[{"id":"1278","cataloger_name":["Masoumeh,Zaare"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":["Robert Duncan at Sir George Williams University, The Poetry Series, 19 April 1969"],"item_title_source":["Cataloguer"],"item_title_note":["\"ROBERT DUNCAN -1 Recorded Spring 1970 3.75 ips, 1/2 track on 1 mil. tape ONE OF TWO TAPES\" written on sticker on the back of the tape's box. \"ROBERT DUNCAN -1 I006/SR96.1\" written on sticker on the spine of the tape's box. I006-11-096.1 written on sticker on the reel.\n\n\"ROBERT DUNCAN -2 Recorded, Spring, 1970 3.75 ips, 1/2 track on 1 mil. tape THE SECOND OF TWO TAPES\" written on sticker on the back of the tape's box. \"ROBERT DUNCAN -2 I006/SR96.2\" written on sticker on the spine of the tape's box."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_subseries_title":["Poetry 3"],"item_identifiers":["[I006-11-096.1 , I006-11-096.2]"],"creator_names":["Duncan, Robert"],"creator_names_search":["Duncan, Robert"],"creators":["[{\"url\":\" http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"American poet Robert Duncan was born on January 7, 1919 in Oakland, California. At birth, he was given his father’s name: Edward Howard Duncan. In 1920 and after his mother’s death shortly after childbirth, Duncan was adopted into another family and re-named. But he adopted the name Robert Duncan when he started publishing his early poems. These poems were published in magazines during his studies at University of California at Berkeley between 1936-1938. He edited the Experimental Review the year following. Duncan then moved to New York where he joined a group of writers which included Anais Nin, George Barker, Henry Miller, and Kenneth Patchen. The poems that he wrote in this period were collected in 1966 for The Years as Catches: First Poems 1939-1946 (Oyez Press) and in 1968 for The First Decade: Selected Poems 1940-1950 (Fulcrum Press). From 1946 to 1950, Duncan moved to San Francisco, where he met and was influenced by poet Jack Spicer. His first collection of published poems was Heavenly and Earthly City (Bern Porter Press, 1947), followed by Poems 1948-49 (Berkeley Miscellany Editions, 1949). In 1948 he enrolled in classes in Medieval and Renaissance Civilization, taught by Ernst Kantorowicz, after which he published Medieval Scenes (Centaur Press) in 1950. The next year he met and began a lifelong relationship with the painter Jess Collins, and by 1955 he published Caesar’s Gate Poems 1949-1950 with Collages by Jess (Divers Press), a collection of poems from the early 50’s. Fragments of a Disordered Devotion was published privately in 1952, only to be re-printed by Toronto’s Island Press in 1966. During this time he also was deeply influenced by the poems of Charles Olson, Robert Creeley and Denise Levertov. Duncan taught at the Black Mountain College in 1956, and published Derivations (1968), poems collected from 1950 to 1956. After spending a year in Mallorca, his play Medea at Kolchis: The Maiden Head was performed at Black Mountain College. Duncan then moved back to San Francisco as the assistant director of the Poetry Center at San Francisco State University. His most popular collection of poems, The Opening of the Field (Grove Press) was published in 1960, and was re-printed in London by Jonathan Cape in 1969 and in New York by New Directions in 1973. He was associated with the Creative Writing Workshop at the University of British Columbia in 1963, and he held a Guggenheim Fellowship until 1964. Duncan became one of the most vocal poets writing against the Vietnam war, and some of his anti-war poetry was published in pamphlets, collected later in Ground Work: Before the War printed privately in 1971. His later collections include, but are not limited to Roots and Branches, (Scribners, 1964, reprinted by New Directions, 1968, and Johnathan Cape, 1970), Bending the Bow (New Directions, 1968), his last collection of poetry, Ground Work II: In the Dark (New Directions, 1987), and several books of essays including Fictive Certainties (New Directions, 1985). He was the recipient of National Endowment of the Arts grants, the National Poetry Award as well as other honours. Robert Duncan died in 1988, and several of his collections of poetry were published posthumously.\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors_names":["Bowering, George"],"contributors_names_search":["Bowering, George"],"contributors":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\" 1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\"]}]"],"Presenter_name":["Bowering, George"],"Series_organizer_name":["Bowering, George"],"Performance_Date":[1969],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"Half-track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"\",\"other\":\"Box is Scotch brand, tape is BASF\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"BASF\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"Half-track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel","Reel to Reel"],"physical_compositions":["Magnetic Tape","Magnetic Tape"],"recording_type":["Analogue","Analogue"],"AV_type":["Audio","Audio"],"playback_mode":["Mono","Mono"],"Dates":["[{\"date\":\"1969 4 19\",\"type\":\"Performance Date\",\"notes\":\"Please note that the Howard Fink list states the reading took place in “Spring 1970”, while the interview states another (perhaps separate) reading took place on April 19, 1969.\",\"source\":\"Previous researcher\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080570\",\"venue\":\"Hall Building\",\"notes\":\"Exact venue location unknown\",\"address\":\"1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada\",\"latitude\":\" 45.4972758\",\"longitude\":\" -73.57893043\"}]"],"Address":["1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada"],"Venue":["Hall Building"],"City":["Montreal, Quebec"],"content_notes":["Robert Duncan reads from The Opening of the Field (Grove Press, 1960), Roots and Branches (New Directions, 1964), and Bending the Bow (New Directions, 1968)."],"contents":["robert_duncan_i006-11-096-1.mp3 [File 1 of 2] \n \nGeorge Bowering\n00:00:00\n...say anything about Robert Duncan's credentials, so I'll make this as brief as possible. M.L. Rosenthal [https://www.wikidata.org/wiki/Q6723336] said, a little while ago in the Reporter that Duncan [https://www.wikidata.org/wiki/Q57421163] was the best of the poets in the experimental tradition and Warren Tolman says he's the best poet writing in the English Language, and I'd probably go further than that. And it's the reading we've been waiting for, most of us, all year, so I'd like to give him as much time as there possibly is. Robert Duncan.\n \nRobert Duncan\n00:00:44\nIn the early 50's, I belonged to a, not a group, because as a matter of fact we were scattered, some in Europe and some in America and didn't know each other, but we were all reacting to a, we all had response of a feeling of poetic responsibility and also a poetic mission, arising out of our response to the publication of Ezra Pound's [https://www.wikidata.org/wiki/Q163366] \"Pisan Cantos\" [https://www.wikidata.org/wiki/Q2701465] and the publication that came year after year of the parts of William Carlos Williams's [https://www.wikidata.org/wiki/Q178106] \"Paterson\" [https://www.wikidata.org/wiki/Q7017378] but in the same period in magazines, some of the poetry of the later William Carlos Williams was appearing. And it does interest me, although the command of the Modernists had been to write in a natural speech, that in response to features that were appearing in Williams more than Pound, because Pound's lines are all syntactic utterances, but in Williams there's a kind of enjambment and there was a juncture appearing at the end of lines. And we, we took that juncture over and imposed it upon the language, but even in imposing it, found that we had arrived at something that's quite common indeed in our English speech, the stutter is at one end of it, but it is one of the forms we have when we are emotionally excited and things are broken up into phrases and words become almost painful and impossible to say, and this encounter we explored for some time. Later, I'm going to be reading, in passages, which will bring into question radically something related to his. My poetry developed along lines that I began to see as allied to the collage, things that were appearing in American painting, that is whole elements and bits would be taken from anywhere, and very early, at the time, as a matter of fact that I was writing The Opening of the Field, I viewed myself as a kind of jackdaw of poetry and gave up entirely worrying about if I had any originality or had a voice of my own. I was much more attracted picking up things and building them into something, so I was a weaver, I felt in some ways, almost before I was a speaker, and I was a weaver of voices and did not care, or- I decided well, I happen to be the one who is doing this, so certainly that's one thing that I don't have to have an effort about. There's nothing else that's going to be moving out from here. In passages, you'll find a new feature about that collage, but it's already contained in the thing I was suggesting that we took over- the juncture, Creeley [https://www.wikidata.org/wiki/Q918620] for instance built a whole personal style from that juncture and by making its articulation radical, and forcing it into a depth of an emotional statement, and of course of an intellectual statement, because the whole framework of thought changes. Very striking to us in the very beginning was that form was the content, not, it was very hard to determine it, you could say that it even determined content, there was no cause to effect relationship for us, between form and content. Structure determined the nature of what was to thought, like the structure of a body is to what we are, and we didn't think of them as divided, so we were incarnationists in that sense. I feel very strongly that you'll find that repeatedly a theme of my poetry the incarnation of Christ [https://www.wikidata.org/wiki/Q302], the incarnation of spirit and the body, that spirit, that the divine world is manifest and incarnate, and that in its- led us back to the poem as the incarnation and place in which- the spirit doesn't enter poetry, incarnate, it exists. But it was also a collage and you will hear Greek and French entering this world of a collage, and it will be as reformed as the American language is when it enters my collage. And reformed to American contours, the contours of French, and the contours of Greek disappear, forced back into an American stress system, which I find analogous. The French poets were extremely disturbed when Stravinsky set them, she could not bear to hear [Persephone (?)] and because they all came out, French all came out to be Russian in its entire tonation and the French not very happy when the French language turns up in an intonation. I'm thinking of the Parisian, but no Frenchman's very happy about the French language turning up, turning out to be American or Russian. Now my poetry doesn't turn out to be exactly American either, it turns out to be strictly forced back to conform to my poetic patterns, and Greek is not intoned but is forced into a stress pattern. However, with Greek I'm in for free because there's no man who can say what you do with it anyway. In America, we have one system, in Germany, they have another system, and in England, they have, still, a third system of what to do with vowels and what to do with the whole thing. And there's a controversy about whether you do have pitch or whether you do have stress and that arises from the fact that the Hellenistic Greeks [https://www.wikidata.org/wiki/Q428995] already couldn't figure out exactly what you did with those Greek choruses, and they had to put those marks in to instruct their readers what to do, and we don't know what those marks meant for sure [audience laughter]. But they certainly didn't know what it had been like 500 years before. They did poorer, I take it, than the poorest, and that would include me, informed of us do with Middle English [https://www.wikidata.org/wiki/Q36395], and I guess we're nearer to it than they were. Okay, well, we'll just start out and I want to take a path, I'm going to take a path through beginning with a small group of poems from The Opening of the Field.\n \nRobert Duncan\n00:07:46\nReads \"The Law I Love is Major Mover” from The Opening of the Field.\n \nRobert Duncan\n00:10:44\nWhen I was about 30, a great Medieval Historian was teaching at the University of California [https://www.wikidata.org/wiki/Q184478], where I made my living teaching, typing thesis and term papers when I was really hard out of luck and the rumour was very thick indeed that something extraordinary had happened, I think, and my impression is that Universities kill off scholars today much faster than they- they certainly don't kill off poets, they give them very handsome fees to come for a week or so, but they certainly kill off scholars, but the existence- perhaps only the World War with its refugee professors from Europe brought this kind of scholarship onto the scene at the University of California and I returned to school to take up Medieval Studies. One of the, clearly, in my work I, the one course, and I studied with that man until he left for the Princeton Institute of Advanced Learning, studied for him--with him for two and a half years, the course that most changed my poetry was a course on Medieval law, and the growth of constitutional law, because the very basis of poetry I think is a- of art, is the discovery of laws, the laws that finally we can trace through from those Medieval concepts of law and constant meditations upon law so I'm going to read a couple of more poems of our- in which this concept of law moves. This is \"Structure of Rime XIII\" and it's part of an open construct that is a construct that has nothing in its concept, does not belong to a world of cause or effect. It has a chronology, but its chronology is like our chronological time, that is seen by contemporary physics as an anomaly within a time--within a physical time that cannot possibly have the character of a chronological sequence. The best they can explain is that we must inhabit a thread that is suspended in actual time, because actual physical time cannot really be one directional, and we experience one directional time because we are really caught in some isolated thread, in the medium of time. So in \"Structure of Rime\" I conceive of myself not in a chronology, although I experience it, being human as such, but as entering such a domain in which real law exists and real time exists, and the real form to which the poem refers and from which it derives its form. The real form has no beginning or end, and is much faster, is universal, so the--in writing the poem I do not create a form, but participate in a form which is of the nature that we believe the physical world to be and I am much for a convert of Whitehead's process and reality in which we believe the spiritual world to be. And that's where \"The Structure of Rime\" takes place. When I say 'thirteen', that's of course, in my own sequence then and I conceive of that sequence as actually existing in a part of the mosaic that does not have the character of sequence.\n \nRobert Duncan\n00:14:29\nReads \"Structure of Rime XIII\" from The Opening of the Field. \n \nRobert Duncan\n00:16:59\nSome time shortly after The Opening of the Field was published, I was invited up to Portland [https://www.wikidata.org/wiki/Q6106] by a lawyer and his wife to talk to a small group and I learned in correspondence that he had been attracted to my poetry because of the concepts of law as they move through poems, and so I wrote, for them, the poem called \"The Law\", a series and variation.\n \nRobert Duncan\n00:17:35\nReads \"The Law\" [from Roots and Branches].\n \nRobert Duncan\n00:23:27\nWhen Adams [https://www.wikidata.org/wiki/Q11806] said, “the which”, meaning, he said, \"Democracy, the which requires the continual exercise of virtue beyond the reach of human infirmity, even in its best estate\" he was writing to Jefferson and talking about something that was absolutely necessary, he did not mean that we could escape from what required what was impossible. We had to live in the impossible, which is where I found myself entirely in concord with certainly a poet understands what it is to live in the impossible. He speaks in the first place in a voice which is impossible for himself to speak in, and before which he must always be a flunk out and in some sense, a political- a poetical failure in relation to what everywhere's own poetics is to point out what is necessary. Let me in relation to the law again, read the opening of a poem that I will be later be reading entire, but I want to bring it in context with these poems and the law, and close it with a John Adams that I discovered only a passage of John Adams that I discovered for myself, only about what, it's two or three years ago, two years ago. \"Reading on Myth\", this was from a book called I think it's called 18th Century Against the Gods, or confronts--The 18th Century Confronts the Gods and the chapter on John Adams's mythology was a fascinating chapter, and this passage of the poem is built up entirely with no interpolations at all of--it's built up to the place where I cease to read it, with no interpolations at all of passages of the marginalia that John Adams writes in an Encyclopedia of Mythology.