\"bitrate\":\"24\",\"encoding\":\"Waveform\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_orig/files/2002/10/\",\"file_path\":\"\",\"filename\":\"27082019171931_DN-700R.wav\",\"channel_field\":\"Stereo\",\"sample_rate\":\"96kHz\",\"duration\":\"01:20:59\",\"precision\":\"\",\"size\":\"1.29GB\",\"bitrate\":\"24\",\"encoding\":\"Waveform\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://drive.google.com/file/d/1vH2rrJXGUBZtSGzdQB-5tpm7Fhom3ove/view\",\"file_path\":\"https://drive.google.com/drive/u/2/folders/1_CNeT4C8F-KzegfFjVrVXof4lLe4LEdO\",\"filename\":\"Poster 2002-10-19.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Poster\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2002-10-19\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Container\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/3280917743\",\"venue\":\"Sala Rossa (Montreal)\",\"notes\":\"\",\"address\":\"4483, Boulevard Saint-Laurent, Montreal, Quebec, Canada\",\"latitude\":\"45.5210975\",\"longitude\":\"-73.5888689\"}]"],"Address":["4483, Boulevard Saint-Laurent, Montreal, Quebec, Canada"],"Venue":["Sala Rossa (Montreal)"],"City":["Montreal, Quebec"],"content_notes":["Montreal launch of Short Fuse, an international poetry CD/book anthology. Launch of \"The Envelope, Please\" by Swiftly Lazarus."],"contents":["27082019151516_DN-700R.wav [File 1 of 2]\n\nTodd Swift and Tom Walsh (aka Swifty Lazarus)\n00:05:26\n\nHeather Vermont\n00:34:25\n\nTodd Swift and Phil Norton \n00:37:55\n\nDavid McGimpsey\n00:44:04\n\nVincent Tinguely\n00:53:27\n\nVictoria Stanton\n00:57:04\n\nStephanie Bolster \n01:02:44\n\nKatherine Kidd\n01:05:44\n\nTodd Swift\n01:15:33\n\n\n27082019171931_DN-700R.wav [File 2 of 2]\n\nPhil Norton\n00:02:17\n\nLauren Williams\n00:11:26\n\nTug Dumbly\n00:20:05\n\nSteven Brockwell\n00:28:13\n\nLaurie Fyor (?)\n00:33:25\n\nThe Wild Lawns \n00:41:52"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670548613103617,"timestamp":"2026-01-07T14:59:53.264Z","score":4.785733},{"id":"3981","cataloger_name":["Carlos A.,Pittella"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Lee Gotham collection"],"source_collection_label":["Lee Gotham collection"],"collection_contributing_unit":["Spokenweb at Concordia University"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Lee Gotham collection contains the AV recordings regarding the Enough Said series, including readings, performances, open-mic, and spoken-word events that took place at Bistro 4 and other Montreal venues between December 1994 and June 1996."],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Enough Said 1995-03-25, Performance Poetry Party"],"item_title_source":["Asset"],"item_title_note":["On tape labels, corroborated by Lee Gotham, who refers to the event as such."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Lee Gotham collection"],"item_subseries_title":["Enough Said"],"item_identifiers":["[]"],"rights_notes":["Rights status in process. We may wish to seek permission from individual artists and Drew Duncan, the videographer."],"creator_names":["Anderson, Fortner","Ferrier, Ian","Gotham, Lee","Farkas, Endre","Swift, Todd","Christie, Colin","Frost, Corey","Groupe de Poésie Moderne","Fluffy Pagan Echoes (Groupe)","Smith, Dee","Nawrocki, Norman","Stephens, Ian","Unknown Reader 1","Walsh, Tom"],"creator_names_search":["Anderson, Fortner","Ferrier, Ian","Gotham, Lee","Farkas, Endre","Swift, Todd","Christie, Colin","Frost, Corey","Groupe de Poésie Moderne","Fluffy Pagan Echoes (Groupe)","Smith, Dee","Nawrocki, Norman","Stephens, Ian","Unknown Reader 1","Walsh, Tom"],"creators":["[{\"url\":\"https://viaf.org/viaf/106026246/\",\"name\":\"Anderson, Fortner\",\"dates\":\"1955-\",\"notes\":\"Fortner Anderson was also one of the three MCs of this event.\",\"nation\":[],\"role\":[\"Producer\"]},{\"url\":\"https://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"Ian Ferrier was also one of the three MCs of this event.\",\"nation\":[],\"role\":[\"Producer\"]},{\"url\":\"https://viaf.org/viaf/106179112\",\"name\":\"Gotham, Lee\",\"dates\":\"1962-\",\"notes\":\"Lee Gotham was also one of the three MCs of this event.\",\"nation\":[],\"role\":[\"Series organizer\",\"Producer\",\"Performer\"]},{\"url\":\"https://viaf.org/viaf/115673614/\",\"name\":\"Farkas, Endre\",\"dates\":\"1948-\",\"notes\":\"Guest performer.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"https://viaf.org/viaf/41039443/\",\"name\":\"Swift, Todd\",\"dates\":\"1966-\",\"notes\":\"Guest performer, one-half of Swifty Lazar.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"https://viaf.org/viaf/44235997\",\"name\":\"Christie, Colin\",\"dates\":\"\",\"notes\":\"Guest performer, one-half of ga press.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"https://viaf.org/viaf/76001655\",\"name\":\"Frost, Corey\",\"dates\":\"1972-\",\"notes\":\"Guest performer, one-half of ga press.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Groupe de Poésie Moderne\",\"dates\":\"\",\"notes\":\"Guest performers. The group consisted of seven performing members on this event.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"https://viaf.org/viaf/135986318/\",\"name\":\"Fluffy Pagan Echoes (Groupe)\",\"dates\":\"\",\"notes\":\"Guest performers. The group consists of five members: Ran Elfassy, Victoria Stanton, Scott Duncan, Vince Tinguely, and Justin McGrail.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Smith, Dee\",\"dates\":\"\",\"notes\":\"Guest performer.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"https://viaf.org/viaf/34063513/\",\"name\":\"Nawrocki, Norman\",\"dates\":\"\",\"notes\":\"Guest performer.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"https://viaf.org/viaf/48507771\",\"name\":\"Stephens, Ian\",\"dates\":\"1954–1996\",\"notes\":\"Guest performer.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Unknown Reader 1\",\"dates\":\"\",\"notes\":\"Guest performer. Identified as Unknown_Reader1 in the transcription.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Walsh, Tom\",\"dates\":\"\",\"notes\":\"Guest performer, one-half of Swifty Lazar.\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Duncan, Drew","Hieronymus Borscht Nonet"],"contributors_names_search":["Duncan, Drew","Hieronymus Borscht Nonet"],"contributors":["[{\"url\":\"\",\"name\":\"Duncan, Drew\",\"dates\":\"\",\"notes\":\"Videographer.\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"\",\"name\":\"Hieronymus Borscht Nonet\",\"dates\":\"\",\"notes\":\"Musical interludes during the event, including guitarist Sam Shalabi and a pianist (Adam Evans?).\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Hieronymus Borscht Nonet"],"Recordist_name":["Duncan, Drew"],"Performance_Date":[1995],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/3981/Enough_Said-VHS_Performance_Poetry_Party-19950325.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Video\",\"tape_brand\":\"FUJI HQ T-120 (General Purpose, NFL branded)\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"120 minutes\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"VHS\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Tape box. Handwritten labels on front and side.\",\"other_physical_description\":\"VHS asset #Performance_Poetry_Party.\"}]"],"material_designations":["VHS"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Video"],"playback_mode":["Mono"],"digital_description":["[{\"file_url\":\"https://liveconcordia-my.sharepoint.com/:v:/g/personal/carlosa_pittella_concordia_ca/ERc8XUGfPLxIvn_UIDzRgWgB2YuC9zQZ0-UwhgP3AlFcaA?e=uj3Lix\",\"file_path\":\"\",\"filename\":\"Enough_Said-19950325-Performance_Poetry_Party.mp4\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"01:51:37\",\"precision\":\"\",\"size\":\"3.15 GB on disk\",\"bitrate\":\"2304Kbps (original); 256Kbps (master)\",\"encoding\":\"MPEG-4 movie\",\"contents\":\"This is file 1 of 1 containing an AV recording of the event \\\"Performance Poetry Party,\\\" an Enough Said/Wired on Words co-presentation, organized by Lee Gotham, Fortner Anderson, and Ian Ferrier, with performances by Endre Farkas, Swifty Lazar, ga press, Groupe de Poésie Moderne, Fluffy Pagan Echoes, Dee Smith, Norman Nawrocki, and Ian Stephens, among others.