[{"id":"1260","cataloger_name":["Mahtab,Banihashemi"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":["Robert Creeley at Sir George Williams University, The Poetry Series, 24 February 1967 "],"item_title_source":["Cataloguer"],"item_title_note":["\"ROBERT CREELEY I006/SR89.1\" written on sticker on the spine of the tape's box. I006-11-089.1 is written on a sticker on the tape reel"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_subseries_title":["Poetry 1"],"item_identifiers":["[]"],"access":["Streaming and download"],"creator_names":["Creeley, Robert"],"creator_names_search":["Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"American poet and essayist Robert Creeley was born in 1926 in Arlington, Massachusetts. His early life was marred by tragedy, as he lost his left eye in an accident and suffered the death of his father when he was four years old. Creeley then grew up on a farm, and felt repressed by his traditional Puritanical New England upbringing. After a year of Harvard University, Creeley joined the US Field Service in India and Burma. Returning again to Harvard, he married his first wife Ann MacKinnon, with whom he had three children, only to leave Harvard in his final semester. From 1948 to 1950, Creeley and his family moved to several locations including Provincetown, New Hampshire; Provenance, France; and Mallorca, Spain. Once in Mallorca, he set up The Divers Press with poet Denise Levertov. Creeley thus began correspondence with Charles Olson, and Olson offered Creeley a teaching position at the Black Mountain College in North Carolina, as well as a Bachelor’s degree in 1954. During his short time at Black Mountain, Creely edited Black Mountain Review, a journal known for its experimental writing. As well as many publications in poetry magazines, he published his first collection of short stories in The Gold Diggers in 1954 (Divers Press). After his marriage dissolved, Creeley headed West to San Francisco, meeting with Allen Ginsberg, Gary Snyder, and Kenneth Rexroth, as well as other Beat poets during the San Francisco Poetry Renaissance. Creeley then moved to Albuquerque, New Mexico, completed his M.A., and then took a position as professor of English. There, he met and married Bobbie Louise Hall, with whom he had two daughters and for whom he wrote most of his love poetry. His first major collection of poetry was For Love: Poems 1950-1960, published in 1962 (Scribner Press). Creeley subsequently published his novel, The Island (Scribner Press, 1963), and other poetry collections including Words (Scribner), The Charm: Early and Uncollected Poems (Perishable Press, 1967), and Pieces (Scribner, 1969). His essays and prose publications include A Quick Graph: Collected Notes and Essays (Four Seasons Foundation, 1970), A Sense of Measure (Calder and Boyars, 1973), and Was That a Real Poem and Other Essays (Four Seasons Foundation, 1979). His marriage with Bobbie ended in the late 70’s, and he married his third wife, Penelope Highton.  Creeley continued to publish his poetry in collections such as Later (New Directions, 1979), Mirrors (New Directions, 1983), Windows (New Directions, 1990), Echoes (New Directions, 1994), Life and Death (New Directions, 1998), and If I Were Writing This (New Directions, 2003). He has won a number of awards and honors, including the New York State Poet Laureate from 1989-91. He was elected a Chancellor of the Academy of American Poets in 1999, received the Lannan Lifetime Achievement Award, the Bollingen Prize, the Shelley Memorial Award, a Rockefeller Grant and two Guggenheim Fellowships. Robert Creeley died in 2005, but his poetry has been published posthumously in On Earth: Last Poems and an Essay (University of California Press, 2009), The Collected Poems of Robert Creeley, 1975-2005 (University of California Press, 2006) and Robert Creeley: Selected Poems, 1945-2005 (University of California Press, 2008).\",\"nation\":[],\"role\":[\"Performer\",\"Author\"]}]"],"contributors_names":["Layton, Irving"],"contributors_names_search":["Layton, Irving"],"contributors":["[{\"url\":\"http://viaf.org/viaf/66482092\",\"name\":\"Layton, Irving\",\"dates\":\"1912-2006\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]}]"],"Presenter_name":["Layton, Irving"],"Performance_Date":[1967],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"Tape\",\"physical_condition\":\"\",\"track_configuration\":\"2 track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"Dates":["[{\"date\":\"1967 2 24\",\"type\":\"Performance Date\",\"notes\":\"Date specified in \\\"Georgantics\\\" \",\"source\":\"Supplemental Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080570\",\"venue\":\"Hall Building Basement Theatre\",\"notes\":\"Location specified in printed announcement \\\"Georgantics\\\" (Supplemental material)\",\"address\":\"1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada\",\"latitude\":\"45.4972758\",\"longitude\":\"-73.57893043\"}]"],"Address":["1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada"],"Venue":["Hall Building Basement Theatre"],"City":["Montreal, Quebec"],"content_notes":["Robert Creeley reads from For Love (Scribner, 1962) and Words (Scribner, 1967)."],"contents":["robert_creeley_i006-11-089-1_1987.mp3\n\nIrving Layton\n00:00:15\nMr. Creeley [https://www.wikidata.org/wiki/Q918620] has published too many books for me to list for you this evening, but some titles are deserving of notice. His Collected Poems was published by Scriveners in 1962 under the title For Love. He has also published short stories and they're brought out by Scriveners after first being published, privately I believe, under the title of The Gold Diggers. His most recent book, also brought out by Scriveners, is called Words. Mr. Creeley has a style that is unique and inimitable. There are many, both in this country [https://www.wikidata.org/wiki/Q16?wprov=srpw1_0] and in United States of America [https://www.wikidata.org/wiki/Q30?wprov=srpw1_0] that are trying to capture the delicate, tenuous quality of his work, and not quite successfully. For his is an art of pauses, of hesitations. He affirms by diffidence, and he destroys our pretensions with a whisper. He uses silence as a modern composer of music [unintelligible], or the way a contemporary painter uses space. He bounces words off against the wall of [unintelligible]. If you listen carefully, you'll hear reverberations and the subtlest of echoes. Mr. Creeley is one of the most honest poets writing today. And a very brave man, who knows the price that has to be paid for a good poem certified to endure. He has written a little song, sing days of happiness, make a pardonable wonder of one's blunders. The man who wrote those words knows all that needs to be known about the perilous vocation of the poet. One critic has said his poems are miniatures, but then hastened to add that they are not miniatures, sorry-One critic has said-this is not from memory-One critic has said that his poems are miniatures, but there's nothing miniature about the power that they release. I have said somewhere that he has written skinny poems, that miraculously grow in length and breath, one's air absorbed into one's consciousness. Slender firecrackers that explode with the power of a bomb. Ladies and gentlemen, Mr. Robert Creeley.\n\nAudience\n00:03:42\nApplause.\n\nRobert Creeley\n00:03:52\nSee now, it's extremely generous, Irving [https://www.wikidata.org/wiki/Q1673289], all that. No, because we have had a very long association. I think I'd like to say my piece too, apropos that fact that I think that the kind of community that say either Irving or myself in this way were involved with was what kinds of, no really, how could you find the world?  I mean, I, for example first read his poems in the collection called Cerberus with Louis Dudek [https://www.wikidata.org/wiki/Q3261787] and Raymond Souster [https://www.wikidata.org/wiki/Q304129] and then I was very interested in the magazine that they had going called Contact, I was looking for connections I suppose, the man, in no hips sense, but we were, I was extraordinar--I wanted to know where the world was, and Irving seemed to be very much, very much part of any world I certainly could respect. And so, what he generously and definitely himself ignores was that he was that he was a very decisive contributing editor for the Black Mountain Review, and it was really, a very decisive friend all those fifteen years he imagines. Let me read now. Let me start from back then, \"A Song\".\n \nRobert Creeley\n00:05:47\nReads \"A Song\" [from For Love].\n \nRobert Creeley\n00:06:37\nThis is apropos. \"The Conspiracy\".\n \nRobert Creeley\n00:06:43\nReads \"The Conspiracy\" [from For Love].\n \nAudience\n00:07:11\nLaughter.\n\nRobert Creeley\n00:07:12\nThat was no joke. \"Chanson\".\n \nRobert Creeley\n00:07:26\nReads \"Chanson\" [from For Love].\n \nRobert Creeley\n00:08:00\n\"The Operation\".\n \nRobert Creeley\n00:08:05\nReads \"The Operation\" [from For Love].\n \nRobert Creeley\n00:08:35\n\"The Death of Venus\".\n \nRobert Creeley\n00:08:41\nReads \"The Death of Venus\" [from For Love].\n \nRobert Creeley\n00:09:17\nI was thinking Paul Blackburn [https://www.wikidata.org/wiki/Q7149388] happily has been here, so this is a poem, again of the same, the same situation that we were very active in the exchange of, I mean, again I want to emphasize  the sense that we were looking around to see what kinds of possibility that we could find in the world and I suppose if we shared anything, I was thinking of Irving's lovely stories and letters about the problems of visiting literary parties [laughs] and partly being forbidden because he made such awkward problems for guests and hosts, etc. So that Paul Blackburn at this point was translating from Provencal poetry, he'd been at the University of Wisconsin [https://www.wikidata.org/wiki/Q838330] and had had a very active and useful relation with the woman there, I think it was, teaching Provencal, so that he'd also been very involved with Pound [https://www.wikidata.org/wiki/Q163366?wprov=srpw1_0], with Pound's senses of activity in verse and had therefore become particularly interested in Provencal and had begun to translate, and through the same agency that we had in Mallorca [https://www.wikidata.org/wiki/Q8828], my wife and I then, the so called Divers Press that had published Irving's book, we published a collection of Paul's Provencal translations called Proensa. So the title, is actually Paul's title, I can't now remember what- I don't think he ever published the poem it was the title for, but I was struck by it, and you know, you take things, obviously from friends, it was that you were stealing, but that it was always a common situation. It's a form of adaptation, and I think a young friend now at Buffalo [https://www.wikidata.org/wiki/Q681025] were presently working was telling me that I am in the courtly tradition which is confusing to me, but I can see what he means simply that did pick up a lot through Paul Blackburn and writers in this way using a vocabulary or sense of possibility involved with that kind of writing. So this poem, for example, would be, would be actually a, would be a poem not written by Paul Blackburn, but a poem much informed by his way of perceiving. \"A Form of Adaptation\".\n \nRobert Creeley\n00:11:46\nReads \"A Form of Adaptation\" [from For Love].\n \nRobert Creeley\n00:12:40\n“The Whip”.\n \nRobert Creeley\n00:12:43\nReads \"The Whip\" [from For Love].\n \nRobert Creeley\n00:13:29\n\"Please\".\n \nRobert Creeley\n00:13:36\nReads \"Please\" [from For Love].\n \nRobert Creeley\n00:14:36\n\"The Three Ladies\".\n \nRobert Creeley\n00:14:39\nReads \"The Three Ladies\" [from For Love].\n \nRobert Creeley\n00:16:04\n[Unintelligible] \"New Year’s\".\n \nRobert Creeley\n00:16:17\nReads \"New Year’s\" [from For Love].\n \nRobert Creeley\n00:17:34\n\"Entre Nous\".\n \nRobert Creeley\n00:17:40\nReads \"Entre Nous\" [from For Love].\n \nRobert Creeley\n00:18:08\n\"The Place\".\n \nRobert Creeley\n00:18:11\nReads \"The Place\" [from For Love].\n \nRobert Creeley\n00:19:20\n\"The Hill\".\n \nRobert Creeley\n00:19:32\nReads \"The Hill\" [from For Love].\n \nRobert Creeley\n00:20:21\n\"The Awakening\" for Charles Olson [https://www.wikidata.org/wiki/Q922978].\n \nRobert Creeley\n00:20:25\nReads \"The Awakening\" [from For Love].\n \nRobert Creeley\n00:22:04\n\"The Rain\".\n \nRobert Creeley\n00:22:12\nReads \"The Rain\" [from For Love]. \n \nRobert Creeley\n00:23:12\n\"Kore\".\n \nRobert Creeley\n00:23:20\nReads \"Kore\" [from For Love].\n \nRobert Creeley\n00:24:09\nI thought I'd read a few more of these in this particular collection. Zukofsky [https://www.wikidata.org/wiki/Q975481] is a man I very much respect. \"The House\", for Louis Zukofsky.\n \nRobert Creeley\n00:24:29\nReads \"The House\" [from For Love].\n \nRobert Creeley\n00:25:06\n\"The Pool\".\n \nRobert Creeley\n00:25:13\nReads \"The Pool\" [from For Love].\n \nRobert Creeley\n00:26:18\nWater, I really love water. To Water.\n \nRobert Creeley\n00:26:26\nReads \"The Rocks\" [from Words].\n \nRobert Creeley\n00:27:47\n\"The Fire\".\n \nRobert Creeley\n00:27:50\nReads \"The Fire\" [from Words].\n \nRobert Creeley\n00:28:31\n\"Something\".\n \nRobert Creeley\n00:28:37\nReads \"Something” [from Words].\n \nRobert Creeley\n00:29:46\nThat was a, there's another poem with that same sense, no really, I'm very, I think that some of the lovely incongruities of existence [unintelligible] Charlotte- whose last name I can't remember, [unintelligible] like to say was arrested in New York for trying to, as she put it, and I believe, lovely innocence, she wanted to have chamber music as quote sexy unquote as other life circumstances seemed to be becoming, so that she was playing something like [unintelligible] or Bach [https://www.wikidata.org/wiki/Q1339] in topless condition and was arrested by a very discreet policeman and taken away. Although she wanted apparently to entertain the sight as well as the ear. I don't know, I mean, why shouldn't she be permitted to do that? \"Distance\".\n \nRobert Creeley\n00:31:03\nReads \"Distance\" [from Words].\n \nRobert Creeley\n00:34:29\nA couple of these, two from Mexico [https://www.wikidata.org/wiki/Q96]. \"The Window\".\n \nRobert Creeley\n00:34:36\nReads \"The Window\" [from Words].\n \nRobert Creeley\n00:35:30\n\"To Bobbie\".\n \nRobert Creeley\n00:35:34\nReads \"To Bobbie\" [from Words].\n \nRobert Creeley\n00:36:46\nI wanna, there's one poem, apropos I'd like to go back to, a couple--\"The Rose\".\n \nRobert Creeley\n00:37:02\nReads \"The Rose\" [from For Love].\n \nRobert Creeley\n00:38:46\n\"Love Comes Quietly\".\n \nRobert Creeley\n00:38:53\nReads \"Love Comes Quietly\" [from For Love].\n \nRobert Creeley\n00:39:15\n\"The Gesture\".\n \nRobert Creeley\n00:39:21\nReads \"The Gesture\" [from For Love].\n \nRobert Creeley\n00:39:52\n\"For Love\".\n \nRobert Creeley\n00:39:56\nReads \"For Love\" [from For Love].\n\nRobert Creeley\n00:42:39\nI want to go back to this one. There's one... called, \"Anger\". This interpolates, so to speak of. I've been traveling in an extraordinary company of people the last, or the week previous and then, we'll see them again at the same activity tomorrow night in New York [https://www.wikidata.org/wiki/Q60?wprov=srpw1_0]. We were billed as quote contemporary voices in the arts, unquote, but apart from that the, we were visiting various colleges and universities in the Upstate New York area from say Albany State [https://www.wikidata.org/wiki/Q4709390] to Rensselaer Polytechnic [https://www.wikidata.org/wiki/Q49211] to Potsdam [https://www.wikidata.org/wiki/Q7603628], and then places St Lawrence [https://www.wikidata.org/wiki/Q1411093] or Union College [https://www.wikidata.org/wiki/Q1567748] and we were trying, in effect, to- we had the problem of we were billed as a panel, seven men, sitting down to discuss- John Cage [https://www.wikidata.org/wiki/Q180727] is one of the participants, and he said, 'well', of course if we sit down, we say, 'well where do you think art is going?' and then you have to figure out where do you think art's come from? [laughter] And at that point you just might as well come home because it's going to be a long, long conversation. So we decided that we would, instead of having the formal sense of panel, that we would simply create, improvise, or go about in effect at our own activity, except that we wouldn't isolate ourselves in that but would simply try to improvise, as we were seven people, a poem that could permit each one of us to be active, all together so that we at no point had much- we had no decision as to what the others would be doing, so that the whole activity occurred as the complex, and I was- I mean, I had never had any experience of this kind previously at all, John Cage had made, oh very large decisions indeed about this kind of possibility in music, simply that he wanted all possibility of sound to be admitted into the context that music proposes. He also had very decisive relation to what are called loosely 'happenings', and both he and Merce Cunningham [https://www.wikidata.org/wiki/Q318364], another participant, had in that with some previous experience, but the point is that they weren't- neither was trying to create a system from previous experience, but again was trying to think of how this activity of seven people could be evident in ways that simply didn't create a three-ring circus but was actually a participation so, I was intrigued, I was extraordinarily intrigued as to how words, as poetry and whatnot could enter into this circumstance, and because I literally was in it, I have in a sense no quote objective unquote experience at all, but it was extraordinary to me to hear how things are heard in a multiple, in a multiple event, rather than the kind of singularity that this occasion proposes. So I still have that on my mind in a way, and I may, I really do feel that say, all the arts, I mean if one does want some kind of statement about them, that all the arts are moving into a situation where the agency is becoming less and less singular, I don't mean necessarily that in some seminal sense, that everyone's quote an artist, I mean I don't know what an artist is, in one way at all, but I think that the participation is becoming much more a situation of process and activity, and that it is becoming less and less evident as one singular isolation of person, and I realize in my own writing how much the previous condition had been my, my occasion. So, I may be reading these poems for the last time in that sense. I'm certainly prepared to do so, I'm not at all interested in continuing an activity that maybe, you know, maybe have much more experience or much more range of possibility than say contemporary habits about it seem to imply. But anyhow, that was interesting to me to have that experience and also interesting of course is what it had as an impact on educational process. Immediately this activity finished and I've never been in such a- I mean I've been, you know, like they say in [unintelligible] auditorium in the summer, I certainly have seen light shows and other [unintelligible] happenings, a few years ago, it was Roy Kiyooka [https://www.wikidata.org/wiki/Q3445789], knows, having been there also, there was an extraordinary happening like they say put on by the Tate Music Center from San Francisco [https://www.wikidata.org/wiki/Q62]  [unintelligible] being the painter doing the so called decor, doing the set, the set that was used, creating the visual. But this other thing was something quite distinct, simply that each person was so active in ways that he couldn't anticipate and we had with us also Billy Kluver [https://www.wikidata.org/wiki/Q4912866], who can be most easily identified as the man who, is literally is an Engineer at Bell Labs [https://www.wikidata.org/wiki/Q217365] in New Jersey [https://www.wikidata.org/wiki/Q1408?wprov=srpw1_0] who engineered the 9 Evenings [https://www.wikidata.org/wiki/Q4646407] of the Armory [Hall (?)] in company with Rauschenberg [https://www.wikidata.org/wiki/Q164358], [Vergan (?)] and Cage [https://www.wikidata.org/wiki/Q180727] and others, a situation that brought technology into close apropos with the arts, and led to the practical effects of this activity are very evident, it led to ten patented inventions, all of which have much more extensive use, let's say than that occasion of those particular evenings. That was [unintelligible] you know, many, many poets [unintelligible] of this kind, that is, it turns out that when the arts are permitted this situation, that, I think we were talking to Irving earlier this evening, I think we both fear a situation, or have some kind of, feeling of personal awkwardness about a situation that is turning to the arts as if the arts had a necessary message or condition of life to stake for people to have use of, I mean, again, in these evenings we were round in these colleges, I mean the students or the people present, again and again said that \"what were you trying to tell us?\" And the point was that we weren't trying to tell them anything. We were in fact, we thought, that the activity was something which each person could have experienced, it would be like going to the beach and saying what do you think the water is trying to tell us? [audience laughter.] And you stand there, you're swimming [unintelligible] for two hours enjoying yourself thoroughly and then you come out and say to your friend, but what did it all mean? You know, we assumed that the people there would have some - would have some decision of their own, you know, did you think it was too cold, or too hot, or did you enjoy it, or you know, that's the kind of question no one can answer for you. In any case, I do feel the arts has, as Irving feels also, are being turned to, as some possibility of decision in contemporary society and don't think they can offer that ever, I don't- I think the very value of the arts is that they have no conclusion of this kind to propose, that what they do give is something I think perhaps Pound puts as ably as anyone when he says that \"art is the antenna of the race\". It's a very large statement obviously, and I think what he proposes in it is perhaps even can be put more simply in that the arts tend to experience the condition of the society that is, in a sense, and that way I have use of the condition of the society, perhaps more immediately than any other definition or activity in the society, I mean they tend to respond to the present condition perhaps more decisively than any other segment, I mean everyone else tends, not- I don't mean this in any put down sense of their attitudes in this society but I mean, that as the war goes on because it's an historical precedent and so on and so forth, I mean people continued to act as though what they were doing is still what they are doing, what they are doing is still what they were doing and they literally tend to continue in those habits of attitude or activity until something simply makes them impossible, but the arts tend to have experience I think of present condition, that they have no other viable occasion, they tend to propose what the immediate experience of say any life situation simply is, but they have no instruction therefore offer except that is possible, so that as I say, if poetry, as we've now experienced it is about to yield to another situation that is if books or printed medium of this order are to be changed, in societal experience, great, I mean I don't see why I want you to have to carry around all these pieces of paper, there must be, I'm sure that there's a simple way to communicate this kind of content but I do want to make the insistence that these poems or what I'm doing here has- I mean, I'm enjoying this, I'd probably do this even if you weren't here. [audience laughter], obviously did do it, you know. Now this is something else again, I had no messages, if the media is the message, this is perhaps the most absolute demonstration you'll probably get. \"Anger\".\n \nRobert Creeley\n00:54:01\nReads \"Anger\" [from Words].\n \nRobert Creeley\n00:59:25\nI'd like if people are feeling reasonably restless, I'd like to read one or two more poems and then one more story to make a selection frankly [unintelligible]  I think I'll see what would be useful. A couple of shorter poems for the end. One called \"A Tally\".\n \nRobert Creeley\n01:00:01\nReads \"A Tally\" [from Words].\n \nRobert Creeley\n01:01:41\n\"Enough\".\n \nRobert Creeley\n01:01:45\nReads \"Enough\" [from Words].\n \nRobert Creeley\n01:06:00\nOne last poem I want to read now, [unintelligible] \"The Hole\".\n \nRobert Creeley\n01:06:07\nReads \"The Hole\" [from Words].\n \nRobert Creeley\n01:07:53\nRead a story that's in effect going back some time to the time of the writing of the Island, a novel. And I hadn't written any prose for some time, not since the middle 50's and I had a [joke (?)], myself and my wife and our four kids were all down in Guatemala [https://www.wikidata.org/wiki/Q774]where I was tutoring children on a coffee plantation, and having that kind of isolation and time that seemed to, you know, have the possibility to try some prose. I like prose simply that it has--it's continuous, it permits a kind of variety of activity in ways that sometimes poetry from my own experience, at least in the way I'm given to write it, doesn't altogether- I mean, the emotional demand, let's say in a poem is in my own experience has known it, is of such order that alternatives in a curious way aren't possible, you simply say what you're thus brought to say as best you can. In prose, the emotional so called situation tends to be more various, it goes up, down, it ebbs, flows, re-forms, changes its mind, and so on and so forth, so I--not in recent years, I think the last prose I wrote was this novel, called the Island and I've not really written any since, that's about--when I was in Vancouver [https://www.wikidata.org/wiki/Q24639]teaching I finished that novel, and that was the last prose I think I've written and hopefully won't--I would like to go back to prose for a time. I'd like to have it open, I mean, again, this experience of being with these particular people, whenever habits become, oh let's say whenever you expect everything to be as you have experienced, it's time to look out or do something else because it means that you're assuming of the reality of your life has become too much of a pattern of a habit. Anyhow, this is a story called \"The Book\". I sort of like this story.\n \nRobert Creeley\n01:10:22\nReads \"The Book\".\n\nRobert Creeley\n01:21:15\nThank you very much for your...\n\nAudience \n01:21:16\nApplause.\n\nIntroducer\n01:21:39\nI think I speak for everyone in thanking Robert Creeley for being able to come down and make the scene tonight. There are a couple of announcements that I want to make, the first one I can't remember so I'll have to [unintelligible], [Audrey Brunet (?)], that I do remember invites everyone to come to hear \"Prayers on the Periphery\", an original reading, this coming Monday, March the 6th at 8:30 pm in the little gallery on the mezzanine. Our next reading is a week from now, next Friday, March the 3rd, and Victor Coleman [https://www.wikidata.org/wiki/Q23882910] and George Bowering [https://www.wikidata.org/wiki/Q1239280] from Buffalo [https://www.wikidata.org/wiki/Q40435]  and Toronto [https://www.wikidata.org/wiki/Q172] will be coming. Thank you.\n\nAudience\n01:22:32\nApplause.\n\nUnknown\n01:22:45\n[Cut or edit made in tape].\n\nRobert Creeley \n01:22:48\nReads “The Book” [repeated from 00:27:43].\n\nEND\n01:23:12\n"],"Note":["[{\"note\":\"Year-Specific Information: \\n\\nRobert Creeley, tenured as a full professor at SUNY Buffalo in 1967, edited The New Writing in the USA with Don Allen, and published Words and The Charm: Early and Uncollected Poems.  Creeley attended the London International Poetry Festival in July of 1967.\\n\",\"type\":\"General\"},{\"note\":\"Local Connections: \\n\\nCreeley had ties with Irving Layton through the Black Mountain Review in the 50’s. Creeley moved to Vancouver to work at the University of British Columbia in 1960-61. He had contacts with Phyllis Webb and Irving Layton. Creeley was George Bowering’s Master's thesis advisor at University of British Columbia until 1963, and wrote introductions for Bowering’s poetry[1]. He came to visit Montreal and Sir George Williams University the same year Layton was poet in residence, after years of correspondence.\",\"type\":\"General\"},{\"note\":\"Reel-to-reel tape>2 CDs>digital file\",\"type\":\"Preservation\"},{\"note\":\"Notes on item identifiers: \\n\\nIrving Layton makes introductory speech, and it’s referred to in Irving’s reading, in 1967. I006-11-089.1 and I006-11-089.1-AC2 are from same reading. I006-11-089.2 is a separate reading.\\n\",\"type\":\"General\"},{\"note\":\"Original transcript, print catalogue, research, introduction and edits by Celyn Harding-Jones\\n\\nAdditional research and edits by Sarah McDonnell and Ali Barillaro\",\"type\":\"Cataloguer\"}]"],"Related_works":["[{\"url\":\"https://www.worldcat.org/title/collected-poems-of-robert-creeley/oclc/1151730303&referer=brief_results\",\"citation\":\"Creeley, Robert, and Penelope Creeley. The Collected Poems of Robert Creeley: 1945-1975. University of California Press, 2006. \\n\"},{\"url\":\"https://www.worldcat.org/title/was-that-a-real-poem-other-essays/oclc/247870873&referer=brief_results#reviews\",\"citation\":\"Creeley, Robert; Allen, Donald; Novik, Mary. Was That a Real Poem and Other Essays. Four Seasons Foundation, 1979. \"},{\"url\":\"https://www.worldcat.org/title/words-poems/oclc/421895361?referer=di&ht=edition\",\"citation\":\"Creeley, Robert. Words: poems. New York: Scribner, 1967. \"},{\"url\":\"https://www.worldcat.org/title/sense-of-measure/oclc/718716260&referer=brief_results\",\"citation\":\"Creeley, Robert. A Sense of Measure. Calder and Boyars, 1973. \"},{\"url\":\"https://www.worldcat.org/title/some-echoes/oclc/1167543687&referer=brief_results\",\"citation\":\"Creeley, Robert. Echoes. New Directions, 1994.\"},{\"url\":\"https://www.worldcat.org/title/for-love-poems-1950-1960/oclc/268031?referer=di&ht=edition\",\"citation\":\"Creeley, Robert. For Love: Poems Poems 1950-1960. New York: Scribner, 1962. \"},{\"url\":\"https://www.worldcat.org/title/if-i-were-writing-this/oclc/181140062&referer=brief_results\",\"citation\":\"Creeley, Robert. If I Were Writing This. New Directions, 2008. \"},{\"url\":\"https://www.worldcat.org/title/later/oclc/470953767&referer=brief_results\",\"citation\":\"Creeley, Robert. Later. New Directions, 1980. \"},{\"url\":\"https://www.worldcat.org/title/life-death/oclc/694895837&referer=brief_results\",\"citation\":\"Creeley, Robert. Life and Death. New Directions, 2000.\"},{\"url\":\"https://www.worldcat.org/title/mirrors/oclc/239774564&referer=brief_results\",\"citation\":\"Creeley, Robert. Mirrors. New Directions, 1983. \"},{\"url\":\"https://www.worldcat.org/title/on-earth-last-poems-and-an-essay/oclc/264039622&referer=brief_results\",\"citation\":\"Creeley, Robert. On Earth: Last Poems and an Essay. University of California Press, 2009. \"},{\"url\":\"https://www.worldcat.org/title/pieces/oclc/729928833&referer=brief_results\",\"citation\":\"Creeley, Robert. Pieces. Scribner, 1969. \"},{\"url\":\"https://www.worldcat.org/title/charm/oclc/9997283&referer=brief_results\",\"citation\":\"Creeley, Robert. The Charm: Early and Uncollected Poems. Book People & Mudra, 1971. \"},{\"url\":\"https://www.worldcat.org/title/gold-diggers-and-other-stories/oclc/10263594&referer=brief_results\",\"citation\":\"Creeley, Robert. The Gold Diggers. Divers Press, 1954. \"},{\"url\":\"https://www.worldcat.org/title/windows/oclc/797857141&referer=brief_results\",\"citation\":\"Creeley, Robert. Windows. Boyars, 1991. \"},{\"url\":\"https://www.worldcat.org/title/robert-creeley-a-biography/oclc/951202214&referer=brief_results\",\"citation\":\"Fass, Ekbert. Robert Creeley: A Biography. Montreal: McGill-Queen’s University Press, 2001. \"},{\"url\":\"http://news.google.com/newspapers?id=O5UtAAAAIBAJ&sjid=4p8FAAAAIBAJ&pg=3951,6182119&dq=sir+george+williams+poetry&hl=en\",\"citation\":\"“Poetry Series Coming Up At University”. Montreal: The Gazette. 31 December 1966, page 39.  \"},{\"url\":\"\",\"citation\":\"O’Reilly, Elizabeth. “Creeley, Robert, 1926-”. Literature Online Biography. Proquest, 2008. \"}]"],"_version_":1853670548677066752,"timestamp":"2026-01-07T14:59:53.264Z","digital_description":["[{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0089-1_back.jpg\",\"file_path\":\"My Drive>Sir George Williams TIme-Stamped Transcripts>Spokenweb Tape Case Photos taken by Drew Bernet\",\"filename\":\"I0006_11_0089-1_back.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Robert Creeley Tape Box 1 - Back\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0089-1_front.jpg\",\"file_path\":\"My Drive>Sir George Williams TIme-Stamped Transcripts>Spokenweb Tape Case Photos taken by Drew Bernet\",\"filename\":\"I0006_11_0089-1_front.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Robert Creeley Tape Box 1 - Front\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0089-1_side.jpg\",\"file_path\":\"My Drive>Sir George Williams TIme-Stamped Transcripts>Spokenweb Tape Case Photos taken by Drew Bernet\",\"filename\":\"I0006_11_0089-1_side.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Robert Creeley Tape Box 1 - Spine\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0089-1_tape.jpg\",\"file_path\":\"My Drive>Sir George Williams TIme-Stamped Transcripts>Spokenweb Tape Case Photos taken by Drew Bernet\",\"filename\":\"I0006_11_0089-1_tape.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Robert Creeley Tape Box 1 - Reel\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/robert_creeley_i006-11-089-1_1967.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"robert_creeley_i006-11-089-1_1987.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"01:23:12\",\"precision\":\"\",\"size\":\"199.7 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"Irving Layton\\n00:00:15\\nMr. Creeley [https://www.wikidata.org/wiki/Q918620] has published too many books for me to list for you this evening, but some titles are deserving of notice. His Collected Poems was published by Scriveners in 1962 under the title For Love. He has also published short stories and they're brought out by Scriveners after first being published, privately I believe, under the title of The Gold Diggers. His most recent book, also brought out by Scriveners, is called Words. Mr. Creeley has a style that is unique and inimitable. There are many, both in this country [https://www.wikidata.org/wiki/Q16?wprov=srpw1_0] and in United States of America [https://www.wikidata.org/wiki/Q30?wprov=srpw1_0] that are trying to capture the delicate, tenuous quality of his work, and not quite successfully. For his is an art of pauses, of hesitations. He affirms by diffidence, and he destroys our pretensions with a whisper. He uses silence as a modern composer of music [unintelligible], or the way a contemporary painter uses space. He bounces words off against the wall of [unintelligible]. If you listen carefully, you'll hear reverberations and the subtlest of echoes. Mr. Creeley is one of the most honest poets writing today. And a very brave man, who knows the price that has to be paid for a good poem certified to endure. He has written a little song, sing days of happiness, make a pardonable wonder of one's blunders. The man who wrote those words knows all that needs to be known about the perilous vocation of the poet. One critic has said his poems are miniatures, but then hastened to add that they are not miniatures, sorry-One critic has said-this is not from memory-One critic has said that his poems are miniatures, but there's nothing miniature about the power that they release. I have said somewhere that he has written skinny poems, that miraculously grow in length and breath, one's air absorbed into one's consciousness. Slender firecrackers that explode with the power of a bomb. Ladies and gentlemen, Mr. Robert Creeley.\\n\\nAudience\\n00:03:42\\nApplause.\\n\\nRobert Creeley\\n00:03:52\\nSee now, it's extremely generous, Irving [https://www.wikidata.org/wiki/Q1673289], all that. No, because we have had a very long association. I think I'd like to say my piece too, apropos that fact that I think that the kind of community that say either Irving or myself in this way were involved with was what kinds of, no really, how could you find the world?  I mean, I, for example first read his poems in the collection called Cerberus with Louis Dudek [https://www.wikidata.org/wiki/Q3261787] and Raymond Souster [https://www.wikidata.org/wiki/Q304129] and then I was very interested in the magazine that they had going called Contact, I was looking for connections I suppose, the man, in no hips sense, but we were, I was extraordinar--I wanted to know where the world was, and Irving seemed to be very much, very much part of any world I certainly could respect. And so, what he generously and definitely himself ignores was that he was that he was a very decisive contributing editor for the Black Mountain Review, and it was really, a very decisive friend all those fifteen years he imagines. Let me read now. Let me start from back then, \\\"A Song\\\".\\n \\nRobert Creeley\\n00:05:47\\nReads \\\"A Song\\\" [from For Love].\\n \\nRobert Creeley\\n00:06:37\\nThis is apropos. \\\"The Conspiracy\\\".\\n \\nRobert Creeley\\n00:06:43\\nReads \\\"The Conspiracy\\\" [from For Love].\\n \\nAudience\\n00:07:11\\nLaughter.\\n\\nRobert Creeley\\n00:07:12\\nThat was no joke. \\\"Chanson\\\".\\n \\nRobert Creeley\\n00:07:26\\nReads \\\"Chanson\\\" [from For Love].\\n \\nRobert Creeley\\n00:08:00\\n\\\"The Operation\\\".\\n \\nRobert Creeley\\n00:08:05\\nReads \\\"The Operation\\\" [from For Love].\\n \\nRobert Creeley\\n00:08:35\\n\\\"The Death of Venus\\\".\\n \\nRobert Creeley\\n00:08:41\\nReads \\\"The Death of Venus\\\" [from For Love].\\n \\nRobert Creeley\\n00:09:17\\nI was thinking Paul Blackburn [https://www.wikidata.org/wiki/Q7149388] happily has been here, so this is a poem, again of the same, the same situation that we were very active in the exchange of, I mean, again I want to emphasize  the sense that we were looking around to see what kinds of possibility that we could find in the world and I suppose if we shared anything, I was thinking of Irving's lovely stories and letters about the problems of visiting literary parties [laughs] and partly being forbidden because he made such awkward problems for guests and hosts, etc. So that Paul Blackburn at this point was translating from Provencal poetry, he'd been at the University of Wisconsin [https://www.wikidata.org/wiki/Q838330] and had had a very active and useful relation with the woman there, I think it was, teaching Provencal, so that he'd also been very involved with Pound [https://www.wikidata.org/wiki/Q163366?wprov=srpw1_0], with Pound's senses of activity in verse and had therefore become particularly interested in Provencal and had begun to translate, and through the same agency that we had in Mallorca [https://www.wikidata.org/wiki/Q8828], my wife and I then, the so called Divers Press that had published Irving's book, we published a collection of Paul's Provencal translations called Proensa. So the title, is actually Paul's title, I can't now remember what- I don't think he ever published the poem it was the title for, but I was struck by it, and you know, you take things, obviously from friends, it was that you were stealing, but that it was always a common situation. It's a form of adaptation, and I think a young friend now at Buffalo [https://www.wikidata.org/wiki/Q681025] were presently working was telling me that I am in the courtly tradition which is confusing to me, but I can see what he means simply that did pick up a lot through Paul Blackburn and writers in this way using a vocabulary or sense of possibility involved with that kind of writing. So this poem, for example, would be, would be actually a, would be a poem not written by Paul Blackburn, but a poem much informed by his way of perceiving. \\\"A Form of Adaptation\\\".\\n \\nRobert Creeley\\n00:11:46\\nReads \\\"A Form of Adaptation\\\" [from For Love].\\n \\nRobert Creeley\\n00:12:40\\n“The Whip”.\\n \\nRobert Creeley\\n00:12:43\\nReads \\\"The Whip\\\" [from For Love].\\n \\nRobert Creeley\\n00:13:29\\n\\\"Please\\\".\\n \\nRobert Creeley\\n00:13:36\\nReads \\\"Please\\\" [from For Love].\\n \\nRobert Creeley\\n00:14:36\\n\\\"The Three Ladies\\\".\\n \\nRobert Creeley\\n00:14:39\\nReads \\\"The Three Ladies\\\" [from For Love].\\n \\nRobert Creeley\\n00:16:04\\n[Unintelligible] \\\"New Year’s\\\".\\n \\nRobert Creeley\\n00:16:17\\nReads \\\"New Year’s\\\" [from For Love].\\n \\nRobert Creeley\\n00:17:34\\n\\\"Entre Nous\\\".\\n \\nRobert Creeley\\n00:17:40\\nReads \\\"Entre Nous\\\" [from For Love].\\n \\nRobert Creeley\\n00:18:08\\n\\\"The Place\\\".\\n \\nRobert Creeley\\n00:18:11\\nReads \\\"The Place\\\" [from For Love].\\n \\nRobert Creeley\\n00:19:20\\n\\\"The Hill\\\".\\n \\nRobert Creeley\\n00:19:32\\nReads \\\"The Hill\\\" [from For Love].\\n \\nRobert Creeley\\n00:20:21\\n\\\"The Awakening\\\" for Charles Olson [https://www.wikidata.org/wiki/Q922978].\\n \\nRobert Creeley\\n00:20:25\\nReads \\\"The Awakening\\\" [from For Love].\\n \\nRobert Creeley\\n00:22:04\\n\\\"The Rain\\\".\\n \\nRobert Creeley\\n00:22:12\\nReads \\\"The Rain\\\" [from For Love]. \\n \\nRobert Creeley\\n00:23:12\\n\\\"Kore\\\".\\n \\nRobert Creeley\\n00:23:20\\nReads \\\"Kore\\\" [from For Love].\\n \\nRobert Creeley\\n00:24:09\\nI thought I'd read a few more of these in this particular collection. Zukofsky [https://www.wikidata.org/wiki/Q975481] is a man I very much respect. \\\"The House\\\", for Louis Zukofsky.\\n \\nRobert Creeley\\n00:24:29\\nReads \\\"The House\\\" [from For Love].\\n \\nRobert Creeley\\n00:25:06\\n\\\"The Pool\\\".\\n \\nRobert Creeley\\n00:25:13\\nReads \\\"The Pool\\\" [from For Love].\\n \\nRobert Creeley\\n00:26:18\\nWater, I really love water. To Water.\\n \\nRobert Creeley\\n00:26:26\\nReads \\\"The Rocks\\\" [from Words].\\n \\nRobert Creeley\\n00:27:47\\n\\\"The Fire\\\".\\n \\nRobert Creeley\\n00:27:50\\nReads \\\"The Fire\\\" [from Words].\\n \\nRobert Creeley\\n00:28:31\\n\\\"Something\\\".\\n \\nRobert Creeley\\n00:28:37\\nReads \\\"Something” [from Words].\\n \\nRobert Creeley\\n00:29:46\\nThat was a, there's another poem with that same sense, no really, I'm very, I think that some of the lovely incongruities of existence [unintelligible] Charlotte- whose last name I can't remember, [unintelligible] like to say was arrested in New York for trying to, as she put it, and I believe, lovely innocence, she wanted to have chamber music as quote sexy unquote as other life circumstances seemed to be becoming, so that she was playing something like [unintelligible] or Bach [https://www.wikidata.org/wiki/Q1339] in topless condition and was arrested by a very discreet policeman and taken away. Although she wanted apparently to entertain the sight as well as the ear. I don't know, I mean, why shouldn't she be permitted to do that? \\\"Distance\\\".\\n \\nRobert Creeley\\n00:31:03\\nReads \\\"Distance\\\" [from Words].\\n \\nRobert Creeley\\n00:34:29\\nA couple of these, two from Mexico [https://www.wikidata.org/wiki/Q96]. \\\"The Window\\\".\\n \\nRobert Creeley\\n00:34:36\\nReads \\\"The Window\\\" [from Words].\\n \\nRobert Creeley\\n00:35:30\\n\\\"To Bobbie\\\".\\n \\nRobert Creeley\\n00:35:34\\nReads \\\"To Bobbie\\\" [from Words].\\n \\nRobert Creeley\\n00:36:46\\nI wanna, there's one poem, apropos I'd like to go back to, a couple--\\\"The Rose\\\".\\n \\nRobert Creeley\\n00:37:02\\nReads \\\"The Rose\\\" [from For Love].\\n \\nRobert Creeley\\n00:38:46\\n\\\"Love Comes Quietly\\\".\\n \\nRobert Creeley\\n00:38:53\\nReads \\\"Love Comes Quietly\\\" [from For Love].\\n \\nRobert Creeley\\n00:39:15\\n\\\"The Gesture\\\".\\n \\nRobert Creeley\\n00:39:21\\nReads \\\"The Gesture\\\" [from For Love].\\n \\nRobert Creeley\\n00:39:52\\n\\\"For Love\\\".\\n \\nRobert Creeley\\n00:39:56\\nReads \\\"For Love\\\" [from For Love].\\n\\nRobert Creeley\\n00:42:39\\nI want to go back to this one. There's one... called, \\\"Anger\\\". This interpolates, so to speak of. I've been traveling in an extraordinary company of people the last, or the week previous and then, we'll see them again at the same activity tomorrow night in New York [https://www.wikidata.org/wiki/Q60?wprov=srpw1_0]. We were billed as quote contemporary voices in the arts, unquote, but apart from that the, we were visiting various colleges and universities in the Upstate New York area from say Albany State [https://www.wikidata.org/wiki/Q4709390] to Rensselaer Polytechnic [https://www.wikidata.org/wiki/Q49211] to Potsdam [https://www.wikidata.org/wiki/Q7603628], and then places St Lawrence [https://www.wikidata.org/wiki/Q1411093] or Union College [https://www.wikidata.org/wiki/Q1567748] and we were trying, in effect, to- we had the problem of we were billed as a panel, seven men, sitting down to discuss- John Cage [https://www.wikidata.org/wiki/Q180727] is one of the participants, and he said, 'well', of course if we sit down, we say, 'well where do you think art is going?' and then you have to figure out where do you think art's come from? [laughter] And at that point you just might as well come home because it's going to be a long, long conversation. So we decided that we would, instead of having the formal sense of panel, that we would simply create, improvise, or go about in effect at our own activity, except that we wouldn't isolate ourselves in that but would simply try to improvise, as we were seven people, a poem that could permit each one of us to be active, all together so that we at no point had much- we had no decision as to what the others would be doing, so that the whole activity occurred as the complex, and I was- I mean, I had never had any experience of this kind previously at all, John Cage had made, oh very large decisions indeed about this kind of possibility in music, simply that he wanted all possibility of sound to be admitted into the context that music proposes. He also had very decisive relation to what are called loosely 'happenings', and both he and Merce Cunningham [https://www.wikidata.org/wiki/Q318364], another participant, had in that with some previous experience, but the point is that they weren't- neither was trying to create a system from previous experience, but again was trying to think of how this activity of seven people could be evident in ways that simply didn't create a three-ring circus but was actually a participation so, I was intrigued, I was extraordinarily intrigued as to how words, as poetry and whatnot could enter into this circumstance, and because I literally was in it, I have in a sense no quote objective unquote experience at all, but it was extraordinary to me to hear how things are heard in a multiple, in a multiple event, rather than the kind of singularity that this occasion proposes. So I still have that on my mind in a way, and I may, I really do feel that say, all the arts, I mean if one does want some kind of statement about them, that all the arts are moving into a situation where the agency is becoming less and less singular, I don't mean necessarily that in some seminal sense, that everyone's quote an artist, I mean I don't know what an artist is, in one way at all, but I think that the participation is becoming much more a situation of process and activity, and that it is becoming less and less evident as one singular isolation of person, and I realize in my own writing how much the previous condition had been my, my occasion. So, I may be reading these poems for the last time in that sense. I'm certainly prepared to do so, I'm not at all interested in continuing an activity that maybe, you know, maybe have much more experience or much more range of possibility than say contemporary habits about it seem to imply. But anyhow, that was interesting to me to have that experience and also interesting of course is what it had as an impact on educational process. Immediately this activity finished and I've never been in such a- I mean I've been, you know, like they say in [unintelligible] auditorium in the summer, I certainly have seen light shows and other [unintelligible] happenings, a few years ago, it was Roy Kiyooka [https://www.wikidata.org/wiki/Q3445789], knows, having been there also, there was an extraordinary happening like they say put on by the Tate Music Center from San Francisco [https://www.wikidata.org/wiki/Q62]  [unintelligible] being the painter doing the so called decor, doing the set, the set that was used, creating the visual. But this other thing was something quite distinct, simply that each person was so active in ways that he couldn't anticipate and we had with us also Billy Kluver [https://www.wikidata.org/wiki/Q4912866], who can be most easily identified as the man who, is literally is an Engineer at Bell Labs [https://www.wikidata.org/wiki/Q217365] in New Jersey [https://www.wikidata.org/wiki/Q1408?wprov=srpw1_0] who engineered the 9 Evenings [https://www.wikidata.org/wiki/Q4646407] of the Armory [Hall (?)] in company with Rauschenberg [https://www.wikidata.org/wiki/Q164358], [Vergan (?)] and Cage [https://www.wikidata.org/wiki/Q180727] and others, a situation that brought technology into close apropos with the arts, and led to the practical effects of this activity are very evident, it led to ten patented inventions, all of which have much more extensive use, let's say than that occasion of those particular evenings. That was [unintelligible] you know, many, many poets [unintelligible] of this kind, that is, it turns out that when the arts are permitted this situation, that, I think we were talking to Irving earlier this evening, I think we both fear a situation, or have some kind of, feeling of personal awkwardness about a situation that is turning to the arts as if the arts had a necessary message or condition of life to stake for people to have use of, I mean, again, in these evenings we were round in these colleges, I mean the students or the people present, again and again said that \\\"what were you trying to tell us?