\n \nRobert Duncan\n00:25:32\nReads [\"John Adams’s Marginalia...\"].\n \nRobert Duncan\n00:26:53\nMove back to another early poem in The Opening of the Field that was formative to, throughout my work and the last I guess it must be, each one of these is about three, this is the last ten years. The Field began in 1956, so it must be the last 14 years. And this poem is written in 1956. Take my coat off. In articulating the line, we were opening up- Pound had very early said [unintelligible] by the musical phrase and as I said, since his phrases were identical with syntactic utterances, with sentence utterances, the phrase is- the phrase is simpler than the phrases we use, where often they are enjambed, where often they disturb the meaning of the sentence and suspend elements so that they operate in various parts we did not want what was called an ambiguity by Mr. [Adams (?)], we wanted a multi-phasic area of meanings which is something very different. We wanted all parts to operate within all other parts. And I think this is a crucial difference from what let's say fascinated the metaphysicals of the post-Eliot [https://www.wikidata.org/wiki/Q37767] period in their idea of ambiguities. We wanted one meaning operating within another meaning and they wanted one meaning secretly giving another meaning, I may have such things too, but I mean it's a very different feeling for us. Certainly they did not have to come to articulate as we did, and with these poems, when I get to, as you'll see in passages, when I get into rhythmic articulations where only my body is intelligent enough to keep them, so I have to throw them back into my hands and to my body, a dance can carry them and a dance is really in a sense, the poem in which I moved straight forward and realized how un-literary this was and not exactly song either, and that this dance centre was going to be for whole sections of poems. So, there's a key poem.\n\nRobert Duncan\n00:29:27\nReads \"The Dance\" [from The Opening of the Field].\n\nUnknown\n00:31:32\n[Cut or edit made in tape. Unknown amount of time elapsed]. \n\nRobert Duncan\n00:31:33\nResumes reading \"The Dance\" [from The Opening of the Field].\n \nRobert Duncan\n00:32:09.\nSomeone said this evening I probably wouldn't read The Pindar poems, I will. Oh let me sing a song for you, songs, I have a couple of songs that are in books. Songs for me are not that quaint form that, a few of them are like the night nurse's songs, the song the night nurse sang. But a song of the old order and some of the other songs are actual songs, that means when I was writing them, a tune came. And they had only one voice to be in, mine, and we could even say unhappily, but there they were. And startled I was when, this is I think, one of the first songs that came that really belonged in a book of poetry. I had early had some songs in Faust Foutu in a sort of a long play that would never get performed in my mind so I was able to whatever I wanted to in it, and- which is a great kind of play to write, because you don't have to worry about anyone else solving any problems, you can name it, they can be on the moon, or whatever, have no stage dimension problems, but also of course I had no song dimension problems but when I wrote this song, \"Gee, I know I'm going to have to get up and sing it\", well of course now you'll get away with it because how rare you'd hear a poet's voice, unless a poet's already like your happy rock-n-roll singer, which I ain't as you will hear. My idea of song is exceedingly primitive indeed, my impression is very, I think you will hear it in this song, it comes from a brief period in which to much the horror of my theosophical parents, but because we were living in a small town and all your friends went to a Sunday School, I went for several years to a Methodist Sunday school and somebody along the line gave me the hint that hymns would come out much better if I just moved my mouth and didn't join in, happily, the lovely music that was going on and so of course I always wanted to write a hymn and there's something in the Methodist hymnal for sure in the song I'm going to sing. \"A Song of the Old Order\". It's not strictly Methodist in theology, but I meant that it's something of the Methodist hymn. However, I will sing also, by following another song that is certainly Calvinist [https://www.wikidata.org/wiki/Q101849], it's a Halloween song, and like only the scotch can possibly dig out of there- the Calvinist counter hymnal.\n \nRobert Duncan\n00:34:52\nSings \"A Song of the Old Order\" [from The Opening of the Field].\n \nRobert Duncan\n00:38:05\nThat was considerably higher than I've ever tried to do it before. [Audience laughter]. But, like a poem, when you're writing it, when you're in it, you're in for it. You can't re-model it to something you think you might get through with. So I will now do the Pindar poem. That somewhat determines what long poem we're going to do. And since this is the first time I've read here in Montreal, some other places I read, I try and give them new stuff, but I take it outside of some tapes that might be available, you haven't really heard these poems. And this will be the last one from The Opening of the Field. I'll pick up a couple from Roots and Branches and then I will be reading from the current, the Bending the Bow and then after the break I'll read some of the new poems that I've written since Bending the Bow. [Take off Biney's Law (?).] No, this is not the beginning of a Ginsberg [https://www.wikidata.org/wiki/Q6711] round [laughter.] \"Beginning with a Line by Pindar\", I am ending up with an exhibition by Ginsberg, [laughter.] We've gotten so [unintelligible] in San Francisco [https://www.wikidata.org/wiki/Q62] since all barriers of all kinds were down you really couldn't compete with the show, so you've got, I mean what to do. Common, ordinary people are just left out, you've got to be somebody extraordinary now to [audience laughter], and poetry has to be my extraordinary thing. Believe me, the rest of me is just me. \"A Poem Beginning with a Line by Pindar\".\n\nRobert Duncan\n00:40:17\nReads \"A Poem Beginning with a Line by Pindar\" [from The Opening of the Field].\n \nRobert Duncan\n00:54:15\nI'll read two poems from--that were requested from Roots and Branches.\n \nRobert Duncan\n00:54:30\nReads [\"Risk”] from Roots and Branches.\n \nRobert Duncan\n00:59:22\nThe other poem I will read from Roots and Branches is \"The Continent\". My poetic thought continuously arises from the ground of my happy and, believe me, wildly misunderstanding readings of contemporary science. And the one real poetic source I have is not a literary magazine but Scientific American [https://www.wikidata.org/wiki/Q39379] which I avidly read. So I'm more likely to be studying language than I am to be studying poems and more likely to be studying the world, than I am to be- well, I can't say that, language and the world get even treatment. The poem \"The Continent\" came from the re-assertion that has come in recent years of evidence which has rebuilt the picture of the continental drift. And I was happy at the coordinates to find that Charles Olson [https://www.wikidata.org/wiki/Q922978], who also ransacks the same magazine, but does not have the same misunderstandings of the magazine by any means, we have quite a, we sometimes come to [loggerheads (?) ] in our very positively taken misunderstandings of what is. He also had built sections of “Maximus [Poems]” on the continental drift. I love puns of course right away, and so does he, and if you get my drift in poetry, you will see something of what is revealed when we begin to get the drift of those continents and the fittingness of poetry is of course the logic whereby we identify that the continents originally fitted together and identified the sequence of things that happened. They do fit together, but they must have- I mean, the universe- the Neo-plateness, [unintelligible], well no, it isn't a neo-plate, well, it's a near neo-plate, and it's [unintelligible] Judas [https://www.wikidata.org/wiki/Q81018] refers to the masterpiece which is the Universe, that's the only masterpiece and the rest of us compose masterpieces because we are children of the universe, although we may not recognize that that's what we are doing. Some of us don't have entire respect for what we belong to. \"The Continent\".\n \nRobert Duncan\n01:01:49\nReads \"The Continent\" from Roots and Branches.\n \nUnknown\n01:03:39\n[Cut or edit made in tape. Unknown amount of time elapsed].\n\nRobert Duncan\n01:03:40\nResumes reading \"The Continent\" from Roots and Branches.\n\nRobert Duncan\n01:06:16\n[Unintelligible] break in tone I'll sing that song I mentioned, the second one that comes from a Calvinist anti-hymnal. It's a song from my Halloween masque. And it's “A Country Wife’s Song”, the country husband is lying in bed, snoring away and the wife rises silently, puts a stick in the bed and a stone on the pillow and sings the following song.\n \nRobert Duncan\n01:07:50\nPerforms “A Country Wife’s Song” [from Roots and Branches].\n \nRobert Duncan\n01:09:38\nWe seem to be close to 10:30 so I'm going to just--I won't read--well, I'd like to read one passage before the intermission and I would also like to read the poem \"Epilogos\", then we'll have a break, I would suggest about 10 minutes and I will then read in the second part, I will be reading from \"Passages\", well let me add one more poem to this first part because I want to give you a sample of what I've been--so there will be one \"Passages\", so those of you with great relief run out into the world will at least have been subject to something of what \"Passages\" is like, and I will read \"Epilogos\" and then I will read one of the poems that I have written, post-Bending the Bow and then you will have a sample of everything and you won't be missing a thing if you don't stay for the second part. [Audience laughter]. Okay, well a few things, but you might be missing them anyway.\n \nRobert Duncan\n01:10:39\nReads \"Transgressing the Real, Passages 27\" [from Bending the Bow].\n \nRobert Duncan\n01:14:14\nReads \"Epilogos\" [from Bending the Bow].\n\nRobert Duncan\n01:20:57\nNow the one poem from, poetry I've written since then, a poem called \"Achilles' Song\". One note before I read it, the island that we would ordinarily in American call ‘Leuke’ a [unintelligible], like in Leukemia--leuke. In Greek would be ‘Lay-okay’ and so I was very alarmed indeed when in this poem, as I was writing it came out ‘Loy-kay’ and it took me quite some time of sheer stage fright and horror at the mis-pronunciation recall the ‘Lauke’ in German is the [unintelligible] and so forth in German, and that I have had for years now, for some years now a tape of H.D. [https://www.wikidata.org/wiki/Q236469] reading from her \"Helen in Egypt\", a poem which is really the mother poem of this poem, and not too much hidden in the poem, for those who know of my closeness to H.D. who was certainly a surrogate mother for me. Thetis of the poem would certainly be the poetess H.D. and in that tape, H.D. who had lived for most of her life from the 20's on in Switzerland, uses the German pronunciation throughout, ‘Aloike’ and that's how I heard it in association with this poem. So I've finally recognized where it came from but it's an example of the fact that you cannot correct things in poems because it's sewn into a rhyme and absolutely belongs in the music here. Play it differently--I mean, it's what fits a poem not what fits some other system outside the poem that the poem must adhere to. Okay, \"Achilles' Song\".\n \nRobert Duncan\n01:22:44 \nReads \"Achilles' Song\".\n\nUnknown\n01:25:05\n[Cut or edit made in tape. Unknown amount of time elapsed].\n\nAudience\n01:25:06\nApplause.\n\nRobert Duncan\n01:25:16\nSo we'll take a break of ten minutes and then I'm going to read a rather short section because we're almost at 11 and that would seem, I want to read as many, something like four passages to give you of a feeling of moving through that and that would give you something like Passages are like.\n\nUnknown\n01:25:44\n[Cut or edit made in tape. Unknown amount of time elapsed].\n\nRobert Duncan\n01:25:45\nTwo aspects of the art, seem particularly mysteries to me as I've been working at the art of poetry since I was 19 and it's now 30 years. In relation to that thing we call rhyme, meter and so forth, I have come to think more and more that it's ratios and numbers that may be the heart of the matter. And at the same time as I begin to feel that at the heart of the matter, as one begins to, as one does with mysteries, be fearful about approaching the question. Some years ago, two years ago or so, with the poet Zukofsky [https://www.wikidata.org/wiki/Q975481], who knows much more than I do of the art, and performs really awesomely in it, I said it had begun, I said \"Zuk,” I said, “I had begun to feel that it isn't a question about syllables or stresses and so forth, it's a question of numbers\". And he said \"Yes, I've decided by now I ought to, certainly if I don't know syllables and stresses and so forth, by now, I mean know them only in my hand, I certainly shouldn't be thinking about them. And I am now only dealing with 8's. All of these lines are 8's, straight through. I have not yet really phased the initiations of the question of numbers but I know that this is central as one moves into the period of working in the art that I'm in.\" The other thing, and that is that I have indicated it earlier, is that the nature of the time of the art is increasingly mysterious, the one thing I'm sure of it cannot be, positive absolutely defined in one area, for a long time I was doing happily enough with the formula that Christians made for themselves of time and eternity and their term of eternity which is the very present moment of any work of art and is also of course somehow containing the ensemble of all of the things created must also be like that time that physics talks about. That makes them puzzle why in the world our own time goes from a thing we call the past to the future. Whitehead [https://www.wikidata.org/wiki/Q183372] solves it in Process and Reality by suggesting that we create, in every moment that we live a past and a future, and we live in a history consequently because that's what we create what we are, is pastness and future, and sum it up in a material, that is still persuasive. But a mystery is when none of the answers are answers and as long as they're not answers the artist has them as really, forces that move as art. Now I make this remark because, well I said something about chronologies I, in the past I have not read these two poems as they appear in the book, in readings, but I want to read them today and I'm going to just underline the transition I want you to see and share with me at this point. I arranged, for all that what I've said about chronologies, I arranged the poems in my volumes chronologically and largely because it seems to me a mystery as they go and the rhymes appear from one to the other, and one poem will be an announcement of a succeeding poem or themes will flow out of it. The one I'm going to read first is not a “Passages\" it's called \"Reflections\" and at the close, and as a theme of it, you will find the old man, who is as a matter of fact, I structure rhyme preceding it had a fire master appearing, who seems very close indeed to the master of fire, and the poem that came next, it may have been in a couple of weeks of so, this was a very productive period, concludes with a figure of an old man tuning a drum between a bowl of fire and a bowl of water, and it was followed by a \"Passages\" which is called \"The Fire\", and from it we can learn that the fire that you see in \"Passages\" which is catastrophic, and is held in a polarity with an ideogram with the natural world, that that which may have indeed be--is indeed a bowl of water, as you will see, I mean it's a stream of water that the fire is composed between a world of water and its own world of fire, but that fire that looks like a catastrophe you will find is the creative fire--if you go under \"Reflections\" and let the reflections that came first reflect into the poem following. Now these are things that you realize afterwards, in your own chronology. I am one of those poets who has the characteristic I find in my study of Whitman [https://www.wikidata.org/wiki/Q81438] in the last three years that Whitman certainly was another poet who studied himself all the time. We have a great prohibition in our contemporary world against studying yourself, but I am not short on the world of ego, so I'm not really very disturbed about the fact that I study myself in the poetry. But the one thing I search to find is not something we would ordinarily call ourselves, I study the poet, the thing that the poems are creating in order for them to come into being. That I can sharply distinguish from myself. As sharply as you can do it, it takes office, the idea of office, and this again I got from my Medieval Studies. Okay, I'm going to read \"Reflections\" and then I'm going to read \"The Fire\" and then I will, the poems I will be reading from then on will be \"Passages\", \"Fire\" is one of \"Passages\". And \"Passages\" is as I explained, an open form that exists in these other universe of time, of something, like, you call eternity.