[{"id":"4321","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Peter Quartermain fonds"],"source_collection_label":["Peter Quartermain fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of 180 cassette tapes."],"collection_source_collection_id":["2022.002"],"persistent_url":[""],"item_title":["Steve McCaffery 18 Feb '92. Lorraine Weir's class."],"item_title_source":["Title written on container."],"item_title_note":["Title on case: Steve McCaffery 18 Feb '92. Lorraine Weir's class.\n\nSide A title: Steve McCaffery in Weir's class 18/1992. [Illegible] and talk.\n\nSide B title: n/a\n\nJ-card description: reads some prose tales[?]"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["McCaffery, Steve","Weir, Lorraine"],"creator_names_search":["McCaffery, Steve","Weir, Lorraine"],"creators":["[{\"url\":\"http://viaf.org/viaf/38243\",\"name\":\"McCaffery, Steve\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/34478391\",\"name\":\"Weir, Lorraine\",\"dates\":\"1946-\",\"notes\":\"Steve McCaffery visit to Lorraine Weir's class.\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors":["[]"],"Performance_Date":[1992],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10743/2022.002.148a-Resize.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Denon DX1 90\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10743/2022.002.148c-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10743/2022.002.148d-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10743/2022.002.148b-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"/Users/SpokenWeb/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Peter_Quartermain/2022.002.148/audio\",\"filename\":\"2022.002.148_Steve McCaffery 18 Feb '92. Lorraine Weir's class._Side A_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T00:27:15\",\"precision\":\"\",\"size\":\"941.9 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A of master access file. Do not edit. Speed edit version of recording required for listening.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1992-02-18\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on tape.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/27989181\",\"venue\":\"The University of British Columbia\",\"notes\":\"\",\"address\":\"Buchanan Tower, 1873 E Mall #397, Vancouver, BC V6T 1Z51\",\"latitude\":\"49.26858\",\"longitude\":\"-123.25345\"}]"],"Address":["Buchanan Tower, 1873 E Mall #397, Vancouver, BC V6T 1Z51"],"Venue":["The University of British Columbia"],"City":["Vancouver, British Columbia"],"contents":["Steve McCaffery reading prose poems in Lorraine Weir's class at UBC, February 18, 1992."],"Note":["[]"],"Related_works":["[]"],"_version_":1853670550446014466,"timestamp":"2026-01-07T14:59:55.015Z","score":1.6099379},{"id":"5352","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Clayton Eshleman Reading at The Western Front on February 28, 1992 #745"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Eshleman, Clayton","Watts, Charles"],"creator_names_search":["Eshleman, Clayton","Watts, Charles"],"creators":["[{\"url\":\"http://viaf.org/viaf/79046419\",\"name\":\"Eshleman, Clayton\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/102199951\",\"name\":\"Watts, Charles \",\"dates\":\"1941-\",\"notes\":\"Introduction of Clayton Eshleman by Charles Watts\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1992],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1219/Reading in BC_MsC199_745.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:57:00\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"745-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:35\",\"precision\":\"\",\"size\":\"48.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"745-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:22\",\"precision\":\"\",\"size\":\"47.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1992-02-28\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"The Western Front\",\"notes\":\"\",\"address\":\"303 E 8th Ave E, Vancouver, BC V5T 1S1\",\"latitude\":\"49.26392\",\"longitude\":\"-123.09870\"}]"],"Address":["303 E 8th Ave E, Vancouver, BC V5T 1S1"],"Venue":["The Western Front"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t004\tIntroduction of Clayton Eshleman by Charles Watts\n\t\t073\tEshleman reading from an unpublished manuscript.  