[{"id":"5873","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["St. Mark's Poetry Project: Edith Jarolim lecture on editing Paul Blackburn in New York City, 1983 #601"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Jarolim, Edith","Blackburn, Paul"],"creator_names_search":["Jarolim, Edith","Blackburn, Paul"],"creators":["[{\"url\":\"https://viaf.org/viaf/53095842/\",\"name\":\"Jarolim, Edith\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/29555679\",\"name\":\"Blackburn, Paul\",\"dates\":\"1926-1971\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Performance_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6237/Reading in BC_MsC199_601.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"601-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:04\",\"precision\":\"\",\"size\":\"50.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"601-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:05\",\"precision\":\"\",\"size\":\"48.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/241844932\",\"venue\":\"St. Mark's Church\",\"notes\":\"\",\"address\":\"131 E. 10th Street, New York, NY\",\"latitude\":\"40.7303\",\"longitude\":\"-73.98727\"}]"],"Address":["131 E. 10th Street, New York, NY"],"Venue":["St. Mark's Church"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t001\tIntroduction\n\t\t\t*”Let Them Quarry Cleanly” – title of lecture\n\t\t\t*Background on Edith [Jerolin’s] academic career to date\n\t\t018\tLecture begins\n\t\t021\tDiscusses Blackburn’s work on the Poetry\n\t\t026\tDiscussion of Blackburn’s life\n\t\t\t*Reading from a grant application Blackburn wrote in mid-60’s\n\t\t\t*Continues from there onwards\n\t\t050\tBlackburn’s influence on fellow poets\n\t\t\t*He was an angel\n\t\t066\tHis work, his “good ear”\n\t\t072\tBlackburn’s theory [or rather lack of]\n\t\t078\t“He wrote very little criticism”\n\t\t\t*Letter to Robert Creeley is read aloud\n\t\t091\tHis work\n\t\t\t*Minor works\n\t\t\t*Major works\n\t\t103\t[Jerolin] on editing Blackburn’s complete work\n\t\t\t*Changes in editing and publishing\n\t\t\t*Posthumous legacy and methodology\n\t\t128\tThe title of the lecture explained\n\t\t144\tCome genres of Blackburn’s poetry\n\t\t166\tBlackburn’s attitude toward his text\n\t\t\t*Revision, reproduction, etc.\n\t\t185\tEditing and publishing techniques in the later 20th century\n\t\t\t*Blackburn’s poems were to be found in many different places and forms\n\t\t295\t*The small, many temporary magazines in which Blackburn’s poems appeared, sometimes under alias\n\t\t348\tThe many versions of Blackburn’s poems\n\t\t409\t*His lack of sequenal patterns\n\t\t523\t[Jerolin’s] trouble, organizing a chronology\n\t\t\t*Compare typeface of letters – which were dated – and of poems\n\t\t556\tLecture suddenly ends in mid-sentence\n\t\t613\tSide 1 ends\nTwo\t\t000\t\n\t\t027\tLecture begins where it left off\n\t\t\t*Comparing typefaces\n\t\t038\tDating the poems in a biographical sense\n\t\t\t*Events in his life, events of a poem\n\t\t\t*Letters and the addresses on them\n\t\t058\tDating the love poems\n\t\t090\tBlackburn and Creeley\n\t\t111\tConclusion, reiterating the themes of the lecture\n\t\t116\t[Jerolin] consents to a Question and Answer Session\n\t\t119\t*First question inaudible\n\t\t124\t*Question on method of establishing dates in relation to the typewriter Blackburn may have been using\n\t\t128\t*Third question inaudible – something to do with drafts\n\t\t139\t*Fourth question on did [Jerolin] “grow tired or grow to like Blackburn’s poems more” as she worked on the editing process\n\t\t149\t*Fifth question: “Did he publish the same poem several times?”\n\t\t161\t*Sixth question, basically inaudible, something to do with image poetry and the Black Mountain poets\n\t\t175\t*Seventh question, again basically inaudible, but something to do with revision methods\n\t\t189\t*Eighth question on the casual qualities of Blackburn’s poems\n\t\t205\t*Follow-up question, mainly inaudible\n\t\t222\t*Ninth question: “Did Blackburn keep a large number of the magazines in which his work was published?”\n\t\t235\t*Follow-up question on the ‘orbitary’ nature of small magazine publishing\n\t\t255\t*Discussion by [Jerolin] on poems that Blackburn did not intend for publishing\n\t\t\t*Editorial principle\n\t\t278\t*Tenth question, what to include, what not to\n\t\t292\t*Eleventh question and [Jerolin’s] reply are basically inaudible\n\t\t319\tQuestion and Answer Session ends\n\t\t320\tConcluding remarks, announcements on forthcoming lectures at the Poetry Project\n\t\t334\tPeople file out\n\t\t617\tSide two ends"],"Note":["[{\"note\":\"A few minutes of silence at beginning of each side of the tape\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670554182090754,"timestamp":"2026-01-07T14:59:58.590Z","score":4.4742107}]