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The Astonishment Tapes is of considerable value and interest, not only to readers of Blaser, Duncan, and Spicer, but also to scholars of the early postmodern and twentieth-century American poetry.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558003101696,"timestamp":"2026-01-07T15:00:02.246Z","score":2.8427422},{"id":"9049","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["The Astonishment Tapes Talks on Poetry and Autobiography with Robin Blaser and Friends in Vancouver, 1974 Tape 2 of 20"],"item_title_source":["Cassette and J-card "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Blaser, Robin","Tallman, Warren","Marlatt, Daphne","Nichols, Miriam"],"creator_names_search":["Blaser, Robin","Tallman, Warren","Marlatt, Daphne","Nichols, Miriam"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\" 1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/44522700\",\"name\":\"Nichols, Miriam\",\"dates\":\"1952-\",\"notes\":\"Nichols has edited the transcripts only minimally, allowing readers to make their own interpretations of Blaser’s intentions.\",\"nation\":[],\"role\":[]}]"],"contributors":["[]"],"Production_Date":[1974],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/9048/Roy Miki Fonds_MsC 161_202.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-202 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:22\",\"precision\":\"\",\"size\":\"745.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-202 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:22\",\"precision\":\"\",\"size\":\"745.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1974\",\"type\":\"Production Date\",\"notes\":\"We found the date online through this link: https://writing.upenn.edu/pennsound/x/Blaser.php\",\"source\":\"Internet \"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"We found the location online through this link: https://writing.upenn.edu/pennsound/x/Blaser.php\",\"address\":\"City Vancouver, Metro Vancouver Regional District, British Columbia, Canada \",\"latitude\":\"49.2600 \",\"longitude\":\"-123.1149\"}]"],"Address":["City Vancouver, Metro Vancouver Regional District, British Columbia, Canada "],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Robin Blaser provides an in-depth autobiographical account in a series of tapes (201 to 220), reflecting on his life and experiences. \\nIn this particular tape, he continues focusing on his childhood, offering insights into his relationship with his grandmother, mother, and father\",\"type\":\"General\"},{\"note\":\"We found the info through the following link on https://www.amazon.ca/Astonishment-Tapes-Poetry-Autobiography-Friends/dp/0817358099\\n\\nRobin Blaser moved from his native Idaho to attend the University of California, Berkeley, in 1944. While there, he developed as a poet, explored his homosexuality, engaged in a lively arts community, and met fellow travelers and poets Robert Duncan and Jack Spicer. The three men became the founding members of the Berkeley core of what is now known as the San Francisco Renaissance in New American Poetry.\\n\\nIn the company of a small group of friends and writers in 1974, Blaser was asked to narrate his personal story and to comment on the Berkeley poetry scene. In twenty autobiographical audiotapes, Blaser talks about his childhood in Idaho, his time in Berkeley, and his participation in the making of a new kind of poetry. The Astonishment Tapes is the expertly edited transcript of these recordings by Miriam Nichols, Blaser’s editor and biographer.\\n\\nIn The Astonishment Tapes Blaser comments extensively on the poetic principles that he, Duncan, and Spicer worked through, as well as the differences and dissonances between the three of them. 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While there, he developed as a poet, explored his homosexuality, engaged in a lively arts community, and met fellow travelers and poets Robert Duncan and Jack Spicer. The three men became the founding members of the Berkeley core of what is now known as the San Francisco Renaissance in New American Poetry.\\n\\nIn the company of a small group of friends and writers in 1974, Blaser was asked to narrate his personal story and to comment on the Berkeley poetry scene. In twenty autobiographical audiotapes, Blaser talks about his childhood in Idaho, his time in Berkeley, and his participation in the making of a new kind of poetry. The Astonishment Tapes is the expertly edited transcript of these recordings by Miriam Nichols, Blaser’s editor and biographer.\\n\\nIn The Astonishment Tapes Blaser comments extensively on the poetic principles that he, Duncan, and Spicer worked through, as well as the differences and dissonances between the three of them. 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The Astonishment Tapes is of considerable value and interest, not only to readers of Blaser, Duncan, and Spicer, but also to scholars of the early postmodern and twentieth-century American poetry.