\n \nRobert Duncan\n01:32:07\nReads \"Reflections\" [from Bending the Bow].\n \nEND\n01:34:38\n\n\nrobert_duncan_i006-11-096-2.mp3 [File 2 of 2] \n\nRobert Duncan\n00:00:00\nReads [“The Fire, Passages 13 from Bending the Bow; recording begins abruptly].\n \nUnknown\n00:13:11\n[Cut or edit made in tape. Unknown amount of time elapsed]. \n\nRobert Duncan\n00:13:12\n...beginning with a poem called \"Soldiers\", a poem in which, um, let's see, right, some lines of Victor Hugo [https://www.wikidata.org/wiki/Q535] enter, I decided I should, well, I guess, lets see, no I don't want to read too late, and soldiers is rather long again, so I want- certain themes that are moving in \"Soldiers\" will reappear. In \"Soldiers\", a recurring line was one from a poem of Victor Hugo's, \"Dieu dans [unintelligible] reve\", which is a line really quite in tune with my own poetics, \"God, oh creator the- or the creator for us too in oneself whose dream, whose work goes much further than our dreams\" and so it's combined with a scene that's Vietnam and it's combined in the Soldiers with the theme of the recognition that in some mystery of that work that goes further than our dreams the soldiers in Vietnam most of them, have just there, and they're 19 or 18 and so forth, they have only there in which to make their lives. And they have only there in which to, to take their souls in the war, as the followers of Orpheus take soul in the poem. The wood to take fire from that dirty flame. A recognition that that is their field in which they must reach life's epiphany and its thing. And the line of Victor Hugo carried me forward to and returned me to grand themes of Victor Hugo's but it also took me back to Vietnam [https://www.wikidata.org/wiki/Q881] and I wanted to give, before I read \"The Kao Dai\" a little sketch of that. There's a theme of Victor Hugo, by the way, of the fall of Lucifer [https://www.wikidata.org/wiki/Q185498] in which, Lucifer's falling into his own denial of God and in falling he opens the univ- creation, and but in his falling a feather breaks loose from his wings and is floating mid-air, and the sight of God descending falls upon the feather and it becomes light and it turns into an angel and that angel is Liberty and that angel's entire message is to transform the rage and wrathful light that had fallen upon it into the reunion and resurrection of Satan, but of course both Satan and God must be called from their wrath, to reconciliation, so this angel, Liberty and Freedom is also the angel of reconciliation and Victor Hugo knew that also there must be some explanation for the fact that the desire and yearning for freedom and liberty has always been wrathful. Blake [https://www.wikidata.org/wiki/Q41513] is puzzled by the same thing and I think that today, when all over the world, not only in Canada [https://www.wikidata.org/wiki/Q16], but in the United States [https://www.wikidata.org/wiki/Q30], and in China [https://www.wikidata.org/wiki/Q29520], and Yugoslavia [https://www.wikidata.org/wiki/Q36704] and Russia [https://www.wikidata.org/wiki/Q159] the wrath of Liberty is rising and it is the wrath of God against the civilization to its very roots which we know in our hearts are Godless. But that wrath must be reconciled, because it is itself that it's rising against and there's some mystery in this, so my poetry has begun to take up the figure of that angel and the angel comes into it. Now, in Vietnam, one of the strongest forces in the Viet Cong, not a communist group but a religious group, the Cao Dai [https://www.wikidata.org/wiki/Q470364] and in order to read more in deeper into the Cao Dai, I wisely, I think, went back to sources to the early thirties before Vietnam was quite the cause it is today, and found this story and it came quite in line with my kooky family and my own poetry because it was at a medium's table in 1925 on Christmas Eve, when Christ descended and speaking in French, as I usually put it when I read my, something worse than American French, a French man would feel that that was blasphemy, but I'm after all repeating Christ's words in his own voice so that might be more serious yet that that voice was being attempted. Christ came into the medium and renounced in my birth day for the spirit is descending upon Vietnam and when we remember what happened to the very first generation of Christians who were burned in rows as torches, what the promise of Christ meant to his immediate blessing, the powers of martyrdom. The promise of Christ in 1925 was amply fulfilled to his new disciples. So amply, as a matter of fact, the Cao Dai had more than come to my mind, because the cathedral town of Cao Dai, which is [unintelligible] indeed exactly like a Catholic nunnery or convent, or a Buddhist nunnery or convent is Communist, is the province of Tay Ninh [https://www.wikidata.org/wiki/Q36608], and the Cathedral city of Tay Ninh, now it is been repeated over and over in American papers that when those planes were returning for missions in North Vietnam and hadn't dumped their missions, you're not supposed to return any bombs, you gotta dump them somewhere, so they'd dump them on Tay Ninh, you'd just go over the side and dump them on Tay Ninh, because this particular religious group was stubborn indeed in its inherences. Now, also interesting to me was this particular religious group had as its patron Saint Victor Hugo, and the first place that the French are, that the Vietnamese have French as their deepest religious and literary language and so Christ talked in French so Victor Hugo gave the whole line, it's Victor Hugo's Christ who talked to them at the medium tables in French, and they of course had their medium tables in the line of the tradition of Victor Hugo's own medium tables in the Isle of Jersey. So Victor Hugo becomes patron saint for these passages. In the passage, by the way, a passage called \"Orders\" and I will read a passage from it in which I am actually translating from Victor Hugo quite directly but it's a very long poem and keeping in tune with that master of the sublime is very difficult for us in the modern period. Here we are, the passage, wait a minute, it isn't in that poem, I always think it's in \"Orders\", but it's actually in place of a passage 22, that has the passage with Victor Hugo. I have been working on it for years, and it's mainly trying to keep in tune, I go over and over and over it again and then I find it very difficult to deal with 19th century poetry. But this is a passage straight translation, as literal as I could from Victor Hugo, but really, massive poem.\n \nRobert Duncan\n00:21:11\nReads \"The Soldiers\" [from Bending the Bow].\n \nRobert Duncan\n00:22:14\nCharming little poem called the \"Twentieth Century\", in case you want to know where we are.\n \nRobert Duncan\n00:22:22\nReads \"Twentieth Century\" [published as “The Light, Passages 28” in Bending the Bow].\n \nRobert Duncan\n00:30:27\nI'll close with \"Stage Directions\".\n \nUnknown\n00:30:32\n[Cut or edit made in tape. Unknown amount of time elapsed].\n\nRobert Duncan\n00:30:33\nReads [“Stage Directions, Passages 30” from Bending the Bow; begins mid-poem].\n \nAudience\n00:37:53\nApplause.\n \nRobert Duncan\n00:38:12\nI'll add one more poem which has not been read aloud except at home today, this is one--I hope I've got the right note--this is a \"Structure of Rime\" that was composed on April Fool's day but it doesn't mean it isn't serious, I mean April 1st.\n \nRobert Duncan\n00:38:32\nReads \"Structure of Rime\" [unnumbered].\n \nAudience\n00:39:54\nApplause.\n \nEND\n00:40:06\n"],"Note":["[{\"note\":\"Year-Specific Information: \\n\\nAt the time of this reading (1970), Robert Duncan had published Tribunals Passages 31-35 (Black Sparrow Press), a broadside called Poetic Disturbances (Cody’s Books) and A Selection of 65 Drawings from the One Drawing-Book 1952-1956 (Black Sparrow Press, 1970). He was working on Ground Work (privately printed, 1971) and Robert Duncan: An Interview by George Bowering & Robert Hogg (The Coach House Press, 1971).\",\"type\":\"General\"},{\"note\":\"Local Connections: \\n \\nDuncan’s first Canadian reading, in Vancouver by invitation of Warren Tallman at University of British Columbia, occurred in 1961- to an audience of Bowering, Fred Wah and Frank Davey. These readings inspired the creation of Tish magazine[1]. Robert Duncan and George Bowering have corresponded with each other after this reading.\",\"type\":\"General\"},{\"note\":\"Original transcript, research, introduction and edits by Celyn Harding-Jones\\n\\nAdditional research and edits by Sarah McDonnell and Ali Barillaro\",\"type\":\"Cataloguer\"},{\"note\":\"2 reel-to-reel tapes>3 CDs>2 digital files\",\"type\":\"Preservation\"}]"],"Related_works":["[{\"url\":\"https://www.worldcat.org/title/robert-duncan-an-interview-april-19-1969/oclc/963367366&referer=brief_results\",\"citation\":\"Bowering, George and Robert Hogg. Robert Duncan: an interview by George Bowering & \\tRobert Hogg. Montreal: A Beaver Kosmos Folio, 1969. \"},{\"url\":\"https://www.worldcat.org/title/bending-the-bow/oclc/612189355&referer=brief_results\",\"citation\":\"Duncan, Robert. Bending the Bow. New York: New Directions, 1968.\"},{\"url\":\"https://www.worldcat.org/title/caesars-gate-poems-1949-1950/oclc/270147363&referer=brief_results\",\"citation\":\"Duncan, Robert. Caesar’s Gate: Poems, 1949-1950. Divers Press, 1955.\"},{\"url\":\"https://www.worldcat.org/title/first-decade-selected-poems-1940-1950/oclc/500569831&referer=brief_results\",\"citation\":\"Duncan, Robert. First Decade: Selected Poems 1940-1950. Fulcrum, 1969.\"},{\"url\":\"https://www.worldcat.org/title/ground-work-before-the-war-in-the-dark/oclc/62509155&referer=brief_results\",\"citation\":\"Bertholf, Robert; Duncan, Robert; Maynard, James. Ground Work II: Before the War, In the Dark. New York: New Directions, 1985.\"},{\"url\":\"https://www.worldcat.org/title/heavenly-city-earthly-city/oclc/639710248&referer=brief_results\",\"citation\":\"Duncan, Robert. Heavenly and Earthly City. Berkeley: Miscellany Editions, 1949. \"},{\"url\":\"https://www.worldcat.org/title/opening-of-the-field/oclc/926421653&referer=brief_results\",\"citation\":\"Duncan, Robert. The Opening of the Field. Grove Press, 1960.\"},{\"url\":\"concordia>sgw>audio>all_mp3\",\"filename\":\"robert_duncan_i006-11-096-1.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"01:34:38\",\"precision\":\"\",\"size\":\"227.2 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"robert_duncan_i006-11-096-1.mp3 [File 1 of 2] \\n \\nGeorge Bowering\\n00:00:00\\n...say anything about Robert Duncan's credentials, so I'll make this as brief as possible. M.L. Rosenthal [https://www.wikidata.org/wiki/Q6723336] said, a little while ago in the Reporter that Duncan [https://www.wikidata.org/wiki/Q57421163] was the best of the poets in the experimental tradition and Warren Tolman says he's the best poet writing in the English Language, and I'd probably go further than that. And it's the reading we've been waiting for, most of us, all year, so I'd like to give him as much time as there possibly is. Robert Duncan.\\n \\nRobert Duncan\\n00:00:44\\nIn the early 50's, I belonged to a, not a group, because as a matter of fact we were scattered, some in Europe and some in America and didn't know each other, but we were all reacting to a, we all had response of a feeling of poetic responsibility and also a poetic mission, arising out of our response to the publication of Ezra Pound's [https://www.wikidata.org/wiki/Q163366] \\\"Pisan Cantos\\\" [https://www.wikidata.org/wiki/Q2701465] and the publication that came year after year of the parts of William Carlos Williams's [https://www.wikidata.org/wiki/Q178106] \\\"Paterson\\\" [https://www.wikidata.org/wiki/Q7017378] but in the same period in magazines, some of the poetry of the later William Carlos Williams was appearing. And it does interest me, although the command of the Modernists had been to write in a natural speech, that in response to features that were appearing in Williams more than Pound, because Pound's lines are all syntactic utterances, but in Williams there's a kind of enjambment and there was a juncture appearing at the end of lines. And we, we took that juncture over and imposed it upon the language, but even in imposing it, found that we had arrived at something that's quite common indeed in our English speech, the stutter is at one end of it, but it is one of the forms we have when we are emotionally excited and things are broken up into phrases and words become almost painful and impossible to say, and this encounter we explored for some time. Later, I'm going to be reading, in passages, which will bring into question radically something related to his. My poetry developed along lines that I began to see as allied to the collage, things that were appearing in American painting, that is whole elements and bits would be taken from anywhere, and very early, at the time, as a matter of fact that I was writing The Opening of the Field, I viewed myself as a kind of jackdaw of poetry and gave up entirely worrying about if I had any originality or had a voice of my own. I was much more attracted picking up things and building them into something, so I was a weaver, I felt in some ways, almost before I was a speaker, and I was a weaver of voices and did not care, or- I decided well, I happen to be the one who is doing this, so certainly that's one thing that I don't have to have an effort about. There's nothing else that's going to be moving out from here. In passages, you'll find a new feature about that collage, but it's already contained in the thing I was suggesting that we took over- the juncture, Creeley [https://www.wikidata.org/wiki/Q918620] for instance built a whole personal style from that juncture and by making its articulation radical, and forcing it into a depth of an emotional statement, and of course of an intellectual statement, because the whole framework of thought changes. Very striking to us in the very beginning was that form was the content, not, it was very hard to determine it, you could say that it even determined content, there was no cause to effect relationship for us, between form and content. Structure determined the nature of what was to thought, like the structure of a body is to what we are, and we didn't think of them as divided, so we were incarnationists in that sense. I feel very strongly that you'll find that repeatedly a theme of my poetry the incarnation of Christ [https://www.wikidata.org/wiki/Q302], the incarnation of spirit and the body, that spirit, that the divine world is manifest and incarnate, and that in its- led us back to the poem as the incarnation and place in which- the spirit doesn't enter poetry, incarnate, it exists. But it was also a collage and you will hear Greek and French entering this world of a collage, and it will be as reformed as the American language is when it enters my collage. And reformed to American contours, the contours of French, and the contours of Greek disappear, forced back into an American stress system, which I find analogous. The French poets were extremely disturbed when Stravinsky set them, she could not bear to hear [Persephone (?)] and because they all came out, French all came out to be Russian in its entire tonation and the French not very happy when the French language turns up in an intonation. I'm thinking of the Parisian, but no Frenchman's very happy about the French language turning up, turning out to be American or Russian. Now my poetry doesn't turn out to be exactly American either, it turns out to be strictly forced back to conform to my poetic patterns, and Greek is not intoned but is forced into a stress pattern. However, with Greek I'm in for free because there's no man who can say what you do with it anyway. In America, we have one system, in Germany, they have another system, and in England, they have, still, a third system of what to do with vowels and what to do with the whole thing. And there's a controversy about whether you do have pitch or whether you do have stress and that arises from the fact that the Hellenistic Greeks [https://www.wikidata.org/wiki/Q428995] already couldn't figure out exactly what you did with those Greek choruses, and they had to put those marks in to instruct their readers what to do, and we don't know what those marks meant for sure [audience laughter]. But they certainly didn't know what it had been like 500 years before. They did poorer, I take it, than the poorest, and that would include me, informed of us do with Middle English [https://www.wikidata.org/wiki/Q36395], and I guess we're nearer to it than they were. Okay, well, we'll just start out and I want to take a path, I'm going to take a path through beginning with a small group of poems from The Opening of the Field.