\",\"notes\":\"Dimensions: 640 × 480.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Video Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1995-03-25\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Asset\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/476659837\",\"venue\":\"Building Dance\",\"notes\":\"The \\\"Building Dance\\\" is no longer at 55 Avenue des Pins Est and seems to have had different addresses throughout the 1990s: 77 Mont-Royal O. circa 1990s; 55 Avenue des Pins E. (2nd floor) between 1994-1995; and 4152 Boul. St. Laurent by 1998.\",\"address\":\"55 Avenue des Pins Est, Montréal, QC, H2W 1N6, Canada\",\"latitude\":\"45.5156338\",\"longitude\":\"-73.5747599\"}]"],"Address":["55 Avenue des Pins Est, Montréal, QC, H2W 1N6, Canada"],"Venue":["Building Dance"],"City":["Montreal, Quebec"],"content_notes":["Event recording starts at 00:00:00:00 of physical asset."],"Note":["[{\"note\":\"VHS #Performance_Poetry_Party. The asset was digitized, generating both uncompressed and compressed video files. Metadata entries based on the compressed file.\",\"type\":\"General\"},{\"note\":\"Faith Paré\",\"type\":\"Cataloguer\"},{\"note\":\"Carlos A. Pittella\",\"type\":\"Cataloguer\"}]"],"Related_works":["[{\"url\":\"https://www.worldcat.org/title/1124089316\",\"citation\":\"Farkas, Endre. Surviving Words. Ste-Anne-de-Bellevue, QC: The Muses’ Co., 1994.\"},{\"url\":\"https://www.worldcat.org/title/1137025178\",\"citation\":\"Stephens, Ian. Diary of a Trademark. Ste-Anne-de-Bellevue, QC: The Muses’ Co., 1995.\"},{\"url\":\"https://www.worldcat.org/title/49065916\",\"citation\":\"Stephens, Ian. Diary of a Trademark [Music Cassette]. Montréal: Wired on words, 1995.\"}]"],"_version_":1853670549164654592,"timestamp":"2026-01-07T14:59:53.772Z","contents":["[Building Danse stage]\n00:00:11\n[Ambient sounds (voices).] | Video Description: Colour video. A plain performance space (55 Avenue des Pins East, 2nd floor, Montreal, QC, H2W 1N6), with a large stage (as revealed later in clip) with a microphone and long, grey curtains hanging from a rafter in the background. \n\nEndre Farkas\n00:00:12\n[Addresses audience. Audience laughter. Introduces set and first poem, \"For Those Who Deny the Holocaust\" (from Surviving Words, The Muses' Co., 1994), mentioning neo-nazi Ernie Zundel.] | Video Description: Closeup of Endre Farkas addressing audience. Farkas wears a leather jacket, short salt-and-pepper hair, fedora.\n\nEndre Farkas\n00:01:12\n[Reads “For Those Who Deny the Holocaust”. Audience laughter throughout.] | Video Description: Endre Farkas reads, glancing down occasionally, then back up to look across the audience.\n\nEndre Farkas\n00:02:24\n[Thanks audience. Audience applause. Introduces “The Missing Link” (from Surviving Words).] | Video Description: Endre Farkas addresses audience, introducing the next poem.\n\nEndre Farkas\n00:02:48\n[Reads “The Missing Link”.] | Video Description: Endre Farkas reads.\n\nEndre Farkas\n00:05:30\n[Thanks audience. Audience applause. Introduces “O Canada.”] | Video Description: Endre Farkas puts an unseen object down, before addressing audience.\n\nEndre Farkas\n00:05:59\n[Reads “O Canada”.] | Video Description: Camera zooms out to medium closeup on Endre Farkas reading, then zooms into closeup.\n\nEndre Farkas\n00:10:48\n[Thanks audience. Audience applause. Dog barks.] | Video Description: Endre Farkas addresses audience and steps away from microphone. Camera zooms out as Farkas walks across the stage, exiting on the right-side of the frame. \n\n[No signal]\n00:10:52\n[Ambient sounds (white noise).] | Video Description: Black screen with static.\n\nUnknown_Reader1\n00:10:56\n[Addresses audience. Audience member interacts with Unknown_Reader1 (howls like a dog). Audience laughter. Introduces Unknown Poem 1.] | Video Description: Closeup on Unknown_Reader1 addressing audience. Unknown_Reader1 wears rectangular-shaped glasses, short light hair under toque, moustache, and beard.\n\nUnknown_Reader1\n00:11:12\n[Reads piece beginning with the line \"Yes, our time passes and only dreams save us\").] | Video Description: Unknown_Reader1 reads. Camera zooms out to medium closeup, revealing Unknown Performer 1 reading from paper in an open binder.\n\nUnknown_Reader1\n00:12:12\n[Thanks audience. Addresses audience, encouraging applause for “the boys” (likely to mean organizers Ian Ferrier and Lee Gotham). Audience applause.] | Video Description: Unknown_Reader1 looks up to audience and addresses them. Applauds along with audience . Camera shakes while zooming out to medium shot. Unknown_Reader1 walks from microphone toward stage right.\n\n[No signal]\n00:12:19\n[Ambient sounds (white noise).] | Video Description: Black screen with static.\n\nFortner Anderson\n00:12:24\nNow I don't know how many of you have been around Saint Lawrence street over the last several years. Is Chancey here? Chancey? [Audience member responds.] Still in the room? Oh, he just stepped out. Well, there were a couple of readings that have gone on up and down Saint Lawrence street over the several years. Off the Boulevard, Chancey and Peter worked on for a long time. The current incarnation is a wonderful series of readings that occur each Monday night around 9 o'clock at the Bistro 4, that's the corner of Duluth and Saint Lawrence. They're curated, managed, put together by our next reader, Lee Gotham, hailing from Britain, here in Montreal now five years. I'd like you all to welcome Lee. [Audience applause. Ambient sounds (voices). | Video Description: Closeup on event host, Fortner Anderson, looking to audience and addressing them through microphone. Anderson wears dark collared shirt, black browline glasses, and short grey hair. Anderson briefly diverts attention off-stage before resuming addressing audience. Nods at conclusion of introductory marks to Lee Gotham, exiting via the left side of the frame. \n[Building Danse stage]\n00:13:17\nCamera zooms out to a medium long shot on the lone microphone, bathed in the glow of a spotlight hanging on stage right. \n\nLee Gotham\n00:13:20\nVideo Description: Lee Gotham enters the stage via stage right. Gotham wears a loose shirt, dark trousers, long brown hair tied in bun, and a beard,. Camera zooms into medium closeup as Gotham picks up microphone and unravels cord from around stand, moving the stand away to stage left.\n\nLee Gotham\n00:13:44\n[Performs poem beginning with the line \"The problem is we get wasted in alleyways\").] | Video Description: Camera zooms into medium closeup shot on Lee Gotham pacing slowly across the stage and reading into microphone.\n\nLee Gotham\n00:15:01\n[Pauses. Addresses audience. Vocalizes. Audience members briefly interact.] | Video Description: Lee Gotham breathes before addressing audience. Camera zoom into closeup as Gotham pauses and closes eyes. Gotham hums into microphone. \n\nLee Gotham\n00:15:30\n[Performs poem beginning with the line \"Those wheels\").] | Video Description: Lee Gotham performs, pacing around the stage. Camera zooms in and out between medium closeup and extreme closeup on Gotham.\n\nLee Gotham\n00:15:57\n[Transitions into addressing audience. Audience laughter. Audience applause. Addresses videographer Drew Duncan. Audience laughter. Addresses audience, causing more audience laughter and applause.] | Video Description: Lee Gotham addresses audience. Lee Gotham laughs and smiles at the applause. Camera zooms into closeup on Lee Gotham, who looks into camera lens and addresses videographer Drew Duncan. Gotham addresses audience, walking toward stage right. \n\nFortner Anderson\n00:15:35\nThat’s a strong conclusion to our first set. [Audience laughter.] But he’ll be back, he’ll be back, he’s promised to come back in the third set. He’s poring over his texts as we speak. [Audience laughter.] Now, I’d like to remind you all that the recession is now officially over, and you can spend your hard-earned money back at the beer fountain, each and every one of you should drink two or three. [Audience laughter, ambient sounds (voices)]. Now I’d like to introduce our musical interlude with the Hieronymus Borscht Nonet, and we’ll be back in about fifteen-twenty minutes for our second set. It’s going to be all groups. [Ambient sounds (tuning instrument). Audience interaction (whistle).] | Video Description: Camera zooms in and out on Fortner Anderson addressing audience, pacing across the stage. Camera pans across stage, ceiling, and floor of venue.