[{"id":"7955","cataloger_name":["Frances Grace,Fyfe"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["YAWP at The Rivoli #1"],"item_title_source":["Cataloguer"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["YAWP"],"item_identifiers":["[]"],"creators":["[]"],"contributors_names":["Ferrier, Ian","Anderson, Fortner","Brown, Jake"],"contributors_names_search":["Ferrier, Ian","Anderson, Fortner","Brown, Jake"],"contributors":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/106026246\",\"name\":\"Anderson, Fortner\",\"dates\":\"1955-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Brown, Jake\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Ferrier, Ian","Anderson, Fortner","Brown, Jake"],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7955/Ferrier_F085_SW7955_cassette.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"BASF\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"48kHz\",\"duration\":\"00:43:24\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/#map=19/43.64941/-79.39528\",\"venue\":\"The Rivoli\",\"notes\":\"\",\"address\":\"334 Queen St W, Toronto, ON, M5V 2A2\",\"latitude\":\"43.64941\",\"longitude\":\"-79.39528\"}]"],"Address":["334 Queen St W, Toronto, ON, M5V 2A2"],"Venue":["The Rivoli"],"City":["Toronto, Ontario"],"contents":["Very hard to make out what is going on, only got pickup on L side. Someone welcomes the host, someone welcomes someone to stage who sounds like they might be speaking in Finnish(?), a surprise performer from Toronto named Dawn(?) performs spoken word poetry. Jake (Brown?) talks about teaching at Concordia, Ian Ferrier performs spoken word poetry, musical performance with woman vocalist and guitar. The MC introduces Fortner Anderson, who performs spoken word poetry."],"Note":["[{\"note\":\"Frances Grace Fyfe\",\"type\":\"Cataloguer\"}]"],"Related_works":["[]"],"_version_":1853670549340815365,"timestamp":"2026-01-07T14:59:53.966Z","score":1.5188013},{"id":"7956","cataloger_name":["Frances Grace,Fyfe"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["YAWP at The Rivoli #2"],"item_title_source":["Cataloguer"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["YAWP"],"item_identifiers":["[]"],"creators":["[]"],"contributors_names":["Lynch, Barbara"],"contributors_names_search":["Lynch, Barbara"],"contributors":["[{\"url\":\"\",\"name\":\"Lynch, Barbara\",\"dates\":\"\",\"notes\":\"Barbara Lynch is a musician/singer/songwriter from Toronto, Ontario, Canada. Her first album, Goodbye and Goodluck, was released by Duke Street Records in 1996. Lynch self-produced her second album, In the Nickelodeon. It was released in 2008 under GDA Records and then in 2009 become a part of the new Cowboy Junkies' record label, Latent Recordings, distributed by MapleMusic.\\n\\n\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Lynch, Barbara"],"material_description":["[{\"side\":\"B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"BASF\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"A\",\"image\":\"Uploads/7956/Ferrier_F085_SW7956_cassette.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"BASF\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette","Cassette"],"physical_compositions":["Magnetic Tape","Magnetic Tape"],"recording_type":["Analogue","Analogue"],"AV_type":["Audio","Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"48kHz\",\"duration\":\"00:43:24\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"A side\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"48kHz\",\"duration\":\"00:43:24\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"B side\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/#map=19/43.64941/-79.39528\",\"venue\":\"The Rivoli\",\"notes\":\"\",\"address\":\"334 Queen St W, Toronto, ON, M5V 2A2\",\"latitude\":\"43.64941\",\"longitude\":\"-79.39528\"}]"],"Address":["334 Queen St W, Toronto, ON, M5V 2A2"],"Venue":["The Rivoli"],"City":["Toronto, Ontario"],"contents":["Someone (a woman) can be heard introducing a poem called \"Chocolate Dip,\" performs spoken word poetry, MC introduces next artist, who sings and plays a song on guitar called \"Life Ain't Easy,\" MC introduces Barbara Lynch, who performs guitar. On B side, other women perform spoken word poetry and music. Sound is echoing."],"Note":["[{\"note\":\"Frances Grace Fyfe\",\"type\":\"Cataloguer\"}]"],"Related_works":["[]"],"_version_":1853670549340815366,"timestamp":"2026-01-07T14:59:53.966Z","score":1.5188013},{"id":"7957","cataloger_name":["Frances Grace,Fyfe"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["YAWP at The Rivoli #3"],"item_title_source":["Cataloguer"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["YAWP"],"item_identifiers":["[]"],"creators":["[]"],"contributors_names":["Wainwright, Martha"],"contributors_names_search":["Wainwright, Martha"],"contributors":["[{\"url\":\"http://viaf.org/viaf/76047794\",\"name\":\"Wainwright, Martha\",\"dates\":\"1976-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Wainwright, Martha"],"material_description":["[{\"side\":\"B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"BASF\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"A\",\"image\":\"Uploads/7957/Ferrier_F085_SW7957_cassette.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"BASF\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette","Cassette"],"physical_compositions":["Magnetic Tape","Magnetic Tape"],"recording_type":["Analogue","Analogue"],"AV_type":["Audio","Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"48kHz\",\"duration\":\"00:43:24\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"A side\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:27:42\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"B side\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/#map=19/43.64941/-79.39528\",\"venue\":\"The Rivoli\",\"notes\":\"\",\"address\":\"334 Queen St W, Toronto, ON, M5V 2A2\",\"latitude\":\"43.64941\",\"longitude\":\"-79.39528\"}]"],"Address":["334 Queen St W, Toronto, ON, M5V 2A2"],"Venue":["The Rivoli"],"City":["Toronto, Ontario"],"contents":["Sound of a live band warming up, Andrew Sweeney sings, a woman performs spoken word poetry. On B side, a man performs spoken word poetry. Martha Wainwright performs music. A man (the MC?) rants about Immanuel Kant's incomprehensibility. A man from Alberta performs a piece of spoken word poetry. "],"Note":["[]"],"Related_works":["[]"],"_version_":1853670549341863936,"timestamp":"2026-01-07T14:59:53.966Z","score":1.5188013},{"id":"7958","cataloger_name":["Frances Grace,Fyfe"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["YAWP at The Rivoli - Lee Gotham"],"item_title_source":["Cataloguer"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["YAWP"],"item_identifiers":["[]"],"creators":["[]"],"contributors_names":["Gotham, Lee","Ferrier, Ian"],"contributors_names_search":["Gotham, Lee","Ferrier, Ian"],"contributors":["[{\"url\":\"http://viaf.org/viaf/106179112\",\"name\":\"Gotham, Lee\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-2023\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Gotham, Lee","Ferrier, Ian"],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7958/Ferrier_F085_SW7958_cassette.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"48kHz\",\"duration\":\"00:25:08\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/#map=19/43.64941/-79.39528\",\"venue\":\"The Rivoli\",\"notes\":\"\",\"address\":\"334 Queen St W, Toronto, ON, M5V 2A2\",\"latitude\":\"43.64941\",\"longitude\":\"-79.39528\"}]"],"Address":["334 Queen St W, Toronto, ON, M5V 2A2"],"Venue":["The Rivoli"],"City":["Toronto, Ontario"],"contents":["A man (Lee Gotham?) thanks Jake for the introduction, begins reading a series of odes. Ian Ferrier performs spoken word poetry over a live band. Tape cuts to recorded music, \"Adios,\" by Glen Campbell."],"Note":["[]"],"Related_works":["[]"],"_version_":1853670549341863937,"timestamp":"2026-01-07T14:59:53.966Z","score":1.5188013},{"id":"9615","cataloger_name":["Gloriah,Onyango"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SpokenWeb AV"],"source_collection_label":["SpokenWeb AV"],"collection_contributing_unit":["SpokenWeb"],"source_collection_uri":[""],"collection_image_url":["https://archiveofthepresent.spokenweb.ca/_nuxt/img/header-img_1000.fd7675f.png"],"collection_source_collection_description":["SpokenWeb Audio Visual Collection"],"collection_source_collection_id":["ArchiveOfThePresent"],"persistent_url":["https://archiveofthepresent.spokenweb.ca/"],"item_title":["SpokenWeb Podcast S3E2, Lisa Robertson and the Feminist Archive, 1 November 2021, Polyck-O’Neill"],"item_title_source":["SpokenWeb Podcast web page."],"item_title_note":["https://spokenweb.ca/podcast/episodes/lisa-robertson-and-the-feminist-archive/"],"item_language":["English"],"item_production_context":["Podcast"],"item_series_title":["The SpokenWeb Podcast"],"item_series_description":["Series of podcasts by the SpokenWeb network."],"item_subseries_title":["The SpokenWeb Podcast Season 3"],"item_series_wikidata_url":["https://www.wikidata.org/wiki/Q117038029"],"item_series_uri":["https://spokenweb.ca/podcast/spokenweb-podcast/"],"item_identifiers":["[]"],"rights":["Creative Commons Attribution (BY)"],"rights_license":["Creative Commons Attribution (BY)"],"access":["Streaming and download"],"creator_names":["Julia Polyck-O’Neill"],"creator_names_search":["Julia Polyck-O’Neill"],"creators":["[{\"url\":\"\",\"name\":\"Julia Polyck-O’Neill\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\"]}]"],"contributors":["[]"],"Publication_Date":[2021],"material_description":["[]"],"digital_description":["[{\"file_url\":\"https://cdn.simplecast.com/audio/28a9da1f-8cca-410c-b5d7-8165a73f9394/episodes/3d1f947d-a26e-415a-9002-caeecdb1698e/audio/9aee09d9-16e3-4499-b25f-e666c04ae3a4/default_tc.mp3\",\"file_path\":\"\",\"filename\":\"s3e2-lisa-robertson-and-the-feminist-archive.mp3\",\"channel_field\":\"\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"00:47:38\",\"precision\":\"\",\"size\":\"45,801,683 bytes\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"MP3 audio\",\"title\":\"s3e2-lisa-robertson-and-the-feminist-archive\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://spokenweb.ca/podcast/episodes/lisa-robertson-and-the-feminist-archive/\"}]"],"Dates":["[{\"date\":\"2021-11-01\",\"type\":\"Publication Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/15396822\",\"venue\":\"York University Keele Campus\",\"notes\":\"\",\"address\":\"4700 Keele Street Toronto, ON, M3J 1P3 \",\"latitude\":\"43.77417545\",\"longitude\":\"-79.50474900961275\"}]"],"Address":["4700 Keele Street Toronto, ON, M3J 1P3 "],"Venue":["York University Keele Campus"],"City":["Toronto, Ontario"],"Note":["[]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Cvetkovich, Ann. An Archive of Feelings. Duke University Press, 2003.\\n\\nFong, Deanna and Karis Shearer. “Gender, Affective Labour, and Community-Building Through Literary Audio Artifacts.” No More Potlucks, 2018, http://nomorepotlucks.org/site/gender-affective-labour-and-community-building-through-literary-audio-artifacts-deanna-fong-and-karis-shearer/. Accessed 1 Dec. 2019. \\n\\nMorra, Linda. Unarrested Archives: Case Studies in Twentieth-Century Women’s Authorship. University of Toronto Press, 2014.\\n\\nRobertson, Lisa. “At the Kootenay School of Writing, Vancouver, 1994: Launch of XEclogue on January 8, 1994.” PennSound, n.d., https://media.sas.upenn.edu/pennsound/authors/Robertson/Robertson-Lisa_Reading_Kootenay-School_Vancouver_01-%2008-1994.mp3. Accessed 1 Sept. 2021.\\n\\nSingh, Julietta. No Archive Will Restore You. Punctum, 2018.\\n\\nTaylor, Diana. The Archive and the Repertoire: Performing Cultural Memory in the Americas. Duke University Press, 2003.\"}]"],"_version_":1853670549701525504,"timestamp":"2026-01-07T14:59:54.290Z","contents":["In this episode, SpokenWeb contributor Julia Polyck-O’Neill shares an archived recording of Canadian poet Lisa Robertson with us and talks us through two interviews she recorded with Robertson. Polyck-O’Neill invites us to consider the significance of Robertson’s intimate archival collections in light of the relationships between archives, memory, affect, and mortality. In examining these conceptual, material and immaterial dimensions of the archive within Robertson’s personal narrative history of the Kootenay School of Writing, Polyck-O’Neill points to how creative and feminist approaches to the archive and to archival practice are exist within Robertson’s practice. Polyck-O’Neill shares with us how Robertson’s archives are influencing her research and the ways she approaches the topic of archives and intimacy in her work and her life more broadly.\n\nAddendum: Listening Notes\n\nNancy Shaw (1962-2007), a celebrated curator, poet, writer, and organizer, at times collaborated with Lisa Robertson and also wrote work in dialogue with Robertson’s poetry. Robertson wishes to mention how greatly the absence of her good friends Shaw, Stacy Doris (d. 2012), and Peter Culley (d. 2015) has affected her. Additionally,  XEclogue was, in fact, Robertson’s first book, although she published chapbooks prior; additionally, she does not think of her books as collections, as they are written as single, cohesive works. The new edition of R’s Boat is titled Boat and is being published by Coach House in Spring 2022.\n\n00:03\tSpokenWeb Podcast Theme Music:\t[Instrumental Overlapped With Feminine Voice] Can you hear me? I don’t know how much projection to do here.\n \n\n00:18\tHannah McGregor:\tWhat does literature sound like? What stories will we hear if we listen to the archive? Welcome to the SpokenWeb Podcast: stories about how literature sounds. [End Music: SpokenWeb Podcast Theme Music].\n00:35\tHannah McGregor:\tMy name is Hannah McGregor, and each month I’ll be bringing you different stories of Canadian literary history and our contemporary responses to it created by scholars, poets, students, and artists from across Canada. Creating an archive of literary lives and events can be a daunting task. Think about an author you admire – if you want to preserve their legacy in a box of materials, how would you do it? What would you save? How would these materials communicate the realities of the present to those living decades in the future? And how do sound recordings fit into – or even enhance -an archive? Archival collections or fragments of memory – a curated set of materials that has been gathered and preserved to encapsulate a moment, community, or person. Archives preserved at universities, museums, and other places contain all kinds of materials from mundane lists and notes to photographs, to sound recordings – our speciality here at Spoken Web.\n01:33\tHannah McGregor:\tIt might feel counterintuitive to think about the need for archiving today when so much of our lives are ceaselessly recorded. There are many digital outlets that people can use to collect and share moments from our lives and our literary present. But this abundance of material is also a call for curation and intentionality around what to protect and pass on. We can’t save everything and we probably don’t want to. So what should we choose to save? Today, our episode producer Julia Polyck-O’Neill leads us into one archival project: the archive of Canadian poet Lisa Robertson. Julia is caring for and studying part of Robertson’s archive as part of her postdoctoral work on the complexity of archiving the lives and works of interdisciplinary artists. In this episode, Julia shares a recording of Robertson from the archive and plays clips of Robertson discussing the challenges of forming her own archive. Julia uses these clips to reflect on creative and feminist approaches to archiving and on her personal connection to Robertson’s life and work. This episode is a fascinating and moving glimpse into the power of sonic archival material and the weight of memory, mortality, and trust in the archival process. Here is Julia Polyck-O’Neil with season three, episode two of the SpokenWeb Podcast, [Start Music: SpokenWeb Podcast Theme Music] Lisa Robertson and the Feminist Archive. [End Music: SpokenWeb Podcast Theme Music]\n \n\n03:18\tJulia Polyck-O’Neill:\t[Start Music: Strings Instrumental] Hello, thanks for listening. My name is Julia Polyck-O’Neill and I’m a post-doctoral researcher, theorizing interdisciplinary artists archives, according to feminist and digital epistemologies. This podcast episode, on which I’ve been working for quite some time has recently been re-imagined according to my private emotional responses to two long and surprisingly intimate conversations I recorded with Canadian poet Lisa Robertson, a feminist writer who was a member of the Kootney School of Writing in Vancouver in the 1990s and early 2000s.\n03:55\tJulia Polyck-O’Neill:\tI’m considering Robertson’s archive as part of my post-doctoral project. [End Music: Strings Instrumental] My conversations with Robertson and meditations on the connections between her body of work, biography, and her archive form the bridge between my recently completed dissertation work on Vancouver’s critical conceptualism in art and writing and my work re-examining and analyzing the complexity of the archival collections of interdisciplinary artists. Robertson’s work has figured into both projects in a formal way, but now, I wish to consider how her archives, and our collective thinking about her archives, is influencing my research and the ways I approach the topic of archives and intimacy in my work and my life more broadly. [Start Music: Strings Instrumental] Listening to our conversation months later invokes all kinds of feelings related to the relationship between archives, memory, affect, and mortality. Archives have an emotional weight – a kind of affective tenor that is challenging to describe accurately with language; objects begin to stand in for complex lives and relationships.\n05:05\tJulia Polyck-O’Neill:\tIn this episode, I’m going to introduce you to Robertson’s poetry and my research. First, I will share a recording of Robertson reading in 1994. Then, I’ll share clips from an interview I conducted with Robertson earlier this year on Friday, April 16th, 2021, over Zoom with Robertson at home in France and me at my desk in downtown Toronto, months before Robertson’s 60th birthday (in July) and just before the announcement of the shortlist for the 2021 Governor General’s Award in fiction (for which her first novel, The Baudelaire Fractal would be nominated on 4 May). Throughout this episode, I will be putting these recordings into the context of my thinking and research on her work.\n05:49\tJulia Polyck-O’Neill:\tI consider the significance of Robertson’s intimate archival collections and the reflections she shared with me in light of a creative, conceptualist interest in the archive. I also propose these as aesthetic strategies related to histories of feminist material analysis that reconsider archival practices according to feminist ethical and effective methods, including feminist and affective approaches to audio recordings and the material (and immaterial) histories, they impart as Deanna Fong and Karen Scherer argue in their 2018 essay, “Gender, Affective Labour, and Community-Building Through Literary Audio Artifacts.” [End Music: Strings Instrumental]\n06:29\tJulia Polyck-O’Neill:\tI want to start this episode by listening together to this 20 minute recording of “Eclogue Eight ” at the January 8th, 1994 launch of Robertson’s book, XEclogue, which exemplifies important characteristics of her writing and her work with the Kootenay School of Writing. In this recording from the PennSound archive, you can hear the sounds of community participation. So central to the ethos of the Kootenay School. Of course, we might primarily focus on the poet’s own powerful voice, but I’m also drawn to the other voices we hear: the voices of other members acting as the “Roaring Boys,” an amateurish chorus, and the contributions of poet, artist, and organizer Nancy Shaw. But in this recording, in light of my interviews with Robertson, I’m most drawn to what we overhear in the background, the voices of audience members laughing and reacting in a way that suggests a deep, warm familiarity with the readers. [Start Music: Strings Instrumental] The sounds of community. Part of an archive of community sounds. After we listen, I’ll talk about how this connects with my research, and I’ll share excerpts from my interviews with Robertson. [End Music: Strings Instrumental].\n \n\n07:46\tAudio Recording, Lisa Robertson, XEclogue Launch, 1994:\tEclogue Eight: Romance. The Roaring Boys fan back.[Footsteps] [Audience Laughter] [Audience Chatter]\n08:01\tAudio Recording, Lisa Robertson, XEclogue Launch, 1994:\tThe March trees torch the prophetligate sky because I say so. [Audience Member Laughs] A tiny flopping boy with sullen fits drifts like a sheet of golden lust. In this empire of no-tense he bullies the dust. He lends the block street, a gleaming arch. He flaunts his hidden rope burn like defeat. So what about his consummate latinady? He has been moving in the pale night with the urgent authority of a meaning. The flicked fringe of his anger flatters mangled angels. And he weeps like a twin in the heat. The Greenwood never wanted him nor the puckered gully he calls thought. A seabird rises like an angel in the night and shrieks it’s brackish laughter at his dream. The Swains of justice pinch out the lights. A pronoun’s snout is gentle torture dressed in the dust of the jejune Northern sky. He scissored to that pilgrim’s grief. His marble whippets snap at piety; they’re pearly lust encrypted as confession. Under the empires, arches swooning flower chasers confuse scripted infamy with paradise.\n09:25\tAudio Recording, Lisa Robertson, XEclogue Launch, 1994:\tThey blindly submit to the loutish bonus of roaring boys’ dreams. As if the Greenwood were the room of philosophs. As if their yearning arms were half tree. They had been moving all this time towards a rose of dust in the street, calling it golden, calling it the sodden issue of their belief. They clasp their girlish secrets like tiny, glowing wreaths. In the tender platinum sky, a pronoun gallops, a pronoun shifts, a pronoun shifts. Hey, Venus kick in paradise, revolve outside March trees of piety. Gently the golden whippet snouts of gorgeousness lust in the tragic streets, touch supine forms of girlish hooligans. A bud will clasp its profligate secret rather than submit to gold stiff piety. And the pale jejune week unfolds through the lattice of confusion. Who is not a Pilgrim carrying grief like an image through the Northern sky? Already dressed as a boy, his dream of justice fucked.\n10:41\tAudio Recording, Lisa Robertson, XEclogue Launch, 1994:\tHe had been moving through this adult and gentle world of gentle laughter. Softly he flicks out his wings on the marble steps, the quiet of philosophs peaks in their rooms. Hey Nancy, what’s that colour falling in the heat, like a twin? Like a tiny flapping soft scissor and mistake. The fringe of his wings licks the dust like pearly fingers. Hey, Venus, get dressed in a better latinaty. Wear that salted harness beyond the need for abnegation. He quotes a crumbling dream and dares not say so. These boys are vicious as a burnt lip tongued [Audience Laughter]. The sleek swing of a silk fringe rewrites their project as a failure. One begins to sing. It is an anthem sprung with a quality of flung bits, withdrawn or chastened as rustling tongues and fluent scandal. Reigned with the amusing cruelty of Cupid birched. Caressed by an accent has rubbed for murmurs to the sneaking night sulking as a flipped skirt, cradled in the precise euphoria of a method held in reserve. Dirty per se.\n \n\n12:09\tAudio Recording, The Roaring Boys, XEclogue Launch, 1994:\t[Multiple Voices of the Roaring Boys Reciting Together] [Intermittent Audience Laughter] Rear all you face and wave to the enormous night. Since love’s pure need lures [inaudible] credit through hungers creamy trap well suss a petty sight. Pass floral delight and sip at feeble kisses. Permit us a sip from that gaze quiet tremor. [inaudible] or crop that tricky verb. We’ll either sap or wet Nancy’s sultry transit. Sufficient ardor to us. [inaudible] This time of filming will quote Cupid’s vulgar luck to taste her silly statement. [Laughter and Applause]\n \n\n13:10\tAudio Recording, Lisa Robertson, XEclogue Launch, 1994:\tBut pathetic lays all that’s left of freedom in the cloistered night. Like a lock of Helen and the dangerous summer having bloomed from the silvered style of an anxious wrist who’s blunt syntax lackers opacity with greed. Yet crushing nothing more than the dampness that moves across the nyloned air with rancid gusts in an age of tawdry indolence that breeds such smear doubles for a calling, for a bruised structure, for a dupe sincerity that flaunts escape. The next pretty boy emerges like a rape from his crisis to find the concept does not need him. A slick whisper weaves across the commodities. Are you looking for fragrance? There is no sea and no forest and no boats passing. It’s eight o’clock. The glass world curves into history, leaving a bear pronoun to bask on the roof of a promise. Read them, audacity’s slim wrists cuffed in elegance, wandering fingers clipped to the pulsing sky by those bannal enchantments of antiquity and authority and consent.\n14:24\tAudio Recording, Lisa Robertson, XEclogue Launch, 1994:\tRead them as mere exitation, pooling products of neglect. Nancy straps the audible sulk of a method to her hips and presses bitter lips against an image. Let’s go down to the water’s edge. Who fished the ineffable from this slick tissue of an absence dripping it’s regret. She spends the loose coins from a lisped purse on important grammar that opens that goes on sheer, a girl-boy’d mirror, a compact Nancy pins them to the glass. Roaring Boy Number One is skinny and pure as the bitter white heel of a petal. Spent lupins could describe his sense of his mind as a great dusty silky mass. Yet a feeling of being followed had taken his will away. In an age of repudiation he would exude sullen indolence and reveal his lace. He could be said to profoundly resent his inability to control his desire for an impenitent extrovert.\n15:38\tAudio Recording, Lisa Robertson, XEclogue Launch, 1994:\tWhen he closes his eyes, he asks, “shall I be sold up? Am I to become a beggar? Shall I take to flight?” He is skinny and pure as a calling. Roaring Boy Number Two ,boy with the volute heart of a girl names, the faithless toss of an abandoned guest’s exactitude. He gives his thought with the sinews rigor of a cut silk garment. Lives looking at the sky, waiting for the specificity of a pleasure whose deferral is underwritten by a constriction of memory. The violent stammering of a repressed structure. The plains of his face point to the exquisitely even surface of a late antique life. He has begun by setting aside holy dread. Deferral is his darling. Roaring Boy Number Three, rather than submitting to the trial of action, wants deeply to possess an opinion [Audience Laughter] than having to possess, to distribute it with maximum efficiency. Since the spectacle of luxury pleases him and others, he embarks on a gradual, to the point of imperceptibility, inflation of his own verbal style and a concurrent almost compensatory deflation of his person. He is both febrile and duckerish – decorish [Laughs]. [Audience Laughter] A foolish hooligan of sardonic emphasis.\n17:29\tAudio Recording, Lisa Robertson, XEclogue Launch, 1994:\tEclogue Nine: History: Knowing memory only bruises the past, Lady M scans the face of a faint document whose ardent stammer she has already echoed than languidly rejected.\n \n\n17:47\tAudio Recording, Nancy Shaw, XEclogue Launch, 1994:\tWe cannot think tranquility a throne, yet time exceeds is barely tolerable pleasure.\n \n\n17:53\tAudio Recording, Lisa Robertson, XEclogue Launch, 1994:\tIt is a crumb in our syntax.\n \n\n17:55\tAudio Recording, Nancy Shaw, XEclogue Launch, 1994:\tWe need not innure ourself to peace and luxury, but our privilege lies in understanding how the senses detect what is not servitude.\n \n\n18:03\tAudio Recording, Lisa Robertson, XEclogue Launch, 1994:\n \n\nWho then would write the biography of their desires?\n \n\n18:07\tAudio Recording, Nancy Shaw, XEclogue Launch, 1994:\n \n\nWe ourselves will claim the requisite authority.\n \n\n18:10\tAudio Recording, Lisa Robertson, XEclogue Launch, 1994:\tThey wished for lips of red thread, like so many spies. They received through the veil of expression, a heart moved only by etiquette. They wished to experience thought as we would be compelled to remember it. It became a language impossibility. Their heart was lodged in an audible sentence. They wore nervousness on their spine and wrists. Their small soft edgy world was an intoxicant. The superb crumbling of the afternoon, so secret and so intense identified itself as history. The ground shelved gently to the water side, flowing from the flushed pulse of vulnerability under full, soft, hot light. It was a challenged mesh from which our presence had been washed.\n \n\n19:04\tAudio Recording, Nancy Shaw, XEclogue Launch, 1994:\tIf we were to imagine that contradiction as a landscape overwritten with vast exhausted melancholy quenched in mauvis tasseled wind, we would only perpetrate the vain in position of a hoax.\n \n\n19:17\tAudio Recording, Lisa Robertson, XEclogue Launch, 1994:\tYet the sea’s novice rhythm seems to reek of freeze. The Roaring Boys drift aimlessly, believing their thoughts imperius. A background ground of shimmering woods fetters our weary gaze. The black brow of a rock parches the trees. Sister of a lynx gert with quiver steps, cunningly and cheats the light. Recall the echoing crags a shore’s lip keeps happiness for itself. The woods breast is pierced with sight. Why may we not clasp the revolving night? The dusky grove bleeds virtue. For we saw two maids clashing with men whom the black storm had scattered. We saw one bear knee break the ghastly dark. We saw a strong hand raise the bow to slash the weird decrepitude time had wrought. Undone by our vision we began to move tirelessly among the wending dwindling paths. Though they appeared with grace, then faded into cruelity without apparent motivation. Slowly, we came to understand how the forest was fraught or thatched with use. Capital had tagged or lurid route. We asked ourselves, will this delicate world of deliquescent charms compel a future? Then answered ,the ground breeds sentiment, but what else is there to walk on? Sullenly we raised our glance, the coy foliage swung open to reveal this Moston scription.\n \n\n20:56\tAudio Recording, The Roaring Boys, XEclogue Launch, 1994:\t[Multiple Voices of the Roaring Boys Reciting Together] Shirk off the moderate little grace of vain Cupid and grease the silver and lascivious age as livid qualms dope our cool arrival. Rich poems sag like great nuns, arch cheeks, tongues, martyrs.\n \n\n21:14\tAudio Recording, Lisa Robertson, XEclogue Launch, 1994:\tFrom the lip of slavish shade, the guilty land reclines swollen in a thousand livid tents. All around us everything’s humming. In the low valley our futures writ on winking leaves. Texture Brit brushes, drenched texture in a glamorous frizane of wit. The cushioning ground urges us to remeasure our impatience. May we muster sufficient elegance to court this pangs mobility? Sunken moss we dream of the lustrous pitch of a truculent tissue. It means we are traders for we do not accept the idea of the present. We dream we are treading the sloping orthodox street etched with a scammed pride of hunger. It means memory has been defaced, implicated by the effects of poverty. We dream that their desires have become transparent to us so that we may suavely recite. What does Lady M want? To bask in unfathomably strange beauties. Political beauty, liberties, beauty, undeniably gorgeous beauty of a girl’s mind. A wrist’s quivering beauty. Beauty of the skin of boys’ backs. Beauty of burnished hoaxes deepen a clamoring taxi cabs. Appalled beauty of a scholar’s nervous heart. Cleft beauty invaded by splendid lucidity. We dreamed the night as far spent. Inexorable, thick lacquered, private. It means we have mistaken an invitation for permission. Yet still we feign this new erudition. Inappropriate and demeaning. With a movement of tearing we wake and cry out, we are not our own! Then find this freight’s scrap pinned to our sleeve.\n \n\n23:06\tAudio Recording, The Roaring Boys, XEclogue Launch, 1994:\tLopsided interpolations following a wrinkled blind eye. Oops.\n \n\n23:13\tAudio Recording, Lisa Robertson, XEclogue Launch, 1994:\tThe crooning leaves shut around a mercurial ankle. The stir and toss of the stroking breeze begs belief. Through the screen of grief, we glimpse an ear’s profane frill, luminous and insulting. These two have transformed us into what we are: green laurels that lose no leaf. What we call thought is cleft and afternoons olden freeze is cracked and lacking only verisimilitude. We wish to seize the real as a tissue. Leave the milieu of the curious and enter that radiantly tortured grove. Yet we are history’s minions. so again, we draw on the opulent glove of sleep. We dream. We have the will to think with the points of tiny scissors. It means luxury teaches us to dream of luxury. We dream of a barren, unbroken hunger blazing up in wild proportions that we taxi through a wet night on thrumming streets. That a city’s sumptuous edifice wanes like so many abandoned ghosts. That the shock of recognition twists like a blurred salvage, like a roped horizon, like a girl waiting in a car. We see the cradling flowers as taunting apostrophes. Through thick glass, the granular light slats among fronts, the shining mud sucks at thought, the leaves reek of rust. Girls whose memories caused the clamoring see in all names of ease. Quit tossing us such shoddy dreams. We dream we are dilations of banality. It means we are the willing captives of their metaphor. [Pause]\n24:58\tAudio Recording, Lisa Robertson, XEclogue Launch, 1994:\t[Aside to Audience] And I’ll just finish by reading the epilogue. [Returns to reading] I’m afraid I’ll be misunderstood. Asleep and sleeping in the clear, magnificent, misunderstood morning like a dahlia or some other flower with the strong odor of clothing. I am reminded of my conceit by a row of pale scars on the ceiling whose shy origin I shouldn’t identify. Speech bites into my walls. Maybe for that I will never forget the bus. In my dream of an intersection we eat and hear as we relax. We felt this as the cabinet swung open, we felt a strong burst of vitality. [Audience Applause]\n \n\n25:59\tMusic Interlude:\t[String Instrumental]\n \n\n26:08\tJulia Polyck-O’Neill:\t[Music Continues: String Instrumental] XEclogue was not Robertson’s first collection, but it is among her earliest published books and signals a formative moment, both for her and for the Kootenay School of Writing. The recording we just listened to captures aspects of her writing practice [End Music: String Instrumental] as it developed as a member of the Kooteny School of Writing in Vancouver: the sense of the formation of a feminist subject, and the development of a feminist ethics of care and leadership within the membership and community, which seems to come out in the ways Robertson includes community participation in her reading.\n26:43\tJulia Polyck-O’Neill:\tWhen approaching the corpus of Robertson’s writing in relation to her archive, including these sound recordings, it might be useful to observe that although her writing career began in and was situated in Vancouver when she was in her early thirties, the writing she completed during her moves around North America and relocation to France still bear a solid connection to the physical and emotional site of these beginnings. Importantly, while Robertson’s environment and community in Vancouver influenced her engagement with and conception of the archive, her practice also demonstrates and maintains a personal engagement with feminist, conceptualist thought. Her poetic and artistic networks in the city framed archival practice as a form of creative and political institutional intervention, as well as a method for feminist self-realization and reflection. More pragmatically, the connections between cities and selves are maintained by her generative engagement with her own archive, both as an idea, premised in affective self-reflection, and as a studious method for a form of intuitive, meditative writing.\n27:51\tJulia Polyck-O’Neill:\tIn many ways, Robertson takes an ongoing reflexive, relational approach to the institutional concept of the archive in her own fonds. She does so by means of the maintenance of different archives for different purposes: and official archive in Special Collections and Rare Books at Simon Fraser University; and two personal, unofficial, or what literary scholar Linda Morra has named “unarrested” archives. Robertson’s divided fonds demonstrate how her poetics actively engage with the theoretical-ideological, feminist legacies of the KSW and its institutional contexts, while also maintaining a certain emotional engagement not immediately present in the content of her formal writings as they’re published.\n28:38\tJulia Polyck-O’Neill:\tRobertson’s methods enact another manifestation of her relational approach to the archive, in the ways she implicates her archive in her work itself. She does so by incorporating regular readings of her personal archival collection, kept with her in her home in France. Doubles of some of these materials are held in her official fonds at SFU, while other more recent items she actively retains, mostly journals, as future contributions that aren’t currently too important to her ongoing work to send away. Yet another small collection is currently under my care – that which I have named her “maternal archive” –which she shared with me after our first interview in 2017 to help me with my early dissertation work. With her consent, I published an article in 2018 titled “Lisa Robertson’s Archive: The Feminist Archive, Singular and Collective,” in the academic journal, English Studies in Canada.\n29:37\tJulia Polyck-O’Neill:\tThese archives – that which is housed at SFU, her own, and that which was accumulated by her mother Lynette Mullen, and then passed along temporarily to me – demonstrate how archives, particularly when imagined holistically and beyond the conventional structures of the institution, are anything but static and are inherently distributed and dynamic, expanding and contracting across space and time.