\\\" And the point was that we weren't trying to tell them anything. We were in fact, we thought, that the activity was something which each person could have experienced, it would be like going to the beach and saying what do you think the water is trying to tell us? [audience laughter.] And you stand there, you're swimming [unintelligible] for two hours enjoying yourself thoroughly and then you come out and say to your friend, but what did it all mean? You know, we assumed that the people there would have some - would have some decision of their own, you know, did you think it was too cold, or too hot, or did you enjoy it, or you know, that's the kind of question no one can answer for you. In any case, I do feel the arts has, as Irving feels also, are being turned to, as some possibility of decision in contemporary society and don't think they can offer that ever, I don't- I think the very value of the arts is that they have no conclusion of this kind to propose, that what they do give is something I think perhaps Pound puts as ably as anyone when he says that \\\"art is the antenna of the race\\\". It's a very large statement obviously, and I think what he proposes in it is perhaps even can be put more simply in that the arts tend to experience the condition of the society that is, in a sense, and that way I have use of the condition of the society, perhaps more immediately than any other definition or activity in the society, I mean they tend to respond to the present condition perhaps more decisively than any other segment, I mean everyone else tends, not- I don't mean this in any put down sense of their attitudes in this society but I mean, that as the war goes on because it's an historical precedent and so on and so forth, I mean people continued to act as though what they were doing is still what they are doing, what they are doing is still what they were doing and they literally tend to continue in those habits of attitude or activity until something simply makes them impossible, but the arts tend to have experience I think of present condition, that they have no other viable occasion, they tend to propose what the immediate experience of say any life situation simply is, but they have no instruction therefore offer except that is possible, so that as I say, if poetry, as we've now experienced it is about to yield to another situation that is if books or printed medium of this order are to be changed, in societal experience, great, I mean I don't see why I want you to have to carry around all these pieces of paper, there must be, I'm sure that there's a simple way to communicate this kind of content but I do want to make the insistence that these poems or what I'm doing here has- I mean, I'm enjoying this, I'd probably do this even if you weren't here. [audience laughter], obviously did do it, you know. Now this is something else again, I had no messages, if the media is the message, this is perhaps the most absolute demonstration you'll probably get. \\\"Anger\\\".\\n \\nRobert Creeley\\n00:54:01\\nReads \\\"Anger\\\" [from Words].\\n \\nRobert Creeley\\n00:59:25\\nI'd like if people are feeling reasonably restless, I'd like to read one or two more poems and then one more story to make a selection frankly [unintelligible]  I think I'll see what would be useful. A couple of shorter poems for the end. One called \\\"A Tally\\\".\\n \\nRobert Creeley\\n01:00:01\\nReads \\\"A Tally\\\" [from Words].\\n \\nRobert Creeley\\n01:01:41\\n\\\"Enough\\\".\\n \\nRobert Creeley\\n01:01:45\\nReads \\\"Enough\\\" [from Words].\\n \\nRobert Creeley\\n01:06:00\\nOne last poem I want to read now, [unintelligible] \\\"The Hole\\\".\\n \\nRobert Creeley\\n01:06:07\\nReads \\\"The Hole\\\" [from Words].\\n \\nRobert Creeley\\n01:07:53\\nRead a story that's in effect going back some time to the time of the writing of the Island, a novel. And I hadn't written any prose for some time, not since the middle 50's and I had a [joke (?)], myself and my wife and our four kids were all down in Guatemala [https://www.wikidata.org/wiki/Q774]where I was tutoring children on a coffee plantation, and having that kind of isolation and time that seemed to, you know, have the possibility to try some prose. I like prose simply that it has--it's continuous, it permits a kind of variety of activity in ways that sometimes poetry from my own experience, at least in the way I'm given to write it, doesn't altogether- I mean, the emotional demand, let's say in a poem is in my own experience has known it, is of such order that alternatives in a curious way aren't possible, you simply say what you're thus brought to say as best you can. In prose, the emotional so called situation tends to be more various, it goes up, down, it ebbs, flows, re-forms, changes its mind, and so on and so forth, so I--not in recent years, I think the last prose I wrote was this novel, called the Island and I've not really written any since, that's about--when I was in Vancouver [https://www.wikidata.org/wiki/Q24639]teaching I finished that novel, and that was the last prose I think I've written and hopefully won't--I would like to go back to prose for a time. I'd like to have it open, I mean, again, this experience of being with these particular people, whenever habits become, oh let's say whenever you expect everything to be as you have experienced, it's time to look out or do something else because it means that you're assuming of the reality of your life has become too much of a pattern of a habit. Anyhow, this is a story called \\\"The Book\\\". I sort of like this story.\\n \\nRobert Creeley\\n01:10:22\\nReads \\\"The Book\\\".\\n\\nRobert Creeley\\n01:21:15\\nThank you very much for your...\\n\\nAudience \\n01:21:16\\nApplause.\\n\\nIntroducer\\n01:21:39\\nI think I speak for everyone in thanking Robert Creeley for being able to come down and make the scene tonight. There are a couple of announcements that I want to make, the first one I can't remember so I'll have to [unintelligible], [Audrey Brunet (?)], that I do remember invites everyone to come to hear \\\"Prayers on the Periphery\\\", an original reading, this coming Monday, March the 6th at 8:30 pm in the little gallery on the mezzanine. Our next reading is a week from now, next Friday, March the 3rd, and Victor Coleman [https://www.wikidata.org/wiki/Q23882910] and George Bowering [https://www.wikidata.org/wiki/Q1239280] from Buffalo [https://www.wikidata.org/wiki/Q40435]  and Toronto [https://www.wikidata.org/wiki/Q172] will be coming. Thank you.\\n\\nAudience\\n01:22:32\\nApplause.\\n\\nUnknown\\n01:22:45\\n[Cut or edit made in tape].\\n\\nRobert Creeley \\n01:22:48\\nReads “The Book” [repeated from 00:27:43].\\n\\nEND\\n01:23:12\\n\",\"notes\":\"Robert Creeley reads from For Love (Scribner, 1962) and Words (Scribner, 1967).\\n\\nI006-11-089.1=AC.1\\n\\n00:15- Irving Layton introduces Robert Creeley [INDEX: Irving Layton, Collected Poems         \\tScriveners Press 1962, For Love, The Gold Diggers, Words by Robert Creeley]\\n03:52- Robert Creeley responds to Layton’s introduction and introduces “A Song”. [INDEX:  \\tCerberus, Contact Magazine, Louis Dudek, Raymond Souster, Irving Layton as editor for \\tBlack Mountain Review]\\n05:47- Reads “A Song”\\n06:37- Reads “The Conspiracy”\\n07:12- Reads “Chanson”\\n08:00- Reads “The Operation”\\n08:35- Reads “The Death of Venus”\\n09:17- Introduces “A Form of Adaptation”. [INDEX: Paul Blackburn, University of Wisconsin, Divers Press, Irving Layton, Provencal Poetry, Ezra Pound, Mallorca, Proensa by Paul Blackburn.]\\n11:46- Reads “A Form of Adaptation”\\n12:40- Reads “The Whip”\\n13:29- Reads “Please”\\n14:36- Reads “The Three Ladies”\\n16:04- Reads “New Year’s”\\n17:34- Reads “Entre-Nous”\\n18:08- Reads “The Place”\\n19:20- Reads “The Hill”\\n20:21- Reads “The Awakening” [INDEX: Charles Olson]\\n22:04- Reads “The Rain”\\n23:12- Reads “Kore”\\n24:09- Introduces “The House” [INDEX: Louis Zukofsky]\\n24:29- Reads “The House”\\n25:06- Reads “The Pool”\\n26:18- Reads “To Water”\\n27:47- Reads “The Fire”\\n28:31- Reads “Something”\\n29:46- Introduces “Distance” [INDEX: New York, Bach]\\n31:03- Reads “Distance”\\n34:29- Introduces “The Window”\\n34:36- Reads “The Window”\\n35:30- Reads “To Bobby”\\n36:46- Reads “The Rose”\\n38:46- Reads “Love Comes Quietly”\\n39:25- Reads “The Gesture”\\n39:52- Reads “For Love”\\n42:39.23- END OF RECORDING\\n\\nI006-11-089.1= AC2\\n \\n00:00- Robert Creeley introduces “Anger” and talks about the state of art and poetry [INDEX:    Upstate New York, Albany State University, Rensselaer Polytechnic, Pottsdam, St.        \\tLawrence College, Union College- Part of Reading Series of seven artists with John Cage, Merce Cunningham. Roy Kiyooka at the Tate Music Center in San Francisco. Billy Kluver from Bell Labs in New Jersey, engineered “9 Evenings” at the Armory Hall with Rauschenberg, [Vergan (?) ] and John Cage. Technology and art, purpose of art, Ezra Pound.]\\n11:21- Reads “Anger”\\n16:46- Reads “A Tally”\\n19:02- Reads “Enough”\\n23:21- Reads “The Hole”\\n25:14- Introduces short story “The Book”. [INDEX: Prose, middle 50’s, Guatemala (teaching \\tchildren on a coffee plantation), writing poetry vs. prose, Vancouver, Island by Robert   \\tCreeley.]\\n27:43- Reads “The Book”\\n38:59- Unknown male thanks Robert Creeley, makes announcements. [INDEX: Audrey Brunet   [?] “Prayers on the Periphery” on March 6th. Victor Coleman and George Bowering from  \\tBuffalo and Toronto reading on March 3rd.]\\n40:32- END OF RECORDING.\\n\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"Yes\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/robert-creeley-at-sgwu-1967/\"}]"],"score":2.1243587},{"id":"1284","cataloger_name":["Bindu,Reddy"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":["Robert Creeley at Sir George Williams University, The Poetry Series, 1 January 1970"],"item_title_source":["Cataloguer"],"item_title_note":["\"ROBERT CREELEY Recorded March 6, 1970 3.75 ips, 1/2 track on 1 mil. tape\" written on sticker on the back of the tape's box. \"ROBERT CREELEY I006/SR89.2\" written on sticker on the spine of the tape's box. \"I006-11-089.2\" written on sticker on the reel\n"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_subseries_title":["Poetry 5"],"item_identifiers":["[]"],"creator_names":["Creeley, Robert"],"creator_names_search":["Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"American poet and essayist Robert Creeley was born in 1926 in Arlington, Massachusetts. His early life was marred by tragedy, as he lost his left eye in an accident and suffered the death of his father when he was four years old. Creeley then grew up on a farm, and felt repressed by his traditional Puritanical New England upbringing. After a year of Harvard University, Creeley joined the US Field Service in India and Burma. Returning again to Harvard, he married his first wife Ann MacKinnon, with whom he had three children, only to leave Harvard in his final semester. From 1948 to 1950, Creeley and his family moved to several locations including Provincetown, New Hampshire; Provenance, France; and Mallorca, Spain. Once in Mallorca, he set up The Divers Press with poet Denise Levertov. Creeley thus began correspondence with Charles Olson, and Olson offered Creeley a teaching position at the Black Mountain College in North Carolina, as well as a Bachelor’s degree in 1954. During his short time at Black Mountain, Creely edited Black Mountain Review, a journal known for its experimental writing. As well as many publications in poetry magazines, he published his first collection of short stories in The Gold Diggers in 1954 (Divers Press). After his marriage dissolved, Creeley headed West to San Francisco, meeting with Allen Ginsberg, Gary Snyder, and Kenneth Rexroth, as well as other Beat poets during the San Francisco Poetry Renaissance. Creeley then moved to Albuquerque, New Mexico, completed his M.A., and then took a position as professor of English. There, he met and married Bobbie Louise Hall, with whom he had two daughters and for whom he wrote most of his love poetry. His first major collection of poetry was For Love: Poems 1950-1960, published in 1962 (Scribner Press). Creeley subsequently published his novel, The Island (Scribner Press, 1963), and other poetry collections including Words (Scribner), The Charm: Early and Uncollected Poems (Perishable Press, 1967), and Pieces (Scribner, 1969). His essays and prose publications include A Quick Graph: Collected Notes and Essays (Four Seasons Foundation, 1970), A Sense of Measure (Calder and Boyars, 1973), and Was That a Real Poem and Other Essays (Four Seasons Foundation, 1979). His marriage with Bobbie ended in the late 70’s, and he married his third wife, Penelope Highton.  Creeley continued to publish his poetry in collections such as Later (New Directions, 1979), Mirrors (New Directions, 1983), Windows (New Directions, 1990), Echoes (New Directions, 1994), Life and Death (New Directions, 1998), and If I Were Writing This (New Directions, 2003). He has won a number of awards and honors, including the New York State Poet Laureate from 1989-91. He was elected a Chancellor of the Academy of American Poets in 1999, received the Lannan Lifetime Achievement Award, the Bollingen Prize, the Shelley Memorial Award, a Rockefeller Grant and two Guggenheim Fellowships. Robert Creeley died in 2005, but his poetry has been published posthumously in On Earth: Last Poems and an Essay (University of California Press, 2009), The Collected Poems of Robert Creeley, 1975-2005 (University of California Press, 2006) and Robert Creeley: Selected Poems, 1945-2005 (University of California Press, 2008).\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"Half-track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"Dates":["[{\"date\":\"1970 3 6\",\"type\":\"Performance Date\",\"notes\":\"Date written on sticker on the back of the tape's box (March 6, 1970)\\n\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080570\",\"venue\":\"Hall Building Room H-651\",\"notes\":\"\",\"address\":\"1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada\",\"latitude\":\"45.4972758\",\"longitude\":\"-73.57893043\"}]"],"Address":["1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada"],"Venue":["Hall Building Room H-651"],"City":["Montreal, Quebec"],"content_notes":["Robert Creeley reads from Pieces (Scribner, 1969), In London (Angel Hair Books, 1970), and  from other unknown sources."],"contents":["robert_creeley_i006-11-089-2_1970.mp3\n\nUnknown\n00:00:00.00\n...thing which is regularly said when introducing Robert Creeley [https://www.wikidata.org/wiki/Q918620] would be that he is a, a Black Mountain Poet [https://www.wikidata.org/wiki/Q2905420], and a colleague of Robert Duncan's [https://www.wikidata.org/wiki/Q57421163], and the late Charles Olson's [https://www.wikidata.org/wiki/Q922978]. What has really introduced Robert Creeley to me however, was something I heard him say back in 1963, to the effect that when a man begins to love himself, love himself, to be in the world as he is in it, then things begin to happen to him that are interesting. Now, this is a statement, which is enigmatic in its syntax and yet still spells out what I think you will find interesting about Robert Creeley tonight, that is that he's a man whose poems are close to the process of living. He will be able to give you information in his poems about this process. His poems are about someone who, no matter how difficult this process has become, has loved that particular moment of it. Now that Robert is supplied with cigarettes for the evening, he may as well begin.\n \nAudience\n00:01:43\nApplause [cut off].\n\nRobert Creeley\n00:01:48\nLet me. \"On Vacation\".\n \nRobert Creeley\n00:02:35\nReads \"On Vacation\".\n \nRobert Creeley\n00:02:55\nI'll read one more poem, I made it up all by myself, that's the only thing... \"Do You Think\".\n \nRobert Creeley\n00:03:03\nReads \"Do You Think...\" [published later in A Day Book].\n \nRobert Creeley\n00:04:51\nIt's like a Latter Day [https://www.wikidata.org/wiki/Q42504]quote, no it's like a--I've got a noun [unintelligible].\n\nAudience \n00:05:01\nLaughter. \n\nRobert Creeley\n00:05:03\nThis has nothing in the glasses, nothing in the glass, that's the problem. I want to read, frankly an old and dear friend Robin Blaser [https://www.wikidata.org/wiki/Q2115003], an old and dear friend, a man I much respect and care for just happens to be in the room, I haven't seen him since, like, almost, it feels like 20 minutes ago. But I want therefore to read a few poems that are more recent in composition. \"The Act of Love\".\n\nRobert Creeley\n00:05:50\nReads \"The Act of Love\".\n \nRobert Creeley\n00:07:55\nThen I'd like to read another poem because frankly Robin is a very particular friend, and not will know simply the information I'm trying to get clear, but will know the, you know, you like to read for people, shit, you know. \"The Birds\".\n \nRobert Creeley\n00:08:19\nReads \"The Birds\".\n \nRobert Creeley\n00:09:58\nThen that--\"things seem empty on vacation, if the labors have not been physical, then, some awful grating sound as if some monstrous nose were being blown...\" [begins to read “On Vacation”]--no I've read that once, I won't read it again. But I wanted to read the most recent--I used to have, not an ambition, but I had a lovely sense of Allen Ginsberg's [https://www.wikidata.org/wiki/Q6711] freedom in writing, happily, he's been here not too long ago. And I mean, Allen is a true contemporary, simply that we were born within say, what he's born--his birthday is June 3rd and mine's May 23rd of 1926 and we're, you know, we're very close in time and space. I used to have a sense of not Allen's permission in writing, I mean that permission doesn't exist. I mean, you write what you are given thus to write, nobody designs this occasion, nobody has the authority of it, and I did in a weird way, I envied Allen's ability to be where that situation might occur, you know. Like he could really write any moment, any place, anywhere, and so recently flying. In fact, last week, flying out to Los Angeles, not to Los Angeles, to San Francisco, I'd been awfully harassed in particular dilemmas of responsibility and suddenly sitting on the plane. There was this delicious space, you know, made peace with the plane by drinking everything they would give you instantly and having entered with some. I remember watching Warren, an old, dear friend get on a plane with like, four double vodkas. You know, I said \"Warren, you're going to get drunk\". He said, “No I'm flying back to Vancouver”. Like you mistaked the occasion, you know. And so, I get on the plane, and I thought, “well I can do this too”. And I wrote, my Bobbie who is a friend indeed of Robin's and myself. I'm literally her husband and Robin is a friend in that, what am I? I'm not going to propose that we're--no, but I think it's true. It has nothing to do with fucking. It has to do with the ambiance and reality of another human being. I think we share that reality in her. And she had gotten ill, unhappily and in some unexpected manner and then happily is now okay, but it was a crazy moment of dilemma. \"An Illness\".\n \nRobert Creeley\n00:12:52\nReads \"An Illness\". \n \nRobert Creeley\n00:15:55\nAnd I'm going to read a few more for Robin, and then, \"The Problem\".\n \nRobert Creeley\n00:16:06\nReads \"The Problem\".\n \nRobert Creeley\n00:16:44\nReads \"The Tiger\".\n \nRobert Creeley\n00:17:09\nWhat is reality--this is crossed out--[Reads excerpted material from “The Tiger”]. “What is reality we thought, who is here, we could smell the freshness of the jungle growth and would have been eaten by the tiger were it hungry” [audience laughter]. It's all crossed out. I'll read, this is--\n \nRobert Creeley\n00:17:38\nReads unnamed poem.\n \nRobert Creeley\n00:18:33\n\"Not Being Dumb\"--this is, these are three things together.\n \nRobert Creeley\n00:18:36\nReads \"Not Being Dumb”.\n \nRobert Creeley\n00:19:38\nReads [\"Harry\"].\n \nRobert Creeley\n00:19:46\nLet me just, may I just read around, because these are, like, poems of like the last few months. This was a poem that is variously titled \"Sweet Dreams, Good Harbor Beach\". This is a place in Gloucester [https://www.wikidata.org/wiki/Q49156]. It therefore has a physical location.\n \nRobert Creeley\n00:20:04\nReads \"Sweet Dreams, Good Harbor Beach\".\n \nRobert Creeley\n00:21:15\nI want to read one sequence of, a cluster of particular writing, I won't even have the arrogance to say these are necessarily poems. But the, because I don't in that sense, these are a sequence called \"In London\". And I had, I'll tell you, physically, the circumstance was that I was in London [https://www.wikidata.org/wiki/Q84?wprov=srpw1_0] for five days last summer for a particular activity and I have happily a number of friends in London. Therefore, generously and, actually my time is really filled with seeing particular friends or else having particular business to conduct, and that's one, frankly, one of the satisfactions of one sense of what my life has to do with its own occasion, to have use and to have place. Not to say, “Gee, you're back again. We've kept the table. We've kept the seat for you”. But to have an occasion that actually gives you place in the world is always a delight. And so therefore, I was there briefly and this particular morning, there was to have been a, actually, a recording and it turned out the circumstances of the recording hadn't worked out. So the people involved did not come and so there was a space of three hours in which I was staying at this friend's apartment in London on Wimpole Street, 76 Wimpole Street, just around Oxford Street. You know the neighborhood possibly. And it's a dazzling part of London for an American. Particularly, I mean, it's like Barrets and Wimpole Street and the whole bit, Paul McCartney [https://www.wikidata.org/wiki/Q2599?wprov=srpw1_0] had a place, like two blocks--did have a place two blocks--and the whole bit. You know, and it's very dazzling, and I was in this apartment and I was sleeping actually on the couch of this particular friend, and there were other beds available, but I did not manage. I was not aggressive, so therefore I slept on the couch. It was a heavy time for everybody, and I was thinking of Jim dying, you know whose “A Retrospective of the Whitney” has just opened. And I was staying, actually, with the wife of a publisher who happily I have in London, John Calder [https://www.wikidata.org/wiki/Q6224786] and Marion Boyars [https://www.wikidata.org/wiki/Q18674153]. I was thinking of John Calder's apartment and John and his wife unhappily were having a, I mean, it's ridiculous, I'm not going to rehearse the whole situation of their lives, man. Like we've got enough to enter my own in that way, but the point is that I was sleeping on their couch, right? Everybody had left for their various activities and I was to meet these people to come in and set up this recording equipment and have this scene, and they didn't show up. And I had literally like two or three hours just in that apartment. I was padding around the place in my jammies, feeling beautifully luxurious and relaxed in London, you know, like digging out the window. I'd been the night previous reading at an International Festival of Poetry on a beautiful occasion, and I'd gone over. Jim Dine [https://www.wikidata.org/wiki/Q531234] is frankly a friend from the States and I'd called him up, he's living in, where the hell does he live, Grosvenor square [https://www.wikidata.org/wiki/Q932992], he's like in that district. He's living next to the Uruguay Embassy, like it's a very- he's running a house that somebody is trying to sell, but they can't find an appropriate buyer. Mick Jagger [https://www.wikidata.org/wiki/Q128121] wanted to buy the house, but they didn't want a rock singer, and then the Nigerian Embassy wanted to buy the house but they didn't want to sell, you know. It was a whole trip. So Jim Dine has maintained the premises. So I go there and say \"Terrific\" and \"Wow\". We do the whole American bit, which is frankly to get over excited instantly, and to eat, drink, and be merry with an absolute insistence. And we're now driving over to make the Royal Festival Arts blah, blah, blah scene. And for an American it's a heady trip. I'm going to read now in company with the company of four other people, as part of the International Festival of Poetry and they're having this scene at a place, those of you who know London, they're having a scene at the Queen Elizabeth Hall [https://www.wikidata.org/wiki/Q1622428], that's part of the festival, you know like, complexes across the Thames [https://www.wikidata.org/wiki/Q19686] from the Parliamentary buildings, Tower of London [https://www.wikidata.org/wiki/Q62378], all that. So we're driving  through late London afternoon in July, delicious, I mean, the sun is fading in over those buildings the whole, oh wow, you know, just blow your mind. It's just fantastically tender and real, and that's where Raleigh [https://www.wikidata.org/wiki/Q189144] was imprisoned in the Tower, and that's you know, fantastic. We arrive in absolutely pristine condition, and it took about two minutes to 'x' it all out. So the first two poems--it says “Festival Hall London”, like a note to myself on the side, and the first two poems--like the unrelieved tedium of the evening was just fantastic. I talked to a reporter of like a red rag, a socialist paper in London later. He said, “I don't see any reason why you should show up, Mr. Creeley, before you're required, your presence is literally required”. You know, so I said, “Do you really think that's possible? Do you think I really could do that?”. He said “I don't see any reason why your condition and duty doesn't permit that kind of occasion”, and I said “The hardest thing man is to sit there for like, it isn't the tedium of the people, it's the tedium of the occasion, it's like all these people. I have to have a rock in my pants that I thought it was hashish but it's actually three million, billion years old, it's a worm. We've got time, right?”. So he said “You don't have to”--what was your experience--he's trying to get some, you know he's trying to get some sense of the work as we're not permitted into the reading or something [audience laughter] and I quote the work as we're like generously absent from the reading, like you don't have to do that too, there's going to be a condition of that experience. \"In London\"\n \nRobert Creeley\n00:28:30\nReads \"In London\" [from In London]. \n\nRobert Creeley\n00:28:39\nThis was, like in this absolutely [unintelligible] environment you suddenly look around and see this exit, exit, exit sign red, exit, exit, exit, exit. There was a titter that ran through the audience and then there was nothing more. \"Cards\". This is now back in the apartment.\n \nRobert Creeley\n00:28:58\nResumes reading \"In London\" [from In London]. \n \nRobert Creeley\n00:30:03\nNow, I'll read the crossed out portions. \"There are people in the sky, now you see them, now you don't, won't you take me to my home, and let me play among the stars. The final fears of all the years are met in you tonight.\" This is, this flows out on vague rhythms. “12:30” written as Arabic numerals, read as 12:30 words.\n \nRobert Creeley \n00:30:30.\nResumes reading \"In London” [from In London].\n \nRobert Creeley\n00:30:36\n[Interrupts reading]. You know that scene when you're in a city and know one or two people, keep calling up, \"Well, Ted is sober\", [unintelligible] [audience laughter] and I said \"Man, I was there, I know how tired he is, I'm awake\".\n \nRobert Creeley\n00:30:50\nResumes reading \"In London” [from In London].\n \nRobert Creeley\n00:30:59\n[Interrupts reading]. This was a girl who played the lead in The Beard, actually, in the initial San Francisco [https://www.wikidata.org/wiki/Q62] production who was now working in London playing the same part. Lovely young woman, Billy, trying to remember her last name, very soft and pleasant...\n \nRobert Creeley\n00:31:15\nResumes reading \"In London” [from In London].\n \nRobert Creeley\n00:31:20\n[Interrupts reading]. Let me interpolate, Chamberlain [https://www.wikidata.org/wiki/Q468760] at one point had a weird erotic scene where they were making love by telephone. Have you ever tried that number? So John was was making things like sperm omelet, like he really, somehow it arrived in his madness of mid age, and decided that he was really going to go for broke in terms of sexual possibility. You ever see a man from Indiana take off on the possibilities of sexual endeavor? It's like- so John, Ultra Violet was the perfect foil for this condition. Ultra Violet [https://www.wikidata.org/wiki/Q272994], if you've seen, you must have seen her on the Merv Griffin Show [https://www.wikidata.org/wiki/Q3404046], Ultra Violet like is like the most humorless, John had a tape of her singing \"The Fool on the Hill'' [https://www.wikidata.org/wiki/Q1920202] that went on for weeks. It was like years would pass by. “Ze fool on ze hill”, you know. With this incredibly corny french accent. \"Ze fool on ze hill\" I remember, and he had a scene where they would make love like- I remember one time, the only, the first time I met- oh christ, I'm suddenly flipped out in my own mind, oh hell. It's ridiculous. Well, see, John had a studio on 13th Street and First Avenue, and Larry Rubens had a studio also, and a Japanese girl had a studio, and upstairs was like, directly over John's studio was, oh hell, who's the obvious sculpture, someone supply me with a name, it's ridiculous, the greatest imagination in the arts today in terms of this environment, [audience suggests name] Pardon? No, not Segal [https://www.wikidata.org/wiki/Q703624]. Like Oldenburg [https://www.wikidata.org/wiki/Q156731], Claes Oldenburg. Claes Oldenburg lived upstairs and then he was still with his wife, his crazy factory, the industry, like making the ghosts, I mean they were making the mock-ups of the particular sculptures he was involved in and John, for example, would like wake up, you'd hear like- I spent nights in John's place and you'd hear the radio would turn on, in the morning, like to station k-whatever it was and then you'd hear them moving around getting breakfast and then hear the sewing machine start and the day would begin and Claes Oldenburg has a crazy serious humorous, like the peculiar to my- I was talking to someone about being, you know, coming from Nova Scotia [https://www.wikidata.org/wiki/Q1952], or New Brunswick [https://www.wikidata.org/wiki/Q1965] or St. John's [https://www.wikidata.org/wiki/Q2082] I mean like the [unintelligible] scene is very displaced by that Scandinavian economy, you know, of experience. So John was- do things like one night for an example, he and Ultra Violet had this thing going with the telephone and she called him and he happened to be out and she just let the phone ring. The phone rang from 11:00 to 7 in the morning [laughter.] Like it just keeps ringing. I remember I met Claes Oldenburg that morning, he said \"John, someone was trying to call you last night\" [laughter] and John says \"Yeah, I know.\" It was lovely, yeah. “I got the message”. And that was all either one of them said.\n \nRobert Creeley\n00:35:21\nResumes reading \"In London” [from In London].\n \nRobert Creeley\n00:37:41\n[Interrupts reading]. Then in the actual text there's a point that it's been in print actually for fifteen years in paperback. Somehow, nobody, the friends that we had didn't curiously notice. His reminiscences of Tolstoy [https://www.wikidata.org/wiki/Q7243] in London [https://www.wikidata.org/wiki/Q84], for example. Have you ever read Gorky's [https://www.wikidata.org/wiki/Q12706] Reminiscences of Tolstoy? Fantastic book. \"Wish I were home\"...doesn't just turn you on informationally, it turns you on to conditions of experience, I hope.\n \nRobert Creeley\n00:38:08\nResumes reading “In London” [from In London].\n \nRobert Creeley\n00:39:30\nI wonder what this is, \"Aside, aside\", [unintelligible], February, Spring day, it's from California [https://www.wikidata.org/wiki/Q99].\n \nRobert Creeley\n00:39:46\nReads [“That Day” from In London].\n \nRobert Creeley\n00:39:51\n[Interrupts reading]. See, I love that \"And that day, in an oak tree, falls way, comes here\", I love that “interup-tions”.\n\nRobert Creeley\n00:40:00\nResumes reading [“That  Day” from In London].\n \nRobert Creeley\n00:40:04\n[Interrupts reading]. I love that play of language.\n \nRobert Creeley\n00:40:07\nResumes reading [“That  Day” from In London].\n \nRobert Creeley\n00:40:54\nThat I, this was a--one time back in the earlier part of the 60's, Ginsberg [https://www.wikidata.org/wiki/Q6711] was given a tape recorder by Bob Dylan [https://www.wikidata.org/wiki/Q392] and when they were both in San Francisco [https://www.wikidata.org/wiki/Q62]. Dylan gave Allen a Uher tape recorder and they had been in San Francisco, now Allen went down to Los Angeles [https://www.wikidata.org/wiki/Q65] and he talked to people like Gerald Heard [https://www.wikidata.org/wiki/Q1606714], he had long conversations with Lenny Bruce [https://www.wikidata.org/wiki/Q460876], and he also went to see Maria Huxley, and he was particularly interested as to what were Huxley's, not merely, he knew what Huxley died of, Huxley died of cancer in a factual and actual manner. But he was very interested into what was Huxley's not state, like he didn't want to hear his last words in some awful sense, but he wanted to know what kind of experience of death Huxley had had. And if this particular experience of death had been in any way informed by the circumstance of experience that Huxley had begun to be more and more involved with as he grew older, namely acid and the transformation, not the transformation but the particularization of experience that he found in the psychedelic so-called drugs. And so he asked Maria Huxley the very obvious question, “was Huxley on acid when he died? Did he take acid previous to his death?” And she said, “well, he had asked that when he was thus conscious. I mean he did go into a coma. He did have a float, physically, and he asked that he have acid available. I mean that the cap of acid be place conveniently by the bed, and that he would obviously determine when and as and if he wanted to take it. It would be there. It would be like an aspirin, like a glass of water,” and she said that roughly half an hour previous to his physical death, he took acid. And then Allen asked the other obvious question, did he say anything? Did he say anything of the experience of the circumstance? She said, no he didn't, he said nothing. But this is a woman who'd lived obviously with this man for a particular length of time and had information specifically, she said no, but there was this beatific smile, he was attending his own, you know, like he was attending, not the apocalypse, but the phenomenality of his own dispersion into you know other states of being, with the agency that's created.\n \nRobert Creeley\n00:43:49\nReads [section of “Little Time--And Place” from In London]. \n \nRobert Creeley\n00:44:05\nI want to read one last poem from this text, and then I'll go back to books you may know. \"A Wall\".\n \nRobert Creeley\n00:44:15\nReads \"A Wall\".\n \nUnknown\n00:45:20\n[Cut or edit made in tape. Unknown amount of  time elapsed].\n\nRobert Creeley\n00:45:22\n..simply identifies the title of the book that you're referring to and the name of the man who wrote it. \n\nUnknown\n00:45:25\n[Cut or edit made in tape. Unknown amount of time elapsed].\n\nRobert Creeley\n00:45:26\n...he didn't want to make it hard for anybody, certainly didn't want to make it thus easy. But, particular information was always of that nature, you couldn't describe it, you certainly couldn't make it a convenience, so that the actuation of it for you always had to be the particular resource and fact of your own--I mean, it had to be that you did know it. It wasn't like one-upping, \"Gee, you don't know the name of the capital of Madagascar\" [https://www.wikidata.org/wiki/Q1019?wprov=srpw1_0], like I don't know the name of the capital of Madagascar, is there a capital of Madagascar? I guess, you couldn't. That wasn't the condition, but if something was there to be known, that was of some particular interest to him, he gave you the fact of that interest and the substance of that interest, but he didn't give you the convenience of that interest, you had not merely to track his experience into it, but you had to get there, like you had to get there by your own agency. But I think I could--someone said, like man, like the dots in this particular book, pieces, and there's a lovely remark by Ed Dorn [https://www.wikidata.org/wiki/Q5334756] whom I dearly love, he said you know, that sense of the pieces of the definition, [unintelligible] of the parts of some of the imagined whole, which these pieces are then the fragments or the parts of, then he says, he effectually suggests, think of a situation where the pieces do not compose that possible containment, the parts that do not necessarily relate and or have the substance of the whole thus to inform them. Like now, you're really in a hole, dig. And his definition of tradition: that which someone comes carrying the information of, literally, he got there, with the news. So the dots in this book, the three dots, those of you who are interested in these explications of text, these three dots simply indicate the intervals of a particular sitting, or a particular, you know literally, you see how this is written, it's like in a notebook, well what was written on a particular day would be separated in this text by three dots, you know, like usually the particular things written would be separated by one dot then when another day occurred there'd be three dots, I mean it's a very rudimentary division.\n \nRobert Creeley\n00:47:53\nReads \"The which it was\" [from Pieces].\n \nRobert Creeley\n00:49:15\n\"Re Bob's Film (CUT)\", this was a movie done, friend--this is not even interesting, this is an 8 mm film called \"Cut\".\n \nRobert Creeley\n00:49:23\nReads \"Re Bob's Film (CUT)\" [from Pieces].\n \nRobert Creeley\n00:51:53\nI want to skip, like I want to skip to the end of this book and read frankly, if I may for a close, let me read a sequence called \"Mazatlan: Sea\" which comes together as a close to this particular book and is writing of the same order.\n \nRobert Creeley\n00:52:15\nReads \"Mazatlan: Sea\" [from Pieces].\n \nEND\n01:07:47\n"],"Note":["[{\"note\":\"Year-Specific Information: \\n\\nRobert Creeley tenured as a full professor at SUNY Buffalo in 1967, edited The New Writing in the USA with Don Allen, and published Words and The Charm: Early and Uncollected Poems.  Creeley attended the London International Poetry Festival in July of 1967\",\"type\":\"General\"},{\"note\":\"Local Connections: \\n\\nCreeley had ties with Irving Layton through the Black Mountain Review in the 50’s. Creeley moved to Vancouver to work at the University of British Columbia in 1960-61. He had contacts with Phyllis Webb and Irving Layton. Creeley was George Bowering’s Master's thesis advisor at University of British Columbia until 1963, and wrote introductions for Bowering’s poetry. He came to visit Montreal and Sir George Williams University the same year Layton was poet in residence, after years of correspondence.\",\"type\":\"General\"},{\"note\":\"Original transcript, research, introduction and edits by Celyn Harding-Jones\\n\\nAdditional research and edits by Sarah McDonnell and Ali Barillaro\",\"type\":\"Cataloguer\"},{\"note\":\"Reel-to-reel tape>CD>digital file\",\"type\":\"Preservation\"}]"],"Related_works":["[{\"url\":\"https://www.worldcat.org/title/collected-poems-of-robert-creeley/oclc/1151730303&referer=brief_results\",\"citation\":\"Creeley, Robert, and Penelope Creeley. The Collected Poems of Robert Creeley: 1945-1975. University of California Press, 2006. \"},{\"url\":\"https://www.worldcat.org/title/was-that-a-real-poem-other-essays/oclc/247870873&referer=brief_results#reviews\",\"citation\":\"Creeley, Robert; Allen, Donald; Novik, Mary. Was That a Real Poem and Other Essays. Four Seasons Foundation, 1979.\"},{\"url\":\"https://www.worldcat.org/title/in-london/oclc/970961442?referer=di&ht=edition\",\"citation\":\"Creeley Robert. In London. Bolinas: Angel Hair Books, 1970.\"},{\"url\":\"https://www.worldcat.org/title/words-poems/oclc/421895361?referer=di&ht=edition\",\"citation\":\"Creeley, Robert. Words: poems. New York: Scribner, 1967. \"},{\"url\":\"https://www.worldcat.org/title/sense-of-measure/oclc/718716260&referer=brief_results\",\"citation\":\"Creeley, Robert. A Sense of Measure. Calder and Boyars, 1973. \"},{\"url\":\"https://www.worldcat.org/title/some-echoes/oclc/1167543687&referer=brief_results\",\"citation\":\"Creeley, Robert. Echoes. New Directions, 1994.\"},{\"url\":\"https://www.worldcat.org/title/for-love-poems-1950-1960/oclc/268031?referer=di&ht=edition\",\"citation\":\"Creeley, Robert. For Love: Poems Poems 1950-1960. New York: Scribner, 1962. \"},{\"url\":\"https://www.worldcat.org/title/if-i-were-writing-this/oclc/181140062&referer=brief_results\",\"citation\":\"Creeley, Robert. If I Were Writing This. New Directions, 2008. \"},{\"url\":\"https://www.worldcat.org/title/later/oclc/470953767&referer=brief_results\",\"citation\":\"Creeley, Robert. Later. New Directions, 1980.\"},{\"url\":\"https://www.worldcat.org/title/life-death/oclc/694895837&referer=brief_results\",\"citation\":\"Creeley, Robert. Life and Death. New Directions, 2000. \"},{\"url\":\"https://www.worldcat.org/title/mirrors/oclc/239774564&referer=brief_results\",\"citation\":\"Creeley, Robert. Mirrors. New Directions, 1983.\"},{\"url\":\"https://www.worldcat.org/title/on-earth-last-poems-and-an-essay/oclc/264039622&referer=brief_results\",\"citation\":\"Creeley, Robert. On Earth: Last Poems and an Essay. University of California Press, 2009. \"},{\"url\":\"https://www.worldcat.org/title/pieces/oclc/729928833&referer=brief_results\",\"citation\":\"Creeley, Robert. Pieces. New York: Scribner, 1969. \"},{\"url\":\"https://www.worldcat.org/title/charm/oclc/9997283&referer=brief_results\",\"citation\":\"Creeley, Robert. The Charm: Early and Uncollected Poems. Book People & Mudra, 1971. \"},{\"url\":\"https://www.worldcat.org/title/gold-diggers-and-other-stories/oclc/10263594&referer=brief_results\",\"citation\":\"Creeley, Robert. The Gold Diggers. Divers Press, 1954. \"},{\"url\":\"https://www.worldcat.org/title/island/oclc/6464917&referer=brief_results\",\"citation\":\"Creeley, Robert. The Island. New York: Scribner, 1970. \"},{\"url\":\"https://www.worldcat.org/title/windows/oclc/797857141&referer=brief_results\",\"citation\":\"Creeley, Robert. Windows. Boyars, 1991.\"},{\"url\":\"https://www.worldcat.org/title/robert-creeley-a-biography/oclc/951202214&referer=brief_results\",\"citation\":\"Fass, Ekbert. Robert Creeley: A Biography. Montreal: McGill-Queen’s University Press, 2001.\"},{\"url\":\"http://news.google.com/newspapers?id=O5UtAAAAIBAJ&sjid=4p8FAAAAIBAJ&pg=3951,6182119&dq=sir+george+williams+poetry&hl=en\",\"citation\":\"“Poetry Series Coming Up At University”. Montreal: The Gazette. 31 December 1966, page 39. \\n\"},{\"url\":\"\",\"citation\":\"O’Reilly, Elizabeth. “Creeley, Robert, 1926-”. Literature Online Biography. Proquest, 2008. \"}]"],"_version_":1853670548903559168,"timestamp":"2026-01-07T14:59:53.477Z","digital_description":["[{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0089-2_tape.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0089-2_tape.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Robert Creeley Tape Box 2 - Reel\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0089-2_front.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0089-2_front.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Robert Creeley Tape Box 2 - Front\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0089-2_back.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0089-2_back.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Robert Creeley Tape Box 2 - Back\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0006_11_0089-2_side.jpg\",\"file_path\":\"\",\"filename\":\"I0006_11_0089-2_side.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Robert Creeley Tape Box 2 - Spine\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/robert_creeley_i006-11-089-2_1970.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"robert_creeley_i006-11-089-2_1970.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"01:07:47\",\"precision\":\"\",\"size\":\"162.7 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"Unknown\\n00:00:00.00\\n...thing which is regularly said when introducing Robert Creeley [https://www.wikidata.org/wiki/Q918620] would be that he is a, a Black Mountain Poet [https://www.wikidata.org/wiki/Q2905420], and a colleague of Robert Duncan's [https://www.wikidata.org/wiki/Q57421163], and the late Charles Olson's [https://www.wikidata.org/wiki/Q922978]. What has really introduced Robert Creeley to me however, was something I heard him say back in 1963, to the effect that when a man begins to love himself, love himself, to be in the world as he is in it, then things begin to happen to him that are interesting. Now, this is a statement, which is enigmatic in its syntax and yet still spells out what I think you will find interesting about Robert Creeley tonight, that is that he's a man whose poems are close to the process of living. He will be able to give you information in his poems about this process. His poems are about someone who, no matter how difficult this process has become, has loved that particular moment of it. Now that Robert is supplied with cigarettes for the evening, he may as well begin.\\n \\nAudience\\n00:01:43\\nApplause [cut off].\\n\\nRobert Creeley\\n00:01:48\\nLet me. \\\"On Vacation\\\".\\n \\nRobert Creeley\\n00:02:35\\nReads \\\"On Vacation\\\".\\n \\nRobert Creeley\\n00:02:55\\nI'll read one more poem, I made it up all by myself, that's the only thing... \\\"Do You Think\\\".\\n \\nRobert Creeley\\n00:03:03\\nReads \\\"Do You Think...\\\" [published later in A Day Book].\\n \\nRobert Creeley\\n00:04:51\\nIt's like a Latter Day [https://www.wikidata.org/wiki/Q42504]quote, no it's like a--I've got a noun [unintelligible].\\n\\nAudience \\n00:05:01\\nLaughter. \\n\\nRobert Creeley\\n00:05:03\\nThis has nothing in the glasses, nothing in the glass, that's the problem. I want to read, frankly an old and dear friend Robin Blaser [https://www.wikidata.org/wiki/Q2115003], an old and dear friend, a man I much respect and care for just happens to be in the room, I haven't seen him since, like, almost, it feels like 20 minutes ago. But I want therefore to read a few poems that are more recent in composition. \\\"The Act of Love\\\".\\n\\nRobert Creeley\\n00:05:50\\nReads \\\"The Act of Love\\\".\\n \\nRobert Creeley\\n00:07:55\\nThen I'd like to read another poem because frankly Robin is a very particular friend, and not will know simply the information I'm trying to get clear, but will know the, you know, you like to read for people, shit, you know. \\\"The Birds\\\".\\n \\nRobert Creeley\\n00:08:19\\nReads \\\"The Birds\\\".\\n \\nRobert Creeley\\n00:09:58\\nThen that--\\\"things seem empty on vacation, if the labors have not been physical, then, some awful grating sound as if some monstrous nose were being blown...