\n\n[No signal]\n00:17:23\n[Ambient sounds (white noise).] | Video Description: Black screen with static.\n\nHieronymus Borscht Nonet\n00:17:28\n[Performs Unknown Composition. Ambient noise (voices).] | Video Description: Camera zooms into closeup on guitarist, Sam Shalabi, glancing between sheet music and guitar, chewing something. Shalabi wears a yellow shirt, short dark hair, and glasses. Camera zooms out to medium shot of the two musicians, including an unknown pianist next to amps on stools and sitting before two large-paned windows. Unknown_Musician1 wears a  patterned shirt, white pants, short dark hair. Camera zooms into closeup on Unknown_Musician1 who reads sheet music while playing. An audience member briefly passes in front of the camera’s view. Camera continues to pan between Shalabi and Unknown_Musician1, and zoom in and out. \n\n[No signal]\n00:18:48\n[Ambient sounds (white noise).] | Video Description: Black screen with static.\n\nLee Gotham\n00:18:52\n[Vocalizes (mic check).] | Video Description: Camera cuts to closeup on the side profile of Lee Gotham, speaking into microphone and facing stage-right. \n\nLee Gotham\n00:18:54\nWelcome back, one and all, to our second set. Please, all hecklers, remember that you had your chance earlier, so just mellow for a moment. Okay, in the second set of our presentation, we have for you some amazing groups. We have Swifty Lazarus, Corey, Colin Frost (Corey Frost and Colin Christie) from ga press, le Groupe de Poésie Moderne, and the Fluffy Pagan Echoes, all in one very nice package. [Audience laughter.] Before we get to all that, I’m making amends for my little false start. And as I have a microphone in front of me, as well as text— [Audience laughter. Lee Gotham laughs.] I’ll go for it. | Video Description: Lee Gotham addresses audience. An audience member briefly passes in front of camera view. Gotham briefly glances down at pieces of paper while addressing audience. \n\nLee Gotham\n00:19:53\n[Reads poem beginning with the line \"The problem is we get wasted in alleyways\").] | Video Description: Camera zooms in and out between extreme closeup and medium closeup on Lee Gotham, who wraps a hand around the microphone and performs poem, occasionally glancing down at pages.\n\nLee Gotham\n00:21:48\n[Pauses. Ambient noise (paper).] | Video Description: Lee Gotham briefly pauses performance to flip a page.\n\nLee Gotham\n00:21:51\n[Resumes reading.] Applause. | Video Description: Lee Gotham resumes performing poem. Camera zooms out between medium long shot and medium shot of Lee Gotham.\n\nLee Gotham\n00:24:14\n[Addresses audience. Introduces Swifty Lazarus. Audience applause.] | Video Description: Lee Gotham addresses audience before putting stack of pages down on the stage. Camera zooms out to medium long shot as Lee Gotham reaches over to grab another piece of paper, and walks back to microphone. Gotham glances down at paper and addresses audience.\n\nSwifty Lazarus (Todd Swift and Tom Walsh)\n00:25:05\nVideo Description: Camera pans away from Lee Gotham to stage right, where synthesizer player Tom Walsh and performer Todd Swift are setting up. Both wear black suit jackets over white button-down shirts, grey dress pants, bowties, glasses, and dark hair. There is a synthesizer, a music stand, and a microphone. A ceiling fan above them is briefly seen, as well as an unknown audience member sitting on the sill of one of the large-paned windows. Lee Gotham briefly passes through the camera’s view, walking off stage right.\n\nSwifty Lazarus (Todd Swift and Tom Walsh)\n00:25:08\n[Applause. Recording of unknown broadcast plays.] | Video Description: Camera zooms into a medium shot on Todd Swift putting on headphones. Camera zooms out, revealing Tom Walsh programming the synthesizers. Todd Swift puts a cigarette in mouth. Camera zooms into a medium shot of Tom Walsh, also putting on headphones. Camera pans between the performers. \n\nSwifty Lazarus\n00:26:57\n[Perform series of unknown compositions.] | Video Description: Tom Walsh presses a key on synthesizer, cueing a new audio clip. Camera zooms into Todd Swift lifting a stack of pages and beginning to perform. Camera zooms in and out and pans between the performers. Occasionally the performers sit or squat on stage to sip from glasses, or employ various objects to enhance the performance, such as a handheld radio or newspaper. \n\nSwifty Lazarus\n00:41:42\n[Finishes compositions. Audience applause.] | Video Description: Todd Swift and Tom Walsh bow and walk away from their equipment. \n\n[No signal]\n00:41:51\n[Ambient sounds (white noise).] | Video Description: Black screen with static.\n\nga press (Colin Christie and Corey Frost)\n00:41:55\n[Ambient noise (footsteps, movement). Performs piece beginning with the line “Well, the sun’s gone down on a Rhine valley town”). Audience laughter throughout.] Video Description: Camera cuts to a medium long shot of Colin Christie and Corey Frost on stage, looking at each other. Christie wears grey t-shirt over long-sleeved shirt and short, brown hair. Frost wears a white t-shirt, light wash jeans, long black hair, and glasses. A physical ‘dialogue’ solely using movement and gestures is acted out by the performers. Colin Christie walks in a circle before arriving at a second microphone set up on stage. Colin Christie pulls out something from back pocket as Corey Frost stands upstage left. Colin Christie takes out a harmonica from a case and plays it. Corey Frost picks up the microphone out of the free stand and begins reciting a poem. Camera zooms into a closeup on Corey Frost. Camera zooms out to a medium long shot and pans to also capture Colin Christie. Corey Frost and Colin Christie pace around the stage and gesture throughout to accentuate the performance.\n\nga press\n00:49:45\n[Audience applause. Corey Frost promotes the upcoming ga press book launch at Enough Said, featuring new work by Sandra Jeppesen and Chris Bell. Audience laughter. Colin Christie addresses audience. Corey Frost resumes promoting ga press catalogue. Audience applause.] | Video Description: Colin Christie and Corey Frost step away from microphones, bow, and then reapproach them. Colin Christie and Corey Frost address audience. They step away from microphones and exit via stage left.\n\n[No signal]\n00:51:06\n[Ambient sounds (white noise).] | Video Description: Black screen with static.\n\nGroupe de Poésie Moderne (GPM)\n00:51:11\n[Ambient sounds (voices; footsteps; opening and closing door; dog barking.) Unknown_Member2 of GPM addresses Unknown_Member1 and the audience. Ambient sounds (opening and closing door; footsteps).] | Video Description: Camera cuts to a long shot of an open stage area, a black grimy wall as a background and white floor, with a microphone stand downstage centre, a black milk crate upstage centre, and a ladder and building materials pushed to the side. Camera pans toward the right, revealing multiple audience members sitting along the side of the stage, and Unknown_GPMMember1. Unknown_GPMMember1 wears a black turtleneck, black pants, dark hair in two braids, large belt buckle, and lipstick. Unknown_GPMMember1 closes a door behind them and walks onto the stage. Unknown_GPMMember1 lifts a piece of paper to read as they step up on the milk crate. Camera zooms into a medium long shot of Unknown_GPMMember1. Unknown_GPMMember2 enters the frame via stage left, holding a cue card in their left hand. Unknown_GPMMember2 wears a black turtleneck, black pants, and long dark hair pulled into a ponytail. They address Unknown_GPMMember1 and the audience, before taking position facing away from the audience upstage left. Slowly, other members of the group, each wearing the same all-black outfit, enter through the door and taking position across the stage, facing away from the audience.