He reviews his projects for the last three years, reading from the third of four sections in UnderWorld Arrest, and the fourth section “In Kali’s Marge”\n\t\t117\t“Short story” begins\n\t\t180\t“UnderWorld Arrest”\n\t\t260\tSection 4 “In Marge”\n\t\t274\t“Concerning poetic energy”\n\t\t328\t“Marginalia to Baudelaire”\n\t\t342\t“Guerdon”\n\t\t368\t“Ivory Tower”\n\t\t388\t“The Visionary Realist”\n\t\t435\t“Double Pelican”\n\t\t456\t“Blood Rock”\n\t\t492\t“Jolly Roger”\n\t\t520\t“Hum baba”\n\t\t553\tEnd of Side One\nTwo\t\t000\tSide Two begins\n\t\t007\tLast poem in Kali’s Marge Section “Navel of the Moon” (a translation of the word ‘Mexico’)  Put together from notes made during a month spent in Oaxaca, Spring 1991\n\t\t017\t“Navel of the Moon”\n\t\t244\tPoetry ends/End of Side Two"],"Note":["[{\"note\":\"the length of the digital file's side 1 is T00:46:35 and side 2 is T00:46:22, but the performance only takes 42 minute on side 1 and 15 minute on side 2 and the rest of audio is empty \",\"type\":\"\"},{\"note\":\"Liner Notes:\\nClayton Eshleman Reading at Western Front, Vancouver BC, Feb 28, 1992\\nside 1: 42 minute\\nside 2: 15 minute\\nDOLBY C\\n#745\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553055920128,"timestamp":"2026-01-07T14:59:57.525Z","score":1.6099379},{"id":"5355","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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Works done in the past are based on the assumption that sky, ocean and earth were eternal presences, and therefore our own impermanence was based on this foundation that something would continue\n\t\t309\tRimbaud never saw the ocean when he wrote “The Drunken Boat”.  Eshleman discusses Rimbaud’s poetry pre-Verlaine at 17 years old\n\t\t320\tPoem is in quatrains in French and they rhyme.  Eshleman has rhymed about a third of them.  Discusses translations of “The Drunken Boat”\n\t\t330\tThe most embarrassing translation was done by Robert Lowell who dropped out ten of the twenty-five stanzas\n\t\t354\tEshleman responds to inaudible question about the loss of eternity being equated with the loss of God.  The ontological significance of pollution.  He suggests that in psyche, the polluted world means – that all our lives, theories, etc. are based upon is now transient \n\t\t399\tEshleman asks, what happens to the elegy?  The elegy in poetry almost always has to do with accommodating a death in a larger frame\n\t\t413\tAudience member questions Eshleman’s idea of the loss of a larger framework.  We grew up with the loss of God, the loss of nature being more recent.  Neither of these, however, mean the loss of a larger framework.  Discussions ensue\n\t\t418\tSuggestion that the loss is a gradual loss of hierarchical power structures which is wonderful\n\t\t428\tLoss of transcendence throws responsibility back on living communities\n\t\t433\tEshleman argues that nature is all of this and, unlike a corrupt political system, if this goes, it’s not something you can have a revolution over\n\t\t452\tEshleman reads from Trilce, a cycle of 77 roman-numeralled poems without tiles\n\t\t481\tEnd of Trilce LIII\n\t\t483\tReading begins, Trilce XLIX\n\t\t500\tEnd of XLIX\n\t\t502\tReading from Trilce LVII\n\t\t518\tEnd of LVII\n\t\t523\tReading from Trilce LXXV\n\t\t552\tEnd of LXXV\n\t\t554\tEpilogue to this poem.  Villejo had left northern Peru and moved to Lima in late teens (1900). Made several trips back to where he was born, but increasingly found life in Trujillo boring.  LXXV a response to this life\n\t\t577\tNo manuscript to Trilce.  Discussion of this\n\t\t585\tEshleman recommends a Spanish text of Vallejo’s work, published by UNESCO, Collecion Archivo, complete works of Vallejo\n\t\t590\tSide One Ends\nTwo\t\t004\tSide Two begins mid-sentence with Eshleman discussing juxtaposition of Vallejo’s style\n\t\t019\tBegins reading III, Trilce\n\t\t063\tIII ends\n\t\t064\tIV begins (Trilce)\n\t\t103\tIV ends\n\t\t111\tXXV begins (Trilce)\n\t\t142\tXXV ends.  Eshleman notes that there seems to be a very coherent argument set forth, but he doesn’t know what poem is about 111)\n\t\t158\t“The Power Room” (about Les Eyzies, a village in southern France which used to dub itself the Prehistoric Capital of the World, epicentre of all ice age caves and shelters.  