[{"id":"8194","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Robert Kroetsch fonds"],"source_collection_label":["Robert Kroetsch fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/robert-kroetsch-fonds"],"item_title":["Kroetsch/Bowering"],"item_title_source":["Transcribed from the artifact"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[29.1]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2036"],"creator_names":["Kroetsch, Robert"],"creator_names_search":["Kroetsch, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors_names":["Bowering, George"],"contributors_names_search":["Bowering, George"],"contributors":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"performer_name":["Bowering, George"],"author_name":["Bowering, George"],"Performance_Date":[1986],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Unknown acetate\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Slight hiss, readers are clear while introduction and audience are less audible\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"RK_Acc_775_04.25.29-1\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T01:03:33\",\"precision\":\"\",\"size\":\"1.02 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-05\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://nominatim.openstreetmap.org/ui/details.html?osmtype=W&osmid=180360037&class=amenity\",\"venue\":\"Deakin University\",\"notes\":\"\",\"address\":\"221, Burwood Highway, Burwood, Victoria, Australia\",\"latitude\":\"-37.84751365\",\"longitude\":\"145.1149491\"}]"],"Address":["221, Burwood Highway, Burwood, Victoria, Australia"],"Venue":["Deakin University"],"content_notes":["- [00:00:12] George Bowering. Long poem, Kerrisdale Elegies. Relationship with Rilke’s Duino Elegies, a rewriting for Vancouver in the 80s. The work consists of ten elegies, George Bowering reads #4 and #10.\n- [00:01:04] Elegy #4. Interjection #1: This poems speak to him, which is a true story, he did hear his father’s voice. Interjection #2: George Bowering chooses to skip over some French “because it’s so bad” (no laughter heard). Interjection #3: Poetry described by someone as “musical thought,” which George Bowering thought was “less than apt”\n- [00:08:59] Elegy #10. Relates to the concerns of the event – narrative influence. Interjection: “Really uplifting stuff, huh? Really sad.”\n- [00:18:55] Poem that George Bowering wants on his tombstone, “Oh lord if I have but one life to live, I hope this ain’t it” (laughter).\n- [00:19:25] Describes a new book of old poems, poems which are publically and socially oriented\n- [00:20:14] American Cops. Written mid to late 60s and published as a pamphlet prior to inclusion in poetry collection. Dedicated to John Sinclair. Discusses rock n roll political movements, MC5 in Detroit, the political party “Rainbow” which started as the White Panthers. Driving through America as Canadians, unused to seeing guns. Resonates well with the audience (laughter).\n- [00:25:51] Robert Kroetsch introductory remarks. Called post-modern writer in Canada, speaking on narrative because of the event theme and the academic concerns of the students in the audience.\n- [00:26:48] Sketches of a Lemon. Wary of notions of meaning, tried to pick an object lacking inherent meaning. Interjection: there is a lemon tree, deconstructs his poem for him.\n- [00:30:45] Seed Catalogue introduction. Shared text/tradition of seed catalogues, must engage with great garden poetry from Book of Genesis onward. Cabbages as an unexplored entry point. Only two seasons in Canada: winter and poor sledding. Reckoning with the false notion of spring, need to reinterpret our engagement with preconceptions of seasons inherited from British tradition. Interjection #1: Robert Kroetsch did fall off a horse standing still, while also playing with concept of fallen man. Interjection #2: second section picking up on oral tradition, in light of books/media that doesn’t reflect “us” (Canadians) we survive by telling each other stories. Laughter at father killing magpie. Interjection #3: Brome grass section came from telling a young female poet his difficulty in ending, and she told a Saskatchewan cowboy who sent a letter to Robert Kroetsch (the letter became the text).