\n\nGroupe de Poésie Moderne (GPM)\n00:52:30\n[Perform Unknown Composition 1. Audience laughter throughout.] | Video Description: Camera zooms into a closeup on the member standing on the milk crate beginning the performance, reading from the piece of paper and swivelling to address everyone in the room. Camera zooms in and out throughout and pans to follow other members of the group, who perform a series of dramatic skits. \n\n[Building Danse stage]\n01:02:20\nVideo Description: A dog casually walks across the stage as the group performs, exiting stage left.\n\nGroupe de Poésie Moderne (GPM)\n01:07:05\n[Unknown_Member3 thanks audience. Audience applause.] | Video Description: The group ends in neutral standing positions, and Unknown_Member3 addresses audience. 5 of the 7 members of GPM walk into a single line downstage centre, while two remain upstage, facing away from the audience. The two upstage members walk downstage and kneel into positions behind the line, facing stage left and stage right, respectively. \n\nGroupe de Poésie Moderne (GPM)\n01:07:30\n[Ambient sounds (dog barking). Performs Unknown Composition 2. Audience laughter throughout.] | Video Description: The GPM assumes new dramatic positions and perform their second dramatic skit.\n\n[Building Danse stage]\n01:07:51 \nThe previous dog walks across the stage behind the performers, exiting stage left. Camera zooms in and out and pans throughout to follow the performers moving across the stage.\n\nGroupe de Poésie Moderne (GPM)\n01:10:47\n[Finish Unknown Composition 2. Audience applause. Ambient sounds (dog barking).] | Video Description: The GPM filters one-by-one off the stage, exiting stage left. Camera pans right, capturing the members leaving through a door. Camera continues panning right across the applauding audience, who fill the room right to the back wall. Camera sharply pans left toward the stage, empty except for the black milk crate and a microphone stand.\n\n[No signal]\n01:11:01\n[Ambient sounds (white noise).] | Video Description: Black screen with static.\n\nFluffy Pagan Echoes\n01:11:05\n[Audience applause. Vocalizing (repeating \"toy boat\" at different volumes and tones). Ambient sounds (movement, dog barking). Vocalizing begins to cohere at the same volume and rhythm.] | Video Description: Camera cuts to a long shot of the open stage area, with the black milk crate in the centre of the stage. An unknown audience member walks across the stage. An unknown person moves a microphone stand closer to centre stage. Camera pans toward them as they exit stage right. Two people enter the stage from stage right. Camera pans toward the right, where another set of performers is seen running and walking into the stage area. Members of the Fluffy Pagan Echoes move around the stage, each doing different actions, such as stomping, speaking into different microphones, or examining different parts of the stage. They assemble downstage centre, moving microphones closer to centre stage. Camera zooms into a medium closeup on Victoria Stanton. Stanton wears a black vest over a long-sleeved grey shrt and shoulder-length brown hair. The camera pans right to capture each Fluffy Pagan Echoes member. Ran Elfassy wears a white graphic t-shirt, green shorts over white pants, a necklace, and black toque. Vincent 'Vince' Tinguely wears a white graphic t-shirt, jeans, chin-length white hair, and glasses. Scott Duncan wears a flannel shirt and short curly brown hair. Justin McGrail wears a yellow patterned shirt over graphic t-shirt, short brown hair, and necklaces. \n\nFluffy Pagan Echoes\n01:12:21\n[Address audience (introduces each member: Ran Elfassy, Victoria Stanton, Scott Duncan, Vince Tinguely, and Justin McGrail).] | Video Description: The Fluffy Pagan Echoes address audience. The camera zooms into an extreme closeup on Ran Elfassy, looking toward the other members and counting them in. \n\nFluffy Pagan Echoes\n01:12:42\n[Perform “Resistance is Reasonable”.] | Video Description: Fluffy Pagan Echoes perform “Resistance is Reasonable”. Camera zooms into first a medium closeup, then an extreme closeup, on Victoria Stanton, who performs a solo during the piece into microphone. Camera zooms out into long shot of the entire group. \n\nFluffy Pagan Echoes\n01:16:34\n[Finish “Resistance is Reasonable”. Audience applause. Ambient sounds (voices, movement).] | Video Description: Fluffy Pagan Echoes members bow. Ran Elfassy picks up an object from the floor (a hat?). The group exits via stage right. \n\nLee Gotham\n01:16:51\n[Audience laughter. Addresses audience. Announces ten-minute break and upcoming set, including Ian Stephens. Promotes merchandise table.] | Video Description: Camera zooms into extreme closeup on microphone stand on stage left. Lee Gotham leaps into frame and addresses audience into microphone. Lee Gotham reads final set from a piece of paper.]\n\n[No signal]\n01:17:22\n[Ambient sounds (white noise).] | Video Description: Black screen with static.\n\nDee Smith\n01:17:26\n[Introduces poem. Addresses audience. Audience laughter.] | Video Description: Camera cuts to closeup on the side profile of Dee Smith addressing the audience. Smith wears a white shirt, patterned vest, necklace, earrings, rings, and short dark curly hair with headband. \n\nDee Smith\n01:17:36\n[Performs poem beginning with the line \"Talking 'bout you lovin' me this way\").] | Video Description: Dee Smith reads poem.\n\nDee Smith\n01:18:34\n[Finishes poem. Audience applause. Addresses audience.] | Video Description: Dee Smith flips through pages. Camera zooms into extreme closeup as Dee Smith addresses audience.\n\nDee Smith\n01:18:43\n[Performs poem beginning with the line \"You see, man and woman have it, some choose to spread it\").] | Video Description: Camera zooms out into closeup on Dee Smith performing, occasionally glancing down to read from pages.\n\nDee Smith\n01:19:35\n[Finishes poem. Unseen audience member interacts. Audience applause. Introduces poem and addresses audience. Audience snaps and stomps to a rhythm.] | Video Description: Dee Smith addresses audience. Dee Smith directs audience to keep rhythm by snapping.\n\nDee Smith\n01:19:58\n[Performs poem beginning with the line \"What the hell, what the hell, what a situation.\" Audience snaps and stomps alongside.] | Video Description: Camera zooms out to medium closeup on Dee Smith performing, glancing down occasionally at their notebook.\n\nDee Smith\n01:21:20\n[Finishes poem. Audience applause. Addresses audience. Audience laughter. Dedicates next poem. Audience laughter. Introduces poem.] | Video Description: Dee Smith flips through notebook and addresses audience.\n\nDee Smith\n01:22:00\n[Performs poem in Jamaican dialect, beginning with the line \"Woman, are you alone\".] | Video Description: Dee Smith performs poem written in notebook.\n\nDee Smith\n01:23:53\n[Thanks audience. Audience applause.] | Video Description: Dee Smith closes notebook and thanks audience. Camera zooms out to medium long shot as Dee Smith tilts microphone stand down and walks off stage via stage left. \n\n[No signal]\n01:23:58\n[Ambient sounds (white noise).] | Video Description: Black screen with static.\n\nIan Ferrier\n01:23:59\nThank you very much, Dee Smith. Dee will also be appearing at part of the Enough Said series on April 3rd, if anybody wants to catch that, so please come out for that. Our next performer has been touring all over the place. He's about to head to Europe, he's been touring North America with a show called The Men's Show. He's a vital part of a group called Rhythmactivism (?), and he's an amazing performer, Mr. Norman Nawrocki. [Audience applause.] | Video Description: Camera zooms into extreme closeup on Ian Ferrier addressing audience. Ferrier wears a dark collared long-sleeved shirt, black jacket, and drk chin-length hair. Ian Ferrier looks up and tilts microphone down before exiting the frame via the left. Camera zooms out to a medium long shot on the lone microphone on stage.