A museum houses what Eshleman calls “The Power Room” due to the slabs which have the first image-making on them, dated at 35-30,000 BC representing the point at which something we can begin to work with as image comes into active consciousness)\n\t\t179\tReading of “The Power Room” begins\n\t\t234\t“The Power Room” ends\n\t\t238\t“The Chaos of the Wise”\n\t\t323\tEnd of poem\n\t\t326\tEshleman is interested in 1945-48 period when Artaud, who had been in asylums for nearly 9 years begins to speak, correspond, be human again in the asylum of Rodez.  For the next three years he writes and draws at white heat, comparable, says Eshleman to Dickinson’s 1862 or Van Gogh\n\t\t345\tArtaud is in electric shock & his last experience is a turning point.  He began to write, chant his favourite writings, dictate to a secretary\n\t\t357\tPiece written in 1946, “Artaud the Yo-yo,” translated by Eshleman, title is explained.  Section I of the poem to be read is “The return of Artaud the yo-yo”\n\t\t369\tArtaud began to invent words in his asylum cell.  Rage and irrationality find escape valves in his poetry through such word sounds, as Artaud travels between worlds of madness and rationality, finding an expression for his madness\n\t\t478\tEnd of poem\n\t\t482\tArtaud from Conductors of the Pit, published by Paragon House in New York City, 1988\n\t\t496\tEshleman describes content of his translations in Conductors of the Pit\n\t\t516\tEshleman responds to a question (inaudible) about sound variations in the translations of Vallejo’s neologisms\n\t\t524\tQuestion about the shape of the movement in Trilce\n\t\t527\tEshleman discusses Vallejo’s poems about his mother in terms of their spacing and rhythm in Trilce.  He rejects the darkness of Trilce\n\t\t553\tInaudible question to which Eshleman responds on James Wright’s poetry, Peter Redgrove and Spicer\n\t\t593\tTape ends in the middle of barely audible discussion about Eshleman’s dream of the ghost of Spicer and James Wright’s corpse"],"score":1.6099379},{"id":"5356","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. 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Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Upper Paleolithic Imagination and the Construction of the Underworld: Clayton Eshleman lecture at Vancouver Art Gallery on February 27, 1992 #747"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Eshleman, Clayton","Maud, Ralph"],"creator_names_search":["Eshleman, Clayton","Maud, Ralph"],"creators":["[{\"url\":\"http://viaf.org/viaf/79046419\",\"name\":\"Eshleman, Clayton\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/66537561\",\"name\":\"Maud, Ralph\",\"dates\":\"1928-2014\",\"notes\":\"Introduction to post-modern nature of Eshleman’s lecture and writing by Ralph Maud\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1992],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1224/Reading in BC_MsC199_747.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:25:00\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"747-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:34\",\"precision\":\"\",\"size\":\"46.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"747-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:42:37\",\"precision\":\"\",\"size\":\"41.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1992-02-27\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/69701736\",\"venue\":\"Vancouver Art Gallery \",\"notes\":\"\",\"address\":\"750, Hornby Street, Downtown, Vancouver, District of North Vancouver, Metro Vancouver Regional District, British Columbia, V6Z, Canada\",\"latitude\":\"49.28292\",\"longitude\":\"-123.12056\"}]"],"Address":["750, Hornby Street, Downtown, Vancouver, District of North Vancouver, Metro Vancouver Regional District, British Columbia, V6Z, Canada"],"Venue":["Vancouver Art Gallery "],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"Note":["[{\"note\":\"Clayton Eshleman (university of Eastern Michigan) sponsored by the institute of the Humanities, SFU\\nThe Upper Paleolithic Imagination and the Construction of the Underworld \\nVancouver Art Gallery\\nFebruary 27 1992\\nDOLBY B\\n#747\",\"type\":\"General\"},{\"note\":\"the length of the digital file's side 1 is T00:46:34 and side 2 is T00:42:37, but the performance only takes 44 minute on side 1 and 41 minute on side 2 and the rest of audio is empt\",\"type\":\"\"},{\"note\":\"Carol Eshleman is also present and she's introduced at the beginning of the program \",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553061163008,"timestamp":"2026-01-07T14:59:57.525Z","contents":["Side\tTrack\tNo.