\n- [00:46:34] Four Questions for George George Bowering is a response to Kerrisdale Elegies. \n- [00:48:10] Question period. #1: George skipping over his bad French. How has multiple readings influenced their opinions of the poems – George Bowering: difference between composition and reading. Notation reflecting primary experience (reading). Explaining concept of notation. Robert Kroetsch: Movement away from speech model, dialoguing with George Bowering. #2: Prose and verse, is it clear which way a piece will go when writing. George Bowering: still imagines it being read out loud regardless of whether it is prose or verse. Robert Kroetsch: still reads as lyrical. Movement between writing the two is fluid.\n\n- * Dating determined to be approximately May 1986. Correspondence with Robert Kroetsch and Brian Edwards occurs only following the conference (591/96.6 4.42). George Bowering also corresponds with Edwards in 1984 and 1986 (correspondence housed at Library and Archives Canada). In the recording, a conference which Robert Kroetsch and George Bowering attended took place in Ottawa a “three weeks earlier” can be dated to April 25-27, 1986 (591/96.6 34.8). In another interview with Edwards, Robert Kroetsch references this conference in May (775/04.25 29.2).\n"],"contents":["George Bowering\n[00:01:04] \nPerforms \"Elegy Four\".\nGeorge Bowering\n[00:08:59]\nPerforms \"Elegy Ten\".\nGeorge Bowering\n[00:20:14]\nPerforms \"American Cops\". \nRobert Kroetsch\n[00:26:48]\nPerforms \"Sketches of a Lemon\". \nRobert Kroetsch \n[00:33:11]\nPerforms \"Seed Catalogue\".\nRobert Kroetsch \n[00:47:02]\n\"Four Questions for George Bowering\"."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Bowering, Kerrisdale Elegies (1984). Kroetsch, Sketches of a Lemon (1980); Seed Catalogue (1977); Advice to My Friends (1985).\"}]"],"_version_":1853670558221205508,"timestamp":"2026-01-07T15:00:02.444Z","score":3.6377454},{"id":"8350","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Robert Kroetsch fonds"],"source_collection_label":["Robert Kroetsch fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/robert-kroetsch-fonds"],"item_title":["The Bards of March: March 15/86 Intro (Neuman) Kerr/Kreisel B Kamboureli/Sproxton"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Cardbroad wrapper"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[29.10.2]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2036"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"contributors_names":["Kerr, Don","Kreisel, Henry","Kamboureli, Smaro","Sproxton, Brik"],"contributors_names_search":["Kerr, Don","Kreisel, Henry","Kamboureli, Smaro","Sproxton, Brik"],"contributors":["[{\"url\":\"http://viaf.org/viaf/104069577\",\"name\":\"Kerr, Don\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/115554910\",\"name\":\"Kreisel, Henry\",\"dates\":\"1922-1991\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/56633719\",\"name\":\"Kamboureli, Smaro\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/13775858\",\"name\":\"Sproxton, Brik\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Kerr, Don","Kreisel, Henry","Kamboureli, Smaro","Sproxton, Brik"],"Performance_Date":[1986],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"XHE\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"RK_Acc_775_04.25.29.10-2\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T01:22:50\",\"precision\":\"\",\"size\":\"1.33 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-03-15\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Edmonton [?], Alberta, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Edmonton [?], Alberta, Canada"],"City":["Edmonton, Alberta"],"content_notes":["Accompanying cardboard wrapper: The Bards of March. For Robert Robert Kroetsch. Joy W. Oct 15/86\n- Kerr “Aware”: poems in praise of alcohol. In Saskatchewan a television campaign called the Aware Program, promoting abstinence. \n- “Spirit”: Poem in praise of Edmonton, notes there probably aren’t many of those.\n- Going: Poems about good taste and against mass production.\n- “Transcript”: Poem for university students.\n- “Fight”: Based on the ‘fight for the family farm’, the most used political slogan in Saskatchewan.\n- Kreisel: A trip to Fiji, attempting to find his hotel reservation at the airport. Staying at a guest house and visiting with locals. Second excerpt on attending delegation on Indigenous rights.\n- Kamboureli: immigrant experience, in the form of a journal.\n- Sproxton: a head frame is a part of a mine, he feels the need to explain as many have incorrectly titled or discussed his book title. Some of the poems have to do with languages or voices playing off/against each other.