\n30:10\tJulia Polyck-O’Neill:\t“It is a slightly weird thing when one thread of your life becomes an institutional topic,” Robertson said during our conversation in April, reflecting on how her lived and embodied experience differs from published narratives. The recent interview was noticeably more intimate than the first, probably because so much has happened since 2017, and possibly because we communicate from twin spaces of isolation during a global pandemic that unites everyone in indescribable melancholy. It has also possibly because I unwittingly have pulled Robertson into an exercise of thinking through her life by means of archival materials in different ways. When she read my article before submission, she commented on how important her mother’s collection of objects now seemed –admitting that she had felt uncomfortable passing along such an unwieldy unremarkable accumulation, which she may have referred to lightheartedly as “junk”.\n31:09\tJulia Polyck-O’Neill:\tIt is a global pandemic. For the first time, I realize, in a material way, that archives, “the archive,” is a concept entangled with notions of death and dying, and, intrinsic to these extremes survival and trauma. This is an essential, material component of the archive: birth, marriage, and death records, or vital statistics form the basis of national public archival collections. The immaterial memorial aspects of archives have been theorized in several different ways. Feminist theorist Ann Cvetkovich writes about the idea of an archive of feelings as “an exploration of cultural texts as repositories of feelings and emotions, which are included not only in the content of the texts themselves but in the practices that surround their production and reception”.\n32:06\tJulia Polyck-O’Neill:\tThe archive, imagined broadly, brings to the fore not only recorded events, but also the lived experience, the rolling background of the lives that contain them. Critical of conventional archives, scholar Diana Taylor, in her book, The Archive and the Repertoire from 2003, explains that in arguing for the repertoire as an expansion beyond the archive, she “tried to put limit events into conversation with the daily noneventful enactments of embodied practice” in her study, foregrounding the importance of context within memory structures.\n32:46\tJulia Polyck-O’Neill:\tThe feelings and emotions invoked by an archive, by one’s own archive, can be hard to isolate and express, much like an event might be challenging to extract from its lived contexts. In scholar, Julietta Singh, No Archive Will Restore You, her 2018 book of creative nonfiction, the narrator’s desire to archive what she describes as sensing “what [movement philosopher] Erin Manning calls the “anarchive,” that strange and stunning “something that catches us in our own becoming”. The narrator goes on to explain the ineffable quality of this realization: “This is the future archive. The archive of alterity. And like yours and mine, this is a body that has gone up in flame. A body that is an excess, that is another world and also this one.” For Taylor, the body is incompatible with the archive, and for Singh, it is inseparable from it.\n33:48\tJulia Polyck-O’Neill:\tFor Robertson, the tensions between texts and embodied experience are embedded in her archive. In our conversation, we meander between themes in a way that draws out these relations Robertson. And I talk about the late Nancy Shaw, one of the original members of the collective in Vancouver who we heard in the previous recording, and Robertson begins to reflect on how so many of her formative relationships are contained in her archival collections, although they likely remain inaccessible, relegated to footnotes or snapshots. In so doing she meditates on the limits of narrative to capture lived reality and how key figures in her memory are omitted from many representations of her life. She observes how this is a fact of habit, of “how we receive and reiterate narratives.” Histories that are intertwined are separated, and textures are smoothed over, she explains, noting how patriarchal structures are internalized. “Feminist, queer, and Marxist working class circulations through KSW were extremely complex from the get go,” she says, and encourages me (again) to look more closely at Shaw in my research. “She was fucking brilliant…and she stood her own at the bar,” she emphasizes.\n35:14\tJulia Polyck-O’Neill:\t[Start Music: String Instrumental] We talk about an envelope of photos from parties she recently sent to SFU, and how objects get imbued with new relational significance over time. Listen to Robertson describe her changing relationship to ephemera and her archive in our conversation last April.\n \n\n35:35\tAudio Recording, Julia Polyck-O’Neill and Lisa Robertson, April 2021:\t[Interview transcript not available]\n \n\n39:14\tJulia Polyck-O’Neill:\tRevisiting the archive can be integral to Robertson’s writing practice. She is currently revisiting and writing a companion piece for her 2010 book, R’s Boat, a book that evolved from her 2004 chapbook Rousseau’s Boat, and which will eventually be republished as a new edition by Coach House Press in Toronto. We discuss how she has been using her archives as a starting point for writing or rewriting this work, as what she calls “a programmatic method,” and she remarks that she finds it useful to track how the psychological experience and the emotional experience of gathering material is “putting pressure in a certain way on what is a very avant-garde, constraint driven composing technique without actually entering the poems as content.” For Robertson, this process shapes the poem. Now I’ll play a clip of my interview with Robertson where you’ll hear her describe her process in her own words.\n \n\n40:15\tAudio Recording, Julia Polyck-O’Neill and Lisa Roberston, April 2021:\t[Interview transcript not available]\n44:10\tJulia Polyck-O’Neill:\tNoting her upcoming birthday Robertson observes how the process of reworking the material from her archives [End Music: String Instrumental] has a distinct relationship to reaching a certain point in her life. She explains, ” Language is emotional […] Subjectivity is linguistic. For me, you don’t need to directly refer to emotional content in order for it to be present.”\n44:36\tJulia Polyck-O’Neill:\tAt first, I interpret these words at face value, thinking about the corpus of Robertson’s writing, but then I step back and apply it to the broader context of her archive. I think about the interconnections between her archival collections and her shifting relationship with these objects and records, and how these – the relationships, the objects, the records – are imbued with emotions: hers, and those of many others. I reflect on how these emotional resonances, whether foregrounded in conversation or completely silent in the background, are what have always drawn me to want to spend time wading into the archives as a site of lived history. [Start Music: String Instrumental]\n45:22\tJulia Polyck-O’Neill:\tTo close this episode, I would like to consider how Julietta Singh opens No Archive Will Restore You with a passage that captures the tenor of my last conversation with Robertson and my ongoing relationship to her archives (especially now during the distressing and ongoing quietude of the pandemic). Singh describes the beginning of her graduate studies and her entry into the ambiguous, precarious, but intimidating environment of archival studies. She writes, “We were scrambling toward the archive. We knew it was crucial, but I suspect that few of us know what it meant, or where it was, or what to do with it.” But in contrast with the picture of the grasping desperate graduate students Singh presents in this chapter to give context to her eventual revelations, that archives are much more than the cold, institutional entities whe first encounters, I see the instability of this kind of mystery or unknowing as an invitation for engagement that tests the boundaries between academic and emotional selves. In the context of my conversations with Lisa Robertson, I can now better understand how relationships to the archive, and the collections that constitute archives themselves, can shift and evolve over time and across space. An archive that is in a constant state of transformation is a proposition for new kinds of thinking about relations between methods and modes of representation and lived, embodied experience. [End Music: String Instrumental]\n \n\n47:15\tHannah McGregor:\t[Start Music: SpokenWeb Podcast Theme Music] SpokenWeb is a monthly podcast produced by the spoken web team as part of distributing the audio collected from and created using Canadian literary archival recordings found at universities across Canada. Our producer this month is SpokenWeb contributor, Julia Polyck-O’Neill. Our podcast project manager and supervising producer is Judith Burr. Our episodes are transcribed by Kelly Cubbon. To find out more about SpokenWeb visit: SpokenWeb.ca and subscribe to the SpokenWeb Podcast on Apple Podcasts, Spotify, or wherever you may listen. And don’t forget to rate us and leave a comment on Apple Podcasts, or say hi on our social media @SpokenWeb Canada. Stay tuned to your podcast feed later this month for ShortCuts with Katherine McLeod:mini stories about how literature sounds. [End Music: SpokenWeb Podcast Theme Music]\n"],"score":1.5188013},{"id":"9639","cataloger_name":["Gloriah,Onyango"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SpokenWeb AV"],"source_collection_label":["SpokenWeb AV"],"collection_contributing_unit":["SpokenWeb"],"source_collection_uri":[""],"collection_image_url":["https://archiveofthepresent.spokenweb.ca/_nuxt/img/header-img_1000.fd7675f.png"],"collection_source_collection_description":["SpokenWeb Audio Visual Collection"],"collection_source_collection_id":["ArchiveOfThePresent"],"persistent_url":["https://archiveofthepresent.spokenweb.ca/"],"item_title":["SpokenWeb Podcast S5E5, They Do the Police in Different Voices: Computational Analysis of Digitized Performances of T. S. Eliot’s The Waste Land, 1 April 2024, Hammond"],"item_title_source":["SpokenWeb Podcast web page."],"item_title_note":["https://spokenweb.ca/podcast/episodes/voices-in-the-waste-land/"],"item_language":["English"],"item_production_context":["Podcast"],"item_series_title":["The SpokenWeb Podcast"],"item_series_description":["Series of podcasts by the SpokenWeb network."],"item_subseries_title":["The SpokenWeb Podcast Season 5"],"item_series_wikidata_url":["https://www.wikidata.org/wiki/Q117038029"],"item_series_uri":["https://spokenweb.ca/podcast/spokenweb-podcast/"],"item_identifiers":["[]"],"rights":["Creative Commons Attribution (BY)"],"rights_license":["Creative Commons Attribution (BY)"],"access":["Streaming and download"],"creator_names":["Adam Hammond"],"creator_names_search":["Adam Hammond"],"creators":["[{\"url\":\"http://viaf.org/viaf/308766715\",\"name\":\"Adam Hammond\",\"dates\":\"1981-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\"]}]"],"contributors":["[]"],"Publication_Date":[2024],"material_description":["[]"],"digital_description":["[{\"file_url\":\"https://cdn.simplecast.com/audio/28a9da1f-8cca-410c-b5d7-8165a73f9394/episodes/af327536-5076-40e0-83ef-a37528358ece/audio/636c6309-17a2-415c-855f-91d3f499cd9b/default_tc.mp3?nocache\",\"file_path\":\"\",\"filename\":\"v2-mix-sw-ep5-.mp3\",\"channel_field\":\"\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"00:41:32\",\"precision\":\"\",\"size\":\"39,878,229 bytes\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"MP3 audio\",\"title\":\"v2-mix-sw-ep5-\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://spokenweb.ca/podcast/episodes/voices-in-the-waste-land/\"}]"],"Dates":["[{\"date\":\"2024-04-01\",\"type\":\"Publication Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/23201562\",\"venue\":\"University of Toronto\",\"notes\":\"\",\"address\":\"170 St. George Street, Toronto, ON, M5R 2M8\",\"latitude\":\"43.66773375\",\"longitude\":\"-79.40030507952156\"}]"],"Address":["170 St. George Street, Toronto, ON, M5R 2M8"],"Venue":["University of Toronto"],"City":["Toronto, Ontario"],"Note":["[]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Marit J. MacArthur, Georgia Zellou, and Lee M. Miller, “Beyond Poet Voice: Sampling the (Non-) Performance Styles of 100 American Poets,” Cultural Analytics 3.1 (2018): https://doi.org/10.22148/16.022\"}]"],"_version_":1853670549748711424,"timestamp":"2026-01-07T14:59:54.290Z","contents":["T. S. Eliot’s poem The Waste Land is arguably not a poem at all. To some readers and critics, it’s more like a play: a collection of voices thrown together without quotation marks or speaker tags. That’s how Eliot himself saw it; his working title was He Do the Police in Different Voices. The work comes alive in performance, where each reader must decide for themselves where one voice gives way to another, and what characterizes each voice. As a result, each reading is unique.\n\nIn this podcast, Adam Hammond asks if computers can help us to decide which readers are best at “doing” the voices in the poem. Looking at performances by such readers as Viggo Mortensen, Fiona Shaw, and Alec Guinness, and using tools such as Drift and Gentle, he asks whether Eliot’s own reading of the poem — dry, monotonous, and hopelessly formal to the human ear — might sound more interesting to a computational listener.\n\n(00:00)\tSpokenWeb Podcast Intro\t[Instrumental music overlapped with feminine voice]\nCan you hear me? I don’t know how much projection to do here.\n(00:17)\tHannah McGregor\tWhat does literature sound like? What stories will we hear if we listen to the archive? Welcome to the Spoken Web podcast, stories about how literature sounds.\n(00:34)\tHannah McGregor\tMy name is Hannah McGregor, and —\n(00:36)\tKatherine McLeod\tMy name is Katherine McLeod. And each month we’ll be bringing you different stories that explore the intersections of sound, poetry, literature, and history created by scholars, poets, students, and artists from across Canada.\n(00:49)\tKatherine McLeod\tFor many of us who have studied, taught, written, or simply enjoyed poetry, we know that some poets’s work comes alive in performance. I remember a professor in my undergraduate insisting that we read 17th century English poet John Milton’s Paradise Lost aloud since that was how Milton wrote it. He was blind and composed it through dictation.\n(01:12)\tKatherine McLeod\tIn this episode of the SpokenWeb Podcast, Adam Hammond, associate professor of English at the University of Toronto, makes the same argument for T.S. Eliot’s poem “The Wasteland.” Elliot’s poem, he asserts, is written as a collection of voices thrown together, and it’s in the oral performance that these different voices can be heard depending, of course, on the performance decisions of the reader.\n(01:37)\tKatherine McLeod\tLuckily for us and for Hammond, a lot of people have read “The Wasteland” out loud, including Eliot himself. Even luckier new digital humanities tools, like “Drift” and “Gentle,” now add computational listening into the Modernist Scholars toolkit, allowing us to ask new questions about poetic performances, including the ones that frame this episode. Is Eliot’s reading as dry, monotonous and hopelessly formal as it might sound to a contemporary listener? Or can computational listening help us to hear it a little differently? Here is episode five of season five of the SpokenWeb Podcast: They Do the Police in Different Voices: Computational Analysis of Digitized Performances of T. S. Eliot’s The Waste Land.\n(02:25)\tMusic\t[SpokenWeb theme song begins playing.]\n(02:35)\tAdam Hammond\tI will never forget the first time I heard T.S. Eliot’s voice, he was reading his poem “The Wasteland.”\n(02:41)\tBob Dylan, reading the first four lines of “The Waste Land” for his XM Radio show “Theme Time Radio Hour”\t“April is the cruellest month, breeding / Lilacs out of the dead land, mixing / Memory and desire, stirring / Dull roots with spring rain.”\n(02:52)\tAdam Hammond\tOkay, I’m just messing with you. That’s not T.S. Eliot. That’s Bob Dylan. This is T.S. Eliot.\n(02:59)\tT.S. Eliot, reading the first few lines of “The Wasteland”\t“April is the cruellest month, breeding / Lilacs out of the dead land, mixing / Memory and desire, stirring / Dull roots with spring rain.”\n(03:14)\tAdam Hammond\tI remember the exact thought I had the first time I heard T.S. Eliot’s voice. I thought he was American. I remember the second thought I had as well. I thought he was young. And I remember the third. I thought he was cool. I was 19 in Christian Lloyd’s first year English class at Queen’s University’s International Study Center in Herstmonceux Castle in England. I was supposed to study engineering, but I was able to convince my parents to let me defer my acceptance to Waterloo when I got a scholarship to live in a castle in England for a year and study English. It’s what I wanted to do more than anything. I was there because I loved modernism. I had read Hemingway, Fitzgerald, and Orwell in high school. They all seemed so badass — so free and brave and defiant.\n(04:06)\tAdam Hammond\tI’d also read T. S. Eliot. I loved “Prufrock.” Even though it spoke about old men with trousers rolled, it seemed like a young person’s poem, about young people’s problems. Like having the courage to be yourself, or rather about not having the courage to be yourself — about “putting on a face to meet the faces that you meet.” I felt like I had taken Eliot’s implicit message in deciding to follow my heart and study English. Prufrock was an unreliable narrator. You were supposed to resist his old-mannish ways; rolled-up trousers were bad. .\n(04:44)\tAdam Hammond\tBut then I was in first year, and we were reading “The Wasteland,” and it seemed infinitely more badass than “Prufrock.” Younger and freer and braver and more defiant. And then my roommate and I found a recording of Eliot reading “The Wasteland,” and he sounded pathetic. He sounded old and lame with a terrible fake British accent.\n(05:04)\tAdam Hammond\tIt was worse than that. He was Prufrock’s dad. It took me years to recover from this.\n(05:14)\tAdam Hammond\tMy name is Adam Hammond. I’m an Associate Professor in the Department of English at the University of Toronto. I never went to Waterloo. I continued to scam my parents all the way through undergrad, saying I would go to law school, that English was the perfect pre-law degree, but that a Master’s was useful prep for all the research lawyers were expected to do. I don’t even remember what excuse I used to justify doing a Ph.D, but I did one.\n(05:39)\tAdam Hammond\tI wrote my dissertation on three writers, one of whom was T. S. Eliot. I did this because he fit the idea, not because I loved him. I still hadn’t recovered from that experience of hearing his voice. Then, in 2011, right as I was finishing my Ph.D., something wild happened. The venerable printing house Faber and Faber — the very place where Eliot himself worked as poetry editor, serving as modernism’s ultimate gatekeeper — collaborated with an app developer called “TouchPress” to make an iPad app version of “The Wasteland.”\n(06:12)\tAdam Hammond\tIt sounds like this would be a bad thing. But it wasn’t. It was amazing. It completely changed the way I saw the poem. It made it cool again. It had interviews with celebrities, and I mean celebrities had not only heard of “The Wasteland” but they liked it! It had notes you could make disappear. You could swipe right on the words of the poem, and like magic, the thing that’s typescript would appear, scratched to smithereens by Eliot’s pal Ezra Pound. But the real killer feature — the best thing about “The Wasteland” app by far — the clear single reason that I started loving “The Wasteland” again — was that fact that the app included readings of the poem. You touched a line, and you heard it.\n(06:58)\tAdam Hammond\tThere were a bunch of readings. They were by actual celebrities. One of them was by Viggo Mortensen. One of them was by Alec Guiness. Another was by Fiona Shaw. Jeremy Irons was on there. You could hear the entire Wasteland, all 433 lines of it, read to you by Aragorn, or Obi-Wan Kenobi, or Aunt Petunia Dursley, or Scar! And some of these voices, let me tell you: they were cool. Check this out.\n(07:29)\tViggo Mortensen, reading “The Wasteland”\t“April is the cruellest month, breeding / Lilacs out of the dead land, mixing / Memory and desire, stirring / Dull roots with spring rain. / Winter kept us warm, covering / Earth in forgetful snow, feeding / A little life with dried tubers.”\n(07:47)\tAdam Hammond\tThat was exactly how I always wanted Eliot to sound. It was my fantasy of the poet’s voice. American, young, and tough. As I put it in an article I wrote for the Toronto Review of Books shortly after the app came out, Mortensen was the anti-Prufrock. It sounded like he was reading the poem from the seat of a Harley Davidson. There were reasons aplenty for nineteen-year-old me to get excited about “The Wasteland.” But there were also reasons for thirty-year-old me, as I then was, to be excited. I had just finished a dissertation about modernism and the phenomenon of dialogism. That was the word that Russian literary critic Mikhail’s Bakhtin used to describe literary texts made up of lots of genuinely competing voices. The characters in a dialogic novel — Bakhtin’s prime example being Dostoevsky — they got into real debates. They disagreed with one another. They disagreed with their author.\n(08:44)\tAdam Hammond\tThe outcome of their debates were totally unpredictable. It was like they were autonomous – independent of their creator. For Bakhtin, dialogic novels were little snow globe versions of healthy democracies — mini public squares. In my dissertation, I argued that modernist dialogism had a political edge: that in an era of rising authoritarianism and mass control, its purpose was to train its readers how to think for themselves, how to cut through all the bullshit, find their own voice in the maelstrom. .\n(09:17)\tAdam Hammond\tAlthough Bakhtin thought dialogism existed only in novels, one of my prime examples of a dialogic text was “The Wasteland.” I didn’t really see “The Wasteland” as a poem, you see. I saw it as a kind of novel without a narrator. It was an even more extreme form of dialogism than Dostoevsky. There were voices everywhere! But there weren’t even quotation marks. Everything was a voice, but unlike in a Dostoevskian novel, you couldn’t even say for sure where one voice stopped and where the other began.\n(09:47)\tAdam Hammond\tWhen one voice passed the mic to the other voice. This is what I wrote in my review for The Toronto Review of Books — the part where I was explaining why I was so excited about all the audio readings in “The Wasteland” app: “The focus on oral performance [in the app] works especially well with The Waste Land, because it is a poem that demands so emphatically to be read aloud—and indeed only really makes sense once you begin to consider it in the light of oral performance. As Eliot’s original title for the poem, He Do the Police in Different Voices, reminds us, the basic unit of The Waste Land is the voice. But though the poem is built from multiple distinct voices, it does not tell us where they begin or end, or what each is like, nor does it provide a dramatis personae or indicate its speakers. These voices thus only really become apparent in oral performance, where the reader must decide on their cast of characters, and give each one a recognizable personality. Every reading of the poem is thus an interpretation of some of its most fundamental questions.”\n(10:56)\tAdam Hammond\tYes, that’s right, Eliot’s working title for “The Wasteland” was “He Do the Police in Different Voices” — a reference to something someone says about a character in Charles Dickens’s “Our Mutual Friend,” who animates his reading of newspaper stories by giving the police men funny voices. And this is all more evidence — because it’s a very cool title — of Eliot’s fundamental and latent badassness. I’ll show you what I mean about the voices in the poem. This is Alex Guiness, aka Obi-Wan Kenobi, reading the opening of the poem. Listen carefully and you’ll hear him switching into the voice of “Marie.”\n(11:35)\tAlec Guinness, reading “The Wasteland”\t“April is the cruellest month, breeding Lilacs out of the dead land, mixing Memory and desire, stirring Dull roots with spring rain. Winter kept us warm, covering Earth in forgetful snow, feeding A little life with dried tubers. Summer surprised us, coming over the Starnbergersee With a shower of rain; we stopped in the colonnade, And went on in sunlight, into the Hofgarten, And drank coffee, and talked for an hour. Bin gar keine Russin, stamm’ aus Litauen, echt deutsch. And when we were children, staying at the archduke’s, My cousin’s, he took me out on a sled, And I was frightened. He said, Marie, Marie, hold on tight. And down we went. In the mountains, there you feel free. I read, much of the night, and go south in the winter.”\n(12:35)\tAdam Hammond\tNow listen to Fiona Shaw — aka Aunt Petunia Dursley — read the same part. She does the voice even more clearly.\n(12:44)\tFiona Shaw, reading “The Wasteland”\t“April is the cruellest month, breeding Lilacs out of the dead land, mixing Memory and desire, stirring Dull roots with spring rain. Winter kept us warm, covering Earth in forgetful snow, feeding A little life with dried tubers. Summer surprised us, coming over the Starnbergersee With a shower of rain; we stopped in the colonnade, And went on in sunlight, into the Hofgarten, And drank coffee, and talked for an hour. Bin gar keine Russin, stamm’ aus Litauen, echt deutsch. And when we were children, staying at the archduke’s, My cousin’s, he took me out on a sled, And I was frightened. He said, Marie, Marie, hold on tight. And down we went. In the mountains, there you feel free. I read, much of the night, and go south in the winter.”\n(13:38)\tAdam Hammond\tViggo Mortensen sure sounds cool, and I can’t help it if he’s still my favourite reader of the poem, but it’s pretty hard to tell if he’s doing a voice there.\n(13:45)\tViggo Mortensen\t“April is the cruellest month, breeding Lilacs out of the dead land, mixing Memory and desire, stirring Dull roots with spring rain. Winter kept us warm, covering Earth in forgetful snow, feeding A little life with dried tubers. Summer surprised us, coming over the Starnbergersee With a shower of rain; we stopped in the colonnade, And went on in sunlight, into the Hofgarten, And drank coffee, and talked for an hour. Bin gar keine Russin, stamm’ aus Litauen, echt deutsch. And when we were children, staying at the archduke’s, My cousin’s, he took me out on a sled, And I was frightened. He said, Marie, Marie, hold on tight. And down we went. In the mountains, there you feel free. I read, much of the night, and go south in the winter.”\n(14:34)\tAdam Hammond\tBut hold on. Eliot wrote “The Wasteland.” He’s the one who called it “He Do the Police in Different Voices.” He knew all about the voices. So does he do them? For better or worse, that exact same recording that I heard way back when I was nineteen and living in a castle in southern England — it was on the app, too. So, does Eliot do Marie’s voice in the opening of the poem? I hate to do it to you, but let’s listen to it again.\n(15:04)\tT.S. Eliot, reading “The Wasteland”\t“April is the cruellest month, breeding Lilacs out of the dead land, mixing Memory and desire, stirring Dull roots with spring rain. Winter kept us warm, covering Earth in forgetful snow, feeding A little life with dried tubers. Summer surprised us, coming over the Starnbergersee With a shower of rain; we stopped in the colonnade, And went on in sunlight, into the Hofgarten, And drank coffee, and talked for an hour. Bin gar keine Russin, stamm’ aus Litauen, echt deutsch. And when we were children, staying at the archduke’s, My cousin’s, he took me out on a sled, And I was frightened. He said, Marie, Marie, hold on tight. And down we went. In the mountains, there you feel free. I read, much of the night, and go south in the winter.”\n(15:59)\tAdam Hammond\tMy answer is: I don’t know, sorta. Like he wants to, but he’s too shy. Too bad at performing, too much of a poet, not enough of an actor.\n(16:12)\tAdam Hammond\tAround the time the app came out, I finished my PhD and became obsessed with the so-called “Digital Humanities.” I started a couple of digital projects for exploring multi-voicedness in “The Wasteland” around this time. I made a website called “He Do the Police in Different Voices,” of course, that presented the poem as a play. Working with a big class of undergraduates, we decided on one way of dividing the poem up into characters and then we created a digital edition with names and special fonts for all the different voices. I also did a computational text analysis project with two computational linguists, Julian Brooke and Graeme Hirst. We used a variety of natural language processing techniques to see where a computer might detect voice switches in the poem. All those moments where the computer thought the mic was being handed from one character to another.\n(17:01)\tAdam Hammond\tThe results of this were really interesting. Approaching the poem with the mind of a machine, the algorithm we developed found switches in places I hadn’t ever imagined them. And on reflection, a lot of these seemed really on point. For instance, I had always heard a switch at “winter kept us warm,” but the computer didn’t see one there. It thought there was a switch at “summer surprised us,” where I personally had never seen a switch. But then listening back to Alec Guiness, that’s exactly where he goes into the voice of “Marie.”\n(17:33)\tAlec Guinness, reading “The Wasteland”\t“Summer surprised us, coming over the Starnbergersee / With a shower of rain;”\n(17:39)\tAdam Hammond\tThe algorithm had opinions and I found these opinions worthwhile.\n(17:45)\tAdam Hammond\tIn a 2005 article on computational analysis of literature, Julia Flanders wrote that we shouldn’t look at computers for objective answers about literary interpretation. As she put it, computers shouldn’t be seen as “factual substantiator whose observations are different in kind from our own — because more trustworthy and objective — but rather computers should be seen as a device that extends the range of our perceptions to phenomena too minutely disseminated for our ordinary reading.”.\n(18:18)\tAdam Hammond\tThey’re not there to confirm our subjective readings of a poem as objectively true. They’re there to challenge our readings with their own readings, which are no more objective than ours, but are definitely different based on things we humans don’t even notice when reading. What I couldn’t do at that time was analyze the audio recordings from the app. I could only look at text, but I was definitely curious about analyzing these audio recordings. I had my own human feelings about which readings on the app were the most dynamic or the most polyvocal or just the coolest. In other words, I had feelings about which reader did the police in different voices better than the others. What I didn’t have was any computational voice to bounce these ideas off of.\n(19:10)\tAdam Hammond\tIn the decade that followed the tools that I dreamed of were developed, many of them by teams led by a poetry scholar named Marit MacArthur. Working with scientists, programmers, humanists and students, she led the development of a set of computational and theoretical tools to analyze audio recordings of performances of poetry. MacArthur’s method works from only two data points: pitch and timing. To get the timing information, we used a program called “Gentle,” designed in collaboration with MacArthur. Basically, we fed the program all of our recordings of all of the app’s performances of “The Wasteland,” and it told us exactly when each word in the poem was spoken and how long the gaps were between these words. My research assistant Jonathan Dick, manually corrected the output of each of these, which was a huge job. This timing data allowed us to calculate how quickly each reader reads in words per minute. Are they fast or are they slow? It calculates the average length of their pauses. So how long do they wait between words? It tells us how often they pause, and it also tells us what kind of rhythms their pauses create. Are they monotonous or do they change like, like, that.\n(20:40)\tAdam Hammond\tLike a William Shatner kind of a complexity of pauses. We used another program called “Drift,” also designed in collaboration with MacArthur, to get pitch information. “Drift” divides the recording into segments of 100th of a second long and gives the fundamental frequency in Hertz for each of these segments. This data can tell us the pitch range in octaves of a given performance. So this just tells you how [Adam deepens his voice] low does the reader go and how [Adam hightens his voice] high. It gives you the pitch speed also in octaves, so this would be like [Adam exemplifies the pitch speed]: if you go from low to high steadily, there’s a speed. And then pitch acceleration, which is like [Adam mimics an engine-like sound] when the pitch changes in these kind of quickly accelerating fashions. All of these can be used as measures of like how dynamic or dramatic a performance is. In a path-breaking 2018 article, “Beyond Poet Voice” in the journal Cultural Analytics, MacArthur and her collaborators Georgia Zellou and Lee M. Miller proposed four dimensions of poetic performance, and argued that these can be described quantitatively using only this timing and pitch data.\n(22:01)\tAdam Hammond\tSo one dimension they called “formal,” that’s readings with predictable rhythms and slower speech. So that’s all from the timing data. They also had a dimension called “conversational.” This is someone who reads with less predictable rhythms and faster speech. So again, you can get all of this from the timing data. They had a dimension called “expressive.” This is someone with a wide pitch range and highly contrasting pitch – up and down, high speed, high acceleration. The final dimension they called “dramatic,” which features long unpredictable pauses, again, timing related. With these tools and theories in place, we were equipped to dig into exciting research questions about the performances on “The Wasteland” app. And to get answers to these questions, both from human readers and machine readers. Our broad questions were: number one, where do readers of “The Wasteland” do voices? Where do these voice switches occur? Where does one voice pass the mic to the other? Number two: how do readers of “The Wasteland” do voices? What aspects of timing and pitch do they alter to indicate voice switches? Number three, this is a big question: Is dialogism or multi-voice a property of texts or performances? Is it inherent in the text or is it something that is only brought out, even created, in performance?\n(23:34)\tAdam Hammond\tFor the digital tools in particular, we had two questions. Number one: can analysis of pitch and timing information capture the way that different readers do voices or is there something other than just pitch and timing that you need to really understand this? Can this data tell us more about the way that readers do these voices than regular human listening can? Can the computational analysis reveal features that humans, more specifically literary scholars who know “The Wasteland” really, really well, can’t notice? Can they, for instance, shake my long held belief that T.S. Eliot is a terrible reader of his own poem? Here’s what we did. Me and my research assistant, Jonathan Dick, each listened to every reading on “The Wasteland” app and wrote up detailed answers to a series of questions about our subjective impressions. Number one: using subjective criteria, place the reader along the dimensions, formal, conversational, expressive, dramatic, including hybrids of these that are identified in the article beyond poet voice.\n(24:37)\tAdam Hammond\tNumber two: come up with two to three moments or passages that you feel best exemplify the above analysis. Number three: note any cases where the four dimensions or the explanation of these dimensions seem inadequate. Number four: briefly described how well, and just “how,” each reader does the voices in the poem. Number five: pick out a couple of passages where the reader clearly does a voice or conversely remarkably fails to do a voice. So that was our questionnaire. I’ll give you a couple of examples we agreed on using a passage from the poem that really brought out the differences. For instance, we both thought that Fiona Shaw was an expressive, dramatic reader, using a wide pitch range, highly contrastive pitch and incorporating a bunch of dramatic pauses. Have a listen,\n(25:28)\tFiona Shaw, reading “The Wasteland”\t“But at my back from time to time I hear The sound of horns and motors, which shall bring Sweeney to Mrs. Porter in the spring. O the moon shone bright on Mrs. Porter And on her daughter They wash their feet in soda water Et O ces voix d’enfants, chantant dans la coupole! Twit twit twit Jug jug jug jug jug jug So rudely forc’d.”\n(26:05)\tAdam Hammond\tWe also both thought that Viggo Mortensen was a formal inexpressive reader. He speaks slowly. His rhythms are steady and predictable, and he doesn’t do much with pitch.\n(26:16)\tViggo Mortensen, reading “The Wasteland”\t“But at my back from time to time I hear The sound of horns and motors, which shall bring Sweeney to Mrs. Porter in the spring. O the moon shone bright on Mrs. Porter And on her daughter They wash their feet in soda water Et O ces voix d’enfants, chantant dans la coupole! Twit twit twit Jug jug jug jug jug jug So rudely forc’d. / Tereu”\n(26:46)\tAdama Hammond\tBy the way, as a kind of control, we also had the old MacOS text-to-speech voice, “Fred,” read the poem, and we analyzed his reading, too. Subjectively, we called it “formal-inexpressive,” just the same as Viggo.\n(27:02)\tMacOS text-to-speech voice, “Fred,” reading “The Wasteland”\t\n“Et O ces voix d’enfants, chantant dans la coupole! / Twit twit twit / Jug jug jug jug jug jug / So rudely forc’d.”