\tComments\nOne\t\t006\tClayton Eshleman & Carol Eshleman introduced\n\t\t049\tIntroduction to post-modern nature of Eshleman’s lecture and writing by Ralph Maud\n\t\t080\tCharles Olson and origins of the term post-modernism.  Post modernism requires a delving into the ‘primitive’ pre-western thinkers.  This is a post-modern travel lecture\n\t\t116\tEshleman lecture begins (based on trips to northern Spain and southwestern France between 1974 and 1986)\n\t\t146\t34 slides accompany lecture (not present in CLC’s collection)\n\t\t150\t“The seeds of narrative in upper paleolithic art” see talk in Clayton Eshleman, “Seeds of narrative in Upper Paleolithic art” (published form).  Antiphonal swing.  Selected prose 1962/1987 New York : McPherson & Co., 1989.  P. 161-173\n\t\t165\tEvidence of the beginnings of the liberation of autonomous imagination (south central France and northern Spain)\n\t\t508\tPoetry – “Fecality wants to be born—“\n\t\t542\tEnd of lecture\n\t\t548\tEssay, originally had as epigraph a passage from a letter which Antonin Artaud wrote to Henri Parisot from Asylum in Rodez in 1945.  Artaud envisions from poem by Baudelaire a shaft involved with fecality and death that relates in a bizarre way to the shaft at Lascaux.  Eshleman reads passage\n\t\t572\tSide One ends\nTwo\t\t007\tEshleman begins description of slides\n\t\t014\tSpear-thrower from Le Mas D’Azil dated 9000 BC end of upper paleolithic.  Eshleman entertains question\n\t\t051\tFrontal view of the Venus of Lozelle\n\t\t071\tSigfried Giedion’s The Eternal Present : the Beginnings of Art.  Giedion claims that if you stand at the bottom of the shaft and look up, the shaman is standing upright\n\t\t087\tRotunda and Axial Gallery in Lascaux – symbols discussed\n\t\t135\tAnimal figure has now become a consort, the figure of the god is now identified as a human being\n\t\t160\tDiscusses drawing by Abbe Breuil in the sanctuary at Les Trois Freres cave in the Ariage, southern France.  Breuil claims cave painting is also an engraving\n\t\t200\tBison man playing an instrument and wearing a mask dancing behind the animals.  Appears to be a narrative alignment between the human and the animals\n\t\t254\tEshleman calls for a critical reading of the paintings which for many years have been literally translated in terms of animals and the hunt, with no psychic or psychological reading of the material.  This is the time of the beginning of image-making, the construction of the underworld of the Cro-Magnon people, upon whose shoulders we stand\n\t\t265\tDiscussion of the Venus symbol anatomy\n\t\t315\t“Hand negatives” – many hands are anatomical and raise the mystery of their origins\n\t\t345\tGouged slabs (30-35000 BC) represent earliest form of image-making\n\t\t383\tQuestion period begins\n\t\t385\tQuestion – if the Shaman figure is only 2 feet tall, yet is 20 feet up the cave wall, is that the original interval between audience and image?\n\t\t389\tEshleman responds with “conjectural information” – formation of the cave may have been different at 13000 BC than it is now; scaffolding could have been used; there seems to be a fascination with placing images in virtually inaccessible spots\n\t\t398\tGives such an example of cave painting in Le Portel in the Ariege\n\t\t403\tQuestioner draws correlation to medieval cathedrals in France and England decorated with “roof art” of hundreds of intricate medallion designs not visible to the human eye, yet revealing many formal experiments\n\t\t425\tQuestion of cave audience for the wall paintings is purely conjectural.  Generally people lived outside of the caves, occasionally sleeping inside.  Caves seem to be used for initiation purposes.  Eshleman describes first free-standing sculpture 16000 BC likely used in such rites.  Refers to poem written about his experience of it, “Notes on a visit to Le Tuc D’Audoubert”\n\t\t444\tIn response to question of how Eshleman regards the human/animal hybrid figure, he sees it as a tension, with no clear-cut statement about human or animal.  As we move from pre-history into history, there is a progressive de-garbing of animality, of a freeing of human anatomy\n\t\t464\tDiscussion of python worship and endurance of animal symbology being cast off from the human form\n\t\t515\tEshleman responds to a question about his personal experience of the cave.  He refers to hallucinogens in use of cave paintings.  His unwillingness to impose a 20th century perspective on the abstract work.  