\n\nNorman Nawrocki\n01:24:37\n[Addresses audience. Addresses Ian Stephens. Audience applause. Ambient sounds (dog barking). Introduces “Hey, Garçon! Another Hotdog, Right Here!”.] | Video Description: Norman Nawrocki enters via stage left. Norman Nawrocki wears a long-sleeved black sweatshirt and short brown hair with fringe. Camera zooms in and out on Norman Nawrocki adjusting microphone and addressing audience. Norman Nawrocki turns toward stage right to address off-screen audience member (Ian Stephens). Camera zooms into extreme closeup on Norman Nawrocki introducing poem.\n\nNorman Nawrocki\n01:25:08\n[Performs “Hey, Garçon! Another Hotdog, Right Here!”. Audience laughter throughout.] | Video Description: Camera zooms in and out on Norman Nawrocki performing poem, glancing down to read from paper.\n\nNorman Nawrocki\n01:28:11\n[Thanks audience. Audience applause.] | Video Description: Norman Nawrocki nods and thanks audience. Camera zooms out to long shot as Norman Nawrocki exits via stage left.  Ian Ferrier, with a cigarette and piece of paper in hand, approaches microphone via stage right. An audience member briefly passes through camera view.\n\nIan Ferrier\n01:28:23\n[Addresses Norman Nawrocki. Promotes upcoming poetry events: Enough Said with Endre Farkas (March 27, 1995); Vox Hunt poetry slam (hosted by Todd Swift, Tuesday, April 4, 1995, Maître (?) Renard Blues Bar, 4910 Saint-Laurent Boulevard). Introduces Fortner Anderson. Audience applause.] | Video Description: Ian Ferrier addresses Norman Nawrocki (off-screen). Ian Ferrier addresses audience. Ian Ferrier exits via stage right.\n\nFortner Anderson\n01:29:16\n[Ambient sounds (movement).] | Video Description: Camera zooms out into medium long shot as Fortner Anderson enters via stage left. Fortner Anderson picks up microphone and unravels cord from around stand. Anderson puts hand to chin and steps sideways, facing stage left. Camera zooms into an extreme closeup as Fortner Anderson looks toward audience.\n\nFortner Anderson\n01:29:30\n[Performs poem beginning with the line \"I hate these poems. They stink of the Good Book\". Audience laughter throughout.] | Video Description: Fortner Anderson performs Unknown Poem 1, pacing throughout the stage, occasionally making gestures to accentuate performance and add humour.\n\nFortner Anderson \n01:34:25\n[Finishes poem. Audience applause.] | Video Description: Fortner Anderson puts microphone back onto stand and nods to the audience. Camera zooms out as Fortner Anderson exits via stage right.\n\n[No signal]\n01:34:40\n[Ambient sounds (white noise).] | Video Description: Black screen with static.\n\nIan Ferrier\n01:34:46\n[Audience laughter. Addresses audience. Introduces medley recording from Ian Stephens’ newest cassette (from Wired on Words Productions) and Ian Stephens. Audience applause.] | Video Description: Cut to camera zooming into extreme closeup on side profile of Ian Ferrier standing at microphone, addressing audience. Ferrier exits via stage right. Camera zooms out to long shot of the lone microphone on stage.\n\nIan Stephens\n01:35:31\n[Ambient sounds (voices, coughs, movement, dog barking). Recording of unknown Ian Stephens' medley fades in and plays, beginning with the line \"23-12-91 under the bridge.\" Ian Stephens performs a piece.] | Video Description: Camera tilts before positioning upright again. Ian Stephens walks on via stage right carrying a chair, putting it down centre stage. Ian Stephens wears a brown jacket, darkwash jeans, black hooded sweatshirt, and a backward baseball cap. Ian Stephens places a bottle on the black milk crate behind the chair. Ian Stephens points and nods to an audience member (off-screen). Stephens takes off brown jacket and drops it next to the black milk crate. Ian Stephens walks up to the chair, takes out a book, drops it on the floor in front of him, and searches pockets. Ian Stephens walks back to brown jacket and searches it for a yellow object.\n\nIan Stephens\n01:36:31\n[Ian Stephens continues performing a piece. Towards the end, he repeats the line \"Thinking about cracks.\"] | Video Description: Camera tilts up and zooms into closeup to capture Ian Stephens removing hat, dropping it on the floor, and putting hoodie over his head. Stephens begins wrapping his head in yellow caution tape. Ian Stephens takes out a set of bottom veneers from sweatshirt pocket. Camera zooms into an extreme closeup as Stephens places the veneers in his mouth, attempting to chew and breathe through a small slit between the tape. Camera zooms out to a long shot and pans up and down to capture Ian Stephens' entire figure on stage, with caution tape draping to the floor. Stephens bends and limps, sitting in the chair centre-stage, making himself smaller and smaller. Camera zooms into a closeup of the fingerless gloves on Ian Stephens' hands. Ian Stephens twitches to certain words in the recording. Ian Stephens stands, waving his arms around him, and approaches the microphone stand. Camera zooms into extreme closeup as Ian Stephens holds onto the microphone stand and vocalizes into microphone.\n\nIan Stephens\n01:41:35\n[Thanks audience. Audience applause.] | Video Description: Ian Stephens addresses audience before stepping away from microphone stand. Ian Stephens unravels caution tape from around head and pops out veneer. Ian Stephens adjusts microphone and stares out at audience. \n\nIan Stephens\n01:41:56\n[Performs a piece beginning with the line \"If I can't have you\".] | Video Description: Camera zooms in and out on Ian Stephens performing into the microphone.\n\nIan Stephens\n01:43:21\n[Live instrumentation (guitar (?), bass (?), piano) fades in. Audience laughter throughout.] | Video Description: Ian Stephens nods head at an unknown musician (off-screen) as he continues to perform. Ian Stephens lifts microphone from stand and performs pacing across the stage, camera panning and zooming in and out to follow his movements.\n\nIan Stephens\n01:46:28\n[Thanks audience. Audience applause.] | Video Description: Ian Stephens thanks audience and walks toward centre stage. Ian Stephens places microphone in stand and picks book off of floor. Ian Stephens flips through book.\n\nIan Stephens\n01:46:49\n[Addresses audience. Thanks Fortner Anderson and Ian Ferrier. Audience applause. Thanks Endre Farkas for assistance with Diary of a Trademark (The Muses Co., 1995). Introduces “Do You Want a Colour TV?” from Diary of a Trademark. | Video Description: Ian Stephens addresses audience into the microphone. Stephens thanks Fortner Anderson and Ian Ferrier, applauding along with audience. Stephens addresses audience.\n\nIan Stephens\n01:47:33\n[Reads “Do you Want a Colour TV?”.] | Video Description: Ian Stephens reads from book in his hand into the microphone, glancing up occasionally at the audience.\n\nIan Stephens\n01:49:02\n[Thanks audience. Audience applause.] | Video Description: Ian Stephens addresses audience and starts to walk off stage. Stephens collects items from floor and unwraps caution tape from around his shoulders. Camera pans to follow Stephens walking off via stage right. Camera pans back to a long shot of the stage. Camera zooms into a closeup as Ian Ferrier enters via stage right, approaching the microphone. \n\nIan Ferrier\n01:49:25\n[Thanks Ian Stephens. Addresses audience. Audience member (Ian Stephens?) interacts (calling out “buy it!”). Audience laughter. Ian Ferrier promotes Ian Stephens’ cassette. Introduces Aidan (?) Evans. Announces end of event, mentioning that the pianist of the Hieronymus Borscht Nonet will keep playing the piano while the bar remains open. Audience applause.] | Video Description: Ian Ferrier addresses audience. Ferrier laughs at unseen audience member’s (Ian Stephens?) remark and resumes addressing audience. Ian Ferrier waves to audience and exits via stage right. Camera quickly pans across applauding audience. \n\nHieronymus Borscht Nonet\n01:49:58\n[The pianist of the Hieronymus Borscht Nonet plays unknown composition on piano.] | Video description: Camera shifts downward and blurs from the speed of its movement. Audience members’ feet and stools.