\n(27:16)\tAdam Hammond\tThen it was time to run the numbers and see how it all shook out computationally. Jonathan and I, and the computer, in many ways weren’t far off in our interpretations of the performances. The computer agreed that Shaw was expressive-dramatic, hardly a surprise. But the computer thought Viggo’s rhythms were a bit more varied that we’d given him credit for: the computer agreed he was inexpressive but, based on his timing data, called him conversational rather than formal. Notably, the computer saw Fred the same way, as conversational and inexpressive. But there was one reader where Jonathan and I just couldn’t agree: Eliot. Have a listen to Eliot reading that same passage. Where would you place him?\n(28:06)\tT.S. Eliot, reading “The Wasteland”\t“But at my back from time to time I hear The sound of horns and motors, which shall bring Sweeney to Mrs. Porter in the spring. O the moon shone bright on Mrs. Porter And on her daughter They wash their feet in soda water Et O ces voix d’enfants, chantant dans la coupole! Twit twit twit Jug jug jug jug jug jug So rudely forc’d. Tereu”\n(28:43)\tAdam Hammond\tJonathan thought that Eliot was formal and inexpressive. In his notes he said, “Eliot is a formal speaker. His tone is neutral and slow. He is also less expressive since his pitch range is rather narrow and non-contrasting. Indeed one might describe him as monotonous.” Jonathan’s impressions agree with what a lot of critics have thought about Eliot over the years. For example, Jason Camlot, in his 2019 book “Phonopoetics” speaks of Eliot’s “calculatedly numb or mechanical delivery”; his delivery, Camlot says, “is robotically liturgical, or […] mechanically oracular”. Now that’s exactly how 19-year-old me felt about Eliot’s reading, and that’s exactly what I hated about it. And yet when I listened to Eliot again to put my subjective responses together, I couldn’t help but disagree with my younger self. In my notes I wrote, “He’s all over the map. There is a lot of formal, but I get the sense that this happens when he’s in ‘formal’ voices. I almost always have the sense that he’s trying to ‘do’ a voice. He is conversational in several voices. One failing he seems to have is varying his rhythms, which are generally monotonous. Definitely, he is expressive in parts, but I get the sense that he is more trying than succeeding.”\n(29:47)\tAdam Hammond\tNow, I wasn’t alone in hearing voices in Eliot’s reading of “The Wasteland,” or at least the attempt to do these voices. For instance, to go back a century, when Eliot read “The Wasteland” to his friend Virginia Woolf at her house in 1922, she wrote up some subjective impressions of her own in her diary. She wrote, “Eliot dined last Sunday & read his poem. He sang it & chanted it rhythmed it. It has great beauty & force of phrase: symmetry; & tensity.” “One was left,” Woolf said, “with some strong emotion.” Virginia Woolf seems to have considered Eliot an expressive-dramatic reader.\n(30:51)\tAdam Hammond\tAlas, the computer disagreed with Virginia and I. Even Mortensen and Fred got to be formal and conversational. Eliot’s reading was the only one the computer saw as formal and inexpressive. But maybe I just wasn’t running the numbers right. For all of the results I’ve talked about so far, the computer was giving us results for the whole performance. On average, it would look at timing and pitch data for the full poem, all 20 to 30 minutes of it. It’s a long poem. And then give us data like average pause, length, rhythmic complexity of pauses on average, average pitch acceleration for the whole 20 to 30 minute performance. But maybe that wasn’t what was most interesting or useful in terms of calculating the numbers because the poem is made up of lots of different voices after all. What did I care about average numbers for the whole poem?\n(31:53)\tAdam Hammond\tThat would only make sense if there was only one voice for the whole poem. It would be like putting the Norton Anthology in a text analysis algorithm and getting it to tell me what the average style of a hundred different writers was like. Useless, right? You wanna look at the style for each of the individual writers. Now, what we needed to do was compare the way that the different readers did particular voices. How are they reading here and how does that compare to how they’re reading over here? Do they vary the voice from passage to passage? So for the next stage of our analysis, we identified three passages in the poem that are clearly in different voices. We started with a very formal conventionally poetic passage. We call it the “burnished throne “passage. Then a very informal passage, the famous bar scene, and then a passage made up of a wide variety of voices all stuck together, the “Madame Sosostris” passage. Now we would expect a good reader, a reader who really does the voices, to make a huge contrast between the “burnished throne” voice and the “bar scene” voice. If they really get the poem, they’ll do everything they can to make these voices sound different from one another.\n(33:14)\tAdam Hammond\tWell, can you believe it? Analyzing all the performances of these three passages with our pitch and timing tools and then comparing the numbers between passages, Eliot is actually the one who varies his reading the most. In terms of words per minute, pitch speed, pause rate, average pitch, his readings are right up there as the most contrasting. Whereas someone like Fiona Shaw is varying her voice all the time all over the place, Eliot is the one, or one of the ones, who varies his voice the most from passage to passage. So have a listen for yourself. Here is Eliot reading the conventionally poetic “burnished throne” passage.\n(34:01)\tT.S. Eliot, reading “The Wasteland”\t“The Chair she sat in, like a burnished throne, Glowed on the marble, where the glass Held up by standards wrought with fruited vines From which a golden Cupidon peeped out (Another hid his eyes behind his wing)”\n(34:19)\tAdam Hammond\tAnd here he is reading the colloquial “bar scene.”\n(34:23)\tT.S. Eliot, reading “The Wasteland”\t“If you don’t like it you can get on with it, I said. Others can pick and choose if you can’t. But if Albert makes off, it won’t be for lack of telling. You ought to be ashamed, I said, to look so antique. (And her only thirty-one.) I can’t help it, she said, pulling a long face, It’s them pills I took, to bring it off, she said.”\n(34:42)\tAdam Hammond\tOkay, he’s not the best actor, but you see he’s really trying to do a cockney accent in the bar scene. The computer also placed Elliot among the most dynamic readers for the Madame Sosostris passage. That’s one where there are a lot of voices and we expect a lot of internal variation. This is one where the overall numbers for the passage might actually be interesting. Indeed, although the computer saw Eliot’s performance as overall formal and inexpressive, it actually interpreted his performance of this passage as dramatic and expressive. Let’s listen first to Alec Guinness, aka Obi-Wan Kenobi, reading this passage and you can really hear the way he does the voices. There’s a difference between a kind of a neutral and narrator like voice. A prophetic voice that speaks the lines “Those are pearls that were his eyes!”, and the Eastern European-accented voice of Madame Sosostris herself.\n(35:39)\tAlec Guinness, reading “The Wasteland”\t“Madame Sosostris, famous clairvoyante, Had a bad cold, nevertheless Is known to be the wisest woman in Europe, With a wicked pack of cards. Here, said she, Is your card, the drowned Phoenician Sailor, (Those are pearls that were his eyes. Look!) Here is Belladonna, the Lady of the Rocks, The lady of situations. Here is the man with three staves, and here the Wheel, And here is the one-eyed merchant, and this card, Which is blank, is something he carries on his back, Which I am forbidden to see. I do not find The Hanged Man. Fear death by water. I see crowds of people, walking round in a ring. Thank you. If you see dear Mrs. Equitone, Tell her I bring the horoscope myself: One must be so careful these days.”\n(36:39)\tAdam Hammond\tThe computer saw Guinness as the most dramatic and expressive of all readers in this scene. But guess who it saw as the second most dramatic and expressive? Our friend T.S. Eliot. And really, if you listen, you can see why. Eliot does all the same voices as Guinness. He does that narrator at the start. He does the prophetic voice for the “pearl’s eyes” line, and he does Madame Sosostriswith that same accent.\n(37:06)\tT.S. Eliot, reading “The Wasteland”\t“Madame Sosostris, famous clairvoyante, Had a bad cold, nevertheless Is known to be the wisest woman in Europe, With a wicked pack of cards. Here, said she, Is your card, the drowned Phoenician Sailor, (Those are pearls that were his eyes. Look!) Here is Belladonna, the Lady of the Rocks, The lady of situations. Here is the man with three staves, and here the Wheel, And here is the one-eyed merchant, and this card, Which is blank, is something he carries on his back, Which I am forbidden to see. I do not find The Hanged Man. Fear death by water. I see crowds of people, walking round in a ring. Thank you. If you see dear Mrs. Equitone, Tell her I bring the horoscope myself: One must be so careful these days.”\n(38:09)\tAdam Hammond\tI think I may hear another voice right at the end there, a Cockney man that Guinness doesn’t do.\n(38:16)\tAdam Hammond\tSo where does all this leave us? Well, for one thing, thanks to MacArthur and our collaborators, we now have accessible and powerful computational tools for analyzing poetic performances. The computational analysis of pitch and timing data, permitted by tools like “Gentle” and “Drift,” produce results that correspond well to human listeners’s subjective impressions. In other words, to tools work, which is important. These subjective impressions vary between individual listeners or even between the same listener over time. When I heard Eliot when I was 19, all I heard was a fake English accent and the worst example of a monotonous formal poet’s voice. Jonathan listening today heard something similar, but the me of today disagreed with both, hearing a genuine attempt, however clumsy, however awkward, to really do all the different voices in the poem.\n(39:09)\tAdam Hammond\tAnd I mean, he was a poet, after all. He was not a famous actor. When they were casting “Star Wars” and the “Lord of the Rings” and “Harry Potter,” no one was knocking on Eliot’s door. Okay, he was long dead by then, but you get my point. Maybe we need to cut Eliot a little bit of slack.\n(39:28)\tAdam Hammond\tI think this whole experiment shows why some of us are so drawn to computational analysis of literature and literary performance. Whether you’re working with text or audio, computational tools provide different ways of attending to the work of art, different ways of listening and reading. Computers just notice things that humans don’t, and sometimes those differences can be really interesting. They give us another voice, another perspective to bounce our ideas off of. I still don’t think Elliot was a good reader of his own work, but I do think that he was trying to be a good reader of his own work and the computer seems to agree with me.\n(40:11)\tAdam Hammond\tThanks so much for listening, and if you’re interested in this kind of stuff, please feel free to draw me a line.\n(40:16)\tMusic\t[Electronic music begins playing.]\n(40:28)\tKatherine McLeod\tThe SpokenWeb Podcast is a monthly podcast produced by the Spoken web team as part of distributing the audio collected from and created using Canadian literary archival recordings found at universities across Canada.\n(40:40)\tHannah McGregor\tThis month’s episode was produced by Adam Hammond. The Spoken Web podcasting team is: supervising producer Maia Harris, sound designer James Healy, transcriber Yara Ajeeb, and co-hosts Katherine McLeod and me, Hannah McGregor.\n(40:58)\tKatherine McLeod\t[Spokenweb Podcast outro music begins playing] To find out more about SpokenWeb, visit spokenweb.ca and subscribe to SpokenWeb Podcast on Apple Podcasts, Spotify, or wherever you may listen. If you love us, let us know. Rate us and leave a comment on Apple Podcasts, or say “hi” on our social media at Spoken Web Canada. Stay tuned to your podcast feed later this month for shortcuts with me, Katherine McLeod, short stories about how literature sounds."],"score":1.5188013},{"id":"6887","cataloger_name":["Sarah,Cipes"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Frank Davey fonds"],"source_collection_label":["Frank Davey fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2014.002"],"persistent_url":[""],"item_title":["[CHP Tape 2]"],"item_title_source":["Created title"],"item_title_note":["Title created based on information written on cassette. 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Nichol reading on November 22, 1968 Tape 2 of 2 and CBC interview with George Bowering and Lionel Kearns #188b"],"item_title_source":["J-card and SpokenWeb website"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George","Nichol, B.P.","Kearns, Lionel"],"creator_names_search":["Bowering, George","Nichol, B.P.","Kearns, Lionel"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935- \",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/30784380\",\"name\":\"Kearns, Lionel \",\"dates\":\"1937-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors_names":["Bowering, George"],"contributors_names_search":["Bowering, George"],"contributors":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935- \",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1968],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/899/Reading in BC_McS199_188b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:56:42\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"188-tape-2-side-A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:27:03\",\"precision\":\"\",\"size\":\"25.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"188-tape-2-side-B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:05\",\"precision\":\"\",\"size\":\"28.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1968-11-22\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"SpokewWeb website\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/456341915#map=19/43.65360/-79.37320\",\"venue\":\"CBC Studio\",\"notes\":\"We assume that this tape was recorded in Toronto. CBC Toronto studio address was changed in 1993 (after this recording took place) to 205 Wellington Street West, Toronto, Ontario, M5V 3G7 from a smaller facility on Jarvis Street, near the former television transmitter. (Source: https://en.wikipedia.org/wiki/Canadian_Broadcasting_Centre)\",\"address\":\"Jarvis Street, Toronto, Ontario, Canada\",\"latitude\":\"43.6562555\",\"longitude\":\"-79.374232 \"},{\"url\":\"https://www.openstreetmap.org/way/103248053\",\"venue\":\"Sir George Williams (Concordia University)\",\"notes\":\"\",\"address\":\"1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada\",\"latitude\":\"45.4954\",\"longitude\":\"-73.5783\"}]"],"Address":["Jarvis Street, Toronto, Ontario, Canada","1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada"],"Venue":["CBC Studio","Sir George Williams (Concordia University)"],"City":["Toronto, Ontario","Montreal, Quebec"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\tA\t000\tNichol – Historical Implications of Turnips\n\t\t009\tCycle #22 – Nichol\n\t\t018\tNichol – Milk\n\t\t030\tNichol – The New Captain Poetry Blues for David McFadden\n\t\t067\tKearns – Split\n\t\t085\tKearns – The Difference\n\t\t107\tKearns – A Christmas Poem\n\t\t130\tKearns – University\n\t\t135\tKearns – Economic Phonology\n\t\t138\tNichol – Alimony, Old Baloney\n\t\t215\tKearns – Ventilation Parable\n\t\t272\tKearns – Creation\n\t\t280\tNichol – Zero Phase\n\t\t304\tNichol – Returning\n\t\t342\tKearns – It\n\t\t360\tKearns – Amber Gris – A Statement On Source\n\t\t379\tKearns – Contra-diction\n\t\t390\tKearns – (?)\n\t\t407\tKearns – Friday at The Ex\n\t\t427\tKearns – Prototypes\n\t\t437\tKearns – End Poem\n\t\t445\tBowering interviewing Kearns\n\t\t497\tKearns reading “Contra-diction”\n\t\t505\tDiscussion of dreams as sources for poems\n\t\t549\tStuntman\n\t\t571\tFriday At The Ex\n\t\t603\tPrototypes\n\t\t620\tSituation"],"Note":["[{\"note\":\"Liner Notes: \\nTape 2 of 2\\nSide 3 27:25\\n4 17:05\\nLionel Kearns with George Bowering - CBC 12:12\\nDolby B\",\"type\":\"General\"},{\"note\":\"Detailed information about the reading and transcription: https://montreal.spokenweb.ca/sgw-poetry-readings/bpnichol-and-lionel-kearns-at-sgwu-1968/#2\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670552758124544,"timestamp":"2026-01-07T14:59:57.226Z","score":1.5188013},{"id":"5336","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Bill Bissett performance of  \"Jumping Cloud\" in St. John’s and Toronto, 1986 #728"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bissett, Bill"],"creator_names_search":["Bissett, Bill"],"creators":["[{\"url\":\"http://viaf.org/viaf/96127023\",\"name\":\"Bissett, Bill\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\",\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1199/Reading in BC_MsC199_728.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T02:40:00\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\" Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"728-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:43:56\",\"precision\":\"\",\"size\":\"43.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"728-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:33\",\"precision\":\"\",\"size\":\"44.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986\",\"type\":\"Performance Date\",\"notes\":\"Side One in Summer 1986 and side two in 1986\",\"source\":\"Inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2805426\",\"venue\":\"\",\"notes\":\"\",\"address\":\"St. John’s, newfounland, Canada\",\"latitude\":\"47.4857\",\"longitude\":\"-52.7591\"},{\"url\":\"https://www.openstreetmap.org/relation/324211\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Toronto, Ontario, Canada\",\"latitude\":\"43.7279\",\"longitude\":\"-79.3721\"}]"],"Address":["St. John’s, newfounland, Canada","Toronto, Ontario, Canada"],"City":["Toronto, Ontario"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t012\t“where we are in the karibo”\n\t\t040\tEnd\n\t\t042\t“all the brite eyez deep in th rivr bed” (Richard Spurrell on Drums)\n\t\t136\tEnd\n\t\t145\t“yv want to walk with me”\n\t\t213\tEnd\n\t\t215\t“it sz in th London free press”\n\t\t274\tEnd\n\t\t280\t“hunnee chant”\n\t\t307\tEnd\n\t\t312\t“walkin on th moon”\n\t\t452\t“the elvs ozone factorees”\n\t\t480\tEnd.  End Side One\nTwo\t\t000\t\n\t\t006\t“chang opning”\n\t\t177\tEnd\n\t\t182\t“I was on beech ave in vancouvr”\n\t\t206\tEnd\n\t\t213\t“vancouvr citee council 1986”\n\t\t232\tEnd\n\t\t234\t“Canada gees mate for life”\n\t\t272\tEnd\n\t\t274\t“wher we are in the karibu”\n\t\t292\tEnd\n\t\t294\t“mulroonee sells de haviland”\n\t\t318\tEnd\n\t\t319\t“I met yu in the park”\n\t\t335\tEnd\n\t\t336\t“it sz in th London free press”\n\t\t380\tEnd\n\t\t384\t“the goddess uv mersee th pink lites al getting pinkr”\n\t\t497\tEnd.  End side Two"],"Note":["[{\"note\":\"the length of the digital file's side 1 is T00:43:56 and side 2 is T00:45:33, but the performance only takes 34:50 on side 1 and 36:40 on side 2 and the rest of audio is empty \",\"type\":\"\"},{\"note\":\"Liner Notes:\\nBill Bissett\\n\\\"Jumping Cloud\\\" \\nSt. John’s, Newfoundland/Toronto\\nside 1 34:50\\nside 2 36:40\\nDOLBY B\\n #728\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552864030720,"timestamp":"2026-01-07T14:59:57.321Z","score":1.5188013},{"id":"5715","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Gerry Gilbert with Gar Smith in Toronto on July 14th, 1982  #432"],"item_title_source":["cassette and j-card"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Gilbert, Gerry","Smith, Gar","Thompson, Gordon"],"creator_names_search":["Gilbert, Gerry","Smith, Gar","Thompson, Gordon"],"creators":["[{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/309624288\",\"name\":\"Smith, Gar\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/81204012\",\"name\":\"Thompson, Gordon\",\"dates\":\"1949-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1982],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6015/Reading in BC_MsC199_432.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"432-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:16:39\",\"precision\":\"\",\"size\":\"16.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"432-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:16:39\",\"precision\":\"\",\"size\":\"16.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-07-14\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/324211\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Toronto, Ontario, Canada\",\"latitude\":\"43.6545\",\"longitude\":\"-79.3831\"}]"],"Address":["Toronto, Ontario, Canada"],"City":["Toronto, Ontario"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t\tGerry Gilbert – Toronto Poems\n\t\t002\t“If music be the food of love, play on…”\n\t\t045\t“Karen Ann Quinlan lies unfocused in the sunny hospital room…”\n\t\t060\t“My faint smile/The 7:30 Granville bus from Hastings…”\n\t\t073\t“Toronto Streets”\n\t\t086\t“So there we were pausing on red together like Toronto traffic lights…”\n\t\t\t“Island and Ireland, Iran and I ran…”\n\t\t114\t“I get as lost as a shopping list and miss the boat back to the city…”\n\t\t132\t“You See”\n\t\t141\t“Never Better”\n\t\t150\t“I got to cabbagetown then I lost momentum somewhere…”\n\t\t181\t“A world aloft”\n\t\t187\t“Video drift”\n\t\t194\t“Executive bonsai”\n\t\t204\t“Yorkville”\n\t\t206\t“Make-up”\n\t\t210\t“The middleclass dream still sleeps in Toronto”\n\t\t225\t“Stash you cap on the tact of the snake & you won’t lose it” : “heading to the mainland…”\n\t\t233\t“Bus depot”\n\t\t242\t“Take a bus personally”\nTwo\t\t\tGerry Gilbert – The Summer of the Volcano\n\t\t002\tIntroduction\n\t\t012\t“Suck me, fuck me, make me write bad cheques…”\n\t\t016\t“Summer of the volcano…”: Vancouver\n\t\t042\t“Somebody winks and makes a toke sign at me…”\n\t\t074\t“Squander your pain, stare at the stripper…”\n\t\t084\t“Finally getting sleep…”\n\t\t114\t“I’m up to what I had in mind when I started this poem…”\n\t\t147\t“Well what do you know, according to the news I’ll be eligible for teeth next year…”\n\t\t150\t“I’m writing faster than you’re reading…”\n\t\t153\t“Meanwhile, I can’t drink Similkameen Superior B.C. wine anymore…”\n\t\t162\t“The face is my sunburn”\n\t\t172\t“Next week begins tomorrow…”\n\t\t188\t“Meanwhile at the joint I pay for the coffee refill…”\n\t\t208\tThere are hundreds of millions of us on the continent dressed as ourselves…”\n\t\t223\t“in a couple of days the dust falls as far north as Prince Rupert…”\n\t\t232\t“Vancouver, B.C. bay…”\n\t\t241\t“Just down the beach the young Native Indian boy was dancing…”\n\t\t248\tTape ends"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553754271745,"timestamp":"2026-01-07T14:59:58.173Z","score":1.5188013},{"id":"5716","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Gerry Gilbert reading at the Music Gallery, Toronto 1983-84, part 1 of 4 #433"],"item_title_source":["cassette and j-card"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Gilbert, Gerry","Bertram, Gordon W.","Muirhead, Ross","Kamevaar, Jack"],"creator_names_search":["Gilbert, Gerry","Bertram, Gordon W.","Muirhead, Ross","Kamevaar, Jack"],"creators":["[{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/34053060/#Bertram,_Gordon_W.\",\"name\":\"Bertram, Gordon W.\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/105106599\",\"name\":\"Muirhead, Ross\",\"dates\":\"1956-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/106645134\",\"name\":\"Kamevaar, Jack\",\"dates\":\"1921-\",\"notes\":\"John on the cassette\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6016/Reading in BC_MsC199_433.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"433-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:29\",\"precision\":\"\",\"size\":\"42.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"433-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:30\",\"precision\":\"\",\"size\":\"43.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1984\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/241163484\",\"venue\":\"Music Gallery\",\"notes\":\"not 100% sure that it is the right place, it could change the location since 1984\",\"address\":\"918 Bathurst St., Toronto, ON, M5R 3G5\",\"latitude\":\"43.668571\",\"longitude\":\"-79.41298653346495\"}]"],"Address":["918 Bathurst St., Toronto, ON, M5R 3G5"],"Venue":["Music Gallery"],"City":["Toronto, Ontario"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t002\t“I live to unite, I wake in the dead of night…”\n\t\t116\t“I thought I said when you come in from the daylight it’s the right time to look at the back of a painting…”\n\t\t221\tThis male “Deep down, sweet dark speak dream…”"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553754271746,"timestamp":"2026-01-07T14:59:58.173Z","score":1.5188013},{"id":"5717","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Gerry Gilbert reading at the Music Gallery, Toronto 1983-84, part 2 of 4 #434"],"item_title_source":["cassette and j-card"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Gilbert, Gerry","Kamevaar, Jack"],"creator_names_search":["Gilbert, Gerry","Kamevaar, Jack"],"creators":["[{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/106645134\",\"name\":\"Kamevaar, Jack\",\"dates\":\"1921-\",\"notes\":\"John on the cassette\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6017/Reading in BC_MsC199_434.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"434-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:56\",\"precision\":\"\",\"size\":\"30.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"434-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:41\",\"precision\":\"\",\"size\":\"30.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1984\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/241163484\",\"venue\":\"Music Gallery\",\"notes\":\"not 100% sure that it is the right place, it could change the location since 1984\",\"address\":\"918 Bathurst St., Toronto, ON, M5R 3G5\",\"latitude\":\"43.668571\",\"longitude\":\"-79.41298653346495\"}]"],"Address":["918 Bathurst St., Toronto, ON, M5R 3G5"],"Venue":["Music Gallery"],"City":["Toronto, Ontario"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nA\t\t000\t“Land home, wave by syllable…”\n\t\t004\t“One Mouth”\n\t\t006\t“The Free Trip to Fall”\n\t\t012\t“One Week”\n\t\t015\t“Star Fur”\n\t\t019\t“Used Life”\n\t\t035\t“One Night”\n\t\t037\t“The year pig”\n\t\t040\t“There’s a loan in marriage…”\n\t\t045\t“I love the weight…”\n\t\t048\t“Is growing old staying in love?”\n\t\t054\t“Saskatchewan yes is for maybe…”\n\t\t055\t“What with half an eternity…”\n\t\t063\t“This the way its ‘sposed to be”\n\t\t071\t“There would be no after without Memphis Slim…”\n\t\t082\t“Sex slaves of the world unit…”\n\t\t088\t“The joy of seismology…”\n\t\t095\t“Deep down sleep dark…” (xylophone, Ross Muirhead)\n\t\t206\t“I live to write…”\n\t\t209\t“It’s me...” (Sax – Gordon Bertrum)\n\t\t390\tEnd of side one\nB\t\t000\t“Equinox, [Beruit]*…”\n\t\t028\t“Keep your place with the mushroom…”\n\t\t050\t“What touches me when I see the pain…”\n\t\t104\t“The wave that can be waived is not the wave…”\n\t\t117\t“Ever the postmodern artist after our own heart”\n\t\t142\t“I think, note, at all its points the poem reveal thought…”\n\t\t147\t“The Tulch: The transformation of art into information”\n\t\t235\t“Guitars are all air…”\n\t\t427\tTape ends"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553754271747,"timestamp":"2026-01-07T14:59:58.173Z","score":1.5188013},{"id":"5718","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Gerry Gilbert reading at the Music Gallery, Toronto 1979-84, part 3 of 4 #435"],"item_title_source":["cassette and j-card"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Gilbert, Gerry"],"creator_names_search":["Gilbert, Gerry"],"creators":["[{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1984],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6018/Reading in BC_MsC199_435.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"435-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:38\",\"precision\":\"\",\"size\":\"30.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"435-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:59\",\"precision\":\"\",\"size\":\"30.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1984\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1979\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/241163484\",\"venue\":\"Music Gallery\",\"notes\":\"not 100% sure that it is the right place, it could change the location since 1984\",\"address\":\"918 Bathurst St., Toronto, ON, M5R 3G5\",\"latitude\":\"43.668571\",\"longitude\":\"-79.41298653346495\"}]"],"Address":["918 Bathurst St., Toronto, ON, M5R 3G5"],"Venue":["Music Gallery"],"City":["Toronto, Ontario"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nA\t\t000\tThe Class of ’54 (1984) “Wording Well”\n\t\t279\tA Canadian in Toronto (1982)\n\t\t426\tEnd of Side A\nB\t\t000\tPindrop (1984)\n\t\t530\tT-Shirts (1982) violin-Garsmith\n\t\t551\tSummer of the Volcano (1982) violin-Garsmith\n\t\t751\t“I’ve gone out to that house”\n\t\t850\tEnd of side B"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553754271748,"timestamp":"2026-01-07T14:59:58.173Z","score":1.5188013},{"id":"5719","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Gerry Gilbert reading at the Music Gallery, Toronto 1984, part 4 of 4 #436"],"item_title_source":["cassette and j-card"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Gilbert, Gerry"],"creator_names_search":["Gilbert, Gerry"],"creators":["[{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1984],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6019/Reading in BC_MsC199_436.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"436-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:03\",\"precision\":\"\",\"size\":\"30.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"436-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:35\",\"precision\":\"\",\"size\":\"31.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1984\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/241163484\",\"venue\":\"Music Gallery\",\"notes\":\"not 100% sure that it is the right place, it could change the location since 1984\",\"address\":\"918 Bathurst St., Toronto, ON, M5R 3G5\",\"latitude\":\"43.668571\",\"longitude\":\"-79.41298653346495\"}]"],"Address":["918 Bathurst St., Toronto, ON, M5R 3G5"],"Venue":["Music Gallery"],"City":["Toronto, Ontario"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nA\t\t000\tCCMC.  John Kamevaar Nobbn Kubota Casey Sokol with Gerry Gilbert\n\t\t409\tEnd of Side A\nB\t\t000\tThe Void (1982) Violin-Garsmith\n\t\t116\tNeut (1972)\n\t\t168\tFor L. Peltier (1976)\n\t\t209\tLog (1953-70)\n\t\t358\tAll told (1977)\n\t\t380\tCowboy (’81)\n\t\t391\tGoodboy (’81)\n\t\t397\tSlow (’82)\n\t\t417\tEnd of tape"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553755320320,"timestamp":"2026-01-07T14:59:58.173Z","score":1.5188013},{"id":"5730","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Raymond Souster reading for OISE (Ontario Institute for Studies in Education) #470"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Souster, Raymond"],"creator_names_search":["Souster, Raymond"],"creators":["[{\"url\":\"http://viaf.org/viaf/115682280\",\"name\":\"Souster, Raymond\",\"dates\":\"1921-2012\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6032/Reading in BC_MsC199_470.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"470-Side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:04\",\"precision\":\"\",\"size\":\"30.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"470-Side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:21\",\"precision\":\"\",\"size\":\"32.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/10725629\",\"venue\":\"OISE (Ontario Institute for Studies in Education)\",\"notes\":\"\",\"address\":\"252 Bloor St W, Toronto, ON M5S 1V6\",\"latitude\":\"43.66875\",\"longitude\":\"-79.39889\"}]"],"Address":["252 Bloor St W, Toronto, ON M5S 1V6"],"Venue":["OISE (Ontario Institute for Studies in Education)"],"City":["Toronto, Ontario"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n\t\t005\t“The Hippies at Nathan Phillips Square”\n\t\t035\t“Yea Tigers”\n\t\t050\t“The Petition”\n\t\t106\t“The Girls of the Morning”\n\t\t140\t“And now we take you to Biafra”\n\t\t164\t“His Great-Grandfather Lacrosse”\n\t\t258\t“Top Secret”\n\t\t300\t“Small house in a small town”\n\t\t322\t“Peace Demonstration, 1967”\n\t\t360\t“First Snowflake”\n\t\t380\t“Christmas Lights of Yonge St.”\n\t\t400\t“Caterpillar”\n\t\t415\t“Centre Island, Late September”\n\t\t450\t“The train past Auschwitz”\n\t\t495\t“Our Sergeant-Major”\n\t\t544\t“These words, this music”\n\t\t585\t“Death chant For Mr. Johnson’s America”"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553757417473,"timestamp":"2026-01-07T14:59:58.173Z","score":1.5188013},{"id":"5733","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Al Purdy reading at Ontario Institute for Studies in Education #473"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Purdy, Al"],"creator_names_search":["Purdy, Al"],"creators":["[{\"url\":\"http://viaf.org/viaf/7398775\",\"name\":\"Purdy, Al\",\"dates\":\"1918-2000\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6035/Reading in BC_MsC199_473.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"473-Side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:24\",\"precision\":\"\",\"size\":\"29.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"473-Side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:17\",\"precision\":\"\",\"size\":\"31.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/10725629\",\"venue\":\"Ontario Institute for Studies in Education\",\"notes\":\"\",\"address\":\"252 Bloor St W, Toronto, ON M5S 1V6\",\"latitude\":\"43.66854\",\"longitude\":\"-79.39876\"}]"],"Address":["252 Bloor St W, Toronto, ON M5S 1V6"],"Venue":["Ontario Institute for Studies in Education"],"City":["Toronto, Ontario"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n\t\t000\tPurdy introduces his poems & says they are autobiographical\n\t\t015\tReads “Percy Lawson”\n\t\t060\t“The drunk tank”\n\t\t120\t“homemade beer”\n\t\t173\t“About being a member of our Armed Forces”\n\t\t216\t“At the movies”\n\t\t310\t“Jubilate on Flight 17 eastbound”\n\t\t367\t“Street Scene”\n\t\t444\t“Hellas Express”\n\t\t525\t“The Sculptors”\n\t\t623\t“Winter at Roblin Lake”\n\t\t680\t“Hockey Players”\n\t\t838\t-\tRecording ends"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553757417476,"timestamp":"2026-01-07T14:59:58.173Z","score":1.5188013},{"id":"5768","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["CBC program: Women writers in Canada, Marian Engel discussion on works of Margaret Laurence, Alice Munro, and Adele Wiseman, March 1977 #468"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Engel, Marian","Will, Engels"],"creator_names_search":["Engel, Marian","Will, Engels"],"creators":["[{\"url\":\"http://viaf.org/viaf/24754124\",\"name\":\"Engel, Marian\",\"dates\":\"1933-1985 \",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Will, Engels \",\"dates\":\"\",\"notes\":\"Introduction – Engels will speak about the works of Margaret Laurence, Alice Munro & Adele Wiseman\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1977],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6075/Reading in BC_MsC199_468.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card \",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"468-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:41\",\"precision\":\"\",\"size\":\"31.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"468-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:51\",\"precision\":\"\",\"size\":\"30.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1977-03\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/456341915#map=19/43.65360/-79.37320\",\"venue\":\"CBC Studio\",\"notes\":\"We assume that this tape was recorded in Toronto. CBC Toronto studio address was changed in 1993 (after this recording took place) to 205 Wellington Street West, Toronto, Ontario, M5V 3G7 from a smaller facility on Jarvis Street, near the former television transmitter. (Source: https://en.wikipedia.org/wiki/Canadian_Broadcasting_Centre)\",\"address\":\"Jarvis Street, Toronto, Ontario, Canada\",\"latitude\":\"43.6562555\",\"longitude\":\"-79.374232 \"},{\"url\":\"https://www.openstreetmap.org/node/4228286994\",\"venue\":\"Poor Alex theatre\",\"notes\":\"lecture was recorded there\",\"address\":\"772 Dundas St W, Toronto, ON M6J 1V1, Canada\",\"latitude\":\" 43.6521400\",\"longitude\":\"-79.4074563\"}]"],"Address":["Jarvis Street, Toronto, Ontario, Canada","772 Dundas St W, Toronto, ON M6J 1V1, Canada"],"Venue":["CBC Studio","Poor Alex theatre"],"City":["Toronto, Ontario","Toronto, Ontario"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nTwo\t\t000\tIntroduction – Engels will speak about the works of Margaret Laurence, Alice Munro & Adele Wiseman\n\t\t024\tEngels discusses her critical background\n\t\t074\tShe talks about the main Female characters in Five novels by Laurence, Munro, and Wiseman, seeking what is specifically Canadian and female about them\n\t\t105\tDenial of sexuality as a common point for these characters\n\t\t190\tShe talks about harlot – saints in Christianity, and sexual power in the novels\n\t\t290\tThe lack of experimentation in women’s writing\n\t\t356\tAn emergent spirituality in women’s writing, through “the description of women as being in possession of both minds and bodies, and confused by the balance of these two\n\t\t401\tShe reads the ending of the novel The Fire Dwellers  by Margaret Laurence\n\t\t422\tReads the ending of Lives of Girls and Woman, Alice Munro\n\t\t450\tReads the ending of A Test of God, Laurence\n\t\t481\tThe Stone Angel, Laurence\n\t\t490\tReads the ending of Crackpot, Adele Wiseman\n\t\t563\t“Women writers seem to be creating an iconography which is invisible to men”\n\t\t590\tFemale characters as victims of the Victorian image of womanhood, and the image of the pioneer wife\n\t\t703\tEngels finishes her talk"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553959792646,"timestamp":"2026-01-07T14:59:58.384Z","score":1.5188013},{"id":"5806","cataloger_name":["Nina,Fesenko"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["CBC interview with Miriam Waddington #1040"],"item_title_source":["cassette and j-card"],"item_title_note":["Liner notes: see the photo in the material description"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Waddington, Miriam"],"creator_names_search":["Waddington, Miriam"],"creators":["[{\"url\":\"http://viaf.org/viaf/2499852\",\"name\":\"Waddington, Miriam\",\"dates\":\"1917-2004\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6126/Reading in BC_McS199_1040(1).jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"1040-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:33\",\"precision\":\"\",\"size\":\"33.