Read The Dream and the Underworld by Hillman and found it useful to carry into the caves at Dordogne.  Hillman’s treatment of Underworld and underground, underworld as opposed to hell"],"score":1.6099379},{"id":"6360","cataloger_name":["Maya,Schwartz"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Lisa Robertson Collection"],"source_collection_label":["Lisa Robertson Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 38"],"persistent_url":[""],"item_title":["aradiofreerainforestape original Lisa Robertson 13 June, 1992 and Phil McCrum 27 June, 1992"],"item_title_source":["cassette, j-card"],"item_title_note":["Lisa Robertson introduced by Susan Clark\nPhil McCrum introduced by Kevin Davies"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Robertson, Lisa","Clark, Susan","Davies, Kevin","McCrum, Phil"],"creator_names_search":["Robertson, Lisa","Clark, Susan","Davies, Kevin","McCrum, Phil"],"creators":["[{\"url\":\"http://viaf.org/viaf/52001659\",\"name\":\"Robertson, Lisa\",\"dates\":\"1961-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Performer\"]},{\"url\":\"\",\"name\":\"Clark, Susan\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"\",\"name\":\"Davies, Kevin\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"https://viaf.org/viaf/105124772/#McCrum,_Phillip\",\"name\":\"McCrum, Phil\",\"dates\":\"\",\"notes\":\"Phillip\\n\",\"nation\":[],\"role\":[\"Reader\",\"Performer\"]}]"],"contributors":["[]"],"Performance_Date":[1992],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11938/MsC38_1_Side A.jpeg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"clear tape box, j-card, slide\",\"other_physical_description\":\"j-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC38-1 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:04\",\"precision\":\"\",\"size\":\"52.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC38-1 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:06\",\"precision\":\"\",\"size\":\"53.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1992-06-13\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"j-card\"},{\"date\":\"1992-06-27\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"j-card\"}]"],"Location":["[{\"url\":\"https://nominatim.openstreetmap.org/ui/details.html?osmtype=W&osmid=299783923&class=building\",\"venue\":\"Kootenay School of Writing\",\"notes\":\"\",\"address\":\"112 Hastings St W, Vancouver, BC, V6B 1G8\",\"latitude\":\"49.2818288\",\"longitude\":\"-123.10778865\"}]"],"Address":["112 Hastings St W, Vancouver, BC, V6B 1G8"],"Venue":["Kootenay School of Writing"],"City":["Vancouver, British Columbia"],"content_notes":["Side A reading ends 23:10\nSide B reading ends 20:00"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555264221186,"timestamp":"2026-01-07T14:59:59.632Z","score":1.6099379},{"id":"6361","cataloger_name":["Maya,Schwartz"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Lisa Robertson Collection"],"source_collection_label":["Lisa Robertson Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 38"],"persistent_url":[""],"item_title":["aradiofreerainforestape: Lisa Robertson on 15 October, 1992; Dan Farrell and Christine Stewart on 9 September, 1992"],"item_title_source":["cassette, j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Robertson, Lisa","Farrell, Dan","Stewart, Christine"],"creator_names_search":["Robertson, Lisa","Farrell, Dan","Stewart, Christine"],"creators":["[{\"url\":\"http://viaf.org/viaf/52001659\",\"name\":\"Robertson, Lisa\",\"dates\":\"1961-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Performer\"]},{\"url\":\"https://viaf.org/viaf/28695406/#Farrell,_Dan,_1963-\",\"name\":\"Farrell, Dan\",\"dates\":\"1963-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Performer\"]},{\"url\":\"https://viaf.org/viaf/293508025/#Stewart,_Christine,_1962-\",\"name\":\"Stewart, Christine\",\"dates\":\"1962-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Performer\"]}]"],"contributors":["[]"],"Performance_Date":[1992],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11939/MsC38_2_Side A.jpeg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"clear tape box, j-card\",\"other_physical_description\":\"j-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC38-2 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:28:39\",\"precision\":\"\",\"size\":\"34.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC38-1 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:06\",\"precision\":\"\",\"size\":\"37.