\n"],"contents":["Neuman  \n[00:00:00]  \nIntroduces\nDon Kerr   \n[00:15:01]  \nReads \"1968: An Aware Poem for the Responsible Use of Alcohol\".\nDon Kerr  \n[00:17:55]  \nReads \"1968: The Spirit of Edmonton\".\nDon Kerr \n[00:20:30]  \nReads excerpt from \"Going Places\".\nDon Kerr  \n[00:23:16]  \nReads \"Editing the Prairie\".\nDon Kerr  \n[00:24:19]  \nReads \"The Transcript\".\nDon Kerr   \n[00:25:00]  \nReads \"The Fight for the Family Poet\".\nHenry Kreisel   \n[32:55]\nReads excerpts from \"Another Country\".\nSmaro Kamboureli   \n[00:56:55]  \nReads excerpts from \"In the Second Person\".\nBrix Sproxton\n[01:08:08]  \nReads excerpts from \"Head Frame\"."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558520049668,"timestamp":"2026-01-07T15:00:02.734Z","score":3.6377454},{"id":"8355","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Robert Kroetsch fonds"],"source_collection_label":["Robert Kroetsch fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/robert-kroetsch-fonds"],"item_title":["Robt. Kroetsch & Rudy Wieb [sic], CBR \"Canada AM\" Show, May 6/76."],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Transcription of entire interview. Recording in envelope stamped with University of Lethbridge."],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[28.3.2]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2026"],"creator_names":["Kroetsch, Robert"],"creator_names_search":["Kroetsch, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Wiebe, Rudy","McDonald, Marguerite"],"contributors_names_search":["Wiebe, Rudy","McDonald, Marguerite"],"contributors":["[{\"url\":\"http://viaf.org/viaf/39385421\",\"name\":\"Wiebe, Rudy\",\"dates\":\"1934-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"McDonald, Marguerite\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"Interviewer_name":["McDonald, Marguerite"],"Speaker_name":["Wiebe, Rudy"],"Performance_Date":[1976],"material_description":["[{\"side\":\"A\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"RK_MsC_27_28.3-2\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:18:28\",\"precision\":\"\",\"size\":\"608.74 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976-05-06\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Robert Kroetsch fonds Item number 28.3.2\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"Canada AM / CBR Calgary\",\"notes\":\"\",\"address\":\"Calgary, Alberta, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Calgary, Alberta, Canada"],"Venue":["Canada AM / CBR Calgary"],"City":["Calgary, Alberta"],"content_notes":["Transcript of interview included in folder. The casette is enclosed in an envelope with the University of Lethbridge Department of English stamped on it\n- The file contains a full transcription of the interview.\n- Begins mid-sentence with introduction by Marguerite McDonald\n- Robert Kroetsch and Wiebe are at a piano with Collie Banks, they didn’t know they were already being recorded.\n- Rudy was a singer – he sings “Amazing Grace” then Robert Kroetsch sings “Wild, Wild Women”\n- [00:03:07] interview on approach to prairie writing\n- Beer parlours and prairie stories – Wiebe says there are only certain types of stories that you can hear at parlours\n- Space and the prairies – W “space has everything in it” you just have to look\n- Always in relationship with the landscape/earth and the prairies make you aware of this relationship\n- W – man is vertical compared to flatness of prairies, man moves while landscape remains immutable\n- K – why movement across prairies so important to novels\n- K – doesn’t like generalizations about the prairies\n- K – as writers we accept the prairies – earlier writers (Grove, Ross) trying to resist the prairies – trying to impose another cultural pattern onto it\n- W – old writers had a sense that somehow the prairies had to be improved, whereas current writers now live and move within the prairie space and work with it\n- W – When writing Big Bear travelled his prairie routes. Wiebe didn’t try to write notes during the journey, wanted to feel the experience\n- K – did the same for Badlands – a week on Red Deer River\n- Commenting on the quote about Canadian literature that “it’s by our lack of ghosts we’re haunted”: W – disagrees, gives examples of buffalo jumps which are over 4000 years old. He insists that we have ghosts, but it’s “by our ignorance that we’re haunted” because we don’t know or refuse the history.