\n\n[No signal]\n01:50:00\n[Ambient sounds (white noise).] | Video Description: Black screen with static.\n\nEND\n01:51:37\n[End of recording.]"],"score":4.785733},{"id":"5182","cataloger_name":["Carlos A.,Pittella"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Lee Gotham collection"],"source_collection_label":["Lee Gotham collection"],"collection_contributing_unit":["Spokenweb at Concordia University"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Lee Gotham collection contains the AV recordings regarding the Enough Said series, including readings, performances, open-mic, and spoken-word events that took place at Bistro 4 and other Montreal venues between December 1994 and June 1996."],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Enough Said 1995-10-29, Référ END um?"],"item_title_source":["Asset"],"item_title_note":["On event posters."],"item_language":["English"],"item_series_title":["Lee Gotham collection"],"item_subseries_title":["Enough Said"],"item_identifiers":["[]"],"rights_notes":["Rights status in process. We may wish to seek permission from producers."],"creator_names":["Swift, Todd","Monette, Hélène","Nawrocki, Norman","Lefebvre, Michel","Gotham, Lee"],"creator_names_search":["Swift, Todd","Monette, Hélène","Nawrocki, Norman","Lefebvre, Michel","Gotham, Lee"],"creators":["[{\"url\":\"https://viaf.org/viaf/41039443/\",\"name\":\"Swift, Todd\",\"dates\":\"\",\"notes\":\"Event headliner.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"https://viaf.org/viaf/23211829\",\"name\":\"Monette, Hélène\",\"dates\":\"1960-2015\",\"notes\":\"Event headliner.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"https://viaf.org/viaf/34063513\",\"name\":\"Nawrocki, Norman\",\"dates\":\"\",\"notes\":\"Event headliner.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"https://viaf.org/viaf/106543134\",\"name\":\"Lefebvre, Michel\",\"dates\":\"1961-\",\"notes\":\"Event headliner.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"https://viaf.org/viaf/106179112\",\"name\":\"Gotham, Lee\",\"dates\":\"1962-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Producer\"]}]"],"contributors_names":["Petel, Alain"],"contributors_names_search":["Petel, Alain"],"contributors":["[{\"url\":\"https://viaf.org/viaf/316918169\",\"name\":\"Petel, Alain\",\"dates\":\"\",\"notes\":\"Producer; Petel's name appears on the event permit.\",\"nation\":[],\"role\":[\"Producer\"]}]"],"Producer_name":["Petel, Alain"],"Performance_Date":[1995],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"No AV recordings; only paper documentation available.\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"Two posters and one permit.\",\"other_physical_description\":\"\"}]"],"digital_description":["[{\"file_url\":\"https://liveconcordia-my.sharepoint.com/:b:/g/personal/carlosa_pittella_concordia_ca/ES051QTeHyxMnZ-Pa6cmy-sB-5_j-2aR1RVthFgJSdDpzQ?e=Y092BO\",\"file_path\":\"\",\"filename\":\"Enough_Said-19951029-Référ_END_um-docs.pdf\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"1.9 MB on disk\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"1 poster and 1 flyer printed in black ink on letter-size paper; 1 copy of a faxed permit.\",\"notes\":\"The poster and the flyer contain the Enough Said logo. The permit contains the symbol of the Ville of Montréal.\",\"title\":\"Référ END um?\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Document\",\"featured\":\"Yes\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1995-10-29\",\"type\":\"Performance Date\",\"notes\":\"Date stated on the poster, flyer, and permit.\",\"source\":\"Documentation\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/2428619734\",\"venue\":\"Bistro 4\",\"notes\":\"Bistro 4 (pronounced Bistro Quatre), no longer in existence—the alternative venue, in case of rain, as stated on the poster and flyer.\",\"address\":\"4040 St. Laurent, Montréal, QC, H2W 1Y8, Canada\",\"latitude\":\"45.5169628\",\"longitude\":\"-73.5796147\"},{\"url\":\"https://www.openstreetmap.org/node/10051898970\",\"venue\":\"Carré Saint-Louis\",\"notes\":\"Carré Saint-Louis (St. Louis Square).\",\"address\":\"Carré Saint-Louis\",\"latitude\":\"45.5170712\",\"longitude\":\"-73.5699352\"}]"],"Address":["4040 St. Laurent, Montréal, QC, H2W 1Y8, Canada","Carré Saint-Louis"],"Venue":["Bistro 4","Carré Saint-Louis"],"City":["Montreal, Quebec"],"contents":["No AV recordings; only paper documentation available, including: 1 poster and 1 flyer printed in black ink on letter-size paper; 1 copy of a faxed permit.\n\nThe poster features the event title \"RÉFÉR END UM?\" and the following text: \"YES NON | ÉCOUTONS THE POETICIANS | 14h, Carré St. Louis, dimanche le 29 octobre | 2pm. Sun. 29 Oct. in the park, Carré St. Louis | en cas de pluie / in case of rain | 20h/8pm. Bistro 4 | 4040 St. Laurent (cn. Duluth).\" \n\nThe flyer contains: similar bilingual info regarding time and place; the subtitle \"beyond Yes and No il y a un | Référ END um? | un apres-midi of poetical activism\"; and the bionotes of Todd Swift, Hélène Monette, Michel Lefebvre, and Norman Nawrocki.\n\nThe faxed copy of the permit states it was accorded by the Ville de Montréal to Alain Petel for \"activité de poésie Enough Said Productions.\""],"Note":["[{\"note\":\"Carlos A. Pittella\",\"type\":\"Cataloguer\"}]"],"Related_works":["[{\"url\":\"https://www.worldcat.org/title/757290350\",\"citation\":\"Nawrocki, Norman. Rebel Moon: @narchist Rants & Poems. Edinburgh: AK Press, 1997.\"},{\"url\":\"https://www.worldcat.org/oclc/174100461\",\"citation\":\"Camlot, Jason, and Todd Swift. Language Acts: Anglo-Québec Poetry, 1976 to the 21st Century. Montréal: Véhicule Press, 2007.\"},{\"url\":\"https://www.worldcat.org/title/433791053\",\"citation\":\"Monette, Hélène. Le goudron et les plumes. Montréal: XYZ, [1993?].\"},{\"url\":\"https://www.worldcat.org/title/35249726\",\"citation\":\"Monette, Hélène. Unless : roman. Montréal: Boréal, [1995].\"},{\"url\":\" https://www.worldcat.org/title/936842690\",\"citation\":\"Lefebvre, Michel. XXX. Montréal: Sous le manteau, [1993].\"},{\"url\":\" https://www.worldcat.org/title/36339365\",\"citation\":\"Lefebvre, Michel. Montréal: Herbes rouges, 1996.\"}]"],"_version_":1853670549170946048,"timestamp":"2026-01-07T14:59:53.772Z","score":4.785733},{"id":"5184","cataloger_name":["Carlos A.,Pittella"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Lee Gotham collection"],"source_collection_label":["Lee Gotham collection"],"collection_contributing_unit":["Spokenweb at Concordia University"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Lee Gotham collection contains the AV recordings regarding the Enough Said series, including readings, performances, open-mic, and spoken-word events that took place at Bistro 4 and other Montreal venues between December 1994 and June 1996."],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Enough Said 1995-01-09, Swifty Lazarus"],"item_title_source":["Asset"],"item_title_note":["On ephemera and corroborated by Lee Gotham, who introduces the event headliners."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Lee Gotham collection"],"item_subseries_title":["Enough Said"],"item_identifiers":["[]"],"rights_notes":["Rights status in process. We may wish to seek permission from individual artists and Drew Duncan, the videographer."],"creator_names":["Swift, Todd","Gotham, Lee","Walsh, Tom"],"creator_names_search":["Swift, Todd","Gotham, Lee","Walsh, Tom"],"creators":["[{\"url\":\"https://viaf.org/viaf/41039443/\",\"name\":\"Swift, Todd\",\"dates\":\"1966-\",\"notes\":\"Event headliner; one-half of Swifty Lazar.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"https://viaf.org/viaf/106179112\",\"name\":\"Gotham, Lee\",\"dates\":\"1962-\",\"notes\":\"Lee Gotham was also the MC of this event.