\\\" [begins to read “On Vacation”]--no I've read that once, I won't read it again. But I wanted to read the most recent--I used to have, not an ambition, but I had a lovely sense of Allen Ginsberg's [https://www.wikidata.org/wiki/Q6711] freedom in writing, happily, he's been here not too long ago. And I mean, Allen is a true contemporary, simply that we were born within say, what he's born--his birthday is June 3rd and mine's May 23rd of 1926 and we're, you know, we're very close in time and space. I used to have a sense of not Allen's permission in writing, I mean that permission doesn't exist. I mean, you write what you are given thus to write, nobody designs this occasion, nobody has the authority of it, and I did in a weird way, I envied Allen's ability to be where that situation might occur, you know. Like he could really write any moment, any place, anywhere, and so recently flying. In fact, last week, flying out to Los Angeles, not to Los Angeles, to San Francisco, I'd been awfully harassed in particular dilemmas of responsibility and suddenly sitting on the plane. There was this delicious space, you know, made peace with the plane by drinking everything they would give you instantly and having entered with some. I remember watching Warren, an old, dear friend get on a plane with like, four double vodkas. You know, I said \\\"Warren, you're going to get drunk\\\". He said, “No I'm flying back to Vancouver”. Like you mistaked the occasion, you know. And so, I get on the plane, and I thought, “well I can do this too”. And I wrote, my Bobbie who is a friend indeed of Robin's and myself. I'm literally her husband and Robin is a friend in that, what am I? I'm not going to propose that we're--no, but I think it's true. It has nothing to do with fucking. It has to do with the ambiance and reality of another human being. I think we share that reality in her. And she had gotten ill, unhappily and in some unexpected manner and then happily is now okay, but it was a crazy moment of dilemma. \\\"An Illness\\\".\\n \\nRobert Creeley\\n00:12:52\\nReads \\\"An Illness\\\". \\n \\nRobert Creeley\\n00:15:55\\nAnd I'm going to read a few more for Robin, and then, \\\"The Problem\\\".\\n \\nRobert Creeley\\n00:16:06\\nReads \\\"The Problem\\\".\\n \\nRobert Creeley\\n00:16:44\\nReads \\\"The Tiger\\\".\\n \\nRobert Creeley\\n00:17:09\\nWhat is reality--this is crossed out--[Reads excerpted material from “The Tiger”]. “What is reality we thought, who is here, we could smell the freshness of the jungle growth and would have been eaten by the tiger were it hungry” [audience laughter]. It's all crossed out. I'll read, this is--\\n \\nRobert Creeley\\n00:17:38\\nReads unnamed poem.\\n \\nRobert Creeley\\n00:18:33\\n\\\"Not Being Dumb\\\"--this is, these are three things together.\\n \\nRobert Creeley\\n00:18:36\\nReads \\\"Not Being Dumb”.\\n \\nRobert Creeley\\n00:19:38\\nReads [\\\"Harry\\\"].\\n \\nRobert Creeley\\n00:19:46\\nLet me just, may I just read around, because these are, like, poems of like the last few months. This was a poem that is variously titled \\\"Sweet Dreams, Good Harbor Beach\\\". This is a place in Gloucester [https://www.wikidata.org/wiki/Q49156]. It therefore has a physical location.\\n \\nRobert Creeley\\n00:20:04\\nReads \\\"Sweet Dreams, Good Harbor Beach\\\".\\n \\nRobert Creeley\\n00:21:15\\nI want to read one sequence of, a cluster of particular writing, I won't even have the arrogance to say these are necessarily poems. But the, because I don't in that sense, these are a sequence called \\\"In London\\\". And I had, I'll tell you, physically, the circumstance was that I was in London [https://www.wikidata.org/wiki/Q84?wprov=srpw1_0] for five days last summer for a particular activity and I have happily a number of friends in London. Therefore, generously and, actually my time is really filled with seeing particular friends or else having particular business to conduct, and that's one, frankly, one of the satisfactions of one sense of what my life has to do with its own occasion, to have use and to have place. Not to say, “Gee, you're back again. We've kept the table. We've kept the seat for you”. But to have an occasion that actually gives you place in the world is always a delight. And so therefore, I was there briefly and this particular morning, there was to have been a, actually, a recording and it turned out the circumstances of the recording hadn't worked out. So the people involved did not come and so there was a space of three hours in which I was staying at this friend's apartment in London on Wimpole Street, 76 Wimpole Street, just around Oxford Street. You know the neighborhood possibly. And it's a dazzling part of London for an American. Particularly, I mean, it's like Barrets and Wimpole Street and the whole bit, Paul McCartney [https://www.wikidata.org/wiki/Q2599?wprov=srpw1_0] had a place, like two blocks--did have a place two blocks--and the whole bit. You know, and it's very dazzling, and I was in this apartment and I was sleeping actually on the couch of this particular friend, and there were other beds available, but I did not manage. I was not aggressive, so therefore I slept on the couch. It was a heavy time for everybody, and I was thinking of Jim dying, you know whose “A Retrospective of the Whitney” has just opened. And I was staying, actually, with the wife of a publisher who happily I have in London, John Calder [https://www.wikidata.org/wiki/Q6224786] and Marion Boyars [https://www.wikidata.org/wiki/Q18674153]. I was thinking of John Calder's apartment and John and his wife unhappily were having a, I mean, it's ridiculous, I'm not going to rehearse the whole situation of their lives, man. Like we've got enough to enter my own in that way, but the point is that I was sleeping on their couch, right? Everybody had left for their various activities and I was to meet these people to come in and set up this recording equipment and have this scene, and they didn't show up. And I had literally like two or three hours just in that apartment. I was padding around the place in my jammies, feeling beautifully luxurious and relaxed in London, you know, like digging out the window. I'd been the night previous reading at an International Festival of Poetry on a beautiful occasion, and I'd gone over. Jim Dine [https://www.wikidata.org/wiki/Q531234] is frankly a friend from the States and I'd called him up, he's living in, where the hell does he live, Grosvenor square [https://www.wikidata.org/wiki/Q932992], he's like in that district. He's living next to the Uruguay Embassy, like it's a very- he's running a house that somebody is trying to sell, but they can't find an appropriate buyer. Mick Jagger [https://www.wikidata.org/wiki/Q128121] wanted to buy the house, but they didn't want a rock singer, and then the Nigerian Embassy wanted to buy the house but they didn't want to sell, you know. It was a whole trip. So Jim Dine has maintained the premises. So I go there and say \\\"Terrific\\\" and \\\"Wow\\\". We do the whole American bit, which is frankly to get over excited instantly, and to eat, drink, and be merry with an absolute insistence. And we're now driving over to make the Royal Festival Arts blah, blah, blah scene. And for an American it's a heady trip. I'm going to read now in company with the company of four other people, as part of the International Festival of Poetry and they're having this scene at a place, those of you who know London, they're having a scene at the Queen Elizabeth Hall [https://www.wikidata.org/wiki/Q1622428], that's part of the festival, you know like, complexes across the Thames [https://www.wikidata.org/wiki/Q19686] from the Parliamentary buildings, Tower of London [https://www.wikidata.org/wiki/Q62378], all that. So we're driving  through late London afternoon in July, delicious, I mean, the sun is fading in over those buildings the whole, oh wow, you know, just blow your mind. It's just fantastically tender and real, and that's where Raleigh [https://www.wikidata.org/wiki/Q189144] was imprisoned in the Tower, and that's you know, fantastic. We arrive in absolutely pristine condition, and it took about two minutes to 'x' it all out. So the first two poems--it says “Festival Hall London”, like a note to myself on the side, and the first two poems--like the unrelieved tedium of the evening was just fantastic. I talked to a reporter of like a red rag, a socialist paper in London later. He said, “I don't see any reason why you should show up, Mr. Creeley, before you're required, your presence is literally required”. You know, so I said, “Do you really think that's possible? Do you think I really could do that?”. He said “I don't see any reason why your condition and duty doesn't permit that kind of occasion”, and I said “The hardest thing man is to sit there for like, it isn't the tedium of the people, it's the tedium of the occasion, it's like all these people. I have to have a rock in my pants that I thought it was hashish but it's actually three million, billion years old, it's a worm. We've got time, right?”. So he said “You don't have to”--what was your experience--he's trying to get some, you know he's trying to get some sense of the work as we're not permitted into the reading or something [audience laughter] and I quote the work as we're like generously absent from the reading, like you don't have to do that too, there's going to be a condition of that experience. \\\"In London\\\"\\n \\nRobert Creeley\\n00:28:30\\nReads \\\"In London\\\" [from In London]. \\n\\nRobert Creeley\\n00:28:39\\nThis was, like in this absolutely [unintelligible] environment you suddenly look around and see this exit, exit, exit sign red, exit, exit, exit, exit. There was a titter that ran through the audience and then there was nothing more. \\\"Cards\\\". This is now back in the apartment.\\n \\nRobert Creeley\\n00:28:58\\nResumes reading \\\"In London\\\" [from In London]. \\n \\nRobert Creeley\\n00:30:03\\nNow, I'll read the crossed out portions. \\\"There are people in the sky, now you see them, now you don't, won't you take me to my home, and let me play among the stars. The final fears of all the years are met in you tonight.\\\" This is, this flows out on vague rhythms. “12:30” written as Arabic numerals, read as 12:30 words.\\n \\nRobert Creeley \\n00:30:30.\\nResumes reading \\\"In London” [from In London].\\n \\nRobert Creeley\\n00:30:36\\n[Interrupts reading]. You know that scene when you're in a city and know one or two people, keep calling up, \\\"Well, Ted is sober\\\", [unintelligible] [audience laughter] and I said \\\"Man, I was there, I know how tired he is, I'm awake\\\".\\n \\nRobert Creeley\\n00:30:50\\nResumes reading \\\"In London” [from In London].\\n \\nRobert Creeley\\n00:30:59\\n[Interrupts reading]. This was a girl who played the lead in The Beard, actually, in the initial San Francisco [https://www.wikidata.org/wiki/Q62] production who was now working in London playing the same part. Lovely young woman, Billy, trying to remember her last name, very soft and pleasant...\\n \\nRobert Creeley\\n00:31:15\\nResumes reading \\\"In London” [from In London].\\n \\nRobert Creeley\\n00:31:20\\n[Interrupts reading]. Let me interpolate, Chamberlain [https://www.wikidata.org/wiki/Q468760] at one point had a weird erotic scene where they were making love by telephone. Have you ever tried that number? So John was was making things like sperm omelet, like he really, somehow it arrived in his madness of mid age, and decided that he was really going to go for broke in terms of sexual possibility. You ever see a man from Indiana take off on the possibilities of sexual endeavor? It's like- so John, Ultra Violet was the perfect foil for this condition. Ultra Violet [https://www.wikidata.org/wiki/Q272994], if you've seen, you must have seen her on the Merv Griffin Show [https://www.wikidata.org/wiki/Q3404046], Ultra Violet like is like the most humorless, John had a tape of her singing \\\"The Fool on the Hill'' [https://www.wikidata.org/wiki/Q1920202] that went on for weeks. It was like years would pass by. “Ze fool on ze hill”, you know. With this incredibly corny french accent. \\\"Ze fool on ze hill\\\" I remember, and he had a scene where they would make love like- I remember one time, the only, the first time I met- oh christ, I'm suddenly flipped out in my own mind, oh hell. It's ridiculous. Well, see, John had a studio on 13th Street and First Avenue, and Larry Rubens had a studio also, and a Japanese girl had a studio, and upstairs was like, directly over John's studio was, oh hell, who's the obvious sculpture, someone supply me with a name, it's ridiculous, the greatest imagination in the arts today in terms of this environment, [audience suggests name] Pardon? No, not Segal [https://www.wikidata.org/wiki/Q703624]. Like Oldenburg [https://www.wikidata.org/wiki/Q156731], Claes Oldenburg. Claes Oldenburg lived upstairs and then he was still with his wife, his crazy factory, the industry, like making the ghosts, I mean they were making the mock-ups of the particular sculptures he was involved in and John, for example, would like wake up, you'd hear like- I spent nights in John's place and you'd hear the radio would turn on, in the morning, like to station k-whatever it was and then you'd hear them moving around getting breakfast and then hear the sewing machine start and the day would begin and Claes Oldenburg has a crazy serious humorous, like the peculiar to my- I was talking to someone about being, you know, coming from Nova Scotia [https://www.wikidata.org/wiki/Q1952], or New Brunswick [https://www.wikidata.org/wiki/Q1965] or St. John's [https://www.wikidata.org/wiki/Q2082] I mean like the [unintelligible] scene is very displaced by that Scandinavian economy, you know, of experience. So John was- do things like one night for an example, he and Ultra Violet had this thing going with the telephone and she called him and he happened to be out and she just let the phone ring. The phone rang from 11:00 to 7 in the morning [laughter.] Like it just keeps ringing. I remember I met Claes Oldenburg that morning, he said \\\"John, someone was trying to call you last night\\\" [laughter] and John says \\\"Yeah, I know.\\\" It was lovely, yeah. “I got the message”. And that was all either one of them said.\\n \\nRobert Creeley\\n00:35:21\\nResumes reading \\\"In London” [from In London].\\n \\nRobert Creeley\\n00:37:41\\n[Interrupts reading]. Then in the actual text there's a point that it's been in print actually for fifteen years in paperback. Somehow, nobody, the friends that we had didn't curiously notice. His reminiscences of Tolstoy [https://www.wikidata.org/wiki/Q7243] in London [https://www.wikidata.org/wiki/Q84], for example. Have you ever read Gorky's [https://www.wikidata.org/wiki/Q12706] Reminiscences of Tolstoy? Fantastic book. \\\"Wish I were home\\\"...doesn't just turn you on informationally, it turns you on to conditions of experience, I hope.\\n \\nRobert Creeley\\n00:38:08\\nResumes reading “In London” [from In London].\\n \\nRobert Creeley\\n00:39:30\\nI wonder what this is, \\\"Aside, aside\\\", [unintelligible], February, Spring day, it's from California [https://www.wikidata.org/wiki/Q99].\\n \\nRobert Creeley\\n00:39:46\\nReads [“That Day” from In London].\\n \\nRobert Creeley\\n00:39:51\\n[Interrupts reading]. See, I love that \\\"And that day, in an oak tree, falls way, comes here\\\", I love that “interup-tions”.\\n\\nRobert Creeley\\n00:40:00\\nResumes reading [“That  Day” from In London].\\n \\nRobert Creeley\\n00:40:04\\n[Interrupts reading]. I love that play of language.\\n \\nRobert Creeley\\n00:40:07\\nResumes reading [“That  Day” from In London].\\n \\nRobert Creeley\\n00:40:54\\nThat I, this was a--one time back in the earlier part of the 60's, Ginsberg [https://www.wikidata.org/wiki/Q6711] was given a tape recorder by Bob Dylan [https://www.wikidata.org/wiki/Q392] and when they were both in San Francisco [https://www.wikidata.org/wiki/Q62]. Dylan gave Allen a Uher tape recorder and they had been in San Francisco, now Allen went down to Los Angeles [https://www.wikidata.org/wiki/Q65] and he talked to people like Gerald Heard [https://www.wikidata.org/wiki/Q1606714], he had long conversations with Lenny Bruce [https://www.wikidata.org/wiki/Q460876], and he also went to see Maria Huxley, and he was particularly interested as to what were Huxley's, not merely, he knew what Huxley died of, Huxley died of cancer in a factual and actual manner. But he was very interested into what was Huxley's not state, like he didn't want to hear his last words in some awful sense, but he wanted to know what kind of experience of death Huxley had had. And if this particular experience of death had been in any way informed by the circumstance of experience that Huxley had begun to be more and more involved with as he grew older, namely acid and the transformation, not the transformation but the particularization of experience that he found in the psychedelic so-called drugs. And so he asked Maria Huxley the very obvious question, “was Huxley on acid when he died? Did he take acid previous to his death?” And she said, “well, he had asked that when he was thus conscious. I mean he did go into a coma. He did have a float, physically, and he asked that he have acid available. I mean that the cap of acid be place conveniently by the bed, and that he would obviously determine when and as and if he wanted to take it. It would be there. It would be like an aspirin, like a glass of water,” and she said that roughly half an hour previous to his physical death, he took acid. And then Allen asked the other obvious question, did he say anything? Did he say anything of the experience of the circumstance? She said, no he didn't, he said nothing. But this is a woman who'd lived obviously with this man for a particular length of time and had information specifically, she said no, but there was this beatific smile, he was attending his own, you know, like he was attending, not the apocalypse, but the phenomenality of his own dispersion into you know other states of being, with the agency that's created.\\n \\nRobert Creeley\\n00:43:49\\nReads [section of “Little Time--And Place” from In London]. \\n \\nRobert Creeley\\n00:44:05\\nI want to read one last poem from this text, and then I'll go back to books you may know. \\\"A Wall\\\".\\n \\nRobert Creeley\\n00:44:15\\nReads \\\"A Wall\\\".\\n \\nUnknown\\n00:45:20\\n[Cut or edit made in tape. Unknown amount of  time elapsed].\\n\\nRobert Creeley\\n00:45:22\\n..simply identifies the title of the book that you're referring to and the name of the man who wrote it. \\n\\nUnknown\\n00:45:25\\n[Cut or edit made in tape. Unknown amount of time elapsed].\\n\\nRobert Creeley\\n00:45:26\\n...he didn't want to make it hard for anybody, certainly didn't want to make it thus easy. But, particular information was always of that nature, you couldn't describe it, you certainly couldn't make it a convenience, so that the actuation of it for you always had to be the particular resource and fact of your own--I mean, it had to be that you did know it. It wasn't like one-upping, \\\"Gee, you don't know the name of the capital of Madagascar\\\" [https://www.wikidata.org/wiki/Q1019?wprov=srpw1_0], like I don't know the name of the capital of Madagascar, is there a capital of Madagascar? I guess, you couldn't. That wasn't the condition, but if something was there to be known, that was of some particular interest to him, he gave you the fact of that interest and the substance of that interest, but he didn't give you the convenience of that interest, you had not merely to track his experience into it, but you had to get there, like you had to get there by your own agency. But I think I could--someone said, like man, like the dots in this particular book, pieces, and there's a lovely remark by Ed Dorn [https://www.wikidata.org/wiki/Q5334756] whom I dearly love, he said you know, that sense of the pieces of the definition, [unintelligible] of the parts of some of the imagined whole, which these pieces are then the fragments or the parts of, then he says, he effectually suggests, think of a situation where the pieces do not compose that possible containment, the parts that do not necessarily relate and or have the substance of the whole thus to inform them. Like now, you're really in a hole, dig. And his definition of tradition: that which someone comes carrying the information of, literally, he got there, with the news. So the dots in this book, the three dots, those of you who are interested in these explications of text, these three dots simply indicate the intervals of a particular sitting, or a particular, you know literally, you see how this is written, it's like in a notebook, well what was written on a particular day would be separated in this text by three dots, you know, like usually the particular things written would be separated by one dot then when another day occurred there'd be three dots, I mean it's a very rudimentary division.\\n \\nRobert Creeley\\n00:47:53\\nReads \\\"The which it was\\\" [from Pieces].\\n \\nRobert Creeley\\n00:49:15\\n\\\"Re Bob's Film (CUT)\\\", this was a movie done, friend--this is not even interesting, this is an 8 mm film called \\\"Cut\\\".\\n \\nRobert Creeley\\n00:49:23\\nReads \\\"Re Bob's Film (CUT)\\\" [from Pieces].\\n \\nRobert Creeley\\n00:51:53\\nI want to skip, like I want to skip to the end of this book and read frankly, if I may for a close, let me read a sequence called \\\"Mazatlan: Sea\\\" which comes together as a close to this particular book and is writing of the same order.\\n \\nRobert Creeley\\n00:52:15\\nReads \\\"Mazatlan: Sea\\\" [from Pieces].\\n \\nEND\\n01:07:47\\n\",\"notes\":\"Robert Creeley reads from Pieces (Scribner, 1969), In London (Angel Hair Books, 1970), and  from other unknown sources.\\n\\n00:00- Unknown male introduces Robert Creeley. [INDEX: Black Mountain Poet, Robert        \\tDuncan, Charles Olson]\\n02:35- Reads “On Vacation”\\n02:55- Introduces “Do You Think”\\n03:03- Reads “Do You Think”\\n04:51- Introduces “The Act of Love” [INDEX: Robin Blaser]\\n05:50- Reads “The Act of Love”\\n07:55- Introduces “The Birds” [INDEX: Robin Blaser]\\n08:19- Reads “The Birds”\\n09:58- Introduces “An Illness” [INDEX: Allen Ginsberg, San Francisco, Warren [unknown last name], Bobby Louise Hall, Robin Blaser]\\n12:52- Reads “An Illness”\\n15:55- Introduces “The Problem” [INDEX: Robin Blaser]\\n16:06- Reads “The Problem”\\n16:44- Reads “The Tiger”\\n17:09- Reads deleted material from “The Tiger”\\n17:38- Reads first line “We resolved to think of ourselves...”\\n18:33- Introduces “Not Being Dumb”\\n18:36- Reads “Not Being Dumb”\\n19:38- Reads “Harry”\\n19:46- Introduces “Sweet Dreams, Good Harbor Beach”\\n20:04- Reads “Sweet Dreams, Good Harbor Beach”\\n21:15- Introduces “In London” [INDEX: London, 76 Wimphole Street, Oxford Street, Barrets   Street, Paul McCartney, Whitney Museum of American Art,  Publisher John Calder,    \\tMaron Boyars, International Festival of Poetry in London, Jim Dine, Grosvenor Square,    Uruguay Embassy, Mic Jagger, Nigerian Embassy, Royal Festival of Arts, Queen \\tElizabeth Hall, Raleigh imprisoned in the London Tower, socialist paper journalist]\\n28:25- Reads “In London” [with interruptions during poem]\\n28:55- Introduces “Cards”\\n28:58- Reads “Cards”\\n29:14- Reads “Small Dreams”\\n29:53- Reads “Homesick, Etc”\\n30:03- Reads deleted section from “Homesick, Etc” and Introduces “This Flows Out On Vague         Rhythms”\\n30:30- Reads “This Flows Out On Vague Rhythms”\\n30:36- Interrupts poem with explanation\\n30:50- Continues reading\\n30:59- Interrupts poem with explanation\\n31:15- Continues reading\\n31:20- Interrupts poem with explanation [INDEX: John Chamberlain, Ultra Violet, Merv Griffons Show, Chamberlain’s studio on 13th Street and 1st Avenue New York City, Larry        \\tRubens [sp?], Sculptor Claes Oldenburg]\\n35:21- Continues reading [line “Thinking of Chamberlain and Ultra Violet talking the night     \\taway”...]\\n37:41- Interrupts poem with explanation [INDEX: Maxin Gorky’s Reminiscences of Tolstoy]\\n38:08- Reads “Wish I Were Home”\\n39:30- Introduces “Aside, Aside”\\n39:46- Reads “Aside, Aside”\\n38:51- Interrupts poem with explanation\\n40:00- Continues reading\\n40:04- Interrupts poem with explanation\\n40:07- Continues reading\\n40:54- Introduces poem, first line “Fine manners, weathers, cars and people...” [INDEX:     \\tAllen Ginsberg, Bob Dylan, San Francisco, Uher tape, Los Angeles, Gerald Heard, Lenny      \\tBruce, Maria Huxley, Aldous Huxley’s death, experiences on acid]\\n43:49- Reads first line “Fine manners, weathers, cars and people...”\\n44:05- Introduces “A Wall”\\n44:15- Reads “A Wall”\\n45:14- Cut in tape, explains parts of his book, A Wall [INDEX: Ed Dorn, A Wall]\\n47:53- Reads first line “The which it was form seen there...”\\n49:15- Introduces “Ray Bob’s Film Cut”\\n49:23- Reads “Ray Bob’s Film Cut”\\n51:53- Introduces “Mazatlan: Sea”\\n52:15- Reads “Mazatlan: Sea”\\n1:07:47.09- END OF RECORDING\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"Yes\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/robert-creeley-at-sgwu-1970/\"}]"],"score":2.1243587},{"id":"4050","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Frank Davey fonds"],"source_collection_label":["Frank Davey fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2014.002"],"persistent_url":[""],"item_title":["Robert Creeley [Vancouver Lectures, 1962 & Berkeley Lectures, 1965]"],"item_title_source":["Title written on container."],"item_title_note":["Written on recipe card in box:\nI (1) 0-797  \nCreeley Cal. Lecture: \"A Sense of Measure\"   805 -  Creeley Cal. rdg.   \nII (1) 0-  Creeley 1962 Festival rdg.   \nI (2) 0-1027 - Creeley 1962 Summer Lectures: Night I    \n1035-END - Night II    \nII (2) 0-30 - Night II cont'd    \n30-1075 - Night III    \nDuncan Lectures July 23-24-25, 1961   \nCreeley Lectures Aug 26-28-29-1962"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Davey, Frank","Tallman, Warren","Tallman, Ellen","Bowering, George","Wah, Fred","Creeley, Robert","Kearns, Lionel"],"creator_names_search":["Davey, Frank","Tallman, Warren","Tallman, Ellen","Bowering, George","Wah, Fred","Creeley, Robert","Kearns, Lionel"],"creators":["[{\"url\":\"http://viaf.org/viaf/5029235\",\"name\":\"Davey, Frank\",\"dates\":\"1940-\",\"notes\":\"Frank Davey recalls recording these lectures on a new Concord tape recorder.\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"Warren Tallman is heard asking Robert Creeley questions during his August 26, 28, and 29 lectures. These lectures were hosted in Warren and Ellen Tallman's living room in Vancouver, BC.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Tallman, Ellen\",\"dates\":\"\",\"notes\":\"Possibly heard speaking on the tape. These lectures were hosted in Warren and Ellen Tallman's living room in Vancouver, BC.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"Attendee heard speaking on tape.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"Attendee heard speaking on tape.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"Lecturing and reading from his poetic works.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/30784380\",\"name\":\"Kearns, Lionel\",\"dates\":\"1937-\",\"notes\":\"Attendee heard speaking on 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Recorded by Fred Wah."],"Note":["[{\"note\":\"Tape 7 in Fred Wah's catalogue.\",\"type\":\"General\"},{\"note\":\"Related tapes:\\n2012.002.021\\n2012.002.022\\n2012.002.023\\n2014.002.001\\n2014.002.002\\n2018.002.045\\n2022.002.126\\n2022.003.005\\n2022.003.006\\n2022.003.008\\n2022.003.009\\n2022.003.010\\n2022.003.011\\n2022.003.012\\n2022.003.013\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670549998272513,"timestamp":"2026-01-07T14:59:54.597Z","score":2.1243587},{"id":"4063","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Fred Wah fonds"],"source_collection_label":["Fred Wah fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2022.003"],"persistent_url":[""],"item_title":["8. (3) Aug 5 - Morning. Aug 7 - Morning."],"item_title_source":["Title written on box."],"item_title_note":["Title on box: 8. (3) Aug 5 - Morning. Aug 7 - Morning.\n\nSide A title: n/a\n\nSide B title: n/a\n\nBack of box: \n1-A (all) Aug 5 Monday Morning\n2-A (0-420) All 6 poets. General topic(s): \"intention\" \"induced hypersensitivity\"\n2-A (420-end) Aug 7 Wed. Morning\n1-B (000-650) Ginsberg, Avison, Duncan, Levertov, Creeley. \"Numinous\" How is the poet in the poem.\n3. 2-B (0-488) Ginsberg Nov 26/63. (Auerhahn press sponsored reading)\n185. July 1966: Wichita Vortex Sutra (recorded from KGED program).\n\nAccompanying information: 1 index card with timestamps of contents. See images."],"item_language":["English"],"item_production_context":["Classroom recording"],"item_series_title":["1963 Vancouver Poetry Conference"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Creeley, Robert","Duncan, Robert","Avison, Margaret","Levertov, Denise","Olson, Charles","Tallman, Warren","Tallman, Ellen","Ginsberg, Allen"],"creator_names_search":["Wah, Fred","Creeley, Robert","Duncan, Robert","Avison, Margaret","Levertov, Denise","Olson, Charles","Tallman, Warren","Tallman, Ellen","Ginsberg, Allen"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"Speaker in both August 5th (morning) and August 7th (morning) 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(3) Aug 5 - Morning. Aug 7 - Morning._Side 2_1-4_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:01:10\",\"precision\":\"\",\"size\":\"2.11 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Extremely varied volume due to speakers' distances from microphone. Access copy will require edit.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/labmanager/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.008/audio\",\"filename\":\"2022.003.008_8. (3) Aug 5 - Morning. Aug 7 - Morning._Side 1_1-4_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:01:09\",\"precision\":\"\",\"size\":\"2.11 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Extremely varied volume due to speakers' distances from microphone. Access copy will require edit.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-11-26\",\"type\":\"Performance Date\",\"notes\":\"Allen Ginsberg reading sponsored by Auerhehn Press.\",\"source\":\"Date listed on box.\"},{\"date\":\"1963-08-07\",\"type\":\"Performance Date\",\"notes\":\"Wednesday morning discussion on \\\"numinous.\\\"\",\"source\":\"Date listed on box.\"},{\"date\":\"1963-08-05\",\"type\":\"Performance Date\",\"notes\":\"Monday morning discussion on \\\"intention\\\" and \\\"induced hypersensitivity.\\\"\",\"source\":\"Date listed on box.\"},{\"date\":\"1966-07\",\"type\":\"Performance Date\",\"notes\":\"Allen Ginsberg reading \\\"Wichita Vortex Sutra\\\" from KGED program.\",\"source\":\"Date listed on box.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/91208094\",\"venue\":\"Buchanan Building, University of British Columbia\",\"notes\":\"\",\"address\":\"1866 Main Mall, Vancouver, B.C.\",\"latitude\":\"49.26827765\",\"longitude\":\"-123.2542416\"}]"],"Address":["1866 Main Mall, Vancouver, B.C."],"Venue":["Buchanan Building, University of British Columbia"],"City":["Vancouver, British Columbia"],"contents":["Original recordings from the 1963 Vancouver Poetry Conference. Charles Olson, Robert Creeley, Robert Duncan, Allen Ginsberg, Margaret Avison, and Denise Levertov Monday morning discussion on \"intention\" and \"induced hypersensitivity,\" August 5, 1963. Robert Creeley, Robert Duncan, Allen Ginsberg, Margaret Avison, and Denise Levertov Wednesday morning discussion on \"numinous,\" August 7, 1963. Recorded by Fred Wah. Tape also includes Allen Ginberg reading on November 26, 1963 (sponsored by Auerhahn Press), and Allen Ginsberg reading \"Wichita Vortex Sutra\" (recorded from KGED program) in July 1966. Recordist unknown."],"Note":["[{\"note\":\"Tape 8 in Fred Wah's catalogue.\",\"type\":\"General\"},{\"note\":\"Related tapes:\\n2012.002.021\\n2012.002.022\\n2012.002.023\\n2014.002.001\\n2014.002.002\\n2018.002.045\\n2022.002.126\\n2022.003.005\\n2022.003.006\\n2022.003.007\\n2022.003.009\\n2022.003.010\\n2022.003.011\\n2022.003.012\\n2022.003.013\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670549998272514,"timestamp":"2026-01-07T14:59:54.597Z","score":2.1243587},{"id":"4064","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Fred Wah fonds"],"source_collection_label":["Fred Wah fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2022.003"],"persistent_url":[""],"item_title":["9. (4) Morning Aug 9. Morn. Aug 12. Morning Aug 14."],"item_title_source":["Title written on box."],"item_title_note":["Title on box: 9. (4) Morning Aug 9. Morn. Aug 12. Morning Aug 14.\n\nSide A title: n/a\n\nSide B title: n/a\n\nInside of box: Tape #4\nFriday morning, Aug. 9\nall six poets.\n1-A (all)\n2-A (0-280)\n\nMonday morning, Aug. 12\n(Levertov, Duncan, Ginsberg, Creeley) (readings)\n2-A (280-end)\n1-B (000-550)\n\nWednesday morning, Aug. 14\n(Olson, Duncan, Ginsberg) (duende, angel, muse)\n1-B (550-end)\n2-B (all)\n\nBack of box: Tape #4\nFri Morning Aug 9\n1-A\n2-A (0-280)\nMon Morning Aug 12 (readings)\n(280-end)\n1-B 0-550\nWed. Morning Aug. 14. duende, angel, muse. Copy, transferred from tape #5.\n1-B (550-end)\n2-B (all)\n\nAccompanying information: n/a"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_series_title":["1963 Vancouver Poetry Conference"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Creeley, Robert","Ginsberg, Allen","Duncan, Robert","Avison, Margaret","Levertov, Denise","Olson, Charles","Tallman, Warren","Tallman, Ellen"],"creator_names_search":["Wah, Fred","Creeley, Robert","Ginsberg, Allen","Duncan, Robert","Avison, Margaret","Levertov, Denise","Olson, Charles","Tallman, Warren","Tallman, Ellen"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"Speaker in August 9th (morning) discussion and reader in August 12th (morning) 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Access copy will require edit.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-08-09\",\"type\":\"Performance Date\",\"notes\":\"Friday morning discussion.\",\"source\":\"Date listed on box.\"},{\"date\":\"1963-08-12\",\"type\":\"Performance Date\",\"notes\":\"Monday morning reading.\",\"source\":\"Date listed on box.\"},{\"date\":\"1963-08-14\",\"type\":\"Performance Date\",\"notes\":\"Wednesday morning discussion on \\\"duende, angel, muse\\\".\",\"source\":\"Date listed on box.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/91208094\",\"venue\":\"Buchanan Building, University of British Columbia\",\"notes\":\"\",\"address\":\"1866 Main Mall, Vancouver, B.C.\",\"latitude\":\"49.26827765\",\"longitude\":\"-123.2542416\"}]"],"Address":["1866 Main Mall, Vancouver, B.C."],"Venue":["Buchanan Building, University of British Columbia"],"City":["Vancouver, British Columbia"],"contents":["Original recordings from the 1963 Vancouver Poetry Conference. Charles Olson, Robert Creeley, Robert Duncan, Allen Ginsberg, Margaret Avison, and Denise Levertov Friday morning discussion, August 9, 1963. Robert Creeley, Robert Duncan, Allen Ginsberg, and Denise Levertov Monday morning reading, August 12, 1963. Charles Olson, Robert Duncan, and Allen Ginsberg Wednesday morning discussion on \"duende, angel, muse,\" August 14, 1963. Recorded by Fred Wah."],"Note":["[{\"note\":\"Tape 9 in Fred Wah's catalogue.\",\"type\":\"General\"},{\"note\":\"Related tapes:\\n2012.002.021\\n2012.002.022\\n2012.002.023\\n2014.002.001\\n2014.002.002\\n2018.002.045\\n2022.002.126\\n2022.003.005\\n2022.003.006\\n2022.003.007\\n2022.003.008\\n2022.003.010\\n2022.003.011\\n2022.003.012\\n2022.003.013\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670550000369664,"timestamp":"2026-01-07T14:59:54.597Z","score":2.1243587},{"id":"4065","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Fred Wah fonds"],"source_collection_label":["Fred Wah fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2022.003"],"persistent_url":[""],"item_title":["10. Morning Aug 16, Aug 2, July 24"],"item_title_source":["Title written on box."],"item_title_note":["Title on box: 10. Morning Aug 16, Aug 2, July 24\n\nSide A: n/a\n\nSide B: n/a\n\nInside of box: \nWednesday morning, July 24: Creeley & Ginsberg: 1-A (all). 2-A (0-135)\n\nFriday morning, August 2: Gins. Creeley, Duncan, Olson - 2-A (135 to end). 1-B (000-)\n\nFriday morning, August 16: Creeley, Ginsberg, Duncan. Linguistics. 1-B. 2-B. 2-B 170.\n\nBack of box: \n1-A: Wednesday morning. July 24: Creeley & Ginsberg.\n2-A: (000-135) Wednesday morning. July 24. (incomplete. last part of recording no good)\n2-A: (135 to end) Friday morning, August 2: Ginsberg, Creeley, Duncan, & Olson.\n1-B: (000-500) (copies transferred from tape #5)\n1-B: (500-end) Friday morning, August 16: Creeley, Ginsberg, Duncan.\n2-B: 170 'linguistics'\n\nAccompanying information: n/a"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_series_title":["1963 Vancouver Poetry Conference"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Creeley, Robert","Ginsberg, Allen","Duncan, Robert","Olson, Charles","Tallman, Warren","Tallman, Ellen"],"creator_names_search":["Wah, Fred","Creeley, Robert","Ginsberg, Allen","Duncan, Robert","Olson, Charles","Tallman, Warren","Tallman, Ellen"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, 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Robert Creeley and Allen Ginsberg discussion on Wednesday morning, July 24, 1963. Robert Creeley, Robert Duncan, Allen Ginsberg, and Charles Olson discussion on Friday morning, August 2, 1963. Robert Duncan, Allen Ginsberg, and Robert Creeley discussion (possibly on \"linguistics\") on Friday morning, August 16, 1963. Recorded by Fred Wah."],"Note":["[{\"note\":\"Tape 10 in Fred Wah's catalogue.\",\"type\":\"General\"},{\"note\":\"Related tapes:\\n2012.002.021\\n2012.002.022\\n2012.002.023\\n2014.002.001\\n2014.002.002\\n2018.002.045\\n2022.002.126\\n2022.003.005\\n2022.003.006\\n2022.003.007\\n2022.003.008\\n2022.003.009\\n2022.003.011\\n2022.003.012\\n2022.003.013\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670550001418240,"timestamp":"2026-01-07T14:59:54.597Z","score":2.1243587},{"id":"4067","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Fred Wah fonds"],"source_collection_label":["Fred Wah fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2022.003"],"persistent_url":[""],"item_title":["12. 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See images."],"item_language":["English"],"item_production_context":["Classroom recording"],"item_series_title":["1963 Vancouver Poetry Conference"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Ginsberg, Allen","Creeley, Robert","Olson, Charles","Levertov, Denise","Tallman, Warren","Tallman, Ellen"],"creator_names_search":["Wah, Fred","Ginsberg, Allen","Creeley, Robert","Olson, Charles","Levertov, Denise","Tallman, Warren","Tallman, Ellen"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1927-1997\",\"notes\":\"Reader at VPC, August 2, 1963.\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"Reader at VPC, August 12, 1963.\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"Reader at VPC, August 14, 1963.\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/9868894\",\"name\":\"Levertov, Denise\",\"dates\":\"1923-1997\",\"notes\":\"Reader at VPC, August 9, 1963.\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"Organizer of VPC event.\",\"nation\":[],\"role\":[\"Series organizer\"]},{\"url\":\"\",\"name\":\"Tallman, Ellen\",\"dates\":\"1927-2008\",\"notes\":\"Organizer of VPC event.\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors":["[]"],"Performance_Date":[1963],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"/Users/labmanager/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.012/audio\",\"filename\":\"2022.003.012_12. 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Allen Ginsberg reading from Journals, August 2, 1963; Denise Levertov reading, August 9, 1963; Robert Creeley reading, August 12, 1963; and Charles Olson reading, August 14, 1963. 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temporary. To be timestamped and transcribed."],"contents":["Tape contains an interview/oral history with Robert Creeley. Interviewer is unknown, although may be the same person as in 2018.002.004 and 2018.002.005. Further research required."],"Note":["[{\"note\":\"Digitization complete. To be time stamped and transcribed.\",\"type\":\"General\"},{\"note\":\"Related recordings in the SoundBox Collection: 2018.002.004, 2018.002.005, 2018.002.056, 2018.002.061 and 2018.002.063.\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670550765830146,"timestamp":"2026-01-07T14:59:55.332Z","score":2.1243587},{"id":"4411","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["Poetry Reading / Robert Creeley / 19/11/69 / S - CU - 17"],"item_title_source":["Title written on artifact."],"item_title_note":["Reel-to-reel box title: Poetry Reading / Robert \nCreeley / 19/11/69 / S - CU - 17\n\nSide A title: Robert Creeley - Poetry Reading / Prof Hogg English Department\n\nSide B title: n/a"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Hogg, Robert"],"creator_names_search":["Creeley, Robert","Hogg, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Author\"]},{\"url\":\"http://viaf.org/viaf/91752751\",\"name\":\"Hogg, Robert\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"contributors":["[]"],"Publication_Date":[1970],"Performance_Date":[1969],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/5674/UBCO_Hogg_2018_002_042_a.jpg\",\"other\":\"\",\"extent\":\"1 inch\",\"AV_types\":\"Video\",\"tape_brand\":\"Sony Video Recording V-11\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"8 inch reel\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Video"],"digital_description":["[]"],"Dates":["[{\"date\":\"1969-11-19\",\"type\":\"Performance Date\",\"notes\":\"Date of recorded poetry reading.\",\"source\":\"Date listed on artifact.\"},{\"date\":\"1970-09-30\",\"type\":\"Publication Date\",\"notes\":\"Date recording was \\\"published.\\\"\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/10583513\",\"venue\":\"Carleton University\",\"notes\":\"\",\"address\":\"1125 Colonel By Drive, Capital, (Old) Ottawa, Ottawa, Eastern Ontario, Ontario, K1S 5B7, Canada\",\"latitude\":\"45.3858581\",\"longitude\":\"-75.69500411688679\"}]"],"Address":["1125 Colonel By Drive, Capital, (Old) Ottawa, Ottawa, Eastern Ontario, Ontario, K1S 5B7, Canada"],"Venue":["Carleton University"],"City":["Ottawa, Ontario"],"content_notes":["Contents entry temporary. To be time stamped and transcribed."],"contents":["Carleton University Videotape Recording of a poetry reading by Robert Creeley on November 19, 1969. Video tape was dubbed for Robert Hogg on September 30, 1970."],"Note":["[{\"note\":\"Not digitized. Requires special digitization equipment.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550775267330,"timestamp":"2026-01-07T14:59:55.332Z","score":2.1243587},{"id":"4414","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["1963 Vancouver Poetry Conference"],"item_title_source":["Title written on artifact."],"item_title_note":["Box title: BASF\n\nSide A title: 1963 Vancouver Poetry Conference\n\nSide B title: n/a\n"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Olson, Charles","Creeley, Robert","Duncan, Robert","Ginsberg, Allen","Whalen, Philip","Avison, Margaret","Levertov, Denise","Dorn, Edward","Dawson, Fielding"],"creator_names_search":["Olson, Charles","Creeley, Robert","Duncan, Robert","Ginsberg, Allen","Whalen, Philip","Avison, Margaret","Levertov, Denise","Dorn, Edward","Dawson, Fielding"],"creators":["[{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/54270610\",\"name\":\"Whalen, Philip\",\"dates\":\"1923-2002\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/79128508\",\"name\":\"Avison, Margaret\",\"dates\":\"1918-2007\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/9868894\",\"name\":\"Levertov, Denise\",\"dates\":\"1923-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/25166087\",\"name\":\"Dorn, Edward\",\"dates\":\"1929-1999\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/11120119\",\"name\":\"Dawson, Fielding\",\"dates\":\"1930-2002\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors":["[]"],"Performance_Date":[1963],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/5679/2018_002_045_a-resized.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"BASF Badische Anilin- & Soda-Fabrik AG Ludwigshafen am Rhein\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.045_1963_Vancouver_Conference_SideA_1-4_(MA)_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"\",\"precision\":\"\",\"size\":\"4.29 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A, track 1-4.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.045_1963_Vancouver_Conference_SideA_3-2_(MA)_01.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"\",\"precision\":\"\",\"size\":\"4.29 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A, track 3-2.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.045_1963_Vancouver_Conference_SideB_1-4_(MA)_05.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"\",\"precision\":\"\",\"size\":\"4.27 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B, track 1-4\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.045_1963_Vancouver_Conference_SideB_3-2_(MA)_01.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"\",\"precision\":\"\",\"size\":\"3.96 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B, track 3-2.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-07-29\",\"type\":\"Performance Date\",\"notes\":\"Olson, Creeley, Duncan, Ginsberg and Whalen on 'History'\",\"source\":\"Date listed on artifact.\"},{\"date\":\"1963-07-31\",\"type\":\"Performance Date\",\"notes\":\" Olson Creeley, Duncan, Ginsberg on 'Polis'\",\"source\":\"Date listed on artifact.\"},{\"date\":\"1963-08-05\",\"type\":\"Performance Date\",\"notes\":\"Olson, Creeley, Duncan, Ginsberg, Levertov & Avison. Selections only.\",\"source\":\"Date listed on artifact.\"},{\"date\":\"1963-08-14\",\"type\":\"Performance Date\",\"notes\":\"Olson, Duncan, Ginsberg on 'Duende, Angel, Muse'.\",\"source\":\"Date listed on artifact.\"},{\"date\":\"1963-08-07\",\"type\":\"Performance Date\",\"notes\":\"Ginsberg, Creeley, Duncan, Levertov, and Avison. Selections only.\",\"source\":\"Date listed on artifact.\"},{\"date\":\"1963-07-24\",\"type\":\"Performance Date\",\"notes\":\"Creeley and Ginsberg.\",\"source\":\"Date listed on artifact.\"},{\"date\":\"1962\",\"type\":\"Performance Date\",\"notes\":\"-Creeley, Interview with Fielding Dawson, Albuquerque\\n-Ed Dorn on Creeley's radio program, Albuquerque\\n\",\"source\":\"Date listed on artifact.\"},{\"date\":\"1963\",\"type\":\"Performance Date\",\"notes\":\"Creeley on Olson: tape made for his class at Univ. of New Mexico\",\"source\":\"Date listed on artifact.\"},{\"date\":\"1961-07-23\",\"type\":\"Performance Date\",\"notes\":\"Robert Duncan: Two lectures at Vancouver\",\"source\":\"Date listed on artifact.\"},{\"date\":\"1961-07-24\",\"type\":\"Performance Date\",\"notes\":\"Robert Duncan selections from lecture at Vancouver.\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2814221\",\"venue\":\"University of California, Berkeley\",\"notes\":\"\",\"address\":\"Berkeley, CA, USA\",\"latitude\":\"37.8753497\",\"longitude\":\"-122.2396336\"}]"],"Address":["Berkeley, CA, USA"],"Venue":["University of California, Berkeley"],"City":["Berkeley, California"],"content_notes":["Contents entry temporary."],"contents":["J-card reads as follows:\n\"1963 Vancouver Conference\n1A monday morn. July 29, 1963. Olson, Creeley, Duncan, Ginsberg and Whalen on 'History'\n1A/2A Wed. morning July 31, 1963 Olson Creeley, Duncan, Ginsberg on 'Polis'\n Mon. morn. Aug 5, 1963: Olson, Creeley, Duncan, Ginsberg, Levertov & Avison. Selections only\n1B Wed morn Aug 14, 1963: Olson, Duncan, Ginsberg on 'Duende, Angel, Muse'\n1B Wed morn Aug 7, 1963: Ginsberg, Creeley, Duncan, Levertov, and Avison. Selections only.\n?1B Wed morn July 24, 1963: Creeley and Ginsberg\n2B Creeley, Interview with Fielding Dawson, Albuquerque 1962\n2B Ed Dorn on Creeley's radio program, Albuquerque 1962\n2B Creeley on Olson: tape made for his class at Univ. of New Mexico, 1963\nOVER\n2A 630-end Robert Duncan: Two lectures at Vancouver July 23, 1961 - selections of\n2B 730-end# Robert Duncan: July 24, 1961, Selections\""],"Note":["[{\"note\":\"Digitization complete.\",\"type\":\"General\"},{\"note\":\"Tape is in box with 2018.002.043 and 2018.002.044.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550777364481,"timestamp":"2026-01-07T14:59:55.332Z","score":2.1243587},{"id":"4434","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["Allen Ginsberg \"Wichita Vortex Sutra\" Clarke Gym, SUNYAB March 1966; Basil Bunting \"Briggflatts\" July 29, 1966 Diefendorf SUNYAB; George Oppen Feb. 17, 1967 SUNYAB; Charles Olson; Robert Creeley \"The Finger\" Jan. 31, 1968 & Reading from \"For Love Words\" Oct 3, 1966"],"item_title_source":["Title written on artifact."],"item_title_note":["Box title: BASF\n\nSide A contents: Side A: Allen Ginsberg \"Wichita Vortex Sutra\" Clarke Gym, SUNYAB March 1966; Basil Bunting \"Briggflatts\" July 29, 1966 Diefendorf SUNYAB; George Oppen Feb. 17, 1967 SUNYAB; Charles Olson; Robert Creeley \"The Finger\" Jan. 31, 1968 & Reading from \"For Love Words\" Oct 3, 1966\n\nSide B contents: n/a"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Ginsberg, Allen","Bunting, Basil","Oppen, George","Olson, Charles","Creeley, Robert"],"creator_names_search":["Ginsberg, Allen","Bunting, Basil","Oppen, George","Olson, Charles","Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/4949021\",\"name\":\"Bunting, Basil\",\"dates\":\"1900-1985\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/98097764\",\"name\":\"Oppen, George\",\"dates\":\"1908-1984\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1966],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/5765/2018.002.065_a.