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1992-10-15\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"j-card\"},{\"date\":\"1992-09-09\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"j-card\"}]"],"Location":["[{\"url\":\"https://nominatim.openstreetmap.org/ui/details.html?osmtype=W&osmid=476052911&class=highway\",\"venue\":\"Proprioception Books\",\"notes\":\"\",\"address\":\"1956 W. Broadway, Vancouver, British Columbia, V6J 1Z2\",\"latitude\":\"49.2637841\",\"longitude\":\"-123.1493265\"},{\"url\":\"https://nominatim.openstreetmap.org/details.php?place_id=178075009\",\"venue\":\"UNIT/PITT Society for Art & Critical Awareness\",\"notes\":\"formerly the Helen Pitt Gallery\",\"address\":\"8 East Pender Street, Vancouver BC V6A 1T1 Canada\",\"latitude\":\"49.2804105\",\"longitude\":\"49.2804105\"}]"],"Address":["1956 W. Broadway, Vancouver, British Columbia, V6J 1Z2","8 East Pender Street, Vancouver BC V6A 1T1 Canada"],"Venue":["Proprioception Books","UNIT/PITT Society for Art & Critical Awareness"],"City":["Vancouver, British Columbia","Vancouver, British Columbia"],"content_notes":["Side A Robertson ends 7:44; Farrell starts 7:45\nSide B Stewart ends 23:55"],"Note":["[{\"note\":\"Lisa Robertson reading \\\"index\\\" at Proprioception Books 15 October 1992; Dan Farrell reading \\\"thin king of you\\\" at the Pitt Gallery 9 September 1992; Christine Stewart reading at the Pitt Gallery 9 September 1992\\naradiofreerainforestape\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555264221187,"timestamp":"2026-01-07T14:59:59.632Z","score":1.6099379},{"id":"6682","cataloger_name":["Kandice,Sharren"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Shani Mootoo Fonds"],"source_collection_label":["Shani Mootoo Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":["https://digital.lib.sfu.ca/unarchiving-margins"],"collection_image_url":[""],"collection_source_collection_description":["Shani Mootoo is known for her work as an artist and writer. She was born in Ireland in 1957, grew up in Trinidad, and has lived in Canada since the early 1980s. Mootoo studied fine arts at the University of Western Ontario where she began to paint and produce video works. She earned a master of fine arts equivalent at the Emily Carr College of Art and Design in Vancouver in 1982. Mootoo's collection of short stories Out on Main Street was published in 1993. This was followed in 1996 by her first novel, Cereus Blooms at Night, which was published in fourteen countries and was a finalist for the Giller Prize, the Ethel Wilson Fiction Prize, and the Chapters/Books in Canada First Novel Award. In 2001, Mootoo published a collection of poetry, The Predicament of Or. Her second novel, He Drown She in the Sea, was published in May 2005. Mootoo has been a writer in residence at the University of Alberta, at Mills College in Oakland, California, and at the Varuna Writers Residency program in Australia. She has taught writing at the University of Alberta, Capilano College in North Vancouver, the BC Festival of the Arts, and the BC Arts Council. Her visual art and video productions have been exhibited at the Museum of Modern Art in New York, the Queens Museum, the Vancouver Art Gallery, and the Venice Biennale.\n\nThe fonds reflects Mootoo's work as a writer and artist. It contains printed typescripts of published works with drafts and related working papers, published reviews, drafts of unpublished works, lecture notes, professional correspondence, notebooks and sketchbooks, video productions in VHS format, audio materials and works of visual art.\n\nThe audio materials in this collection consist of a reading of Mootoo's story, \"All in a Day,\" as well as radio interviews and panels on Vancouver Coop Radio, Radio Centre-Ville in Montreal, and CBC Radio's Writers and Company."],"collection_source_collection_id":["MsC 76"],"persistent_url":[""],"item_title":["Coop Radio: Shani Mootoo interview in March 1992"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Broadcast"],"item_series_title":["Unarchiving the Margins Collection"],"item_series_description":["Historically, literary studies and literary-archival work has focused on the stories of white, male writers. As a way of disrupting this narrow focus, the Unarchiving the Margins Collection digitizes, preserves, and brings to life almost 80 tapes of literary audio from the fonds of a diverse set of writers from equity deserving groups.