\",\"nation\":[],\"role\":[\"Series organizer\",\"Producer\",\"Performer\"]},{\"url\":\"\",\"name\":\"Walsh, Tom\",\"dates\":\"\",\"notes\":\"Event headliner; one-half of Swifty Lazar.\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Duncan, Drew","Berger, Halina","Flemming, Susan"],"contributors_names_search":["Duncan, Drew","Berger, Halina","Flemming, Susan"],"contributors":["[{\"url\":\"\",\"name\":\"Duncan, Drew\",\"dates\":\"\",\"notes\":\"Videographer.\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"\",\"name\":\"Berger, Halina\",\"dates\":\"\",\"notes\":\"Open-mic performer.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Flemming, Susan \",\"dates\":\"\",\"notes\":\"Open-mic performer.\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Berger, Halina","Flemming, Susan "],"Recordist_name":["Duncan, Drew"],"Performance_Date":[1995],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/5183/Enough_Said-VHS1-19941219_19950123_19950109.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Video\",\"tape_brand\":\"TDK SHG\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"120 minutes\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"VHS\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Tape box. Handwritten label on side. Ephemera accompanying asset.\",\"other_physical_description\":\"VHS #1 asset. Contains recordings of multiple events.\"}]"],"material_designations":["VHS"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Video"],"playback_mode":["Mono"],"digital_description":["[{\"file_url\":\"https://liveconcordia-my.sharepoint.com/:v:/g/personal/carlosa_pittella_concordia_ca/ER_C-dTQXhZFqUB3yZtmqe0B_8eWTxOAgZafp9qp6aFW9g\",\"file_path\":\"\",\"filename\":\"Enough_Said-19950109-Swifty_Lazar.mp4\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"01:12:06\",\"precision\":\"\",\"size\":\"2.03 GB on disk\",\"bitrate\":\"2304Kbps (original); 256Kbps (master)\",\"encoding\":\"MPEG-4 movie\",\"contents\":\"This is file 1 of 1 containing an AV recording of an event in the Enough Said series, organized by Lee Gotham, featuring performances by Swifty Lazar and others.\",\"notes\":\"Dimensions: 640 × 480.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Video Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1995-01-09\",\"type\":\"Performance Date\",\"notes\":\"Though the Swifty-Lazar event happened before the Wiernik-and-Anderson event, their chronology is switched in VHS #1.\",\"source\":\"Asset\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/2428619734\",\"venue\":\"Bistro 4\",\"notes\":\"Bistro 4 (pronounced Bistro Quatre), no longer in existence.\",\"address\":\"4040 St. Laurent, Montréal, QC, H2W 1Y8, Canada\",\"latitude\":\"45.5169628\",\"longitude\":\"-73.5796147\"}]"],"Address":["4040 St. Laurent, Montréal, QC, H2W 1Y8, Canada"],"Venue":["Bistro 4"],"City":["Montreal, Quebec"],"content_notes":["Event recording starts at 02:31:09:17 of VHS #1 asset, which contains multiple events."],"Note":["[{\"note\":\"Carlos A. Pittella\",\"type\":\"Cataloguer\"},{\"note\":\"VHS #1 asset. Contains recordings of multiple events: (1) Enough Said 1994-12-19, Gotham and Diamond; (2) Enough Said 1995-01-23, Wiernik and Anderson; and (3) Enough Said 1995-01-09, Swifty Lazar. Note the recordings in VHS #1 are not in chronological order. The asset was digitized, generating both uncompressed and compressed video files; the compressed files were then split into events to facilitate the transcription work. Metadata entries based on events.\",\"type\":\"General\"},{\"note\":\"Jade Palmer\",\"type\":\"Cataloguer\"}]"],"Related_works":["[{\"url\":\"https://www.worldcat.org/oclc/82772021\",\"citation\":\"Camlot, Jason, and Todd Swift (Eds.). Language Acts: Anglo-Québec Poetry, 1976 to the 21st Century. Montréal: Véhicule Press, 2007.\"}]"],"_version_":1853670549173043200,"timestamp":"2026-01-07T14:59:53.772Z","contents":["[Bistro 4 stage]\n00:00:00\nVideo Description: Colour video, different degrees of closeup of the stage at Bistro 4 (Quatre) (4040 St. Laurent, Montréal, QC, H2W 1Y8, Canada). A single mic stand. The stage, slightly below street level, is set against a full-wall window looking out onto the St. Laurent Blvd. traffic—with both pedestrians and vehicles regularly passing by. The windows from across the street are also visible. People frequently pass in front of the camera. White spherical lights hang from the ceiling. Long shot as two individuals set up technical equipment and reading materials on the stage, and audience members talk to each other. \n\nLee Gotham\n00:00:49\nOkay, thank you very much for your patience. Merci, de la rester (?) encore. For this evening we’re going to begin as we’re wont to do with a very short section of open mic participation. Open mic participation, i.e., people like yourselves, who are willing to come up, regale us with your thoughts, emotions, and anything else they’re willing to part with. I can read “Halina” and I guess at (?) behind the black (?) on the board. So Halina, you can come up and join us, we’ll be off and running. | Video Description: Camera gradually zooms from long shot to closeup as Gotham speaks into the mic. Gotham wears a black zippered sweater with unknown white graphics on the back, a small white logo on the front left side, and sleeves rolled up to the elbows; black rimmed cap; and hair in a ponytail through the hole in the back. \n\nHalina Berger \n00:01:48\n[Says they have never read in front of this many people before. Reads a piece beginning with the line “Springtime just before winter.” Volume level very low. Applause.] | Video Description: Closeups and extreme closeups as Berger reads a piece. Berger wears a red V-neck long-sleeved shirt with a few buttons at the top, silver chain around her neck, small hoop earrings, and short dark brown hair. \n\nLee Gotham \n00:04:14\n[Encourages open mic participants to speak clearly and strongly into the mic, reminds them that the time limit is five to seven minutes, and that polite applause is not allowed. Invites Susan Flemming to the stage.] | Video Description: Medium shot to loose closeup as Gotham speaks into the mic. \n\nSusan Flemming\n00:05:44 \n[Says they thought Gotham meant that there were things that open-mic performers could not talk about. Asked Gotham if people were allowed to clap. Recalled when someone at a previous poetry event said they were taught not to laugh at poetry. Recalled, in a Toronto restaurant, when someone said not to get the $10.99 special or else the poet will want to sleep with you. Explains that they wrote this poem about how poets talk about sex more than they have it. Begins to perform a piece titled “Supper is Served.” Pauses and remarks how they can move around more. Recommences.] | Video Description: Closeup as Flemming begins to perform a piece, pauses to take the microphone off the stand, continues performing. Flemming wears a loose-fitting black jacket atop a white shirt, a yellow scarf with black and white patterns, circular wire-rimmed glasses, and short medium-brown hair with bangs. \n\nSusan Flemming\n00:08:00\n[Performs a piece titled “What the Poet Does.”] | Video Description: Loose closeup as Flemming performs a piece.\n\nSusan Flemming\n00:08:36\n[Asks the audience if anyone is married. No response. Introduces and performs a piece titled “Two Married Women: Rules for the Affair.”] | Video Description: Closeup as Flemming introduces and performs a piece. \n\nSusan Flemming \n00:09:46\n[Tells a joke about orgasms. Brief laughter. Asks if anyone has had sex on the beach lately. Lists a cocktail recipe. Performs a piece beginning with the line “When you touch me, a constellation of stars quiver in the night.”] | Video Description: Closeup as Flemming introduces and performs a piece.\n\nSusan Flemming \n00:11:20\n[Introduces and performs a piece titled “Mary of Jane.” Applause.] | Video Description: Medium shots and closeups as Flemming introduces and performs a piece.