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"BASF Badische Anilin- & Soda-Fabrik AG Ludwigshafen am Rhein\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"/Users/SpokenWeb/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Robert_Hogg/2018.002.065/2018.002.065_Side 1\",\"filename\":\"2018.002.065_Bunting Ginsburg_Side 1_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T01:03:35\",\"precision\":\"\",\"size\":\"2.2 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/SpokenWeb/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Robert_Hogg/2018.002.065/2018.002.065_Side 1\",\"filename\":\"2018.002.065_Bunting Ginsburg_Side 1_L_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T:01:01:43\",\"precision\":\"\",\"size\":\"1.07 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/SpokenWeb/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Robert_Hogg/2018.002.065/2018.002.065_Side 1\",\"filename\":\"2018.002.065_Bunting Ginsburg_Side 1_R_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T01:03:13\",\"precision\":\"\",\"size\":\"1.09 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/SpokenWeb/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Robert_Hogg/2018.002.065/2018.002.065_Side 2\",\"filename\":\"2018.002.065_Oppen Olson Creeley_Side 2_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T01:03:20\",\"precision\":\"\",\"size\":\"2.19 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/SpokenWeb/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Robert_Hogg/2018.002.065/2018.002.065_Side 2\",\"filename\":\"2018.002.065_Oppen Olson Creeley_Side 2_L_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T01:03:20\",\"precision\":\"\",\"size\":\"1.09 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/SpokenWeb/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Robert_Hogg/2018.002.065/2018.002.065_Side 2\",\"filename\":\"2018.002.065_Oppen Olson Creeley_Side 2_R_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T01:03:14\",\"precision\":\"\",\"size\":\"1.09 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966-03\",\"type\":\"Performance Date\",\"notes\":\"Performance date of Allen Ginsberg reading of Wichita Vortex Sutra at Clarke Gym, SUNYAB.\",\"source\":\"Date listed on artifact.\"},{\"date\":\"1966-07-29\",\"type\":\"Performance Date\",\"notes\":\"Performance date of Basil Bunting reading of Briggflatts.\",\"source\":\"Date listed on artifact.\"},{\"date\":\"1967-02-17\",\"type\":\"Performance Date\",\"notes\":\"Performance date of George Oppen reading.\",\"source\":\"Date listed on artifact.\"},{\"date\":\"1968-01-31\",\"type\":\"Performance Date\",\"notes\":\"Performance date of Robert Creeley reading For Love.\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/14332031\",\"venue\":\"The State University of New York at Buffalo\",\"notes\":\"Location of talk.\",\"address\":\"Buffalo, NY 14260, United States\",\"latitude\":\"43.00188805\",\"longitude\":\"-78.78524618\"}]"],"Address":["Buffalo, NY 14260, United States"],"Venue":["The State University of New York at Buffalo"],"City":["Buffalo, New York"],"content_notes":["Contents entry temporary. To be time stamped."],"contents":["Accompanying card means:\n\"Side A\nA 0-1014 Allen Ginsberg: Wichita Vortex Sutra March 1966, Clarke Gym, SUNYAB\nB 0-72 In [illegible] & Music Basil Bunting: Briggflatts July 29, 1966, Diefendorf, SUNYAB\nB 0-120 Basil Bunting Briggflatts\nB 129-6388 George Oppen: Feb. 17, 1967 SUNYAB\nB 540-909 Charles Olson: NET\nA 0-310 Robert Creeley: NET\nA 310-373 R. Creeley: The Finger Jan 31, 1968\nA 375 R. Creeley: Reading from For Love Words Oct. 3, 1966.\""],"Note":["[{\"note\":\"Stored in container with 2018.002.066 and 2018.002.067\",\"type\":\"General\"},{\"note\":\"Digitized. Not transcribed.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550971351042,"timestamp":"2026-01-07T14:59:55.538Z","score":2.1243587},{"id":"4435","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["R. Duncan: Structures of Rhyme I-XXVIII SUNYAB Monday, July 15, 1968; R. Duncan: Poetry reading. Buffalo Festival of the Arts Albright-Knox Art Gallery Auditorium March 6, 1968 Intro Robt. Creeley "],"item_title_source":["Title written on artifact."],"item_title_note":["Box title: BASF\n\nSide A title: \"R. Duncan: Structures of Rhyme I-XXVIII SUNYAB Monday, July 15, 1968 \nR. Duncan: Poetry reading. Buffalo Festival of the Arts Albright-Knox Art Gallery Auditorium March 6, 1968 \nIntro Robt. Creeley \nPassage 30, 31, & 32 have been deleted.\nR. Duncan: \nPassages /-30 May 1, 1967 SUNYAB, \nPassages 31-32 at Albright Knox March 6th 1968\n\"The Earth\" - 32\"\n\nSide B title: n/a"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert","Creeley, Robert"],"creator_names_search":["Duncan, Robert","Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"Introducer.\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1968],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/5766/2018.002.066_a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"BASF Badische Anilin- & Soda-Fabrik AG Ludwigshafen am Rhein\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[]"],"Dates":["[{\"date\":\"1968-07-15\",\"type\":\"Performance Date\",\"notes\":\"Performance date of Robert Duncan reading Structures of Rhyme at SUNYAB.\",\"source\":\"Date listed on artifact.\"},{\"date\":\"1968-03-06\",\"type\":\"Performance Date\",\"notes\":\"Performance date of Robert Duncan reading at  Buffalo Festival of the Arts Albright-Knox Art Gallery Auditorium\",\"source\":\"Date listed on artifact.\"},{\"date\":\"1967-05-01\",\"type\":\"\",\"notes\":\"Performance date of Robert Duncan reading at SUNYAB.\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/119504296\",\"venue\":\"Albright-Knox Art Gallery Auditorium\",\"notes\":\"Location of Robert Duncan's March 6, 1968 reading.\",\"address\":\"1285 Elmwood Ave, Buffalo, NY 14222, United States\",\"latitude\":\"42.9321293\",\"longitude\":\"-78.87568390024248\"}]"],"Address":["1285 Elmwood Ave, Buffalo, NY 14222, United States"],"Venue":["Albright-Knox Art Gallery Auditorium"],"City":["Buffalo, New York"],"content_notes":["Contents entry temporary. To be timestamped."],"contents":["Accompanying card reads: \n\"1 A 0-585 R. Duncan: Structures of Rhyme I-XXVIII SUNYAB Monday, July 15, 1968 \n1B 0-734 R. Duncan: Poetry reading. Buffalo Festival of the Arts Albright-Knox Art Gallery Auditorium March 6, 1968 Intro Robt. Creeley Passage 30, 31, & 32 have been deleted.\n2 A Reel R. Duncan: \nPassages /-30 May 1, 1967 SUNYAB, \nPassages 31-32 at Albright Knox March 6th 1968\n2B 0-707 \"The Earth\" - 32\""],"Note":["[{\"note\":\"Stored in container with 2018.002.065 and 2018.002.067.\",\"type\":\"General\"},{\"note\":\"Digitized. Not transcribed.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550972399616,"timestamp":"2026-01-07T14:59:55.538Z","score":2.1243587},{"id":"4519","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Warren Tallman fonds"],"source_collection_label":["Warren Tallman fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2012.002"],"persistent_url":[""],"item_title":["March 26 '87 Panel  - [bp]Nichol, [Steve] McCaffrey, [Robin] Blaser, [Robert] Creeley, [Warren] Tallman"],"item_title_source":["Title written on artifact."],"item_title_note":["Side A title: March 26 '87 Panel  - Nicol, McCaffrey, Blaser, Creeley, Tallman"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Nichol, Barrie Phillip","McCaffery, Steve","Blaser, Robin","Creeley, Robert"],"creator_names_search":["Tallman, Warren","Nichol, Barrie Phillip","McCaffery, Steve","Blaser, Robin","Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"More specifically, Warren Tallman is the moderator of the panel.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, Barrie Phillip\",\"dates\":\"1944-1988\",\"notes\":\"bpNichol is a speaker on the panel.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/38243\",\"name\":\"McCaffery, Steve\",\"dates\":\"1947-\",\"notes\":\"Steve McCaffery is a speaker on the panel.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"Robin Blaser is a speaker on the panel.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"Robert Creeley is a speaker on the panel.\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1987],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/3697/UBCO_Tallman_2012_002_039_b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"TDK AD 90 Normal Bias 120 us EQ\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"A & B\",\"image\":\"../Uploads/3697/UBCO_Tallman_2012_002_039_b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"TDK AD 90 Normal Bias 120 us EQ\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette","Cassette"],"physical_compositions":["Magnetic Tape","Magnetic Tape"],"recording_type":["Analogue","Analogue"],"AV_type":["Audio","Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.039_March26-87_Panel_Nichol-Mccaffery-Blaser-Creely-TallnnW_SideA_(MA)_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:46:23\",\"precision\":\"\",\"size\":\"1.54 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.039_SideB_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:46:54\",\"precision\":\"\",\"size\":\"1.55 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987-03-26\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["Contents entry temporary."],"contents":["Side A of this tape consists of a panel discussion chaired by Warren Tallman on the topic \"The Vocabulary of the Postmodern.\" The panelists include bpNichol, Steve McCaffrey, Robin Blaser, and Robert Creeley. The panel was held on March 26, 1987. Location of the conference is unknown. Side A ends with the panel taking a short break. Panel resumes on Side B.\n\nSide B consists of a question-and-answer period in which the panelists respond to questions audience members wrote on cards and submitted during the break. bpNichol and Steve McCaffery primarily speak during this period, with Robin Blaser answering a question at the end."],"Note":["[{\"note\":\"Other tapes in the SoundBox Collection recording lectures from this event: 2012.002.030, 2012.002.036, 2012.002.037.\",\"type\":\"General\"},{\"note\":\"Digitization complete. Transcription complete.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550979739652,"timestamp":"2026-01-07T14:59:55.538Z","score":2.1243587},{"id":"4549","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Warren Tallman fonds"],"source_collection_label":["Warren Tallman fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2012.002"],"persistent_url":[""],"item_title":["Creeley, R. Notes on Poetry I Aug. 26 1962"],"item_title_source":["Title on front of box."],"item_title_note":["Other titles: Bob's Aug 26 '62 Notes on Poetry I  3 3/4"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Tallman, Warren","Bowering, George","Davey, Frank"],"creator_names_search":["Creeley, Robert","Tallman, Warren","Bowering, George","Davey, Frank"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"Unconfirmed. George Bowering seems to have been in attendance and is heard in the audience asking a question. Frank Davey confirms that George Bowering was present at this event in his book \\\"When TISH Happens\\\" (p. 160-2). \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/5029235\",\"name\":\"Davey, Frank\",\"dates\":\"1940-\",\"notes\":\"Frank Davey recalls being present at this event in his book \\\"When TISH Happens\\\" (p. 160-2). \",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1962],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/271/UBCO_Tallman_2012_002_001_a.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012_002_001_Robert_Creeley_Notes_On_Poetry_26_Aug_1962_Processed05302019_(MASTER_ACCESS).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"01:05:26\",\"precision\":\"\",\"size\":\"1.4 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1962-08-26\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Listed on item\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"This recording contains one of three lectures Robert Creeley gave at Warren and Ellen Tallmans' house on 37th Street in Vancouver, B.C. on Aug 26, 28, 29, 1962. Frank Davey refers to this event in When TISH Happens (p. 160-2).\",\"address\":\"Vancouver, B.C., Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Vancouver, B.C., Canada"],"City":["Vancouver, British Columbia"],"contents":["This tape copy contains a recording the first of three guest lectures Robert Creeley gave at Warren and Ellen Tallman's house on 37th Street, Vancouver, B.C. This particular lecture was recorded on August 26, 1962. The following two lectures were given on August 28 and August 29, 1962. These two lectures were also recorded, and are available in the Frank Davey fonds of the SoundBox Collection (2014.002.001). Frank Davey recorded the event and references the event in his book When TISH Happens (p. 160-2).\n\nIn this lecture Robert Creeley discusses the question, \"what is poetry?\" He draws on the definitions of many writers and poets including Joshua Whatmough, Samuel Taylor Coleridge, Robert Conquest, Ezra Pound, Edward Sapir, Walt Whitman, and William Carlos Williams. Warren Tallman and various students and guests including George Bowering occasionally ask questions."],"Note":["[{\"note\":\"Item ID: 2012.002.001\",\"type\":\"General\"},{\"note\":\"Digitization complete. Transcription complete.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"https://ebooks.adelaide.edu.au/c/coleridge/samuel_taylor/shakespeare-ben-jonson-beaumont-and-fletcher/chapter7.html\",\"citation\":\"Coleridge, Samuel Taylor. “Recapituation, and Summary Of the Characteristics of Shakespeare’s Dramas.” In Shakespeare, Ben Jonson, Beaumont and Fletcher. \"},{\"url\":\"https://books.google.ca/books/about/The_Pasternak_Affair.html?id=VBNgAAAAMAAJ&redir_esc=y\",\"citation\":\"Conquest, Robert. The Pasternak Affair: Courage of Genius; A Documentary Report. Lippincott, 1962. \"},{\"url\":\"https://books.google.ca/books?id=yXYlK8Uh3dUC&pg=PA21&lpg=PA21&dq=The+thinking+clarifying+faculty+must+move+and+leap+with+the+energizing+sentient,+musical+faculties+pound&source=bl&ots=nR4Jjmxaho&sig=ACfU3U2HO8jG9KkoPE-DWQ2N_lJ9RbXWEA&hl=en&sa=X&ved=2ahUKEwjNn5SLs5TkAhWkCjQIHWvrBasQ6AEwAnoECAcQAQ#v=onepage&q=The%20thinking%20clarifying%20faculty%20must%20move%20and%20leap%20with%20the%20energizing%20sentient%2C%20musical%20faculties%20pound&f=false\",\"citation\":\"Pound, Ezra. Literary Essays. \"},{\"url\":\"https://brocku.ca/MeadProject/Sapir/Sapir_1921/Sapir_1921_11.html\",\"citation\":\"Sapir, Edward. “Language and Literature.” In Language: An Introduction to the Study of Speech. Harcourt, Brace & World, 1921. \"},{\"url\":\"https://archive.org/stream/in.ernet.dli.2015.528965/2015.528965.language-a_djvu.txt\",\"citation\":\"Whatmough, Joshua. Language: A Modern Synthesis. St Martin’s Press, 1956. \"},{\"url\":\"https://books.google.ca/books?id=brT4kXyDYSIC&pg=PA426&lpg=PA426&dq=articulate+and+faithfully+express+in+poetic+or+literary+form+an+uncompromising+my+own+physical,+emotional,+moral,+intellectual,+and+aesthetic+personality&source=bl&ots=0CIeKoL76d&sig=ACfU3U0HqATtuzOYYvfuXOVnzo2QYHyt_A&hl=en&sa=X&ved=2ahUKEwiFj9-7tJTkAhUsFzQIHbxXBToQ6AEwAXoECAkQAQ#v=onepage&q&f=false\",\"citation\":\"Whitman, Walt. “A Backward Glance.” Leaves of Grass. \"},{\"url\":\"https://www.poetryfoundation.org/articles/69410/introduction-to-the-wedge\",\"citation\":\"Williams, William Carlos. “Author’s Introduction (The Wedge).” Selected Essays of Williams Carlos Williams. New Directions Publishing Corporation, 2009. \"}]"],"_version_":1853670550983933952,"timestamp":"2026-01-07T14:59:55.538Z","score":2.1243587},{"id":"4551","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Warren Tallman fonds"],"source_collection_label":["Warren Tallman fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2012.002"],"persistent_url":[""],"item_title":["Bob [Creeley] Collage / Daphne [Marlatt] (2-3)"],"item_title_source":["Title on front of box."],"item_title_note":["[Warren Tallman interview of Daphne Marlatt, Vancouver, 1968]"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Marlatt, Daphne","Tallman, Warren","Creeley, Robert"],"creator_names_search":["Marlatt, Daphne","Tallman, Warren","Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1968],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/273/UBCO_Tallman_2012_002_002_a.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012_002_002_DaphneMarlatt2_2019_(MASTER_ACCESS).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T01:12:07\",\"precision\":\"\",\"size\":\"2.3 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.002_Bob Collage_SideA_1-4(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T02:01:39\",\"precision\":\"\",\"size\":\"1.4 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1968-12\",\"type\":\"Production Date\",\"notes\":\"Supplied by researcher.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"Warren Tallman's Home (Vancouver)\",\"notes\":\"Warren Tallman's interview of Daphne Marlatt took place in his house on 37th Street in Vancouver, B.C.\",\"address\":\"Vancouver, B.C., Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Vancouver, B.C., Canada"],"Venue":["Warren Tallman's Home (Vancouver)"],"City":["Vancouver, British Columbia"],"contents":["In this recording, Daphne Marlatt reads selections from her first collection, Frames of a story (1968), and is interviewed by Warren Tallman about her process and inspiration in writing the collection. The interview may have been conducted in preparation for a paid review by Warren Tallman for Ryerson Press, although such a review never seems to have been written. The interview was conducted and recorded in December 1968 in Warren Tallman’s home."],"Note":["[{\"note\":\"Item ID: 2012.002.002\",\"type\":\"General\"},{\"note\":\"Side A 1-4 and 3-2 have recordings. Side B is blank.\",\"type\":\"General\"},{\"note\":\"Digitization and transcription of Daphne Marlatt interview complete. Digitization and transcription of Bob Collage complete.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Marlatt, Daphne. Frames of a Story. Ryerson Press, 1968.\"}]"],"_version_":1853670550984982528,"timestamp":"2026-01-07T14:59:55.538Z","score":2.1243587},{"id":"4559","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Warren Tallman fonds"],"source_collection_label":["Warren Tallman fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2012.002"],"persistent_url":[""],"item_title":["BERKELEY POETRY CONFERENCE ROBERT CREELEY"],"item_title_source":["Title written on box."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert"],"creator_names_search":["Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, 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Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.011_Berkeley Conference Robert Creeley_Side 1_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T01:04:25\",\"precision\":\"\",\"size\":\"2.23 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.011_Berkeley Conference Robert Creeley_Side 1_L_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T01:24:05\",\"precision\":\"\",\"size\":\"1.11 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Morning Aug 16 (Lecture)\nV Summer '63"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Avison, Margaret","Creeley, Robert","Olson, Charles","Duncan, Robert","Ginsberg, Allen"],"creator_names_search":["Avison, Margaret","Creeley, Robert","Olson, Charles","Duncan, Robert","Ginsberg, Allen"],"creators":["[{\"url\":\"http://viaf.org/viaf/79128508\",\"name\":\"Avison, Margaret\",\"dates\":\"1918-2007\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/582/Swallow_2012_002_023_a.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.023_V Summer '63_SideA_3-2(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:14:52\",\"precision\":\"\",\"size\":\"349.2 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.023_V Summer '63_SideA_1-4(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:04:17\",\"precision\":\"\",\"size\":\"99.9 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.023_V Summer '63_SideB_1-4(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T01:05:29\",\"precision\":\"\",\"size\":\"1.51 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-08-07\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on artifact box.\"},{\"date\":\"1963-08-12\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on artifact box.\"},{\"date\":\"1963-08-14\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on artifact box.\"},{\"date\":\"1963-08-16\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on artifact box.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"The University of British Columbia\",\"notes\":\"\",\"address\":\"Vancouver, B.C., Canada\",\"latitude\":\"49.25839375\",\"longitude\":\"-123.246581610019\"}]"],"Address":["Vancouver, B.C., Canada"],"Venue":["The University of British Columbia"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"ITEM ID: 2012.002.023\\n\",\"type\":\"General\"},{\"note\":\"Digitized. \",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670550987079681,"timestamp":"2026-01-07T14:59:55.538Z","score":2.1243587},{"id":"5244","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["CBC Program: A Portrait of William Carlos Williams #193"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Levertov, Denise","Laughlin, James","Rexroth, Kenneth","Creeley, Robert","Duncan, Robert","Layton, Irving","Williams, William Carlos"],"creator_names_search":["Levertov, Denise","Laughlin, James","Rexroth, Kenneth","Creeley, Robert","Duncan, Robert","Layton, Irving","Williams, William Carlos"],"creators":["[{\"url\":\"http://viaf.org/viaf/9868894\",\"name\":\"Levertov, Denise\",\"dates\":\"1923-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/97990150\",\"name\":\"Laughlin, James\",\"dates\":\"1914-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105850695\",\"name\":\"Rexroth, Kenneth \",\"dates\":\"1905-1982\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert \",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/66482092\",\"name\":\"Layton, Irving\",\"dates\":\"1912-2006\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/29542054\",\"name\":\"Williams, William Carlos \",\"dates\":\"1883-1963\",\"notes\":\"recording of him \",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Quartermain, Peter"],"contributors_names_search":["Quartermain, Peter"],"contributors":["[{\"url\":\" http://viaf.org/viaf/34534588\",\"name\":\"Quartermain, Peter\",\"dates\":\"1934-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/904/Reading in BC_McS199_193.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:21:05\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"193-side-A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:43:47\",\"precision\":\"\",\"size\":\"43.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"193-side-B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:41:23\",\"precision\":\"\",\"size\":\"41.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/3764261726\",\"venue\":\"CBC Studio\",\"notes\":\"We assume that this tape was recorded in Vancouver. We don't know where CBC Vancouver located before 1975, now its address is  700 Hamilton Street\\nVancouver, British Columbia\\nV6B 4A2\",\"address\":\"Vancouver,  British Columbia, V6B 4P4, Canada\",\"latitude\":\"49.27867\",\"longitude\":\"-123.11458\"}]"],"Address":["Vancouver,  British Columbia, V6B 4P4, Canada"],"Venue":["CBC Studio"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t010\t“Asphodel”\n\t\t020\tWCW barely audible – speaking\n\t\t035\tJust speaking\n\t\t045\tDenise Levertov on WCW\n\t\t055\t“The red wheelbarrow”\n\t\t240\t“A descent”\n\t\t255\tJames Laughlin on WCW\n\t\t276\tKenneth Rexroth on WCW\n\t\t293\tJames Laughlin – New Directions – on WCW\n\t\t316\tWCW – on technique of artist\n\t\t345\t“I have learned much in my life from books…”\n\t\t351\tCreeley on WCW\n\t\t379\t“The cat”\n\t\t382\tDiscussion on Paterson – WCW\n\t\t403\tDuncan on WCW\n\t\t419\t“By the road to the contagious hospital…”\n\t\t441\tWCW – commentary\n\t\t460\tLevertov on WCW\n\t\t510\tDuncan on WCW\n\t\t570\tWCW – commentary\n\t\t605\t“What is good poetry made of?” read by (?) who?\n\t\t610\t? who ? is talking here?\n\t\t629\t“No ideas but in things” – who is talking about it??\n\t\t678\tDuncan on “No ideas but in things”\n\t\t730\tNothing – blank tape\n\t\t744\tPoem begins midway – what poem?\n\t\t752\tIrving Layton on WCW\n\t\t785\tWCW – reading poem on Old (Bunk?) Johnson\nTwo\t\t010\t“What a red and yellow and white mirror to the sun…”\n\t\t\tWho is talking?"],"Note":["[{\"note\":\"Liner Notes:  (Noisy reception radio muted first 40 minutes) \\nSide 1 44:20\\n2 41:45\\nDolby B\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552839913472,"timestamp":"2026-01-07T14:59:57.321Z","score":2.1243587},{"id":"5273","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Gloucester Interview: Warren Tallman and Robert Creeley, 1972 #714"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Tallman, Warren"],"creator_names_search":["Creeley, Robert","Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert \",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1972],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1128/Reading in BC_MsC199_714.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"714-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:41:41\",\"precision\":\"\",\"size\":\"123.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"714-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:00\",\"precision\":\"\",\"size\":\"56.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1972\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Inventory\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t020\tThe difficulty of accepting that writing can be great art, as a painting by Cezanne (or great music) can be, is discussed by Tallman\n\t\t064\tCreeley makes mention of Stonewall Jackson and the Battle of Richmond\n\t\t100\tOn the distinction between reality and actuality\n\t\t210\t“The Sioux,” notes Creeley, “felt that the first order of creation was stone…”\n\t\t225\tDiscussion of Charles Olson ensues\n\t\t242\tDiscussion of Emerson’s intelligence\n\t\t331\tYeats enters the frame, in a sense\n\t\t340\tCreeley discusses some Mexican influences and their effect upon his work\n\t\t428\tOn content vs. technique in poetry\n\t\t442\tCreeley relates his first meeting with Paul Blackburn\n\t\t470\tColeridge is discussed\n\t\t513\tJ. Kerouac is discussed, in light, especially, of his memory\n\t\t521\tAllen Ginsberg’s phenomenal memory is touched upon\n\t\t589\tEnd of Side One\nTwo\t\t000\t\n\t\t007\tA Fred Wah anecdote is related\n\t\t069\tCreeley discusses the physical nature of the writing process\n\t\t232\tArabian poetry is given mention\n\t\t280\tBack to the topic of: the physical nature of writing\n\t\t315\tDiscussion of ‘Numbers’\n\t\t450\tCreeley relates an anecdote about a radio and another about exotic chickens\n\t\t490\tThe semantics f language are discussed\n\t\t508\tA discussion of rocks ensues, and reference is made to Gloucester\n\t\t570\tEnd of Side Two"],"Note":["[{\"note\":\"The cassette #714 is missing.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552846204930,"timestamp":"2026-01-07T14:59:57.321Z","score":2.1243587},{"id":"5274","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Warren Tallman and Robert Creeley interview with Don Allen on April 11, 1975 #716"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Allen, Don","Tallman, Warren","Creeley, Robert"],"creator_names_search":["Allen, Don","Tallman, Warren","Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/79111075\",\"name\":\"Allen, Don\",\"dates\":\"1912-2004\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert \",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1975],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1129/Reading in BC_MsC199_716.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"716-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:56\",\"precision\":\"\",\"size\":\"46.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"716-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:50\",\"precision\":\"\",\"size\":\"46.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975-04-11\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t007\tThe methodology of the discussion to follow is discussed\n\t\t060\tTallman asks Don Allen about his Berkeley experience\n\t\t115\tDon Allen relates his experience working for Naval Intelligence and like in Japan\n\t\t200\t“How early did you have facility with languages?” asks Tallman\n\t\t228\tDon Allen relates his experiences moving to, and living in China\n\t\t248\tTallman asks Don Allen about his impressions of Berkeley\n\t\t321\tJosephine Miles is discussed \n\t\t346\tCreeley asks Don Allen about his early translations of poetry texts\n\t\t383\tDuncan is discussed – a lot of name-dropping follows\n\t\t395\tDon Allen relates his life in New York\n\t\t448\tThe editorial and publishing process is discussed\n\t\t508\tTrout Fishing is discussed\n\t\t568\tJ. Kerouac is discussed\n\t\t600\tEnd of Side One\nTwo\t\t000\t\n\t\t018\tTallman returns to the topic of New York and the publishing business.  Lots of small talk follows\n\t\t245\tDon Allen discusses the proofreading process\n\t\t355\tContinued discussion of New York\n\t\t420\tCreeley asks Don Allen, “what kept you independent and from becoming just another New York Establishment editor?”\n\t\t455\tA French play that Don Allen translated is discussed\n\t\t603\tSide Two ends"],"Note":["[{\"note\":\"Based on the info in inventory and what I heard in digital files, it seems that there is a discussion between Don Allen, Warren Tallman and Robert Creeley NOT an interview. They all get to ask questions and talk. Mainly, Don Allen is the one who is asked questions from rather than the one who asks questions. \",\"type\":\"\"},{\"note\":\"Liner Notes: interview with Warren Tallman and Robert Creeley, April 11, 1975 #716 \\nDon Allen interviewing \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552846204931,"timestamp":"2026-01-07T14:59:57.321Z","score":2.1243587},{"id":"5276","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["7 Poems for Robert Therrien by Robert Creeley on February 2, 1987 #718"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert"],"creator_names_search":["Creeley, Robert"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1987],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1132/Reading in BC_MsC199_718.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"718-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:24:08\",\"precision\":\"\",\"size\":\"23.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"718-side-2 - blank.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:01\",\"precision\":\"\",\"size\":\"23.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987-02-02\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t010\tCreeley introduces 7 poems for Robert Therrien\n\t\t031\t‘Straight’\n\t\t038\tCommentary on ‘Straight’\n\t\t058\t‘Plate’\n\t\t081\t‘Red’\n\t\t091\tCommentary\n\t\t109\t‘Snowman’\n\t\t127\tCommentary\n\t\t135\t‘Wings’\n\t\t145\tCommentary – this time from W. Tallman (in the audience)\n\t\t184\t‘Box’\n\t\t191\tCommentary\n\t\t197\t‘Boat’\n\t\t201\tCommentary and a discussion on Therrien’s sculpture\n\t\t252\tEnd of Side One\nTwo\t\t000\tSide Two is blank"],"Note":["[{\"note\":\"Liner Notes: Robert Creeley (7 poems for Robert Therrien)\\nFebruary 2, 1987 \\n#718\",\"type\":\"General\"},{\"note\":\"Side 2 is blank\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670552846204933,"timestamp":"2026-01-07T14:59:57.321Z","score":2.1243587},{"id":"5278","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Creeley, Expo 86: 60th Birthday Reading in Vancouver, 1986 part 1 of 2 #720"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Gilbert, Gerry","Tallman, Warren"],"creator_names_search":["Creeley, Robert","Gilbert, Gerry","Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\",\"Donor\"]},{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry \",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1134/Reading in BC_MsC199_720.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"720-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:31\",\"precision\":\"\",\"size\":\"42.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"720-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:41\",\"precision\":\"\",\"size\":\"44.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986\",\"type\":\"Performance Date\",\"notes\":\"The mentioned date in the BC inventory document for the second part of this recording is 1986, so part one might've been recorded in the same year.  \",\"source\":\"Inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Vancouver, BC, Canada\",\"latitude\":\"49.2519\",\"longitude\":\"-123.1145\"}]"],"Address":["Vancouver, BC, Canada"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t005\tIntroductory comments by Warren Tallman\n\t\t133\tGerry Gilbert takes the microphone\n\t\t\tAnd warms up the audience\n\t\t226\tRobert Creeley takes the microphone\n\t\t232\tCreeley reads from : Hello\n\t\t400\tEnd\n\t\t411\tCreeley reads an untitled poem about Singapore\n\t\t428\tEnd\n\t\t440\tCreeley reads from Shelley’s “Triumph of Life”\n\t\t460\tEnd\n\t\t481\t“Blues”\n\t\t500\tEnd\n\t\t518\t“Rehearsal”\n\t\t551\tEnd\n\t\t553\t“If I had my Way”\n\t\t568\tEnd, End Side One\nTwo\t\t000\t\n\t\t008\t“The fact”\n\t\t043\tEnd\n\t\t058\tUntitled – about Perene Ricard\n\t\t092\tEnd\n\t\t113\t“First Rain”\n\t\t123\tEnd\n\t\t125\tMusic accompaniment\n\t\t296\t“Human Song”\n\t\t306\tEnd\n\t\t307\t“Time”\n\t\t328\tEnd\n\t\t329\t“Mothers Voice”\n\t\t339\tEnd\n\t\t341\t“Dreams”\n\t\t346\tEnd\n\t\t347\t“Outside”, “There”, “The Visit”, “Versions”, “Death”, “Age”, “Oh-Love”, “Wind Lifts”, The Movie Run Backward”, “Bresson’s Movies”, “Stone”, “Still Too Young”, “Two Kids”, “Echos”, Creeley reads these short poems in quick succession\n\t\t502\t“Such Flowers”\n\t\t\t“Buffalo Evening”\n\t\t\t“Winter”\n\t\t\t“All The Way”\n\t\t\t“Kid”\n\t\t\t“Early Reading”\n\t\t\t“Circles”\n\t\t\t“Worry”\n\t\t\t“Coming Home”\n\t\t\t“Be a Good Cheer”\n\t\t569\tEnd, End Side Two"],"Note":["[{\"note\":\"Liner Notes: \\nRobert Creeley \\nExpo 86, 60th birthday reading, Vancouver 1986\\npart one of two\\nSide 1: 44 min\\nDOLBY B\\n#720\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552847253505,"timestamp":"2026-01-07T14:59:57.321Z","score":2.1243587},{"id":"5279","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Creeley, Expo 86: 60th Birthday Reading in Vancouver on November 23, 1970, and 1986 part 2 of 2 #721"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert"],"creator_names_search":["Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1135/Reading in BC_MsC199_721.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"721-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:19\",\"precision\":\"\",\"size\":\"59.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"721-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:21\",\"precision\":\"\",\"size\":\"59.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1970-11-23\",\"type\":\"Performance Date\",\"notes\":\"Side two (B)\",\"source\":\"Inventory\"},{\"date\":\"1986\",\"type\":\"Performance Date\",\"notes\":\"side one (A)\",\"source\":\"Inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Vancouver, BC, Canada\",\"latitude\":\"49.2519\",\"longitude\":\"-123.1145\"}]"],"Address":["Vancouver, BC, Canada"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t002\tTape begins with Creeley in the midst of reading an unidentified poem\n\t\t040\tEnd\n\t\t060\t“Old Max”\n\t\t138\tEnd\n\t\t156\t“Heaven Knows”\n\t\t163\tEnd\n\t\t166\t“Hotel”\n\t\t172\tEnd\n\t\t173\t“Echo”\n\t\t177\tEnd\n\t\t178\t“Made in America”\n\t\t182\tEnd\n\t\t183\t“Always”\n\t\t188\tEnd\n\t\t189\t“Massachusetts in May”\n\t\t195\tEnd\n\t\t196\t“Memories”\n\t\t200\t“For John”\n\t\t219\tEnd\n\t\t220\t“Buffalo Afternoon”\n\t\t230\tEnd\n\t\t231\t“For Ted…”\n\t\t236\tEnd\n\t\t237\t“Hotel…”\n\t\t242\tEnd\n\t\t280\tUnidentified\n\t\t300\tEnd\n\t\t301\t“Late Love”\n\t\t306\tEnd\n\t\t307\t“Fathers”\n\t\t318\tEnd\n\t\t319\t“Memory Gardens”\n\t\t325\tEnd\n\t\t326\t“Flicker”\n\t\t333\tEnd\n\t\t334\t“Window”\n\t\t339\tEnd\n\t\t340\t“Winter Mourning”\n\t\t346\tEnd\n\t\t347\t“Lovers”\n\t\t353\tEnd\n\t\t354\t“Funeral”\n\t\t358\tEnd\n\t\t359\t“Supper”, “Classical”\n\t\t372\tEnd\n\t\t373\t“Mother’s Photograph”\n\t\t379\tEnd\n\t\t380\t“Valentine”\n\t\t384\tEnd\n\t\t385\t“Lecture”\n\t\t389\tEnd\n\t\t390\t“Days”\n\t\t396\tEnd\n\t\t402\t“To say it’ from Mirrors\n\t\t416\tEnd\n\t\t420\tMusic Accompaniment\n\t\t565\tEnd, End Side One\nTwo\t\t000\t-\tReading Nov. 23, 1970\n\t\t020\tCreeley takes the microphone\n\t\t040\t“Massachusetts”\n\t\t080\tEnd\n\t\t081\t“June 6, 1970”\n\t\t090\tEnd\n\t\t091\t“For Benny and Sabina”\n\t\t100\tEnd\n\t\t135\t“For Son and his Girlfriend”\n\t\t142\tEnd\n\t\t143\t“Song for John Chamberlan”\n\t\t147\tEnd\n\t\t148\t“Irish”\n\t\t158\tEnd\n\t\t160\t“Sitting up to Fill Pages…”\n\t\t173\tEnd\n\t\t174 \t“You”, “Walking the Dog”, “Envoy”, “Heaven”\n\t\t205\tEnd\n\t\t206\t“Wisdom”, “Echo”, “Trees”, “Person”, “For Allen”, “For Chuck Hinman”, “For Louis”, “Oh-Love”, “Pay”, “For Some Weeks”\n\t\t301\tEnd\n\t\t307\t“Hunger”, “Rain”, “Down Home”, “Mouths”, “Kid”, “Tiny Place”, “Smoke”, “Echos”, “Roads”, “Love”, “Mobile Homes:, “Curse”, “Epigraph”, “Bolinas and Me”\n\t\t420\tEnd\n\t\t425\t“In London”, “Homesick Etc.”, “12:30”, “Variance of Emotional Occasion”, “Do You Think”\n\t\t\t-\tIn this section Creeley is reading a flurry of poems, many of which are untitled"],"Note":["[{\"note\":\"Liner Notes: \\nRobert Creeley \\nExpo 86, 60th birthday reading, Vancouver, BC, part two of two\\n1986 \\nside B with Vancouver ART TRID\\n45 minutes\\nDOLBY B\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552847253506,"timestamp":"2026-01-07T14:59:57.321Z","score":2.1243587},{"id":"5280","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Steve Swallow,Robert Creeley, Steve Kuhn, and Sheila Jordan in New York on April 7, 1983, and 1980 #722"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kuhn, Steve","Jordan, Sheila","Flaherty, Joseph P.","Creeley, Robert","Swallow, Steve"],"creator_names_search":["Kuhn, Steve","Jordan, Sheila","Flaherty, Joseph P.","Creeley, Robert","Swallow, Steve"],"creators":["[{\"url\":\"http://viaf.org/viaf/84970988\",\"name\":\"Kuhn, Steve\",\"dates\":\"1938-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/34643571\",\"name\":\"Jordan, Sheila \",\"dates\":\"1928- \",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\" http://viaf.org/viaf/2071298\",\"name\":\"Flaherty, Joseph P.\",\"dates\":\"1940-\",\"notes\":\"Side two is recorded at the Red Mill, Rochester, NY, April 7, 1983. Joe Flaherty of Writers and Books introduces the side\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/42026809\",\"name\":\"Swallow, Steve\",\"dates\":\"1940-\",\"notes\":\"This person could be Steve Swallow\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[]"],"Performance_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1136/Reading in BC_MsC199_722.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"722-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:34\",\"precision\":\"\",\"size\":\"44.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"722-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:36\",\"precision\":\"\",\"size\":\"42.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-04-07\",\"type\":\"Performance Date\",\"notes\":\"Side two is recorded at the Red Mill, Rochester, NY, April 7, 1983\",\"source\":\"J-card\"},{\"date\":\"1980\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/176069\",\"venue\":\"\",\"notes\":\"As it's mentioned in the BC inventory document, side two is recorded at the Red Mill, Rochester, NY, April 7, 1983\",\"address\":\"Rochester, New York, USA\",\"latitude\":\"43.1676\",\"longitude\":\"-77.6129\"}]"],"Address":["Rochester, New York, USA"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t007\tJazz music fills the side, with pieces such as ‘Some Echoes’, ‘She was Young’, ‘In the fall’, and ‘Ice Cream’\nTwo\t\t000\t\n\t\t007\tSide two intersperses song and poetry.  Side two is recorded at the Red Mill, Rochester, NY, April 7, 1983.  Joe Flaherty of Writers and Books introduces the side\n\t\t059\tSteve Kuhn & Sheila Jordan Play\n\t\t251\tEnd of piece – Creeley is introduced and reads ‘The Thirty Things’\n\t\t310\t‘For Ever and Ever with Love’\n\t\t329\t‘Kitchen’\n\t\t336\t‘Here is where there is’\n\t\t363\t‘Xmas Poem Bolinas’\n\t\t380\t‘Photo (for Joanne)’\n\t\t383\t‘The Loop’\n\t\t392\t‘Postcards’\n\t\t410\t‘Change’\n\t\t457\t‘The Plan is the Body’\n\t\t475\tA break\n\t\t490\tCreeley continues\n\t\t507\t‘Time (for Willie)’\n\t\t538\t‘Memory’\n\t\t547\tMore Jazz with Kuhn and Jordan\n\t\t574\tEnd of Side Two"],"Note":["[{\"note\":\"Liner Notes: Swallow/ Creeley/ S. Jordan/Kuhn  Rochester, NY, 1980/83\\n#722\\n\",\"type\":\"General\"},{\"note\":\"I personally searched and figured out that Swallow's first name is Steve and Creeley's first name is Robert. \",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670552850399232,"timestamp":"2026-01-07T14:59:57.321Z","score":2.1243587},{"id":"5213","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Charles Olson, Joanne Kyger, Bill Brown, Robert Creeley discussion recorded in San Francisco, April 1968 #313"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Brown, Bill","Olson, Charles","Creeley, Robert","Kyger, Joanne"],"creator_names_search":["Brown, Bill","Olson, Charles","Creeley, Robert","Kyger, Joanne"],"creators":["[{\"url\":\" http://viaf.org/viaf/286550013\",\"name\":\"Brown, Bill \",\"dates\":\"1918-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\" http://viaf.org/viaf/71627705\",\"name\":\"Kyger, Joanne\",\"dates\":\"1934-2017\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1968],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/840/Readings in BC_MsC199_313.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"SFU\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"313-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:20\",\"precision\":\"\",\"size\":\"44.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"313-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:09\",\"precision\":\"\",\"size\":\"46.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1968-04\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/111968\",\"venue\":\"\",\"notes\":\"\",\"address\":\"California, San Francisco, USA\",\"latitude\":\"37.7729\",\"longitude\":\"-122.4207\"}]"],"Address":["California, San Francisco, USA"],"Note":["[{\"note\":\"Liner Notes: Charles Olson, Joanne Kyger, Bill Brown, Robert Creeley  Recorded in San Francisco April 1968 Side 1: 40 min. Dolby B\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552859836416,"timestamp":"2026-01-07T14:59:57.321Z","score":2.1243587},{"id":"5349","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Creeley and Robert Duncan reading poetry on May 16, 1979 #742"],"item_title_source":["cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert","Creeley, Robert"],"creator_names_search":["Duncan, Robert","Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert \",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1979],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1216/Reading in BC_MsC199_742.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"742-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:54\",\"precision\":\"\",\"size\":\"47.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"742-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:52\",\"precision\":\"\",\"size\":\"49.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1979-05-16\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t007\tThe tape begins with Creeley in the midst of reading an unidentified poem\n\t\t078\tEnd\n\t\t100\t“They Paid My Way Here”\n\t\t172\tEnd\n\t\t203\t“If I Had My Way”\n\t\t238\tEnd\n\t\t285\t“Desultory Days”\n\t\t340\tEnd\n\t\t351\t“Prayer to Hermes”\n\t\t392\tEnd\n\t\t395\tRobert Duncan takes the microphone\n\t\t414\t“Passages 36 [These Lines Composing Themselves in my Head as I Awoke Early This Morning, It Being Still Dark December 16, 1971]”\n\t\t478\tEnd\n\t\t480\t“Passage 37”\n\t\t532\tEnd\n\t\t540\t“Songs of an Otter”\n\t\t560\tEnd\n\t\t562\t“The Torn Cloth”\n\t\t579\tEnd.  End Side One\nTwo\t\t000\t\n\t\t006\t“The Torn Cloth” – continued\n\t\t052\tEnd\n\t\t070\t“The Sentinels”\n\t\t143\tEnd\n\t\t228\t“Seven sessions”\n\t\t321\tEnd\n\t\t353\t“The Buddha’s Smile”\n\t\t386\tEnd\n\t\t447\t“An Eros/Amor/Love Cycle”\n\t\t530\tEnd. End Side Two"],"Note":["[{\"note\":\"Liner Notes:\\nRobert Creeley, Robert Duncan\\nMay 16, 1979\\nDOLBY B \\n#742\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553053822980,"timestamp":"2026-01-07T14:59:57.525Z","score":2.1243587},{"id":"5457","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["New letters on the air (Contemporary Writers on Radio) at University of Missouri: Robert Creeley reading at Boston University, September 1981 #790\n"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Ray, David","[Miller?],Rich","Stewart, Robert","Jarrett, Keith"],"creator_names_search":["Creeley, Robert","Ray, David","[Miller?],Rich","Stewart, Robert","Jarrett, Keith"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/111391057\",\"name\":\"Ray, David \",\"dates\":\"1932-\",\"notes\":\"Executive editor \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"[Miller?],Rich \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\"]},{\"url\":\"\",\"name\":\"Stewart, Robert \",\"dates\":\"\",\"notes\":\"Executive editor\",\"nation\":[],\"role\":[\"Producer\"]},{\"url\":\"\",\"name\":\"Jarrett, Keith \",\"dates\":\"\",\"notes\":\"Music from this program is from his album\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Performance_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1488/Reading in BC_MsC199_790.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:29:00\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"790-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:14\",\"precision\":\"\",\"size\":\"40.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"790-side-2 - blank.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:24\",\"precision\":\"\",\"size\":\"40.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-09\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/237973251\",\"venue\":\"University of Missouri - Kansas City \",\"notes\":\"It's the location where the radio program is made\",\"address\":\"5000 Holmes St, Kansas City, MO 64110, United States\",\"latitude\":\"39.0343\",\"longitude\":\"-94.5786\"},{\"url\":\"https://www.openstreetmap.org/relation/6587738\",\"venue\":\"WBUR Boston, Boston University \",\"notes\":\"\",\"address\":\"Upper Falls Greenway, Newton Upper Falls, Newton, Middlesex County, Massachusetts, 02464, United States\",\"latitude\":\"42.3502\",\"longitude\":\"-71.1127\"}]"],"Address":["5000 Holmes St, Kansas City, MO 64110, United States","Upper Falls Greenway, Newton Upper Falls, Newton, Middlesex County, Massachusetts, 02464, United States"],"Venue":["University of Missouri - Kansas City ","WBUR Boston, Boston University "],"Note":["[{\"note\":\"Side two is empty.\",\"type\":\"\"},{\"note\":\"Liner Notes:\\nRobert Creeley I\\n1981 reading\\nNew letters on the air\\n(Contemporary Writers on Radio)\\nUniversity of Missouri Kansas City, MO 64110\\n(816)2761159\\n29 minutes\\n09/81\\n #790\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553275072514,"timestamp":"2026-01-07T14:59:57.732Z","score":2.1243587},{"id":"5458","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["New letters on the air (Contemporary Writers on Radio) at University of Missouri: Robert Creeley interview with Robert Steward at River City Reunion in Lawrence, 1981 #791\n"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Stewart, Robert","Pearson, Rebecca","Ray, David","Ray, Judy","Kemner, Gerald","Creeley, Robert"],"creator_names_search":["Stewart, Robert","Pearson, Rebecca","Ray, David","Ray, Judy","Kemner, Gerald","Creeley, Robert"],"creators":["[{\"url\":\"\",\"name\":\"Stewart, Robert \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"\",\"name\":\"Pearson, Rebecca \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Producer\"]},{\"url\":\" http://viaf.org/viaf/111391057\",\"name\":\"Ray, David\",\"dates\":\"1932-\",\"notes\":\"founder\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Ray, Judy \",\"dates\":\"\",\"notes\":\"David Ray's wife: founder\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Kemner, Gerald \",\"dates\":\"\",\"notes\":\"The program theme music is written by him\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1493/Reading in BC_MsC199_791.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:29:00\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"791-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:19\",\"precision\":\"\",\"size\":\"40.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"791-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:22\",\"precision\":\"\",\"size\":\"40.