\\n \\nRobert Duncan\\n00:07:46\\nReads \\\"The Law I Love is Major Mover” from The Opening of the Field.\\n \\nRobert Duncan\\n00:10:44\\nWhen I was about 30, a great Medieval Historian was teaching at the University of California [https://www.wikidata.org/wiki/Q184478], where I made my living teaching, typing thesis and term papers when I was really hard out of luck and the rumour was very thick indeed that something extraordinary had happened, I think, and my impression is that Universities kill off scholars today much faster than they- they certainly don't kill off poets, they give them very handsome fees to come for a week or so, but they certainly kill off scholars, but the existence- perhaps only the World War with its refugee professors from Europe brought this kind of scholarship onto the scene at the University of California and I returned to school to take up Medieval Studies. One of the, clearly, in my work I, the one course, and I studied with that man until he left for the Princeton Institute of Advanced Learning, studied for him--with him for two and a half years, the course that most changed my poetry was a course on Medieval law, and the growth of constitutional law, because the very basis of poetry I think is a- of art, is the discovery of laws, the laws that finally we can trace through from those Medieval concepts of law and constant meditations upon law so I'm going to read a couple of more poems of our- in which this concept of law moves. This is \\\"Structure of Rime XIII\\\" and it's part of an open construct that is a construct that has nothing in its concept, does not belong to a world of cause or effect. It has a chronology, but its chronology is like our chronological time, that is seen by contemporary physics as an anomaly within a time--within a physical time that cannot possibly have the character of a chronological sequence. The best they can explain is that we must inhabit a thread that is suspended in actual time, because actual physical time cannot really be one directional, and we experience one directional time because we are really caught in some isolated thread, in the medium of time. So in \\\"Structure of Rime\\\" I conceive of myself not in a chronology, although I experience it, being human as such, but as entering such a domain in which real law exists and real time exists, and the real form to which the poem refers and from which it derives its form. The real form has no beginning or end, and is much faster, is universal, so the--in writing the poem I do not create a form, but participate in a form which is of the nature that we believe the physical world to be and I am much for a convert of Whitehead's process and reality in which we believe the spiritual world to be. And that's where \\\"The Structure of Rime\\\" takes place. When I say 'thirteen', that's of course, in my own sequence then and I conceive of that sequence as actually existing in a part of the mosaic that does not have the character of sequence.\\n \\nRobert Duncan\\n00:14:29\\nReads \\\"Structure of Rime XIII\\\" from The Opening of the Field. \\n \\nRobert Duncan\\n00:16:59\\nSome time shortly after The Opening of the Field was published, I was invited up to Portland [https://www.wikidata.org/wiki/Q6106] by a lawyer and his wife to talk to a small group and I learned in correspondence that he had been attracted to my poetry because of the concepts of law as they move through poems, and so I wrote, for them, the poem called \\\"The Law\\\", a series and variation.\\n \\nRobert Duncan\\n00:17:35\\nReads \\\"The Law\\\" [from Roots and Branches].\\n \\nRobert Duncan\\n00:23:27\\nWhen Adams [https://www.wikidata.org/wiki/Q11806] said, “the which”, meaning, he said, \\\"Democracy, the which requires the continual exercise of virtue beyond the reach of human infirmity, even in its best estate\\\" he was writing to Jefferson and talking about something that was absolutely necessary, he did not mean that we could escape from what required what was impossible. We had to live in the impossible, which is where I found myself entirely in concord with certainly a poet understands what it is to live in the impossible. He speaks in the first place in a voice which is impossible for himself to speak in, and before which he must always be a flunk out and in some sense, a political- a poetical failure in relation to what everywhere's own poetics is to point out what is necessary. Let me in relation to the law again, read the opening of a poem that I will be later be reading entire, but I want to bring it in context with these poems and the law, and close it with a John Adams that I discovered only a passage of John Adams that I discovered for myself, only about what, it's two or three years ago, two years ago. \\\"Reading on Myth\\\", this was from a book called I think it's called 18th Century Against the Gods, or confronts--The 18th Century Confronts the Gods and the chapter on John Adams's mythology was a fascinating chapter, and this passage of the poem is built up entirely with no interpolations at all of--it's built up to the place where I cease to read it, with no interpolations at all of passages of the marginalia that John Adams writes in an Encyclopedia of Mythology.\\n \\nRobert Duncan\\n00:25:32\\nReads [\\\"John Adams’s Marginalia...\\\"].\\n \\nRobert Duncan\\n00:26:53\\nMove back to another early poem in The Opening of the Field that was formative to, throughout my work and the last I guess it must be, each one of these is about three, this is the last ten years. The Field began in 1956, so it must be the last 14 years. And this poem is written in 1956. Take my coat off. In articulating the line, we were opening up- Pound had very early said [unintelligible] by the musical phrase and as I said, since his phrases were identical with syntactic utterances, with sentence utterances, the phrase is- the phrase is simpler than the phrases we use, where often they are enjambed, where often they disturb the meaning of the sentence and suspend elements so that they operate in various parts we did not want what was called an ambiguity by Mr. [Adams (?)], we wanted a multi-phasic area of meanings which is something very different. We wanted all parts to operate within all other parts. And I think this is a crucial difference from what let's say fascinated the metaphysicals of the post-Eliot [https://www.wikidata.org/wiki/Q37767] period in their idea of ambiguities. We wanted one meaning operating within another meaning and they wanted one meaning secretly giving another meaning, I may have such things too, but I mean it's a very different feeling for us. Certainly they did not have to come to articulate as we did, and with these poems, when I get to, as you'll see in passages, when I get into rhythmic articulations where only my body is intelligent enough to keep them, so I have to throw them back into my hands and to my body, a dance can carry them and a dance is really in a sense, the poem in which I moved straight forward and realized how un-literary this was and not exactly song either, and that this dance centre was going to be for whole sections of poems. So, there's a key poem.\\n\\nRobert Duncan\\n00:29:27\\nReads \\\"The Dance\\\" [from The Opening of the Field].\\n\\nUnknown\\n00:31:32\\n[Cut or edit made in tape. Unknown amount of time elapsed]. \\n\\nRobert Duncan\\n00:31:33\\nResumes reading \\\"The Dance\\\" [from The Opening of the Field].\\n \\nRobert Duncan\\n00:32:09.\\nSomeone said this evening I probably wouldn't read The Pindar poems, I will. Oh let me sing a song for you, songs, I have a couple of songs that are in books. Songs for me are not that quaint form that, a few of them are like the night nurse's songs, the song the night nurse sang. But a song of the old order and some of the other songs are actual songs, that means when I was writing them, a tune came. And they had only one voice to be in, mine, and we could even say unhappily, but there they were. And startled I was when, this is I think, one of the first songs that came that really belonged in a book of poetry. I had early had some songs in Faust Foutu in a sort of a long play that would never get performed in my mind so I was able to whatever I wanted to in it, and- which is a great kind of play to write, because you don't have to worry about anyone else solving any problems, you can name it, they can be on the moon, or whatever, have no stage dimension problems, but also of course I had no song dimension problems but when I wrote this song, \\\"Gee, I know I'm going to have to get up and sing it\\\", well of course now you'll get away with it because how rare you'd hear a poet's voice, unless a poet's already like your happy rock-n-roll singer, which I ain't as you will hear. My idea of song is exceedingly primitive indeed, my impression is very, I think you will hear it in this song, it comes from a brief period in which to much the horror of my theosophical parents, but because we were living in a small town and all your friends went to a Sunday School, I went for several years to a Methodist Sunday school and somebody along the line gave me the hint that hymns would come out much better if I just moved my mouth and didn't join in, happily, the lovely music that was going on and so of course I always wanted to write a hymn and there's something in the Methodist hymnal for sure in the song I'm going to sing. \\\"A Song of the Old Order\\\". It's not strictly Methodist in theology, but I meant that it's something of the Methodist hymn. However, I will sing also, by following another song that is certainly Calvinist [https://www.wikidata.org/wiki/Q101849], it's a Halloween song, and like only the scotch can possibly dig out of there- the Calvinist counter hymnal.\\n \\nRobert Duncan\\n00:34:52\\nSings \\\"A Song of the Old Order\\\" [from The Opening of the Field].\\n \\nRobert Duncan\\n00:38:05\\nThat was considerably higher than I've ever tried to do it before. [Audience laughter]. But, like a poem, when you're writing it, when you're in it, you're in for it. You can't re-model it to something you think you might get through with. So I will now do the Pindar poem. That somewhat determines what long poem we're going to do. And since this is the first time I've read here in Montreal, some other places I read, I try and give them new stuff, but I take it outside of some tapes that might be available, you haven't really heard these poems. And this will be the last one from The Opening of the Field. I'll pick up a couple from Roots and Branches and then I will be reading from the current, the Bending the Bow and then after the break I'll read some of the new poems that I've written since Bending the Bow. [Take off Biney's Law (?).] No, this is not the beginning of a Ginsberg [https://www.wikidata.org/wiki/Q6711] round [laughter.] \\\"Beginning with a Line by Pindar\\\", I am ending up with an exhibition by Ginsberg, [laughter.] We've gotten so [unintelligible] in San Francisco [https://www.wikidata.org/wiki/Q62] since all barriers of all kinds were down you really couldn't compete with the show, so you've got, I mean what to do. Common, ordinary people are just left out, you've got to be somebody extraordinary now to [audience laughter], and poetry has to be my extraordinary thing. Believe me, the rest of me is just me. \\\"A Poem Beginning with a Line by Pindar\\\".\\n\\nRobert Duncan\\n00:40:17\\nReads \\\"A Poem Beginning with a Line by Pindar\\\" [from The Opening of the Field].\\n \\nRobert Duncan\\n00:54:15\\nI'll read two poems from--that were requested from Roots and Branches.\\n \\nRobert Duncan\\n00:54:30\\nReads [\\\"Risk”] from Roots and Branches.\\n \\nRobert Duncan\\n00:59:22\\nThe other poem I will read from Roots and Branches is \\\"The Continent\\\". My poetic thought continuously arises from the ground of my happy and, believe me, wildly misunderstanding readings of contemporary science. And the one real poetic source I have is not a literary magazine but Scientific American [https://www.wikidata.org/wiki/Q39379] which I avidly read. So I'm more likely to be studying language than I am to be studying poems and more likely to be studying the world, than I am to be- well, I can't say that, language and the world get even treatment. The poem \\\"The Continent\\\" came from the re-assertion that has come in recent years of evidence which has rebuilt the picture of the continental drift. And I was happy at the coordinates to find that Charles Olson [https://www.wikidata.org/wiki/Q922978], who also ransacks the same magazine, but does not have the same misunderstandings of the magazine by any means, we have quite a, we sometimes come to [loggerheads (?) ] in our very positively taken misunderstandings of what is. He also had built sections of “Maximus [Poems]” on the continental drift. I love puns of course right away, and so does he, and if you get my drift in poetry, you will see something of what is revealed when we begin to get the drift of those continents and the fittingness of poetry is of course the logic whereby we identify that the continents originally fitted together and identified the sequence of things that happened. They do fit together, but they must have- I mean, the universe- the Neo-plateness, [unintelligible], well no, it isn't a neo-plate, well, it's a near neo-plate, and it's [unintelligible] Judas [https://www.wikidata.org/wiki/Q81018] refers to the masterpiece which is the Universe, that's the only masterpiece and the rest of us compose masterpieces because we are children of the universe, although we may not recognize that that's what we are doing. Some of us don't have entire respect for what we belong to. \\\"The Continent\\\".\\n \\nRobert Duncan\\n01:01:49\\nReads \\\"The Continent\\\" from Roots and Branches.\\n \\nUnknown\\n01:03:39\\n[Cut or edit made in tape. Unknown amount of time elapsed].\\n\\nRobert Duncan\\n01:03:40\\nResumes reading \\\"The Continent\\\" from Roots and Branches.\\n\\nRobert Duncan\\n01:06:16\\n[Unintelligible] break in tone I'll sing that song I mentioned, the second one that comes from a Calvinist anti-hymnal. It's a song from my Halloween masque. And it's “A Country Wife’s Song”, the country husband is lying in bed, snoring away and the wife rises silently, puts a stick in the bed and a stone on the pillow and sings the following song.\\n \\nRobert Duncan\\n01:07:50\\nPerforms “A Country Wife’s Song” [from Roots and Branches].\\n \\nRobert Duncan\\n01:09:38\\nWe seem to be close to 10:30 so I'm going to just--I won't read--well, I'd like to read one passage before the intermission and I would also like to read the poem \\\"Epilogos\\\", then we'll have a break, I would suggest about 10 minutes and I will then read in the second part, I will be reading from \\\"Passages\\\", well let me add one more poem to this first part because I want to give you a sample of what I've been--so there will be one \\\"Passages\\\", so those of you with great relief run out into the world will at least have been subject to something of what \\\"Passages\\\" is like, and I will read \\\"Epilogos\\\" and then I will read one of the poems that I have written, post-Bending the Bow and then you will have a sample of everything and you won't be missing a thing if you don't stay for the second part. [Audience laughter]. Okay, well a few things, but you might be missing them anyway.