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"End of interview at T00:19:05\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"1040-side-2 BLANK.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:32\",\"precision\":\"\",\"size\":\"32.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"Blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/456341915#map=19/43.65360/-79.37320\",\"venue\":\"CBC Studio\",\"notes\":\"CBC Toronto studio address was changed in 1993 (after this recording took place) to 205 Wellington Street West, Toronto, Ontario, M5V 3G7 from a smaller facility on Jarvis Street, near the former television transmitter. (Source: https://en.wikipedia.org/wiki/Canadian_Broadcasting_Centre)\",\"address\":\"Jarvis Street, Toronto, Ontario, Canada\",\"latitude\":\"43.6562555\",\"longitude\":\"-79.374232 \"}]"],"Address":["Jarvis Street, Toronto, Ontario, Canada"],"Venue":["CBC Studio"],"City":["Toronto, Ontario"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553973424129,"timestamp":"2026-01-07T14:59:58.384Z","score":1.5188013},{"id":"5862","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["CBC, Canadian Poets: Irving Layton, Leonard Cohen, George Bowering, Gwendolyn Macewen reading in Toronto, 1966 tape 2 of 2 #449 - tape 2"],"item_title_source":["J-card and inventory"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George","Layton, Irving","Cohen, Leonard","Macewen, Gwendolyn"],"creator_names_search":["Bowering, George","Layton, Irving","Cohen, Leonard","Macewen, Gwendolyn"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935- \",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/66482092\",\"name\":\"Layton, Irving\",\"dates\":\"1912-2006\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/56703476\",\"name\":\"Cohen, Leonard\",\"dates\":\"1934-2016\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/115290827\",\"name\":\"Macewen, Gwendolyn\",\"dates\":\"1941-1987\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6224/Reading in BC_MsC199_449 - tape 2.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"449-tape-2-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:36\",\"precision\":\"\",\"size\":\"52.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"449-tape-2-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:40:12\",\"precision\":\"\",\"size\":\"55.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/456341915#map=19/43.65360/-79.37320\",\"venue\":\"CBC Studio\",\"notes\":\"CBC Toronto studio address was changed in 1993 (after this recording took place) to 205 Wellington Street West, Toronto, Ontario, M5V 3G7 from a smaller facility on Jarvis Street, near the former television transmitter. (Source: https://en.wikipedia.org/wiki/Canadian_Broadcasting_Centre)\",\"address\":\"Jarvis Street, Toronto, Ontario, Canada\",\"latitude\":\"43.6562555\",\"longitude\":\"-79.374232 \"}]"],"Address":["Jarvis Street, Toronto, Ontario, Canada"],"Venue":["CBC Studio"],"City":["Toronto, Ontario"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tIrving Layton – “Mrs. Fornheim, refugee”\n\t\t\t“First snow, Lake Achagan”\n\t\t\t“The Birth of Tragedy”\n\t\t\t“Song for Naomi”\n\t\t\t“Golfers”\n\t\t\t“The Bull Calf”\n\t\t\t“On Seeing the Statuettes”\n\t\t\t“Keine Lazarovich, 1870-1959”\n\t\t\t“Silence, for E.H.”\n\t\t\t“El Caudillo”\n\t\t078\tLeonard Cohen – “What I’m doing here”\n\t\t092\t“You Have the Lovers”\n\t\t130\t“Now of Sleeping”\n\t\t151\t“Style”\n\t\t183\t“Two Went to Sleep”\n\t\t209\t“Nothing Has Been Broken”\n\t\t221\t“These Heroics”\n\t\t233\tGeorge Bowering – “Grandfather”\n\t\t259\t“Moonshadow”\n\t\t280\t“Breaking Up, Breaking Out”\n\t\t294\t“The Descent”\n\t\t402\tGwendolyn MacEwen – “The Garden of Square Roots”\n\t\t429\t“Thou Jacob”\n\t\t448\t“The Thing is Violent”\n\t\t467\t“Arcanum One”\n\t\t491\t“Arcanum Two”\n\t\t518\t“Arcanum Three”\n\t\t550\t“The Caravan”\n\t\t570\t“The Self Assumes”"],"Note":["[{\"note\":\"Tape 1 is missing\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670554174750722,"timestamp":"2026-01-07T14:59:58.590Z","score":1.5188013},{"id":"5896","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["CBC, Canadian Poets: Phyllis Webb, Earle Birney, John Newlove, and Alfred Purdy reading in Toronto, 1966 tape 1 of 2 #449 - tape 1"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Birney, Earle","Newlove, John","Purdy, Al","Webb, Phyllis"],"creator_names_search":["Birney, Earle","Newlove, John","Purdy, Al","Webb, Phyllis"],"creators":["[{\"url\":\"http://viaf.org/viaf/97679781\",\"name\":\"Birney, Earle\",\"dates\":\"1904-1995 \",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/92277383\",\"name\":\"Newlove, John\",\"dates\":\"1938-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/7398775\",\"name\":\"Purdy, Al\",\"dates\":\"1918-2000\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/29847238\",\"name\":\"Webb, Phyllis\",\"dates\":\"1927-2021\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7365/Reading in BC_MsC199_449 - tape 1.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"449-tape-1-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:49\",\"precision\":\"\",\"size\":\"41.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"449-tape-1-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:31\",\"precision\":\"\",\"size\":\"43.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/456341915#map=19/43.65360/-79.37320\",\"venue\":\"CBC Studio\",\"notes\":\"CBC Toronto studio address was changed in 1993 (after this recording took place) to 205 Wellington Street West, Toronto, Ontario, M5V 3G7 from a smaller facility on Jarvis Street, near the former television transmitter. (Source: https://en.wikipedia.org/wiki/Canadian_Broadcasting_Centre)\",\"address\":\"Jarvis Street, Toronto, Ontario, Canada\",\"latitude\":\"43.6562555\",\"longitude\":\"-79.374232 \"}]"],"Address":["Jarvis Street, Toronto, Ontario, Canada"],"Venue":["CBC Studio"],"City":["Toronto, Ontario"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t000\tPhyllis Webb –“Alex”\n\t\t\t“Rilke”\n\t\t\t“Sitting”\n\t\t\t“The Time of Man”\n\t\t\t“Propositions”\n\t\t\t“Breaking”\n\t\t\t“Naked Poems”\n\t\t\tSuites One and Two\nTwo\t\t000\tPhyllis Webb –“Alex”\n\t\t\t“Rilke”\n\t\t\t“Sitting”\n\t\t\t“The Time of Man”\n\t\t\t“Propositions”\n\t\t\t“Breaking”\n\t\t\t“Naked Poems”\n\t\t\tSuites One and Two\n"],"Note":["[{\"note\":\"side one and two should be vice versa. Earle Birney, John Newlove, and Alfred Purdy parts are missing in the content \",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554189430788,"timestamp":"2026-01-07T14:59:58.590Z","score":1.5188013},{"id":"5798","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Bill Bissett Reading at York University, 1973 #549"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bissett, Bill"],"creator_names_search":["Bissett, Bill"],"creators":["[{\"url\":\"http://viaf.org/viaf/96127023\",\"name\":\"Bissett, Bill\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1973],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6117/Reading in BC_MsC199_549.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"549-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:23\",\"precision\":\"\",\"size\":\"41.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"549-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:26\",\"precision\":\"\",\"size\":\"42.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1973\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/11928469\",\"venue\":\"York University\",\"notes\":\"\",\"address\":\"120, Ian Macdonald Boulevard, Humber River—Black Creek, North York, Toronto, Golden Horseshoe, Ontario, M7A 2C5, Canada\",\"latitude\":\"43.77390\",\"longitude\":\"-79.49981\"}]"],"Address":["120, Ian Macdonald Boulevard, Humber River—Black Creek, North York, Toronto, Golden Horseshoe, Ontario, M7A 2C5, Canada"],"Venue":["York University"],"City":["Toronto, Ontario"],"Note":["[{\"note\":\"Side 1 44 min\\nSide 2 37 min\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670554195722244,"timestamp":"2026-01-07T14:59:58.590Z","score":1.5188013},{"id":"6295","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["BP Nichol reading from Motherlove and Other Inventions at his home on June 6, 1967 #300, #301, #302"],"item_title_source":["cassette and j-card"],"item_title_note":["Liner notes: see the photo in the material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P."],"creator_names_search":["Nichol, B.P."],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\",\"Performer\"]}]"],"contributors":["[]"],"Production_Date":[1967],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/8140/Reading in BC_MsC199_300,301,302.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"SFU\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"300,301,302-side-1.mp3\",\"channel_field\":\"2 (stereo)\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:55\",\"precision\":\"\",\"size\":\"45.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"300,301,302-side-2.mp3\",\"channel_field\":\"2 (stereo)\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:43\",\"precision\":\"\",\"size\":\"45.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1967-06-06\",\"type\":\"Production Date\",\"notes\":\"JUNE 6TH DATE OF THE FIRST PERFORMANCE\",\"source\":\"J-card and inventory\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"BP Nichol home \",\"notes\":\"he is reading some additional material at his place on June 6, 1967\",\"address\":\"Toronto, Ontario, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Toronto, Ontario, Canada"],"Venue":["BP Nichol home "],"City":["Toronto, Ontario"],"content_notes":["SFU BC Readings formatting"],"contents":["#300\nSide\tTrack\tNo.\tComments\n\t\t\tFrom ML & OI\n\t\t\tNo title: humble\n\t\t\tBallad of the Drowning Poet\n\t\t\tFebruary Poem (for Barb Shore)\n\t\t\tFrom DN / SR\n\t\t\tSmall Poem (for Wayne & Juli)\n\t\t\tThe Island \n\t\t\t“clock talk / clap trap…”\n\t\t\tLAND\n\t\t\tTranslating Apollinaire\n\t\t\t“the large branches of the tree…”\n\t\t\tPrologue\n\t\t\tFrom ML & OI\n\t\t\tTunespupple\n\t\t\tFrom DN / SR\n\t\t\tReturn (for dave & denise)\n\t\t\tFrom ML & OI\n\t\t\tThe Latehouse Keeper\n\n#301\nSide\tTrack\tNo.\tComments\n\t\t\tFrom DN / SR\n\t\t\t“Walk thru the winter streets…”\n\t\t\tAbsences\n\t\t\tWalk Home 1:30 A.M.\n\t\t\tWinter City\n\t\t\tConnections\n\t\t\tWinter Song\n\t\t\t“tin phrases…”\n\t\t\t“Now it is night…”\n\t\t\tLeave-Taking\n\t\t\t9 p.m. Blues\n\t\t\tFor D.J.\n\t\t\t“Dark & tangled is the root of dreams…”\n\t\t\tHandling a Memory (for Margaret)\n\t\t\tThe Accusation\n\n#302\nSide\tTrack\tNo.\tComments\nOne\t\t0000\t\n\t\t0016\t“Fallout”\n\t\t0024\t“Who thought to know has known least”\n\t\t0039\t“Note”\n\t\t0054\t“No title”\n\t\t0059\t“Circles”\n\t\t0077\tNichol gives historical context for the next poem\n\t\t0086\t“A Gift of Chalices”\n\t\t0109\t“For Ellie”\n\t\t0141\tNichol explains the structure of the following poems:\n\t\t0148\t“Twos”\n\t\t0240\t“No title”\n\t\t0254\t“Sthnal” (for Glinda)\n\t\t0417\t“One, one”\n\t\t0465\tNichol explains the musical element, in the form of accompaniment, that has been added to “Sthnal” (for Glinda) and “One, one” in the past\n\t\t0476\tTape cuts into “additional material” recorded at home on June 6, 1967 by Nichol\n\t\t0489\t“Oh, did you”\n\t\t0524\tNichol can be heard rummaging through a file box to find examples of his visual prose writing.  As he does so, he explains his conception of visual prose\n\t\t0580\tSelections from a work in progress\n\t\t0581\tIntroductory selection\n\t\t0616\tFirst part that Nichol considers finished – “The Formalist”\n\t\t0725\tElectronic music interspersed with Nichol chanting\n\t\t0871\tNichol cites previous musical selection as Scrapture 12th or 13th sequence\n\t\t0900\tMore electronic music in a similar vein to the Scrapture sequences\n\t\t0981\tScrapture sequence ends\n\t\t1005\tSide One ends\nTwo\t\t0000\t\n\t\t0314\tNichol reading and chanting, the poet employs various audio techniques such as severe echo in his presentation of sounds\n\t\t0376\tA second sound reading, more electric than the first\n\t\t0556\tA third sound poem\n\t\t0569\tA fourth sound poem\n\t\t0704\tA fifth sound poem\n\t\t0721\tA sixth sound poem\n\t\t0489\tA seventh sound poem\n\t\t0874\tAn eighth sound poem\n\t\t0926\tA ninth sound pem\n\t\t1009\tSide Two ends\n\t\t\t"],"Note":["[{\"note\":\"\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555072331776,"timestamp":"2026-01-07T14:59:59.437Z","score":1.5188013},{"id":"6348","cataloger_name":["Kandice,Sharren"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Anita Rau Badami fonds"],"source_collection_label":["Anita Rau Badami fonds"],"collection_contributing_unit":["Simon Fraser University Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of correspondence, drafts, articles, reviews, and other records created and accumulated by Anita Rau Badami in the course of her career as a writer. Includes drafts of her first three novels: Tamarind Mem (1997), The Herou2019s Walk and Can You Hear the Nightbird Call?. There are no records related to her last novel, Tell it to the Trees (2011). The records have been arranged in the following four series: Personal records (1992-2003); Tamarind Mem (1994-2001); The Herou2019s Walk (1999-2005); Can You Hear the Nightbird Call? (2003-2006)."],"collection_source_collection_id":["MsC 141"],"persistent_url":[""],"item_title":["CBC radio documentary for the 50th Anniversary of India's Independence on August 15, 1997"],"item_title_source":["cassette and j-card"],"item_title_note":["J-Card reads: \"Anita - do not erase CBC 50th Century [sic]\"\nSide A reads: \"CBC India Start - Badami\"\nSide B reads: CBC radio 50th A\""],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"creator_names":["Badami, Anita Rau","Pigott, Catherine","Brown, Ian","Gordon, Dick","Wells, Karin"],"creator_names_search":["Badami, Anita Rau","Pigott, Catherine","Brown, Ian","Gordon, Dick","Wells, Karin"],"creators":["[{\"url\":\"http://viaf.org/viaf/7605720\",\"name\":\"Badami, Anita Rau\",\"dates\":\"1961-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\",\"Reader\"]},{\"url\":\"\",\"name\":\"Pigott, Catherine\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\",\"Narrator\",\"Presenter\"]},{\"url\":\"http://viaf.org/viaf/94182806\",\"name\":\"Brown, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"\",\"name\":\"Gordon, Dick\",\"dates\":\"\",\"notes\":\"Former CBC broadcaster\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"\",\"name\":\"Wells, Karin\",\"dates\":\"\",\"notes\":\"Former CBC documentary maker (now retired)\",\"nation\":[],\"role\":[\"Presenter\"]}]"],"contributors":["[]"],"Publication_Date":[1997],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5900/Anita Rau Badami Fonds_MsC141_1.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/cbc-radio-documentary-50th-anniversary-indias-independence-august-15-1997-part-1\",\"file_path\":\"\",\"filename\":\"MSC141-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:07\",\"precision\":\"\",\"size\":\"55.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/cbc-radio-documentary-50th-anniversary-indias-independence-august-15-1997-part-2\",\"file_path\":\"\",\"filename\":\"MSC141-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:16\",\"precision\":\"\",\"size\":\"56.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1997-08-15\",\"type\":\"Publication Date\",\"notes\":\"Air date\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/767577994#map=19/43.64477/-79.38809\",\"venue\":\"CBC Studio\",\"notes\":\"We assume that this tape was recorded in Toronto\",\"address\":\"205 Wellington Street West, Toronto, Ontario, M5V 3G7\",\"latitude\":\"43.6452555\",\"longitude\":\"-79.3882035\"}]"],"Address":["205 Wellington Street West, Toronto, Ontario, M5V 3G7"],"Venue":["CBC Studio"],"City":["Toronto, Ontario"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555263172608,"timestamp":"2026-01-07T14:59:59.632Z","score":1.5188013},{"id":"6375","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["SFU Archives Readings"],"source_collection_label":["SFU Archives Readings"],"collection_contributing_unit":["SFU Archives and Records Management"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["A collection of poetry readings and panels that took place at SFU during the 1970s and are located in the SFU Archives. This group includes writers such as Margaret Atwood, Dorothy Livesay, Anne Marriott, Joy Kagawa, P. K. Page, and Irving Layton."],"collection_source_collection_id":["https://atom.archives.sfu.ca/f-231-1-2"],"persistent_url":["https://atom.archives.sfu.ca/f-231-1-2"],"item_title":["bpNichol on Comic Book Confidential with Helene Fallen for CFMX on Sept. 4 #34"],"item_title_source":["cassette"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, bp (Barrie Phillip)"],"creator_names_search":["Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Speaker\",\"Donor\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"020 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:24:29\",\"precision\":\"\",\"size\":\"26.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\" 09-04\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"cassette\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/66411867\",\"venue\":\"CFMX Toronto\",\"notes\":\"\",\"address\":\"550 Queen St E, Toronto On M5a 1v2\",\"latitude\":\"43.65827\",\"longitude\":\"-79.35908\"}]"],"Address":["550 Queen St E, Toronto On M5a 1v2"],"Venue":["CFMX Toronto"],"City":["Toronto, Ontario"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670555267366913,"timestamp":"2026-01-07T14:59:59.632Z","score":1.5188013},{"id":"6383","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 24 May, 1986"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Creede, Gerald","Watts, Charles","Rosenfeld, Rhoda","Gilbert, Gerry","Kemp, Penny","Prentice, David","Walker, Victoria","Kelley, Peggy","Brown, Jim","Culley, Peter","Copithorne, Judith","Mitchum, Robert","Kroetsch, Robert","Gould, Glenn"],"creator_names_search":["Creede, Gerald","Watts, Charles","Rosenfeld, Rhoda","Gilbert, Gerry","Kemp, Penny","Prentice, David","Walker, Victoria","Kelley, Peggy","Brown, Jim","Culley, Peter","Copithorne, Judith","Mitchum, Robert","Kroetsch, Robert","Gould, Glenn"],"creators":["[{\"url\":\"http://viaf.org/viaf/11296961\",\"name\":\"Creede, Gerald\",\"dates\":\"1951-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/4094573\",\"name\":\"Watts, Charles\",\"dates\":\"1947-1998\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/104850618\",\"name\":\"Rosenfeld, Rhoda\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"The host\",\"nation\":[],\"role\":[\"Speaker\",\"Presenter\",\"Reader\",\"Donor\",\"Producer\",\"Series organizer\"]},{\"url\":\"http://viaf.org/viaf/43083879\",\"name\":\"Kemp, Penny\",\"dates\":\"1951-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/187476298\",\"name\":\"Prentice, David\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/104046068\",\"name\":\"Walker, Victoria\",\"dates\":\"1945-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/46615553/\",\"name\":\"Kelley, Peggy\",\"dates\":\"1950-\",\"notes\":\"Spelling on the cassette was incorrect\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/106615300/\",\"name\":\"Brown, Jim\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/166436053\",\"name\":\"Culley, Peter\",\"dates\":\"1958-2015\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/63020479\",\"name\":\"Copithorne, Judith\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/69009464\",\"name\":\" Mitchum, Robert\",\"dates\":\"1917-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/120613489/\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/54148399/\",\"name\":\"Gould, Glenn\",\"dates\":\"1932-1982\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1541/Gerry Gilbert Fonds_MsC14_157.jpg\",\"other\":\"\",\"extent\":\"1/8 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bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-14/radiofreerainforest-24-may-1986-part-2\",\"file_path\":\"\",\"filename\":\"MSC14-157-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:58\",\"precision\":\"\",\"size\":\"64.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-05-24\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1986-07-13\",\"type\":\"Production Date\",\"notes\":\"Side B: 13 July 1986 RFR original broadcast, 1st side of edited version (RealPoetique Ball)\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/241163484\",\"venue\":\"Music Gallery \",\"notes\":\"Penny Kemp and David Prentice were there on May 24th, 1986\",\"address\":\"918 Bathurst St, Toronto, ON M5R 3G5\",\"latitude\":\"43.668571\",\"longitude\":\"-79.41298653346495\"},{\"url\":\"https://www.openstreetmap.org/node/7802936235#map=19/49.28180/-123.10236\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\"370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\"49.2818703\",\"longitude\":\"-123.1022474\"}]"],"Address":["918 Bathurst St, Toronto, ON M5R 3G5","370 Columbia St, Vancouver, BC V6A 4J1"],"Venue":["Music Gallery ","Vancouver Co-op Radio CFRO 100.5 FM"],"City":["Toronto, Ontario","Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: See Photo\",\"type\":\"General\"},{\"note\":\"Side B: 1st side of RFR 13 July 1986 program\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555268415492,"timestamp":"2026-01-07T14:59:59.632Z","score":1.5188013},{"id":"6337","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["A selection of writing by bpNichol chosen and read by his friends at a Gala Tribute at Toronto's Harbourfront on December 2, 1989 #994"],"item_title_source":["cassette and J-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Gatensby, Greg","Tostevin, Lola Lemire","Lee, Dennis","Dewdney, Christropher","Barbour, Douglas","Scobie, Stephen","Hartog, Diana","Dedora, Brian","Nichol, B. P.","Van Loon, Nellas","Sereda, David","Smith, Whitney","Pulsiver, Alan","Pepper, John","Shaw, Maggie","Marlatt, Daphne","Wah, Fred","McFadden, David","Shikatani, Gerry","Ondaatje, Michael","Dutton, Paul","Coleman, Victor","Hodge, Paul","Westlake, Marilyn","Swwinghammer, Kurt","Steve MeCaffery","Barreto-Rivera, Rafael","Webb, Phyllis"],"creator_names_search":["Gatensby, Greg","Tostevin, Lola Lemire","Lee, Dennis","Dewdney, Christropher","Barbour, Douglas","Scobie, Stephen","Hartog, Diana","Dedora, Brian","Nichol, B. P.","Van Loon, Nellas","Sereda, David","Smith, Whitney","Pulsiver, Alan","Pepper, John","Shaw, Maggie","Marlatt, Daphne","Wah, Fred","McFadden, David","Shikatani, Gerry","Ondaatje, Michael","Dutton, Paul","Coleman, Victor","Hodge, Paul","Westlake, Marilyn","Swwinghammer, Kurt","Steve MeCaffery","Barreto-Rivera, Rafael","Webb, Phyllis"],"creators":["[{\"url\":\"\",\"name\":\"Gatensby, Greg \",\"dates\":\"\",\"notes\":\"Introduction by him \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/8771515\",\"name\":\"Tostevin, Lola Lemire\",\"dates\":\"1937-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/150749702\",\"name\":\"Lee, Dennis\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Dewdney, Christropher \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/14864700\",\"name\":\"Barbour, Douglas\",\"dates\":\"1940-\",\"notes\":\"Helped with sounding \",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/18385392\",\"name\":\"Scobie, Stephen\",\"dates\":\"1943-\",\"notes\":\"Helped with sounding \",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/91401282\",\"name\":\"Hartog, Diana\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/11347776\",\"name\":\"Dedora, Brian\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\" Nichol, B. P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"\",\"name\":\"Van Loon, Nellas\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Sereda, David \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Smith, Whitney\",\"dates\":\"\",\"notes\":\"Vocal\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Pulsiver, Alan\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Pepper, John\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Shaw, Maggie\",\"dates\":\"\",\"notes\":\"Vocal\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/7405434\",\"name\":\"McFadden, David\",\"dates\":\"1940-2018\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/30931468\",\"name\":\"Shikatani, Gerry\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/111941870\",\"name\":\"Ondaatje, Michael\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/36999806\",\"name\":\"Dutton, Paul\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/38160442\",\"name\":\"Coleman, Victor\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\"]},{\"url\":\"\",\"name\":\"Hodge, Paul \",\"dates\":\"\",\"notes\":\"Editor\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Westlake, Marilyn\",\"dates\":\"\",\"notes\":\"Photo by her\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Swwinghammer, Kurt\",\"dates\":\"\",\"notes\":\"Design by him\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Steve MeCaffery\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/16154730\",\"name\":\"Barreto-Rivera, Rafael\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/29847238\",\"name\":\"Webb, Phyllis\",\"dates\":\"1927-2021\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1989],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/8712/Reading in BC_MsC199_994.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1989-12-02\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/146040705#map=19/43.63926/-79.38284\",\"venue\":\"Toronto's Harbourfront\",\"notes\":\"\",\"address\":\"235 Queens Quay West, Toronto, ON M5J 2G8\",\"latitude\":\"43.638840\",\"longitude\":\"-79.381996\"}]"],"Address":["235 Queens Quay West, Toronto, ON M5J 2G8"],"Venue":["Toronto's Harbourfront"],"City":["Toronto, Ontario"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555271561218,"timestamp":"2026-01-07T14:59:59.632Z","score":1.5188013},{"id":"6458","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 7 May 1989"],"item_title_source":["item and j-card"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Sheard, Sarah","Gilbert, Gerry","Baker, Marie Annharte","Cram, Paul"],"creator_names_search":["Sheard, Sarah","Gilbert, Gerry","Baker, Marie Annharte","Cram, Paul"],"creators":["[{\"url\":\"https://viaf.org/viaf/100143243/#Sheard,_Sarah.\",\"name\":\"Sheard, Sarah\",\"dates\":\"1953-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"https://viaf.org/viaf/13554305/#Gilbert,_Gerry\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"https://viaf.org/viaf/36969605/#Baker,_Marie_Annharte,_1942-\",\"name\":\"Baker, Marie Annharte\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"https://viaf.org/viaf/104040488/\",\"name\":\"Cram, Paul\",\"dates\":\"\",\"notes\":\"Paul Cram Band\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Gilbert, Gerry"],"contributors_names_search":["Gilbert, Gerry"],"contributors":["[{\"url\":\"https://viaf.org/viaf/13554305/#Gilbert,_Gerry\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\",\"Donor\"]}]"],"Producer_name":["Gilbert, Gerry"],"Production_Date":[1989],"Performance_Date":[1989],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1659/Gerry Gilbert Fonds_MsC14_152.jpg\",\"other\":\"\",\"extent\":\"1/8 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files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-236/radiofreerainforest-7-may-1989-part-2\",\"file_path\":\"\",\"filename\":\"MSC14-152-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:27:07\",\"precision\":\"\",\"size\":\"31.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1989-05-07\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1989-03-22\",\"type\":\"Performance Date\",\"notes\":\"Sarah Sheard's reading was recorded at the Rivoli on this date.\",\"source\":\"J-card\"},{\"date\":\"1989-03-08\",\"type\":\"Performance Date\",\"notes\":\"Ann Harte reads on this date.\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://nominatim.openstreetmap.org/details.php?place_id=92340333\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\"370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\"49.2818703\",\"longitude\":\"-123.1022474\"},{\"url\":\"https://www.openstreetmap.org/node/5573420336\",\"venue\":\"Rivoli Pool Hall\",\"notes\":\"Sarah Sheard's reading was recorded there.\",\"address\":\" 334 Queen St W, Toronto, ON M5V 2A2\",\"latitude\":\"43.649408\",\"longitude\":\"-79.3949432\"},{\"url\":\"https://www.openstreetmap.org/way/286951796\",\"venue\":\"The Exchange Club\",\"notes\":\"\",\"address\":\"2431 8th Ave, Regina, SK S4R 5J7\",\"latitude\":\"50.45646995\",\"longitude\":\"-104.61553104999999\"}]"],"Address":["370 Columbia St, Vancouver, BC V6A 4J1"," 334 Queen St W, Toronto, ON M5V 2A2","2431 8th Ave, Regina, SK S4R 5J7"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM","Rivoli Pool Hall","The Exchange Club"],"City":["Vancouver, British Columbia","Toronto, Ontario","Regina, Saskatchewan"],"Note":["[{\"note\":\"Liner Notes: see photo\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555598716931,"timestamp":"2026-01-07T14:59:59.951Z","score":1.5188013},{"id":"6623","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. 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files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-731/radiofreerainforest-27-december-1987-part-2\",\"file_path\":\"\",\"filename\":\"MSC14-202-Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:44:51\",\"precision\":\"\",\"size\":\"51.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987-11-13\",\"type\":\"Performance Date\",\"notes\":\"Timothy Finley Recording from Toronto\",\"source\":\"Casette Label, J Card\"},{\"date\":\"1987-12-03\",\"type\":\"Performance Date\",\"notes\":\"\\\"Yarmaroil Launching\\\" at CIBC\",\"source\":\"Casette Label, J 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The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Fred Wah Poetry Reading in Toronto on April 14, 1979"],"item_title_source":["item"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred"],"creator_names_search":["Wah, Fred"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939–\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1979],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7924/Fred Wah Fonds_MsC 17e_8.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/_flysystem/fedora/2025-03/MSC17E-08/MSC17E-08-01.mp3\",\"file_path\":\"\",\"filename\":\"MSC17E-08-01.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:16\",\"precision\":\"\",\"size\":\"30 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://digital.lib.sfu.ca/fred-wah-poetry-reading-toronto-april-14-1979-part-1\"},{\"file_url\":\"https://digital.lib.sfu.ca/_flysystem/fedora/2025-03/MSC17E-08/MSC17E-08-02.mp3\",\"file_path\":\"\",\"filename\":\"MSC17E-08-02.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:14\",\"precision\":\"\",\"size\":\"30.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://digital.lib.sfu.ca/fred-wah-poetry-reading-toronto-april-14-1979-part-2\"}]"],"Dates":["[{\"date\":\"1979-04-14\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"item\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/324211#map=18/43.65385/-79.38471\",\"venue\":\"\",\"notes\":\"Venue unknown\",\"address\":\"Toronto, Ontario, Canada\",\"latitude\":\"43.6535\",\"longitude\":\"-79.38393\"}]"],"Address":["Toronto, Ontario, Canada"],"City":["Toronto, Ontario"],"content_notes":["Side 1: Recording ends at T00:19:40\nSide 2: Recording ends at T00:27:00\n\n"],"Note":["[{\"note\":\"Sound quality: persistent noise throughout tape, traffic sounds. \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556049604612,"timestamp":"2026-01-07T15:00:00.367Z","score":1.5188013},{"id":"6906","cataloger_name":["Teddie,Brock"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Fred Wah, \"Making Strange Poetics\" Reading During \"Long-Liners\" Conference at York University, 1984"],"item_title_source":["item, recording"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred"],"creator_names_search":["Wah, Fred"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939–\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1984],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7930/Fred Wah Fonds_MsC 17e_14.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/_flysystem/fedora/2025-03/MSC17E-14-Service%20File.mp3\",\"file_path\":\"\",\"filename\":\"MSC17E-14-01.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:20\",\"precision\":\"\",\"size\":\"30.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://digital.lib.sfu.ca/unarchiving-margins/fred-wah-making-strange-poetics-reading-during-long-liners-conference-york\"}]"],"Dates":["[{\"date\":\"1984\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"item\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/6370888053\",\"venue\":\"York University\",\"notes\":\"\",\"address\":\"4700 Keele St, Toronto, ON M3J 1P3\",\"latitude\":\" 43.7587808\",\"longitude\":\"-79.5194336\"}]"],"Address":["4700 Keele St, Toronto, ON M3J 1P3"],"Venue":["York University"],"City":["Toronto, Ontario"],"content_notes":["Side 1: Recording ends at T00:25:26\nSide 2: Blank"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556050653188,"timestamp":"2026-01-07T15:00:00.367Z","score":1.5188013},{"id":"6907","cataloger_name":["Teddie,Brock"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Fred Wah Interview with Stuart McLean on CBC Toronto \"Morningside\" Program on March 4, 1986"],"item_title_source":["item, recording"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","McLean, Stuart","Wells, Judy","[Donavich, Gerald?]"],"creator_names_search":["Wah, Fred","McLean, Stuart","Wells, Judy","[Donavich, Gerald?]"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939–\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/53310596\",\"name\":\"McLean, Stuart\",\"dates\":\"1948–2017\",\"notes\":\"radio host\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/11265660\",\"name\":\"Wells, Judy\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"[Donavich, Gerald?]\",\"dates\":\"\",\"notes\":\"musician - saxophone quartet\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[]"],"Production_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7949/Fred Wah Fonds_MsC 17e_15.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"j-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/_flysystem/fedora/2025-03/MSC17E-15-Service%20File.mp3\",\"file_path\":\"\",\"filename\":\"MSC17E-15-01.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:47\",\"precision\":\"\",\"size\":\"29.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://digital.lib.sfu.ca/unarchiving-margins/fred-wah-interview-stuart-mclean-cbc-toronto-morningside-program-march-4-1986\"}]"],"Dates":["[{\"date\":\"1986-03-04\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"item, recording\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/456341915#map=19/43.65360/-79.37320\",\"venue\":\"CBC Studio Toronto\",\"notes\":\"CBC Toronto studio address was changed in 1993 (after this recording took place) to 205 Wellington Street West, Toronto, Ontario, M5V 3G7 from a smaller facility on Jarvis Street, near the former television transmitter. (Source: https://en.wikipedia.org/wiki/Canadian_Broadcasting_Centre) \",\"address\":\"Jarvis Street, Toronto, Ontario, Canada\",\"latitude\":\"43.6562555\",\"longitude\":\"-79.374232 \"}]"],"Address":["Jarvis Street, Toronto, Ontario, Canada"],"Venue":["CBC Studio Toronto"],"City":["Toronto, Ontario"],"content_notes":["Side 1: Wah interview ends at T00:17:44\nSide 2: Blank\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670556050653189,"timestamp":"2026-01-07T15:00:00.367Z","score":1.5188013},{"id":"6920","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["CBC Radio Program: Sunday Morning Art at Diamond club in Toronto, and George Bowering reading \"The Great Grandchildren of Bill Bissette's Mice\" in Vancouver"],"item_title_source":["cassette and j-card"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["McCormack, Eric","Browning, Norman","Bowering, George","Bowering, Angela","Wah, Fred","Weiner, Gerry","Watt, Keith","Little, Adam","O'Connell, Mary","Young, Gerry","Raven-Hill, Stuart","Kourianten, Tony","White, Donn","Healey, Jeff","[Hutchinson, Max?]","[Roloff?], Reneé","[Dutt, Charlotte?]","[Caurteron, Daniel?]","Doray, Michelle","[Castongase, Sandy?]","Henderson, Graham","Mellett, Donald Ring","Reed, James","Ritter, Erica","Cowboy Junkies","Deber, Raisa B."],"creator_names_search":["McCormack, Eric","Browning, Norman","Bowering, George","Bowering, Angela","Wah, Fred","Weiner, Gerry","Watt, Keith","Little, Adam","O'Connell, Mary","Young, Gerry","Raven-Hill, Stuart","Kourianten, Tony","White, Donn","Healey, Jeff","[Hutchinson, Max?]","[Roloff?], Reneé","[Dutt, Charlotte?]","[Caurteron, Daniel?]","Doray, Michelle","[Castongase, Sandy?]","Henderson, Graham","Mellett, Donald Ring","Reed, James","Ritter, Erica","Cowboy Junkies","Deber, Raisa B."],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/9689/Fred Wah Fonds_MsC 17 f_1.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-001-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:00:18\",\"precision\":\"\",\"size\":\"55.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-001-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:09\",\"precision\":\"\",\"size\":\"43.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"On the second side, it's mentioned that Donald Mellet produced the reading performance \\\" The Great Grandchildren of Bill Bissette's Mice\\\" in Vancouver, Canada\",\"address\":\"Vancouver, District of North Vancouver, Metro Vancouver Regional District, British Columbia, Canada\",\"latitude\":\"49.2597\",\"longitude\":\"-123.1155\"},{\"url\":\"https://www.openstreetmap.org/way/50259713\",\"venue\":\"CBC Studio\",\"notes\":\"It's hard to say if this tape was recorded in Vancouver or Toronto; we entered the locations for both Vancouver and Toronto CBC Radio \",\"address\":\"700 Hamilton Street Vancouver, British Columbia V6B 4A2\",\"latitude\":\"49.27915495\",\"longitude\":\"-123.11434125336939\"},{\"url\":\"https://www.openstreetmap.org/way/456341915#map=19/43.65360/-79.37320\",\"venue\":\"CBC Studio\",\"notes\":\"It's hard to say if this tape was recorded in Vancouver or Toronto; we entered the locations for both Vancouver and Toronto CBC Radio.