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\" 1981\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/237973251\",\"venue\":\"University of Missouri - Kansas City\",\"notes\":\"It's the location where the radio program is made\",\"address\":\"5000 Holmes St, Kansas City, MO 64110, United States\",\"latitude\":\"39.0343\",\"longitude\":\"-94.5786\"},{\"url\":\"https://www.openstreetmap.org/node/151399928\",\"venue\":\"River City Reunion \",\"notes\":\"The latitude and longitude of Lawrence have been entered since the exact location can't be found.\",\"address\":\"Kansas, Lawrence, USA\",\"latitude\":\"38.9754\",\"longitude\":\"-95.2391\"}]"],"Address":["5000 Holmes St, Kansas City, MO 64110, United States","Kansas, Lawrence, USA"],"Venue":["University of Missouri - Kansas City","River City Reunion "],"Note":["[{\"note\":\"Side two is empty.\",\"type\":\"\"},{\"note\":\"In the inventory document, the mentioned date is 1981 although on the J-card there is another date which is 1988-04. I decided to put the date I found in the inventory. \",\"type\":\"\"},{\"note\":\"Liner Notes:\\nRobert Creeley II interview\\n1981 \\nNew letters on the air\\n(Contemporary Writers on Radio)\\nUniversity of Missouri Kansas City, MO 64110\\n(816)2761159\\n29 minutes\\npart II\\n04/88\\n #791\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553275072515,"timestamp":"2026-01-07T14:59:57.732Z","score":2.1243587},{"id":"5502","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. 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Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Berkeley Poetry Conference Part 7: Robert Creeley lecture on July 23rd, 1965 #518"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Olson, Charles","Duncan, Robert","Williams, William Carlos"],"creator_names_search":["Creeley, Robert","Olson, Charles","Duncan, Robert","Williams, William Carlos"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/29542054\",\"name\":\"Williams, William Carlos\",\"dates\":\"1883-1963\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Author\"]}]"],"contributors":["[]"],"Performance_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/3453/518.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"518-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:49\",\"precision\":\"\",\"size\":\"55.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"518-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:52:28\",\"precision\":\"\",\"size\":\"67.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-07-23\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2833528\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Berkeley, California, USA\",\"latitude\":\"37.8705\",\"longitude\":\"-122.2826\"}]"],"Address":["Berkeley, California, USA"],"City":["Berkeley, California"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t\tRobert Creeley lecture, “A Sense of Measure”\n\t\t000\tIntroduction: Williams Carlos Williams’ sense of “measure”\n\t\t021\tCreeley quotes Williams, speaking of Shakespeare\n\t\t047\tThe word “measure” implies many things; e.g., “metrical” in Olson’s sense of the word\n\t\t057\tWilliams’ large focus “on measure” and the difficulties he experienced after his strokes\n\t\t078\tCreeley relates how Williams’ concerns have affected his feelings about Pound, Olson, Zukosfsky, and others\n\t\t096\tWilliams’ feelings about the Russian cosmonaut’s orbit of the Earth\n\t\t110\tCreeley asks audience for feedback on what is meant by “measure”; response: Williams himself did not seem to know\n\t\t126\tWilliams’ reaction to Olson and vice versa\n\t\t143\tOlson’s “Projected Verse” essay\n\t\t173\tCreeley says “if anything is, then all things are”, relates this idea to poetry\n\t\t197\tCreeley’s use of the word measure\n\t\t211\tComments from Robert Duncan on measuring one’s measure while one is intoxicated\n\t\t277\tComments from Robert Duncan on measuring one’s measure while one is intoxicated\n\t\t343\t“Writing somehow doesn’t count”, says Creeley\n\t\t374\tDiscussion of numbers and counting as measures\n\t\t410\tDuncan speaks about the patterns in Pound’s “Rock Drill” Cantos\n\t\t456\tDuncan speaks about the crudity of “conscious numbers” as opposed to the complexity of “unconscious numbers” a “loosed mode”\n\t\t495\tCreeley discusses the “numbers” he uses in his poems\n\t\t514\tDuncan brings up the counted syllables in Williams’ work; Creeley discusses Tomlinson’s use of Williams’ style of syllabic verse\n\t\t562\tAudience member refers to a statement on the sonnet form by Zukofsky; Duncan comments\n\t\t605\tCreeley gets back to statement, “Writing somehow doesn’t count”; focuses on word “somehow”\n\t\t635\tAudience members enter into debate about whether arithmetical counting is necessary in poetry\n\t\t777\tCreeley discusses the many possibilities with poems that are consciously and ostensibly “measured” (or metred) by the writer\n\t\t864\tCreeley refers to Olson’s “testing and missing some proof”; audience debates conscious and unconscious experience of numbers\n\t\t965\tSide one ends\nTwo\t\t000\tDiscussion of unconscious experience of numbers resumes\n\t\t035\tDistinction between “measure” and “order”\n\t\t047\tDiscussion of the etymology of word “measure”\n\t\t084\tQuestion from audience: Is it important for the reader to get the same sense of measure as that which was intuitively experienced by the writer of a poem?; Duncan and Creeley respond\n\t\t148\tQuestion: How do you perceive a measure”\n\t\t176\tQuestion: Is the poet responsible for the readers’ understanding of the poem?\n\t\t278\tLecture ends"],"Note":["[{\"note\":\"The Berkeley Poetry Conference Part 7 July 23rd, 1965\\nRobert Creeley: A Sense of Measure\\nSide 1 43:25 min\\nSide 2 41:50 min\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553284509698,"timestamp":"2026-01-07T14:59:57.732Z","score":2.1243587},{"id":"5503","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Berkeley Poetry Conference Part 8: John Weiners Reading in Berkeley on July 14th, 1965 and at New York YM-YWHA Poetry Center on October 24th, 1966 #519"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Weiners, John","Creeley, Robert"],"creator_names_search":["Weiners, John","Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/90723960\",\"name\":\"Weiners, John\",\"dates\":\"1934-2002\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Author\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"Introduction by Robert Creeley\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/3454/519.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"519-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:29:37\",\"precision\":\"\",\"size\":\"89.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"519-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:09\",\"precision\":\"\",\"size\":\"38.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-07-14\",\"type\":\"Performance Date\",\"notes\":\"Berkeley Reading\",\"source\":\"J-card\"},{\"date\":\"1966-10-24\",\"type\":\"Performance Date\",\"notes\":\"New York Reading\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2833528\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Berkeley, California, USA\",\"latitude\":\"37.8705\",\"longitude\":\"-122.2826\"},{\"url\":\"https://www.openstreetmap.org/node/3729655969\",\"venue\":\"YM-YWHA Poetry Center\",\"notes\":\"\",\"address\":\"1395 Lexington Ave, New York, NY 10128, United States\",\"latitude\":\"40.78306\",\"longitude\":\"-73.95277\"}]"],"Address":["Berkeley, California, USA","1395 Lexington Ave, New York, NY 10128, United States"],"Venue":["YM-YWHA Poetry Center"],"City":["Berkeley, California"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tIntroduction by Robert Creeley\n\t\t025\tJohn Wieners reads “Chinoiserie”\n\t\t035\t“Night Boat to Cairo”\n\t\t058\t“The Mole Proposes Solitude”\n\t\t080\t“To Denise Levertov”\n\t\t083\t“Where Fled”\n\t\t093\t“Moon poems”\n\t\t108\t“The Serpent’s Hiss”\n\t\t117\t“The Imperatrice”\n\t\t137\t“Tuesday 7:00 PM”\n\t\t150\t“Le Chariot”\n\t\t169\t“Procrastination”\n\t\t185\t“The Suicide”\n\t\t206\t“Address to the Woman”\n\t\t213\t“I walk under the distant stars…”\n\t\t227\tWieners reads from the original manuscript of The Hotel Wentley Poems (these are different from the published versions)\n\t\t250\t“A poem for painters”\n\t\t339\t“A poem for the old man”\n\t\t361\t“Wracked by beauty, wracked by pain…”\n\t\t387\t“Grieving battle of swing”\n\t\t401\t“A poem to dawn”\n\t\t419\t“Cocaine”\n\t\t445\t“Watchman, what of the night?”\n\t\t507\t“My Mother”\n\nJohn Wieners reading at New York YM-YWHA\n\nSide\tTrack\tNo.\tComments\nTwo\t\t\tJohn Wieners poetry reading\n\t\t000\tIntroduction\n\t\t016\tWieners reads “Diana”\n\t\t025\t“Invocation to Summer”\n\t\t035\t“Invitation au voyage II”\n\t\t056\t“Love”\n\t\t062\t“Time”\n\t\t069\t“Nocturne”\n\t\t089\t“Holy orders in life”\n\t\t109\t“Billy”\n\t\t118\t“LSD”\n\t\t131\t“Only lust rules there”\n\t\t143\t“A poem for vipers”\n\t\t165\t“A poem for painters”\n\t\t242\tReading ends"],"Note":["[{\"note\":\"The Berkeley Poetry Conference Part 8 July 14th, 1965\\nJohn Weiners Reading\\nSide 1 37 min\\nSide 2 5 min\\nReading at the New York YM YWHA Oct 24th, 1966\\n21:25\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553284509699,"timestamp":"2026-01-07T14:59:57.732Z","score":2.1243587},{"id":"5507","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Berkeley Poetry Conference Part 11: Ed Dorn Reading on July 20th, 1965 Tape 1 of 2 #522a "],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Dorn, Ed","Creeley, Robert"],"creator_names_search":["Dorn, Ed","Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/25166087\",\"name\":\"Dorn, Ed\",\"dates\":\"1929-1999\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"Introduction by Robert Creeley\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/3461/Reading in BC_MsC199_522a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"522_1-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:35\",\"precision\":\"\",\"size\":\"31.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"522_1-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:23\",\"precision\":\"\",\"size\":\"43.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-07-20\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2833528\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Berkeley, California, USA\",\"latitude\":\"37.8705\",\"longitude\":\"-122.2826\"}]"],"Address":["Berkeley, California, USA"],"City":["Berkeley, California"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tIntroduction by Robert Creeley\n\t\t032\tIntroductory remarks by Dorn\n\t\t045\tFrom Geography: “Song : The astronauts”\n\t\t062\t“The Problem of the Poem for My Daughter, Left Unsolved”\n\t\t212\t“A Letter, In the Meantime, Not to be Mailed, Tonight”\n\t\t262\t“Inauguration Poem #2”\n\t\t414\t“Daffodil Song”\n\t\t421\tSong: “my wife is lovely…”\n\t\t431\t“Another Vague Love”\n\t\t438\tLove Song: “Out of the north branch of the river…”\n\t\t446\tLove Song: “Captured, her beauty…”\n\t\t455\tSong: “Oh Gods of my disembarked soul…”\n\t\t464\tSong: “If the world…”\n\t\t477\tA Song: “There is a blue sky…”\n\t\t492\t“The Explanation”\n\t\t506\t“Chronicle”\n\t\t526\tSong: “So we somewhat stagger together…”\n\t\t548\tSong: “This afternoon was Unholy, the sky…”\n\t\t575\tSong: “Christ of the sparrows…”\n\t\t613\tSong: “Heat”\n\t\t633\t“Fort Hall Obituary: A Note”\n\t\t653\t“Mourning Letter, March 29, 1963”\n\t\t675\t“Eugene Delacroix Says”\n\t\t751\t“Song: Venceremos”"],"Note":["[{\"note\":\"The Berkeley Poetry Conference Part 6 July 22nd, 1965\\nAllan Ginsberg Lecture: What's Going on in the World\\nSide 1 43 min\\nSide 2 34 min\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553285558275,"timestamp":"2026-01-07T14:59:57.732Z","score":2.1243587},{"id":"5510","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Berkeley Poetry Conference Part 13: Robert Creeley Reading on July 22nd, 1965 #524"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Duncan, Robert"],"creator_names_search":["Creeley, Robert","Duncan, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"Introduction by Robert Duncan\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/3464/524.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"524-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:15\",\"precision\":\"\",\"size\":\"58.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"524-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:10\",\"precision\":\"\",\"size\":\"61.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-07-22\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2833528\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Berkeley, California, USA\",\"latitude\":\"37.8705\",\"longitude\":\"-122.2826\"}]"],"Address":["Berkeley, California, USA"],"City":["Berkeley, California"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tIntroduction by Robert Duncan\n\t\t037\tIntroductory remarks by Creeley\n\t\t048\t“The Rhythm”\n\t\t060\tCreeley describes how he feels about the poems he is reading, and tells when they were written\n\t\t072\t“The Rocks”\n\t\t079\t“Water”\n\t\t091\t“The Mountains in the Desert”\n\t\t098\t“Waiting”\n\t\t106\t“The Invitation”\n\t\t116\t“For W.C.W” (“The rhyme is after…”)\n\t\t123\t“Song” (“The grit”)\n\t\t129\t“The Fire”\n\t\t138\t“For no clear reason”\n\t\t145\t“The Messengers, for Allen Ginsberg”\n\t\t157\t“I”\n\t\t175\t“Something”\n\t\t188\t“Walking”\n\t\t197\t“The Language”\n\t\t212\t“The Window”\n\t\t223\t“The Chance” (with explanatory comments)\n\t\t255\t“Hello”\n\t\t270\t“Quick-Step”\n\t\t276\t“Variations” (with introductory remarks)\n\t\t314\t“There Is”\n\t\t322\t“The Measure”\n\t\t328\t“The Woman”\n\t\t362\t“The Pattern”\n\t\t370\t“The Mechanic”\n\t\t375\t“Walls”\n\t\t379\t“I Keep to Myself Such Measures…”\n\t\t415\t“The Dream”\n\t\t462\t“One Way”\n\t\t482\t“Anger”\n\t\t552\t“Some Afternoon”\n\t\t568\t“Distance”\n\t\t631\t“Some Place”\n\t\t650\t“Song” (“I wouldn’t/embarrass you”) (with comments)\n\t\t690\t“Song” (“What do you/want, love…”)\n\t\t700\t“For Helen”\n\t\t713\t“A Night Sky”\n\t\t737\t“The Answer”\n\t\t747\t“Dimensions”\n\t\t773\t“A Place”\n\t\t786\t“Some Echoes”\n\t\t796\t“Fancy”\n\t\t810\t“The World”\nTwo\t\t000\tSecond half of “Going”\n\t\t002\t“The City”\n\t\t012\t“Words”\n\t\t021\t“A Reason”\n\t\t032\t“The Shame”\n\t\t038\t“The Window” (“Position is where you”)\n\t\t054\t“To Bobbie” (Creeley becomes emotional during reading, pauses to explain this to audience)\n\t\t090\t“They” (with explanatory comments, and reference to Ron Lowenson’s “Against the Silences to Come”)\n\t\t126\t“A Method” (a longer version than that in The Collected Works)\n\t\t149\t“A Sight”\n\t\t184\t“The Hole”\n\t\t214\tReading ends"],"Note":["[{\"note\":\"The Berkeley Poetry Conference Part 13 July 22nd, 1965\\nRobert Creeley Reading\\nSide 1 43:15 min\\nSide 2 33:05 min\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553286606848,"timestamp":"2026-01-07T14:59:57.732Z","score":2.1243587},{"id":"5511","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Berkeley Poetry Conference Part 14: Ed Dorn lecture on July 21st, 1965 #525"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Dorn, Ed","Creeley, Robert"],"creator_names_search":["Dorn, Ed","Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/25166087\",\"name\":\"Dorn, Ed\",\"dates\":\"1929-1999\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005 \",\"notes\":\"Introduction by Robert Creeley\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/3470/525.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"525-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:08\",\"precision\":\"\",\"size\":\"38.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"525-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:07\",\"precision\":\"\",\"size\":\"36.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-07-21\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2833528\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Berkeley, California, USA\",\"latitude\":\"37.8705\",\"longitude\":\"-122.2826\"}]"],"Address":["Berkeley, California, USA"],"City":["Berkeley, California"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tIntroduction by Robert Creeley\n\t\t056\tDorn introduces his lecture’s “meaningless” title\n\t\t064\tDescribes his recent trip from Nevada with Leroy Lucas; talks about the land claims of the Shoshoni Indians, his and Lucas’ experiences dealing with them\n\t\t118\t“I always question what I am, who I am, where I am…”; Dorn describes the futility of introducing himself to the Indians as a poet, or even as an American\n\t\t150\tThe difficulty of trying to be “Indian” in modern America\n\t\t175\tShoshini speaking Indians around Fort Hall, Idaho; the Western Shoshini around Death Valley; some history of the Shoshini; their lack of “cute” attractiveness to tourists of the poor Fort Hall Shoshoni\n\t\t247\tWestern Shoshoni “richer” than those at Fort Hall, Pocatello; more assimilated\n\t\t297\tIsolation of the Shoshoneans makes them especially interesting to Dorn\n\t\t308\tDescribes some Indians they met at Mountain City; how these Indians’ perceptions of world events was outdated (they still referred to the Korean War as the Korean “conflict”); the “rowdy crowd”\n\t\t418\tThe “Rowdy crowd” wanted their pictures taken, unlike the more conservative Indians, but even they did not want to admit this; taking pictures is “doing something dirty”’ Dorn and Lucas argued about the propriety of their taking pictures of drunken Indians doing dangerous stunts\n\t\t490\tDorn feels he is, like the Indians, a member of the “fourth world”\n\t\t508\tA “bourgeois Indian”\n\t\t560\tMeeting the “bourgeois” Indian’s ancient and ailing grandparents\n\t\t696\tDorn wonders why the “bourgeois” Indian sent him and Lucas to see his destitute grandparents\n\t\t753\tDorn begins to talk abou the life inside of a nation\n\t\t784\tSide one ends\nTwo\t\t000\tDorn lecture resumes; the United States citizenry as a “vast constabulary”\n\t\t013\tThe difference between Indians on reservations and those around small towns living in hovels; the unlikelihood that the non-reservation Indians will soon be able to organize and better their condition\n\t\t076\tA poet must involve himself in some arena of life, must strive to “be there” in order to create the “force” of a poem\n\t\t109\tThe uselessness of national boundaries; the irrelevance of the state\n\t\t163\tLecture ends"],"Note":["[{\"note\":\"The Berkeley Poetry Conference Part 14 July 21st, 1965\\nEd Dorn Lecture: The Poet, The People, The Spirit\\nSide 1 37:20 min\\nSide 2 31:45 min\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553286606849,"timestamp":"2026-01-07T14:59:57.732Z","score":2.1243587},{"id":"5655","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Contemporary American Poets read their work: Robert Creeley reading in his house, 1971  #405"],"item_title_source":["J-card, Inventory, and Recording"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert"],"creator_names_search":["Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1971],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5832/Reading in BC_MsC199_405.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card \",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"405-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:15:05\",\"precision\":\"\",\"size\":\"14.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"405-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:15:00\",\"precision\":\"\",\"size\":\"14.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1971\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Inventory\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"Robert Creeley's house \",\"notes\":\"He is in the room where he usually works.\",\"address\":\" Williams, California, USA\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":[" Williams, California, USA"],"Venue":["Robert Creeley's house "],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tCreeley talks about places he has lived and the progression of his writing\n\t\t031\t“Return” First poem published\n\t\t049\t“The charm”\n\t\t079\t“A form of women”\n\t\t104\t“It’s an invocation”\n\t\t117\tTalks about the company & friendship of poets\n\t\t128\t“Those rivers run from that land”\n\t\t150\t“For love”\n\t\t255\tEnd of side one\nTwo\t\t000\t“Anger”\n\t\t082\t“The finger”\n\t\t190\t“The moon”\n\t\t218\tEnd of side two\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553736445952,"timestamp":"2026-01-07T14:59:58.173Z","score":2.1243587},{"id":"5656","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Sound seminar: Robert Creeley reading at the New York poetry center YM-YWHA on October 24, 1966 #406"],"item_title_source":["J-card, Inventory, and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Wieners, John"],"creator_names_search":["Creeley, Robert","Wieners, John"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/90723960\",\"name\":\"Wieners, John\",\"dates\":\"1934-2002\",\"notes\":\"He introduces Robert Creeley in this seminar\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5833/Reading in BC_MsC199_406.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"406-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:26:32\",\"precision\":\"\",\"size\":\"26.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"406-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:26:33\",\"precision\":\"\",\"size\":\"26.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966-10-24\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Recording and inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/3729655969\",\"venue\":\"Poetry Center of the 92nd Street YM-YWHA\",\"notes\":\"\",\"address\":\"92nd Street Y, 1395, Lexington Avenue, Upper East Side, Carnegie Hill, Manhattan, New York County, New York, 10128, United States\",\"latitude\":\"40.7830439\",\"longitude\":\"-73.9527658\"}]"],"Address":["92nd Street Y, 1395, Lexington Avenue, Upper East Side, Carnegie Hill, Manhattan, New York County, New York, 10128, United States"],"Venue":["Poetry Center of the 92nd Street YM-YWHA"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nA\t\t000\tIntroduction by John Wieners\n\t\t037\t“Some place”\n\t\t056\t“For Helen”\n\t\t070\t“The answer’\n\t\t088\t“A place”\n\t\t093\t“Some echos”\n\t\t097\t“Fancy”\n\t\t120\t“Going”\n\t\t133\t“Words”\n\t\t142\t“A reason”\n\t\t155\t“The shame”\n\t\t169\t“The window”\n\t\t181\t“To Bobbie”\n\t\t196\t“They”\n\t\t219\t“A sight”\n\t\t250\t“Pieces”\n\t\t254\t“The circle”\n\t\t263\t“The hold”\n\t\t290\t“Remember the way you hunched up”\n\t\t297\t“Water”\n\t\t302\t“Intervals”\n\t\t316\t“For Joelle”\n\t\t344\tEnds"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553736445953,"timestamp":"2026-01-07T14:59:58.173Z","score":2.1243587},{"id":"5740","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The World Record: Readings at the St. Mark's poetry project in New York City, 1969-1980 #481a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Reznikoff, Charles","Bremser, Ray","Wieners, John","Ashbery, John","Prince, F. 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T. Prince reading\",\"source\":\"J-card\"},{\"date\":\"1976-10-20\",\"type\":\"Production Date\",\"notes\":\"John Ashbery reading\",\"source\":\"J-card\"},{\"date\":\"1977-12-07\",\"type\":\"Production Date\",\"notes\":\"Eileen Myles reading\",\"source\":\"J-card\"},{\"date\":\"1978-04-26\",\"type\":\"Production Date\",\"notes\":\"Tom Clark reading\",\"source\":\"J-card\"},{\"date\":\"1979-02-14\",\"type\":\"Production Date\",\"notes\":\"Steve Carey reading\",\"source\":\"J-card\"},{\"date\":\"1978-04-19\",\"type\":\"Production Date\",\"notes\":\"Carl Rakosi reading\",\"source\":\"J-card\"},{\"date\":\"1980-05-28\",\"type\":\"Production Date\",\"notes\":\"Maureen Owen reading\",\"source\":\"J-card\"},{\"date\":\"1973-02-14\",\"type\":\"Production Date\",\"notes\":\"Larry Fagin reading\",\"source\":\"J-card\"},{\"date\":\"1979-02-21\",\"type\":\"Production Date\",\"notes\":\"Alice Notley reading\",\"source\":\"J-card\"},{\"date\":\"1972-02-09\",\"type\":\"Production Date\",\"notes\":\"Edwin Denby reading\",\"source\":\"J-card\"},{\"date\":\"1973-03-28\",\"type\":\"Production Date\",\"notes\":\"Ted Berrigan reading\",\"source\":\"J-card\"},{\"date\":\"1976-12-15\",\"type\":\"Production Date\",\"notes\":\"Michael Brownstein reading\",\"source\":\"J-card\"},{\"date\":\"1979-05-09\",\"type\":\"Production Date\",\"notes\":\"Kenneth Koch and Allen Ginsberg reading\",\"source\":\"J-card\"},{\"date\":\"1975-10-22\",\"type\":\"Production Date\",\"notes\":\"Robert Creeley reading\",\"source\":\"J-card\"},{\"date\":\"(1970-11-04) to (1972-12-06)\",\"type\":\"Production Date\",\"notes\":\"Charles Reznikoff's reading date is uncertain, it should be some time from (1970-11-04) to (1972-12-06) \",\"source\":\"\"},{\"date\":\"1969\",\"type\":\"Production Date\",\"notes\":\"Anselm Hollo reading\",\"source\":\"J-card\"},{\"date\":\"1970\",\"type\":\"Production Date\",\"notes\":\"Fielding Dawson reading\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/5671429#map=16/40.7323/-73.9891\",\"venue\":\"Entermedia Theater \",\"notes\":\"\",\"address\":\"East 12th Street and 2nd Avenue New York, NY\",\"latitude\":\"40.7327\",\"longitude\":\"-73.9900\"},{\"url\":\"https://www.openstreetmap.org/node/2717543654\",\"venue\":\"The Town Hall\",\"notes\":\"\",\"address\":\"123 West 43rd Street, New York, NY 10036\",\"latitude\":\"40.75601\",\"longitude\":\"-73.98456\"},{\"url\":\"https://www.openstreetmap.org/search?whereami=1&query=40.73035%2C-73.98716#map=19/40.73035/-73.98716\",\"venue\":\"St. Marks Church-In-The-Bowery\",\"notes\":\"Sanctuary or Parish hall of the St. Mark church in-the-Bowery\",\"address\":\"131 E 10th St, New York, NY 10003, United States\",\"latitude\":\"40.73035\",\"longitude\":\"-73.98716\"},{\"url\":\"https://www.openstreetmap.org/way/248165477\",\"venue\":\" 57 St. Mark's Place\",\"notes\":\"\",\"address\":\"East Village, Manhattan, New York County, New York, 10003, United States\",\"latitude\":\"40.68217\",\"longitude\":\"-73.98042\"}]"],"Address":["East 12th Street and 2nd Avenue New York, NY","123 West 43rd Street, New York, NY 10036","131 E 10th St, New York, NY 10003, United States","East Village, Manhattan, New York County, New York, 10003, United States"],"Venue":["Entermedia Theater ","The Town Hall","St. Marks Church-In-The-Bowery"," 57 St. Mark's Place"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tFrom “Going To and Fro and Walking up and down” – “The young fellow walks about…”  Charles Reznikoff\n\t\t011\tFrom “By the well of living and seeing” – “You must not suppose…”  Charles Reznikoff\n\t\t013\t“Love Story”  Charles Reznikoff\n\t\t056\t“Tree Ode” Ray Bremser 1/13/71\n\t\t121\t“Loss” John Wieners 1/6/71\n\t\t128\t“Elizabeth Taylor is my Sister” John Wieners 1/6/71\n\t\t168\t“The Wrong Kind of Insurance” John Ashbery 10/20/76\n\t\t207\tFrom “Dry points of the Hasidim” F.T. Prince 5/24/78\n\t\t264\t“Van Gogh” Joe Brainard 3/31/71\n\t\t282\t“Living under Sacred Heart” Jamie MacInnis 3/28/79\n\t\t295\t“Classical Grass” Eileen Myles 12/7/77\n\t\t305\t“The Colour of Stepped on Gum” Tom Clark 4/26/78\n\t\t315\t“Gentle Subsidy” Steve Carey 2/14/79\n\t\t337\t“A Moment with the Imagination” Carl Rakosi 4/19/78\n\t\t352\t“Happy Mother’s Day” Maureen Owen 5/28/80\n\t\t371\t“Little Hand” Larry Fagin 2/14/73\n\t\t379\t“A woman Comes into the Room” Alice Notley 2/21/79\n\t\t396\t“Elegy – The Streets” Edwin Denby 2/9/72\n\t\t482\t“Things to do in New York City” Ted Berrigan 3/28/73\n\t\t496\t“Landscape with Figures (Southampton): Ted Berrigan 3/28/73\n\t\t510\t“Frank O’Hara” Ted Berrigan 3/28/73\n\t\t529\t“From Oracle Night” Michael Brownstein 12/15/76\n\t\t546\t“Popeyer William Blake Fight to the death” Kenneth Koch and Allen Ginsberg 5/9/79\n\t\t687\t“I is the grandson” Robert Creeley 10/22/75\n\t\t717\t“Anger” Robert Creeley 10/22/75\n\t\t821\tFrom “The Empress Hotel Poems” Anselm Hollo 1969\n\t\t856\t“’57 Series” Fielding Dawson 1970"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553760563200,"timestamp":"2026-01-07T14:59:58.173Z","score":2.1243587},{"id":"5758","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Creeley reading for The Door selected poems in Buffalo on April 16,17 and 18, 1974 tape 2 of 2 #497b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Köhler, Michael"],"creator_names_search":["Creeley, Robert","Köhler, Michael"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/114331797\",\"name\":\"Köhler, Michael\",\"dates\":\"1946-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1974],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6065/Reading in BC_MsC199_497b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"497-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:52:30\",\"precision\":\"\",\"size\":\"69.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"494-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:49:29\",\"precision\":\"\",\"size\":\"65.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1974-04-16\",\"type\":\"Performance Date\",\"notes\":\"Robert Creeley reading\",\"source\":\"J-card\"},{\"date\":\"1974-04-17\",\"type\":\"Performance Date\",\"notes\":\"Robert Creeley reading\",\"source\":\"J-card\"},{\"date\":\"1974-04-18\",\"type\":\"Performance Date\",\"notes\":\"Robert Creeley reading\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/68036581\",\"venue\":\"Buffalo – S.U.N.Y. (University at Buffalo)\",\"notes\":\"Robert Creeley reading is recorded In Buffalo; probably Buffalo refers to Buffalo – S.U.N.Y. (University at Buffalo), and it's where we put its address  \",\"address\":\"Buffalo, NY 14260, United States\",\"latitude\":\"42.9533\",\"longitude\":\"-78.8181\"}]"],"Address":["Buffalo, NY 14260, United States"],"Venue":["Buffalo – S.U.N.Y. (University at Buffalo)"],"City":["Buffalo, New York"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t\tRobert Creeley: The door.  April 16, 17 & 18 1974.  Buffalo, recorded by Michael Kohler\n\t\t000\tPoems from The Charm “Return”\n\t\t016\t“Sanine to Leda”\n\t\t026\t“An obscene poem”\n\t\t034\t“Broken back blues”\n\t\t051\t“For Somebody’s marriage”\n\t\t056\tFrom For Love “Le Fou”\n\t\t068\t“The Crisis”\n\t\t078\t“For Rainer Gerhardt”\n\t\t096\t“The immoral proposition”\n\t\t104\t“I know a man”\n\t\t110\t“The business”\n\t\t120\t“The warning”\n\t\t126\t“The whip”\n\t\t138\t“A wicker basket”\n\t\t160\t“The door”\n\t\t226\t“A token”\n\t\t231\t“The gift”\n\t\t242\t“The name”\n\t\t265\t“Love comes quietly”\n\t\t272\tFrom Words “The rocks”\n\t\t283\t“I”\n\t\t312\t“The Language”\n\t\t323\t“The measure”\n\t\t331\t“The woman”\n\t\t368\t“Distance”\n\t\t424\t“Some place”\n\t\t447\t“Going”\n\t\t448\t“The hole”\n\t\t480\t“Intervals”\n\t\t494\tFrom Numbers: 1\n\t\t511\t2\n\t\t529\t3\n\t\t546\t0\n\t\t594\tFrom A Day Book “Looking for a way”\n\t\t600\t“Persons”\n\t\t619\t“The act of love”\n\t\t661\t“Time”\n\t\t684\t“Massachusetts”\n\t\t713\t“For Benny and Sabina”\n\t\t734\t“Smoke”\n\t\t755\t“For the graduation”\n\t\t780\tEnd of recording"],"Note":["[{\"note\":\"The audio file is blank\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553958744065,"timestamp":"2026-01-07T14:59:58.384Z","score":2.1243587},{"id":"5760","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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Therefore, the technique is no longer metaphor as in social poetry; it’s association. “-discussion on metaphor and association”\n\t\t370\tGinsberg re Indian Communist Party – literary movements in India\n\t\t490\tCreeley on creating contexts of feeling – art as primarily an occasion in which feeling is dealt with and in which terms of feeling are articulated\n\t\t555\tIntersection of art and politics –Mayakovsky and Lorca\nTwo\t\t000\tDiscussion on various contexts of being – the poem as a context of meaning-cannot depart from particular context in which you’re involved in order to understand its meaning – Creeley quoting from “Maximus to Gloucester” – “I have this sense, that I am one with my skin.”\n\t\t200\tDangers of familiar habits of writing – habituation as conscious determination\n"],"Note":["[{\"note\":\"Liner Notes: UBC Poetry Festival July, 24 1963 Side 1 29:30 Side 2 29:15 Continued on next tape\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554397048832,"timestamp":"2026-01-07T14:59:58.804Z","score":2.1243587},{"id":"5953","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. 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are writers to be held responsible for the response to the formal context of their work, in terms of its possible use or abuse\n\t\t110\tDuncan – reader as stranger who keys in on something you don’t know about yourself\n\t\t\tGinsberg- it’s always a recognizable identity which comes out of the writing-discussion of the I and the self\n\t\t140\tDuncan-form of poem as counterpoint between semantics and sound-traces language back to vowel structures- presents tree analogy as criterion for the writing of a poem-\n"],"Note":["[{\"note\":\"Liner Notes: UBC Poetry Festival July, 24 1963 Side 3 29:30 Side 4 15:00 July 26 Duncan, Creeley, Ginsberg Side 4 14:30 Continued on next tape\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554397048833,"timestamp":"2026-01-07T14:59:58.804Z","score":2.1243587},{"id":"5954","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["UBC Poetry Festival: Duncan, Creeley, and Ginsberg on July 26, 1963 #38b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert","Ginsberg, Allen","Creeley, Robert"],"creator_names_search":["Duncan, Robert","Ginsberg, Allen","Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert \",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen \",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Wah, Fred"],"contributors_names_search":["Wah, Fred"],"contributors":["[{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/360/Reading in BC_MsC199_38b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:00:05\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"38b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:42\",\"precision\":\"\",\"size\":\"21 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"38b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:10\",\"precision\":\"\",\"size\":\"21.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-07-26\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["\t\t295\tPoem as cosmic event\n\t\t\tWhitehead-human being as event\n\t\t\tPoetry as one of many ways to the event, to open the event\n\t\t\tDuncan’ ”What is it to want to write?”  Tideflow of poetry-one exists in the poetic tide, one does not generate it\nTwo\t\t000\tLiterary movements – time of the Egoist magazine – “disturbed generation” consisting of Rexroth, Patchen, Rukeyser- “reactionary generation” includes Tate, Crane, Ransom"],"Note":["[{\"note\":\"Linear Notes: UBC Poetry Festival July, 26 1963 Duncan, Creeley, Ginsberg Side 5 29:35 Side 6 29:30 Continued on next tape\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554397048834,"timestamp":"2026-01-07T14:59:58.804Z","score":2.1243587},{"id":"5955","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["UBC Poetry Festival: Duncan, Creeley, and Ginsberg, July 1963 #38c"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert","Ginsberg, Allen","Creeley, Robert"],"creator_names_search":["Duncan, Robert","Ginsberg, Allen","Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert \",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen \",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Wah, Fred"],"contributors_names_search":["Wah, Fred"],"contributors":["[{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/361/Reading in BC_MsC199_38c.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:30:40\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"38c-side-1-damged at end.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:44:08\",\"precision\":\"\",\"size\":\"31.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"38c-side-2-damged at beginning.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:44:39\",\"precision\":\"\",\"size\":\"30.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-07\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["\t\t125\tDiscussion of the self and the I-Duncan to Ginsberg- “Is there an I that belongs entirely to “How” and not to you?  Do you have any sense of being a different occasion than the person writing the poem?”\n\t\t\tDuncan-writing from more than one centre – Gary Snyder\n\t\t500\tDiffering senses of “peril” in the poem\n\t\t600\tDuncan – how does one “realize form in a poem” – discusses patterns of his own writing\n"],"Note":["[{\"note\":\"Liner Notes: UBC Poetry Festival July 1963 Duncan, Creeley, Ginsberg Side 7 44:30 Side 8 45:10 Bad distortion end of side 7 and first 9 minutes of side 8\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554398097408,"timestamp":"2026-01-07T14:59:58.804Z","score":2.1243587},{"id":"5956","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["UBC Poetry Festival: Olson, Creeley, Duncan, and Ginsberg on July 31, 1963 part 1 of 2 #40a"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert","Ginsberg, Allen","Olson, Charles","Creeley, Robert"],"creator_names_search":["Duncan, Robert","Ginsberg, Allen","Olson, Charles","Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert \",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen \",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles \",\"dates\":\"1910-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Wah, Fred"],"contributors_names_search":["Wah, Fred"],"contributors":["[{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/363/Reading in BC_MsC199_40A.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"40a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:32\",\"precision\":\"\",\"size\":\"30.2 MB\",\"bitrate\":\"24 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"40a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:21:31\",\"precision\":\"\",\"size\":\"14.3 MB\",\"bitrate\":\"24 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-07-31\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card and inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tBegins with discussion of “polis”\n\t\t070\tWhat does “polis” mean?\n\t\t100\tDuncan – the ‘eye’ and ‘polis’ – ‘seen’ and ‘scene’\n\t\t133\tDiscussion re Zukofsky on the I and the Eye\n\t\t155\t‘istorin-finding out for oneself – you have to see it and engage in it, not merely interpret or analyse it\n\t\t165\tOlson on Herodotus, Pausanius and Thucydides – Herodotus is relevant because he recorded all that he saw and heard. – Thucydides is not relevant because he placed an evaluation upon events thereby characterizing events before they occur.\n\t\t180\tGinsberg- reporters in Vietnam discover the unreliability of secondary sources\n\t\t210\tCreeley – at some time you must trust yourself to an agency you don’t understand\n\t\t230\tGinsberg – importance of direct contact is located in feelings – one has to deal with feelings – responding to question about his interview with Esquire magazine – “Pull my daisy/Tip my cup/All my doors are open.”\n\t\t300\tDuncan – There are no hierarchies in “polis” though there may be personal forces – “polis” disappears with the advent of societies which consist of hierarchies and patterns; it’s the disappearance of people with eyes\n\t\t447\tGinsberg – the frustration of form anticipating occasion.  This is Creeley.\n\t\t500\tCreeley feeling “bankrupt”\n\t\t560\tPreconception of form-sonnets\n\t\t620\tCreeley – you can respond to any form if you’re engaged in it – must have an occasion of feeling\n\t\t640\tGinsberg – “Bankrupt” – wishing to be free of all expectations\n\t\t710\tCreeley – “Bankruptcy” – state of being or feeling where you see no possibility of where to go – must open doors to restore seeing if will is arbiter of possibility then that possibility is destroyed\n\t\t925\tCreeley – the more one learns about the craft of writing, the more one wants to take over.  I hate that; I don’t want the aggression of writing the world in that way, the vanity of it\n\t\t990\tDuncan answering audience question re his use of contrivances to get over a stoppage – “Why is it that we close ourselves off to resources? Calling upon powers, stars, muses?”\n"],"Note":["[{\"note\":\"Liner Notes: Olson, Duncan, Creeley, Ginsberg Wed.Juky 31, 19?\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554398097409,"timestamp":"2026-01-07T14:59:58.804Z","score":2.1243587},{"id":"5959","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["UBC Poetry Festival: Creeley and Ginsberg \"Physical contexts of poetry\" on July 24, 1963  #42a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Ginsberg, Allen","Creeley, Robert"],"creator_names_search":["Ginsberg, Allen","Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen \",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Wah, Fred"],"contributors_names_search":["Wah, Fred"],"contributors":["[{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/366/Reading in BC_MsC199_42A.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"42a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:41:29\",\"precision\":\"\",\"size\":\"17.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"42a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:26:40\",\"precision\":\"\",\"size\":\"17.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-07-24\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tDiscussion concerning the physical contexts of writing – the first section of this discussion (up to 285) has been transcribed and published in Robert Creeley’s book Contexts of Poetry : Interviews 1961-1971.\n\t\t\tCreeley speaking on differing states of consciousness-on writing The Island – on the limitations of a particular physical context and the resulting qualifications in the writing\n\t\t285\tGinsberg re ‘accidents’ in writing which preclude a preconceived form- a writing which allows for the entry of anything\n\t\t350\tCreeley on learned habits of organization in writing\n\t\t490\tResponse from audience- concern over Creeley and Ginsberg being too apologetic about writing poetry\n\t\t718\tWriting is not doing things to satisfy something you know but rather to allow oneself entry into what is not known\n\t\t785\tCreeley- stylistic habits become the imposition of form on the writing, no longer allowing things to happen\n\t\t870\tCreeley- confidence in writing- possibility of the canon of one’s work becoming a burden ie having produced, can one continue to produce?\n\t\t959\tThis section which begins with Ginsberg speaking has also been transcribed in the abovementioned text\n\t\t\tDiscussion on the limitations of prescribed contexts- dangers of habits of articulation\n\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554399145984,"timestamp":"2026-01-07T14:59:58.804Z","score":2.1243587},{"id":"5960","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["UBC Poetry Festival: Creeley, Duncan, and Ginsberg on August 2, 1963 #43a"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert","Ginsberg, Allen","Creeley, Robert"],"creator_names_search":["Duncan, Robert","Ginsberg, Allen","Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert \",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen \",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Wah, Fred"],"contributors_names_search":["Wah, Fred"],"contributors":["[{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/367/Reading in BC_MsC199_43A.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"43a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:36\",\"precision\":\"\",\"size\":\"15.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"43a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:52\",\"precision\":\"\",\"size\":\"30.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-08-02\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card and inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t\t(The early portion of this tape is the final moments of the meeting of August 2d.  The beginning of the Friday morning August 16th session follows.  There is interference throughout all of side one & a portion of side two)\n\t\t048\tBeginning of Friday morning, August 16th, 1963 (voice interference also begins, at slow speed)\n\t\t\tCreeley, speaking of measure, poetry, & the university\n\t\t100\tCreeley asks for impressions, feed-back, from the audience\n\t\t116\tColeridge & Wordsworth\n\t\t142\t“emotion recollected in tranquility”\n\t\t173\t“the moment of composition”\n\t\t225\t“… but we are working from primary impulses in the act of writing.  The form of the poem is an issue of that fact or state.”\n\t\t261\tEdward Marshall’s “Leave the word alone.”\n\t\t290\tDuncan: “Any movement, or any thing alive coming up in poetry seems to come about with new formulations that kick in the face, in a way, the preceding ones.”\n\t\t315\tDuncan speaking of the thematic nature of his poetry\n\t\t332\tOlson’s Projective Verse” essay\n\t\t353\tTheory & writing\n\t\t363\tOlson & Pound\n\t\t383\t“… you must watch what is happening in the poem…”\n\t\t403\tWilliams & the line – measure\n\t\t424\t“…every one of the phrases is an emotional entity.”\n\t\t442\tMeasure, rhythm, & music\n\t\t467\tCharles Tomlinson’s use of Williams’ line\n        484\tEmotion, & sound, in the measure, the line\n\t\t515\t“This is now the convention…” Duncan, re Williams’ line\n\t\t523\t“The Desert Music”\n\t\t540\tEd Dorn\n\t\t550\t“Imitation of the convention, simply, will take you into some knowledge of what convention can do, as a technique, but it probably won’t provide you with any… release of what you have to say.”\n\t\t690\tDiscussion of linguistics & linguists\n\t\t825\tStress & measure\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554399145985,"timestamp":"2026-01-07T14:59:58.804Z","score":2.1243587},{"id":"5961","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["UBC Poetry Festival: Creeley, Duncan, and Ginsberg on August 16, 1963 #43b"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert","Ginsberg, Allen","Creeley, Robert"],"creator_names_search":["Duncan, Robert","Ginsberg, Allen","Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert \",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen \",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Wah, Fred"],"contributors_names_search":["Wah, Fred"],"contributors":["[{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/368/Reading in BC_MsC199_43B.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"43b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:21:10\",\"precision\":\"\",\"size\":\"14.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"43b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:41:36\",\"precision\":\"\",\"size\":\"27.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-08-16\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card and inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t\tContinuation of discussion of stress & measure\n\t\t851\tCharlie Parker & rhythm; time\n\t\t861\tCreeley quoting Pound: “’verse consists of a constant & a variable’”\n\t\t870\tRhyme\n\t\t935\t(slight break in sound)\n\t\t941\tDiscussion of craft\n\t\t950\tDiscussion centering on Marshall’s “Leave the word alone”\n\t\t1075\tGinsberg: “sincerity with the word.”\n"],"Note":["[{\"note\":\"Liner Notes: \\\"Linguistics\\\" UBC Poetry  festival, August 16, 1963 Creeley, Duncan, and Ginsberg\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554399145986,"timestamp":"2026-01-07T14:59:58.804Z","score":2.1243587},{"id":"5963","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":[" UBC Poetry Festival: Avison, Creeley, Duncan, Ginsberg, and Levertov on August 7, 1963 #45"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Avison, Margaret","Duncan, Robert","Ginsberg, Allen","Creeley, Robert","Levertov, Denise"],"creator_names_search":["Avison, Margaret","Duncan, Robert","Ginsberg, Allen","Creeley, Robert","Levertov, Denise"],"creators":["[{\"url\":\"http://viaf.org/viaf/79128508\",\"name\":\" Avison, Margaret\",\"dates\":\"1918-2007\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert \",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen \",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/9868894\",\"name\":\"Levertov, Denise\",\"dates\":\"1923-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Wah, Fred"],"contributors_names_search":["Wah, Fred"],"contributors":["[{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/370/Reading in BC_MsC199_45.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"45-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:39\",\"precision\":\"\",\"size\":\"33.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"45-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:33:24\",\"precision\":\"\",\"size\":\"23.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-08-07\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card and inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t“Numen” – spirit that inhabits a place\n\t\t040\tDiscussion re senses of place-notion of ‘right’ or ‘wrong’ place is problematic, specious\n\t\t120\tAvison on objectivity of poem – locus\n\t\t175\tDuncan- distinction between personal psyche and the psyche in the language – writing becomes automatic when you enter the psyche in the language\n\t\t260\tObjectivity of poem – place where we can all be\n\t\t290\tDiscussion on feeling and rhythm\n\t\t425\tDuncan – individual poems become ‘the poem’ – ‘the poem’ is the place we come together in\n\t\t440\tDuncan-Ginsberg as “legend” becomes person of the poem, an “idea” in the poem – Whitman also a person of the poem\n\t\t700\tCreeley – “Olson believes we’ve gone beyond the issue of relations.  