\\n \\nRobert Duncan\\n01:10:39\\nReads \\\"Transgressing the Real, Passages 27\\\" [from Bending the Bow].\\n \\nRobert Duncan\\n01:14:14\\nReads \\\"Epilogos\\\" [from Bending the Bow].\\n\\nRobert Duncan\\n01:20:57\\nNow the one poem from, poetry I've written since then, a poem called \\\"Achilles' Song\\\". One note before I read it, the island that we would ordinarily in American call ‘Leuke’ a [unintelligible], like in Leukemia--leuke. In Greek would be ‘Lay-okay’ and so I was very alarmed indeed when in this poem, as I was writing it came out ‘Loy-kay’ and it took me quite some time of sheer stage fright and horror at the mis-pronunciation recall the ‘Lauke’ in German is the [unintelligible] and so forth in German, and that I have had for years now, for some years now a tape of H.D. [https://www.wikidata.org/wiki/Q236469] reading from her \\\"Helen in Egypt\\\", a poem which is really the mother poem of this poem, and not too much hidden in the poem, for those who know of my closeness to H.D. who was certainly a surrogate mother for me. Thetis of the poem would certainly be the poetess H.D. and in that tape, H.D. who had lived for most of her life from the 20's on in Switzerland, uses the German pronunciation throughout, ‘Aloike’ and that's how I heard it in association with this poem. So I've finally recognized where it came from but it's an example of the fact that you cannot correct things in poems because it's sewn into a rhyme and absolutely belongs in the music here. Play it differently--I mean, it's what fits a poem not what fits some other system outside the poem that the poem must adhere to. Okay, \\\"Achilles' Song\\\".\\n \\nRobert Duncan\\n01:22:44 \\nReads \\\"Achilles' Song\\\".\\n\\nUnknown\\n01:25:05\\n[Cut or edit made in tape. Unknown amount of time elapsed].\\n\\nAudience\\n01:25:06\\nApplause.\\n\\nRobert Duncan\\n01:25:16\\nSo we'll take a break of ten minutes and then I'm going to read a rather short section because we're almost at 11 and that would seem, I want to read as many, something like four passages to give you of a feeling of moving through that and that would give you something like Passages are like.\\n\\nUnknown\\n01:25:44\\n[Cut or edit made in tape. Unknown amount of time elapsed].\\n\\nRobert Duncan\\n01:25:45\\nTwo aspects of the art, seem particularly mysteries to me as I've been working at the art of poetry since I was 19 and it's now 30 years. In relation to that thing we call rhyme, meter and so forth, I have come to think more and more that it's ratios and numbers that may be the heart of the matter. And at the same time as I begin to feel that at the heart of the matter, as one begins to, as one does with mysteries, be fearful about approaching the question. Some years ago, two years ago or so, with the poet Zukofsky [https://www.wikidata.org/wiki/Q975481], who knows much more than I do of the art, and performs really awesomely in it, I said it had begun, I said \\\"Zuk,” I said, “I had begun to feel that it isn't a question about syllables or stresses and so forth, it's a question of numbers\\\". And he said \\\"Yes, I've decided by now I ought to, certainly if I don't know syllables and stresses and so forth, by now, I mean know them only in my hand, I certainly shouldn't be thinking about them. And I am now only dealing with 8's. All of these lines are 8's, straight through. I have not yet really phased the initiations of the question of numbers but I know that this is central as one moves into the period of working in the art that I'm in.\\\" The other thing, and that is that I have indicated it earlier, is that the nature of the time of the art is increasingly mysterious, the one thing I'm sure of it cannot be, positive absolutely defined in one area, for a long time I was doing happily enough with the formula that Christians made for themselves of time and eternity and their term of eternity which is the very present moment of any work of art and is also of course somehow containing the ensemble of all of the things created must also be like that time that physics talks about. That makes them puzzle why in the world our own time goes from a thing we call the past to the future. Whitehead [https://www.wikidata.org/wiki/Q183372] solves it in Process and Reality by suggesting that we create, in every moment that we live a past and a future, and we live in a history consequently because that's what we create what we are, is pastness and future, and sum it up in a material, that is still persuasive. But a mystery is when none of the answers are answers and as long as they're not answers the artist has them as really, forces that move as art. Now I make this remark because, well I said something about chronologies I, in the past I have not read these two poems as they appear in the book, in readings, but I want to read them today and I'm going to just underline the transition I want you to see and share with me at this point. I arranged, for all that what I've said about chronologies, I arranged the poems in my volumes chronologically and largely because it seems to me a mystery as they go and the rhymes appear from one to the other, and one poem will be an announcement of a succeeding poem or themes will flow out of it. The one I'm going to read first is not a “Passages\\\" it's called \\\"Reflections\\\" and at the close, and as a theme of it, you will find the old man, who is as a matter of fact, I structure rhyme preceding it had a fire master appearing, who seems very close indeed to the master of fire, and the poem that came next, it may have been in a couple of weeks of so, this was a very productive period, concludes with a figure of an old man tuning a drum between a bowl of fire and a bowl of water, and it was followed by a \\\"Passages\\\" which is called \\\"The Fire\\\", and from it we can learn that the fire that you see in \\\"Passages\\\" which is catastrophic, and is held in a polarity with an ideogram with the natural world, that that which may have indeed be--is indeed a bowl of water, as you will see, I mean it's a stream of water that the fire is composed between a world of water and its own world of fire, but that fire that looks like a catastrophe you will find is the creative fire--if you go under \\\"Reflections\\\" and let the reflections that came first reflect into the poem following. Now these are things that you realize afterwards, in your own chronology. I am one of those poets who has the characteristic I find in my study of Whitman [https://www.wikidata.org/wiki/Q81438] in the last three years that Whitman certainly was another poet who studied himself all the time. We have a great prohibition in our contemporary world against studying yourself, but I am not short on the world of ego, so I'm not really very disturbed about the fact that I study myself in the poetry. But the one thing I search to find is not something we would ordinarily call ourselves, I study the poet, the thing that the poems are creating in order for them to come into being. That I can sharply distinguish from myself. As sharply as you can do it, it takes office, the idea of office, and this again I got from my Medieval Studies. Okay, I'm going to read \\\"Reflections\\\" and then I'm going to read \\\"The Fire\\\" and then I will, the poems I will be reading from then on will be \\\"Passages\\\", \\\"Fire\\\" is one of \\\"Passages\\\". And \\\"Passages\\\" is as I explained, an open form that exists in these other universe of time, of something, like, you call eternity.\\n \\nRobert Duncan\\n01:32:07\\nReads \\\"Reflections\\\" [from Bending the Bow].\\n \\nEND\\n01:34:38\\n\",\"notes\":\"Robert Duncan reads from The Opening of the Field (Grove Press, 1960), Roots and Branches (New Directions, 1964), and Bending the Bow (New Directions, 1968).\\n\\nI006-11-096.1=AC.1\\n\\n00:00- George Bowering introduces Robert Duncan [INDEX: M.L. Rosenthall, Warren Tallman [sp?], The Reporter, experimental poetry]\\n00:44- Robert Duncan speaks about his poetry, introduces reading. [INDEX: Ezra Pound’s \\t“Pisan Cantos”, William Carlos William’s “Paterson” and other poetry, impact of the \\tmodernist tradition, natural speech, syntactic utterances, enjambment in the line, collage, \\tAmerican Painting, The Opening of the Field, voice, Robert Creeley, form of content, \\tincarnation of Christ, Greek and French languages, Igor Stravinsky, Middle English]\\n07:46- Reads “The Law I Love is Major Mover” from The Opening of the Field [all poems to follow are from this book]\\n10:44- Introduces “The Structure of Rime XIII”. [INDEX: Medieval Historian teaching at \\tUniversity of California, World War refugee Professors migrating from Europe, Princeton \\tInstitute for Advanced Learning, Medieval Law, discovery of laws, open construct poem, \\tchronological time]\\n14:29- Reads “The Structure of Rime XIII”\\n16:59- Introduces “The Law”\\n17:35- Reads “The Law”\\n23:27- Introduces first line “John Adams Marginalia...” [INDEX: John Adams, Democracy, \\tThomas Jefferson, The 18th Century Confronts the Gods by Frank E. Manuel, Encyclopedia of Mythology]\\n25:32- Reads first line “John Adams Marginalia...”\\n25:53- Introduces “The Dance” and discusses his poetry [INDEX: The Opening of the Field, \\tEzra Pound, phrases and lines, enjambments, disturb meaning of sentences, multi-phasic \\tarea of meanings, Mr. Adamson [?], metaphysics of the post-Eliot period, rhythmic \\tarticulations, dance]\\n29:27- Reads “The Dance” [recording is cut and then resumes at 31:33.90]\\n32:09- Introduces “A Song of the Old Order” [INDEX: Songs, process of writing songs, Faust Foutu An Entertainment in Four parts (play), Methodist Sunday School, Methodist hymnal, Calvinist counter hymnal]\\n34:52- Sings “A Song of the Old Order”\\n38:05- Introduces “A Poem Beginning with the Line by Pindar”, outlines the rest of the \\treading. [INDEX: Roots and Branches, Bending the Bow, new poems, Allen Ginsberg \\t‘show’, San Francisco]\\n40:17- Reads “A Poem Beginning with the Line by Pindar”\\n54:15.78- END OF RECORDING\\n \\nI006-11-096.1=AC.2\\n \\n00:00- Robert Duncan introduces “Risk” [INDEX:Roots and Branches]\\n00:14- Reads first line “Risk”\\n05:06- Introduces “The Continent” [INDEX: poetry from contemporary science, Scientific \\tAmerican magazine, continental drift, Charles Olson, The Maximus Poems, neo-plates]\\n07:33- Reads “The Continent”\\n12:00- Introduces “Song”\\n12:49- Sings “Song”\\n15:22- Introduces series of poems [INDEX: “Epilogos”, Of the War: Passages 22-27, \\tBending the Bow]\\n16:23- Reads “Transgressing the Real”\\n19:58- Reads “Epilogos”\\n26:41- Introduces “Achilles' Song” [INDEX: mispronunciation of Greek Island Leuke, H.D. \\treading “Helen in Egypt”, Switzerland, German]\\n28:28- Reads “Achilles' Song”\\n31:00- Introduces poems read after the break\\n31:29- Introduces “Reflections” and talks about his poetry [INDEX: Rhyme, meter, ratios and numbers, Louis Zukofsky, time and eternity, Alfred North Whitehead’s Process and Reality, chronology, Of the War: Passages 22-27, “The Fire”, “Reflections”]\\n37:51- Reads “Reflections”\\n40:23.12- END OF RECORDING\\n\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/robert-duncan-at-sgwu-1970/#1\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/robert_duncan_i006-11-096-2.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"robert_duncan_i006-11-096-2.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:40:06\",\"precision\":\"\",\"size\":\"96.3 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"robert_duncan_i006-11-096-2.mp3 [File 2 of 2] \\n\\nRobert Duncan\\n00:00:00\\nReads [“The Fire, Passages 13 from Bending the Bow; recording begins abruptly].\\n \\nUnknown\\n00:13:11\\n[Cut or edit made in tape. Unknown amount of time elapsed]. \\n\\nRobert Duncan\\n00:13:12\\n...beginning with a poem called \\\"Soldiers\\\", a poem in which, um, let's see, right, some lines of Victor Hugo [https://www.wikidata.org/wiki/Q535] enter, I decided I should, well, I guess, lets see, no I don't want to read too late, and soldiers is rather long again, so I want- certain themes that are moving in \\\"Soldiers\\\" will reappear. In \\\"Soldiers\\\", a recurring line was one from a poem of Victor Hugo's, \\\"Dieu dans [unintelligible] reve\\\", which is a line really quite in tune with my own poetics, \\\"God, oh creator the- or the creator for us too in oneself whose dream, whose work goes much further than our dreams\\\" and so it's combined with a scene that's Vietnam and it's combined in the Soldiers with the theme of the recognition that in some mystery of that work that goes further than our dreams the soldiers in Vietnam most of them, have just there, and they're 19 or 18 and so forth, they have only there in which to make their lives. And they have only there in which to, to take their souls in the war, as the followers of Orpheus take soul in the poem. The wood to take fire from that dirty flame. A recognition that that is their field in which they must reach life's epiphany and its thing. And the line of Victor Hugo carried me forward to and returned me to grand themes of Victor Hugo's but it also took me back to Vietnam [https://www.wikidata.org/wiki/Q881] and I wanted to give, before I read \\\"The Kao Dai\\\" a little sketch of that. There's a theme of Victor Hugo, by the way, of the fall of Lucifer [https://www.wikidata.org/wiki/Q185498] in which, Lucifer's falling into his own denial of God and in falling he opens the univ- creation, and but in his falling a feather breaks loose from his wings and is floating mid-air, and the sight of God descending falls upon the feather and it becomes light and it turns into an angel and that angel is Liberty and that angel's entire message is to transform the rage and wrathful light that had fallen upon it into the reunion and resurrection of Satan, but of course both Satan and God must be called from their wrath, to reconciliation, so this angel, Liberty and Freedom is also the angel of reconciliation and Victor Hugo knew that also there must be some explanation for the fact that the desire and yearning for freedom and liberty has always been wrathful. Blake [https://www.wikidata.org/wiki/Q41513] is puzzled by the same thing and I think that today, when all over the world, not only in Canada [https://www.wikidata.org/wiki/Q16], but in the United States [https://www.wikidata.org/wiki/Q30], and in China [https://www.wikidata.org/wiki/Q29520], and Yugoslavia [https://www.wikidata.org/wiki/Q36704] and Russia [https://www.wikidata.org/wiki/Q159] the wrath of Liberty is rising and it is the wrath of God against the civilization to its very roots which we know in our hearts are Godless. But that wrath must be reconciled, because it is itself that it's rising against and there's some mystery in this, so my poetry has begun to take up the figure of that angel and the angel comes into it. Now, in Vietnam, one of the strongest forces in the Viet Cong, not a communist group but a religious group, the Cao Dai [https://www.wikidata.org/wiki/Q470364] and in order to read more in deeper into the Cao Dai, I wisely, I think, went back to sources to the early thirties before Vietnam was quite the cause it is today, and found this story and it came quite in line with my kooky family and my own poetry because it was at a medium's table in 1925 on Christmas Eve, when Christ descended and speaking in French, as I usually put it when I read my, something worse than American French, a French man would feel that that was blasphemy, but I'm after all repeating Christ's words in his own voice so that might be more serious yet that that voice was being attempted. Christ came into the medium and renounced in my birth day for the spirit is descending upon Vietnam and when we remember what happened to the very first generation of Christians who were burned in rows as torches, what the promise of Christ meant to his immediate blessing, the powers of martyrdom. The promise of Christ in 1925 was amply fulfilled to his new disciples. So amply, as a matter of fact, the Cao Dai had more than come to my mind, because the cathedral town of Cao Dai, which is [unintelligible] indeed exactly like a Catholic nunnery or convent, or a Buddhist nunnery or convent is Communist, is the province of Tay Ninh [https://www.wikidata.org/wiki/Q36608], and the Cathedral city of Tay Ninh, now it is been repeated over and over in American papers that when those planes were returning for missions in North Vietnam and hadn't dumped their missions, you're not supposed to return any bombs, you gotta dump them somewhere, so they'd dump them on Tay Ninh, you'd just go over the side and dump them on Tay Ninh, because this particular religious group was stubborn indeed in its inherences. Now, also interesting to me was this particular religious group had as its patron Saint Victor Hugo, and the first place that the French are, that the Vietnamese have French as their deepest religious and literary language and so Christ talked in French so Victor Hugo gave the whole line, it's Victor Hugo's Christ who talked to them at the medium tables in French, and they of course had their medium tables in the line of the tradition of Victor Hugo's own medium tables in the Isle of Jersey. So Victor Hugo becomes patron saint for these passages. In the passage, by the way, a passage called \\\"Orders\\\" and I will read a passage from it in which I am actually translating from Victor Hugo quite directly but it's a very long poem and keeping in tune with that master of the sublime is very difficult for us in the modern period. Here we are, the passage, wait a minute, it isn't in that poem, I always think it's in \\\"Orders\\\", but it's actually in place of a passage 22, that has the passage with Victor Hugo. I have been working on it for years, and it's mainly trying to keep in tune, I go over and over and over it again and then I find it very difficult to deal with 19th century poetry. But this is a passage straight translation, as literal as I could from Victor Hugo, but really, massive poem.