\\n\\nWe do not know how old this tape is, and if this program was recorded before 1993. CBC Toronto studio address was changed in 1993 (after this recording took place) to 205 Wellington Street West, Toronto, Ontario, M5V 3G7 from a smaller facility on Jarvis Street, near the former television transmitter. (Source: https://en.wikipedia.org/wiki/Canadian_Broadcasting_Centre)\",\"address\":\"Jarvis Street, Toronto, Ontario, Canada\",\"latitude\":\"43.6562555\",\"longitude\":\"-79.374232\"},{\"url\":\"https://www.openstreetmap.org/way/388179961\",\"venue\":\"\",\"notes\":\"At the beginning of side one, Keith Watt says that he is on East Hastings Street in Vancouver\",\"address\":\"East Hastings Street, Hastings-Sunrise, Vancouver, District of North Vancouver, Metro Vancouver Regional District, British Columbia, V5K, Canada\",\"latitude\":\"49.28111\",\"longitude\":\"-123.02882\"},{\"url\":\"https://www.openstreetmap.org/node/380036501#map=19/43.664606/-79.373938\",\"venue\":\" Diamond Club (Phoenix Concert Theatre)\",\"notes\":\"The host of the program on side one states that she is at the Diamond Club in Toronto. The Diamond Club at 410 Sherbourne Street in 1991 changed to the Phoenix Concert Theatre\",\"address\":\"410 Sherbourne St, Toronto, ON M5X 1K2\",\"latitude\":\"43.664606\",\"longitude\":\"-79.373938\"}]"],"Address":["Vancouver, District of North Vancouver, Metro Vancouver Regional District, British Columbia, Canada","700 Hamilton Street Vancouver, British Columbia V6B 4A2","Jarvis Street, Toronto, Ontario, Canada","East Hastings Street, Hastings-Sunrise, Vancouver, District of North Vancouver, Metro Vancouver Regional District, British Columbia, V5K, Canada","410 Sherbourne St, Toronto, ON M5X 1K2"],"Venue":["CBC Studio","CBC Studio"," Diamond Club (Phoenix Concert Theatre)"],"City":["Vancouver, British Columbia","Hamilton, British Columbia","Toronto, Ontario","Vancouver, British Columbia","Toronto, Ontario"],"Note":["[{\"note\":\"The first two minutes of the second side is Reneé [Roloff?] reading her report and at 8:45 [Erica Reader?] introduces George Bowering's reading performance called \\\"The Great Grandchildren of Bill Bissette's Mice.\\\"\",\"type\":\"General\"},{\"note\":\"This radio program is all about art and the challenges that confronted Canadian local artists. \\nIt begins with the topic of ethnic community and multiculturalism, focusing on their expectations that the government would support their integration into the mainstream by providing increased funding and helping them gain recognition as professional artists, rather than being seen only as preservers of folk music.\\n\\nA part of this program is also about Canadian record labels and how Canadian musicians would fail to make a name for themselves here in Canada; it's all about how American record companies and the American music market provided them with amazing opportunities to be far more successful. \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556055896064,"timestamp":"2026-01-07T15:00:00.367Z","creators":["[{\"url\":\"http://viaf.org/viaf/267707248\",\"name\":\"McCormack, Eric\",\"dates\":\"1963-\",\"notes\":\"The author's choice of the program is Eric McCormack speaking at 17:00 on the first side. \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Browning, Norman\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\",\"Reader\"]},{\"url\":\" http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/93542147\",\"name\":\"Bowering, Angela\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]},{\"url\":\"http://viaf.org/viaf/67157581575233780187\",\"name\":\"Weiner, Gerry\",\"dates\":\"\",\"notes\":\"Minister of State for Multiculturalism talking on side one\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Watt, Keith \",\"dates\":\"\",\"notes\":\"Side A first speaker\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Little, Adam\",\"dates\":\"\",\"notes\":\"He speaks at 12:06 on the first side. \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"O'Connell, Mary\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Young, Gerry\",\"dates\":\"\",\"notes\":\"https://www.tomcattt.com/gerry-young\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Raven-Hill, Stuart\",\"dates\":\"\",\"notes\":\"https://www.discogs.com/artist/2255802-Stuart-Raven-Hill?srsltid=AfmBOoqxONBX4kRAFunNyRp76B2ihZaWU-U6We9iYiLck0MxXKf4VhU9\\n\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Kourianten, Tony\",\"dates\":\"\",\"notes\":\"He speaks in the week and review part of the program at 32:57 on side one\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"White, Donn\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/60736172\",\"name\":\"Healey, Jeff\",\"dates\":\"1966-2008\",\"notes\":\"https://en.wikipedia.org/wiki/Jeff_Healey\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"[Hutchinson, Max?]\",\"dates\":\"\",\"notes\":\"Canadian agent that turned down Jeff Healey. Could not find him.\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"\",\"name\":\"[Roloff?], Reneé\",\"dates\":\"\",\"notes\":\"She reads her report at the first two minutes of the second side \",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"[Dutt, Charlotte?]\",\"dates\":\"\",\"notes\":\"A writer and lobbyist in Ottawa. She speaks at 5:56 on side one. No further information found.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"[Caurteron, Daniel?]\",\"dates\":\"\",\"notes\":\"Music promoter speaking at 8:16 on side one. No further information about him.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Doray, Michelle\",\"dates\":\"\",\"notes\":\"She had the Canadian conference of the Arts\\nspeaking at 7:10 and 10:00 on side one\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"[Castongase, Sandy?]\",\"dates\":\"\",\"notes\":\"Sandy is introduced as the president of New York's pop music management company, The Big Jump. He is speaking at 25:04 on side one. The information about this person and the company could not be found online.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Henderson, Graham\",\"dates\":\"\",\"notes\":\"He speaks at 30:00 on side one.\\nHe is married to Margo Timmins of Cowboy Junkies and was an attorney of the band.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/78841690\",\"name\":\"Mellett, Donald Ring\",\"dates\":\"1891-1926\",\"notes\":\"George Bowring's reading performance \\\"The Great Grandchildren of Bill Bissette's Mice\\\" is produced by him.\",\"nation\":[],\"role\":[\"Producer\"]},{\"url\":\"\",\"name\":\"Reed, James\",\"dates\":\"\",\"notes\":\"He is the engineer of George Bowring's reading performance \\\"The Great Grandchildren of Bill Bissette's Mice.\\\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Ritter, Erica\",\"dates\":\"\",\"notes\":\"She is the CBC reader program's host on the second side; she introduces herself at 30:20 on the second side.\\n\\nIn addition to her work as a playwright, Ritter has written and hosted programming for CBC Radio. Ritter was host of Saturday Stereo Theatre (1983–1984).\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/157038178\",\"name\":\"Cowboy Junkies\",\"dates\":\"\",\"notes\":\"The band's music is heard on side one.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Deber, Raisa B. \",\"dates\":\"\",\"notes\":\"She is a health economist:\\nhttps://discover.research.utoronto.ca/243-raisa-deber\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"score":1.5188013},{"id":"6934","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Sleepwalkers by Steven Smith and Richard Truhlar recorded at Artculture Resource Center in Toronto on February 23, 1985 and at the Cilog Electronic Studio in Toronto between January 1985 to May 1987"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Smith, Steven","Potts, Keith","Elijosius, John","Wah, Fred","Truhlar, Richard"],"creator_names_search":["Smith, Steven","Potts, Keith","Elijosius, John","Wah, Fred","Truhlar, Richard"],"creators":["[{\"url\":\"\",\"name\":\"Smith, Steven \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Potts, Keith\",\"dates\":\"\",\"notes\":\"Recording Engineer \",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Elijosius, John\",\"dates\":\"\",\"notes\":\"Cover photo by him\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]},{\"url\":\"http://viaf.org/viaf/38165242\",\"name\":\"Truhlar, Richard \",\"dates\":\"1950-\",\"notes\":\"Mixed and mastered also done by him\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[]"],"Performance_Date":[1985],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/6934/Fred Wah Fonds_MsC 17f_18.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card and a peice of paper with poems have written on\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-018-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:50\",\"precision\":\"\",\"size\":\"30.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-018-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:47\",\"precision\":\"\",\"size\":\"30.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-02-23\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1985-01\",\"type\":\"Performance Date\",\"notes\":\"Other cuts except for 3, 6, and 10 were recorded from January 1985 to May 1987\",\"source\":\"J-card\"},{\"date\":\"1987-05\",\"type\":\"Performance Date\",\"notes\":\"Other cuts except for 3, 6, and 10 were recorded from January 1985 to May 1987\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2989349\",\"venue\":\"Artculture Resource Center\",\"notes\":\"The exact location cannot be found, so we decided to put Toronto's latitude, longitude, and Url\",\"address\":\"City Toronto, Golden Horseshoe, Ontario, Canada\",\"latitude\":\"43.6530\",\"longitude\":\"-79.3838\"},{\"url\":\"https://www.openstreetmap.org/relation/2989349\",\"venue\":\"Cilog Electronic Studio\",\"notes\":\"The exact location cannot be found, so we decided to put Toronto's latitude, longitude, and Url\\nOther cuts except for 3, 6, and 10 were recorded from January 1985 to May 1987 at Cilog Electronic Studio\",\"address\":\"City Toronto, Golden Horseshoe, Ontario, Canada\",\"latitude\":\"43.6530\",\"longitude\":\"-79.3838\"},{\"url\":\"\",\"venue\":\"Underwhich Editions\",\"notes\":\"This is where these performances were published \",\"address\":\"Underwhich Editions P.O. Box 262 Adelaide Street Station Toronto, Ontario Canada MSC 2J4 \",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["City Toronto, Golden Horseshoe, Ontario, Canada","City Toronto, Golden Horseshoe, Ontario, Canada","Underwhich Editions P.O. Box 262 Adelaide Street Station Toronto, Ontario Canada MSC 2J4 "],"Venue":["Artculture Resource Center","Cilog Electronic Studio","Underwhich Editions"],"City":["Toronto, Ontario","Toronto, Ontario","Toronto, Ontario"],"Note":["[{\"note\":\"A list of the performances are written on the J-card.\",\"type\":\"General\"},{\"note\":\"Kontakte Writers Performance Series: Steven Smith and Richard Truhlar perform Sleepwalkers (cuts 3, 6, and 10) at the Artculture Resource Center in Toronto on February 23, 1985, with additional cuts recorded at the Cilog Electronic Studio in Toronto between January 1985 and May 1987.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556236251136,"timestamp":"2026-01-07T15:00:00.560Z","score":1.5188013},{"id":"6940","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["CBC Radio Program: bp Nichol on morningside in Toronto on October 13, 1983"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","The Four Horsemen","Nichol, bp (Barrie Phillip)","Astaire, Fred"],"creator_names_search":["Wah, Fred","The Four Horsemen","Nichol, bp (Barrie Phillip)","Astaire, Fred"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]},{\"url\":\"http://viaf.org/viaf/128949455\",\"name\":\"The Four Horsemen\",\"dates\":\"\",\"notes\":\"There is a piece of performance from \\\"The Four Horsemen\\\" on the first side played as part of this radio program\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Speaker\",\"Performer\"]},{\"url\":\"http://viaf.org/viaf/9888263\",\"name\":\"Astaire, Fred\",\"dates\":\"1899-1987\",\"notes\":\"A song from him named \\\"Top Hat, White Tie and Tails\\\" is played for bpNichol at CBC radio program on the first side.\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[]"],"Production_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/6940/Fred Wah Fonds_MsC 17f_27.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-027-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:34:41\",\"precision\":\"\",\"size\":\"36.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-027-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:34:53\",\"precision\":\"\",\"size\":\"37 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-10-13\",\"type\":\"Production Date\",\"notes\":\"bpNichol on the morning side of CBC radio program\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/456341915#map=19/43.65360/-79.37320\",\"venue\":\"CBC Studio\",\"notes\":\"CBC Toronto studio address was changed in 1993 (after this recording took place) to 205 Wellington Street West, Toronto, Ontario, M5V 3G7 from a smaller facility on Jarvis Street, near the former television transmitter. (Source: https://en.wikipedia.org/wiki/Canadian_Broadcasting_Centre)\",\"address\":\"Jarvis Street, Toronto, Ontario, Canada\",\"latitude\":\"43.6562555\",\"longitude\":\"-79.374232\"}]"],"Address":["Jarvis Street, Toronto, Ontario, Canada"],"Venue":["CBC Studio"],"City":["Toronto, Ontario"],"Note":["[{\"note\":\"On the first side, bpNichol is having an interview at CBC in Toronto; he also reads a poem from \\\"3-Day Novel Still\\\". He continues talking about one of the Horsemen performances and a performance called \\\"The Dreams Remains\\\" and its structure.  \\nHe also talks a little bit about his writing process and his mixed feelings about it.  \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556237299713,"timestamp":"2026-01-07T15:00:00.560Z","score":1.5188013},{"id":"6954","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["CBC broadcast of bpNichol's Meme: a Nopera and national news, March 1991 Tape 2 of 2"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Wah, Fred","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Production_Date":[1991],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/6954/Fred Wah Fonds_MsC 17f_47.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-047-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:27\",\"precision\":\"\",\"size\":\"50.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-047-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:00\",\"precision\":\"\",\"size\":\"50.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1991-03\",\"type\":\"Production Date\",\"notes\":\"Date determined from the recorded sports reporting on the IAAF World Indoor Championships (March 1991) and the Brier Curling Championship Final (March 1991).\",\"source\":\"Recording\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/456341915#map=19/43.65360/-79.37320\",\"venue\":\"CBC Studio\",\"notes\":\"CBC Toronto studio address was changed in 1993 (after this recording took place) to 205 Wellington Street West, Toronto, Ontario, M5V 3G7 from a smaller facility on Jarvis Street, near the former television transmitter. (Source: https://en.wikipedia.org/wiki/Canadian_Broadcasting_Centre)\",\"address\":\"Jarvis Street, Toronto, Ontario, Canada\",\"latitude\":\"43.6562555\",\"longitude\":\"-79.374232\"}]"],"Address":["Jarvis Street, Toronto, Ontario, Canada"],"Venue":["CBC Studio"],"City":["Toronto, Ontario"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556240445441,"timestamp":"2026-01-07T15:00:00.560Z","score":1.5188013},{"id":"6955","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["CBC broadcast of bpNichol's Meme: a Nopera and national news, March 1991 Tape 1 of 2"],"item_title_source":["Recording"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Mott, David","Wah, Fred","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Mott, David","Wah, Fred","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/21137508\",\"name\":\"Mott, David\",\"dates\":\"1945-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Production_Date":[1991],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/6955/Fred Wah Fonds_MsC 17f_48.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Clear jewel case\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-048-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:40\",\"precision\":\"\",\"size\":\"51.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-048-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:53\",\"precision\":\"\",\"size\":\"51.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1991-03\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Recording\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/456341915#map=19/43.65360/-79.37320\",\"venue\":\"CBC Studio\",\"notes\":\"CBC Toronto studio address was changed in 1993 (after this recording took place) to 205 Wellington Street West, Toronto, Ontario, M5V 3G7 from a smaller facility on Jarvis Street, near the former television transmitter. (Source: https://en.wikipedia.org/wiki/Canadian_Broadcasting_Centre)\",\"address\":\"Jarvis Street, Toronto, Ontario, Canada\",\"latitude\":\"43.6562555\",\"longitude\":\"-79.374232\"}]"],"Address":["Jarvis Street, Toronto, Ontario, Canada"],"Venue":["CBC Studio"],"City":["Toronto, Ontario"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556240445442,"timestamp":"2026-01-07T15:00:00.560Z","score":1.5188013},{"id":"6962","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Poets as Songwriters: An \"EAR LICK\" Sampler "],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Truhlar, Richard","Frew, Glen","Pim-Carson, Sandra","Fitzgerald, Judith","Dragland, Stan","Ondaatje, Michael","Dragland, Stan","Reaney, James","Roby, John","Wynne-Jones, Tim","Van Loon, Nelles","Cohen, Leonard","Sereda, David","Pulsifer, Alan","Acker, Liz","Gertler, Alfred","Coleman, Victor","Hodge, Paul","Cheeseman, John","Pitre, Louise","Verwymeren, Mark","Nichol, bp (Barrie 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\",\"dates\":\"\",\"notes\":\"Stairs\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"\",\"name\":\"Pim-Carson, Sandra  \",\"dates\":\"\",\"notes\":\"List of the songs:\\nUnnecessarily Blue\\nMaybe it's over\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/39705405\",\"name\":\"Fitzgerald, Judith \",\"dates\":\"1952-2015\",\"notes\":\"Songwriter\\nList of the songs:\\nHonkytonk Heartbreak \\nUnnecessarily Blue\\n\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/113934168\",\"name\":\"Dragland, Stan\",\"dates\":\"1942-\",\"notes\":\"Song\\nFried Egg Sandwich \",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/111941870\",\"name\":\"Ondaatje, Michael\",\"dates\":\"1943-\",\"notes\":\"Dwarf County\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/113934168\",\"name\":\"Dragland, Stan\",\"dates\":\"1942-\",\"notes\":\"Dwarf 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\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Acker, Liz \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Gertler, Alfred \",\"dates\":\"\",\"notes\":\"Bass performer \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/38160442\",\"name\":\"Coleman, Victor\",\"dates\":\"1944-\",\"notes\":\"Dr. Benway's song adapted from William Seward Burroughs by Victor Coleman and Whitney Smith\",\"nation\":[],\"role\":[\"Author\",\"Producer\"]},{\"url\":\"\",\"name\":\"Hodge, Paul \",\"dates\":\"\",\"notes\":\"Recording Engineer \",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Cheeseman, John \",\"dates\":\"\",\"notes\":\"Drum performer\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/121788778\",\"name\":\"Pitre, Louise\",\"dates\":\"1957-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Verwymeren, 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Box 1127, Station A, Toronto, Ontario, Canada, M5W 166\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["P.O. Box 1127, Station A, Toronto, Ontario, Canada, M5W 166"],"Venue":["Station A"],"City":["Toronto, Ontario"],"Note":["[{\"note\":\"Ear Lick project (Poets as Songwriters) is produced by bpNichol and Whitney Smith. It was made possible through the generous support of the Ontario Art Council, The Music Gallery, and the Therafields Foundation.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556241494018,"timestamp":"2026-01-07T15:00:00.560Z","score":1.5188013},{"id":"6968","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["bp Nichol (1944-88): A Tribute, Coah House/ Music Gallery, Talking Books, 1989"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"creator_names":["Tostevin, Lola Lemire","Lee, Dennis","Dewdney, Christopher","Scobie, Stephen","Barbour, Douglas","Hartog, Diana","Dedora, Brian","Marlatt, Daphne","McFadden, David","Van Loon, Nelles","Ondaatje, Michael","Barreto-Rivera, Rafael","Dutton, Paul","Wah, Fred","McCaffery, Steve","Webb, Phyllis","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Tostevin, Lola Lemire","Lee, Dennis","Dewdney, Christopher","Scobie, Stephen","Barbour, Douglas","Hartog, Diana","Dedora, Brian","Marlatt, Daphne","McFadden, David","Van Loon, Nelles","Ondaatje, Michael","Barreto-Rivera, Rafael","Dutton, Paul","Wah, Fred","McCaffery, Steve","Webb, Phyllis","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/8771515\",\"name\":\"Tostevin, Lola Lemire\",\"dates\":\"1937-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/150749702\",\"name\":\"Lee, Dennis\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/101952075\",\"name\":\"Dewdney, Christopher\",\"dates\":\"1951-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/18385392\",\"name\":\"Scobie, Stephen\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/14864700\",\"name\":\"Barbour, Douglas\",\"dates\":\"1940-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/91401282\",\"name\":\"Hartog, Diana\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/11347776\",\"name\":\"Dedora, Brian\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/7405434\",\"name\":\"McFadden, David\",\"dates\":\"1940-2018\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/310713612\",\"name\":\"Van Loon, Nelles\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/111941870\",\"name\":\"Ondaatje, Michael\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/16154730\",\"name\":\"Barreto-Rivera, Rafael\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/36999806\",\"name\":\"Dutton, Paul\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Donor\"]},{\"url\":\"http://viaf.org/viaf/38243\",\"name\":\"McCaffery, Steve\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Performer\"]},{\"url\":\"http://viaf.org/viaf/29847238\",\"name\":\"Webb, Phyllis\",\"dates\":\"1927-2021\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Production_Date":[1989],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10186/Fred Wah Fonds_MsC 17 f_52.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-052-Side 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Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["bp Nichol Sound Poems 1970-80: Ear Rational"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"creator_names":["McCaffery, Steve","Nichol, bp (Barrie Phillip)","Dutton, Paul","Dean, Michael","Penhale, David","Truhlar, Richard","Smith, Steven"],"creator_names_search":["McCaffery, Steve","Nichol, bp (Barrie Phillip)","Dutton, Paul","Dean, Michael","Penhale, David","Truhlar, Richard","Smith, Steven"],"creators":["[{\"url\":\"http://viaf.org/viaf/38243\",\"name\":\"McCaffery, Steve\",\"dates\":\"1947-\",\"notes\":\"\\\"Cosmic Piece for Orchestra\\\" and \\\"Chorus\\\" songs are performed by Steve McCaffery and bpNichol; \\\"Acres Rare Meet\\\" is also performed by him and a group of other poets. \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\\\"Cosmic Piece for Orchestra\\\" and \\\"Chorus\\\" songs are performed by Steve McCaffery and bpNichol.\",\"nation\":[],\"role\":[\"Performer\",\"Author\"]},{\"url\":\"http://viaf.org/viaf/36999806\",\"name\":\"Dutton, Paul\",\"dates\":\"1943-\",\"notes\":\"\\\"Acres Rare Meet\\\" is performed by him and a group of other poets. \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Dean, Michael\",\"dates\":\"\",\"notes\":\"\\\"Acres Rare Meet\\\" is performed by him and a group of other poets. \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/16023367\",\"name\":\"Penhale, David\",\"dates\":\"\",\"notes\":\"\\\"Acres Rare Meet\\\" is performed by him and a group of other poets. \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/38165242\",\"name\":\"Truhlar, Richard\",\"dates\":\"1950-\",\"notes\":\"\\\"Acres Rare Meet\\\" is performed by him and a group of other poets. \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Smith, Steven\",\"dates\":\"\",\"notes\":\"\\\"Acres Rare Meet\\\" is performed by him and a group of other poets. \",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[]"],"Production_Date":[1973],"Performance_Date":[1977],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10216/Fred Wah Fonds_MsC 17 f_55.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-055-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:36\",\"precision\":\"\",\"size\":\"33.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-055-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:42\",\"precision\":\"\",\"size\":\"32.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1977-10\",\"type\":\"Performance Date\",\"notes\":\"\\\"Acres Rare meet\\\" was recorded live in Toronto\",\"source\":\"J-card\"},{\"date\":\"1972\",\"type\":\"Performance Date\",\"notes\":\"\\\"The Alphabet Game\\\" was recorded at CBC Studios (Toronto); this is the circa date\",\"source\":\"J-card\"},{\"date\":\"1969\",\"type\":\"Performance Date\",\"notes\":\"\\\"Dada Lama\\\" was recorded at CBC Studios (Toronto). This is the circa date since another date is given for this piece, and it's in 1966 \",\"source\":\"J-card\"},{\"date\":\"1982-01-10\",\"type\":\"Performance Date\",\"notes\":\"All the recordings except for \\\"Dada Lama\\\", \\\"The Alphabet Game\\\", and \\\"Acres Rare Meet\\\" are recorded at the Studios of T.R.G \",\"source\":\"j-card\"},{\"date\":\"1973\",\"type\":\"Production Date\",\"notes\":\"\\\"060173\\\", \\\"Afternoon Attentions\\\", \\\"Meeln\\\", and \\\"Outsize Reference\\\"\",\"source\":\"J-card\"},{\"date\":\"1971\",\"type\":\"Production Date\",\"notes\":\"\\\"Eight Part Suite\\\"\",\"source\":\"J-card\"},{\"date\":\"1969\",\"type\":\"Production Date\",\"notes\":\"\\\"Cosmic piece for Orchestra and Chorus\\\"\",\"source\":\"J-card\"},{\"date\":\"1972\",\"type\":\"Production Date\",\"notes\":\"\\\"Poem Poem\\\"\",\"source\":\"J-card\"},{\"date\":\"1979\",\"type\":\"Production Date\",\"notes\":\"\\\"Art in Upheval\\\" begun in 1979\",\"source\":\"J-card\"},{\"date\":\"1977\",\"type\":\"Production Date\",\"notes\":\"\\\"Generations Generated\\\"\",\"source\":\"J-card\"},{\"date\":\"1967\",\"type\":\"Production Date\",\"notes\":\"\\\"Ballades Of The Restless Are\\\"\",\"source\":\"J-card\"},{\"date\":\"1978\",\"type\":\"Production Date\",\"notes\":\"\\\"White Text Sure: Version 1\\\"\",\"source\":\"J-card\"},{\"date\":\"1978\",\"type\":\"Production Date\",\"notes\":\"\\\"Translating Translating Apollinaire\\\"\",\"source\":\"J-card\"},{\"date\":\"1976-1980\",\"type\":\"Production Date\",\"notes\":\"\\\"Interupted Nap\\\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/7969162\",\"venue\":\"CBC Toronto\",\"notes\":\"\\\"Dada Lama\\\" and \\\"The Alphabet Game\\\" were recorded at CBC Studios \",\"address\":\"250 Front St W, Toronto, ON M5V 3G5\",\"latitude\":\"43,6444522\",\"longitude\":\"-79,3872615\"},{\"url\":\"https://www.openstreetmap.org/relation/2989349\",\"venue\":\"\",\"notes\":\"\\\"Acres Rare meet\\\" was recorded live in Toronto\",\"address\":\"City Toronto, Golden Horseshoe, Ontario, Canada\",\"latitude\":\"43.6542\",\"longitude\":\"-79.3841\"},{\"url\":\"\",\"venue\":\"Studios of T.R.G \",\"notes\":\"All the recordings except for \\\"Dada Lama\\\", \\\"The Alphabet Game\\\", and \\\"Acres Rare Meet\\\" are recorded at the Studios of T.R.G on January 10 in 1982\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["250 Front St W, Toronto, ON M5V 3G5","City Toronto, Golden Horseshoe, Ontario, Canada"],"Venue":["CBC Toronto","Studios of T.R.G "],"City":["Toronto, Ontario","Toronto, Ontario"],"Note":["[{\"note\":\"As it's written on the J-card, the woman's voice on \\\"The Alphabet Game\\\" song is that of the friend of the producer who, unfortunately, bpNichols had lost all record of.\",\"type\":\"General\"},{\"note\":\"Versions of Ear Rational exist in the Readings in BC collection, Fred Wah fonds, Adeena Karasick, and bp Nichol fonds.\\nEar Rational composed by bp Nichol, 1970 and 1980 #819 - SWALLOW ID 5484 Identical tape\\nbpNichol Sound Poems 1970-80: Ear Rational SWALLOW ID 6971 Identical tape\\nEar Rational: Sound Poems 1970-80 by bpNichol SWALLOW ID 7260 Identical tape\\nDub of Ear Rational, Sound Poems by bpNichol #43 SWALLOW ID 7023 \\nEARRATIONAL, bpNichol, side 1, master tape, recorded Nov. 1, 1982 #14 SWALLOW ID 7045 - Reel-to-Reel \\nEARRATIONAL, bpNichol, Side 2, master tape, recorded Nov. 1, 1982 #15 SWALLOW ID 7045 - Reel-to-Reel \",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670556243591171,"timestamp":"2026-01-07T15:00:00.560Z","score":1.5188013},{"id":"6983","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Bonnie Green Studio Reading and Noam Chomsky’s 1988 Massey Lectures on Necessary Illusions for Edmonton CBC Radio Broadcast"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Chomsky, Noam","Omer, Bob","Gell, David","Green, Bonnie","Banting, Pamela","Bill [Laur?]"],"creator_names_search":["Wah, Fred","Chomsky, Noam","Omer, Bob","Gell, David","Green, Bonnie","Banting, Pamela","Bill [Laur?]"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]},{\"url\":\"http://viaf.org/viaf/89803084\",\"name\":\"Chomsky, Noam\",\"dates\":\"1928-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Omer, Bob\",\"dates\":\"\",\"notes\":\"Bob Omer recorded the reading at the Edmonton studio.\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/314785950\",\"name\":\"Gell, David \",\"dates\":\"1929-2023\",\"notes\":\"The host is long-time Canadian, Calgary born, radio host David Gell (1929 - 2023). In 1977, he became the evening anchor position at CBC Calgary, also hosting arts shows, “Saturday Side Up” and “Sunday Arts.” Source.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Green, Bonnie\",\"dates\":\"\",\"notes\":\"Bonnie Green reads \\\"I Took Piano Lessons From The Virgin Mary.\\\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/50803289\",\"name\":\"Banting, Pamela\",\"dates\":\"1955-\",\"notes\":\"Bonnie Green reads her work named \\\"I Took Piano Lessons From The Virgin Mary.\\\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"\",\"name\":\" Bill [Laur?]\",\"dates\":\"\",\"notes\":\"Bill [Laur?] recorded the reading at the Edmonton studio.\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"contributors":["[]"],"Production_Date":[1988],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12044/Fred Wah Fonds_MsC 17e_68.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"068 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:32\",\"precision\":\"\",\"size\":\"48.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"068 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:35\",\"precision\":\"\",\"size\":\"50.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1988-\",\"type\":\"Production Date\",\"notes\":\"Noam Chomsky's lecture is from the 1988 CBC Massey Lectures \\\"Necessary Illusions\\\" archive \",\"source\":\"Recording\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/6488345#map=18/53.54372/-113.49409\",\"venue\":\"CBC Edmonton\",\"notes\":\"We could not find the exact address on OpenMapSreet, so we put the latitude and longitude of Edmonton City Centre\",\"address\":\"123 Edmonton City Centre 10062-102 Avenue Edmonton, Alberta T5J 2Y8\",\"latitude\":\"53.54370\",\"longitude\":\"-113.49573\"},{\"url\":\"https://www.openstreetmap.org/way/7969162\",\"venue\":\"CBC Radio\",\"notes\":\"We could not find the exact location; we put the latitude and longitude of this location \\\"Office Building Canadian Broadcasting Centre, John Street, Entertainment District, Spadina—Fort York, Old Toronto, Toronto, Golden Horseshoe, Ontario, M5V 3C7, Canada\\\"\",\"address\":\"CBC Radio P.O. Box 500 Station A Toronto, ON Canada, M5W 1E6\",\"latitude\":\"43.64481\",\"longitude\":\"-79.38816\"}]"],"Address":["123 Edmonton City Centre 10062-102 Avenue Edmonton, Alberta T5J 2Y8","CBC Radio P.O. Box 500 Station A Toronto, ON Canada, M5W 1E6"],"Venue":["CBC Edmonton","CBC Radio"],"City":["Edmonton, Alberta","Toronto, Ontario"],"Note":["[{\"note\":\"Edmonton CBC radio program: [Bonnie Green?] reads \\\"I Took Piano Lessons From The Virgin Mary\\\" by Pamela Banting at Edmonton studio and The 1988 CBC Massey Lectures \\\"Necessary Illusions\\\" by Noam Chomsky.  \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556247785472,"timestamp":"2026-01-07T15:00:00.560Z","score":1.5188013},{"id":"6994","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Toronto CBC Radio Programs: Cabaret, Politics and Performance Series and the world poetry festival at Harbourfront in Toronto on State of the Art\n"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Podcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Anderson, Laurie","Erenberg, Lewis A.","Ashenburg, Katherine","Crabb, Michael","Garland, Judy","Lewis, Jane","Waddell, Dave","Tashrow, Jaggy","Deak, Mary","Quinine, Dave","Sherman, Geraldine","White, Linda","Lomax, Carolyn","Black, Anthony","Freygood, Steven","Field, Dave","Wallace, Robert","Martin, Sandra","McNiell, Lucie","Doctor, Doug","Warren, David","Ondaatje, Michael","Webb, Phyllis"],"creator_names_search":["Wah, Fred","Anderson, Laurie","Erenberg, Lewis A.","Ashenburg, Katherine","Crabb, Michael","Garland, Judy","Lewis, Jane","Waddell, Dave","Tashrow, Jaggy","Deak, Mary","Quinine, Dave","Sherman, Geraldine","White, Linda","Lomax, Carolyn","Black, Anthony","Freygood, Steven","Field, Dave","Wallace, Robert","Martin, Sandra","McNiell, Lucie","Doctor, Doug","Warren, David","Ondaatje, Michael","Webb, Phyllis"],"contributors":["[]"],"Production_Date":[1984],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12118/Fred Wah Fonds_MsC 17e_79.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"079 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:20\",\"precision\":\"\",\"size\":\"46.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"079 SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:23\",\"precision\":\"\",\"size\":\"46.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1984-06-15\",\"type\":\"Production Date\",\"notes\":\"[1984?]-06-15\\n\\nCBC radio host on the second side mentions that  Michael Ondaatje reads one of his recent book; since the book was published in 1984, we thought it could be the year when this program was broadcasted. \",\"source\":\"Recording\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/7969162\",\"venue\":\"CBC Toronto\",\"notes\":\"\",\"address\":\"Office Building Canadian Broadcasting Centre, John Street, Entertainment District, Spadina—Fort York, Old Toronto, Toronto, Golden Horseshoe, Ontario, M5V 3C7, Canada\",\"latitude\":\"43.64484\",\"longitude\":\"-79.38814\"},{\"url\":\"https://www.openstreetmap.org/way/179154092\",\"venue\":\"Harbourfront [Centre?]\",\"notes\":\"The world poetry festival at Harbourfront in Toronto; we are not sure if this is the exact location where the festival was held\",\"address\":\"Harbourfront Centre, Boardwalk, Harbourfront, Spadina—Fort York, Old Toronto, Toronto, Golden Horseshoe, Ontario, M5V 1A2, Canada\",\"latitude\":\"43.63858\",\"longitude\":\"-79.38205\"}]"],"Address":["Office Building Canadian Broadcasting Centre, John Street, Entertainment District, Spadina—Fort York, Old Toronto, Toronto, Golden Horseshoe, Ontario, M5V 3C7, Canada","Harbourfront Centre, Boardwalk, Harbourfront, Spadina—Fort York, Old Toronto, Toronto, Golden Horseshoe, Ontario, M5V 1A2, Canada"],"Venue":["CBC Toronto","Harbourfront [Centre?]"],"City":["Toronto, Ontario","Toronto, Ontario"],"Note":["[{\"note\":\"The quality of tape improves from 20:46 on the first side to 18:09 on the second side. The first 20 minutes of side one and the remaining time after 18:09 on side two belong to the same CBC program, which is mostly about Cabaret.\",\"type\":\"General\"},{\"note\":\"At 20:47 on the first side, the CBC Radio program cuts off, and an unidentified poet begins reading. The tape also includes discussions about Cabaret on both sides, as well as recordings from the World Poetry Festival in Toronto, featuring readings by Michael Ondaatje and Phyllis Webb.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556249882625,"timestamp":"2026-01-07T15:00:00.560Z","creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]},{\"url\":\"http://viaf.org/viaf/39646022\",\"name\":\"Anderson, Laurie\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/52854193\",\"name\":\"Erenberg, Lewis A.