\n\nLee Gotham \n00:12:32\n[Apologizes to Flemming for the time constraints. Mentions that there will be one more “brief pause” before Swifty Lazarus. Sudden cut in audio.] | Video Description: Gotham speaks briefly into the mic. Sudden cut in video.\n\nSwifty Lazarus \n00:13:08\n[Recording of ambient music with choral elements plays in background. Audience chatter. Sudden cut in audio suggests the feed was stopped and recommenced. Another sudden cut in audio.] | Video Description: Walsh suspends microphone from tall microphone stand branching to the right. Sudden cut in video suggests the feed was cut and recommenced. Zoom in on microphone. Todd Swift, wearing headphones, tests mic inaudibly. Another sudden cut in video. Todd Swift wears a black suit jacket over a white button-down shirt with a black bowtie, black rectangular glasses, and dark hair close cropped on the sides and parted just off-centre. Tom Walsh wears a leather vest with decorative zippers over a black long-sleeved shirt and short dark hair.\n\nLee Gotham \n00:17:15\n[Introduces Swifty Lazarus.] | Video Description: Varying degrees of closeup as Gotham speaks into the mic.\n\nSwifty Lazarus \n00:17:55\n[Recording of cinematic music with harp and horns plays. Swift performs a piece beginning with the line “After the end of the world, there is much work to be done.”] | Video Description: Loose closeup as Swift performs a piece. \n\nSwifty Lazarus\n00:19:38\n[Recording of uneasy and discordant string instrument music plays. Shifts to cacophonous horn and percussion sounds and screeching. Swift performs a piece titled “(?) Barbershop.” Brief applause and laughing.] | Video Description: Swift stands perpendicular to the mic. Walsh stands up. Swift approaches the mic and performs a piece. Loose closeup throughout. \n\nSwifty Lazarus\n00:21:31\n[Recording of cinematic string and horn music plays. In a radio-esque transatlantic accent, a recorded voice delivers monologue that includes the line, “the hearts of men, a shadow now.”] | Video Description: Loose closeup of Swift holding up a white handheld cassette tape player to the mic, looking at watch, and taking tape player away from mic.\n\nSwifty Lazarus\n00:22:32\n[Recording of spare xylophone music plays. In a muted, mid-twentieth-century-radio tone, Swift performs a piece beginning with the line, “The theory of tunnel (work?) is a powerful distinction between a (ledger?) and employment.” Music gradually adds both cinematic and discordant strings reminiscent of earlier musical sections.] | Video Description: Loose closeup to closeup as Smith performs a piece with a trumpet mute up to their lips.\n\nSwifty Lazarus\n00:25:37\n[Recording of discordant string music and vocalization plays. Swift performs a piece beginning with the line “The shadowy man (has guilt inside?) (? and sighs?). Moscow.”.] | Video Description: Medium shot as Swift turns away from the mic. Closeup as Swift turns back and performs a piece, reading off a newspaper. \n\nSwifty Lazarus\n00:27:30\n[Recording of up-beat jazz music with xylophone and horns plays. “History is dead and the full weight of the present (?)” Laughter periodically throughout. The music and Swift’s delivery gets faster and more chaotic partway through. Music suddenly cuts seemingly on purpose and Swift continues reading. Music recommences. Applause] | Video Description: Closeup and extreme closeup as Swift performs a piece. \n\nSwifty Lazarus\n00:31:09 \n[Recording of a single unknown string or horn instrument playing seemingly random notes plays. A recording of two voices conversing plays.] | Video Description: Varying degrees of closeup as Swift holds a white handheld cassette tape player to the mic. Nods and smiles along with the audio. \n\nSwifty Lazarus\n00:32:35\n[Recording of simple snare and bass drum beat plays, in which short guitar or horn melodies quip periodically. Swift performs a piece beginning with the line “So much rain in one hat band.”] | Video Description: Medium shots and loose closeups as Swift performs a piece. \n\nSwifty Lazarus\n00:35:23\n[Old recording of a two-voice conversation plays. Swift softly delivers a piece. Uneasy vintage horror movie music begins partway through.] | Video Description: Walsh stands and lights a cigarette. Closeup as Swift performs a piece. \n\nSwifty Lazarus\n00:36:55\n[Old recording of a two-voice phone conversation plays. The first verse of a child choir singing “Oh Canada” plays. A recording of steady gong or cymbal hits plays. Swift performs a piece beginning with the line “One softness (?) going, the sea turns like glass.” Recording of staccato pulses of unknown instruments begin partway through.] | Video Description: Closeup as Swift performs a piece.\n\nSwifty Lazarus\n00:39:55\n[Old recording of a newscast beginning with the line, “The Nazi war criminal died” plays. Swift performs a piece beginning with the line, “But when the Berlin Wall fell five years ago, it was a signal.” A recording of raucous percussion plays after the first line, evolves into quiet sirens.] | Video Description: Closeup of the microphone while Swift smokes a cigarette off-camera. Closeup as Swift performs a piece.\n\nSwifty Lazarus\n00:41:49\n[Recording of hopeful and content piano and drum music plays. Swift strongly performs a piece beginning with the line, “There’s one thing I remember right from childhood. From the beginning. And it is the smell of roses.” Music slowly shifts to high-pitched and discordant electric organ chords with periodic driving percussion. Applause] | Video Description: Closeup as Swift performs a piece. \n\nSwifty Lazarus\n00:52:11\n[Long pause.] | Video Description: Medium shot and closeup as Swift faces away from the mic checking watch and adjusting headphones, sometimes out of frame. \n\nSwifty Lazarus\n00:53:12\n[Recording of ominous stringed instrument music plays. Swift performs a piece beginning with the line “What happened to you when you were murdered?”] | Video Description: Closeup as Swift performs a piece, ending with an extreme closeup. \n\nSwifty Lazarus\n00:56:09\n[Recording of unknown screeching instrument plays. Recording of one person pleading “no” and “stop” and another person talking sinisterly plays. Recording of a two-voice conversation plays.] Video Description: Extreme closeup as Swift holds up a white handheld cassette tape player to the mic. Swift’s face reacts to the dialogue in the recordings. \n\nSwifty Lazarus\n00:58:01\n[Recording of intense large wind instrument and large drums plays. Swift performs a piece beginning with the line “The architect of the future.”] | Video Description: Closeup as Swift performs a piece. \n\nSwifty Lazarus\n01:01:36\n[Recording of ominous ambient music plays. Swift performs a piece beginning with the line “I’ve seen a man stagger with a thousand arrows in his back.” Applause.] | Video Description: Closeup as Swift performs a piece. \n\nSwifty Lazarus\n01:04:53 \n[Swift announces, “this is the last one.” Recording of happy horn and drum music plays, cuts suddenly, and recommences. Swift performs a piece that may be titled “Ten Rose Songs.” Music cuts and recommences in different styles rapidly and repeatedly throughout performance. Laughter throughout. Applause.] | Video Description: Walsh stands up, leans over to Swift, sits back down. Closeup as Swift performs a piece. \n\nSwifty Lazarus\n01:08:44\n[Walsh introduces Swift and themselves. Explains that the name of their group is inspired by “Hollywood’s greatest entrepreneur,” Irving Paul \"Swifty\" Lazar. | Video Description: Medium shot as Swift and Walsh stand side by side. Closeup as Walsh speaks into the mic. \n\nLee Gotham\n01:09:50\n[Hopes everyone “soaked that up.” Encourages people to stay after the show. Mentions that bill bissett is next week’s performer. Mentions further future events. Applause.] | Video Description: Loose closeup to extreme closeup as Gotham speaks into the mic. \n\n[No signal]\n01:11:21\n[Ambient sounds (white noise).] | Video Description: Black screen with static. \n\nEND\n01:12:06\n[End of recording.]"],"score":4.785733}]