\\n \\nRobert Duncan\\n00:21:11\\nReads \\\"The Soldiers\\\" [from Bending the Bow].\\n \\nRobert Duncan\\n00:22:14\\nCharming little poem called the \\\"Twentieth Century\\\", in case you want to know where we are.\\n \\nRobert Duncan\\n00:22:22\\nReads \\\"Twentieth Century\\\" [published as “The Light, Passages 28” in Bending the Bow].\\n \\nRobert Duncan\\n00:30:27\\nI'll close with \\\"Stage Directions\\\".\\n \\nUnknown\\n00:30:32\\n[Cut or edit made in tape. Unknown amount of time elapsed].\\n\\nRobert Duncan\\n00:30:33\\nReads [“Stage Directions, Passages 30” from Bending the Bow; begins mid-poem].\\n \\nAudience\\n00:37:53\\nApplause.\\n \\nRobert Duncan\\n00:38:12\\nI'll add one more poem which has not been read aloud except at home today, this is one--I hope I've got the right note--this is a \\\"Structure of Rime\\\" that was composed on April Fool's day but it doesn't mean it isn't serious, I mean April 1st.\\n \\nRobert Duncan\\n00:38:32\\nReads \\\"Structure of Rime\\\" [unnumbered].\\n \\nAudience\\n00:39:54\\nApplause.\\n \\nEND\\n00:40:06\\n\",\"notes\":\"Robert Duncan reads from The Opening of the Field (Grove Press, 1960), Roots and Branches (New Directions, 1964), and Bending the Bow (New Directions, 1968).\\n\\n00:00- Recording starts mid-sentence, reading “The Fire”\\n13:12- Introduces “Soldiers” [INDEX: lines by Victor Hugo, Vietnam, Orpheus, “The Kao Dai”, Lucifer, Satan and God, Liberty and Freedom, William Blake, Canada, U.S., China, Yugoslavia, Russia, Viet Cong, Province of Tay Ninh, U.S. dumping bombs, Isle of Jersey, passage “Orders”]\\n21:11- Reads “Soldiers”\\n22:14- Introduces “Twentieth Century”\\n22:22- Reads “Twentieth Century”\\n30:27- Reads “Stage Directions”\\n38:12- Introduces “Structure of Rime”, first line “Away from the green fist of the sleeping \\tchild”\\n38:32- Reads “Structure of Rime”, first line “Away from the green fist of the sleeping child”\\n40:06.70- END OF TRANSCRIPT\\n \\n1. “The Law I Love” from the “Opening of the Seal”\\nPlease note that the Howard Fink list states the reading took place in “Spring 1970”, while the interview states another (perhaps separate) reading took place on April 19, 1969.\\n\\n2 reels: 30 min 3 3/4ips, 1/4” 5” reel\\n60 min 3 3/4 ips, 1/4” 7”reel\\nPopped strands in tape 1\\n\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/robert-duncan-at-sgwu-1970/#2\"}]"],"score":3.0190003},{"id":"4042","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Frank Davey fonds"],"source_collection_label":["Frank Davey fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2014.002"],"persistent_url":[""],"item_title":["Duncan Lecture 2 Robert Duncan Lectures"],"item_title_source":["Title on front of box."],"item_title_note":["Side 1 of reel reads: \nFrank Davey\nI (1) Duncan 1963 Conference \nlecture, Vancouver\n(2) - July 26, 1963 rdg.\nRdg for Fred & Pauline\n\nSide 2 of reel reads: II (1) Duncan: \"[illegible]\"\n(2) Rdg for Fred & Pauline cont'd\n\nWritten on accompanying card:\nI (1) 0 - Duncan Evening lecture, August 5, 1963\n0-582 (pt. 1) - 1014\nII (1) 0-605 Duncan: \"Man's Fulfillment in Order & Strife\" at Ellensberg, with, Conference on language & World Order\nI (2) - Duncan rgd., July 26, 1963. (0-450?)\n-Duncan rdg from San Francisco for Fred and Pauline (450 - END & B II (2))\nII (2) - San Francisco for Fred & Pauline cont'd (0-998?"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert"],"creator_names_search":["Duncan, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"One recipe card with timestamps.\",\"other_physical_description\":\"\"},{\"side\":\"A & B\",\"image\":\"../Uploads/2363/UBCO_Davey_2014_002_010_a.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Trubilt Magnetic Recording Tape Type T24TM\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2014.002.010_Robert Duncan Lectures 2_Side 2_L_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T01:08:46\",\"precision\":\"\",\"size\":\"792.3 MB\",\"bitrate\":\"16\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2014.002.010_Robert Duncan Lectures 2_Side 1_R_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:02:34\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"16\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Recording plays back at high speed. Requires Speed Edit. \",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2014.002.010_Robert Duncan Lectures 2_Side 1_L_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T02:05:29\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"16\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Recording plays back at high speed. Requires Speed Edit. \",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2014.002.010_Robert Duncan Lectures 2_Side 1_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T02:05:29\",\"precision\":\"\",\"size\":\"2.89 GB\",\"bitrate\":\"16\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Recording plays back at high speed. Requires Speed Edit. \",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/SpokenWeb/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Frank_Davey/2014.002.010/2014.002.010_Robert Duncan Lectures 2_Side 2\",\"filename\":\"2014.002.010_Robert Duncan Lectures 2_Side 2_R_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T:00:31:07\",\"precision\":\"\",\"size\":\"164.7 MB\",\"bitrate\":\"16\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/SpokenWeb/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Frank_Davey/2014.002.010/2014.002.010_Robert Duncan Lectures 2_Side 2\",\"filename\":\"2014.002.010_Robert Duncan Lectures 2_Side 2_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T01:08:46\",\"precision\":\"\",\"size\":\"1.58 GB\",\"bitrate\":\"16\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-07-26\",\"type\":\"Performance Date\",\"notes\":\"Date of reading during the 1963 Vancouver Poetry Conference.\",\"source\":\"Date listed on artifact.\"},{\"date\":\"1963-08-05\",\"type\":\"Performance Date\",\"notes\":\"Date of lecture during Vancouver Poetry Conference.\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/2763312741\",\"venue\":\"The University of British Columbia\",\"notes\":\"Location of 1963 Vancouver Poetry Conference recordings.\",\"address\":\"1866 Main Mall, Vancouver, BC, Canada\",\"latitude\":\"49.2690758\",\"longitude\":\"-123.254727\"}]"],"Address":["1866 Main Mall, Vancouver, BC, Canada"],"Venue":["The University of British Columbia"],"City":["Vancouver, British Columbia"],"content_notes":["Contents entry temporary. Contains track description as found on recipe card within the box with the audio object."],"contents":["I (1) 0 - Duncan Evening lecture, August 5, 1963\n0-582 (pt. 1) - 1014\nII (1) 0-605 Duncan: \"Man's Fulfillment in Order & Strife\" at Ellensberg, with, Conference on language & World Order\nI (2) - Dunca rgd., July 26, 1963. (0-450?)\n-Duncan rdg from San Francisco for Fred and Pauline (450 - END & B II (2))\nII (2) - San Francisco for Fred & Pauline cont'd (0-998?"],"Note":["[{\"note\":\"Item #: 2014.002.010\",\"type\":\"General\"},{\"note\":\"Digitized. Recording plays back at high speed. See Speed Edit version for listening.\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670549990932483,"timestamp":"2026-01-07T14:59:54.597Z","score":3.0190003},{"id":"4055","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Frank Davey fonds"],"source_collection_label":["Frank Davey fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2014.002"],"persistent_url":[""],"item_title":["Duncan Lecture 1\nRobert Duncan Vancouver Lectures"],"item_title_source":["Title written on reel box."],"item_title_note":["Side A title: Frank Davey / Robert Duncan 1961\n Vancouver Lectures\n\nWritten on accompanying card:\nI (1) 0-769 - Duncan, night I, 1st half / poetry = Imagism & Olson on Melville\n769-1440 - Duncan, night I, 2nd half / Olson, Maximus poems\nII (1) 0-1100 - Duncan, night II / Structure of Rime + personal history\n1100-1709 - Duncan, night III (preceded by gap)\nI (2) 0-719 - Duncan, night III\n420-1263 - Duncan, Cal. reading\n1263-1690\ngap 1502-1508\nII (2) 0-631 - Duncan: 1966 Festival Reading\n640-1137 - Duncan: Adams Way"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert","Olson, Charles"],"creator_names_search":["Duncan, Robert","Olson, Charles"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/634/UBCO_Davey_2014_002_009_d.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"One recipe card with timestamps.\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2014.002.009_Robert Duncan Vancouver 1961_Side 1_L_24bit(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:13:54\",\"precision\":\"\",\"size\":\"1.7 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2014.002.009_Robert Duncan Vancouver 1961_Side 1_R_16bit(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T02:04:40\",\"precision\":\"\",\"size\":\"2.87 GB\",\"bitrate\":\"16\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2014.002.009_Robert Duncan Vancouver 1961_Side 1_16bit(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T02:04:40\",\"precision\":\"\",\"size\":\"2.87 GB\",\"bitrate\":\"16\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2014.002.009_Robert Duncan Vancouver 1961_Side 2_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T02:07:46\",\"precision\":\"\",\"size\":\"2.94 GB\",\"bitrate\":\"16\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2014.002.009_Robert Duncan Vancouver 1961_Side 2_L_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T:02:07:46\",\"precision\":\"\",\"size\":\"4.42 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2014.002.009_Robert Duncan Vancouver 1961_Side 2_R_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T01:56:31\",\"precision\":\"\",\"size\":\"2.94 GB\",\"bitrate\":\"16\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on artifact.\"},{\"date\":\"1961\",\"type\":\"Performance Date\",\"notes\":\"Possible date of Robert Duncan Vancouver lecture. Unconfirmed\",\"source\":\"Secondary Research\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"Location of Robert Duncan lecture. \",\"address\":\"Vancouver, B.C., Canada\",\"latitude\":\"49.246292\",\"longitude\":\"-123.116226\"}]"],"Address":["Vancouver, B.C., Canada"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Item #: 2014.002.009\",\"type\":\"General\"},{\"note\":\"Digitized. Recordings are sped up even at lowest playback speed. See edited versions.\",\"type\":\"Related Version\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670549996175363,"timestamp":"2026-01-07T14:59:54.597Z","score":3.0190003},{"id":"4056","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Fred Wah fonds"],"source_collection_label":["Fred Wah fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2022.003"],"persistent_url":[""],"item_title":["1. Duncan - Lectures - 61 (Tape No. I)"],"item_title_source":["Title written on container."],"item_title_note":["Title on case: Duncan - Lectures - 61 (Tape No. I)\n\nWritten on box: \nSide \n1-A. First Talk - July 23/61. 0-1047, 1047-1166\n2-A. First Talk - July 23/61. 0-1144\n1-B. Second Talk July 24/61. 0-1160\n2-B. Second Talk July 24/61. 0-1160\n\nSide A title: n/a\n\nSide B title: n/a\n\nAccompanying information: 2 double-sided sheets of notes of timestamps and contents. See images."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["7 inch reels"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Duncan, Robert","Tallman, Warren","Tallman, Ellen"],"creator_names_search":["Wah, Fred","Duncan, Robert","Tallman, Warren","Tallman, Ellen"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/113977088\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"Lectures hosted in Warren and Ellen Tallman's home.\",\"nation\":[],\"role\":[\"Series organizer\"]},{\"url\":\"\",\"name\":\"Tallman, Ellen\",\"dates\":\"1927-2008\",\"notes\":\"Lectures hosted in Warren and Ellen Tallman's home.\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors_names":["Williams, William Carlos","Olson, Charles","James, Henry","Melville, Herman","Pound, Ezra"],"contributors_names_search":["Williams, William Carlos","Olson, Charles","James, Henry","Melville, Herman","Pound, Ezra"],"contributors":["[{\"url\":\"http://viaf.org/viaf/29542054\",\"name\":\"Williams, William Carlos\",\"dates\":\"1883-1963\",\"notes\":\"Subject discussed in Robert Duncan's lecture.\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"Subject discussed in Robert Duncan's lecture.\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/36920030\",\"name\":\"James, Henry\",\"dates\":\"1843-1916\",\"notes\":\"Subject discussed in Robert Duncan's lecture.\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/27068555\",\"name\":\"Melville, Herman\",\"dates\":\"1819-1891\",\"notes\":\"Subject discussed in Robert Duncan's lecture.\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/24606774\",\"name\":\"Pound, Ezra\",\"dates\":\"1885-1972\",\"notes\":\"Subject discussed in Robert Duncan's lecture.\",\"nation\":[],\"role\":[\"Author\"]}]"],"author_name":["Williams, William Carlos","Olson, Charles","James, Henry","Melville, Herman","Pound, Ezra"],"Performance_Date":[1961],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10890/2022.003.001b-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10890/2022.003.001c-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10890/2022.003.001d-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10890/2022.003.001_e-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10890/2022.003.001_f-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10890/2022.003.001_g-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10890/2022.003.001a-Resize.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Magnetic Recording Tape\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"4 track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"2 double-sided sheets of notes of timestamps and contents.\",\"other_physical_description\":\"7 inch reel\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"/Users/SpokenWeb/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.001/audio\",\"filename\":\"2022.003.001_1. Duncan - Lectures - 61 (Tape No. I)_Side 2_1-4_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:32:08\",\"precision\":\"\",\"size\":\"3.18 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side 2, track 1/4 of digitized reel-to-reel recording\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/SpokenWeb/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.001/audio\",\"filename\":\"2022.003.001_1. Duncan - Lectures - 61 (Tape No. I)_Side 1_1-4_Part A_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:32:15\",\"precision\":\"\",\"size\":\"3.19 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side 1, track 1/4 of digitized reel-to-reel recording. \",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/SpokenWeb/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.001/audio\",\"filename\":\"2022.003.001_1. Duncan - Lectures - 61 (Tape No. I)_Side 1_3-2_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:32:16\",\"precision\":\"\",\"size\":\"3.19 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side 1, track 3/2 of digitized reel-to-reel recording.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/SpokenWeb/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.001/audio\",\"filename\":\"2022.003.001_1. Duncan - Lectures - 61 (Tape No. I)_Side 2_3-2_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:32:05\",\"precision\":\"\",\"size\":\"3.18 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side 2, track 3/2 of digitized reel-to-reel recording.