Fenollosa’s essay focused attention on the relational structure of language and in turn, on the whole relational structure of energy, activity of any order, of any instance.  Olson has said that we’ve now come to a point where Wordsworth’s sense of ‘emotion recollected in tranquillity’ becomes more a ‘place’ in this sense we’re talking about than the relational insistence that say Fenollosa had located thirty or forty years ago.”\n\t\t745\tDuncan-distinction between cosmic and psychic realities\n\t\t900\tDuncan- “when you’re in love, that’s a real place.”\nTwo\t\t005\tDuncan- “Who is I Maximus?”\n\t\t070\tLevertov re Wordsworth’s “language is the incarnation of thought”\n\t\t075\tDuncan – the “overself” – the “projective”\n\t\t150\tCreeley concludes session with “How can we be other than where we are? And for what good reason?”\n"],"Note":["[{\"note\":\"Liner Notes: Vancouver Poetry  festival, UBC, Vancouver, August 7, 1963 Avison, Creeley, Duncan, Ginsberg, and Levertov\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554399145988,"timestamp":"2026-01-07T14:59:58.804Z","score":2.1243587},{"id":"5964","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["UBC Poetry Festival: Avison, Olson, Creeley, Duncan, Ginsberg, Whalen, and Levertov on August 9, 1963 #46a"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Whalen, Philip","Avison, Margaret","Duncan, Robert","Ginsberg, Allen","Olson, Charles","Creeley, Robert","Levertov, Denise","Kiyooka, Roy","Keyes, John"],"creator_names_search":["Whalen, Philip","Avison, Margaret","Duncan, Robert","Ginsberg, Allen","Olson, Charles","Creeley, Robert","Levertov, Denise","Kiyooka, Roy","Keyes, John"],"creators":["[{\"url\":\"https://viaf.org/viaf/54270610/\",\"name\":\"Whalen, Philip\",\"dates\":\"1923-2002\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/79128508\",\"name\":\" Avison, Margaret\",\"dates\":\"1918-2007\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert \",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen \",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles \",\"dates\":\"1910-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/9868894\",\"name\":\"Levertov, Denise\",\"dates\":\"1923-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/30784426\",\"name\":\"Kiyooka, Roy\",\"dates\":\"1926-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Keyes, John\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Wah, Fred"],"contributors_names_search":["Wah, Fred"],"contributors":["[{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/371/Reading in BC_MsC199_46A.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"46a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:23\",\"precision\":\"\",\"size\":\"29.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"46a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:20:55\",\"precision\":\"\",\"size\":\"13.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-08-09\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card and inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tCreeley presenting Zukofsky bibliography\n\t\t140\tAudience question – gestalt therapy in relation to poetics – discussion on contexts of being\n\t\t170\tCreeley – reality as extensive verbal construct – need to return to our bodies – often by the agencies of this order of help ie psychologists\n\t\t200\tGinsberg on keywords used by members of this discussion which reveal a definite experience of being here in the universe, in a place: field, energy, eternity, form-place, natural harmony, go for broke… samenesses and differences\n\t\t290\tDangers of static terminologies\n\t\t340\tCreeley recounts story of a reading in the mid-west.  After the reading, a young man who was deeply moved by the second to last poem, comes up to the reader and asks this question “Was that a real poem or did you just make it up yourself?”  Creeley’s question is “How shall we measure what we do?”\n\t\t360\tDiscussion on form and content – Creeley stating a context in which the issue of some occasion is the means by which a poem occurs as opposed to a putting on of form like a coat.  Levertov – form is never more than the revelation of content as opposed to Creeley’s “Form is never more than the extension of content”.\n\t\t395\tLevertov – the Elizabethan sonnet\n\t\t470\tAvison – the ‘machine’ and ‘form’\n\t\t510\tLevertov – “You don’t know what you think till you see what you do.”\n\t\t\tCreeley – “There’s no occasion other than what is, as is literally now.”\n\t\t580\tCreeley’s letter to Olson re ‘form-content’\n\t\t670\tThought preceding poem? – Form preceding occasion? – Wyatt’s “They Flee From Me”\n\t\t725\tRoy Kiyooka – form in painting – Rubens\n\t\t765\tCreeley – What do we mean by form in a poem? – How do we know when it’s a poem? – What is a poem?\n\t\t820\tCreeley – “What measure exists to know what a poem is? “ this is not a concern while you’re writing – story about Robert Graves being halfway through a poem for The New Yorker\n\t\t890\tJohn Keyes relates story about Franz Kline, destroying form, destroying himself- argument ensues involving Keyes, Creeley, Ginsberg, Kiyooka\n"],"Note":["[{\"note\":\"Liner Notes: Vancouver Poetry  festival, UBC, Vancouver, August 9, 1963 (side 1 of 2) Avison, Creeley, Duncan?, Ginsberg, Levertov, Whalen, Olson\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554400194560,"timestamp":"2026-01-07T14:59:58.804Z","score":2.1243587},{"id":"5965","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["UBC Poetry Festival: Avison, Olson, Creeley, Duncan, Ginsberg, Whalen, and Levertov on August 9, 1963 #46b"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Whalen, Philip","Avison, Margaret","Duncan, Robert","Ginsberg, Allen","Olson, Charles","Creeley, Robert","Levertov, Denise"],"creator_names_search":["Whalen, Philip","Avison, Margaret","Duncan, Robert","Ginsberg, Allen","Olson, Charles","Creeley, Robert","Levertov, Denise"],"creators":["[{\"url\":\"https://viaf.org/viaf/54270610/\",\"name\":\"Whalen, Philip\",\"dates\":\"1923-2002\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/79128508\",\"name\":\" Avison, Margaret\",\"dates\":\"1918-2007\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert \",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen \",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles \",\"dates\":\"1910-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/9868894\",\"name\":\"Levertov, Denise\",\"dates\":\"1923-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Wah, Fred"],"contributors_names_search":["Wah, Fred"],"contributors":["[{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/372/Reading in BC_MsC199_46B.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"46b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:35:59\",\"precision\":\"\",\"size\":\"23.6 MB\",\"bitrate\":\"24 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-08-09\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card and inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t000\tCreeley on new critics on Whitman and Crane\n\t\t100\tLevertov on first hearing Williams read in an American idiom\n\t\t160\t“Communication” through text of poem\n\t\t200\tLevertov – consideration of the listener\n\t\t250\tGinsberg- observation impedes function, self-consciousness impedes communication\n\t\t270\tGinsberg re his Friday night reading- “garbage reading” – feeling “bankrupt”\n\t\t360\tCreeley re Cassirer’s sense of definition as limitation\n\t\t405\tWhalen writing Stein bibliography on blackboard\n"],"Note":["[{\"note\":\"Liner Notes: Vancouver Poetry  festival, UBC, Vancouver, August 9, 1963 (side 2 of 2) Avison, Creeley, Duncan?, Ginsberg, Levertov, Whalen, Olson\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554400194561,"timestamp":"2026-01-07T14:59:58.804Z","score":2.1243587},{"id":"5966","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["UBC Poetry Festival: Creeley, Duncan, Ginsberg, and Levertov on August 12, 1963 #47a"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Ginsberg, Allen","Duncan, Robert","Levertov, Denise"],"creator_names_search":["Creeley, Robert","Ginsberg, Allen","Duncan, Robert","Levertov, Denise"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen \",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert \",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/9868894\",\"name\":\"Levertov, Denise\",\"dates\":\"1923-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors_names":["Wah, Fred"],"contributors_names_search":["Wah, Fred"],"contributors":["[{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/373/Reading in BC_MsC199_47a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"47a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:54\",\"precision\":\"\",\"size\":\"30.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-08-12\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card and inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tReadings from Hart Crane\n\t\t046\tCreeley reading “At Melville’s Tomb”\n\t\t066\tDuncan reading “Voyages 1”\n\t\t114\tGinsberg reading “Atlantis”\n\t\t218\tDuncan reading “Voyages 2”\n\t\t282\tGinsberg reading “Hurricane”\n\t\t367\tCreeley reading “The Broken Tower”\n\t\t\tReading from William Carlos Williams\n\t\t592\tLevertov – “The Ivy Crown”\n\t\t652\tCreeley- “Tribute To The Painters”\n\t\t716\tDuncan- “To Daphne and Virginia”\n\t\t822\tGinsberg- “For Eleanor and Bill Monahan”\n\t\t960\tLevertov – “The Turtle”\n"],"Note":["[{\"note\":\"Liner Notes: Vancouver Poetry  conference, UBC, Vancouver, August 12, 1963 Creeley, Duncan, Ginsberg, and Levertov\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554400194562,"timestamp":"2026-01-07T14:59:58.804Z","score":2.1243587},{"id":"5967","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["UBC Poetry Festival: Creeley, Duncan, Ginsberg, and Levertov on August 12, 1963 #47b"],"item_title_source":["J-card and inventory"],"item_language":["English, French, Spanish"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Ginsberg, Allen","Duncan, Robert","Levertov, Denise"],"creator_names_search":["Creeley, Robert","Ginsberg, Allen","Duncan, Robert","Levertov, Denise"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen \",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert \",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/9868894\",\"name\":\"Levertov, Denise\",\"dates\":\"1923-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors_names":["Wah, Fred"],"contributors_names_search":["Wah, Fred"],"contributors":["[{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/374/Reading in BC_MsC199_47b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"47b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:28:09\",\"precision\":\"\",\"size\":\"18.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-08-12\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card and inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t000\tLevertov reads prose selection from Lorca\n\t\t017\tGinsberg reading Lorca’s “Ode To Whitman” in both Spanish and English\n\t\t180\tDuncan on the “Duende” – discussion of Lorca\n"],"Note":["[{\"note\":\"Liner Notes: Vancouver Poetry  conference, UBC, Vancouver, August 12, 1963 Creeley, Duncan, Ginsberg, and Levertov side two of two\",\"type\":\"General\"},{\"note\":\"Ginsberg is reading in Spanish and French\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554401243136,"timestamp":"2026-01-07T14:59:58.804Z","score":2.1243587},{"id":"5972","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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41 min Side 2 - 36 min\",\"type\":\"General\"},{\"note\":\"Detailed information about the reading and transcription: https://montreal.spokenweb.ca/sgw-poetry-readings/robert-creeley-at-sgwu-1967/\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554402291715,"timestamp":"2026-01-07T14:59:58.804Z","score":2.1243587},{"id":"5989","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Duncan reading at the University of New Mexico, Spring 1964 #277"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert","Creeley, Robert"],"creator_names_search":["Duncan, Robert","Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Wah, Fred"],"contributors_names_search":["Wah, Fred"],"contributors":["[{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1964],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/563/Readings in BC_MsC199_277.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"277-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:49:20\",\"precision\":\"\",\"size\":\"47.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"277-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:50\",\"precision\":\"\",\"size\":\"47.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1964\",\"type\":\"Production Date\",\"notes\":\"Spring\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/305072242\",\"venue\":\"University of New Mexico\",\"notes\":\"\",\"address\":\"Albuquerque, NM 87131, United States\",\"latitude\":\"35.0859\",\"longitude\":\"-106.6223\"}]"],"Address":["Albuquerque, NM 87131, United States"],"Venue":["University of New Mexico"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t050\tCreeley introduction\n\t\t060\tDuncan – prefatory remarks\n\t\t117\tRoots and branches\n\t\t136\tWhat [di] I know of the old lore?\n\t\t200\tCuts dover to another portion of the reading\n\t\t200\tTwo presentations\n\t\t275\tAfter reading H.D.’s Hermetic definitions\n\t\t325\tDoves\n\t\t433\tPassages 1 and 2 (from Bending the Bow)\n\t\t511\tPassages 4 (from Bending the Bow)\n\t\t531\tPassages 5 (from Bending the Bow)\n\t\t557\tA song of the old order – from The opening of the field\n\t\t619\tA country wife’s song\n\t\t665\tEnd of this portion"],"Note":["[{\"note\":\"Liner Notes: Robert Duncan Reading from \\\"Roots and Branches\\\" at University of New Mexico Spring 1964 Introduced by Robert Creeley Side 1 44 min Side 2 Blank Dolby B \",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554735738881,"timestamp":"2026-01-07T14:59:59.119Z","score":2.1243587},{"id":"6081","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Creeley reading in Tuscan Arizona on December 4, 1963 #278"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert"],"creator_names_search":["Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors_names":["Wah, Fred"],"contributors_names_search":["Wah, Fred"],"contributors":["[{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/564/Readings in BC_MsC199_278.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"278-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:47\",\"precision\":\"\",\"size\":\"43.9 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"278-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:41\",\"precision\":\"\",\"size\":\"46:41\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-12-04\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/115028047\",\"venue\":\" University of Arizona\",\"notes\":\"\",\"address\":\"East Polk Street, Central City, Phoenix, Maricopa County, Arizona, 85004, United States\",\"latitude\":\"33.45202\",\"longitude\":\"-112.06367\"}]"],"Address":["East Polk Street, Central City, Phoenix, Maricopa County, Arizona, 85004, United States"],"Venue":[" University of Arizona"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n\t\t200\tCreeley – prefatory remarks\n\t\t208\tHart Crane\n\t\t250\tLe fou – for Olson\n\t\t261\tThe crisis\n\t\t287\tThe immoral propositions\n\t\t306\tI know a man\n\t\t340\tWait for me\n\t\t368\tThe whip\n\t\t383\tNew year’s\n\t\t422\tThe door – for Duncan\n\t\t478\tKore\n\t\t[609]\tThe name\n\t\t530\tFire\n\t\t570\tFor love\n\t\t622\tThe language\n\t\t650\tThere is\n\t\t664\tThe book"],"Note":["[{\"note\":\"Liner Notes: Robert Creeley Reading in Tuscan, Arizona, December 4, 1963 Side 1: 45:00 Side 2: Blank Dolby B \",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554735738882,"timestamp":"2026-01-07T14:59:59.119Z","score":2.1243587},{"id":"6093","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Creeley Reading at UBC, February 1962  #111a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert"],"creator_names_search":["Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Wah, Fred"],"contributors_names_search":["Wah, Fred"],"contributors":["[{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1962],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/592/Reading in BC_MsC199_111a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"111a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:26\",\"precision\":\"\",\"size\":\"30 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"111a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:34:02\",\"precision\":\"\",\"size\":\"22.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1962-02\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t000\tRobert Creeley reading his poetry – the reading is interspersed with commentaries on various poems\n\t\t045\tLe Fou\n\t\t064\tA Song\n\t\t075\tThe Rites\n\t\t090\tThe Rhyme\n\t\t095\tThe Innocence\n\t\t191\tThe Ball Game\n\t\t202\tThe Carnival\n\t\t209\tAfter Lorca\n\t\t223\tThe Immoral Proposition\n\t\t245\tThe Operation\n\t\t267\tThe Conspiracy\n\t\t276\tI Know A Man\n\t\t288\tThe Lover\n\t\t311\tWait For Me\n\t\t322\tLa Noche\n\t\t345\tThe Whip\n\t\t371\tAll That Is Lovely In Men\n\t\t408\tJuggler’s Thought\n\t\t415\tA Form of Women\n\t\t458\tBallad of the Despairing Husband\n\t\t517\tIf You\n\t\t556\tThe Door\n\t\t622\tThe Hill\n\t\t636\tThe Awakening\n\t\t676\tFor Love\n"],"Note":["[{\"note\":\"Liner Notes: Side one Robert Creeley, Reading at UBC, Feb./62 Side two Robert Creeley, Reading at UBC (Conclusion) \",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554738884611,"timestamp":"2026-01-07T14:59:59.119Z","score":2.1243587},{"id":"6094","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Creeley and Lawrence Ferlinghetti Reading  (conclusion) at UBC, February 1962 #111b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Ferlinghetti, Lawrence","Creeley, Robert"],"creator_names_search":["Ferlinghetti, Lawrence","Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/110070499\",\"name\":\"Ferlinghetti, Lawrence\",\"dates\":\"1919-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Archivist\"]}]"],"contributors_names":["Wah, Fred"],"contributors_names_search":["Wah, Fred"],"contributors":["[{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1962],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/593/Reading in BC_MsC199_111b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"111b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:11:02\",\"precision\":\"\",\"size\":\"7.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1962-02\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\tA\t049\tThe Rain\n\t\t070\tGoodbye\n\t\t105\tOh No\n\t\t109\tJust Friends\n\t\t118\tThe Way\n\t\t130\tLawrence Ferlinghetti reading: begins part-way through a poem- in a restaurant\n\t\t190\tThe Dog Poem\n\t\t270\tThe Great Chinese Dragon\n\t\t385\tIt was a face which darkness could kill\n\t\t405\tAnd she, like a young year \n\t\t422\tSonnet to a Dark Lady\n\t\t439\tBerlin – tape cuts out part-way through the poem at 467\n"],"Note":["[{\"note\":\"Liner Notes: Lawrence Ferlinghetti, Reading, UBC, Feb./62 (conclusion)\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554739933184,"timestamp":"2026-01-07T14:59:59.119Z","score":2.1243587},{"id":"6095","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Denise Levertov reading at University of New Mexico on March 9, 1964 Tape 1 of 2 #112a"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Levertov, Denise"],"creator_names_search":["Creeley, Robert","Levertov, Denise"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/9868894\",\"name\":\"Levertov, Denise\",\"dates\":\"1923-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Wah, Fred"],"contributors_names_search":["Wah, Fred"],"contributors":["[{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1964],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/594/Reading in BC_MsC199_112a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:46:20\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"112-part-1-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:13\",\"precision\":\"\",\"size\":\"15.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"112-part-1-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:42\",\"precision\":\"\",\"size\":\"22.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1964-03-09\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/305072242\",\"venue\":\"University of New Mexico\",\"notes\":\"\",\"address\":\" Albuquerque, NM 87131, USA\",\"latitude\":\"35.0846\",\"longitude\":\"-106.6196\"}]"],"Address":[" Albuquerque, NM 87131, USA"],"Venue":["University of New Mexico"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t000\tIntroduction by Robert Creeley\n\t\t026\tLiving With A Painting\n\t\t044\tThe Message\n\t\t066\tThe Breathing\n\t\t077\tSeptember, ‘61\n\t\t132\tSong For Ishtar\n\t\t141\tThe Elves\n\t\t149\tThe Ache of Marriage\n\t\t161\tKingdoms of Heaven\n\t\t181\tSparks\n\t\t200\tA Cure of Souls\n\t\t253\tAnother Spring\n\t\t269\tThe Film\n\t\t294\tAbove the Cave\n\t\t318\tThe Secret\n\t\t335\tLeaving Forever\n\t\t344\tTo The Muse\n\t\t432\tThe Crack\n\t\t448\tA Figure of Time\n\t\t476\tThe Resolve\n\t\t486\tOverhead\n\t\t498\tClaritas\n\t\t531\tShalom\n\t\t568\tThe Coming Fall\n\t\t613\tThe Gorund-Mist\n\t\t635\tThe Old Adam\n\t\t675\tWho Is At My Window\n\t\t705\tPuñal\n\t\t730\tO Taste and See\n\t\t775\tIn Abeyance\n\t\t802\tEros at Temple Stream\n"],"Note":["[{\"note\":\"Liner Notes: Denise Levertov reading March 9, 1964 Introduction by Robert Creeley Side 1 23:20 Side 2 23 min (Note: There is a fain echo throughout this recording) Dolby B #112a\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554739933185,"timestamp":"2026-01-07T14:59:59.119Z","score":2.1243587},{"id":"6096","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Denise Levertov reading at University of New Mexico on March 9, 1964 Tape 2 of 2 #112b"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Levertov, Denise"],"creator_names_search":["Creeley, Robert","Levertov, Denise"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/9868894\",\"name\":\"Levertov, Denise\",\"dates\":\"1923-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Wah, Fred"],"contributors_names_search":["Wah, Fred"],"contributors":["[{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1964],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/595/Reading in BC_MsC199_112b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:43:00\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"112-part-2-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:30\",\"precision\":\"\",\"size\":\"22.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"112-part-2-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:20:50\",\"precision\":\"\",\"size\":\"19.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1964-03-09\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/305072242\",\"venue\":\"University of New Mexico\",\"notes\":\"\",\"address\":\" Albuquerque, NM 87131, USA\",\"latitude\":\"35.0846\",\"longitude\":\"-106.6196\"}]"],"Address":[" Albuquerque, NM 87131, USA"],"Venue":["University of New Mexico"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\tA\t000\tThe Novices\n\t\t040\tThe Stonecarver’s Poem\n\t\t045\tMelody Grundy\n\t\t054\tGone Away\n\t\t065\tThe Disclosure\n\t\t087\tThreshold\n\t\t095\tThe Novel\n\t\t138\tAbout Marriage\n\t\t156\tLooking-Glass\n\t\t161\tHypocirte [sic] Women\n\t\t177\tIn Mind\n\t\t188\tOur Bodies\n\t\t206\tThe Prayer\n\t\t233\tLosing Track\n\t\t247\tThe Runes\n\t\t268\tA Turn of the Head\n\t\t279\tEarth Psalm\n\t\t298\tA Psalm Praising the Hair of Man’s Body\n\t\t317\tA March\n\t\t333\tSeedtime\n\t\t346\tAs It Happens\n\t\t355\tFace to Face\n\t\t369\tA Lamentation\n\t\t398\tThe Mutes\n"],"Note":["[{\"note\":\"Liner Note: Denise Levertov March 9, 1964 Side 3 23 min Side 4 20 min Dobly B Tape 2 of 2 \",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554739933186,"timestamp":"2026-01-07T14:59:59.119Z","score":2.1243587},{"id":"6217","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Creeley interview by Vicki Gabereau at CBC on May 30, 1986 #381"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Gabereau, Vicki","Creeley, Robert"],"creator_names_search":["Gabereau, Vicki","Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/104844374\",\"name\":\"Gabereau, Vicki\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7850/Readings in BC_MsC199_381.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"381-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:35\",\"precision\":\"\",\"size\":\"29.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"381-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:14\",\"precision\":\"\",\"size\":\"29.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-05-30\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/50259713\",\"venue\":\"CBC Radio\",\"notes\":\"It's not specified which CBC studio this program is recorded, but it's highly possible that it's recorded at CBC studio in Vancouver downtown \",\"address\":\"700 Hamilton Street Vancouver, British Columbia V6B 4A2\",\"latitude\":\"49.27912\",\"longitude\":\"-123.11452\"}]"],"Address":["700 Hamilton Street Vancouver, British Columbia V6B 4A2"],"Venue":["CBC Radio"],"City":["Hamilton, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t\tEmpty\nTwo\t\t003\tIntroduction to Creeley by Vicki Gabereau\n\t\t020\tCreeley’s visit to Vancouver and reasons why\n\t\t031\tRecollections of Vancouver in 1963\n\t\t073\tTeaching at UBC\n\t\t085\tLife in New Mexico\n\t\t114\tBuffalo, New York and New York State University\n\t\t159\tCanadian poetry and poets\n\t\t187\tTrip to France\n\t\t231\tLate eighties as a time of poets\n\t\t276\tYears at Harvard\n\t\t309\tCreeley reads “My mother’s voice”\n\t\t320\tJazz – “Little Willy jumps” Bud Powell\n\t\t438\tJazz rhythms – beats – meters\n\t\t463\tCreeley’s desire to play banjo and bass\n\t\t486\tRecreation of mood\n\t\t430\tCreeley’s family\n\t\t450\tWork and distractions\n\t\t629\tThelonius Monk to end of tape"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554843742208,"timestamp":"2026-01-07T14:59:59.214Z","score":2.1243587},{"id":"6185","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Creeley Reading at the Western Front on November 14, 1975 #294"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert"],"creator_names_search":["Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert \",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1975],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/765/Readings in BC_MsC199_294.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"294-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:52:15\",\"precision\":\"\",\"size\":\"52 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"294-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:51:25\",\"precision\":\"\",\"size\":\"51 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975-11-14\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"The Western Front\",\"notes\":\"\",\"address\":\"303 E 8th Ave E, Vancouver, BC V5T 1S1\",\"latitude\":\"49.26391\",\"longitude\":\"-123.09869\"}]"],"Address":["303 E 8th Ave E, Vancouver, BC V5T 1S1"],"Venue":["The Western Front"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"Note":["[{\"note\":\"Robert Creeley at the Western Front, November 14, 1975 Side 1 31:55 Side 2 31:10 Tape ran out before end of reading Dolby B\",\"type\":\"General\"},{\"note\":\"The Western Front is the donor as inventory says\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554846887937,"timestamp":"2026-01-07T14:59:59.214Z","contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tRobert Creeley speaking, introduction recalling summer of ’63, poetry conference at UBC – speaks of Allen Ginsberg’s current activities as “W.C. Williams”.\n\t\t060\t“The I ching: biting through”\n\t\t076\t“Two of the people in (Bolinas) are in this story…Joanne Kyger… and Peter (?)”\n\t\t093\t“Big things and little things’ (from Presences, a text for Marisol, New York: Scribner’s, 1976, section one)\n\t\t200\tSpeaks of Donald Sutherland’s “On, comma, Romanticism.”  Reads the epigram to Presences, which is taken from Sutherland’s book.  Explains background of “Big things and little things…”, his meeting with Marisol.\n\t\t395\tSpeaks of James Hillman’s Revisioning psychology\n\t\t408\t“It is a scene…”  (Presences, sect 4)\n\t\t573\t“From a piece called Mabel … a kind of homage to Burroughs… (see Mabel : a story, London : Marion Boyars, 1976, p. 151)\n\t\t729\t“Explains…that the kind of women you have in mind are not persons of the town,” (the line is from p. 153)\n\t\t740\t“Think of the good times…” (Mabel, p. 152)\n\t\t1013\tSound ends, side one ends\nTwo\t\t000\tApplause…\n\t\t003\tI want to read the poem that Bob Rose… (printed).  James Hillman… pointed out that the whole sense of image in so-called western cultural patterns is really inhibited… and either moving towards what he calls the Judeo and or Hebraic pattern…monotheistic…or else you move to the Hellenic, which is the pluralistic, many-changing spatial trip, and I would simply opt for the plurality, I suppose, and the most information I have of it, is, like this, you dig:\n\t\t030\t“The plan is the body” (Creeley is reading from a broadside printed by Bob Rose for Prester John, Vancouver, B.C., 1975 – prepared for the occasion of Creeley’s reading at the Western Front.)\n\t\t095\t(Creeley reads from his notebook)\n\t\t112\tSpeaks of Laurie Gilpin, a photographer\n\t\t128\t“Possible statement in novel…”\n\t\t144\tA supper menu\n\t\t153\t“Wake in white-washed simple room in Spain”\n\t\t170\t“Thinking of Joanne Kyger: “These days flooded with preoccupation, mind flooded with mind…” (“I was thinking of a poem of hers called September.”)”\nTwo\t\t180\t“Wind in the wet upper spaces of a tree/yeah/reality’s wet.”\n\t\t184\t“In the forest”\n\t\t190\t“People…”\n\t\t197\t“Happy home”\n\t\t201\t“Bobbie’s got one here: ‘Like this one.  This is a beautiful one.’”\n\t\t204\t“Like a like…”\n\t\t205\t“Come here moon…”\n\t\t216\t“I don’t like one word poems…”\n\t\t217\t“It hurts to have to hear you…”\n\t\t224\t“Forgotten it all…”\n\t\t231\t“Why Dorothy’s wise…”\n\t\t233\t“Something doesn’t necessarily happen after something”\n\t\t237\t“Music…”\n\t\t250\t“Secrets”\n\t\t256\t“Thinking of sea” (or C?)\n\t\t265\t“World” (“a root in Wir eld… a human age”)\n\t\t279\t“To be alive is to be in each place come to…”\n\t\t296\t(Interrupts: “I’m just reading some recent poems…”)\n\t\t297\t“A lot of it’s here”\n\t\t298\t“So”\n\t\t305\t“Stan Brakhage apropos himself in Naropa scene, Boulder: ‘I was their token local.’”\n\t\t309\t“Bobbie’s phrase apropos LeRoi Jones: ‘AKA Baraka’”\n\t\t314\t“Mean”\n\t\t334\t“Here is a poem that I like that was written when Warren (Tallman) was happily down in Bolinas…”  (speaks of the artist John Chamberlain and invitation of Houston Art Gallery to R.C. to come read on occasion of John Chamberlain’s opening there.  Reads:)\n\t\t386\t“For John”\n\t\t478\t“I’ll read the other poem to him (Chamberlain)…”\n\t\t501\tSpeaks of Bob Grenier, a poet who works in word spaces and patterns, …”He did for me a generous job; he did a Selected poems for me that I couldn’t truly do myself, and this is hopefully coming out sometime this next year (1976)… He would not put a poem in, like “I propose to you a body bleached…” He would include this poem”:\n\t\t550\t“The box” from Words, rpt. Selected poems, New York : Scribner’s p. 76\n\t\t569\t“This book is one Chamberlain called – he said, ‘You’re busy measuring everything.’  It’s… a book that’s persistently involved with measure I’ll read you one that has literally to do with measure, called “Distance.”  It has to do with a photograph by Harry Callahan…”\n\t\t597\t“Distance” from Words, rpt. Selected poems, p. 60.\nTwo\t\t704\t“I get this quote in a book by James Hillman again… from Whitehead that said: ‘Importance is the…emotional worth you are.’”\n\t\t729\t“dimensions” (from Words, rpt. Selected poems, p. 67)\n\t\t780\t“I never had a chance to read this poem… It began here, actually, in Warren’s house some years ago.  And – this is it – we can all go home.  It’s called:”\n\t\t789\t“Bolinas and me” (for Stan Persky) (from A day book, rpt. In Selected poems, p. 164)\n\t\t972\tSound ends mid-poem, side 2 ends"],"score":2.1243587},{"id":"6248","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Dial-A-Poem Poets: various poets reading, part 1 of 2 #536a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Di Prima, Diane","Burroughs, William S.","Waldman, Anne","Giorno, John","Williams, Emmett","Sanders, Ed","Mead, Taylor","Creeley, Robert","Schiff, Harris","Kandel, Lenore","Saroyan, Aram","Whalen, Philip","Berrigan, Ted","Ginsberg, Allen"],"creator_names_search":["Di Prima, Diane","Burroughs, William S.","Waldman, Anne","Giorno, John","Williams, Emmett","Sanders, Ed","Mead, Taylor","Creeley, Robert","Schiff, Harris","Kandel, Lenore","Saroyan, Aram","Whalen, Philip","Berrigan, Ted","Ginsberg, 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files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tAllen Ginsberg – Vajra Mantra\n\t\t021\tDiana Di Prima – Revolutionary letters nos. 7, 13, 16, 49\n\t\t100\tWilliam S. Burroughs – excerpts from the Wild Boys\n\t\t181\tAnne Waldman – pressure\n\t\t230\tJohn Giorno – Vajra Kisses\n\t\t338\tEmmett Williams – duet\n\t\t363\tEd Sanders – Cemetery Hill\n\t\t421\tTaylor Mead – motorcycles\n\t\t450\tAllen Ginsberg – Green automobile\n\t\t547\tRobert Creeley – the messenger for Allen Ginsberg\n\t\t562\tRobert Creeley – I know a man\n\t\t569\tHarris Schiff – poems\n\t\t634\tLenore Kandel – Kali\n\t\t677\tAram Saroyan – not a cricket\n\t\t681\tPhilip Whalen – excerpts from Scenes of Life at the Capitol\n\t\t740\tTed Berrigan – excerpts from The Sonnets"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555058700291,"timestamp":"2026-01-07T14:59:59.437Z","score":2.1243587},{"id":"6257","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["THE DIAL-A-POEM POETS: Disconnected, Part 1 of 2 #535a"],"item_title_source":["cassette and j-card"],"item_title_note":["Liner notes: see the photo in the material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Ginsberg, Allen","Giorno, John","Burroughs, William Seward","Brownstein, Michael","Gage, John","Plymell, Charles","Waldman, Anne","Di Prima, Diane","Mayer, Bernadette","Creeley, Robert","Wakowski, Diane","Thomas, Lorenzo","Corso, Gregory","Owen, Maureen","Sanders, Ed","Olson, Charles","Trungpa, Chögyam"],"creator_names_search":["Ginsberg, Allen","Giorno, John","Burroughs, William Seward","Brownstein, Michael","Gage, John","Plymell, Charles","Waldman, Anne","Di Prima, Diane","Mayer, Bernadette","Creeley, Robert","Wakowski, Diane","Thomas, Lorenzo","Corso, Gregory","Owen, Maureen","Sanders, Ed","Olson, Charles","Trungpa, Chögyam"],"creators":["[{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/84168002\",\"name\":\"Giorno, John\",\"dates\":\"1936-2019\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/108916275\",\"name\":\"Burroughs, William Seward\",\"dates\":\"1914-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/91276819\",\"name\":\" Brownstein, Michael\",\"dates\":\"1943 - \",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/109427868\",\"name\":\"Gage, John\",\"dates\":\"1938-2012\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/79487081\",\"name\":\"Plymell, Charles\",\"dates\":\"1935 - \",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/84079610\",\"name\":\"Waldman, Anne\",\"dates\":\"1945 - \",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/83981636\",\"name\":\"Di Prima, Diane\",\"dates\":\"1934 - \",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/23311550\",\"name\":\"Mayer, Bernadette\",\"dates\":\"1945 -\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/79051243\",\"name\":\"Wakowski, Diane\",\"dates\":\"1937 -\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/116432048\",\"name\":\"Thomas, Lorenzo\",\"dates\":\"1944-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/19676049\",\"name\":\"Corso, Gregory\",\"dates\":\"1930-2001\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/33963867\",\"name\":\"Owen, Maureen\",\"dates\":\"1943 -\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/22183708\",\"name\":\"Sanders, Ed\",\"dates\":\"1939 -\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/95161934\",\"name\":\"Trungpa, Chögyam\",\"dates\":\"1939-1987\",\"notes\":\"Chogyam Trungpa Rinpoche\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7976/Reading in BC_MsC199_535-tape1.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"535-tape-1-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:40\",\"precision\":\"\",\"size\":\"32.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"535-tape-1-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:30\",\"precision\":\"\",\"size\":\"38.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tAllen Ginsberg – I’m a victim of telephone’s\n\t\t017\tChogyam Trungpa Rinpoche – cynical letter\n\t\t042\tChogyam Trungpa Rinpoche – a letter to Marpa\n\t\t069\tChogyam Trungpa Rinpoche – sound cycle (AHAM)\n\t\t098\tJohn Giorno – suicide sutra\n\t\t182\tWilliam S. Burroughs – what Washington, what orders\n\t\t278\tCharles Plymell – 100 flies on an airplane flying around the world\n\t\t317\tMichael Brownstein – monologue from the tope\n\t\t343\tJohn Cage – excerpt from Silence\n\t\t371\tAnne Waldman – fast speaking woman\n\t\t451\tDiane Di Prima – excerpt from Loba\n\t\t487\tBernadette Mayer – excerpt from Studying hunger\n\t\t546\tRobert Creeley – the name\n\t\t568\tDiane Wakosi – exorcism\n\t\t610\tLorenzo Thomas – high heel Jesus\n\t\t635\tGregory Corso – marriage\n\t\t780\tMaureen Owen – body rush\n\t\t800\tEd Sanders – stand by my side, oh Lord\n\t\t853\tCharles Olson – the ridge\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670555061846016,"timestamp":"2026-01-07T14:59:59.437Z","score":2.1243587},{"id":"6304","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["UBC Poetry Festival: Olson, Creeley, Duncan, Ginsberg, and Whalen on July 29, 1963 #39.1 "],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Whalen, Philip","Duncan, Robert","Ginsberg, Allen","Olson, Charles","Creeley, Robert","Wah, Fred"],"creator_names_search":["Whalen, Philip","Duncan, Robert","Ginsberg, Allen","Olson, Charles","Creeley, Robert","Wah, Fred"],"creators":["[{\"url\":\"https://viaf.org/viaf/54270610/\",\"name\":\"Whalen, Philip\",\"dates\":\"1923-2002\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert \",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen \",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles \",\"dates\":\"1910-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/8378/Reading in BC_MsC199_39c1.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"39 c1-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:06\",\"precision\":\"\",\"size\":\"25.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"39 c1-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:27:35\",\"precision\":\"\",\"size\":\"18.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-07-29\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card and inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nTwo\t\t000\tContinuing with Socrates & Xrist\n\t\t32\t(slight break in sound)\n\t\t34\tThe weight of particularity\n\t\t42\tSt. Paul & Xrist\n\t\t57\t“Paul recorded his experience of Xrist.”\n\t\t85\t“…writing ought to be useful…”\n\t\t110\tGinsberg: “I AM TIME!”\n\t\t132\t“History,” as in Gregory of Tours\n\t\t150\t“… that we’ve been riding for a long time with a history which is manipulated, and which is probably the biggest hidden trick in the wicket…”\n\t\t154\tConcept of history as “exact six hundred years of shit”\n\t\t178\tOlson quotes John Smith: “History is the Memory of Time.”\n\t\t206\tMeeting the Angel, at Cinvat Bridge\n\t\t220\tThemis, & thereby, Jane Harrison\n\t\t260\tLooking, &, finding\n\t\t300\tDiscussion of planaria\n\t\t\t(background noises of somebody writing on the blackboard)\n\t\t356\tOlson re-reads “Place; & Names” commenting on it as he reads\n\t\t454\tOlson reads “Bk ii chapter 37” (wee Maximus Poems IV,V,VI).\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670555074428928,"timestamp":"2026-01-07T14:59:59.437Z","score":2.1243587},{"id":"6305","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["UBC Poetry Festival: Olson, Creeley, Duncan, Ginsberg, and Whalen on July 29, 1963 #39.2 "],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Whalen, Philip","Duncan, Robert","Ginsberg, Allen","Olson, Charles","Creeley, Robert","Wah, Fred"],"creator_names_search":["Whalen, Philip","Duncan, Robert","Ginsberg, Allen","Olson, Charles","Creeley, Robert","Wah, Fred"],"creators":["[{\"url\":\"https://viaf.org/viaf/54270610/\",\"name\":\"Whalen, Philip\",\"dates\":\"1923-2002\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert \",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen \",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles \",\"dates\":\"1910-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/8379/Reading in BC_MsC199_39c2.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"39 c2-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:03\",\"precision\":\"\",\"size\":\"26 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"39 c2-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:27:35\",\"precision\":\"\",\"size\":\"18.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-07-29\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card and inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nTwo\t\t000\tContinuing with Socrates & Xrist\n\t\t32\t(slight break in sound)\n\t\t34\tThe weight of particularity\n\t\t42\tSt. Paul & Xrist\n\t\t57\t“Paul recorded his experience of Xrist.”\n\t\t85\t“…writing ought to be useful…”\n\t\t110\tGinsberg: “I AM TIME!”\n\t\t132\t“History,” as in Gregory of Tours\n\t\t150\t“… that we’ve been riding for a long time with a history which is manipulated, and which is probably the biggest hidden trick in the wicket…”\n\t\t154\tConcept of history as “exact six hundred years of shit”\n\t\t178\tOlson quotes John Smith: “History is the Memory of Time.”\n\t\t206\tMeeting the Angel, at Cinvat Bridge\n\t\t220\tThemis, & thereby, Jane Harrison\n\t\t260\tLooking, &, finding\n\t\t300\tDiscussion of planaria\n\t\t\t(background noises of somebody writing on the blackboard)\n\t\t356\tOlson re-reads “Place; & Names” commenting on it as he reads\n\t\t454\tOlson reads “Bk ii chapter 37” (wee Maximus Poems IV,V,VI).\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670555074428929,"timestamp":"2026-01-07T14:59:59.437Z","score":2.1243587},{"id":"6474","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. 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The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 4 May, 1986 "],"item_title_source":["item and j-card"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Gilbert, Gerry","Farmilo, Tina","Trost, Margaret","Karasick, Adeena","James, Kedrick","MacLeod, Kathryn","Creeley, Robert","Parker, Charlie","Hurtig, Annette","[Haywire, Gretchen?]","Mercer, Mabel","Nelson, Bill","McFadden, David","Culley, Peter","Lusk, Dorothy","Creede, Gerald","Timewell, Lary","Beyers, Joanne","Tallman, Warren"],"creator_names_search":["Gilbert, Gerry","Farmilo, Tina","Trost, Margaret","Karasick, Adeena","James, Kedrick","MacLeod, Kathryn","Creeley, Robert","Parker, Charlie","Hurtig, Annette","[Haywire, Gretchen?]","Mercer, Mabel","Nelson, Bill","McFadden, David","Culley, Peter","Lusk, Dorothy","Creede, Gerald","Timewell, Lary","Beyers, Joanne","Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/13554305/#Gilbert,_Gerry\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"host\",\"nation\":[],\"role\":[\"Series organizer\",\"Speaker\",\"Reader\",\"Interviewer\"]},{\"url\":\"\",\"name\":\"Farmilo, Tina\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"https://viaf.org/viaf/311780157/#Trost,_Margaret\",\"name\":\"Trost, Margaret\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"https://viaf.org/viaf/76188856/#Karasick,_Adeena,_1965-\",\"name\":\"Karasick, Adeena \",\"dates\":\"1965-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"https://viaf.org/viaf/106017797/#James,_Kedrick\",\"name\":\"James, Kedrick\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/40907463/#MacLeod,_Kathryn,_1960-\",\"name\":\"MacLeod, Kathryn\",\"dates\":\"1960-\",\"notes\":\"spelled as Catherine McLeod on the j-card, but I doubt that it is a different person\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/109562114/#Creeley,_Robert,_1926-2005\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"https://viaf.org/viaf/10034216/#Parker,_Charlie,_1920-1955.\",\"name\":\"Parker, Charlie\",\"dates\":\"1920-1955\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"https://viaf.org/viaf/104945175/#Hurtig,_Annette,_1946-\",\"name\":\"Hurtig, Annette\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"[Haywire, Gretchen?]\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"https://viaf.org/viaf/2681845/#Mercer,_Mabel,_1900-1984\",\"name\":\"Mercer, Mabel\",\"dates\":\"1900-1984\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Nelson, Bill\",\"dates\":\"\",\"notes\":\"English composer\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"https://viaf.org/viaf/7405434/#McFadden,_David_W.,_1940-2018\",\"name\":\"McFadden, David\",\"dates\":\"1940-2018\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/166436053\",\"name\":\"Culley, Peter\",\"dates\":\"1958-2015\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"https://viaf.org/viaf/13862026\",\"name\":\"Lusk, Dorothy\",\"dates\":\"1953-\",\"notes\":\"Trujillo\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/11296961\",\"name\":\"Creede, Gerald\",\"dates\":\"1951-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"https://viaf.org/viaf/68009652\",\"name\":\"Timewell, Lary\",\"dates\":\"1950-\",\"notes\":\"Operator. Also known as Bremner, Lary\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"https://viaf.org/viaf/60706728/\",\"name\":\"Beyers, Joanne\",\"dates\":\"\",\"notes\":\"operator\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Gilbert, Gerry","Brown, Douglas James"],"contributors_names_search":["Gilbert, Gerry","Brown, Douglas James"],"contributors":["[{\"url\":\"http://viaf.org/viaf/13554305/#Gilbert,_Gerry\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\",\"Donor\"]},{\"url\":\"https://viaf.org/viaf/104820726/#Brown,_Douglas_James,_1962-1987\",\"name\":\"Brown, Douglas James\",\"dates\":\"1962-1987\",\"notes\":\"Doug J. Brown on j-card\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Producer_name":["Gilbert, Gerry"],"Recordist_name":["Brown, Douglas James"],"Production_Date":[1986],"Performance_Date":[1984],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/2241/radiofreerainforest_87.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:30:00\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-583/radiofreerainforest-4-may-1986-part-1\",\"file_path\":\"\",\"filename\":\"MSC14-87-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:37\",\"precision\":\"\",\"size\":\"52.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-584/radiofreerainforest-4-may-1986-part-2\",\"file_path\":\"\",\"filename\":\"MSC14-87-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:27:10\",\"precision\":\"\",\"size\":\"31.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-05-04\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"j-card\"},{\"date\":\"1984-04\",\"type\":\"Performance Date\",\"notes\":\"McLeod\",\"source\":\"recording\"},{\"date\":\"1984-04-24\",\"type\":\"Performance Date\",\"notes\":\"David McFadden\",\"source\":\"recording\"}]"],"Location":["[{\"url\":\"https://nominatim.openstreetmap.org/details.php?place_id=92340333\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\"370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\"49.2818703\",\"longitude\":\"-123.1022474\"},{\"url\":\"https://nominatim.openstreetmap.org/details.php?place_id=142934422\",\"venue\":\"Arts Centre The Western Front\",\"notes\":\"David McFadden\",\"address\":\"303, East 8th Avenue, The Village Shops, Mount Pleasant, Vancouver, Metro Vancouver Regional District, British Columbia, Canada\",\"latitude\":\"49.26386015\",\"longitude\":\"-123.098650299062\"}]"],"Address":["370 Columbia St, Vancouver, BC V6A 4J1","303, East 8th Avenue, The Village Shops, Mount Pleasant, Vancouver, Metro Vancouver Regional District, British Columbia, Canada"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM","Arts Centre The Western Front"],"City":["Vancouver, British Columbia","Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: see photo\",\"type\":\"General\"},{\"note\":\"After the show finishes, there are readings by G.G., Culley, Lusk, Creede\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555819966464,"timestamp":"2026-01-07T15:00:00.156Z","score":2.1243587},{"id":"7067","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Warren Tallman's Birthday Collage for Adeena at Red Wallbarrow on June 11, 1990 with Tallman reading his Robert Creeley introduction for her birthday at The Western Front on June 1, 1990 "],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Karasick, Adeena","Creeley, Robert","Miki, Roy"],"creator_names_search":["Tallman, Warren","Karasick, Adeena","Creeley, Robert","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\",\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/76188856\",\"name\":\"Karasick, Adeena\",\"dates\":\"1965-\",\"notes\":\"Warren Tallman is recording this tape on the occasion of her birthday \",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"Warren Tallman reads his introduction for Robert Creeley at The Western Front\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"Roy Miki introduce Warren Tallman in the beginning of this event at The Western Front\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1990],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10502/Warren Tallman Fonds_MsC 26.42_61.