\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558005198848,"timestamp":"2026-01-07T15:00:02.246Z","score":2.8427422},{"id":"9051","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["The Astonishment Tapes Talks on Poetry and Autobiography with Robin Blaser and Friends in Vancouver, 1974 Tape 4 of 20"],"item_title_source":["Cassette and J-card "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Blaser, Robin","Tallman, Warren","Marlatt, Daphne","Bowering, George","Bowering, Angela","Nichols, Miriam"],"creator_names_search":["Blaser, Robin","Tallman, Warren","Marlatt, Daphne","Bowering, George","Bowering, Angela","Nichols, Miriam"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\" 1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\" 1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Bowering, Angela\",\"dates\":\"\",\"notes\":\"George Bowering's wife \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/44522700\",\"name\":\"Nichols, Miriam\",\"dates\":\"1952-\",\"notes\":\"Nichols has edited the transcripts only minimally, allowing readers to make their own interpretations of Blaser’s intentions.\",\"nation\":[],\"role\":[]}]"],"contributors":["[]"],"Production_Date":[1974],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/9051/Roy Miki Fonds_MsC 161_204.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-204 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:47\",\"precision\":\"\",\"size\":\"698 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-204 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:24:56\",\"precision\":\"\",\"size\":\"548 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1974\",\"type\":\"Production Date\",\"notes\":\"We found the date online through this link: https://writing.upenn.edu/pennsound/x/Blaser.php\",\"source\":\"Internet\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"We found the location online through this link: https://writing.upenn.edu/pennsound/x/Blaser.php\",\"address\":\"City Vancouver, Metro Vancouver Regional District, British Columbia, Canada \",\"latitude\":\"49.2600 -123.1149\",\"longitude\":\"-123.1149\"}]"],"Address":["City Vancouver, Metro Vancouver Regional District, British Columbia, Canada "],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Robin Blaser provides an in-depth autobiographical account in a series of tapes (201 to 220), reflecting on his life and experiences. \\nIn this tape, he continues reflecting on his youth, providing insights into his high school years and a bit about his family (grandparents and parents); Other writers also discuss their childhood and teenage experiences with English literature and reading books.\",\"type\":\"General\"},{\"note\":\"We found the info through the following link on https://www.amazon.ca/Astonishment-Tapes-Poetry-Autobiography-Friends/dp/0817358099\\n\\nRobin Blaser moved from his native Idaho to attend the University of California, Berkeley, in 1944. While there, he developed as a poet, explored his homosexuality, engaged in a lively arts community, and met fellow travelers and poets Robert Duncan and Jack Spicer. The three men became the founding members of the Berkeley core of what is now known as the San Francisco Renaissance in New American Poetry.\\n\\nIn the company of a small group of friends and writers in 1974, Blaser was asked to narrate his personal story and to comment on the Berkeley poetry scene. In twenty autobiographical audiotapes, Blaser talks about his childhood in Idaho, his time in Berkeley, and his participation in the making of a new kind of poetry. The Astonishment Tapes is the expertly edited transcript of these recordings by Miriam Nichols, Blaser’s editor and biographer.\\n\\nIn The Astonishment Tapes Blaser comments extensively on the poetic principles that he, Duncan, and Spicer worked through, as well as the differences and dissonances between the three of them. 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The Astonishment Tapes is of considerable value and interest, not only to readers of Blaser, Duncan, and Spicer, but also to scholars of the early postmodern and twentieth-century American poetry.\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558005198849,"timestamp":"2026-01-07T15:00:02.246Z","score":2.8427422},{"id":"9052","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["The Astonishment Tapes Talks on Poetry and Autobiography with Robin Blaser and Friends in Vancouver, 1974 Tape 5 of 20"],"item_title_source":["Cassette and J-card "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Blaser, Robin","Tallman, Warren","Marlatt, Daphne","Bowering, Angela","Bowering, George","Nichols, Miriam"],"creator_names_search":["Blaser, Robin","Tallman, Warren","Marlatt, Daphne","Bowering, Angela","Bowering, George","Nichols, Miriam"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\" 1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Bowering, Angela\",\"dates\":\"\",\"notes\":\"George Bowering's wife; 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While there, he developed as a poet, explored his homosexuality, engaged in a lively arts community, and met fellow travelers and poets Robert Duncan and Jack Spicer. The three men became the founding members of the Berkeley core of what is now known as the San Francisco Renaissance in New American Poetry.