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1961-07-23\",\"type\":\"Performance Date\",\"notes\":\"First talk.\",\"source\":\"Date listed on accompanying material.\"},{\"date\":\"1961-07-24\",\"type\":\"Performance Date\",\"notes\":\"Second talk.\",\"source\":\"Date listed on accompanying material.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"Warren and Ellen Tallman's home\",\"notes\":\"Location of Robert Duncan lecture.\",\"address\":\"37th St., Vancouver, B.C., Canada\",\"latitude\":\"49.246292\",\"longitude\":\"-123.116226\"}]"],"Address":["37th St., Vancouver, B.C., Canada"],"Venue":["Warren and Ellen Tallman's home"],"City":["Vancouver, British Columbia"],"contents":["Original master copy of Robert Duncan Vancouver lectures held in the home of Warren and Ellen Tallman on July 23 and July 24, 1961. Recorded by Fred Wah."],"Note":["[{\"note\":\"Tape 1 in Fred Wah's catalogue.\",\"type\":\"General\"},{\"note\":\"Related tapes:\\n2022.003.002 (original)\\n2014.002.001 (copy)\\n2014.002.009 (copy)\\n2014.002.010 (copy)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670549997223940,"timestamp":"2026-01-07T14:59:54.597Z","score":3.0190003},{"id":"4061","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Fred Wah fonds"],"source_collection_label":["Fred Wah fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2022.003"],"persistent_url":[""],"item_title":["6. (1) July 24 Evening - July 26 Morning"],"item_title_source":["Title written on box."],"item_title_note":["Title on box: 6. (1) July 24 Evening - July 26 Morning\n\nSide A title: n/a\n\nSide B title: n/a\n\nBack of box: Tape #1. July 24/63 Evening. July 26/63 Morning.\n\nAccompanying material: 1 index card with timestamps of contents. See images."],"item_language":["English"],"item_production_context":["Classroom recording"],"item_series_title":["1963 Vancouver Poetry Conference"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Creeley, Robert","Ginsberg, Allen","Duncan, Robert","Tallman, Warren","Tallman, Ellen"],"creator_names_search":["Wah, Fred","Creeley, Robert","Ginsberg, Allen","Duncan, Robert","Tallman, Warren","Tallman, Ellen"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"Speaker in both July 24th (evening) and July 26th (morning) discussions.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1927-1997\",\"notes\":\"Speaker in both July 24th (evening) and July 26th (morning) discussions.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"Speaker in the July 26th (morning) discussion.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/113977088\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"Organizer of event.\",\"nation\":[],\"role\":[\"Series organizer\"]},{\"url\":\"\",\"name\":\"Tallman, Ellen\",\"dates\":\"1927-2008\",\"notes\":\"Organizer of event.\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors":["[]"],"Performance_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10931/2022.003.006a-Resize.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Magnetic Recording Tape\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"4 track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"1 index card\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10931/2022.003.006b-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10931/2022.003.006c-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10931/2022.003.006d-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10931/2022.003.006e-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"/Users/labmanager/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.006/audio\",\"filename\":\"2022.003.006_6. (1) July 24 Evening - July 26 Morning_DAMAGED_part 1_Side 1,_3-2(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T:00:16:32\",\"precision\":\"\",\"size\":\"571.3 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Damaged. Requires conservation. Could not complete digitization.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-07-24\",\"type\":\"Performance Date\",\"notes\":\"Evening discussion.\",\"source\":\"Date listed on tape.\"},{\"date\":\"1963-07-26\",\"type\":\"Performance Date\",\"notes\":\"Morning discussion.\",\"source\":\"Date listed on tape.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/91208094\",\"venue\":\"Buchanan Building, University of British Columbia\",\"notes\":\"\",\"address\":\"1866 Main Mall, Vancouver, B.C.\",\"latitude\":\"49.26827765\",\"longitude\":\"-123.2542416\"}]"],"Address":["1866 Main Mall, Vancouver, B.C."],"Venue":["Buchanan Building, University of British Columbia"],"City":["Vancouver, British Columbia"],"contents":["Original recordings from the 1963 Vancouver Poetry Conference. Robert Creeley and Allen Ginsberg evening discussion, July 24, 1963. Robert Duncan, Robert Creeley, and Allen Ginsberg morning discussion, July 26, 1963. Recorded by Fred Wah."],"Note":["[{\"note\":\"Tape 6 in Fred Wah's catalogue.\",\"type\":\"General\"},{\"note\":\"Related tapes:\\n2012.002.021\\n2012.002.022\\n2012.002.023\\n2014.002.001\\n2014.002.002\\n2018.002.045\\n2022.002.126\\n2022.003.005\\n2022.003.007\\n2022.003.008\\n2022.003.009\\n2022.003.010\\n2022.003.011\\n2022.003.012\\n2022.003.013\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670549998272512,"timestamp":"2026-01-07T14:59:54.597Z","score":3.0190003},{"id":"4062","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Fred Wah fonds"],"source_collection_label":["Fred Wah fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2022.003"],"persistent_url":[""],"item_title":["7. (2) July 29 Morning - July 31 Morning"],"item_title_source":["Title written on box."],"item_title_note":["Title on box: 7. (2) July 29 Morning - July 31 Morning\n\nJuly 29/63 Morning\nJuly 31/63 Morning\n\nSide A title: n/a\n\nSide B title: n/a\n\nBack of box: Tape #2. \nJuly 29/63 Morning (Mon)\nJuly 31/63 Morning (Wed)\n\nAccompanying information: 2 index cards with timestamps of contents. See images."],"item_language":["English"],"item_production_context":["Classroom recording"],"item_series_title":["1963 Vancouver Poetry Conference"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Creeley, Robert","Ginsberg, Allen","Duncan, Robert","Olson, Charles","Whalen, Philip","Tallman, Warren","Tallman, Ellen"],"creator_names_search":["Wah, Fred","Creeley, Robert","Ginsberg, Allen","Duncan, Robert","Olson, Charles","Whalen, Philip","Tallman, Warren","Tallman, Ellen"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"Speaker in both July 29th (morning) and July 31st (morning) discussions.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1927-1997\",\"notes\":\"Speaker in both July 29th (morning) and July 31st (morning) discussions.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"Speaker in both July 29th (morning) and July 31st (morning) discussions.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"Speaker in both July 29th (morning) and July 31st (morning) discussions.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/54270610\",\"name\":\"Whalen, Philip\",\"dates\":\"1923-2002\",\"notes\":\"Speaker in July 29th (morning) discussion.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/113977088\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"Organizer of event.\",\"nation\":[],\"role\":[\"Series organizer\"]},{\"url\":\"\",\"name\":\"Tallman, Ellen\",\"dates\":\"1927-2008\",\"notes\":\"Organizer of event.\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors":["[]"],"Performance_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10932/2022.003.007a-Resize.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Magnetic Recording Tape\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"4 track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10932/2022.003.007b-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10932/2022.003.007c-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10932/2022.003.007d-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10932/2022.003.007e-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10932/2022.003.007f-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"/Users/labmanager/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.007/audio\",\"filename\":\"2022.003.007_7. (2) July 29 Morning - July 31 Morning_Side 1_1-4_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:05:36\",\"precision\":\"\",\"size\":\"2.27 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Extremely varied volume due to speakers' distances from microphone. Access copy will require edit.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/labmanager/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.007/audio\",\"filename\":\"2022.003.007_7. (2) July 29 Morning - July 31 Morning_Side 2_3-2_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:05:29\",\"precision\":\"\",\"size\":\"2.26 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Extremely varied volume due to speakers' distances from microphone. Access copy will require edit.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/labmanager/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.007/audio\",\"filename\":\"2022.003.007_7. (2) July 29 Morning - July 31 Morning_Side 1_3-2_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:05:43\",\"precision\":\"\",\"size\":\"2.27 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Extremely varied volume due to speakers' distances from microphone. Access copy will require edit.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/labmanager/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.007/audio\",\"filename\":\"2022.003.007_7. (2) July 29 Morning - July 31 Morning_Side 2_1-4_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:05:30\",\"precision\":\"\",\"size\":\"2.26 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Extremely varied volume due to speakers' distances from microphone. Access copy will require edit.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-07-29\",\"type\":\"Performance Date\",\"notes\":\"Monday morning discussion on \\\"History.\\\"\",\"source\":\"Date listed on tape.\"},{\"date\":\"1963-07-31\",\"type\":\"Performance Date\",\"notes\":\"Wednesday morning discussion on \\\"Polis.\\\"\",\"source\":\"Date listed on tape.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/91208094\",\"venue\":\"Buchanan Building, University of British Columbia\",\"notes\":\"\",\"address\":\"1866 Main Mall, Vancouver, B.C.\",\"latitude\":\"49.26827765\",\"longitude\":\"-123.2542416\"}]"],"Address":["1866 Main Mall, Vancouver, B.C."],"Venue":["Buchanan Building, University of British Columbia"],"City":["Vancouver, British Columbia"],"contents":["Original recordings from the 1963 Vancouver Poetry Conference. Charles Olson, Robert Creeley, Robert Duncan, Allen Ginsberg, and Philip Whalen Monday morning discussion on \"History,\" July 29, 1963. Charles Olson, Robert Creeley, Robert Duncan, and Allen Ginsberg Wednesday morning discussion on \"Polis,\" July 31, 1963. Recorded by Fred Wah."],"Note":["[{\"note\":\"Tape 7 in Fred Wah's catalogue.\",\"type\":\"General\"},{\"note\":\"Related tapes:\\n2012.002.021\\n2012.002.022\\n2012.002.023\\n2014.002.001\\n2014.002.002\\n2018.002.045\\n2022.002.126\\n2022.003.005\\n2022.003.006\\n2022.003.008\\n2022.003.009\\n2022.003.010\\n2022.003.011\\n2022.003.012\\n2022.003.013\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670549998272513,"timestamp":"2026-01-07T14:59:54.597Z","score":3.0190003},{"id":"4063","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Fred Wah fonds"],"source_collection_label":["Fred Wah fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2022.003"],"persistent_url":[""],"item_title":["8. (3) Aug 5 - Morning. Aug 7 - Morning."],"item_title_source":["Title written on box."],"item_title_note":["Title on box: 8. (3) Aug 5 - Morning. Aug 7 - Morning.\n\nSide A title: n/a\n\nSide B title: n/a\n\nBack of box: \n1-A (all) Aug 5 Monday Morning\n2-A (0-420) All 6 poets. General topic(s): \"intention\" \"induced hypersensitivity\"\n2-A (420-end) Aug 7 Wed. Morning\n1-B (000-650) Ginsberg, Avison, Duncan, Levertov, Creeley. \"Numinous\" How is the poet in the poem.\n3. 2-B (0-488) Ginsberg Nov 26/63. (Auerhahn press sponsored reading)\n185. July 1966: Wichita Vortex Sutra (recorded from KGED program).\n\nAccompanying information: 1 index card with timestamps of contents. See images."],"item_language":["English"],"item_production_context":["Classroom recording"],"item_series_title":["1963 Vancouver Poetry Conference"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Creeley, Robert","Duncan, Robert","Avison, Margaret","Levertov, Denise","Olson, Charles","Tallman, Warren","Tallman, Ellen","Ginsberg, Allen"],"creator_names_search":["Wah, Fred","Creeley, Robert","Duncan, Robert","Avison, Margaret","Levertov, Denise","Olson, Charles","Tallman, Warren","Tallman, Ellen","Ginsberg, Allen"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"Speaker in both August 5th (morning) and August 7th (morning) discussions.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"Speaker in both August 5th (morning) and August 7th (morning) discussions.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/79128508\",\"name\":\"Avison, Margaret\",\"dates\":\"1918-2007\",\"notes\":\"Speaker in both August 5th (morning) and August 7th (morning) discussions.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/9868894\",\"name\":\"Levertov, Denise\",\"dates\":\"1923-1997\",\"notes\":\"Speaker in both August 5th (morning) and August 7th (morning) discussions.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"Speaker in both August 5th (morning) and August 7th (morning) discussions.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/113977088\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"Organizer of event.\",\"nation\":[],\"role\":[\"Series organizer\"]},{\"url\":\"\",\"name\":\"Tallman, Ellen\",\"dates\":\"1927-2008\",\"notes\":\"Organizer of event.\",\"nation\":[],\"role\":[\"Series organizer\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1927-1997\",\"notes\":\"Speaker in both August 5th (morning) and August 7th (morning) discussions, and reader in November 1963 and July 1966 recordings.\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10933/2022.003.008a-Resize.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Magnetic Recording Tape\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"4 track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"1 index card with timestamps of contents\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10933/2022.003.008b-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10933/2022.003.008c-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10933/2022.003.008d-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10933/2022.003.008e-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10933/2022.003.008f-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"/Users/labmanager/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.008/audio\",\"filename\":\"2022.003.008_8. (3) Aug 5 - Morning. Aug 7 - Morning._Side 2_1-4_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:01:10\",\"precision\":\"\",\"size\":\"2.11 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Extremely varied volume due to speakers' distances from microphone. Access copy will require edit.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/labmanager/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.008/audio\",\"filename\":\"2022.003.008_8. (3) Aug 5 - Morning. Aug 7 - Morning._Side 1_1-4_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:01:09\",\"precision\":\"\",\"size\":\"2.11 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Extremely varied volume due to speakers' distances from microphone. Access copy will require edit.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-11-26\",\"type\":\"Performance Date\",\"notes\":\"Allen Ginsberg reading sponsored by Auerhehn Press.\",\"source\":\"Date listed on box.\"},{\"date\":\"1963-08-07\",\"type\":\"Performance Date\",\"notes\":\"Wednesday morning discussion on \\\"numinous.\\\"\",\"source\":\"Date listed on box.\"},{\"date\":\"1963-08-05\",\"type\":\"Performance Date\",\"notes\":\"Monday morning discussion on \\\"intention\\\" and \\\"induced hypersensitivity.\\\"\",\"source\":\"Date listed on box.\"},{\"date\":\"1966-07\",\"type\":\"Performance Date\",\"notes\":\"Allen Ginsberg reading \\\"Wichita Vortex Sutra\\\" from KGED program.\",\"source\":\"Date listed on box.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/91208094\",\"venue\":\"Buchanan Building, University of British Columbia\",\"notes\":\"\",\"address\":\"1866 Main Mall, Vancouver, B.C.