\n- K – in writing, you look for a story that acts out inside of you\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558522146818,"timestamp":"2026-01-07T15:00:02.734Z","score":3.6377454},{"id":"8377","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Robert Kroetsch fonds"],"source_collection_label":["Robert Kroetsch fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/robert-kroetsch-fonds"],"item_title":["Robert Kroetsch"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Professional box with marbled paper, embossed stamp, and leather embossed title."],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[29.11]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2037"],"creator_names":["Kroetsch, Robert"],"creator_names_search":["Kroetsch, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1987],"material_description":["[{\"side\":\"A\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Somewhat grainy.\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"RK_Acc_775_04.25.29-11\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:57:50\",\"precision\":\"\",\"size\":\"953.11 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987-03-10\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from item.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"National Library of Canada\",\"notes\":\"\",\"address\":\"Ottawa, Ontario, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Ottawa, Ontario, Canada"],"Venue":["National Library of Canada"],"City":["Ottawa, Ontario"],"content_notes":["Card inside box.\n- Introduction. Robert Kroetsch begins speaking at 2:11. The last time he was in the building was fifteen years ago doing research for Badlands, and is going to read from Badlands as a sort of thank you. First came upon the material by accident while travelling around Alberta, the kind of story he likes to parody in his writing, but through the archive came to have a sympathy for the men. Reads the beginning and the end, narrated by the daughter of William Dawe.\n- “Seed Catalogue”: Reflection on uncle asking “don’t you understand anything?” Robert Kroetsch notes that he’s been writing poems ever since trying to understand, and that perhaps he was right\n- “Delphi”: The only place where the oracle spoke in a human, female voice. There are four voices in this poem: Robert Kroetsch, quotes from Pausanias, commentary by Sir James Fraser, poem called “The Eggplant Poems.”\n- Excerpts: Using country music, the “hurting song.” Short prose entries that look like diary entries, intrigued by the authority that we grant to the diary entry.\n- Excerpts: anecdote on writers spending a good deal of their time travelling - [00:40:40] \n- Advice: Suppressed stories of his mother, a photograph given to him of his mother produced all these poems.\n- Question period: The questions are not very discernable. First question about what he is writing, Robert Kroetsch answers “not really,” that he is writing a novel that is unendable and not about the prairies, also his study of narrative. Second question, going back to Athens and Greece. Notes that he goes back quite frequently as he is married to a Greek woman. Third question about Advice as very different from his other writing. Robert Kroetsch responds that his voice between Field Notes (as personal) and Advice (as a persona) are in fact very different. Fourth question indiscernible, Robert Kroetsch responds that he doesn’t believe that poetry is dead, that poetry ought to be accessible to all. Fifth question indiscernible, Robert Kroetsch responds that this period of reading may be an aberration in the history of language and that we may go back to more elaborate readings. A return to the hearing of poems instead of the reading of poems.\n"],"contents":["Robert Kroetsch\n[00:04:33]\nReads excerpts from Badlands.\nRobert Kroetsch\n[00:14:20]\nReads excerpts from Field Notes.\nRobert Kroetsch\n[00:15:30]\nReads from \"Seed Catalogue\".\nRobert Kroetsch\n[00:20:30]\nReads from \"Delphi Commentary\".\nRobert Kroetsch\n[00:35:27]\nReads excerpts from the Real World.\nRobert Kroetsch\n[00:44:12]\nReads excerpts from the end of Advice to My Friends."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Badlands; Field Notes; Excerpts from the Real World; Advice to My Friends\"}]"],"_version_":1853670558525292545,"timestamp":"2026-01-07T15:00:02.734Z","score":3.6377454}]