\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/75626353\",\"name\":\"Ashenburg, Katherine\",\"dates\":\"\",\"notes\":\"A CBC radio producer  \",\"nation\":[],\"role\":[\"Producer\"]},{\"url\":\"http://viaf.org/viaf/103931411\",\"name\":\"Crabb, Michael\",\"dates\":\"1947-\",\"notes\":\"A CBC radio producer  \",\"nation\":[],\"role\":[\"Producer\"]},{\"url\":\"http://viaf.org/viaf/49233610\",\"name\":\"Garland, Judy\",\"dates\":\"1922-1969\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Lewis, Jane\",\"dates\":\"\",\"notes\":\"CBC program co-producer on side two\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Waddell, Dave \",\"dates\":\"\",\"notes\":\"CBC program co-producer on side two\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\" Tashrow, Jaggy\",\"dates\":\"\",\"notes\":\"CBC program production assistants on side two\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Deak, Mary\",\"dates\":\"\",\"notes\":\"CBC program production assistants on side two\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Quinine, Dave\",\"dates\":\"\",\"notes\":\"CBC program sound engineers on side two \",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Sherman, Geraldine \",\"dates\":\"\",\"notes\":\"CBC program executive producer on side two\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"White, Linda\",\"dates\":\"\",\"notes\":\"CBC program co-producer on side two\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Lomax, Carolyn \",\"dates\":\"\",\"notes\":\"She is the CBC radio host on side two\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Black, Anthony\",\"dates\":\"\",\"notes\":\"CBC radio producer \",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/77702793\",\"name\":\"Freygood, Steven\",\"dates\":\"1944-\",\"notes\":\"CBC program co-producer on side two\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Field, Dave\",\"dates\":\"\",\"notes\":\"CBC program sound engineers on side two \",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Wallace, Robert\",\"dates\":\"\",\"notes\":\"He is introduced in the beginning of side one as the writer and narrator of Cabaret, Politics and Performance Series by CBC Radio program.\\n\\nHe was a professor of English at Glendon College, where he coordinated the bilingual program in Drama Studies; and he was appointed Robarts Chair in Canadian Studies for the the 1998-99 academic year.\",\"nation\":[],\"role\":[\"Author\",\"Narrator\",\"Speaker\"]},{\"url\":\"\",\"name\":\"Martin, Sandra\",\"dates\":\"\",\"notes\":\"CBC host on the second part. She introduces Phyllis Webb and Michael Ondaatje for the \\\"State of the Art\\\" program.\\n\\nShe is a Canadian journalist and award-winning author born in Montreal, but lived in Toronto for most of her life. She wrote for many Canadian journals, like The Globe and Mail. \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"McNiell, Lucie \",\"dates\":\"\",\"notes\":\"CBC radio host on the second side at 17:04\\nHost Almanac and The Early Edition CBC Radio Vancouver 1981-93; Beijing Radio China and freelance CBC 1993; international development assistance consultant 1996-2008; director of public affairs University of British Columbia 2011-2014.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Doctor, Doug \",\"dates\":\"\",\"notes\":\"He is introduced as a CBC program sound engineers at 14:28 on side two.\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Warren, David\",\"dates\":\"\",\"notes\":\"He is introduced on the first side as the writer and producer of \\\"Toronto Toronto\\\" theater show program. He has an interview with the CBC host regarding theater and commercial Cabaret.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/111941870\",\"name\":\"Ondaatje, Michael\",\"dates\":\"1943-\",\"notes\":\"He reads from \\\"Secular Love\\\" collection. \",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/29847238\",\"name\":\"Webb, Phyllis\",\"dates\":\"1927-2021\",\"notes\":\"She reads from her recent book called \\\"Water and Light.\\\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]}]"],"score":1.5188013},{"id":"7012","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["bpNichol Fonds"],"source_collection_label":["bpNichol Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of correspondence, poems (including concrete, experimental and sound poem drafts), manuscripts (including drafts), notebooks, and journals of bp Nichol. Fonds includes records (1964-1987) of Nichol's presses, Ganglia and grOnk, consisting of manuscript files, correspondence files, mockups, business and reference files, computer discs, the authors poetry and comic book collections, photographs, television scripts, etc. Correspondents and contributors include Bill Bissett, Gerry Gilbert, Margaret Avison, Earle Birney, David Harris, David Phillips, David McFadden and others"],"collection_source_collection_id":["MsC 12"],"persistent_url":[""],"item_title":["Ear Lick performed for CBC on April 13, 1987 #30"],"item_title_source":["j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P.","Dutton, Paul","Barreto-Rivera, Rafael"],"creator_names_search":["Nichol, B.P.","Dutton, Paul","Barreto-Rivera, Rafael"],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\",\"Speaker\",\"Donor\",\"Reader\"]},{\"url\":\" http://viaf.org/viaf/30591332 http://viaf.org/viaf/101952075 http://viaf.org/viaf/83981636 http://viaf.org/viaf/25166087  http://viaf.org/viaf/39400140 http://viaf.org/viaf/13554538 http://viaf.org/viaf/102795332 http://viaf.org/viaf/105142281 http://viaf.org/viaf/315084078\",\"name\":\"Dutton, Paul\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/16154730\",\"name\":\"Barreto-Rivera, Rafael\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\",\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1987],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11809/bpNichol Fonds_MsC12_30.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"030 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:44:50\",\"precision\":\"\",\"size\":\"49.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"030 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:34:00\",\"precision\":\"\",\"size\":\"36.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987-04-13\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"j-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/export#map=19/43.64484/-79.38814\",\"venue\":\"CBC Toronto\",\"notes\":\"\",\"address\":\"250 Front St W, Toronto, ON M5V 3G5\",\"latitude\":\"43.64564\",\"longitude\":\"-79.38969\"}]"],"Address":["250 Front St W, Toronto, ON M5V 3G5"],"Venue":["CBC Toronto"],"City":["Toronto, Ontario"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556253028353,"timestamp":"2026-01-07T15:00:00.560Z","score":1.5188013},{"id":"7015","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["bpNichol Fonds"],"source_collection_label":["bpNichol Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of correspondence, poems (including concrete, experimental and sound poem drafts), manuscripts (including drafts), notebooks, and journals of bp Nichol. Fonds includes records (1964-1987) of Nichol's presses, Ganglia and grOnk, consisting of manuscript files, correspondence files, mockups, business and reference files, computer discs, the authors poetry and comic book collections, photographs, television scripts, etc. Correspondents and contributors include Bill Bissett, Gerry Gilbert, Margaret Avison, Earle Birney, David Harris, David Phillips, David McFadden and others"],"collection_source_collection_id":["MsC 12"],"persistent_url":[""],"item_title":["Poetry as Performance Anthology including The Four Horsemen, June 1984 #27"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Four Horsemen (Musical Group)","Nichol, B.P.","McCaffery, Steve","Dutton, Paul","Barreto-Rivera, Rafael","Sword, Robert"],"creator_names_search":["Four Horsemen (Musical Group)","Nichol, B.P.","McCaffery, Steve","Dutton, Paul","Barreto-Rivera, Rafael","Sword, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/128949455\",\"name\":\"Four Horsemen (Musical Group)\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\",\"Author\",\"Donor\"]},{\"url\":\"http://viaf.org/viaf/38243\",\"name\":\"McCaffery, Steve\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]},{\"url\":\"http://viaf.org/viaf/36999806\",\"name\":\"Dutton, Paul\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]},{\"url\":\"http://viaf.org/viaf/16154730\",\"name\":\"Barreto-Rivera, Rafael\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]},{\"url\":\"\",\"name\":\"Sword, Robert\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\",\"Speaker\",\"Producer\"]}]"],"contributors":["[]"],"Performance_Date":[1984],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/11912/bpNichol Fonds_MsC12_27.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette","Cassette"],"physical_compositions":["Magnetic Tape","Magnetic Tape"],"recording_type":["Analogue","Analogue"],"AV_type":["Audio","Audio"],"playback_mode":["Stereo","Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"013 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:55\",\"precision\":\"\",\"size\":\"33.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1984-06\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"j-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/export#map=17/43.63859/-79.38332\",\"venue\":\"Harbourfront Centre\",\"notes\":\"\",\"address\":\"235 Queens Quay W, Toronto, ON M5J 2G8\",\"latitude\":\"43.64181\",\"longitude\":\"-79.38951\"}]"],"Address":["235 Queens Quay W, Toronto, ON M5J 2G8"],"Venue":["Harbourfront Centre"],"City":["Toronto, Ontario"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556254076930,"timestamp":"2026-01-07T15:00:00.560Z","score":1.5188013},{"id":"7018","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["bpNichol Fonds"],"source_collection_label":["bpNichol Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of correspondence, poems (including concrete, experimental and sound poem drafts), manuscripts (including drafts), notebooks, and journals of bp Nichol. 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Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Lola Lemire Tostevin's poetry reading and interview with Warren Tallman at York University on February 27, 1992 Part 1 of 2"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Williams, William Carlos","Tallman, Warren","Tostevin, Lola Lemire","Ondaatje, Michael","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Williams, William Carlos","Tallman, Warren","Tostevin, Lola Lemire","Ondaatje, Michael","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/29542054\",\"name\":\"Williams, William Carlos\",\"dates\":\"1883-1963\",\"notes\":\"Warren Tallman plays a poetry reading recording from William Carlos Williams at 8:04 on the first side. \",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"He seems to be the facilitator of the event; He introduces Lola Lemire Tostevin \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/8771515\",\"name\":\"Tostevin, Lola Lemire\",\"dates\":\"1937-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/111941870\",\"name\":\" Ondaatje, Michael\",\"dates\":\"1943-\",\"notes\":\"Warren Tallman plays a poetry reading recording from Michael Ondaatje and Lola Lemire Tostevin recorded on November 2, 1990 at 18:56 on the first side. \",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"Warren Tallman plays a poetry reading recording from Michael Ondaatje and Lola Lemire Tostevin recorded on November 2, 1990 at 18:56 on the first side when Michael Ondaatje reads a poem from bp Nichol\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Production_Date":[1992],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10335/Warren Tallman Fonds_MsC 26.42_53.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-53-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:28\",\"precision\":\"\",\"size\":\"60.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-53-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:24\",\"precision\":\"\",\"size\":\"59.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1992-02-27\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1990-11-02\",\"type\":\"Production Date\",\"notes\":\"Warren Tallman plays a poetry reading recording from Michael Ondaatje and Lola Lemire Tostevin recorded on November 2, 1990 at 18:56 on the first side. \",\"source\":\"Recording\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/15396822\",\"venue\":\" York University\",\"notes\":\"\",\"address\":\"University York University, Keele Campus, The Pond Road, Humber River—Black Creek, North York, Toronto, Golden Horseshoe, Ontario, M3J 3M6, Canada\",\"latitude\":\"43.7741\",\"longitude\":\"-79.5045\"}]"],"Address":["University York University, Keele Campus, The Pond Road, Humber River—Black Creek, North York, Toronto, Golden Horseshoe, Ontario, M3J 3M6, Canada"],"Venue":[" York University"],"City":["Toronto, Ontario"],"Note":["[{\"note\":\"The quality on the second side is not as good as the first side.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556462743552,"timestamp":"2026-01-07T15:00:00.772Z","score":1.5188013},{"id":"7061","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Lola Lemire Tostevin's poetry reading and interview with Warren Tallman at York University on February 27, 1992 Part 2 of 2"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Tostevin, Lola Lemire","Derrida, Jacques"],"creator_names_search":["Tallman, Warren","Tostevin, Lola Lemire","Derrida, Jacques"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"He seems to be the facilitator of the event; He has a conversation with Lola Lemire Tostevin \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/8771515\",\"name\":\"Tostevin, Lola Lemire\",\"dates\":\"1937-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/88958529\",\"name\":\"Derrida, Jacques\",\"dates\":\"1930-2004\",\"notes\":\"Lola Lemire Tostevin talks a lot about this author on the first side. His last name is spelled by Warren Tallman. \",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Production_Date":[1992],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10345/Warren Tallman Fonds_MsC 26.42_54.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-54-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:22\",\"precision\":\"\",\"size\":\"59.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-54-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:21\",\"precision\":\"\",\"size\":\"61.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1992-02-27\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/15396822\",\"venue\":\" York University\",\"notes\":\"\",\"address\":\"York University, Keele Campus, The Pond Road, Humber River—Black Creek, North York, Toronto, Golden Horseshoe, Ontario, M3J 3M6, Canada\",\"latitude\":\"43.7741\",\"longitude\":\"-79.5045\"}]"],"Address":["York University, Keele Campus, The Pond Road, Humber River—Black Creek, North York, Toronto, Golden Horseshoe, Ontario, M3J 3M6, Canada"],"Venue":[" York University"],"City":["Toronto, Ontario"],"Note":["[{\"note\":\"The conversation between Lola Lemire Tostevin and Warren Tallman revolves mostly around French Philosopher Jacques Derrida. She explains how she got to know him, why she was attracted to him, how he was unique questioning French philosophical history, and his controversial philosophical perspectives and concepts. She also reads some poems, and she shares some stories about different aspects of her professional poetry life and how she was influenced by other poets. \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556462743553,"timestamp":"2026-01-07T15:00:00.772Z","score":1.5188013},{"id":"7072","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Warren Tallman reading the \"Invitation\" for Robert Creeley in Vancouver on April 8, 1990"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Creeley, Robert","Karasick, Adeena"],"creator_names_search":["Tallman, Warren","Creeley, Robert","Karasick, Adeena"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"Warren Tallman reading \\\"The Invitation\\\" for Robert Creeley\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/76188856\",\"name\":\"Karasick, Adeena\",\"dates\":\"1965-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1990],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10531/Warren Tallman Fonds_MsC 26.42_66.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-66-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:46\",\"precision\":\"\",\"size\":\"53.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-66-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:24\",\"precision\":\"\",\"size\":\"55.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1990-04-02\",\"type\":\"Production Date\",\"notes\":\"Warren Tallman mentions another date at 4:23 on the first side. As he says, this date is the date when he wrote \\\"Invitation\\\" for Robert Creeley\",\"source\":\"Recording\"},{\"date\":\"[1990?]-03-04\",\"type\":\"Production Date\",\"notes\":\"As Warren Tallman says at on the first side, he plays part of Adeena Karasick's presentation on March 4 at the English department of York University.\\nHe does not mention the date, but we assume it must've been in the same year when he recorded this tape  \",\"source\":\"Recording\"},{\"date\":\"1990-04-08\",\"type\":\"Production Date\",\"notes\":\"Warren Tallman mentions the date at the beginning of side one saying that \\\"Today is Sunday morning, just about 10:46 am, April 8, 1990  \",\"source\":\"Recording and J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/15396822\",\"venue\":\"York University\",\"notes\":\"Adeena Karasick's presentation March 4 at the English department of York University \",\"address\":\"4700 Keele St, Toronto, ON M3J 1P3, Canada\",\"latitude\":\"43.7737\",\"longitude\":\"-79.5038\"},{\"url\":\"https://www.openstreetmap.org/way/298855107\",\"venue\":\"[Red Wallbarrow?]\",\"notes\":\"The Url we get for 88 East Pender Street, Vancouver, BC points to \\\"Vancouver Film School\\\". We are not sure, but the location where Warren Tallman named [Red Wallbarrow?] could be the current Vancouver Film School in 88 E Pender.\\nHere we put the latitude, longitude, and url of Vancouver Film School \",\"address\":\"109, 88 East Pender Street, Vancouver, BC, [15L 1W7?]\",\"latitude\":\"49.28018\",\"longitude\":\"-123.10266\"}]"],"Address":["4700 Keele St, Toronto, ON M3J 1P3, Canada","109, 88 East Pender Street, Vancouver, BC, [15L 1W7?]"],"Venue":["York University","[Red Wallbarrow?]"],"City":["Toronto, Ontario","Vancouver, British Columbia"],"Note":["[{\"note\":\"Version also exists in Adeena Karasick Fonds as \\\"\\\"Invitation\\\" Tape for Robert Creeley, April 8, 1990\\\" SWALLOW ID 7270\",\"type\":\"Related Version\"},{\"note\":\"As Warren Tallman says at the beginning of the first side, he named the location of recording \\\"109, 88 East Pender Street, Vancouver, BC\\\", Red Wallbarrow? after William Carlos Williams.\\n\\nThis invitation precedes the discussions and reading in honour of Robert Creeley at Western front in early June 1990, also among Tallman's recordings.\\n\\nThe Red Wallbarrow describes an apartment and office space Tallman rented during this period, located in Vancouver's Chinatown. Tallman's fonds contain a red plastic sign that bears this name.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556467986433,"timestamp":"2026-01-07T15:00:00.772Z","score":1.5188013},{"id":"7122","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Adeena Karasick reading “Intertextile, Text in Exile\"; and the repeat of her bpNichol paper that she'd read at York University grad colloquium on March 2, 1990 DUPLICATE 4 OF 4"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Karasick, Adeena","Damon, Maria","Tallman, Warren","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Karasick, Adeena","Damon, Maria","Tallman, Warren","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/76188856\",\"name\":\"Karasick, Adeena\",\"dates\":\"1965-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/43496891\",\"name\":\"Damon, Maria\",\"dates\":\"1955-\",\"notes\":\"Adeena Karasick had a collaboration with Maria Damon working on “Intertextile, Text in Exile: Shmata Mash-up: A Jewette for Two Voices”\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"Adeena Karasick reads for Warren Tallman and bp\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"Adeena Karasick reads for Warren Tallman and bp\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Production_Date":[1989],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11357/Warren Tallman Fonds_MsC 26.42_120.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-120-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:24\",\"precision\":\"\",\"size\":\"52.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-120-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:25\",\"precision\":\"\",\"size\":\"53.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1989-12\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/4958306\",\"venue\":\"Sherbourne Street\",\"notes\":\"We could find the exact location; as it's written on the j-card, we assume it could be Sherbourne Street in Old Toronto \",\"address\":\"Sherbourne Street, Toronto Centre, Old Toronto, Toronto, Golden Horseshoe, Ontario, M4X 1W4, Canada\",\"latitude\":\"43.67198\",\"longitude\":\"-79.37671\"}]"],"Address":["Sherbourne Street, Toronto Centre, Old Toronto, Toronto, Golden Horseshoe, Ontario, M4X 1W4, Canada"],"Venue":["Sherbourne Street"],"City":["Toronto, Ontario"],"Note":["[{\"note\":\"The content of this tape is duplicate of the content on tapes #141, #129, and #128\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556477423618,"timestamp":"2026-01-07T15:00:00.772Z","score":1.5188013},{"id":"7129","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Adeena Karasick reading her bpNichol paper that she'd read at York University grad colloquium on March 2, 1990 - DUPLICATE 3 OF 4 (INCOMPLETE VERSION) "],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Karasick, Adeena","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Tallman, Warren","Karasick, Adeena","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/76188856\",\"name\":\"Karasick, Adeena\",\"dates\":\"1965-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Production_Date":[1990],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11392/Warren Tallman Fonds_MsC 26.42_128.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-128-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:22\",\"precision\":\"\",\"size\":\"51 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-128-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:23\",\"precision\":\"\",\"size\":\"51.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1990-03-02\",\"type\":\"Production Date\",\"notes\":\"As Adeena states in the beginning of side one, this tape is the repeat of her presentation at York University on March second \",\"source\":\"Recording \"},{\"date\":\"1990-03-09\",\"type\":\"Production Date\",\"notes\":\"It's the date written on the j-card\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/15396822\",\"venue\":\"York University\",\"notes\":\"Adeena is reading the paper she'd read at York University on March 2nd.    \",\"address\":\"York University, Keele Campus, York University Busway, Humber River—Black Creek, North York, Toronto, Golden Horseshoe, Ontario, M3J 3M6, Canada\",\"latitude\":\"43.7736\",\"longitude\":\"-79.5040\"}]"],"Address":["York University, Keele Campus, York University Busway, Humber River—Black Creek, North York, Toronto, Golden Horseshoe, Ontario, M3J 3M6, Canada"],"Venue":["York University"],"City":["Toronto, Ontario"],"Note":["[{\"note\":\"What we mean by duplicate here is just the tape content; we are not sure if Adeena Karasick has read her paper on the same date or different dates. It should be different dates because we see different dates on the tapes' j-cards.\\nThe date written on this tape's j-card is March 9, 1990\",\"type\":\"General\"},{\"note\":\"The content of this tape is an incomplete duplicate of the content on tapes #120, #129, and #141\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556479520768,"timestamp":"2026-01-07T15:00:00.772Z","score":1.5188013},{"id":"7130","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Adeena Karasick is on beep and convergences: Adeena is reading the repeat of her bpNichol paper that she'd read at York University grad colloquium on March 2, 1990 - DUPLICATE 1 OF 4"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Karasick, Adeena","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Tallman, Warren","Karasick, Adeena","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/76188856\",\"name\":\"Karasick, Adeena\",\"dates\":\"1965-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988 \",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Production_Date":[1990],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11441/Warren Tallman Fonds_MsC 26.42_129.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-129-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:06\",\"precision\":\"\",\"size\":\"60.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-129-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:34:30\",\"precision\":\"\",\"size\":\"121 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1990-03-02\",\"type\":\"Production Date\",\"notes\":\"As Adeena states in the beginning of side one and two, this tape is the repeat of her presentation at York University on March second; \",\"source\":\"J-card\"},{\"date\":\"1990-03\",\"type\":\"Production Date\",\"notes\":\"This tape could've been recorded in March\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/4958306#map=19/43.67198/-79.37670\",\"venue\":\"\",\"notes\":\"Sherbourne, Toronto is written on the j-card. Adeena might've been in Toronto when she recorded this tape.\\nThis is not the exact address; Sherbourne is a long street, and we just put the latitude and longitude of a part \",\"address\":\"Sherbourne Street, Toronto Centre, Old Toronto, Toronto, Golden Horseshoe, Ontario, M4X 1W4, Canada\",\"latitude\":\"43.67198\",\"longitude\":\"-79.37671\"},{\"url\":\"https://www.openstreetmap.org/way/15396822\",\"venue\":\"York University\",\"notes\":\"Adeena is reading the paper she'd read at York University on March 2nd.   \",\"address\":\"York University, Keele Campus, York University Busway, Humber River—Black Creek, North York, Toronto, Golden Horseshoe, Ontario, M3J 3M6, Canada\",\"latitude\":\"43.7736\",\"longitude\":\"-79.5040\"}]"],"Address":["Sherbourne Street, Toronto Centre, Old Toronto, Toronto, Golden Horseshoe, Ontario, M4X 1W4, Canada","York University, Keele Campus, York University Busway, Humber River—Black Creek, North York, Toronto, Golden Horseshoe, Ontario, M3J 3M6, Canada"],"Venue":["York University"],"City":["Toronto, Ontario","Toronto, Ontario"],"Note":["[{\"note\":\"The content of this tape is duplicate of the content on tapes #120, #128, and #141\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556479520769,"timestamp":"2026-01-07T15:00:00.772Z","score":1.5188013},{"id":"7133","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["CBC Radio Program with Adeena Karasick, Paul Dutton, and Rafael Barreto-Rivera on air talking about sound poetry on September 26, 1990 and Adeena Karasick's sound poetry performance "],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Karasick, Adeena","Dutton, Paul","Barreto-Rivera, Rafael"],"creator_names_search":["Tallman, Warren","Karasick, Adeena","Dutton, Paul","Barreto-Rivera, Rafael"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/76188856\",\"name\":\"Karasick, Adeena\",\"dates\":\"1965-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/36999806\",\"name\":\"Dutton, Paul\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/16154730\",\"name\":\"Barreto-Rivera, Rafael\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1990],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11483/Warren Tallman Fonds_MsC 26.42_132.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-132-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:29\",\"precision\":\"\",\"size\":\"41.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-132-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:27\",\"precision\":\"\",\"size\":\"40.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1990-09-26\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/456341915#map=19/43.65360/-79.37320\",\"venue\":\"CBC Studio\",\"notes\":\"We assume that this tape war recorded in Toronto. CBC Toronto studio address was changed in 1993 (after this recording took place) to 205 Wellington Street West, Toronto, Ontario, M5V 3G7 from a smaller facility on Jarvis Street, near the former television transmitter. (Source: https://en.wikipedia.org/wiki/Canadian_Broadcasting_Centre)\",\"address\":\"Jarvis Street, Toronto, Ontario, Canada\",\"latitude\":\"43.6562555\",\"longitude\":\"-79.374232\"}]"],"Address":["Jarvis Street, Toronto, Ontario, Canada"],"Venue":["CBC Studio"],"City":["Toronto, Ontario"],"Note":["[{\"note\":\"The host mentions BamBoo club on Queen St. in the beginning of side one, so we thought this tape probably belongs to CBC Toronto radio program  \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556678750209,"timestamp":"2026-01-07T15:00:00.983Z","score":1.5188013},{"id":"7135","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Warren Tallman's compilation from May 15, 1990 of Adeena Karasick's four different readings of \"Manipulating Stairs\" "],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Browne, Colin","Karasick, Adeena"],"creator_names_search":["Tallman, Warren","Browne, Colin","Karasick, Adeena"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/105886216\",\"name\":\"Browne, Colin\",\"dates\":\"1946-\",\"notes\":\"Colin Browne reading Fred Wah \\\"Music at the Heart of Thinking\\\" at Langara College Theater on June 1 \",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/76188856\",\"name\":\"Karasick, Adeena\",\"dates\":\"1965-\",\"notes\":\"On the first side, Adeena Karasick reading \\\"Manipulating Stairs\\\" in Cranbrook; she is reconstructing Bill Bissett Phonetic A B C with various words they spell from London, Ontario\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1989],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11487/Warren Tallman Fonds_MsC 26.42_134.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-134-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:02:44\",\"precision\":\"\",\"size\":\"82 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-134-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:02:37\",\"precision\":\"\",\"size\":\"81.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1989-10-14\",\"type\":\"Production Date\",\"notes\":\"Adeena Karasick reading \\\"Manipulating Stairs\\\" at Vancouver Art Gallery on this date.\",\"source\":\"Recording\"},{\"date\":\"1990-04-02\",\"type\":\"Production Date\",\"notes\":\"Adeena Karasick reading \\\"Manipulating Stairs\\\" in Toronto on this date.\",\"source\":\"Recording\"},{\"date\":\"1988-11-09\",\"type\":\"Production Date\",\"notes\":\"Adeena reading \\\"Manipulating Stairs\\\" in Cranbrook\",\"source\":\"Recording\"},{\"date\":\"1990-03-09\",\"type\":\"Production Date\",\"notes\":\"Adeena is reading the paper she'd read at York University on March 2nd.   \",\"source\":\"Recording \"},{\"date\":\"1990-05-15\",\"type\":\"Production Date\",\"notes\":\"This date is written on the j-card; we assume it could be the date when Warren Tallman recorded this tape; it's just a guess \",\"source\":\"J-card\"},{\"date\":\"1989-08-14\",\"type\":\"Production Date\",\"notes\":\"Adeena Karasick reading \\\"Manipulating Stairs\\\" at [Red Wallbarrow?] on this date.\",\"source\":\"Recording\"},{\"date\":\"1988-06-01\",\"type\":\"Production Date\",\"notes\":\"Colin Browne reading Fred Wah \\\"Music at the Heart of Thinking\\\" at Langara College Theater on June 1 bpNichol also reads some of his poems on this date\",\"source\":\"Recording\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/4958306\",\"venue\":\"Sherbourne Street\",\"notes\":\"We could find the exact location; as it's written on the j-card, we assume it could be Sherbourne Street in Old Toronto \",\"address\":\"Sherbourne Street, Toronto Centre, Old Toronto, Toronto, Golden Horseshoe, Ontario, M4X 1W4, Canada\",\"latitude\":\"43.67198\",\"longitude\":\"-79.37671\"},{\"url\":\"https://www.openstreetmap.org/way/69701736\",\"venue\":\"Vancouver Art Gallery\",\"notes\":\"Adeena Karasick reading \\\"Manipulating Stairs\\\" on October 14, 1989\",\"address\":\"Gallery Vancouver Art Gallery, 750, Hornby Street, Yaletown, Downtown, Vancouver, Metro Vancouver Regional District, British Columbia, V6Z, Canada\",\"latitude\":\"49.28288\",\"longitude\":\"-123.12060\"},{\"url\":\"https://www.openstreetmap.org/way/15396822\",\"venue\":\"York University\",\"notes\":\"Adeena is reading the paper she'd read at York University on March 2nd.    \",\"address\":\"York University, Keele Campus, York University Busway, Humber River—Black Creek, North York, Toronto, Golden Horseshoe, Ontario, M3J 3M6, Canada\",\"latitude\":\"43.7736\",\"longitude\":\"-79.5040\"},{\"url\":\"https://www.openstreetmap.org/way/161835042\",\"venue\":\"[Rivoli Toronto?]\",\"notes\":\"Adeena Karasick reading \\\"Manipulating Stairs\\\" at [Rivoli Toronto?] on April 2 in 1990.\\nAs it's written on the tape's 223 j-card and mentioned by Warren Tallman, this language event happened at Rivoli Toronto, but we are not sure if it's the same as the location we put in here\",\"address\":\"Rivoli, 332-334, Queen Street West, Queen West, Spadina—Fort York, Old Toronto, Toronto, Golden Horseshoe, Ontario, M5V 2A2, Canada\",\"latitude\":\"43.64943\",\"longitude\":\"-79.39495\"},{\"url\":\"https://www.openstreetmap.org/way/298855107\",\"venue\":\"[Red Wallbarrow?]\",\"notes\":\"According to what Warren Tallman says in tape 60, [Red Wallbarrow?] is located at \\\"109, 88 East Pender Street, Vancouver, BC, [15L 1W7?] and named after William Carlos Williams by Warren Tallman. The Url we get for 88 East Pender Street, Vancouver, BC points to the current \\\"Vancouver Film School\\\". We are not sure, but this location could be the current Vancouver Film School in 88 E Pender.\\n\",\"address\":\"109, 88 East Pender Street, Vancouver, BC, [15L 1W7?]\",\"latitude\":\"49.28018\",\"longitude\":\"-123.10266\"},{\"url\":\"https://www.openstreetmap.org/node/51969524\",\"venue\":\"\",\"notes\":\" Adeena Karasick reading \\\"Manipulating Stairs\\\" on November 9th in Cranbrook\",\"address\":\"Cranbrook, Regional District of East Kootenay, British Columbia, V1C 2N0, Canada\",\"latitude\":\"49.5118\",\"longitude\":\"-115.7671\"},{\"url\":\"https://www.openstreetmap.org/way/23393992\",\"venue\":\"Langara College Theater \",\"notes\":\"Colin Browne reading Fred Wah \\\"Music at the Heart of Thinking\\\" at Langara College Theater on June 1; bpNichol also reads some of his poems\",\"address\":\"College Langara College, 100, West 49th Avenue, Oakridge, Vancouver, Metro Vancouver Regional District, British Columbia, V5Y 2Z6, Canada\",\"latitude\":\"49.22484\",\"longitude\":\"-123.10867\"}]"],"Address":["Sherbourne Street, Toronto Centre, Old Toronto, Toronto, Golden Horseshoe, Ontario, M4X 1W4, Canada","Gallery Vancouver Art Gallery, 750, Hornby Street, Yaletown, Downtown, Vancouver, Metro Vancouver Regional District, British Columbia, V6Z, Canada","York University, Keele Campus, York University Busway, Humber River—Black Creek, North York, Toronto, Golden Horseshoe, Ontario, M3J 3M6, Canada","Rivoli, 332-334, Queen Street West, Queen West, Spadina—Fort York, Old Toronto, Toronto, Golden Horseshoe, Ontario, M5V 2A2, Canada","109, 88 East Pender Street, Vancouver, BC, [15L 1W7?]","Cranbrook, Regional District of East Kootenay, British Columbia, V1C 2N0, Canada","College Langara College, 100, West 49th Avenue, Oakridge, Vancouver, Metro Vancouver Regional District, British Columbia, V5Y 2Z6, Canada"],"Venue":["Sherbourne Street","Vancouver Art Gallery","York University","[Rivoli Toronto?]","[Red Wallbarrow?]","Langara College Theater "],"City":["Toronto, Ontario","Vancouver, British Columbia","Toronto, Ontario","Toronto, Ontario","Vancouver, British Columbia","Vancouver, British Columbia"],"Note":["[{\"note\":\"Warren Tallman records a tape which includes Adeena Karasick's reading performances at various locations and on different dates\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556679798784,"timestamp":"2026-01-07T15:00:00.983Z","score":1.5188013},{"id":"7141","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Adeena Karasick reads the repeat of her bpNichol paper that she'd read at York University grad colloquium on March 2, 1990 - DUPLICATE 2 OF 4"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Karasick, Adeena","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Tallman, Warren","Karasick, Adeena","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/76188856\",\"name\":\"Karasick, Adeena\",\"dates\":\"1965-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988 \",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Production_Date":[1990],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11520/Warren Tallman Fonds_MsC 26.42_141.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-141-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:09\",\"precision\":\"\",\"size\":\"34.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-141-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:08\",\"precision\":\"\",\"size\":\"35 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1990-03-02\",\"type\":\"Production Date\",\"notes\":\"As Adeena states in the beginning of side one and two, this tape is the repeat of her presentation at York University on March second; \",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/15396822\",\"venue\":\"York University\",\"notes\":\"Adeena is reading the paper she'd read at York University on March 2nd.   \",\"address\":\"York University, Keele Campus, York University Busway, Humber River—Black Creek, North York, Toronto, Golden Horseshoe, Ontario, M3J 3M6, Canada\",\"latitude\":\"43.7736\",\"longitude\":\"-79.5040\"}]"],"Address":["York University, Keele Campus, York University Busway, Humber River—Black Creek, North York, Toronto, Golden Horseshoe, Ontario, M3J 3M6, Canada"],"Venue":["York University"],"City":["Toronto, Ontario"],"Note":["[{\"note\":\"The content of the tape is duplicate of the content on tapes #120, #128, and #129\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556681895937,"timestamp":"2026-01-07T15:00:00.983Z","score":1.5188013},{"id":"7159","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["A Tribute to bpNichol at Harbourfront in Toronto on December 2, 1989"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tostevin, Lola Lemire","Lee, Dennis","Webb, Phyllis","Dewdney, Christopher","Barbour, Douglas","Scobie, Stephen","Hartog, Diana","Dedora, Brian","Sereda, David","Van Loon, Nelles","Pepper, John","Shaw, Maggie","Marlatt, Daphne","Wah, Fred","McFadden, David","Ondaatje, Michael","Barreto-Rivera, Rafael","Dutton, Paul","McCaffery, Steve","Hodge, Paul","Westlake, Marilyn","Swinghammer, Kurt","Tallman, Warren","Pulsiver, Alan","Gatenby, Greg","Smith, Whitney","Shikatani, Gerry","Coleman, Victor","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Tostevin, Lola Lemire","Lee, Dennis","Webb, Phyllis","Dewdney, Christopher","Barbour, Douglas","Scobie, Stephen","Hartog, Diana","Dedora, Brian","Sereda, David","Van Loon, Nelles","Pepper, John","Shaw, Maggie","Marlatt, Daphne","Wah, Fred","McFadden, David","Ondaatje, Michael","Barreto-Rivera, Rafael","Dutton, Paul","McCaffery, Steve","Hodge, Paul","Westlake, Marilyn","Swinghammer, Kurt","Tallman, Warren","Pulsiver, Alan","Gatenby, Greg","Smith, Whitney","Shikatani, Gerry","Coleman, Victor","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/8771515\",\"name\":\"Tostevin, Lola Lemire\",\"dates\":\"1937-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/150749702\",\"name\":\"Lee, Dennis\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/29847238\",\"name\":\"Webb, Phyllis\",\"dates\":\"1927-2021\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/101952075\",\"name\":\"Dewdney, Christopher\",\"dates\":\"1951-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/14864700\",\"name\":\"Barbour, Douglas\",\"dates\":\"1940-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/18385392\",\"name\":\"Scobie, Stephen\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/91401282\",\"name\":\"Hartog, Diana\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/11347776\",\"name\":\"Dedora, Brian\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/4457154260346024480005\",\"name\":\"Sereda, David\",\"dates\":\"1957-\",\"notes\":\"Vocal for \\\"Let Love Lead You;\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/310713612\",\"name\":\"Van Loon, Nelles\",\"dates\":\"1939-\",\"notes\":\"Music by him\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Pepper, John \",\"dates\":\"\",\"notes\":\"Vocal for \\\"I Am Obsessed\\\" \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Shaw, Maggie \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/7405434\",\"name\":\"McFadden, David\",\"dates\":\"1940-2018\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/111941870\",\"name\":\"Ondaatje, Michael\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/16154730\",\"name\":\"Barreto-Rivera, Rafael\",\"dates\":\"1944-\",\"notes\":\"The Four Horsemen performance \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/36999806\",\"name\":\"Dutton, Paul\",\"dates\":\"1943-\",\"notes\":\"The Four Horsemen performance; he also organized this event\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/38243\",\"name\":\"McCaffery, Steve\",\"dates\":\"1947-\",\"notes\":\"The Four Horsemen performance \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Hodge, Paul \",\"dates\":\"\",\"notes\":\"Editor\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/106427805\",\"name\":\"Westlake, Marilyn\",\"dates\":\"\",\"notes\":\"Photographer\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/104842484\",\"name\":\"Swinghammer, Kurt\",\"dates\":\"1957-\",\"notes\":\"Designed by him\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"It's Warren Tallman's Fond\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Pulsiver, Alan\",\"dates\":\"\",\"notes\":\"Piano for \\\"Let Love Lead You;\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/11097095\",\"name\":\"Gatenby, Greg\",\"dates\":\"1950-\",\"notes\":\"He does the introduction part\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"[http://viaf.org/viaf/59627436?]\",\"name\":\"Smith, Whitney\",\"dates\":\"\",\"notes\":\"Guitar for \\\"Let Love Lead You;\\nwe are not sure about the Url\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"[http://viaf.org/viaf/30931468?]\",\"name\":\"Shikatani, Gerry\",\"dates\":\"\",\"notes\":\"We are not sure about the Url\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\" http://viaf.org/viaf/38160442\",\"name\":\"Coleman, Victor\",\"dates\":\"1944-\",\"notes\":\"He organized this event \",\"nation\":[],\"role\":[]},{\"url\":\" http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Publication_Date":[1989],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11933/Warren Tallman Fonds_MsC 26.42_160.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-160-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:51\",\"precision\":\"\",\"size\":\"51.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-160-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:55\",\"precision\":\"\",\"size\":\"52.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1989-12-02\",\"type\":\"Publication Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Harbourfront \",\"notes\":\" We assume Gala Tribute at Toronto's Harbourfront is The Brigantine Room and Studio Theatre \",\"address\":\"235 Queens Quay W, Toronto ON M5J 2G8\",\"latitude\":\"43.638919\",\"longitude\":\" -79.382862\"}]"],"Address":["235 Queens Quay W, Toronto ON M5J 2G8"],"Venue":["Harbourfront "],"City":["Toronto, Ontario"],"Note":["[{\"note\":\"More information can be fount on https://bpnichol.ca/sites/default/files/archives/document/bp%20A%20TRIBUTE.pdf \\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556689235969,"timestamp":"2026-01-07T15:00:00.983Z","score":1.5188013},{"id":"7160","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Ellie Nichol reading in classroom at York University on November 28, 1991"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Nichol, Ellie","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Tallman, Warren","Nichol, Ellie","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Nichol, Ellie \",\"dates\":\"\",\"notes\":\"Ellie Nichol is BP Nichol's sister reading at Warren Tallman classroom \",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\" http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Production_Date":[1991],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11941/Warren Tallman Fonds_MsC 26.42_161.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-161-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:45\",\"precision\":\"\",\"size\":\"49 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-161-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:34\",\"precision\":\"\",\"size\":\"50.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1991-11-28\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/15396822\",\"venue\":\"[York University?]\",\"notes\":\"\",\"address\":\"University York University, Keele Campus, Bowsfield Road, Humber River—Black Creek, North York, Toronto, Golden Horseshoe, Ontario, M3J 0K9, Canada\",\"latitude\":\"43.7739\",\"longitude\":\"-79.5048\"}]"],"Address":["University York University, Keele Campus, Bowsfield Road, Humber River—Black Creek, North York, Toronto, Golden Horseshoe, Ontario, M3J 0K9, Canada"],"Venue":["[York University?]"],"City":["Toronto, Ontario"],"Note":["[{\"note\":\"This Ellie Nichol reading would have taken place a few years after her husband bpNichol's passing in 1988. \\n\\nWarren Tallman taught an undergraduate class at York University entitled \\\"Modern Canadian Poetry\\\" in Spring 1992 as a guest instructor, so it is likely that Nichol visited another classroom prior to this time. Tallman traveled to York to visit his former student Adeena Karasick, his son Ken, and friends like bill bissett prior to this time too.\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670556689235970,"timestamp":"2026-01-07T15:00:00.983Z","score":1.5188013},{"id":"7164","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Sensasound 90: Toronto Sound Poetry"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Bissett, Bill","Kemp, Penny","Barreto-Rivera, Rafael","Karasick, Adeena","Allen, Lillian","McCaffery, Steve","Dutton, Paul","Joseph, Clifton"],"creator_names_search":["Tallman, Warren","Bissett, Bill","Kemp, Penny","Barreto-Rivera, Rafael","Karasick, Adeena","Allen, Lillian","McCaffery, Steve","Dutton, Paul","Joseph, Clifton"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"This 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Steve\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/36999806\",\"name\":\"Dutton, Paul\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/104182171\",\"name\":\"Joseph, Clifton\",\"dates\":\"1957-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[]"],"Production_Date":[1990],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11961/Warren Tallman Fonds_MsC 26.42_165.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-165-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:05\",\"precision\":\"\",\"size\":\"59.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-165-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:26\",\"precision\":\"\",\"size\":\"64.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1990\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/324211#map=11/43.7175/-79.3762\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Toronto, Golden Horseshoe, Ontario, Canada\",\"latitude\":\"43.6540\",\"longitude\":\"-79.3858\"}]"],"Address":["Toronto, Golden Horseshoe, Ontario, Canada"],"City":["Toronto, Ontario"],"Note":["[{\"note\":\"In \\\"ANERCA: woMANIFESTivO,\\\" Adeena Karasick writes, \\\"In 1988, Kedrick [James] and I moved for a year to Montreal where, connecting with both the renegade English and French poetry and music scenes, we organized SENSASOUND—a Sound Poetry Fest\\nin both Montreal at McGill and Toronto (at the Rivoli) where, together with bill bissett, Steve McCaffery, Lillian Allen, Christopher Dewdney, Rafael Barreto-Rivera, Paul Dutton, we tried to revivify a sense of performance in poetry within an increasingly sterile environment\\\" (22). \\n\\nSee: To Breathe Poetry Among the Neighbours: Two Essays on Anerca, a Journal of Experimental Writing (1985-1990), available in pdf format from library.buffalo.edu.\\n\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670556690284547,"timestamp":"2026-01-07T15:00:00.983Z","score":1.5188013},{"id":"7167","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Warren Tallman reading and Warren Tallman recording Adeena Karasick reading her paper, that she'd read at York University's grad class on October 24 in 1990 at Red Wallbarrow on October 26 in 1990  "],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Karasick, Adeena"],"creator_names_search":["Tallman, Warren","Karasick, Adeena"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\",\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/76188856\",\"name\":\"Karasick, Adeena\",\"dates\":\"1965-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1990],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12125/Warren Tallman Fonds_MsC 26.44_168.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"168 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:55\",\"precision\":\"\",\"size\":\"29.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"168 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:57\",\"precision\":\"\",\"size\":\"29.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1990-10-24\",\"type\":\"Production Date\",\"notes\":\"This is the date when Adeena Karasick reads at York University's grad class\",\"source\":\"J-card\"},{\"date\":\"1990-10-26\",\"type\":\"Production Date\",\"notes\":\"Warren Tallman records this tape (side two) on this date at  [Red Wallbarrow?]\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/15396822\",\"venue\":\"York University\",\"notes\":\"Adeena is reading the paper she'd read at York University on October 24 in 1990\",\"address\":\"York University, Keele Campus, York University Busway, Humber River—Black Creek, North York, Toronto, Golden Horseshoe, Ontario, M3J 3M6, Canada\",\"latitude\":\"43.7736\",\"longitude\":\"-79.5040\"},{\"url\":\"https://www.openstreetmap.org/way/298855107\",\"venue\":\"Red Wallbarrow, Tallman's apartment / office\",\"notes\":\"According to what Warren Tallman says in tape 60, [Red Wallbarrow?] is located at \\\"109, 88 East Pender Street, Vancouver, BC, [15L 1W7?] and named after William Carlos Williams by Warren Tallman. The Url we get for 88 East Pender Street, Vancouver, BC points to the current \\\"Vancouver Film School\\\". We are not sure, but this location could be the current Vancouver Film School in 88 E Pender.\\n\",\"address\":\"109, 88 East Pender Street, Vancouver, BC, [15L 1W7?]\",\"latitude\":\"49.28018\",\"longitude\":\"-123.10266\"}]"],"Address":["York University, Keele Campus, York University Busway, Humber River—Black Creek, North York, Toronto, Golden Horseshoe, Ontario, M3J 3M6, Canada","109, 88 East Pender Street, Vancouver, BC, [15L 1W7?]"],"Venue":["York University","Red Wallbarrow, Tallman's apartment / office"],"City":["Toronto, Ontario","Vancouver, British Columbia"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556690284550,"timestamp":"2026-01-07T15:00:00.983Z","score":1.5188013},{"id":"7181","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Paul Dutton interviewed by Warren Tallman at York University on December 5, 1991 Part 1 of 2"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Dutton, Paul","Tallman, Warren"],"creator_names_search":["Dutton, Paul","Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/36999806\",\"name\":\"Dutton, Paul\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\",\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1991],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12163/Warren Tallman Fonds_MsC 26.44_182.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"182 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:40\",\"precision\":\"\",\"size\":\"43.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"182 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:52:20\",\"precision\":\"\",\"size\":\"47.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1991-12-05\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/876212862\",\"venue\":\"York University\",\"notes\":\"\",\"address\":\"York University, Keele Campus, Hackett Avenue, Humber River—Black Creek, North York, Toronto, Golden Horseshoe, Ontario, M3J 0K9, Canada\",\"latitude\":\"43.77393\",\"longitude\":\"-79.49883\"}]"],"Address":["York University, Keele Campus, Hackett Avenue, Humber River—Black Creek, North York, Toronto, Golden Horseshoe, Ontario, M3J 0K9, Canada"],"Venue":["York University"],"City":["Toronto, Ontario"],"Note":["[{\"note\":\"We are not sure if this tape is part two of tape 183. Both tapes' j-cards have the same dates, locations, and people\",\"type\":\"General\"},{\"note\":\"The quality of the tape is low, but it seems Paul Dutton is giving a lecture in Warren Tallman's classroom. He mostly talks about sound poetry, how he got into sound when he was a child, and the beginning of The Four Horsemen; he also performs some sound poetry in the beginning of the second side. \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556693430276,"timestamp":"2026-01-07T15:00:00.983Z","score":1.5188013},{"id":"7182","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Paul Dutton's Four Horsemen performance tape York University on December 5, 1991 Part 2 of 2 "],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Dutton, Paul","McCaffery, Steve","Barreto-Rivera, Rafael","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Dutton, Paul","McCaffery, Steve","Barreto-Rivera, Rafael","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/36999806\",\"name\":\"Dutton, Paul\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/38243\",\"name\":\"McCaffery, Steve\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/16154730\",\"name\":\"Barreto-Rivera, Rafael\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[]"],"Publication_Date":[1978],"Production_Date":[1973],"Performance_Date":[1987],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12164/Warren Tallman Fonds_MsC 26.44_183.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"183 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:36\",\"precision\":\"\",\"size\":\"43.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987-10-09\",\"type\":\"Performance Date\",\"notes\":\"Two Nights, 1988 (Performed on October 9 & 10, 1987)\",\"source\":\"Internet \"},{\"date\":\"1987-10-10\",\"type\":\"Performance Date\",\"notes\":\"Two Nights, 1988 (Performed on October 9 & 10, 1987)\",\"source\":\"Internet\"},{\"date\":\"1977\",\"type\":\"Performance Date\",\"notes\":\"Live in the West (Toronto: Starborn Productions, 1977); 1978 is written on the j-card. 1978 could be its publication date \",\"source\":\"Internet\"},{\"date\":\"1973\",\"type\":\"Production Date\",\"notes\":\"Nada Canadada (Toronto: Griffin House, 1973). We are not sure if 1973 is the publication or production date. 1972 is written on the j-card; 1972 could be the performance date \",\"source\":\"Internet\"},{\"date\":\"1978\",\"type\":\"Publication Date\",\"notes\":\"Live in the West (Toronto: Starborn Productions, 1977); 1978 is written on the j-card. 1978 could be its publication date\",\"source\":\"Internet\"},{\"date\":\"1972\",\"type\":\"Performance Date\",\"notes\":\"Nada Canadada (Toronto: Griffin House, 1973). We are not sure if 1973 is the publication or production date. 1972 is written on the j-card; 1972 could be the performance date \",\"source\":\"Internet\"},{\"date\":\"1991-12-05\",\"type\":\"Production Date\",\"notes\":\"On tape 182, Paul Dutton has an interview with Warren Tallman regarding sound poetry and The Four Horsemen at [York University?] on December 5, 1991; we are not sure if he plays this tape (183) after his interview on not; this date is written on the j-card \",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/241163484#map=19/43.66857/-79.41299\",\"venue\":\"Music Gallery\",\"notes\":\"We are not sure about 2 Nights pieces on this tape, but 2 Nights is recorded and performed at The Music Gallery in Toronto on October 9 and 10 in 1987\",\"address\":\"918 Bathurst, 918, Bathurst Street, Seaton Village, University—Rosedale, Old Toronto, Toronto, Golden Horseshoe, Ontario, M5R 3G5, Canada\",\"latitude\":\"43.66859\",\"longitude\":\"-79.41300\"},{\"url\":\"https://www.openstreetmap.org/relation/324211#map=11/43.7175/-79.3762\",\"venue\":\"\",\"notes\":\"Live in the West (Toronto: Starborn Productions, 1977) and Nada Canadada (Toronto: Griffin House, 1973)\",\"address\":\"City Toronto, Golden Horseshoe, Ontario, Canada\",\"latitude\":\"43.6535\",\"longitude\":\"-79.3831\"},{\"url\":\"https://www.openstreetmap.org/way/876212862\",\"venue\":\"York University\",\"notes\":\"\",\"address\":\"York University, Keele Campus, Hackett Avenue, Humber River—Black Creek, North York, Toronto, Golden Horseshoe, Ontario, M3J 0K9, Canada\",\"latitude\":\"43.77393\",\"longitude\":\"-79.49883\"}]"],"Address":["918 Bathurst, 918, Bathurst Street, Seaton Village, University—Rosedale, Old Toronto, Toronto, Golden Horseshoe, Ontario, M5R 3G5, Canada","City Toronto, Golden Horseshoe, Ontario, Canada","York University, Keele Campus, Hackett Avenue, Humber River—Black Creek, North York, Toronto, Golden Horseshoe, Ontario, M3J 0K9, Canada"],"Venue":["Music Gallery","York University"],"City":["Toronto, Ontario","Toronto, Ontario","Toronto, Ontario"],"Note":["[{\"note\":\"Based on what it's written on the j-card, here are the list of the Four Horsemen performances on this tape:\\n\\nFrom Nada Canadada (Toronto: Griffin House, 1973): \\nAllegro \\nCoffee Break\\nIn the Middle of a Blue Balloon \\n\\nFrom Live in the West (Toronto: Starborn Productions, 1977):\\nMayakovsky\\nAssassin\\nSonada\\n\\nFrom Two Nights, 1988 (Performed on October 9 & 10, 1987)\\n\",\"type\":\"General\"},{\"note\":\"On tape 182, Paul Dutton has an interview with Warren Tallman regarding sound poetry and The Four Horsemen at [York University?] on December 5, 1991; we are not sure if he plays this tape (183) after his interview on not; this date is written on the j-card \",\"type\":\"General\"},{\"note\":\"We are not sure if this tape is part two of tape 182. Both tapes' j-cards have the same dates, locations, and people\",\"type\":\"General\"},{\"note\":\"Some interruptions occur all along this tape \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556693430277,"timestamp":"2026-01-07T15:00:00.983Z","score":1.5188013},{"id":"7199","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Victor Coleman talks at Warren Tallman's class at York University on November 21, 1991"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Coleman, Victor","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Tallman, Warren","Coleman, Victor","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\" http://viaf.org/viaf/11397708\",\"name\":\" Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/38160442\",\"name\":\"Coleman, Victor\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"Victor Coleman and Warren Tallman talk about BP Nichol and Victor's collaboration \",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Production_Date":[1991],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12212/Warren Tallman Fonds_MsC 26.44_200.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"200 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:00\",\"precision\":\"\",\"size\":\"43 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"200 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:09\",\"precision\":\"\",\"size\":\"43.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1991-11-21\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/15396822\",\"venue\":\" York University\",\"notes\":\"\",\"address\":\"University York University, Keele Campus, The Pond Road, Humber River—Black Creek, North York, Toronto, Golden Horseshoe, Ontario, M3J 3M6, Canada\",\"latitude\":\"43.7741\",\"longitude\":\"-79.5045\"}]"],"Address":["University York University, Keele Campus, The Pond Road, Humber River—Black Creek, North York, Toronto, Golden Horseshoe, Ontario, M3J 3M6, Canada"],"Venue":[" York University"],"City":["Toronto, Ontario"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670556697624580,"timestamp":"2026-01-07T15:00:00.983Z","score":1.5188013},{"id":"7213","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. 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Adeena is reading the repeat of her bp paper that she'd read at York University grad colloquium on March 2, 1990 - DUPLICATE 2 OF 3\\\" (MsC 26.42.129), and \\\"Adeena is reading the repeat of her bp paper that she'd read at York University grad colloquium on March 2, 1990 - DUPLICATE 3 OF 3\\\" (MsC 26.42.141) \",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670556902096901,"timestamp":"2026-01-07T15:00:01.192Z","score":1.5188013},{"id":"7284","cataloger_name":["Maya,Schwartz"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Adeena Karasick Fonds "],"source_collection_label":["Adeena Karasick Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC162"],"persistent_url":[""],"item_title":["Adeena Karasick's copy of Tape for Arbutus Gang made by Warren Tallman, October 19, 1990"],"item_title_source":["cassette 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The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["CBC Radio One North - CBIK-FM - FM 105.1 in Pond Inlet: Fred Wah interview in April 1989 and Ideas of Telematics and Sunday Matinee CBC Radio BC"],"item_title_source":["Cassette and J-card"],"item_language":["English, French"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Nora, Simon","Boorstin, Daniel J.","Lippman, Andrew","Phillips, Dorothy Anne","Schiller, Herbert I.","Mander, Jerry","Allen, Max","Wood, Brian","Cuthbert, Mark"],"creator_names_search":["Wah, Fred","Nora, Simon","Boorstin, Daniel J.","Lippman, Andrew","Phillips, Dorothy Anne","Schiller, Herbert 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(Source: https://en.wikipedia.org/wiki/Canadian_Broadcasting_Centre)\",\"address\":\"Jarvis Street, Toronto, Ontario, Canada\",\"latitude\":\"43.6562555\",\"longitude\":\"-79.374232\"},{\"url\":\"https://www.openstreetmap.org/way/50259713\",\"venue\":\"CBC studio\",\"notes\":\"CBC Studio Vancouver. Sunday Matinee Radio Program at the end of side two  \",\"address\":\"700 Hamilton Street Vancouver, British Columbia V6B 4A2\",\"latitude\":\"49.27915495\",\"longitude\":\"-123.11434125\"}]"],"Address":["Town Pond Inlet (Mittimatalik), Qikiqtaaluk Region, Nunavut, Canada","Jarvis Street, Toronto, Ontario, Canada","700 Hamilton Street Vancouver, British Columbia V6B 4A2"],"Venue":["CBC Studio","CBC studio"],"City":["Toronto, Ontario","Hamilton, British Columbia"],"Note":["[{\"note\":\"This is CBC Radio One North program; this tape is in three [Inuinnaqtun/Inuktitut?], English and French languages. \\nFred Wah is interviewed about the writing working he held in Pond Inlet. \\nHe's asked \\n1. Why he became an author?\\n2. What he was was doing in Pond Inlet with both students and community. \\n3. What was the purpose of writing workshop? \\n\",\"type\":\"General\"},{\"note\":\"CBC Toronto News host has an interview with the head of the computer communication networks group at university of Waterloo talking about the new technology called Telidon. \\n\\nThe host talks also about the impact of data preprocessing link in everybody's living room would be. Simon Nora explains in French translated to someone else in English\\nDifferent parts of the translated of Simon Nora's passage and reports titled, Computerization of Society is read; the translated conversation with [Philip Lemay?] the head of the French National commission under the Computerization of Society is also read on this radio program.\\nLanguage and how language is impacted by data processing and computer language is discussed.\\n\\nSide two: the role of computer in libraries \\nDorothy Anne Phillips talks about what data Base works the best for people. Psychology of people toward technological push; the analysis of people's attitude toward Telidon.  \\nThe role of television and its role is also discussed.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557231349761,"timestamp":"2026-01-07T15:00:01.509Z","score":1.5188013},{"id":"8392","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["BLANK TAPE. Warren Tallman Class at York University on October 10, 1991"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren"],"creator_names_search":["Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"contributors":["[]"],"Production_Date":[1991],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/8392/Warren Tallman Fonds_MsC 26.42_99.jpg\",\"other\":\"\",\"extent\":\"1/8 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Canada\",\"latitude\":\"43.7741\",\"longitude\":\"-79.5045\"}]"],"Address":["University York University, Keele Campus, The Pond Road, Humber River—Black Creek, North York, Toronto, Golden Horseshoe, Ontario, M3J 3M6, Canada"],"Venue":[" York University"],"City":["Toronto, Ontario"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670557456793602,"timestamp":"2026-01-07T15:00:01.720Z","score":1.5188013},{"id":"8822","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["The Four Horsemen performance recorded at the Music Gallery in Toronto on October 9 and 10, 1987"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Barreto-Rivera, Rafael","Dutton, Paul","McCaffery, Steve","The Four Horsemen","Hodge, Paul","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Barreto-Rivera, Rafael","Dutton, Paul","McCaffery, Steve","The Four Horsemen","Hodge, Paul","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/16154730\",\"name\":\"Barreto-Rivera, Rafael\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/36999806\",\"name\":\"Dutton, Paul\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/38243\",\"name\":\"McCaffery, Steve\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/128949455\",\"name\":\"The Four 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files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987-10-09\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1987-10-10\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/241163484#map=19/43.668569/-79.412980\",\"venue\":\"Music Gallery\",\"notes\":\"\",\"address\":\"918 Bathurst St, Toronto, ON M5R 3G5\",\"latitude\":\"43.668588\",\"longitude\":\"-79.412996\"}]"],"Address":["918 Bathurst St, Toronto, ON M5R 3G5"],"Venue":["Music Gallery"],"City":["Toronto, Ontario"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670557684334592,"timestamp":"2026-01-07T15:00:01.927Z","score":1.5188013},{"id":"8826","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["The Four Horsemen Performance Tribute to Robert Zend in Toronto and bpNichol in conversation with Roy Miki on December 2, 1986 "],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Barreto-Rivera, Rafael","Dutton, Paul","McCaffery, Steve","The Four Horsemen","Zend, Róbert","Miki, Roy","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Barreto-Rivera, Rafael","Dutton, Paul","McCaffery, Steve","The Four Horsemen","Zend, Róbert","Miki, Roy","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/16154730\",\"name\":\"Barreto-Rivera, Rafael\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/36999806\",\"name\":\"Dutton, Paul\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/38243\",\"name\":\"McCaffery, Steve\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/128949455\",\"name\":\"The Four Horsemen\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/76376280\",\"name\":\"Zend, Róbert \",\"dates\":\"1929-1985\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie 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University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["A Tribute to bpNichol at Harbourfront in Toronto on December 2, 1989"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Gatenby, Greg","Tostevin, Lola Lemire","Lee, Dennis","Dewdney, Christopher","Webb, Phyllis","Barbour, Douglas","Scobie, Stephen","Hartog, Diana","Dedora, Brian","Sereda, David","Smith, Whitney","Van Loon, Nelles","Pepper, John","Shaw, Maggie","Pulsiver, Alan","Marlatt, Daphne","Wah, Fred","McFadden, David","Shikatani, Gerry","Ondaatje, Michael","Coleman, Victor","Barreto-Rivera, Rafael","Dutton, Paul","McCaffery, 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Diana\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/11347776\",\"name\":\"Dedora, Brian\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/4457154260346024480005\",\"name\":\"Sereda, David\",\"dates\":\"1957-\",\"notes\":\"Vocal for \\\"Let Love Lead You\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"[http://viaf.org/viaf/59627436?]\",\"name\":\"Smith, Whitney\",\"dates\":\"\",\"notes\":\"Guitar for \\\"Let Love Lead You\\nwe are not sure about the Url\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/310713612\",\"name\":\"Van Loon, Nelles\",\"dates\":\"1939-\",\"notes\":\"Music by him\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Pepper, John \",\"dates\":\"\",\"notes\":\"Vocal for \\\"I Am Obsessed\\\" \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Shaw, Maggie \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Pulsiver, Alan\",\"dates\":\"\",\"notes\":\"Piano for \\\"Let Love Lead You;\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/7405434\",\"name\":\"McFadden, David\",\"dates\":\"1940-2018\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"[http://viaf.org/viaf/30931468?]\",\"name\":\"Shikatani, Gerry\",\"dates\":\"\",\"notes\":\"We are not sure about the Url\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/111941870\",\"name\":\"Ondaatje, Michael\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\" http://viaf.org/viaf/38160442\",\"name\":\"Coleman, Victor\",\"dates\":\"1944-\",\"notes\":\"He organized this event \",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/16154730\",\"name\":\"Barreto-Rivera, Rafael\",\"dates\":\"1944-\",\"notes\":\"The Four Horsemen performance \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/36999806\",\"name\":\"Dutton, Paul\",\"dates\":\"1943-\",\"notes\":\"The Four Horsemen performance; he also organized this event\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/38243\",\"name\":\"McCaffery, Steve\",\"dates\":\"1947-\",\"notes\":\"The Four Horsemen performance \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/128949455\",\"name\":\"The Four Horsemen\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Hodge, Paul \",\"dates\":\"\",\"notes\":\"Editor\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/106427805\",\"name\":\"Westlake, Marilyn\",\"dates\":\"\",\"notes\":\"Photographer\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/104842484\",\"name\":\"Swinghammer, Kurt\",\"dates\":\"1957-\",\"notes\":\"Designed by him\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"This event is dedicated to bpNichol\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Production_Date":[1989],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/8938/Roy Miki Fonds_MsC 161_136.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-136 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:49:24\",\"precision\":\"\",\"size\":\"63.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-136 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:49:22\",\"precision\":\"\",\"size\":\"63.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1989-11-02\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Harbourfront \",\"notes\":\"We assume Gala Tribute at Toronto's Harbourfront is The Brigantine Room and Studio Theatre \",\"address\":\"235 Queens Quay W, Toronto ON M5J 2G8\",\"latitude\":\"43.638919\",\"longitude\":\" -79.382862\"}]"],"Address":["235 Queens Quay W, Toronto ON M5J 2G8"],"Venue":["Harbourfront "],"City":["Toronto, Ontario"],"Note":["[{\"note\":\"More information can be fount on https://bpnichol.ca/sites/default/files/archives/document/bp%20A%20TRIBUTE.pdf \",\"type\":\"General\"},{\"note\":\"This tape is a copy of tape #160 (SWALLOW ID 7159) in the Warren Tallman collection\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557780803585,"timestamp":"2026-01-07T15:00:02.033Z","score":1.5188013},{"id":"8956","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["bpNichol interviewed by Webb Phyllis for CBC Anthology on February 16, 1985"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Webb, Phyllis","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Webb, Phyllis","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/29847238\",\"name\":\"Webb, Phyllis\",\"dates\":\"1927-2021\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewee\"]}]"],"contributors":["[]"],"Production_Date":[1985],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/8956/Roy Miki Fonds_MsC 161_149.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-149 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:13\",\"precision\":\"\",\"size\":\"62.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-149 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:33\",\"precision\":\"\",\"size\":\"64.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-02-16\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/456341915#map=19/43.65360/-79.37320\",\"venue\":\"CBC Studio\",\"notes\":\"We assume that this tape was recorded in Toronto. CBC Toronto studio address was changed in 1993 (after this recording took place) to 205 Wellington Street West, Toronto, Ontario, M5V 3G7 from a smaller facility on Jarvis Street, near the former television transmitter. (Source: https://en.wikipedia.org/wiki/Canadian_Broadcasting_Centre)\\n\\nPhyllis Webb primarily worked at CBC in Toronto; the location is not known, but it's probable that the interviewed was recorded in CBC Toronto\",\"address\":\"Jarvis Street, Toronto, Ontario, Canada\",\"latitude\":\"43.6562555\",\"longitude\":\"-79.374232 \"}]"],"Address":["Jarvis Street, Toronto, Ontario, Canada"],"Venue":["CBC Studio"],"City":["Toronto, Ontario"],"Note":["[{\"note\":\"There is some music at the end that two singers perform; they are not introduced on the tape \",\"type\":\"General\"},{\"note\":\"They mostly talked about the foloowing topics:\\nLiterary community in early 60s \\nCoach House\\nbpNichol sound poetry, concrete poetry, and The Four Horsemen\\nInternational poetry and sound poetry on bpNichol\\nbpNichol lifelong poems \",\"type\":\"General\"},{\"note\":\"There seems to be a duplicate of this tape in bpNichol fond at SFU; it's tape 28\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557781852166,"timestamp":"2026-01-07T15:00:02.033Z","score":1.5188013},{"id":"8957","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["bpNichol interview for \"Write On\" on CHRY Radio York, March 18, 1987"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, bp (Barrie Phillip)"],"creator_names_search":["Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewee\",\"Performer\"]}]"],"contributors":["[]"],"Production_Date":[1987],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/8957/Roy Miki Fonds_MsC 161_150.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-150 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:21\",\"precision\":\"\",\"size\":\"61.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-150 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:16\",\"precision\":\"\",\"size\":\"61.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987-03-18\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/export#map=19/43.77453/-79.50357\",\"venue\":\"York University\",\"notes\":\"\",\"address\":\"Room 413, Student Centre, York University 4700 Keele Street, Toronto, Ontario M3J 1P3\",\"latitude\":\"43.77533\",\"longitude\":\"-79.50512\"}]"],"Address":["Room 413, Student Centre, York University 4700 Keele Street, Toronto, Ontario M3J 1P3"],"Venue":["York University"],"City":["Toronto, Ontario"],"Note":["[{\"note\":\"Dina [Linskey?] and Mary [Tinklack?], the interviewers and radio hosts, fully introduce themselves at 00:35. \\nThey start with different types of poetry bpNichol does and things he finds engaging; he also talks about the guidelines and format he follows in poetry and the theme in his poetry. \\nHe talks a bit about his idea audience considering the specific format he has specially in The Martyrology \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557781852167,"timestamp":"2026-01-07T15:00:02.033Z","score":1.5188013},{"id":"8975","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Reading Panel: Marie Annharte Baker, Lydia Kwa, and Ashok Mathur at Japanese Canadian Cultural Centre on March 25, 1995 "],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Baker, Marie Annharte","Mathur, Ashok","Kwa, Lydia","Miki, Roy"],"creator_names_search":["Baker, Marie Annharte","Mathur, Ashok","Kwa, Lydia","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/36969605\",\"name\":\"Baker, Marie Annharte\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/61465159\",\"name\":\"Mathur, Ashok\",\"dates\":\"1961-\",\"notes\":\"His reading part seems to be missing; however, his name is written on the J-card. We don't hear a male poet reading \",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/117627632\",\"name\":\"Kwa, Lydia\",\"dates\":\"1959-\",\"notes\":\"There is a reading part after Fred Wah's speech at the end of side one; \",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"Roy Miki introduces the readers in the beginning of side one \",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1995],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/8975/Roy Miki Fonds_MsC 161_163.