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-61-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:47\",\"precision\":\"\",\"size\":\"67.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-61-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:46\",\"precision\":\"\",\"size\":\"63.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1990-06-01\",\"type\":\"Production Date\",\"notes\":\"Warren Tallman is reading his \\\"Robert Creeley introduction\\\" as Western Front birthday gift\",\"source\":\"Recording\"},{\"date\":\"1990-06-11\",\"type\":\"Production Date\",\"notes\":\"Warren Tallman states this date in the beginning of the first side. We are not sure, but it seems he recorded the second part of his collage birthday on this date.\",\"source\":\"Recording\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"The Western Front\",\"notes\":\"Warren Tallman is reading his \\\"Robert Creeley introduction\\\" as Western Front birthday gift\",\"address\":\"303 E 8th Ave E, Vancouver, BC V5T 1S1\",\"latitude\":\"49.26392\",\"longitude\":\"123.09870\"},{\"url\":\"https://www.openstreetmap.org/way/298855107\",\"venue\":\"[Red Wallbarrow?]\",\"notes\":\"According to what Warren Tallman says in tape 60, [Red Wallbarrow?] is located at \\\"109, 88 East Pender Street, Vancouver, BC, [15L 1W7?] and named after William Carlos Williams by Warren Tallman. The Url we get for 88 East Pender Street, Vancouver, BC points to the current \\\"Vancouver Film School\\\". We are not sure, but this location could be the current Vancouver Film School in 88 E Pender.\\n\",\"address\":\"109, 88 East Pender Street, Vancouver, BC, [15L 1W7?]\",\"latitude\":\"49.28018\",\"longitude\":\"-123.10266\"}]"],"Address":["303 E 8th Ave E, Vancouver, BC V5T 1S1","109, 88 East Pender Street, Vancouver, BC, [15L 1W7?]"],"Venue":["The Western Front","[Red Wallbarrow?]"],"City":["Vancouver, British Columbia","Vancouver, British Columbia"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556466937856,"timestamp":"2026-01-07T15:00:00.772Z","score":2.1243587},{"id":"7068","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Warren Tallman's Birthday Collage for Adeena Karasick at Red Wallbarrow on June 11, 1990 with Tallman later reading his Robert Creeley introduction from The Western Front event on June 1, 1990"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Karasick, Adeena","Creeley, Robert","Miki, Roy"],"creator_names_search":["Tallman, Warren","Karasick, Adeena","Creeley, Robert","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\",\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/76188856\",\"name\":\"Karasick, Adeena\",\"dates\":\"1965-\",\"notes\":\"Warren Tallman is recording this tape on the occasion of her birthday \",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"Warren Tallman reads his introduction for Robert Creeley at The Western Front\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"Roy Miki introduce Warren Tallman in the beginning of this event at The Western Front\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1990],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10516/Warren Tallman Fonds_MsC 26.42_62.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-62-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:37\",\"precision\":\"\",\"size\":\"54.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-62-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:35\",\"precision\":\"\",\"size\":\"55 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1990-06-04\",\"type\":\"Production Date\",\"notes\":\"Warren Tallman states this date in the beginning of the first side although June 5 is written on the j-card\",\"source\":\"Recording\"},{\"date\":\"1990-06-01\",\"type\":\"Production Date\",\"notes\":\"Warren Tallman is reading his \\\"Robert Creeley introduction\\\" as Western Front birthday gift\",\"source\":\"Recording\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"The Western Front\",\"notes\":\"Warren Tallman is reading his \\\"Robert Creeley introduction\\\" as Western Front birthday gift\",\"address\":\"303 E 8th Ave E, Vancouver, BC V5T 1S1\",\"latitude\":\"49.26392\",\"longitude\":\"123.09870\"},{\"url\":\"https://www.openstreetmap.org/way/298855107\",\"venue\":\"[Red Wallbarrow?]\",\"notes\":\"According to what Warren Tallman says in tape 60, [Red Wallbarrow?] is located at \\\"109, 88 East Pender Street, Vancouver, BC, [15L 1W7?] and named after William Carlos Williams by Warren Tallman. The Url we get for 88 East Pender Street, Vancouver, BC points to the current \\\"Vancouver Film School\\\". We are not sure, but this location could be the current Vancouver Film School in 88 E Pender.\\n\",\"address\":\"109, 88 East Pender Street, Vancouver, BC, [15L 1W7?]\",\"latitude\":\"49.28018\",\"longitude\":\"-123.10266\"}]"],"Address":["303 E 8th Ave E, Vancouver, BC V5T 1S1","109, 88 East Pender Street, Vancouver, BC, [15L 1W7?]"],"Venue":["The Western Front","[Red Wallbarrow?]"],"City":["Vancouver, British Columbia","Vancouver, British Columbia"],"Note":["[{\"note\":\"Following what Warren Tallman says in the beginning of the first side, this part refers to the time when birthday party was over \",\"type\":\"General\"},{\"note\":\"Tapes 61 and 62 are duplicates when Warren Tallman reads his introduction for Robert Creeley at The Western Front on June 1, 1990 from 5:36 to 15:44 on side one. \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556466937857,"timestamp":"2026-01-07T15:00:00.772Z","score":2.1243587},{"id":"7071","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Warren Tallman'a lecture on dyslexia and Warren Tallman's lecture on Robert Creeley's dictionary at Naropa Institute on July 7, 1991"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Jonson, Ben","Ginsberg, Allen","Creeley, Robert"],"creator_names_search":["Tallman, Warren","Jonson, Ben","Ginsberg, Allen","Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/292789691\",\"name\":\"Jonson, Ben\",\"dates\":\"1572-1637\",\"notes\":\"Warren Tallman reads a poem from him on the second side\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"He asks Warren Tallman a question on the first side; on the second side also he introduces Warren Tallman saying that Naropa organization is modelled based on what Warren had set up in Vancouver in 1963, and introduces him as the father of this kind of situations and programs like \\\"New American Poetics\\\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"This program held in Robert Creeley seminar week, and Warren Tallman's lectures is about him\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Production_Date":[1991],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10530/Warren Tallman Fonds_MsC 26.42_65.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-65-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:03\",\"precision\":\"\",\"size\":\"63.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-65-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:57\",\"precision\":\"\",\"size\":\"59.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1991-07-07\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/391232001\",\"venue\":\"Naropa Institute\",\"notes\":\"We assume that the \\\"New American Poetics\\\" program held in Naropa Institute since Allen and Warren refers to it as \\\"here\\\" in their speeches \",\"address\":\" 2130 Arapahoe Ave, Boulder, CO 80302, United States\",\"latitude\":\"40.01405\",\"longitude\":\"-105.26695\"}]"],"Address":[" 2130 Arapahoe Ave, Boulder, CO 80302, United States"],"Venue":["Naropa Institute"],"Note":["[{\"note\":\"Side two: Warren Tallman lecture on Robert Creeley dictionary at the summer writing program called \\\"New American Poetics\\\" at Naropa Institute in Boulder, CO on July 7, 1991\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556467986432,"timestamp":"2026-01-07T15:00:00.772Z","score":2.1243587},{"id":"7072","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Warren Tallman reading the \"Invitation\" for Robert Creeley in Vancouver on April 8, 1990"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Creeley, Robert","Karasick, Adeena"],"creator_names_search":["Tallman, Warren","Creeley, Robert","Karasick, Adeena"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"Warren Tallman reading \\\"The Invitation\\\" for Robert Creeley\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/76188856\",\"name\":\"Karasick, Adeena\",\"dates\":\"1965-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1990],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10531/Warren Tallman Fonds_MsC 26.42_66.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-66-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:46\",\"precision\":\"\",\"size\":\"53.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-66-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:24\",\"precision\":\"\",\"size\":\"55.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1990-04-02\",\"type\":\"Production Date\",\"notes\":\"Warren Tallman mentions another date at 4:23 on the first side. As he says, this date is the date when he wrote \\\"Invitation\\\" for Robert Creeley\",\"source\":\"Recording\"},{\"date\":\"[1990?]-03-04\",\"type\":\"Production Date\",\"notes\":\"As Warren Tallman says at on the first side, he plays part of Adeena Karasick's presentation on March 4 at the English department of York University.\\nHe does not mention the date, but we assume it must've been in the same year when he recorded this tape  \",\"source\":\"Recording\"},{\"date\":\"1990-04-08\",\"type\":\"Production Date\",\"notes\":\"Warren Tallman mentions the date at the beginning of side one saying that \\\"Today is Sunday morning, just about 10:46 am, April 8, 1990  \",\"source\":\"Recording and J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/15396822\",\"venue\":\"York University\",\"notes\":\"Adeena Karasick's presentation March 4 at the English department of York University \",\"address\":\"4700 Keele St, Toronto, ON M3J 1P3, Canada\",\"latitude\":\"43.7737\",\"longitude\":\"-79.5038\"},{\"url\":\"https://www.openstreetmap.org/way/298855107\",\"venue\":\"[Red Wallbarrow?]\",\"notes\":\"The Url we get for 88 East Pender Street, Vancouver, BC points to \\\"Vancouver Film School\\\". We are not sure, but the location where Warren Tallman named [Red Wallbarrow?] could be the current Vancouver Film School in 88 E Pender.\\nHere we put the latitude, longitude, and url of Vancouver Film School \",\"address\":\"109, 88 East Pender Street, Vancouver, BC, [15L 1W7?]\",\"latitude\":\"49.28018\",\"longitude\":\"-123.10266\"}]"],"Address":["4700 Keele St, Toronto, ON M3J 1P3, Canada","109, 88 East Pender Street, Vancouver, BC, [15L 1W7?]"],"Venue":["York University","[Red Wallbarrow?]"],"City":["Toronto, Ontario","Vancouver, British Columbia"],"Note":["[{\"note\":\"Version also exists in Adeena Karasick Fonds as \\\"\\\"Invitation\\\" Tape for Robert Creeley, April 8, 1990\\\" SWALLOW ID 7270\",\"type\":\"Related Version\"},{\"note\":\"As Warren Tallman says at the beginning of the first side, he named the location of recording \\\"109, 88 East Pender Street, Vancouver, BC\\\", Red Wallbarrow? after William Carlos Williams.\\n\\nThis invitation precedes the discussions and reading in honour of Robert Creeley at Western front in early June 1990, also among Tallman's recordings.\\n\\nThe Red Wallbarrow describes an apartment and office space Tallman rented during this period, located in Vancouver's Chinatown. Tallman's fonds contain a red plastic sign that bears this name.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556467986433,"timestamp":"2026-01-07T15:00:00.772Z","score":2.1243587},{"id":"7075","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Warren Tallman reading poetry at R2B2 in Vancouver on March 31, 1989 Tape 1 of 2"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Bowering, George","Creeley, Robert","Bowering, Angela","Karasick, Adeena","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Tallman, Warren","Bowering, George","Creeley, Robert","Bowering, Angela","Karasick, Adeena","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"In the beginning on the first side, Warren Tallman is heard telling George Bowering if he is going to introduce him\",\"nation\":[],\"role\":[\"Speaker\",\"Author\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"It seems Warren Tallman reads a poem for him\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/93542147\",\"name\":\"Bowering, Angela \",\"dates\":\"\",\"notes\":\"She is present in this poetry reading event\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/76188856\",\"name\":\"Karasick, Adeena\",\"dates\":\"1965-\",\"notes\":\"Warren Tallman talks about and reads a poem for her \",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"It seems Warren Tallman reads lament for bp Nichol\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Production_Date":[1989],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10548/Warren Tallman Fonds_MsC 26.42_69.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-69-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:25\",\"precision\":\"\",\"size\":\"65 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-69-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:33:03\",\"precision\":\"\",\"size\":\"131.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1989-03-31\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card \"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/3974498662\",\"venue\":\"R2B2: Books Books\",\"notes\":\"\",\"address\":\"2742 West 4th Ave, Vancouver, BC V6K 1R1\",\"latitude\":\"49.2679903\",\"longitude\":\"-123.1529668\"}]"],"Address":["2742 West 4th Ave, Vancouver, BC V6K 1R1"],"Venue":["R2B2: Books Books"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"We have a duplicate version of side one on side two. The first 46 minutes of side 1 and 2 then are duplicate\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556467986436,"timestamp":"2026-01-07T15:00:00.772Z","score":2.1243587},{"id":"7076","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. 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The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Warren Tallman reading poetry at R2B2 in Vancouver on March 31, 1989 Tape 2 of 2 "],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Bowering, George","Bowering, Angela","Creeley, Robert","Karasick, Adeena","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Tallman, Warren","Bowering, George","Bowering, Angela","Creeley, Robert","Karasick, Adeena","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"In the beginning on the first side, Warren Tallman is heard telling George Bowering if he is going to introduce him\",\"nation\":[],\"role\":[\"Speaker\",\"Author\"]},{\"url\":\"http://viaf.org/viaf/93542147\",\"name\":\"Bowering, Angela \",\"dates\":\"\",\"notes\":\"She is present in this poetry reading event\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"It seems Warren Tallman reads a poem for him\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/76188856\",\"name\":\"Karasick, Adeena\",\"dates\":\"1965-\",\"notes\":\"Warren Tallman talks about and reads a poem for her \",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"It seems Warren Tallman reads lament for bpNickol\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Production_Date":[1989],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10549/Warren Tallman Fonds_MsC 26.42_70.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-70-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:16\",\"precision\":\"\",\"size\":\"53.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-70-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:27\",\"precision\":\"\",\"size\":\"54.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1989-03-31\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card \"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/3974498662\",\"venue\":\"R2B2: Books Books\",\"notes\":\"\",\"address\":\"2742 West 4th Avenue, Vancouver, BC, Canada\",\"latitude\":\"49.2679903\",\"longitude\":\"-123.1529668\"}]"],"Address":["2742 West 4th Avenue, Vancouver, BC, Canada"],"Venue":["R2B2: Books Books"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"After the poetry reading, there is a conversation happening at the end of the first side; some voices might be heard that are anonymous, so we did not enter them.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556467986437,"timestamp":"2026-01-07T15:00:00.772Z","score":2.1243587},{"id":"7102","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. 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The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Warren Tallman's lecture on a variety of poets, including TISH poets and their poetry styles"],"item_title_source":["Recording and J-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Duncan, Robert","Ginsberg, Allen","Creeley, Robert","Davey, Frank","Olson, Charles","Blaser, Robin","Bissett, Bill","Marlatt, Daphne"],"creator_names_search":["Tallman, Warren","Duncan, Robert","Ginsberg, Allen","Creeley, Robert","Davey, Frank","Olson, Charles","Blaser, Robin","Bissett, Bill","Marlatt, Daphne"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\" http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\" http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/5029235\",\"name\":\"Davey, Frank\",\"dates\":\"1940-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\", 1910-1970\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/96127023\",\"name\":\"Bissett, Bill\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11199/Warren Tallman Fonds_MsC 26.42_97.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card and a sticky note saying Tallman lecture\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-97-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:00:24\",\"precision\":\"\",\"size\":\"76.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-97-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:00:31\",\"precision\":\"\",\"size\":\"76.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"Warren Tallman talks about different poets, their poems and poetry styles. He mentions the names of different poets besides TISH poets trying to provide his students with some knowledge about them and their poetry. We just entered the poets whose names were repeated quite a number of times.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556473229315,"timestamp":"2026-01-07T15:00:00.772Z","score":2.1243587},{"id":"7127","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Warren Tallman's Birthday Collage for Adeena's at Red Wallbarrow on June 7, 1990 with Tallman reading his Robert Creeley introduction for her birthday at The Western Front on June 1, 1990 "],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Karasick, Adeena","Creeley, Robert","Miki, Roy"],"creator_names_search":["Tallman, Warren","Karasick, Adeena","Creeley, Robert","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\",\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/76188856\",\"name\":\"Karasick, Adeena\",\"dates\":\"1965-\",\"notes\":\"Warren Tallman is recording this tape on the occasion of her birthday \",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"Warren Tallman reads his introduction for Robert Creeley at The Western Front\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"Roy Miki introduce Warren Tallman in the beginning of this event at The Western Front\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1990],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11363/Warren Tallman Fonds_MsC 26.42_126.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-126-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:37\",\"precision\":\"\",\"size\":\"65.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-126-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:42\",\"precision\":\"\",\"size\":\"60.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1990-06-07\",\"type\":\"Production Date\",\"notes\":\"Warren Tallman states this date in the beginning of the first side.\",\"source\":\"Recording\"},{\"date\":\"1990-06-01\",\"type\":\"Production Date\",\"notes\":\"Warren Tallman is reading his \\\"Robert Creeley introduction\\\" as Western Front birthday gift\",\"source\":\"Recording\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"The Western Front\",\"notes\":\"Warren Tallman is reading his \\\"Robert Creeley introduction\\\" as Western Front birthday gift\",\"address\":\"303 E 8th Ave E, Vancouver, BC V5T 1S1\",\"latitude\":\"49.26392\",\"longitude\":\"123.09870\"},{\"url\":\"https://www.openstreetmap.org/way/298855107\",\"venue\":\"[Red Wallbarrow?]\",\"notes\":\"According to what Warren Tallman says in tape 60, [[Red Wallbarrow?]?] is located at \\\"109, 88 East Pender Street, Vancouver, BC, [15L 1W7?] and named after William Carlos Williams by Warren Tallman. The Url we get for 88 East Pender Street, Vancouver, BC points to the current \\\"Vancouver Film School\\\". We are not sure, but this location could be the current Vancouver Film School in 88 E Pender.\\n\",\"address\":\"109, 88 East Pender Street, Vancouver, BC, [15L 1W7?]\",\"latitude\":\"49.28018\",\"longitude\":\"-123.10266\"}]"],"Address":["303 E 8th Ave E, Vancouver, BC V5T 1S1","109, 88 East Pender Street, Vancouver, BC, [15L 1W7?]"],"Venue":["The Western Front","[Red Wallbarrow?]"],"City":["Vancouver, British Columbia","Vancouver, British Columbia"],"Note":["[{\"note\":\"Tapes 61, 62, and 126 have duplicate part of Warren Tallman's introduction for Robert Creeley at The Western Front on June 1, 1990\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670556478472196,"timestamp":"2026-01-07T15:00:00.772Z","score":2.1243587},{"id":"7128","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. 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Warren Tallman is at [Red Wallbarrow on E. Pender?] reading a letter\",\"source\":\"Recording \"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"The Western Front\",\"notes\":\"Warren Tallman's Robert Creeley introduction for his Friday his reading on June 1 in 1998 at The Western Front\",\"address\":\"303 E 8th Ave E, Vancouver, BC V5T 1S1\",\"latitude\":\"49.26392\",\"longitude\":\"123.09870\"},{\"url\":\"https://www.openstreetmap.org/way/298855107\",\"venue\":\"[Red Wallbarrow?]\",\"notes\":\"According to what Warren Tallman says in tape 60, [Red Wallbarrow?] is located at \\\"109, 88 East Pender Street, Vancouver, BC, [15L 1W7?] and named after William Carlos Williams by Warren Tallman. The Url we get for 88 East Pender Street, Vancouver, BC points to the current \\\"Vancouver Film School\\\". We are not sure, but this location could be the current Vancouver Film School in 88 E Pender.\\n\",\"address\":\"109, 88 East Pender Street, Vancouver, BC, [15L 1W7?]\",\"latitude\":\"49.28018\",\"longitude\":\"-123.10266\"}]"],"Address":["303 E 8th Ave E, Vancouver, BC V5T 1S1","109, 88 East Pender Street, Vancouver, BC, [15L 1W7?]"],"Venue":["The Western Front","[Red Wallbarrow?]"],"City":["Vancouver, British Columbia","Vancouver, British Columbia"],"Note":["[{\"note\":\"Tapes 61, 62, 126, and 127 have duplicate part of Warren Tallman's introduction for Robert Creeley at The Western Front on June 1, 1990\",\"type\":\"Related Version\"},{\"note\":\"What's written on the j-card is irrelevant to the content of the audio files \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556478472197,"timestamp":"2026-01-07T15:00:00.772Z","score":2.1243587},{"id":"7161","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. 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The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Robert Creeley and Warren Tallman speaking at \"On The Road: The Jack Kerouac Conference\" at Naropa Institute on July 24, 1982 DUPLICATE 2 of 2 ABRIDGED"],"item_title_source":["J-card, Recording, and Internet"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Coolidge, Clark","Fagin, Larry","Kerouac, Jack","Creeley, Robert"],"creator_names_search":["Tallman, Warren","Coolidge, Clark","Fagin, Larry","Kerouac, Jack","Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/66488556\",\"name\":\"Coolidge, Clark\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94390890\",\"name\":\"Fagin, Larry\",\"dates\":\"1937-\",\"notes\":\"He does the introduction part\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/27066713\",\"name\":\"Kerouac, Jack\",\"dates\":\"1922-1969\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1982],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11942/Warren Tallman Fonds_MsC 26.42_162.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-162-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:22\",\"precision\":\"\",\"size\":\"64 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-162-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:00\",\"precision\":\"\",\"size\":\"66.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-07-24\",\"type\":\"Production Date\",\"notes\":\"We found the date on http://archives.naropa.edu/digital/collection/p16621coll1/id/485/\",\"source\":\"Internet\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/391232001\",\"venue\":\"Naropa institute \",\"notes\":\"\",\"address\":\"Marine Street, Boulder, Boulder County, Colorado, 80309, United States\",\"latitude\":\"40.01405\",\"longitude\":\"-105.26696\"}]"],"Address":["Marine Street, Boulder, Boulder County, Colorado, 80309, United States"],"Venue":["Naropa institute "],"Note":["[{\"note\":\"Side one and the first 5:34 minutes of side two on tape 189 (SWALLOW ID 7188) is duplicate of this tape\",\"type\":\"General\"},{\"note\":\"Robert Creeley, Warren Tallman, and Clark Coolidge discuss Kerouac's works, including Dr. Sax, Visions of Cody, On the Road, Lonesome Traveler, and Old Angel Midnight. \\n\\n\\\"The Jack Kerouac Conference\\\" took place at the Naropa Institute in Boulder, CO July 23-August 1, 1982 and included William Burroughs, Gregory Corso, Diane diPrima, Lawrence Ferlinghetti, Timothy Leary, Michael McClure, Gary Snyder and Anne Waldman. An ad for the conference appears in a document from Naropa in Warren Tallman's fonds. \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556690284544,"timestamp":"2026-01-07T15:00:00.983Z","score":2.1243587},{"id":"7184","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Robert Creeley Special  on Co-op Radio Program produced and edited by Paul Mutton in honor of Robert Creeley. (Broadcast or copyright August 12, 1990)"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Mutton, Paul","Bull, Hank","Kearns, Lionel","Little, Billy","Kroetsch, Robert","Tallman, Warren","Niechoda, Irene","Kamboureli, Smaro","Karasick, Adeena","Miki, Roy","Bowering, George","Watts, Charles"],"creator_names_search":["Creeley, Robert","Mutton, Paul","Bull, Hank","Kearns, Lionel","Little, Billy","Kroetsch, Robert","Tallman, Warren","Niechoda, Irene","Kamboureli, Smaro","Karasick, Adeena","Miki, Roy","Bowering, George","Watts, Charles"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105181366\",\"name\":\"Mutton, Paul\",\"dates\":\"\",\"notes\":\"Robert Creeley Special program is produced and edited by Paul Mutton in the studios of Co-op radio in Vancouver; he is also the commentary for this program\",\"nation\":[],\"role\":[\"Speaker\",\"Producer\"]},{\"url\":\"http://viaf.org/viaf/205149294089180520706\",\"name\":\"Bull, Hank \",\"dates\":\"1949-\",\"notes\":\"Music is by Hank Bull\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/30784380\",\"name\":\"Kearns, Lionel\",\"dates\":\"1937-\",\"notes\":\"He talks at The Western Front on June 2nd. \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/223141797\",\"name\":\"Little, Billy\",\"dates\":\"1943-\",\"notes\":\"Known as Zonko\\nHe talks at The Western Front on June 2nd. \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"He talks at The Western Front on June 2nd. \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\" http://viaf.org/viaf/11397708\",\"name\":\" Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/43517276\",\"name\":\"Niechoda, Irene\",\"dates\":\"\",\"notes\":\"She talks at Warren Tallman's house on June 1st.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/56633719\",\"name\":\"Kamboureli, Smaro\",\"dates\":\"\",\"notes\":\"She talks at Warren Tallman's house on June 1st.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/76188856\",\"name\":\"Karasick, Adeena\",\"dates\":\"1965-\",\"notes\":\"She talks at Warren Tallman's house on June 1st.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"He talks at Warren Tallman's house on June 1st.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"He probably talks at Warren Tallman's house on June 1st.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Watts, Charles\",\"dates\":\"\",\"notes\":\"He talks at Warren Tallman's house on June 1st.\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Publication_Date":[1990],"Production_Date":[1990],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12166/Warren Tallman Fonds_MsC 26.44_185.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"185 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:57:29\",\"precision\":\"\",\"size\":\"52.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"185 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:03:35\",\"precision\":\"\",\"size\":\"58.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1990-08-12\",\"type\":\"Publication Date\",\"notes\":\"This date is written in front of Paul Mutton copyright\",\"source\":\"J-card\"},{\"date\":\"1990-06-02\",\"type\":\"Production Date\",\"notes\":\"Event at The Western Front\",\"source\":\"J-card\"},{\"date\":\"1990-06-01\",\"type\":\"Production Date\",\"notes\":\"Warren Tallman's armchair discussion at his house \",\"source\":\"J-card\"},{\"date\":\"1990-06-03\",\"type\":\"Production Date\",\"notes\":\"Warren Tallman's armchair discussion at his house \",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"The Western Front\",\"notes\":\"\",\"address\":\"303 E 8th Ave E, Vancouver, BC V5T 1S1\",\"latitude\":\"49.26392\",\"longitude\":\"-123.09869\"},{\"url\":\"https://www.openstreetmap.org/node/7802936235\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"Where the tape was edited\",\"address\":\"370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\"49.28181\",\"longitude\":\"-123.10203\"}]"],"Address":["303 E 8th Ave E, Vancouver, BC V5T 1S1","370 Columbia St, Vancouver, BC V6A 4J1"],"Venue":["The Western Front","Vancouver Co-op Radio CFRO 100.5 FM"],"City":["Vancouver, British Columbia","Vancouver, British Columbia"],"Note":["[{\"note\":\"Tape 172 SWALLOW ID7171 is a duplicate of the interview of side one on tape #185 SWALLOW ID 7184\",\"type\":\"Related Version\"},{\"note\":\"Tape 194 SWALLOW ID 7193 is a duplicate of parts of Tape 185 SWALLOW ID 7184, sides one and two. Tape 194 SWALLOW ID 7193 includes the full original recording of the group conversation at Tallman's house.\",\"type\":\"Related Version\"},{\"note\":\"Tape 195 SWALLOW ID 7194 is a duplicate of parts of Tape 185 SWALLOW ID 7184, sides one and two. Tape 195 SWALLOW ID 7194 includes the full original recording of the group conversation at Tallman's house.\",\"type\":\"Related Version\"},{\"note\":\"Tape 197 SWALLOW ID 7196 is a duplicate of parts of Tape 185 SWALLOW ID 7184, sides one and two. Tape 197 SWALLOW ID 7196 includes the full original recording of the group conversation at Tallman's house.\",\"type\":\"Related Version\"},{\"note\":\"Tape 196 SWALLOW ID 7195 is a duplicate of parts of Tape 185 SWALLOW ID 7184, side two. Tape 196 SWALLOW ID 7195 includes the full original recording of the Robert Creeley Tribute event held at the Western Front on June 2, 1990.\",\"type\":\"Related Version\"},{\"note\":\"This tape is a Co-op Radio program produced by Paul Mutton with Warren Tallman's assistance. On the first side (Part 1), Mutton asks Creeley a couple of questions about Black Mountain College and education in general, and they discuss the theme of place with Warren Tallman. This was recorded on June 1st or June 2nd, 1990. The piano intro music is played by Hank Bull.\\n\\nOn the second side, we hear Robert Creeley's live event at the Western Front (June 2, 1990), followed by a discussion led by Warren Tallman  with a group of friends at Tallman's house. The live event broadcast on Co-op Radio includes readings by Lionel Kearns, Billy Little, Robert Kroetsch, Warren Tallman, and Robert Creeley. George Bowering is the emcee. The conversation at Tallman's home includes Creeley, Tallman, Irene Niechoda, Smaro Kamboureli, Adeena Karasick, and Roy Miki. (Miki features prominently). \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556694478849,"timestamp":"2026-01-07T15:00:00.983Z","score":2.1243587},{"id":"7185","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Robert Creeley's class on November 23, 1970 and Robert Duncan at UBC's Arts 1 in 1970"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert","Creeley, Robert"],"creator_names_search":["Duncan, Robert","Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12167/Warren Tallman Fonds_MsC 26.44_186.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"186 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:01:28\",\"precision\":\"\",\"size\":\"56.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"186 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:01:12\",\"precision\":\"\",\"size\":\"56 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1970-11-23\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987#map=14/49.25764/-123.24480\",\"venue\":\"University of British Columbia\",\"notes\":\"\\\"Arts 1\\\" is named on the j-card and is a program for first year students at the University of British Columbia. While the location of Creeley's class isn't named, it may also have been at UBC.\",\"address\":\"\",\"latitude\":\"49.2593° N\",\"longitude\":\"-123.2475° W\"}]"],"Venue":["University of British Columbia"],"Note":["[{\"note\":\"On the second side, Robert Duncan and some anonymous people read some poetry. The quality of this side is worse than the first side\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556694478850,"timestamp":"2026-01-07T15:00:00.983Z","score":2.1243587},{"id":"7186","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Robert Creeley interviewed by Warren Tallman about Charles Olson and his book \"Maximus to Gloucester\" "],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Tallman, Warren","Olson, Charles"],"creator_names_search":["Creeley, Robert","Tallman, Warren","Olson, Charles"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12168/Warren Tallman Fonds_MsC 26.44_187.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"187 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:09\",\"precision\":\"\",\"size\":\"42.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"187 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:12\",\"precision\":\"\",\"size\":\"42.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670556694478851,"timestamp":"2026-01-07T15:00:00.983Z","score":2.1243587},{"id":"7187","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Steve Swallow, Robert Creeley, and Sheila Jordan at The Red Mill, Rochester in New York on April 7, 1983"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Swallow, Steve","Jordan, Sheila","Creeley, Robert","Kuhn, Steve","Liebman, Dave","Mays, Lyle","Moses, Bob"],"creator_names_search":["Swallow, Steve","Jordan, Sheila","Creeley, Robert","Kuhn, Steve","Liebman, Dave","Mays, Lyle","Moses, Bob"],"creators":["[{\"url\":\"http://viaf.org/viaf/42026809\",\"name\":\"Swallow, Steve\",\"dates\":\"1940-\",\"notes\":\"Bass Player\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/34643571\",\"name\":\"Jordan, Sheila\",\"dates\":\"1928-\",\"notes\":\"Singer\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"Poet\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/84970988\",\"name\":\"Kuhn, Steve\",\"dates\":\"1938-\",\"notes\":\"Piano Player\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/120079184\",\"name\":\"Liebman, Dave\",\"dates\":\"1946-\",\"notes\":\"Saxophonist\\n\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/39562612\",\"name\":\"Mays, Lyle\",\"dates\":\"1953-2020\",\"notes\":\"Synthesizer Player\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/32184126\",\"name\":\"Moses, Bob\",\"dates\":\"1948-\",\"notes\":\"Drum Player\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[]"],"Production_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12169/Warren Tallman Fonds_MsC 26.44_188.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"188 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:32\",\"precision\":\"\",\"size\":\"43.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"188 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:13\",\"precision\":\"\",\"size\":\"44.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-04-07\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/176069\",\"venue\":\"The Red Mill\",\"notes\":\"We do not know the exact location of \\\"The Red Mill\\\"\",\"address\":\"Rochester, Monroe County, New York, United States\",\"latitude\":\"43.1576\",\"longitude\":\"-77.6157\"}]"],"Address":["Rochester, Monroe County, New York, United States"],"Venue":["The Red Mill"],"Note":["[{\"note\":\"Based on the j-card, here are the performed pieces:\\n\\nSome Echoes\\t\\n\\\"She Was Young...\\\" (From \\\"The Finger\\\")\\t\\n\\\"Nowhere One...\\\"\\t\\nColors\\t\\nHome\\t\\nIn The Fall\\t\\n\\\"You Didn't Think...\\\"\\t\\nIce Cream\\t\\nEcho\\t\\nMidnight\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556694478852,"timestamp":"2026-01-07T15:00:00.983Z","score":2.1243587},{"id":"7188","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Robert Creeley and Warren Tallman speaking at \"On The Road/ Jack Kerouac\" conference at Naropa Institute on July 24, 1982 DUPLICATE 1 of 2 FULL"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Fagin, Larry","Creeley, Robert","Tallman, Warren"],"creator_names_search":["Fagin, Larry","Creeley, Robert","Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/94390890\",\"name\":\"Fagin, Larry\",\"dates\":\"1937-\",\"notes\":\"Larry Fagin introduces Robert Creeley, Warren Tallman, and Clark Coolidge in the beginning of side one\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1982],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12178/Warren Tallman Fonds_MsC 26.44_189.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"189 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:32\",\"precision\":\"\",\"size\":\"43.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"189 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:45\",\"precision\":\"\",\"size\":\"43.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-07-24\",\"type\":\"Production Date\",\"notes\":\"We found the date on http://archives.naropa.edu/digital/collection/p16621coll1/id/485/\",\"source\":\"Internet\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/391232001\",\"venue\":\"Naropa Institute\",\"notes\":\"\",\"address\":\" 2130 Arapahoe Ave, Boulder, CO 80302, United States\",\"latitude\":\"40.01405\",\"longitude\":\"-105.26695\"}]"],"Address":[" 2130 Arapahoe Ave, Boulder, CO 80302, United States"],"Venue":["Naropa Institute"],"Note":["[{\"note\":\"Side one and the first 5:34 minutes of side two is duplicate of tape of #162 (SWALLOW ID 7161)\",\"type\":\"General\"},{\"note\":\"Robert Creeley, Warren Tallman, and Clark Coolidge (not on the tape) discuss Kerouac's works, including Dr. Sax, Visions of Cody, On the Road, Lonesome Traveler, and Old Angel Midnight. \\n\\n\\\"The Jack Kerouac Conference\\\" took place at the Naropa Institute in Boulder, CO July 23-August 1, 1982 and included William Burroughs, Gregory Corso, Diane diPrima, Lawrence Ferlinghetti, Timothy Leary, Michael McClure, Gary Snyder and Anne Waldman. An ad for the conference appears in a document from Naropa in Warren Tallman's fonds. \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556695527424,"timestamp":"2026-01-07T15:00:00.983Z","score":2.1243587},{"id":"7189","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Robert Creeley reading poetry in Vancouver on May 16, 1986 and Music performance by The Vancouver Art Trio"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Vancouver Art Trio","Freedman, Bruce","Reed, Clyde","Simpson, Gregg"],"creator_names_search":["Creeley, Robert","Vancouver Art Trio","Freedman, Bruce","Reed, Clyde","Simpson, Gregg"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/137142705\",\"name\":\"Vancouver Art Trio\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\" http://viaf.org/viaf/151209964\",\"name\":\"Freedman, Bruce \",\"dates\":\"\",\"notes\":\"Vancouver Art Trio: Drum Player \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Reed, Clyde \",\"dates\":\"\",\"notes\":\"Vancouver Art Trio: Tenor Sax Player\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/62914314\",\"name\":\"Simpson, Gregg\",\"dates\":\"1947- \",\"notes\":\"Vancouver Art Trio: Bass Player \",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[]"],"Production_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12180/Warren Tallman Fonds_MsC 26.44_190.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"190 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:10\",\"precision\":\"\",\"size\":\"43.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"190 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:22\",\"precision\":\"\",\"size\":\"43.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-05-16\",\"type\":\"Production Date\",\"notes\":\"Robert Creeley reading poetry in Vancouver on May 16, 1986; We are not sure if The Vancouver Art Trio performance was recorded the same day\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Vancouver, Metro Vancouver Regional District, British Columbia, Canada\",\"latitude\":\"49.2604\",\"longitude\":\"-123.1159\"}]"],"Address":["Vancouver, Metro Vancouver Regional District, British Columbia, Canada"],"City":["Vancouver, British Columbia"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556695527425,"timestamp":"2026-01-07T15:00:00.983Z","score":2.1243587},{"id":"7190","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Gerry Gilbert, Robert Creeley, and The Vancouver Art Trio on Robert Creeley's 60th Birthday"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Vancouver Art Trio","Simpson, Gregg","Freedman, Bruce","Reed, Clyde","Tallman, Warren","Gilbert, Gerry"],"creator_names_search":["Creeley, Robert","Vancouver Art Trio","Simpson, Gregg","Freedman, Bruce","Reed, Clyde","Tallman, Warren","Gilbert, Gerry"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/137142705\",\"name\":\"Vancouver Art Trio\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/62914314\",\"name\":\"Simpson, Gregg\",\"dates\":\"1947- \",\"notes\":\"Vancouver Art Trio: Drum Player \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\" http://viaf.org/viaf/151209964\",\"name\":\"Freedman, Bruce \",\"dates\":\"\",\"notes\":\"Vancouver Art Trio: Tenor Sax Player \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Reed, Clyde \",\"dates\":\"\",\"notes\":\"Vancouver Art Trio: Bass Player\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"He talks about the event and all the contributors \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry \",\"dates\":\"1936-2009\",\"notes\":\"He introduces Robert Creeley\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12181/Warren Tallman Fonds_MsC 26.44_191.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"191 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:19\",\"precision\":\"\",\"size\":\"43.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"191 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:16\",\"precision\":\"\",\"size\":\"43.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-05\",\"type\":\"Performance Date\",\"notes\":\"It should be the end or the latest the beginning of may, because Creeley's birthday is on May 21\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Vancouver, Metro Vancouver Regional District, British Columbia, Canada\",\"latitude\":\"49.2604\",\"longitude\":\"-123.1159\"}]"],"Address":["Vancouver, Metro Vancouver Regional District, British Columbia, Canada"],"City":["Vancouver, British Columbia"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556695527426,"timestamp":"2026-01-07T15:00:00.983Z","score":2.1243587},{"id":"7191","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Robert Creeley's poetry reading and talk at S.U.N.Y. Buffalo on February 2, 1987 "],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Creeley, Robert","Therrien, Robert"],"creator_names_search":["Tallman, Warren","Creeley, Robert","Therrien, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\",\"Author\"]},{\"url\":\"http://viaf.org/viaf/25435812\",\"name\":\"Therrien, Robert\",\"dates\":\"1947-2019\",\"notes\":\"Warren Tallman and Robert Creeley have a dialogue reagrding \\\"Seven and Six\\\" portfolio made with collaboration of Robert Creeley, Robert Therrien, and Michel Butor \",\"nation\":[],\"role\":[]}]"],"contributors":["[]"],"Production_Date":[1987],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12184/Warren Tallman Fonds_MsC 26.44_192.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"192 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:17\",\"precision\":\"\",\"size\":\"43.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"192 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:27\",\"precision\":\"\",\"size\":\"43.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987-02-02\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1986-12\",\"type\":\"Production Date\",\"notes\":\"This date might refer to the time when Robert Creeley, Robert Therrien, and Michel Butor collaboratively made \\\"Seven and Six\\\" portfolio \",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/68036581\",\"venue\":\"Buffalo – S.U.N.Y. (University at Buffalo)\",\"notes\":\"\",\"address\":\"Buffalo, NY 14260, United States\",\"latitude\":\"42.9533\",\"longitude\":\"-78.8181\"}]"],"Address":["Buffalo, NY 14260, United States"],"Venue":["Buffalo – S.U.N.Y. (University at Buffalo)"],"City":["Buffalo, New York"],"Note":["[{\"note\":\"Robert Creeley starts his talk by reading a poem written for his extraordinary great friend named Lise Hoshour. He talks a bit about his \\\"Seven and Six\\\" portfolio made in collaboration with Robert Therrien. Warren and Robert talk a bit about sculpture's language as well. \\n\\nWarren Tallman held a temporary teaching appointment at SUNY Buffalo for the academic year 1987-1988, working alongside his good friend Robert Creeley.  (Creeley was faculty at SUNY Buffalo from 1966-2003 and Tallman visited him several times, though this was his only teaching appointment there).\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556695527427,"timestamp":"2026-01-07T15:00:00.983Z","score":2.1243587},{"id":"7192","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Robert Creeley and Donald Allen interviewed by Warren Tallman on April 11, 1975 in Bolinas, CA"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Creeley, Robert","Allen, Donald"],"creator_names_search":["Tallman, Warren","Creeley, Robert","Allen, Donald"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"His voice is heard in this interview \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/79111075\",\"name\":\"Allen, Donald\",\"dates\":\"1912-2004\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1975],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12185/Warren Tallman Fonds_MsC 26.44_193.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"193 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:15\",\"precision\":\"\",\"size\":\"42.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"193 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:17\",\"precision\":\"\",\"size\":\"42.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975-04-11\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/150969386\",\"venue\":\"Donald Allen Residence\",\"notes\":\"Donald Allen had a residence in Bolinas, CA, so that was likely the location for this recording.