\n\nThe digitization and public distribution of this collection amplifies voices of women, queer writers, and writers of colour who have been historically left out of the archive and thus not highlighted in many digitizing projects. SFU is committed to prioritizing projects that promote content by writers from historically underserved groups in order to ensure that more researchers, scholars, and interested members of the public have access to these materials.\n\nHighlights\n\nThe Unarchiving the Margins Collection brings together interviews, readings, and discussions featuring hundreds of voices and writers from equity deserving groups, such as: Daphne Marlatt, Nicole Brossard, Maria Campbell, Dorothy Livesay, Phyllis Webb, Lillian Allen, Ellen Tallman, Penn Kemp, Jeanette Armstrong, Betsy Warland, Fred Wah, Shani Mootoo, Sharon Thesen, Mary Billy, Anita Rau Badami, Lorna Crozier, and many more!\n\nThe collection also features renowned Canadian male writers, including: George Bowering, Stuart McLean, and bp Nichol.\n\nVisit the SFU Library Special Collections and Rare Books Unarchiving the Margins collection page for more details about this collection."],"item_series_uri":["https://digital.lib.sfu.ca/unarchiving-margins"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Mootoo, Shani","Jiwani, Yasmin","Boschman, Lorna","McGowan, Sharon","Braithwaite, Diana","Manly, Eva"],"creator_names_search":["Mootoo, Shani","Jiwani, Yasmin","Boschman, Lorna","McGowan, Sharon","Braithwaite, Diana","Manly, Eva"],"creators":["[{\"url\":\"http://viaf.org/viaf/79160427\",\"name\":\"Mootoo, Shani\",\"dates\":\"1957-\",\"notes\":\"Speaks about her short film, \\\"English Lesson\\\" (1992)\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/66024065\",\"name\":\"Jiwani, Yasmin\",\"dates\":\"\",\"notes\":\"Affiliated with the NFB Theatre\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/310685917\",\"name\":\"Boschman, Lorna\",\"dates\":\"1955-\",\"notes\":\"Speaks about the prison system and women in prison, especially her film Doing Time (1991)\\n\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/273902119\",\"name\":\"McGowan, Sharon\",\"dates\":\"1974-\",\"notes\":\"Discussing her film “When the Day Comes” (1991) about elder care\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/34360643\",\"name\":\"Braithwaite, Diana\",\"dates\":\"\",\"notes\":\"After discussion ends, the host plays Diana Braithwaite's \\\"Just the Way I Planned It\\\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Manly, Eva\",\"dates\":\"\",\"notes\":\"Discussing abortion access and her film \\\"A Story to Tell You\\\" (1990)\\nManly's Website: http://manlymedia.com/about/eva-manly/\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1992],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/3881/Shani Mootoo_MSC76.12_1.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Maxell\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/_flysystem/fedora/2025-03/MSC76.12-01/MSC76.12-01-01.mp3\",\"file_path\":\"\",\"filename\":\"MSC76-001-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:23\",\"precision\":\"\",\"size\":\"56.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://digital.lib.sfu.ca/coop-radio-shani-mootoo-interview-march-1992-part-1\"},{\"file_url\":\"https://digital.lib.sfu.ca/_flysystem/fedora/2025-03/MSC76.12-01/MSC76.12-01-02.mp3\",\"file_path\":\"\",\"filename\":\"MSC76-001-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:25\",\"precision\":\"\",\"size\":\"56.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://digital.lib.sfu.ca/coop-radio-shani-mootoo-interview-march-1992-part-2\"}]"],"Dates":["[{\"date\":\"1992-03\",\"type\":\"Performance Date\",\"notes\":\"According to interview, it took place during the first week of March 1992\",\"source\":\"digital file (Recording) and J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/7802936235\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\"370 Columbia Street, Vancouver BC V6A 1T1\",\"latitude\":\"49.2818042\",\"longitude\":\"-123.1020641\"}]"],"Address":["370 Columbia Street, Vancouver BC V6A 1T1"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Side A: Unidentified Music\\nSide B: Recorded broadcast of panel interview about the 1992 International Women's Week screenings at the Vancouver Cinémathèque\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556037021697,"timestamp":"2026-01-07T15:00:00.367Z","score":1.6099379}]