\\n\\nIn the company of a small group of friends and writers in 1974, Blaser was asked to narrate his personal story and to comment on the Berkeley poetry scene. In twenty autobiographical audiotapes, Blaser talks about his childhood in Idaho, his time in Berkeley, and his participation in the making of a new kind of poetry. The Astonishment Tapes is the expertly edited transcript of these recordings by Miriam Nichols, Blaser’s editor and biographer.\\n\\nIn The Astonishment Tapes Blaser comments extensively on the poetic principles that he, Duncan, and Spicer worked through, as well as the differences and dissonances between the three of them. Nichols has edited the transcripts only minimally, allowing readers to make their own interpretations of Blaser’s intentions.\\n\\nSometimes gossipy, sometimes profound, Blaser offers his version on the inside story of one of the most significant moments in mid-twentieth century American poetry. The Astonishment Tapes is of considerable value and interest, not only to readers of Blaser, Duncan, and Spicer, but also to scholars of the early postmodern and twentieth-century American poetry.\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558005198850,"timestamp":"2026-01-07T15:00:02.246Z","score":2.8427422},{"id":"9053","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["The Astonishment Tapes Talks on Poetry and Autobiography with Robin Blaser and Friends in Vancouver, 1974 Tape 6 of 20"],"item_title_source":["Cassette and J-card "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Blaser, Robin","Tallman, Warren","Marlatt, Daphne","Bowering, Angela","Bowering, George"],"creator_names_search":["Blaser, Robin","Tallman, Warren","Marlatt, Daphne","Bowering, Angela","Bowering, George"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\" 1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Bowering, Angela\",\"dates\":\"\",\"notes\":\"George Bowering's wife; 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While there, he developed as a poet, explored his homosexuality, engaged in a lively arts community, and met fellow travelers and poets Robert Duncan and Jack Spicer. The three men became the founding members of the Berkeley core of what is now known as the San Francisco Renaissance in New American Poetry.\\n\\nIn the company of a small group of friends and writers in 1974, Blaser was asked to narrate his personal story and to comment on the Berkeley poetry scene. In twenty autobiographical audiotapes, Blaser talks about his childhood in Idaho, his time in Berkeley, and his participation in the making of a new kind of poetry. The Astonishment Tapes is the expertly edited transcript of these recordings by Miriam Nichols, Blaser’s editor and biographer.\\n\\nIn The Astonishment Tapes Blaser comments extensively on the poetic principles that he, Duncan, and Spicer worked through, as well as the differences and dissonances between the three of them. Nichols has edited the transcripts only minimally, allowing readers to make their own interpretations of Blaser’s intentions.\\n\\nSometimes gossipy, sometimes profound, Blaser offers his version on the inside story of one of the most significant moments in mid-twentieth century American poetry. The Astonishment Tapes is of considerable value and interest, not only to readers of Blaser, Duncan, and Spicer, but also to scholars of the early postmodern and twentieth-century American poetry.\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558005198851,"timestamp":"2026-01-07T15:00:02.246Z","score":2.8427422},{"id":"9054","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["The Astonishment Tapes Talks on Poetry and Autobiography with Robin Blaser and Friends in Vancouver, 1974 Tape 7 of 20"],"item_title_source":["Cassette and J-card "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Blaser, Robin","Tallman, Warren","Marlatt, Daphne","Bowering, Angela","Bowering, George","Nichols, Miriam"],"creator_names_search":["Blaser, Robin","Tallman, Warren","Marlatt, Daphne","Bowering, Angela","Bowering, George","Nichols, Miriam"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\" 1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Bowering, Angela\",\"dates\":\"\",\"notes\":\"George Bowering's wife; 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While there, he developed as a poet, explored his homosexuality, engaged in a lively arts community, and met fellow travelers and poets Robert Duncan and Jack Spicer. The three men became the founding members of the Berkeley core of what is now known as the San Francisco Renaissance in New American Poetry.\\n\\nIn the company of a small group of friends and writers in 1974, Blaser was asked to narrate his personal story and to comment on the Berkeley poetry scene. In twenty autobiographical audiotapes, Blaser talks about his childhood in Idaho, his time in Berkeley, and his participation in the making of a new kind of poetry. The Astonishment Tapes is the expertly edited transcript of these recordings by Miriam Nichols, Blaser’s editor and biographer.