\",\"address\":\"Bolinas, CA\",\"latitude\":\"37° 54' 20.39\\\" N \",\"longitude\":\"-122° 41' 6.59\\\" W\"}]"],"Address":["Bolinas, CA"],"Venue":["Donald Allen Residence"],"Note":["[{\"note\":\"This discussion may have taken place while Tallman and Creeley visited Donald Allen in Bolinas, CA, where he had a residence. \\n\\nTallman spent a sabbatical or study leave in Bolinas in the academic year 1974-1975 so this conversation was likely conducted during this period, though he visited at other times.\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670556696576000,"timestamp":"2026-01-07T15:00:00.983Z","score":2.1243587},{"id":"7193","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Group discussion with Robert Creeley at Warren Tallman's house June 1-3, 1990 Tape 3 of 3"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Creeley, Robert","Karasick, Adeena","Kroetsch, Robert","Miki, Roy","Niechoda, Irene","Watts, Charles","Kamboureli, Smaro"],"creator_names_search":["Tallman, Warren","Creeley, Robert","Karasick, Adeena","Kroetsch, Robert","Miki, Roy","Niechoda, Irene","Watts, Charles","Kamboureli, Smaro"],"creators":["[{\"url\":\" http://viaf.org/viaf/11397708\",\"name\":\" Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"He talks at Warren Tallman's house on June 1,2, and 3, and his voice is heard on this tape\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/76188856\",\"name\":\"Karasick, Adeena\",\"dates\":\"1965-\",\"notes\":\"She talks at Warren Tallman's house on June 1,2, and 3, and her voice is heard on this tape\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"He talks at Warren Tallman's house on June 1,2, and 3, and his voice is heard on this tape\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"He talks at Warren Tallman's house on June 1,2, and 3, and his voice is heard on this tape\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/43517276\",\"name\":\"Niechoda, Irene\",\"dates\":\"1957-2013\",\"notes\":\"She talks at Warren Tallman's house on June 1,2, and 3, Her voice is heard on this tape\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Watts, Charles\",\"dates\":\"\",\"notes\":\"He talks at Warren Tallman's house on June 1,2, and 3, and his voice is heard on this tape\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/56633719\",\"name\":\"Kamboureli, Smaro\",\"dates\":\"1955- \",\"notes\":\"She is probably present at Warren Tallman's house on June 1,2, and 3,\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1990],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12187/Warren Tallman Fonds_MsC 26.44_194.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"194 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:03:21\",\"precision\":\"\",\"size\":\"58 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"194 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:03:22\",\"precision\":\"\",\"size\":\"58 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1990-06-01\",\"type\":\"Production Date\",\"notes\":\"Paul Mutton mentions the date on the second side of tape #185\",\"source\":\"Recording\"},{\"date\":\"1990-06-03\",\"type\":\"Production Date\",\"notes\":\"Paul Mutton mentions the date on the second side of tape #185\",\"source\":\"Recording\"},{\"date\":\"1990-06-02\",\"type\":\"Production Date\",\"notes\":\"We are not sure if the discussion at Warren Tallman's house happened on June 2 since Robert Creeley Tribute happened on this date. It's highly probable that Warren Tallman discussion happened on June 1 and 3  \",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/322025925\",\"venue\":\"Warren Tallman’s House\",\"notes\":\"Warren Tallman's home during the 70s, 80s, and 90s, where he lived with his daughter Karen Tallman DeBeck and her family.\",\"address\":\"3504 Bella Vista Street Vancouver BC V5N 3W9\",\"latitude\":\"49.252732\",\"longitude\":\"-123.070544\"}]"],"Address":["3504 Bella Vista Street Vancouver BC V5N 3W9"],"Venue":["Warren Tallman’s House"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Portions of Tape 194 SWALLOW ID 7193 are duplicated on Tape 185 SWALLOW ID 7184. Tape 194 SWALLOW ID 7193 may be the last in a series recording the full set of discussions upon which Mutton's radio broadcast, \\\"Robert Creeley Special\\\" (Tape 185 SWALLOW ID 7184) was based.\",\"type\":\"Related Version\"},{\"note\":\"Robert Creeley visited Vancouver in June 1990 and this series of tapes documents conversations held at Warren Tallman's home over June 1, 2, and 3, 1990. Parts of these group discussions were broadcast by Paul Mutton on Co-op Radio (likely on August 12, 1990). A live event \\\"Tribute to Robert Creeley\\\" was held at the Western Front on June 2, 1990 which was also recorded and broadcast in part. \\n\\nSide A begins with a discussion of education, modern poetry, and Allen Ginsberg, specifically Ginsberg's teaching and creative writing in relation to the institution. The group sings happy birthday to Adeena Karasick and eats cake. Primary speakers in this portion are Creeley and Tallman. \\n\\nSide B begins with a discussion of place and urbanization (primarily Creeley) and cuts after Tallman describes how the group will \\\"report\\\" the discussion to \\\"the Kroetschs\\\" (Smaro Kamboureli and Robert Kroetsch) and Roy Miki the following day (14:45). Here Tallman explains how the ideas for Creeley's visit coalesced around a special issue of Line magazine, \\\"Robert Creeley in Vancouver,\\\" proposed by Roy Miki. At 16:25 Tallman summarizes the previous day's discussion. The theme of place is extended and Roy Miki, Irene Niechoda, Smaro Kamboureli and Adeena Karasick discuss the illusions of place and identity.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556696576001,"timestamp":"2026-01-07T15:00:00.983Z","score":2.1243587},{"id":"7194","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Group discussion with Robert Creeley at Warren Tallman's house June 1-3, 1990 Tape 2 of 3"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Creeley, Robert","Karasick, Adeena","Kroetsch, Robert","Niechoda, Irene","Miki, Roy","Watts, Charles","Kamboureli, Smaro"],"creator_names_search":["Tallman, Warren","Creeley, Robert","Karasick, Adeena","Kroetsch, Robert","Niechoda, Irene","Miki, Roy","Watts, Charles","Kamboureli, Smaro"],"creators":["[{\"url\":\" http://viaf.org/viaf/11397708\",\"name\":\" Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"He talks at Warren Tallman's house on June 1,2, and 3, and his voice is heard on this tape\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/76188856\",\"name\":\"Karasick, Adeena\",\"dates\":\"1965-\",\"notes\":\"She talks at Warren Tallman's house on June 1,2, and 3, and her voice is heard on this tape\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"He talks at Warren Tallman's house on June 1,2, and 3, and his voice is heard on this tape\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/43517276\",\"name\":\"Niechoda, Irene\",\"dates\":\"1957-2013\",\"notes\":\"She talks at Warren Tallman's house on June 1,2, and 3, Her voice is heard on this tape\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"He talks at Warren Tallman's house on June 1,2, and 3, and his voice is heard on this tape\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Watts, Charles\",\"dates\":\"\",\"notes\":\"He talks at Warren Tallman's house on June 1,2, and 3, and his voice is heard on this tape\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/56633719\",\"name\":\"Kamboureli, Smaro\",\"dates\":\"1955-\",\"notes\":\"She is probably present at Warren Tallman's house on June 1,2, and 3,\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1990],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12190/Warren Tallman Fonds_MsC 26.44_195.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"195 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:04:58\",\"precision\":\"\",\"size\":\"59.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"195 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:02:34\",\"precision\":\"\",\"size\":\"57.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1990-06-01\",\"type\":\"Production Date\",\"notes\":\"Paul Mutton mentions the date on the second side of tape #185\",\"source\":\"Recording\"},{\"date\":\"1990-06-03\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1990-06-02\",\"type\":\"Production Date\",\"notes\":\"We are not sure if the discussion at Warren Tallman's house happened on June 2 since Robert Creeley Tribute happened on this date. It's highly probable that Warren Tallman discussion happened on June 1 and 3  \",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/322025925\",\"venue\":\"Warren Tallman’s House\",\"notes\":\"Warren Tallman's home during the 70s, 80s, and 90s, where he lived with his daughter Karen Tallman DeBeck and her family.\",\"address\":\"3504 Bella Vista Street V5N 3W9\",\"latitude\":\"49.252732\",\"longitude\":\"-123.070544\"}]"],"Address":["3504 Bella Vista Street V5N 3W9"],"Venue":["Warren Tallman’s House"],"Note":["[{\"note\":\"Tape 185 SWALLOW ID 7184 includes portions of the discussion here on Tape 195 SWALLOW ID 7194 selected for broadcast by Paul Mutton for the Co-op Radio \\\"Robert Creeley Special.\\\"\",\"type\":\"Related Version\"},{\"note\":\"Robert Creeley visited Vancouver in June 1990 and this series of tapes documents conversations held at Warren Tallman's home over June 1, 2, and 3, 1990. Parts of these group discussions were broadcast by Paul Mutton on Co-op Radio (likely on August 12, 1990). A live event \\\"Tribute to Robert Creeley\\\" was held at the Western Front on June 2, 1990 which was also recorded and broadcast in part. \\n\\nSide A begins with Roy Miki discussing the relationship of place to one's sense of self as well as a concept of mother tongue and its suppression, in dialogue with Adeena Karasick, Tallman, Charles Watts. Later, Miki raises the examples of the Meech Lake Accord and Quebec separatism. Robert Kroetsch raises current questions of class and the group discusses urban poverty. Miki tells the story of his stolen thesis. They continue the general discussion of education.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556696576002,"timestamp":"2026-01-07T15:00:00.983Z","score":2.1243587},{"id":"7195","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Robert Creeley Tribute at The Western Front on June 2, 1990"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Bull, Hank","Gilbert, Gerry","Kearns, Lionel","Little, Billy","Kroetsch, Robert","Bowering, George","Hindmarch, Gladys","Marlatt, Daphne","Gadd, Maxine","Miki, Roy","Copithorne, Judith","Tallman, Warren","Phillips, David","Bowering, Angela","Kiyooka, Roy","Culley, Peter","McKinnon, Barry","Tallman, Ellen","Maud, Ralph","Persky, Stan","Poh Seng, Goh","Watts, Charles"],"creator_names_search":["Creeley, Robert","Bull, Hank","Gilbert, Gerry","Kearns, Lionel","Little, Billy","Kroetsch, Robert","Bowering, George","Hindmarch, Gladys","Marlatt, Daphne","Gadd, Maxine","Miki, Roy","Copithorne, Judith","Tallman, Warren","Phillips, David","Bowering, Angela","Kiyooka, Roy","Culley, Peter","McKinnon, Barry","Tallman, Ellen","Maud, Ralph","Persky, Stan","Poh Seng, Goh","Watts, Charles"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/205149294089180520706\",\"name\":\"Bull, Hank \",\"dates\":\"1949-\",\"notes\":\"Music is by Hank Bull\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry \",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/30784380\",\"name\":\"Kearns, Lionel\",\"dates\":\"1937-\",\"notes\":\"He speaks at The Western Front on June 2nd. \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/223141797\",\"name\":\"Little, Billy\",\"dates\":\"1943-\",\"notes\":\"Known as Zonko\\nHe talks at The Western Front on June 2nd. \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"He speaks at The Western Front on June 2nd. \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"He is the emcee of the event with Angela Bowering.\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/38164256\",\"name\":\"Hindmarch, Gladys\",\"dates\":\"1940-\",\"notes\":\"She reads at the Western Front on June 2.\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"She reads at the Western Front on June 2.\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/75225856\",\"name\":\"Gadd, Maxine\",\"dates\":\"1940-\",\"notes\":\"She reads at the Western Front on June 2.\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"He speaks at the Western Front on June 2.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/63020479\",\"name\":\"Copithorne, Judith\",\"dates\":\"1939-\",\"notes\":\"She reads at the Western Front on June 2.\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\" http://viaf.org/viaf/11397708\",\"name\":\" Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"He is also the coordinator of this event for Robert Creeley.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Phillips, David\",\"dates\":\"1944-\",\"notes\":\"He reads at the Western Front on June 2.\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"\",\"name\":\"Bowering, Angela\",\"dates\":\"1940-1999\",\"notes\":\"She is the emcee of this event with George Bowering.\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Kiyooka, Roy\",\"dates\":\"1926-1994\",\"notes\":\"He is introduced by the emcee George Bowering but his reading was not recorded.\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Culley, Peter\",\"dates\":\"1958-2015\",\"notes\":\"He read at the Western Front on June 2.\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/60321164\",\"name\":\"McKinnon, Barry\",\"dates\":\"1944-2023\",\"notes\":\"He reads at the Western Front on June 2.\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"\",\"name\":\"Tallman, Ellen\",\"dates\":\"1927-2008\",\"notes\":\"She speaks at the Western Front on June 2.\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Maud, Ralph\",\"dates\":\"1928-2014\",\"notes\":\"He speaks at the Western 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files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"196 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:03:25\",\"precision\":\"\",\"size\":\"58 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1990-06-01\",\"type\":\"Production Date\",\"notes\":\"Robert Creeley Tribute at The Western Front \",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"The Western Front\",\"notes\":\"\",\"address\":\"303 E 8th Ave E, Vancouver, BC V5T 1S1\",\"latitude\":\"49.26392\",\"longitude\":\"-123.09869\"}]"],"Address":["303 E 8th Ave E, Vancouver, BC V5T 1S1"],"Venue":["The Western Front"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Tape 185 SWALLOW ID 7184 is a version of this live event edited and broadcast by Paul Mutton for Co-op Radio (August 12, 1990). Tape 196 SWALLOW ID 7195 contains the recording of the full event for Robert Creeley on June 2, 1990.\",\"type\":\"Related Version\"},{\"note\":\"This Robert Creeley tribute event took place at the Western Front on June 2, 1990, organized by Warren Tallman and emceed by Angela and George Bowering. Presentations of poems and speeches are as follows on Side A:\\nHank Bull: piano opening\\nGeorge Bowering: intro, begins reading 4:05\\nAngela Bowering: 8:03\\nLionel Kearns: 17:03\\nGladys Hindmarch: 24:05\\nPeter Culley: 29:48\\nDaphne Marlatt: 39:02\\nRobert Kroetsch: 45:01\\nDavid Phillips: 48:00\\nEllen Tallman: 53:23\\nBarry McKinnnon: 55:52\\n\\nSide B\\nGerry Gilbert: 0:13\\nMaxine Gadd: 8:00\\nRalph Maud: 13:19\\nStan Persky: 20:45\\nGoh Poh Seng: 27:50 \\nJudith Copithorne: 32:50 \\nBilly Little: 36:49 \\nCharles Watts: 45:28 \\nRoy Miki: 52:20 (tape cuts at 59:53)\\n(Roy Kiyooka was introduced by George Bowering but was not recorded)\\n\\n\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556697624576,"timestamp":"2026-01-07T15:00:00.983Z","score":2.1243587},{"id":"7196","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Group discussion with Robert Creeley at Warren Tallman's house on June 1-3, 1990 Tape 1 of 3"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Tallman, Warren","Mutton, Paul","Watts, Charles"],"creator_names_search":["Creeley, Robert","Tallman, Warren","Mutton, Paul","Watts, Charles"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\" http://viaf.org/viaf/11397708\",\"name\":\" Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"He is also the coordinator of this event for Robert Creeley \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105181366\",\"name\":\"Mutton, Paul\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Watts, Charles\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"contributors":["[]"],"Production_Date":[1990],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12203/Warren Tallman Fonds_MsC 26.44_197.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"197 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:03:41\",\"precision\":\"\",\"size\":\"58.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"197 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:02:50\",\"precision\":\"\",\"size\":\"57.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1990-06-02\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/7802936235\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\"370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\"49.28181\",\"longitude\":\"-123.10203\"},{\"url\":\"https://www.openstreetmap.org/way/322025925\",\"venue\":\"Warren Tallman's House\",\"notes\":\"Warren Tallman's home during the 70s, 80s, and 90s, where he lived with his daughter Karen Tallman DeBeck and her family.\",\"address\":\"3504 Bella Vista Street Vancouver BC V5N 3W9\",\"latitude\":\"49.252732\",\"longitude\":\"-123.070544\"}]"],"Address":["370 Columbia St, Vancouver, BC V6A 4J1","3504 Bella Vista Street Vancouver BC V5N 3W9"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM","Warren Tallman's House"],"City":["Vancouver, British Columbia","Vancouver, British Columbia"],"Note":["[{\"note\":\"Portions of this discussion are duplicated on Tape 185 SWALLOW ID 7184, Paul Mutton's Co-op Radio broadcast of \\\"Robert Creeley Special.\\\"\",\"type\":\"General\"},{\"note\":\"This tape is labelled \\\"Interview - Black Mountain College June 2/90\\\" and \\\"1A\\\" so it may be the first recording in a series of discussions conducted with Robert Creeley at Warren Tallman's home from June 1-3, 1990. Paul Mutton reframes the discussion as an interview for his radio broadcast of the \\\"Robert Creeley Special\\\" on Co-op Radio, copyright August 12, 1990.\\n\\nMidway through Side A, Tallman mentions the date is June 2, 1990 and that the conversation is taking place at \\\"Red Wallbarrow Place School,\\\" which could be his home or an office space he used at the time. More than the other discussions, this conversation primarily features Creeley and Tallman. Charles Watts begins by offering the example of Kootenay School of Writing in Vancouver and Creeley and Tallman go on to discuss Black Mountain College and its closure as well as the broader political climate of the 1950s. Tallman queries the comparison of Black Mountain with Colorado's Naropa Institute, as well as, later, to UBC. They again discuss education in general, creative writing programs, and Side A concludes with Tallman returning to the topic of \\\"Robert Creeley in Vancouver\\\" (a premise for Roy Miki's special issue of Line by the same name).\\n\\nSide B returns to the interrogation of place, drawing from Tallman's ideas of poetic centers as well as Ginsberg and Olson. Here the main speakers are Creeley, Tallman and Watts. They refer to Stein, Kerouac, and Reznickoff.\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556697624577,"timestamp":"2026-01-07T15:00:00.983Z","score":2.1243587},{"id":"7197","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. 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Buffalo – on The Black Mountain Poets on February 9, 1987 Tape 2 of 2"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Tallman, Warren"],"creator_names_search":["Creeley, Robert","Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\" http://viaf.org/viaf/11397708\",\"name\":\" Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\",\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1987],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12210/Warren Tallman Fonds_MsC 26.44_198.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"198 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:24\",\"precision\":\"\",\"size\":\"43.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"198 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:27\",\"precision\":\"\",\"size\":\"43.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987-02-09\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/68036581\",\"venue\":\"Buffalo – S.U.N.Y. 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In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. 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In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Colin Browne reading his letter to Warren Tallman on April 23, 1989 DUPLICATE 2 of 2 and Fred Wah, and Robert Creeley reading their letters written for Warren Tallman on April 24, 1989"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Browne, Colin","Wah, Fred","Creeley, Robert"],"creator_names_search":["Tallman, Warren","Browne, Colin","Wah, Fred","Creeley, Robert"],"creators":["[{\"url\":\" http://viaf.org/viaf/11397708\",\"name\":\" Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/105886216\",\"name\":\"Browne, Colin\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[1989],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12218/Warren Tallman Fonds_MsC 26.44_205.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"205 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:17\",\"precision\":\"\",\"size\":\"43.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1989-04-24\",\"type\":\"Production Date\",\"notes\":\"Robert Creeley reads his letter\",\"source\":\"J-card\"},{\"date\":\"1989-04-23\",\"type\":\"Production Date\",\"notes\":\"the date is taken from the duplicate reading on tape #204 SWALLOW ID 7203\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"Tape \\\"Colin Browne reads his letter written for Warren Tallman on April 23, 1989 DUPLICATE 1 of 2\\\" SWALLOW ID 7203 is a Duplicate of this tape\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670556904194050,"timestamp":"2026-01-07T15:00:01.192Z","score":2.1243587},{"id":"7326","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Writing Panel with George Bowering, Robert Creeley, Gladys Maria Hindmarch, and Robert Kroetsch"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George","Hindmarch, Gladys","Creeley, Robert","Kroetsch, Robert","Wah, Fred"],"creator_names_search":["Bowering, George","Hindmarch, Gladys","Creeley, Robert","Kroetsch, Robert","Wah, Fred"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/38164256\",\"name\":\"Hindmarch, Gladys\",\"dates\":\"1940-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"His name, Bob, is mentioned \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"We assume that Fred Wah is the facilitator of the event\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7326/Fred Wah Fonds_MsC 17f_121.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"121 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:01:31\",\"precision\":\"\",\"size\":\"63.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"121 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:01:31\",\"precision\":\"\",\"size\":\"62.7 MB\",\"bitrate\":\"31 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"The panelists are asked questions about writing, realism and post-modernism in it. They also talk about about the conventional writing, and they ended the event talking about their feelings regarding the fact that they are writer; what it takes to write, and what it cost to stay one.    \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556911534085,"timestamp":"2026-01-07T15:00:01.192Z","score":2.1243587},{"id":"7358","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Robert Creeley reading poetry from Norton Anthology and Warren Tallman's lecture "],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Tallman, Warren"],"creator_names_search":["Creeley, Robert","Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\" 1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994 \",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7358/Fred Wah Fonds_MsC 17f_151.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"151 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:14\",\"precision\":\"\",\"size\":\"31.5 MB\",\"bitrate\":\"31 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"151 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:20:32\",\"precision\":\"\",\"size\":\"21.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"\",\"address\":\"City Vancouver, District of North Vancouver, Metro Vancouver Regional District, British Columbia, Canada\",\"latitude\":\"49.2604\",\"longitude\":\"-123.1131\"}]"],"Address":["City Vancouver, District of North Vancouver, Metro Vancouver Regional District, British Columbia, Canada"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Here's the list of poems which Robert Creeley reads:\\nWait for me\\nLa Noche\\nThe Whip\\nBallad Of The Despairing Husband\\nIf You\\nThe Door\\nThe Hill\\nThe Window\\nI Keep to Myself Such Measures \\nThe World\\n\",\"type\":\"General\"},{\"note\":\"Robert Creeley's reading ends at 28:04, and Warren Tallman's lecture begins right after it.\\nIt seems Warren Tallman's lecture is about a novel. \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556916776963,"timestamp":"2026-01-07T15:00:01.192Z","score":2.1243587},{"id":"7382","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Robert Duncan Conference at the University of Buffalo: The last part of the afternoon panel with Robin Blaser, Jerome McGann, and Susan Howe on April 19, 1996 and the first part of the panel with Peter Quartermain, Michele Leggott, and David Levi Strauss on April 20, 1996 Tape 3 of 4"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert","Blaser, Robin","Howe, Susan","McGann, Jerome J.","Wah, Fred","Quartermain, Peter","Leggott, Michele","Strauss, David Levi","Creeley, Robert"],"creator_names_search":["Duncan, Robert","Blaser, Robin","Howe, Susan","McGann, Jerome J.","Wah, Fred","Quartermain, Peter","Leggott, Michele","Strauss, David Levi","Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/97914539\",\"name\":\"Howe, Susan\",\"dates\":\"1937-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/106059501\",\"name\":\"McGann, Jerome J.\",\"dates\":\"1937-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\" http://viaf.org/viaf/34534588\",\"name\":\"Quartermain, Peter \",\"dates\":\"1934-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/92139230\",\"name\":\"Leggott, Michele \",\"dates\":\"1956-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/10021902\",\"name\":\"Strauss, David Levi \",\"dates\":\"1953-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1996],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7382/Fred Wah Fonds_MsC 17f_162.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"162 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:51:46\",\"precision\":\"\",\"size\":\"54.7 MB\",\"bitrate\":\"31 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"162 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:51:33\",\"precision\":\"\",\"size\":\"55.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1996-04-19\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1996-04-20\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/448018586\",\"venue\":\"University at Buffalo \",\"notes\":\"\",\"address\":\"University at Buffalo - Downtown Campus, Burnie Lane, Buffalo Niagara Medical Campus Buffalo, Buffalo, Erie County, New York 14203, United States \",\"latitude\":\"42.89746\",\"longitude\":\"-78.86679\"}]"],"Address":["University at Buffalo - Downtown Campus, Burnie Lane, Buffalo Niagara Medical Campus Buffalo, Buffalo, Erie County, New York 14203, United States "],"Venue":["University at Buffalo "],"City":["Buffalo, New York"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670557012197384,"timestamp":"2026-01-07T15:00:01.298Z","score":2.1243587},{"id":"7396","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. 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Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Robert Creeley reading poetry at Selkirk College"],"item_title_source":["Cassettes and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Wah, Fred","Blaser, Robin"],"creator_names_search":["Creeley, Robert","Wah, Fred","Blaser, Robin"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"His voice is heard at the end of side two\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7412/Fred Wah Fonds_MsC 17f_167.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"167 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:12\",\"precision\":\"\",\"size\":\"32.4 MB\",\"bitrate\":\"31 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"167 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:10\",\"precision\":\"\",\"size\":\"31.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/270034909\",\"venue\":\"Selkirk College\",\"notes\":\"Selkirk College has up to 8 campuses, and we are not sure which campus this poetry reading must've taken place; we decided to put Selkirk College,10th Street since most of the events in this collection were held there.\",\"address\":\"College Selkirk College, 10th Street Campus, 11th Street, Fairview, Nelson, Regional District of Central Kootenay, British Columbia, V1L 3C7, Canada\",\"latitude\":\"49.50554\",\"longitude\":\"-117.26734\"}]"],"Address":["College Selkirk College, 10th Street Campus, 11th Street, Fairview, Nelson, Regional District of Central Kootenay, British Columbia, V1L 3C7, Canada"],"Venue":["Selkirk College"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670557014294532,"timestamp":"2026-01-07T15:00:01.298Z","score":2.1243587},{"id":"7469","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Robert Creeley talking at P.G. poetry seminar in [1980?]"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert"],"creator_names_search":["Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[0],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7469/Fred Wah Fonds_MsC 17 g_10.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-10 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:12\",\"precision\":\"\",\"size\":\"27.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC17g-10 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:13\",\"precision\":\"\",\"size\":\"27.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"[1980?]\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"There are anonymous speakers on this tape. Robert Creeley and his companies talk about the role of authors in a community with regards to politics and different aspects of it. \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557020585984,"timestamp":"2026-01-07T15:00:01.298Z","score":2.1243587},{"id":"7535","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. 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The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Markin-Flanagan Distinguished Writers Program: Robert Creeley reading at University of Calgary on March 7, 1995"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Wah, Fred","Blaser, Robin","Flanagan, Jackie","Markin, Allen","Butling, Pauline"],"creator_names_search":["Creeley, Robert","Wah, Fred","Blaser, Robin","Flanagan, Jackie","Markin, Allen","Butling, Pauline"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"Fred Wah is present in this event because Robert Creeley mentions his name at the beginning of side one \",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"Robin Blaser is present in this event because Robert Creeley mentions his name at the beginning of side one \",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Flanagan, Jackie\",\"dates\":\"\",\"notes\":\"He is present in this event; 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(University at Buffalo)"],"City":["Buffalo, New York"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670557235544069,"timestamp":"2026-01-07T15:00:01.509Z","score":2.1243587},{"id":"7554","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. 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"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Karasick, Adeena","Kamboureli, Smaro","Creeley, Robert","Niechoda, Irene","Kroetsch, Robert","Mutton, Paul","Miki, Roy","Nichols, Miriam"],"creator_names_search":["Tallman, Warren","Karasick, Adeena","Kamboureli, Smaro","Creeley, Robert","Niechoda, Irene","Kroetsch, Robert","Mutton, Paul","Miki, Roy","Nichols, Miriam"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/76188856\",\"name\":\"Karasick, Adeena\",\"dates\":\"1965-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/56633719\",\"name\":\"Kamboureli, Smaro \",\"dates\":\"1955- 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Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/322025925\",\"venue\":\"Warren Tallman’s House\",\"notes\":\"Warren Tallman's home during the 70s, 80s, and 90s, where he lived with his daughter Karen Tallman DeBeck and her family.\",\"address\":\"3504 Bella Vista Street Vancouver BC V5N 3W9\",\"latitude\":\"49.252732\",\"longitude\":\"-123.070544\"}]"],"Address":["3504 Bella Vista Street Vancouver BC V5N 3W9"],"Venue":["Warren Tallman’s House"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"The complete series of these group discussions is available in the Warren Tallman collection. It includes three tapes: MsC 26.42.197 (Swallow ID: 7196), MsC 26.42.195 (Swallow ID: 7194), and MsC 26.42.194 (Swallow ID: 7193).\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558014636033,"timestamp":"2026-01-07T15:00:02.246Z","score":2.1243587},{"id":"9613","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Recordings of discussions by poets Robert Creeley, Robert Duncan, Allen Ginsberg, and Charles Olson at UBC on July 31, 1963"],"item_title_source":["Cassette and J-card "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Olson, Charles","Creeley, Robert","Duncan, Robert","Ginsberg, Allen","Wah, Fred"],"creator_names_search":["Olson, Charles","Creeley, Robert","Duncan, Robert","Ginsberg, Allen","Wah, Fred"],"creators":["[{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\" 1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred \",\"dates\":\"1939-\",\"notes\":\"Recordings by Fred Wah \",\"nation\":[],\"role\":[]}]"],"contributors":["[]"],"Production_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/9613/Roy Miki Fonds_MsC 161_354.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-354_Side-A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:56\",\"precision\":\"\",\"size\":\"29.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-354_Side-B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:04\",\"precision\":\"\",\"size\":\"28.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-07-31\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Internet and Reading in BC Collection\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"This tape may not be an exact duplicate of tape #40a from the Reading in BC collection, as the audio lengths differ. In the Reading in BC collection, tapes are divided into parts “a” and “b,” whereas in the Roy Miki selection, they are labeled with a single number (e.g., 40). However, this tape largely contains the same material as tape #40a.\\n\\nThis tape is an exact duplicate of tape 40a, covering the entirety of Side A and Side B up to the first 14 minutes and 58 seconds\",\"type\":\"General\"},{\"note\":\"This tape largely duplicates the content of tape #40a (SWALLOW ID 5956), titled \\\"UBC Poetry Festival: Olson, Creeley, Duncan, and Ginsberg on July 31, 1963 part 1 of 2 #40a\\\" in Reading in BC Collection \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558215962625,"timestamp":"2026-01-07T15:00:02.444Z","score":2.1243587},{"id":"9619","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Recordings of discussions by poets Robert Creeley, Robert Duncan, and Allen Ginsberg at UBC on August 16, 1963"],"item_title_source":["Cassette and J-card "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Duncan, Robert","Ginsberg, Allen","Wah, Fred"],"creator_names_search":["Creeley, Robert","Duncan, Robert","Ginsberg, Allen","Wah, Fred"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\" 1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred \",\"dates\":\"1939-\",\"notes\":\"Recordings by Fred Wah \",\"nation\":[],\"role\":[]}]"],"contributors":["[]"],"Production_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/9619/Roy Miki Fonds_MsC 161_355.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-355_Side-A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:43\",\"precision\":\"\",\"size\":\"42.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-355_Side-B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:53:17\",\"precision\":\"\",\"size\":\"48.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-08-16\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Internet and Reading in BC Collection\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"The initial 4 minutes and 40 seconds may not be directly related to the discussion that occurred on August 16, 1963.\\n \\nThe duplicate part begins from 4:41, so this tape is not an exact duplicate of tape #43b from the Reading in BC collection, as the audio lengths differ. In the Reading in BC collection, tapes are divided into parts “a” and “b,” whereas in the Roy Miki selection, they are labeled with a single number (e.g., 43). However, this tape largely contains the same material as tape #43b.\",\"type\":\"General\"},{\"note\":\"This tape largely duplicates the content of tape #43b (SWALLOW ID 5961), titled \\\"UBC Poetry Festival: Creeley, Duncan, and Ginsberg on August 16, 1963 #43b\\\" in the Reading in BC Collection \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558215962626,"timestamp":"2026-01-07T15:00:02.444Z","score":2.1243587},{"id":"9621","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Recordings of discussions by poets Robert Creeley, Robert Duncan, Allen Ginsberg, and Denise Levertov at UBC on August 9, 1963"],"item_title_source":["Cassette and J-card "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Duncan, Robert","Ginsberg, Allen","Wah, Fred","Levertov, Denise"],"creator_names_search":["Creeley, Robert","Duncan, Robert","Ginsberg, Allen","Wah, Fred","Levertov, Denise"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\" 1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred \",\"dates\":\"1939-\",\"notes\":\"Recordings by Fred Wah \",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/9868894\",\"name\":\"Levertov, Denise\",\"dates\":\"1923-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/9621/Roy Miki Fonds_MsC 161_356.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-356_Side-A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:54\",\"precision\":\"\",\"size\":\"28.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-356_Side-B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:08\",\"precision\":\"\",\"size\":\"28.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-08-09\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Internet and Reading in BC Collection\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"This tape may not be an exact duplicate of tape #46a from the Reading in BC collection, as the audio lengths differ. In the Reading in BC collection, tapes are divided into parts “a” and “b,” whereas in the Roy Miki selection, they are labeled with a single number (e.g., 46). However, this tape largely contains the same material as tape #46a.\",\"type\":\"General\"},{\"note\":\"This tape largely duplicates the content of tape #46a (SWALLOW ID 5964), titled \\\"UBC Poetry Festival: Avison, Olson, Creeley, Duncan, Ginsberg, Whalen, and Levertov on August 9, 1963,\\\" from the Readings in BC collection\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558215962627,"timestamp":"2026-01-07T15:00:02.444Z","score":2.1243587},{"id":"9624","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Recordings of discussions by poets Robert Creeley, Robert Duncan, Allen Ginsberg, and Denise Levertov at UBC on August 12, 1963 Part 1 of 2"],"item_title_source":["Cassette and J-card "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Duncan, Robert","Ginsberg, Allen","Wah, Fred","Levertov, Denise"],"creator_names_search":["Creeley, Robert","Duncan, Robert","Ginsberg, Allen","Wah, Fred","Levertov, Denise"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\" 1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred \",\"dates\":\"1939-\",\"notes\":\"Recordings by Fred Wah \",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/9868894\",\"name\":\"Levertov, Denise\",\"dates\":\"1923-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/9624/Roy Miki Fonds_MsC 161_357.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-357_Side-A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:34\",\"precision\":\"\",\"size\":\"27.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-357_Side-B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:49\",\"precision\":\"\",\"size\":\"28.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-08-12\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Internet and Reading in BC Collection\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"This tape may not be an exact duplicate of tape #47a from the Reading in BC collection, as the audio lengths differ. In the Reading in BC collection, tapes are divided into parts “a” and “b,” whereas in the Roy Miki selection, they are labeled with a single number (e.g., 47). However, this tape largely contains the same material as tape #47a.\\nSide A and the first 14 minutes and 43 seconds of Side B are duplicates of the content found on #47a in the Readings in BC collection.\",\"type\":\"General\"},{\"note\":\"This tape largely duplicates the content of tape #47a (SWALLOW ID 5966), titled \\\"UBC Poetry Festival: Creeley, Duncan, Ginsberg, and Levertov on August 12, 1963 #47a\\\" in the Reading in BC Collection \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558215962628,"timestamp":"2026-01-07T15:00:02.444Z","score":2.1243587},{"id":"9625","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Recordings of discussions by poets Robert Creeley, Robert Duncan, Allen Ginsberg, and Denise Levertov at UBC on August 12, 1963 Part 2 of 2"],"item_title_source":["Cassette and J-card "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Duncan, Robert","Ginsberg, Allen","Wah, Fred","Levertov, Denise"],"creator_names_search":["Creeley, Robert","Duncan, Robert","Ginsberg, Allen","Wah, Fred","Levertov, Denise"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\" 1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred \",\"dates\":\"1939-\",\"notes\":\"Recordings by Fred Wah \",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/9868894\",\"name\":\"Levertov, Denise\",\"dates\":\"1923-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/9625/Roy Miki Fonds_MsC 161_358.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-358_Side-A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:20:25\",\"precision\":\"\",\"size\":\"19.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-358_Side-B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:21:14\",\"precision\":\"\",\"size\":\"20.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-08-12\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Internet and Reading in BC Collection\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"This tape may not be an exact duplicate of tape #47b from the Reading in BC collection, as the audio lengths differ. In the Reading in BC collection, tapes are divided into parts “a” and “b,” whereas in the Roy Miki selection, they are labeled with a single number (e.g., 47). However, this tape largely contains the same material as tape #47b.\\n\\nThe remainder of Side B on tape #357, along with both Sides A and B of this tape, duplicates the content of tape #47b in the Readings in BC collection.\",\"type\":\"General\"},{\"note\":\"This tape largely duplicates the content of tape #46b (SWALLOW 5967), titled \\\"UBC Poetry Festival: Creeley, Duncan, Ginsberg, and Levertov on August 12, 1963 #47b\\\" in the Reading in BC Collection \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558215962629,"timestamp":"2026-01-07T15:00:02.444Z","score":2.1243587},{"id":"9629","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Recordings of discussions by poets Robert Creeley, Robert Duncan, Allen Ginsberg, Denise Levertov, and Margaret Avison at UBC on August 5, 1963 Part 1 of 2"],"item_title_source":["Cassette and J-card "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Duncan, Robert","Ginsberg, Allen","Wah, Fred","Levertov, Denise","Avison, Margaret"],"creator_names_search":["Creeley, Robert","Duncan, Robert","Ginsberg, Allen","Wah, Fred","Levertov, Denise","Avison, Margaret"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\" 1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred \",\"dates\":\"1939-\",\"notes\":\"Recordings by Fred Wah \",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/9868894\",\"name\":\"Levertov, Denise\",\"dates\":\"1923-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/79128508\",\"name\":\"Avison, Margaret\",\"dates\":\"1918-2007\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/9629/Roy Miki Fonds_MsC 161_359.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-359_Side-A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:12\",\"precision\":\"\",\"size\":\"30 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-359_Side-B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:08\",\"precision\":\"\",\"size\":\"29.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-08-5\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Internet and Reading in BC Collection\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"This tape may not be an exact duplicate of #52a, as the audio lengths differ. In the Reading in BC collection, tapes are divided into parts “a” and “b,” whereas in the Roy Miki selection, they are labeled with a single number (e.g., 52). However, this tape largely contains the same material as tape #52a.\\n\\nThe content on sides A and B of this tape duplicates what is heard on tape #52a; however, side B of tape #52a includes additional material that is not present on this tape\\n \",\"type\":\"General\"},{\"note\":\"This tape largely duplicates the content of tape #52a (SWALLOW ID 5972), titled \\\"UBC Poetry Festival: Avison, Olson, Creeley, Duncan, Ginsberg, and Levertov on August 5, 1963 part 1 of 2 #52a\\\" in the Reading in BC Collection \\nTape 52a: Swallow ID 5972\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558215962630,"timestamp":"2026-01-07T15:00:02.444Z","score":2.1243587},{"id":"9681","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Recordings of discussions by poets Robert Creeley, Robert Duncan, Allen Ginsberg, Denise Levertov, and Margaret Avison at UBC on August 5, 1963 Part 2 of 2"],"item_title_source":["Cassette and J-card "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Duncan, Robert","Ginsberg, Allen","Wah, Fred","Levertov, Denise","Avison, Margaret"],"creator_names_search":["Creeley, Robert","Duncan, Robert","Ginsberg, Allen","Wah, Fred","Levertov, Denise","Avison, Margaret"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\" 1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred \",\"dates\":\"1939-\",\"notes\":\"Recordings by Fred Wah \",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/9868894\",\"name\":\"Levertov, Denise\",\"dates\":\"1923-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/79128508\",\"name\":\"Avison, Margaret\",\"dates\":\"1918-2007\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/9681/Roy Miki Fonds_MsC 161_378.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-378_Side-A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:19:04\",\"precision\":\"\",\"size\":\"17.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-378_Side-B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:56\",\"precision\":\"\",\"size\":\"29.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-08-5\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Internet and Reading in BC Collection\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"369 part 2 is equal the complete side one OF 52 a - i  have not checked 52 b yets \",\"type\":\"\"},{\"note\":\"The content on sides A and B of this tape mostly duplicates the material found on tape #52b\",\"type\":\"General\"},{\"note\":\"This tape largely duplicates the content of tape #52b (SWALLOW ID 5973), titled \\\"UBC Poetry Festival: Avison, Olson, Creeley, Duncan, Ginsberg, and Levertov on August 5, 1963 part 2 of 2 #52b\\\" in the Reading in BC Collection \\nTape 52b: Swallow ID 5973\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558219108352,"timestamp":"2026-01-07T15:00:02.444Z","score":2.1243587}]