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-163 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:04\",\"precision\":\"\",\"size\":\"950 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-163 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:57\",\"precision\":\"\",\"size\":\"947 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV files\",\"contents\":\"\",\"notes\":\"Blank \",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1995-03-25\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/3397227846\",\"venue\":\"Japanese Canadian Cultural Centre\",\"notes\":\"\",\"address\":\"6 Sakura Way, Toronto, ON M3C 1Z5\",\"latitude\":\"43.726431\",\"longitude\":\" -79.334974\"}]"],"Address":["6 Sakura Way, Toronto, ON M3C 1Z5"],"Venue":["Japanese Canadian Cultural Centre"],"City":["Toronto, Ontario"],"Note":["[{\"note\":\"Roy Miki thanked two individuals at the end of Side One for their collaboration, though we are unsure of the correct spelling of their names. They are introduced at 36:33 as [Jennifa?], who assisted with the book table setup, and at 36:35 as [Glen Mowery?], who helped with the sound. Miki also thanked a guy named [Scott?] who had helped him arranged for this reading event \",\"type\":\"General\"},{\"note\":\"This collection includes three tapes from the event, tapes 163,164, and 165. The panel discussion, featuring Marie Annharte Baker, Ashok Mathur, and Lydia Kwa, is recorded on tapes 164 and 165.\\nThis tape captures the follow-up reading by Marie Annharte Baker, but the readings by Ashok Mathur and Lydia Kwa are missing.\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557784997890,"timestamp":"2026-01-07T15:00:02.033Z","score":1.5188013},{"id":"8976","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Discussion Panel: Marie Annharte Baker, Lydia Kwa, and Ashok Mathur at Japanese Canadian Cultural Centre on March 25, 1995 Tape 2 of 2"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Baker, Marie Annharte","Kwa, Lydia","Mathur, Ashok","Miki, Roy"],"creator_names_search":["Baker, Marie Annharte","Kwa, Lydia","Mathur, Ashok","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/36969605\",\"name\":\"Baker, Marie Annharte\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/117627632\",\"name\":\"Kwa, Lydia\",\"dates\":\"1959-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/61465159\",\"name\":\"Mathur, Ashok\",\"dates\":\"1961-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1995],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/8976/Roy Miki Fonds_MsC 161_164.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-164 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:59\",\"precision\":\"\",\"size\":\"948 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-164 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:03\",\"precision\":\"\",\"size\":\"949 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1995-03-25\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/3397227846\",\"venue\":\"Japanese Canadian Cultural Centre\",\"notes\":\"\",\"address\":\"6 Sakura Way, Toronto, ON M3C 1Z5\",\"latitude\":\"43.726429\",\"longitude\":\"-79.334960\"}]"],"Address":["6 Sakura Way, Toronto, ON M3C 1Z5"],"Venue":["Japanese Canadian Cultural Centre"],"City":["Toronto, Ontario"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670557784997891,"timestamp":"2026-01-07T15:00:02.033Z","score":1.5188013},{"id":"8977","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Discussion Panel: Marie Annharte Baker, Lydia Kwa, and Ashok Mathur at Japanese Canadian Cultural Centre on March 25, 1995 Tape 1 of 2"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary 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Centre"],"City":["Toronto, Ontario"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670557784997892,"timestamp":"2026-01-07T15:00:02.033Z","score":1.5188013},{"id":"8950","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["EAR RATIONAL: bpNichol Sound Poem 1970-1980 recorded at different locations "],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Truhlar, Richard","Smith, Steven","Penhale, David","Dean, Michael","McCaffery, Steve","Dutton, Paul","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Truhlar, Richard","Smith, Steven","Penhale, David","Dean, Michael","McCaffery, Steve","Dutton, Paul","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/38165242\",\"name\":\"Truhlar, Richard\",\"dates\":\"1950-\",\"notes\":\"Acres Rare Meet performed by him\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/305991756\",\"name\":\"Smith, Steven\",\"dates\":\"1945-\",\"notes\":\"Acres Rare Meet performed by him\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/16023367\",\"name\":\"Penhale, David\",\"dates\":\"\",\"notes\":\"Acres Rare Meet performed by him\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Dean, Michael \",\"dates\":\"\",\"notes\":\"Acres Rare Meet performed by him\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/38243\",\"name\":\"McCaffery, Steve\",\"dates\":\"1947-\",\"notes\":\"Acres Rare Meet performed by 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files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1969\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1971\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1972\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1973\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1978\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1979\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1976-1980\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1982\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1966\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1967\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/456341915#map=19/43.65360/-79.37320\",\"venue\":\"CBC Studio\",\"notes\":\"Dada Lama was recorded at CBC Studios in Toronto in 1969 and Alphabet Game was recorded at  CBC Studios in Toronto in 1972\",\"address\":\"Jarvis Street, Toronto, Ontario, Canada\",\"latitude\":\"43.6562555\",\"longitude\":\"-79.374232 \"},{\"url\":\"https://www.openstreetmap.org/relation/324211\",\"venue\":\"\",\"notes\":\"Acres Rare Meet was recorded live in Toronto October 1977\",\"address\":\"Toronto, Ontario, Canada\",\"latitude\":\"43.7279\",\"longitude\":\"-79.3721\"}]"],"Address":["Jarvis Street, Toronto, Ontario, Canada","Toronto, Ontario, Canada"],"Venue":["CBC Studio"],"City":["Toronto, Ontario","Toronto, Ontario"],"Note":["[{\"note\":\"Dada Lama was recorded at CBC Studios (Toronto) circa 1969 \\nThe Alphabet Game was recorded at CBC Studios (Toronto) circa 1972 \\nAcres Rare Meet was recorded live in Toronto, October 1977 \\nAll others were recorded at the studios of T.R.G. January 10, 1982 \",\"type\":\"General\"},{\"note\":\"Tracks:\\nA1 Dada Lama (1966)\\nA2 Pome Poem (1972)\\nA3 060173 (1973)\\nA4 Eight Part Suite (1971)\\nA5 Cosmic Piece For Orchestra & Chorus (1969) Voice, Tape [Cheap Cassette] – bpNicholVoice, Vocoder – Steve McCaffery\\nA6 Art In Upheaval (begun 1979)\\nA7 Generations Generated (1977)\\nA8 Afternoon Attentions (1973)\\nA9 \\\"meeln\\\" (1973)\\n\\nB1 Acres Rare Meet (1977) Performer – David Penhale, Michael Dean (2), Paul Dutton, Richard Truhlar, Steve McCaffery, Steven Smith (6)\\nB2 Ballads Of The Restless Are (1967)\\nB3 White Text Sure: Version 1 (1978)\\nB4 Outsize Reference (1973)\\nB5 Translating Translating Apollinaire 52 (1978)\\nB6 The Alphabet Game (1972)\\nB7 Interupted Nap (1976 To 80)\",\"type\":\"General\"},{\"note\":\"Liner Notes:\\n\\nEar Rational contains all the single voice pieces I composed in the years 1970 thru 1980 other than sections of The Martyrology Bk V & a part of the May Day Book. In addition I have included: A live recording of the only seven voice piece I've done, Acres Rare Meet; an alternate version of Dada Lama, previously unreleased; the first adequate realization of my composition Cosmic piece for Orchestra & Chorus; and the only remaining unrecorded single voice text from the 60's - Ballads Of The Restless Are. In the seventies I put the bulk of my energy in sound into composing for & with the Four Horsemen. In the single voice pieces the interest began to shift toward the more narrative & prose-based concerns evident in the most recent compositions on this tape, Interupted Nap & Art In Upheaval. This cassette is dedicated to Steve McCaffery, my partner in the C rimes in both the Toronto Research Group & the Four Horsemen. bpNichol, Toronto, January 1982 \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557789192194,"timestamp":"2026-01-07T15:00:02.033Z","score":1.5188013},{"id":"9241","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Bridging Language: MUSICWORKS 38"],"item_title_source":["Cassette and J-card "],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Ajzenstat, Sandor","Prentice, David","Alison, Nancy","Palmer, Madeleine","Labelle, Patti","Pridmore, Helen","Roy, L","Cormier, L","Hall, Helen","Alison, Nancy","Palmer, Madeleine","Fontaine, Louis-Noël","Lerner-Frank, Ivy","Bédard, A","Armour, [Julian?]","Poirier, Gilles","Trylinski, Stella","Stanchuk, Mary","Roberts, William","[Danilevitch?], Mary","Kowalchuk, Olga Kathryn","Kemp, Penny","Frank, Sid","Lerner-Frank, Ivy","Gagnon, G","Dallaire, Louis","Savolie, B","Gauthier, [Daniel?]","Fontaine, Louis-Noël","Mcintosh, G","O'Connor, R"],"creator_names_search":["Ajzenstat, Sandor","Prentice, David","Alison, Nancy","Palmer, Madeleine","Labelle, Patti","Pridmore, Helen","Roy, L","Cormier, L","Hall, Helen","Alison, Nancy","Palmer, Madeleine","Fontaine, Louis-Noël","Lerner-Frank, Ivy","Bédard, A","Armour, [Julian?]","Poirier, Gilles","Trylinski, Stella","Stanchuk, Mary","Roberts, William","[Danilevitch?], Mary","Kowalchuk, Olga Kathryn","Kemp, Penny","Frank, Sid","Lerner-Frank, Ivy","Gagnon, G","Dallaire, Louis","Savolie, B","Gauthier, [Daniel?]","Fontaine, Louis-Noël","Mcintosh, G","O'Connor, R"],"contributors":["[]"],"Production_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/9241/Roy Miki Fonds_MsC 161_326.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-326_Side-A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:07\",\"precision\":\"\",\"size\":\"27.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-326_Side-B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:03\",\"precision\":\"\",\"size\":\"27.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-05-01\",\"type\":\"Production Date\",\"notes\":\"Winter Trees by Helen Hall recorded ba Radio Canada\",\"source\":\"J-card\"},{\"date\":\"1985-01-20\",\"type\":\"Production Date\",\"notes\":\"Oy U Polee Krenechenka (There is a Well in the\\nMeadow) sung by the A.U.U.C. Women's Ensemble\\n\\n\",\"source\":\"J-card\"},{\"date\":\"1984-02-02\",\"type\":\"Production Date\",\"notes\":\"Stella Trylinski plays the Cossacks Whistle on the mandolin. Trylinski introduces the Song in a conversation with William Roberts. William Roberts made the recording in Thunder Bay.\\n\",\"source\":\"J-card\"},{\"date\":\"1985-01-20\",\"type\":\"Production Date\",\"notes\":\"Good Evening, Neighbour sung by the A.U.U.C.\\nand Mary Danilevitch, recorded in a\\nWomen's Ensemble with soloists Olga Kowalchuk\\nconcert in Thunder Bay.\\n\",\"source\":\"J-card\"},{\"date\":\"1986-05-25\",\"type\":\"Production Date\",\"notes\":\"Simultaneous Translation,’ performed by Penny Kemp (voice) and David Prentice (violin), was recorded at The Music Gallery in Toronto by Sandor Ajzenstat. \\n\",\"source\":\"J-card\"},{\"date\":\"1987-02-21\",\"type\":\"Production Date\",\"notes\":\"Stoicheia by Helen Hall\\n\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/7596931\",\"venue\":\"\",\"notes\":\"William Roberts talking to Stella Trylinski on Feb. 2,\\n1984\\n\",\"address\":\"City Thunder Bay, Thunder Bay District, Northwestern Ontario, Ontario, Canada\",\"latitude\":\"48.4060\",\"longitude\":\"-89.2646\"},{\"url\":\"https://www.openstreetmap.org/way/241163484#map=19/43.668568/-79.412980\",\"venue\":\"Music Gallery\",\"notes\":\"Simultaneous Translation by Penn(y) Kemp, performed by Pennty) Kemp (voice) and David Prentice (violin) recorded on May 25, 1986, at The Music Gallery, Toronto, by Sandor Ajzenstat\\n\",\"address\":\"918 Bathurst St, Toronto, ON M5R 3G5\",\"latitude\":\"43.668556\",\"longitude\":\"-79.412994\"}]"],"Address":["City Thunder Bay, Thunder Bay District, Northwestern Ontario, Ontario, Canada","918 Bathurst St, Toronto, ON M5R 3G5"],"Venue":["Music Gallery"],"City":["Toronto, Ontario"],"Note":["[{\"note\":\"Helen Hall–Winter Trees\\nAlto Saxophone – L. Noël-Fontaine*\\nAlto Vocals – Ivy Lerner-Frank\\nBassoon – A. Bédard\\nCello – J. Armour\\nRecorded By, Producer – Giles Poirier\\nSoprano Vocals – Madeleine Palmer, Nancy Allison\",\"type\":\"General\"},{\"note\":\"A.U.U.C. Women's Ensemble–Oy U Polee Krenechenka\\nVocals, Soloist – Mary Stanchuk\",\"type\":\"General\"},{\"note\":\"A.U.U.C. Women's Ensemble–Good Evening, Neighbor\\nVocals, Soloist – Mary Danilevitch, Olga Kowalchuk\",\"type\":\"General\"},{\"note\":\"Stella Trylinski–The Cossacks Whistle\\nMandolin, Voice [Introduced By] – Stella Trylinski\\nRecorded By – William Roberts \",\"type\":\"General\"},{\"note\":\"Penn(y) Kemp*–Simultaneous Translation\\nRecorded By – Sandor Ajzenstat\\nViolin – David Prentice\\nVoice – Penn(y) Kemp*\",\"type\":\"General\"},{\"note\":\"Helen Hall–Stoicheia\\nAlto Saxophone – B. Savolie\\nAlto Vocals – Ivy Lerner-Frank\\nBaritone Saxophone – L. Noël Fontaine*\\nCello – L. Dallaire*\\nDouble Bass – G. Gagnon\\nMezzo-soprano Vocals – L. Cormier, L. Roy\\nPercussion – G. McIntosh, R. O'Connor\\nRecorded By [Assistance] – Sid Frank (3)\\nSoprano Saxophone – D. Gauthier\\nSoprano Vocals – Madeleine Palmer, Nancy Allison\\nSoprano Vocals [Alto Performed By] – F. Labelle, H. Pridmore*\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558018830337,"timestamp":"2026-01-07T15:00:02.246Z","creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Ajzenstat, Sandor \",\"dates\":\"\",\"notes\":\"Simultaneous Translation by Penn(y) Kemp, performed by Pennty) Kemp (voice) and David Prentice (violin) recorded on May 25, 1986 at The Music Gallery, Toronto, by Sandor Ajzenstat\\n\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/144731577\",\"name\":\"Prentice, David\",\"dates\":\"1947-\",\"notes\":\"Simultaneous Translation by Penn(y) Kemp, performed by Pennty) Kemp (voice) and David Prentice (violin) recorded on May 25, 1986 at The Music Gallery, Toronto, by Sandor Ajzenstat\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Alison, Nancy \",\"dates\":\"\",\"notes\":\"Stoicheia by Helen Hall, recorded on Feb. 21, 1987, with the assistance of Sid Frank, performed by sopranos Nancy Allison and Madeleine Palmer\\n\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Palmer, Madeleine \",\"dates\":\"\",\"notes\":\"Stoicheia by Helen Hall, recorded on Feb. 21, 1987, with the assistance of Sid Frank, performed by sopranos Nancy Allison and Madeleine Palmer\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/71578519\",\"name\":\"Labelle, Patti\",\"dates\":\"1944-\",\"notes\":\"The musician known as \\\"F. Labelle\\\" refers to Patti LaBelle, the renowned R&B singer and actress, often called the \\\"Godmother of Soul\\\"\\nStoicheia by Helen Hall, recorded on Feb. 21, 1987, with the assistance of Sid Frank;\\nalto performed by: sopranos F. Labelle\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Pridmore, Helen\",\"dates\":\"\",\"notes\":\"H. Pridmore is likely referring to Helen Pridmore, a pianist and choir member\\nStoicheia by Helen Hall, recorded on Feb. 21, 1987, with the assistance of Sid Frank;\\nalto performed by: sopranos H. Pridmore\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Roy, L\",\"dates\":\"\",\"notes\":\"Stoicheia by Helen Hall, recorded on Feb. 21, 1987, with the assistance of Sid Frank;\\nmezzo-sopranos by L. Roy\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Cormier, L\",\"dates\":\"\",\"notes\":\"Stoicheia by Helen Hall, recorded on Feb. 21, 1987, with the assistance of Sid Frank;\\nmezzo-sopranos by L. Cormier\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Hall, Helen\",\"dates\":\"\",\"notes\":\"Helen Hall - Winter Trees\\nAlto Saxophone – L. Noël-Fontaine*\\nAlto Vocals – Ivy Lerner-Frank\\nBassoon – A. Bédard\\nCello – J. Armour\\nRecorded By, Producer – Giles Poirier\\nSoprano Vocals – Madeleine Palmer, Nancy Allison\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"\",\"name\":\"Alison, Nancy\",\"dates\":\"\",\"notes\":\"Helen Hall - Winter Trees\\nSoprano Vocals – Madeleine Palmer and Nancy Allison\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Palmer, Madeleine\",\"dates\":\"\",\"notes\":\"Helen Hall - Winter Trees\\nSoprano Vocals – Madeleine Palmer and Nancy Allison\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/222476504\",\"name\":\"Fontaine, Louis-Noël \",\"dates\":\"\",\"notes\":\"Helen Hall - Winter Trees\\nAlto Saxophone – L. Noël-Fontaine*\\n\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Lerner-Frank, Ivy\",\"dates\":\"\",\"notes\":\"Helen Hall - Winter Trees\\nAlto Vocals – Ivy Lerner-Frank\\n\\n\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Bédard, A\",\"dates\":\"\",\"notes\":\"Helen Hall - Winter Trees\\nBassoon – A. Bédard\\n\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/105969485\",\"name\":\"Armour, [Julian?]\",\"dates\":\"1960-\",\"notes\":\"Helen Hall - Winter Trees\\nCello – J. Armour\\n\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Poirier, Gilles\",\"dates\":\"\",\"notes\":\"Helen Hall - Winter Trees\\nRecorded By, Producer – Giles Poirier\\n\",\"nation\":[],\"role\":[\"Producer\",\"Recordist\"]},{\"url\":\"\",\"name\":\"Trylinski, Stella \",\"dates\":\"\",\"notes\":\"Playing music on a mandolin - The Cossacks Whistle \\nStella Trylinski– The Cossacks Whistle\\nMandolin, Voice [Introduced By] – Stella Trylinski\\n\",\"nation\":[],\"role\":[\"Performer\",\"Speaker\"]},{\"url\":\"\",\"name\":\"Stanchuk, Mary\",\"dates\":\"\",\"notes\":\"A.U.U.C. Women's Ensemble– Oy U Polee Krenechenka\\nVocals, Soloist - Mary Stanchuk\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Roberts, William\",\"dates\":\"\",\"notes\":\"Stella Trylinski - The Cossacks Whistle\\nMandolin, Voice [Introduced By] – Stella Trylinski\\nRecorded By – William Roberts\",\"nation\":[],\"role\":[\"Speaker\",\"Recordist\"]},{\"url\":\"\",\"name\":\"[Danilevitch?], Mary \",\"dates\":\"\",\"notes\":\"A.U.U.C. Women's Ensemble - Good Evening, Neighbor\\nVocals, Soloist – Mary Danilevitch, Olga Kowalchuk\\nConcert in Thunder Bay\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Kowalchuk, Olga Kathryn \",\"dates\":\"\",\"notes\":\"A.U.U.C. Women's Ensemble - Good Evening, Neighbor\\nVocals, Soloist – Mary Danilevitch, Olga Kowalchuk\\nConcert in Thunder Bay\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/43083879\",\"name\":\"Kemp, Penny\",\"dates\":\"1944-\",\"notes\":\"Simultaneous Translation by Penn(y) Kemp, performed by Pennty) Kemp (voice) and David Prentice (violin) recorded on May 25, 1986, at The Music Gallery, Toronto, by Sandor Ajzenstat\\n\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Frank, Sid \",\"dates\":\"\",\"notes\":\"Helen Hall - Stoicheia\\nRecorded By [Assistance] – Sid Frank\\n\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Lerner-Frank, Ivy \",\"dates\":\"\",\"notes\":\"Stoicheia by Helen Hall, recorded on Feb. 21, 1987, with the assistance of Sid Frank;\\nAlto voice performed by Ivy Lerner-Frank\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Gagnon, G\",\"dates\":\"\",\"notes\":\"Stoicheia by Helen Hall, recorded on Feb. 21, 1987, with the assistance of Sid Frank\\nDouble Bass by G. Gagnon\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Dallaire, Louis \",\"dates\":\"\",\"notes\":\"Stoicheia by Helen Hall, recorded on Feb. 21, 1987, with the assistance of Sid Frank\\nCello by Louis Dallaire\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\" Savolie, B\",\"dates\":\"\",\"notes\":\"Stoicheia by Helen Hall, recorded on Feb. 21, 1987, with the assistance of Sid Frank\\nAlto sax by B. Savolie\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/11619077\",\"name\":\"Gauthier, [Daniel?]\",\"dates\":\"1959-\",\"notes\":\"Stoicheia by Helen Hall, recorded on Feb. 21, 1987, with the assistance of Sid Frank\\nSoprano sax by [Daniel?] Gauthier\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/222476504\",\"name\":\"Fontaine, Louis-Noël\",\"dates\":\"\",\"notes\":\"Stoicheia by Helen Hall, recorded on Feb. 21, 1987, with the assistance of Sid Frank\\nBaritone sax by Louis-Noël Fontaine\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Mcintosh, G\",\"dates\":\"\",\"notes\":\"Stoicheia by Helen Hall, recorded on Feb. 21, 1987, with the assistance of Sid Frank\\nPercussion by G. Mcintosh\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"O'Connor, R\",\"dates\":\"\",\"notes\":\"Stoicheia by Helen Hall, recorded on Feb. 21, 1987, with the assistance of Sid Frank\\nPercussion by R O'Connor\",\"nation\":[],\"role\":[\"Performer\"]}]"],"score":1.5188013},{"id":"10001","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["FUGITIVE FORMS: Paul Dutton "],"item_title_source":["Cassette and J-card "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Reed, Jimmy","Waters, Muddy","Chopin, Henri","Newlove, John","Whiting, John","Dutton, Paul","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Reed, Jimmy","Waters, Muddy","Chopin, Henri","Newlove, John","Whiting, John","Dutton, Paul","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/59272140\",\"name\":\"Reed, Jimmy\",\"dates\":\"1925-1976\",\"notes\":\"Blue Reed's performance on side one of the tape is for Jimmy Reed\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/51876215\",\"name\":\"Waters, Muddy\",\"dates\":\"1915-1983\",\"notes\":\"Sound Blues performance on side two of this tape is for Muddy Waters\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/22184258\",\"name\":\"Chopin, Henri \",\"dates\":\"1922-2008\",\"notes\":\"Vive Le performance on side one of this tape is for Henri Chopin\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/92277383\",\"name\":\"Newlove, John\",\"dates\":\"1938-2003\",\"notes\":\"Dr. Mustard's Found Sound (from uncorrected printer's proofs, courtesy John Newlove\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Whiting, John\",\"dates\":\"\",\"notes\":\"He is the recording engineer for all cuts on side one were recorded in performance at the Fourteenth International Sound Poetry Festival, London, England, March 31, 1984\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/36999806\",\"name\":\"Dutton, Paul\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\",\"Performer\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"This cassette is dedicated to bpNichol who helped a lot of it to happen \\nFor The Letter That Begins Them All, H for bpNichol\",\"nation\":[],\"role\":[]}]"],"contributors":["[]"],"Publication_Date":[1973],"Production_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/10001/Roy Miki Fonds_MsC 161_390.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-390 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:34\",\"precision\":\"\",\"size\":\"28.9 GB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-390 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:27\",\"precision\":\"\",\"size\":\"28.8 GB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-07 \",\"type\":\"Production Date\",\"notes\":\"\\\"Mouth to Mouth\\\" and \\\"Stereo Nose\\\" were recorded on home equipment in Toronto, Canada July - August 1986\\n\",\"source\":\"J-card \"},{\"date\":\"1986-08\",\"type\":\"Production Date\",\"notes\":\"\\\"Mouth to Mouth\\\" and \\\"Stereo Nose\\\" were recorded on home equipment in Toronto, Canada July - August 1986\\n\",\"source\":\"J-card\"},{\"date\":\"1986-11-18\",\"type\":\"Production Date\",\"notes\":\"All other cuts on side 2 were recorded at Cibourge Electronic Studios in Toronto, Canada\",\"source\":\"J-card\"},{\"date\":\"1986-11-22\",\"type\":\"Production Date\",\"notes\":\"All other cuts on side 2 were recorded at Cibourge Electronic Studios in Toronto, Canada\",\"source\":\"J-card\"},{\"date\":\"1984-03-31\",\"type\":\"Production Date\",\"notes\":\"All cuts on side one were recorded in performance at the Fourteenth International Sound Poetry Festival, London, March 31, 1984\",\"source\":\"J-card\"},{\"date\":\"1980\",\"type\":\"Production Date\",\"notes\":\"\\\"Blue Reed's\\\" appeared in duet form (with trumpet) on Blues, Roots, Legends, Shouts, and Hollers (Toronto, Canada: Starborne Productions, c/o Underwhich Editions\",\"source\":\"J-card\"},{\"date\":\"1973\",\"type\":\"Publication Date\",\"notes\":\"Dr. Mustard's Found Sound (from uncorrected printer's proofs, courtesy John Newlove\",\"source\":\"J-card\"},{\"date\":\"1986\",\"type\":\"Publication Date\",\"notes\":\"For The Letter That Begins Them All, H for bpNichol\\nMercure\",\"source\":\"J-card\"},{\"date\":\"1969\",\"type\":\"Publication Date\",\"notes\":\"Sound Blues for Muddy Waters \",\"source\":\"J-card\"},{\"date\":\"1979\",\"type\":\"Publication Date\",\"notes\":\"Vive Le for Henri Chopin \",\"source\":\"J-card\"},{\"date\":\"1983\",\"type\":\"Publication Date\",\"notes\":\"The Eighth Sea\",\"source\":\"J-card\"},{\"date\":\"1975\",\"type\":\"Publication Date\",\"notes\":\"From So'nets\",\"source\":\"J-card\"},{\"date\":\"1978\",\"type\":\"Publication Date\",\"notes\":\"Blue Reed's for Jimmy Reed \",\"source\":\"J-card\"},{\"date\":\"1981\",\"type\":\"Publication Date\",\"notes\":\"Persephone \",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/51800#map=14/51.51509/-0.09330\",\"venue\":\"\",\"notes\":\"All cuts on side one were recorded in performance at the Fourteenth International Sound Poetry Festival, London, England, March 31, 1984\",\"address\":\"City of London, Greater London, England, United Kingdom \",\"latitude\":\"51.51569\",\"longitude\":\"-0.09192\"},{\"url\":\"https://www.openstreetmap.org/relation/324211\",\"venue\":\"\",\"notes\":\"\\\"Blue Reed's\\\" appeared in duet form (with trumpet) on Blues, Roots, Legends, Shouts, and Hollers (Toronto, Canada: Starborne Productions, c/o Underwhich Editions, 1980\\n\\nand\\n\\n\\\"Mouth to Mouth\\\" and \\\"Stereo Nose\\\" were recorded on home equipment in Toronto, Canada\\n\",\"address\":\"City Toronto, Golden Horseshoe, Ontario, Canada\",\"latitude\":\"43.6520\",\"longitude\":\"-79.3831\"},{\"url\":\"https://www.openstreetmap.org/relation/324211\",\"venue\":\"Cibourge Electronic Studios\",\"notes\":\"As the exact address of Cibourge Electronic Studios could not be found, we have used the general latitude and longitude coordinates for Toronto, Canada instead.\\n\\nAll other cuts on side 2 were recorded at Cibourge Electronic Studios in Toronto, Canada in 1986\\nand\\nFugitive Forms was mixed and mastered at Cibourge Electronic Studios \",\"address\":\"City Toronto, Golden Horseshoe, Ontario, Canada\",\"latitude\":\"43.6520\",\"longitude\":\"-79.3831\"},{\"url\":\"https://www.openstreetmap.org/relation/162798\",\"venue\":\"\",\"notes\":\"\\\"Mouth to Mouth\\\" appeared previously under the title \\\"Stereo Mouth\\\" on Slowscan 4 (Den Bosch, Holland: Drain Press, 1986)\",\"address\":\"City s-Hertogenbosch, North Brabant, Netherlands\",\"latitude\":\"51.6896\",\"longitude\":\"5.3030\"}]"],"Address":["City of London, Greater London, England, United Kingdom ","City Toronto, Golden Horseshoe, Ontario, Canada","City Toronto, Golden Horseshoe, Ontario, Canada","City s-Hertogenbosch, North Brabant, Netherlands"],"Venue":["Cibourge Electronic Studios"],"City":["London, United Kingdom","Toronto, Ontario","Toronto, Ontario"],"Note":["[{\"note\":\"The author thanks Canada Council and Canada's Department of External affairs for writing and travel grants respectively, which made completion of this tape possible \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558434066440,"timestamp":"2026-01-07T15:00:02.646Z","score":1.5188013},{"id":"8337","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Earle Birney fonds"],"source_collection_label":["Earle Birney fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/index.php/earle-birney-fonds"],"item_title":["Earle Birney reading an anti-Christmas poem written for Gaudy Night at Massey College"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label of recording title. Label reading \"also: Mens Sportwear Dept; Oil Refinery\". Box stamped JS 0X6."],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[7.2]"],"rights":["The Public Domain Mark (PDM)"],"creator_names":["Birney, Earle"],"creator_names_search":["Birney, Earle"],"creators":["[{\"url\":\"http://viaf.org/viaf/97679781\",\"name\":\"Birney, Earle\",\"dates\":\"1904-1995\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"CBC Radio - Canada\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"7 1/2 ips\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Birney_MsC_13.7.2\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:23:25\",\"precision\":\"\",\"size\":\"385.76 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Earle Birney fonds Item number 7.2\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://nominatim.openstreetmap.org/ui/details.html?osmtype=R&osmid=4323&class=building\",\"venue\":\"Massey College, University of Toronto\",\"notes\":\"\",\"address\":\"4, Devonshire Place, Toronto, Ontario, Canada\",\"latitude\":\"[43.6649588]\",\"longitude\":\"[-79.39736752484228]\"}]"],"Address":["4, Devonshire Place, Toronto, Ontario, Canada"],"Venue":["Massey College, University of Toronto"],"City":["Toronto, Ontario"],"content_notes":["Title based on contents of file.\n- Studio recording of an Anti-Christmas poem requested for Gaudy Night at Massey College, where Birney is in residence.\n- Mixture of plagiarism, found texts accounted and unaccounted for.\n- Opens with a carol from the 16th century, which Birney reads in Middle English. Birney indicates when he is reading quotes. Includes Gaudy Night prayer.\n- Birney also reads holiday prose poem \"Saved by Santa from a Poet's Death: A True Story,\" and two other poems \"Eaton's Men's Sportswear Department\" and \"Oil Refinery.\" “Oil Refinery” was written after Birney spent the night in an oil refinery on the Pacific coast, and it is cast in Anglo-Saxon meter and style.\n"],"contents":["Earle Birney  \n[00:00:00]  \nReads \"Anti-Christmas poem\".  \nEarle Birney  \n[00:12:50]  \nReads \"Saved by Santa from a Poet's Death: A True Story\".  \nEarle Birney  \n[00:20:12]  \nReads \"Eaton's Men's Sportswear Department\".  \nEarle Birney  \n[00:21:10]  \nReads \"Oil Refinery\"."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558517952515,"timestamp":"2026-01-07T15:00:02.734Z","score":1.5188013},{"id":"8353","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Earle Birney fonds"],"source_collection_label":["Earle Birney fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/index.php/earle-birney-fonds"],"item_title":["Earle Birney reading from Ice, cod, bell or stone and Near False Creek mouth."],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label of recording title and included poems taped to box. Box stamped JS 0X6."],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[7.4(.2)]"],"rights":["The Public Domain Mark (PDM)"],"creator_names":["Birney, Earle"],"creator_names_search":["Birney, Earle"],"creators":["[{\"url\":\"http://viaf.org/viaf/97679781\",\"name\":\"Birney, Earle\",\"dates\":\"1904-1995\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"CBC Radio - Canada\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"7 1/2 ips\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Birney_MsC_13.7.4-2\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:26:41\",\"precision\":\"\",\"size\":\"439.60 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966\",\"type\":\"Performance Date\",\"notes\":\"Dates supplied through research for copyright.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Toronto [?], Ontario, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Toronto [?], Ontario, Canada"],"City":["Toronto, Ontario"],"content_notes":["Title based on contents of file.\n- Readings which do not appear in Selected Poems\n- “Most of a Dialogue”: A long monologue/half a dialogue. Imagine a Canadian woman talking to an American woman.\n- “Bueno Aires”: Headed by a quotation from Argentinian poet Rafael Alberti.\n- “Orphiasco”: Homage to novelist Ivy Compton-Burnett.\n- “Can. Hist”: A short course in Canadian history.\n- Strait of Anian: initially going to read “Prairie Counterpoint” then decides not to read it on this tape and instead read “Reverse”.\n- “Driftwood”: Written for friend Einer Neilsen of Bowen Island.\n"],"contents":["Earle Birney\n[00:00:00]\nReads \"Most of a Dialogue in Cuzco\".\nEarle Birney\n[00:09:35]\nReads \"Buenos Aires: 1962\".\nEarle Birney\n[00:15:04]\nReads \"Orphiasco\".\nEarle Birney\n[00:16:07]\nReads \"Can. Hist.\".\nEarle Birney\n[00:17:00]\nReads \"Fine Arts\".\nEarle Birney\n[00:17:20]\nReads \"Candidate's Prayer Before Master's Oral\".\nEarle Birney\n[00:18:36]\nReads \"Testimony of a Canadian Educational Leader\".\nEarle Birney\n[00:22:10]\nReads \"Reverse on the Coast Range\".\nEarle Birney\n[00:24:40]\nReads \"Driftwood\"."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Near False Creek Mouth; The Strait of Anian\"}]"],"_version_":1853670558522146816,"timestamp":"2026-01-07T15:00:02.734Z","score":1.5188013},{"id":"8354","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Earle Birney fonds"],"source_collection_label":["Earle Birney fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/index.php/earle-birney-fonds"],"item_title":["Earle Birney reading from The Strait of Anian."],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label of recording title and included poems taped to box. Box stamped JH 2W5."],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[7.5]"],"rights":["The Public Domain Mark (PDM)"],"creator_names":["Birney, Earle"],"creator_names_search":["Birney, Earle"],"creators":["[{\"url\":\"http://viaf.org/viaf/97679781\",\"name\":\"Birney, Earle\",\"dates\":\"1904-1995\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"CBC Radio - Canada\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"7 1/2 ips\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Birney_MsC_13.7.5\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:27:01\",\"precision\":\"\",\"size\":\"445.12 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966\",\"type\":\"Performance Date\",\"notes\":\"Dates supplied through research for copyright.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Toronto [?], Ontario, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Toronto [?], Ontario, Canada"],"City":["Toronto, Ontario"],"content_notes":["Title based on contents of file.\n- “Prairie”: Poem in sections, written back in 1945. Includes poetic speaker in addition to Birney, an old farmer (?).\n- The rest of the poems have to do with the Second World War.\n- “For Steve”: Elegy for his friend Steve Cutwright. They trained together before Steve joined the Air Force. Died as Birney was preparing to ship over to Europe. Written in 1943.\n- “And the Earth”: Written in Ash, Surrey, England. The title line comes from a poem by Shelley.\n- “Invasion”: Next spring (from the previous poem), in southern England 1944. Just before D-Day, when bombers were flying overhead at a rate of one thousand a day. Written for Margaret Crossland.\n- “D-Day”: Written on the evening of D-Day in Surrey. Birney “feeling very much out of it.”\n- “Caverned”: Written later that same year (1944), when in Belgium. Written for two Belgians who hosted Birney, were compelled to host Birney but were not compelled to be his friends. Wrote this poem for them when he left for Holland.\n- “VE-Night”: Back in England after hospitalization. Walked out of the hospital to the center of London on VE Night, wrote this poem in a pub some point that night.\n- “Death”: Written just before coming home, 1945."],"contents":["Earle Birney\n[00:00:00]\nReads \"Prairie Counterpoint\".\nEarle Birney\n[00:05:32]\nReads \"For Steve\".\nEarle Birney\n[00:14:45]\nReads \"And the Earth Grow Young Again\".\nEarle Birney\n[00:17:30]\nReads \"Invasion Spring\".\nEarle Birney\n[00:19:04]\nReads \"D-Day\".\nEarle Birney\n[00:20:40]\nReads \"Within these Caverned Days\".\nEarle Birney\n[00:23:00]\nReads \"VE-night\".\nEarle Birney\n[00:24:45]\nReads \"Death of a War\"."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"The Strait of Anian\"}]"],"_version_":1853670558522146817,"timestamp":"2026-01-07T15:00:02.734Z","score":1.5188013},{"id":"8343","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Robert Kroetsch fonds"],"source_collection_label":["Robert Kroetsch fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/robert-kroetsch-fonds"],"item_title":["Bob Kroetsch CBL Air Check"],"item_title_source":["Transcribed from the artifact"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[29.7]"],"rights":["The Public Domain Mark (PDM)"],"creator_names":["Kroetsch, Robert"],"creator_names_search":["Kroetsch, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Poor quality of recording. Background noise.\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"RK_Acc_775_04.25.29-7\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:03:59\",\"precision\":\"\",\"size\":\"65.76 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-10-19\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"CBL Radio\",\"notes\":\"\",\"address\":\"Toronto, Ontario, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Toronto, Ontario, Canada"],"Venue":["CBL Radio"],"City":["Toronto, Ontario"],"content_notes":["Short interview/discussion ahead of the publication of his first novel But We are Exiles (1965)"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558527389702,"timestamp":"2026-01-07T15:00:02.734Z","score":1.5188013}]