\\n\\nIn The Astonishment Tapes Blaser comments extensively on the poetic principles that he, Duncan, and Spicer worked through, as well as the differences and dissonances between the three of them. Nichols has edited the transcripts only minimally, allowing readers to make their own interpretations of Blaser’s intentions.\\n\\nSometimes gossipy, sometimes profound, Blaser offers his version on the inside story of one of the most significant moments in mid-twentieth century American poetry. The Astonishment Tapes is of considerable value and interest, not only to readers of Blaser, Duncan, and Spicer, but also to scholars of the early postmodern and twentieth-century American poetry.\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558005198852,"timestamp":"2026-01-07T15:00:02.246Z","score":2.8427422},{"id":"9056","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["The Astonishment Tapes Talks on Poetry and Autobiography with Robin Blaser and Friends in Vancouver, 1974 Tape 9 of 20"],"item_title_source":["Cassette and J-card "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Marlatt, Daphne","Bowering, Angela","Blaser, Robin","Bowering, George","Nichols, Miriam"],"creator_names_search":["Tallman, Warren","Marlatt, Daphne","Bowering, Angela","Blaser, Robin","Bowering, George","Nichols, Miriam"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\" 1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Bowering, Angela\",\"dates\":\"\",\"notes\":\"George Bowering's wife; She is heard on tape 4 of 20\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\" 1935-\",\"notes\":\"George Bowering's wife; he is heard on some tapes in this series of tapes \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/44522700\",\"name\":\"Nichols, Miriam\",\"dates\":\"1952-\",\"notes\":\"Nichols has edited the transcripts only minimally, allowing readers to make their own interpretations of Blaser’s intentions.\",\"nation\":[],\"role\":[]}]"],"contributors":["[]"],"Production_Date":[1974],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/9056/Roy Miki Fonds_MsC 161_209.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-209 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:41\",\"precision\":\"\",\"size\":\"520 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-209 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:44\",\"precision\":\"\",\"size\":\"521 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1974\",\"type\":\"Production Date\",\"notes\":\"We found the date online through this link: https://writing.upenn.edu/pennsound/x/Blaser.php\",\"source\":\"Internet \"}]"],"Location":["[{\"url\":\"-123.1149 https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"We found the location online through this link: https://writing.upenn.edu/pennsound/x/Blaser.php\\n\",\"address\":\"City Vancouver, Metro Vancouver Regional District, British Columbia, Canada \",\"latitude\":\"49.2600\",\"longitude\":\"-123.1149\"}]"],"Address":["City Vancouver, Metro Vancouver Regional District, British Columbia, Canada "],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Robin Blaser provides an in-depth autobiographical account in a series of tapes (201 to 220), reflecting on his life and experiences. \\nIn this recording, Robin Blaser keeps talking about his career life at University of California and his collaboration with Robert Duncan and Jack Spicer; meanwhile, he talks about [Frederick?] and [Dante?] poets as well\",\"type\":\"General\"},{\"note\":\"We found the info through the following link on https://www.amazon.ca/Astonishment-Tapes-Poetry-Autobiography-Friends/dp/0817358099\\n\\nRobin Blaser moved from his native Idaho to attend the University of California, Berkeley, in 1944. While there, he developed as a poet, explored his homosexuality, engaged in a lively arts community, and met fellow travelers and poets Robert Duncan and Jack Spicer. The three men became the founding members of the Berkeley core of what is now known as the San Francisco Renaissance in New American Poetry.\\n\\nIn the company of a small group of friends and writers in 1974, Blaser was asked to narrate his personal story and to comment on the Berkeley poetry scene. In twenty autobiographical audiotapes, Blaser talks about his childhood in Idaho, his time in Berkeley, and his participation in the making of a new kind of poetry. The Astonishment Tapes is the expertly edited transcript of these recordings by Miriam Nichols, Blaser’s editor and biographer.\\n\\nIn The Astonishment Tapes Blaser comments extensively on the poetic principles that he, Duncan, and Spicer worked through, as well as the differences and dissonances between the three of them. Nichols has edited the transcripts only minimally, allowing readers to make their own interpretations of Blaser’s intentions.\\n\\nSometimes gossipy, sometimes profound, Blaser offers his version on the inside story of one of the most significant moments in mid-twentieth century American poetry. The Astonishment Tapes is of considerable value and interest, not only to readers of Blaser, Duncan, and Spicer, but also to scholars of the early postmodern and twentieth-century American poetry.\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558006247424,"timestamp":"2026-01-07T15:00:02.246Z","score":2.8427422}]