\",\"latitude\":\"49.26827765\",\"longitude\":\"-123.2542416\"}]"],"Address":["1866 Main Mall, Vancouver, B.C."],"Venue":["Buchanan Building, University of British Columbia"],"City":["Vancouver, British Columbia"],"contents":["Original recordings from the 1963 Vancouver Poetry Conference. Charles Olson, Robert Creeley, Robert Duncan, Allen Ginsberg, Margaret Avison, and Denise Levertov Monday morning discussion on \"intention\" and \"induced hypersensitivity,\" August 5, 1963. Robert Creeley, Robert Duncan, Allen Ginsberg, Margaret Avison, and Denise Levertov Wednesday morning discussion on \"numinous,\" August 7, 1963. Recorded by Fred Wah. Tape also includes Allen Ginberg reading on November 26, 1963 (sponsored by Auerhahn Press), and Allen Ginsberg reading \"Wichita Vortex Sutra\" (recorded from KGED program) in July 1966. Recordist unknown."],"Note":["[{\"note\":\"Tape 8 in Fred Wah's catalogue.\",\"type\":\"General\"},{\"note\":\"Related tapes:\\n2012.002.021\\n2012.002.022\\n2012.002.023\\n2014.002.001\\n2014.002.002\\n2018.002.045\\n2022.002.126\\n2022.003.005\\n2022.003.006\\n2022.003.007\\n2022.003.009\\n2022.003.010\\n2022.003.011\\n2022.003.012\\n2022.003.013\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670549998272514,"timestamp":"2026-01-07T14:59:54.597Z","score":3.0190003},{"id":"4064","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Fred Wah fonds"],"source_collection_label":["Fred Wah fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2022.003"],"persistent_url":[""],"item_title":["9. (4) Morning Aug 9. Morn. Aug 12. Morning Aug 14."],"item_title_source":["Title written on box."],"item_title_note":["Title on box: 9. (4) Morning Aug 9. Morn. Aug 12. Morning Aug 14.\n\nSide A title: n/a\n\nSide B title: n/a\n\nInside of box: Tape #4\nFriday morning, Aug. 9\nall six poets.\n1-A (all)\n2-A (0-280)\n\nMonday morning, Aug. 12\n(Levertov, Duncan, Ginsberg, Creeley) (readings)\n2-A (280-end)\n1-B (000-550)\n\nWednesday morning, Aug. 14\n(Olson, Duncan, Ginsberg) (duende, angel, muse)\n1-B (550-end)\n2-B (all)\n\nBack of box: Tape #4\nFri Morning Aug 9\n1-A\n2-A (0-280)\nMon Morning Aug 12 (readings)\n(280-end)\n1-B 0-550\nWed. Morning Aug. 14. duende, angel, muse. Copy, transferred from tape #5.\n1-B (550-end)\n2-B (all)\n\nAccompanying information: n/a"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_series_title":["1963 Vancouver Poetry Conference"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Creeley, Robert","Ginsberg, Allen","Duncan, Robert","Avison, Margaret","Levertov, Denise","Olson, Charles","Tallman, Warren","Tallman, Ellen"],"creator_names_search":["Wah, Fred","Creeley, Robert","Ginsberg, Allen","Duncan, Robert","Avison, Margaret","Levertov, Denise","Olson, Charles","Tallman, Warren","Tallman, Ellen"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"Speaker in August 9th (morning) discussion and reader in August 12th (morning) reading.\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1927-1997\",\"notes\":\"Speaker in both August 9th (morning) and August 14th (morning) discussions, and reader in August 12th (morning) reading.\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"Speaker in both August 9th (morning) and August 14th (morning) discussions, and reader in August 12th (morning) reading.\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/79128508\",\"name\":\"Avison, Margaret\",\"dates\":\"1918-2007\",\"notes\":\"Speaker in August 9th (morning) discussion.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/9868894\",\"name\":\"Levertov, Denise\",\"dates\":\"1923-1997\",\"notes\":\"Speaker in both August 9th (morning) discussion and reader in August 12th (morning) reading.\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"Speaker in both August 9th (morning) and August 14th (morning) discussions.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/113977088\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"Organizer of event.\",\"nation\":[],\"role\":[\"Series organizer\"]},{\"url\":\"\",\"name\":\"Tallman, Ellen\",\"dates\":\"1927-2008\",\"notes\":\"Organizer of event.\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors":["[]"],"Performance_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10934/2022.003.009a-Resize.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Magnetic Recording Tape\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"4 track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"None\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10934/2022.003.009b-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10934/2022.003.009c-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10934/2022.003.009d-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10934/2022.003.009e-Resize1.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"/Users/labmanager/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.009/audio\",\"filename\":\"2022.003.009_9. (4) Morning Aug 9. Morn. Aug 12. Morning Aug 14._Side 1_1-4_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:07:59\",\"precision\":\"\",\"size\":\"2.35 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Extremely varied volume due to speakers' distances from microphone. Access copy will require edit.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/labmanager/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.009/audio\",\"filename\":\"2022.003.009_9. (4) Morning Aug 9. Morn. Aug 12. Morning Aug 14._Side 2_1-4_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:07:55\",\"precision\":\"\",\"size\":\"2.35 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Extremely varied volume due to speakers' distances from microphone. Access copy will require edit.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/labmanager/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.009/audio\",\"filename\":\"2022.003.009_9. (4) Morning Aug 9. Morn. Aug 12. Morning Aug 14._Side 1_3-2_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:07:49\",\"precision\":\"\",\"size\":\"2.34 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Extremely varied volume due to speakers' distances from microphone. Access copy will require edit.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/labmanager/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.009/audio\",\"filename\":\"2022.003.009_9. (4) Morning Aug 9. Morn. Aug 12. Morning Aug 14._Side 2_3-2_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:07:20\",\"precision\":\"\",\"size\":\"2.33 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Extremely varied volume due to speakers' distances from microphone. Access copy will require edit.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-08-09\",\"type\":\"Performance Date\",\"notes\":\"Friday morning discussion.\",\"source\":\"Date listed on box.\"},{\"date\":\"1963-08-12\",\"type\":\"Performance Date\",\"notes\":\"Monday morning reading.\",\"source\":\"Date listed on box.\"},{\"date\":\"1963-08-14\",\"type\":\"Performance Date\",\"notes\":\"Wednesday morning discussion on \\\"duende, angel, muse\\\".\",\"source\":\"Date listed on box.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/91208094\",\"venue\":\"Buchanan Building, University of British Columbia\",\"notes\":\"\",\"address\":\"1866 Main Mall, Vancouver, B.C.\",\"latitude\":\"49.26827765\",\"longitude\":\"-123.2542416\"}]"],"Address":["1866 Main Mall, Vancouver, B.C."],"Venue":["Buchanan Building, University of British Columbia"],"City":["Vancouver, British Columbia"],"contents":["Original recordings from the 1963 Vancouver Poetry Conference. Charles Olson, Robert Creeley, Robert Duncan, Allen Ginsberg, Margaret Avison, and Denise Levertov Friday morning discussion, August 9, 1963. Robert Creeley, Robert Duncan, Allen Ginsberg, and Denise Levertov Monday morning reading, August 12, 1963. Charles Olson, Robert Duncan, and Allen Ginsberg Wednesday morning discussion on \"duende, angel, muse,\" August 14, 1963. Recorded by Fred Wah."],"Note":["[{\"note\":\"Tape 9 in Fred Wah's catalogue.\",\"type\":\"General\"},{\"note\":\"Related tapes:\\n2012.002.021\\n2012.002.022\\n2012.002.023\\n2014.002.001\\n2014.002.002\\n2018.002.045\\n2022.002.126\\n2022.003.005\\n2022.003.006\\n2022.003.007\\n2022.003.008\\n2022.003.010\\n2022.003.011\\n2022.003.012\\n2022.003.013\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670550000369664,"timestamp":"2026-01-07T14:59:54.597Z","score":3.0190003},{"id":"4065","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Fred Wah fonds"],"source_collection_label":["Fred Wah fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2022.003"],"persistent_url":[""],"item_title":["10. Morning Aug 16, Aug 2, July 24"],"item_title_source":["Title written on box."],"item_title_note":["Title on box: 10. Morning Aug 16, Aug 2, July 24\n\nSide A: n/a\n\nSide B: n/a\n\nInside of box: \nWednesday morning, July 24: Creeley & Ginsberg: 1-A (all). 2-A (0-135)\n\nFriday morning, August 2: Gins. Creeley, Duncan, Olson - 2-A (135 to end). 1-B (000-)\n\nFriday morning, August 16: Creeley, Ginsberg, Duncan. Linguistics. 1-B. 2-B. 2-B 170.\n\nBack of box: \n1-A: Wednesday morning. July 24: Creeley & Ginsberg.\n2-A: (000-135) Wednesday morning. July 24. (incomplete. last part of recording no good)\n2-A: (135 to end) Friday morning, August 2: Ginsberg, Creeley, Duncan, & Olson.\n1-B: (000-500) (copies transferred from tape #5)\n1-B: (500-end) Friday morning, August 16: Creeley, Ginsberg, Duncan.\n2-B: 170 'linguistics'\n\nAccompanying information: n/a"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_series_title":["1963 Vancouver Poetry Conference"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Creeley, Robert","Ginsberg, Allen","Duncan, Robert","Olson, Charles","Tallman, Warren","Tallman, Ellen"],"creator_names_search":["Wah, Fred","Creeley, Robert","Ginsberg, Allen","Duncan, Robert","Olson, Charles","Tallman, Warren","Tallman, Ellen"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"Speaker in July 24 (morning), August 2 (morning), and August 16 (morning) discussions.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1927-1997\",\"notes\":\"Speaker in July 24 (morning), August 2 (morning), and August 16 (morning) discussions.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"Speaker in J August 2 (morning) and August 16 (morning) discussions.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"Speaker in August 16 (morning) discussions.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/113977088\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"Organizer of event.\",\"nation\":[],\"role\":[\"Series organizer\"]},{\"url\":\"\",\"name\":\"Tallman, Ellen\",\"dates\":\"1927-2008\",\"notes\":\"Organizer of event.\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors":["[]"],"Performance_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10935/2022.003.010a-Resize.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Magnetic Recording Tape\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"4 track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"None\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10935/2022.003.010b-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10935/2022.003.010c-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10935/2022.003.010d-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10935/2022.003.010e-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"/Users/SpokenWeb/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.010/audio\",\"filename\":\"2022.003.010_10. Morning Aug 16, Aug 2, July 24_Side 2_3-2_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:06:07\",\"precision\":\"\",\"size\":\"2.29 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/SpokenWeb/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.010/audio\",\"filename\":\"2022.003.010_10. Morning Aug 16, Aug 2, July 24_Side 2_1-4_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:05:58\",\"precision\":\"\",\"size\":\"2.28 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/SpokenWeb/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.010/audio\",\"filename\":\"2022.003.010_10. Morning Aug 16, Aug 2, July 24_Side 1_1-4_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:00:28\",\"precision\":\"\",\"size\":\"2.09 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/SpokenWeb/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.010/audio\",\"filename\":\"2022.003.010_10. Morning Aug 16, Aug 2, July 24_Side 1_3-2_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:05:53\",\"precision\":\"\",\"size\":\"2.28 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-07-24\",\"type\":\"Performance Date\",\"notes\":\"Wednesday morning discussion.\",\"source\":\"Date listed on box.\"},{\"date\":\"1963-08-02\",\"type\":\"Performance Date\",\"notes\":\"Friday morning discussion.\",\"source\":\"Date listed on box.\"},{\"date\":\"1963-08-16\",\"type\":\"Performance Date\",\"notes\":\"Friday morning discussion.\",\"source\":\"Date listed on box.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/91208094\",\"venue\":\"Buchanan Building, University of British Columbia\",\"notes\":\"\",\"address\":\"1866 Main Mall, Vancouver, B.C.\",\"latitude\":\"49.26827765\",\"longitude\":\"-123.2542416\"}]"],"Address":["1866 Main Mall, Vancouver, B.C."],"Venue":["Buchanan Building, University of British Columbia"],"City":["Vancouver, British Columbia"],"contents":["Original recordings from the 1963 Vancouver Poetry Conference. Robert Creeley and Allen Ginsberg discussion on Wednesday morning, July 24, 1963. Robert Creeley, Robert Duncan, Allen Ginsberg, and Charles Olson discussion on Friday morning, August 2, 1963. Robert Duncan, Allen Ginsberg, and Robert Creeley discussion (possibly on \"linguistics\") on Friday morning, August 16, 1963. Recorded by Fred Wah."],"Note":["[{\"note\":\"Tape 10 in Fred Wah's catalogue.\",\"type\":\"General\"},{\"note\":\"Related tapes:\\n2012.002.021\\n2012.002.022\\n2012.002.023\\n2014.002.001\\n2014.002.002\\n2018.002.045\\n2022.002.126\\n2022.003.005\\n2022.003.006\\n2022.003.007\\n2022.003.008\\n2022.003.009\\n2022.003.011\\n2022.003.012\\n2022.003.013\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670550001418240,"timestamp":"2026-01-07T14:59:54.597Z","score":3.0190003},{"id":"4070","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Fred Wah fonds"],"source_collection_label":["Fred Wah fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2022.003"],"persistent_url":[""],"item_title":["15. Williams, Kearns, Mathews, Wah, Olson. 1 side Zukofsky."],"item_title_source":["Title written on box."],"item_title_note":["Title on box: 15. Williams, Kearns, Mathews, Wah, Olson. 1 side Zukofsky.\n\nSide A title: n/a\n\nSide B title: n/a\n\nBack of box:\n7. 1A Poetry Centre Reading - Kearns, Mathews, Wah UBC Feb '63.\n1A Wm Carlos Wms. - (Caedmon TC 1047)\n1B. Charles Olson reading Maximus et al.\n2A. Robert Creeley interviewing Robert Duncan, Duncan reads 8/1/62\n2B. Williams - NET Soundtrack\nZukofsky - NET Soundtrack\n\nAccompanying information: 2 sheets of paper with timestamps of contents. See images."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Mathews, Robin","Kearns, Lionel","Wah, Fred","Olson, Charles","Creeley, Robert","Duncan, Robert","Williams, William Carlos","Zukofsky, Louis"],"creator_names_search":["Mathews, Robin","Kearns, Lionel","Wah, Fred","Olson, Charles","Creeley, Robert","Duncan, Robert","Williams, William Carlos","Zukofsky, Louis"],"creators":["[{\"url\":\"http://viaf.org/viaf/98040506\",\"name\":\"Mathews, Robin\",\"dates\":\"1931-\",\"notes\":\"Reader at Poetry Centre, February 1962.\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/30784380\",\"name\":\"Kearns, Lionel\",\"dates\":\"1937-\",\"notes\":\"Reader at Poetry Centre, February 1962.\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"Reader at Poetry Centre, February 1962.\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"Reader of Maximus.\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"Interviewer of Robert Duncan.\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"Interviewee and reader.\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/29542054\",\"name\":\"Williams, William Carlos\",\"dates\":\"1883-1963\",\"notes\":\"NET Soundtrack\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/42358\",\"name\":\"Zukofsky, Louis\",\"dates\":\"1904-1978\",\"notes\":\"NET Soundtrack\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10940/2022.003.015a-Resize.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Soundcraft Hi-Fi 50 m Recording Tape\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"4 track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"2 sheets of paper with timestamps of contents.\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10940/2022.003.015b-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10940/2022.003.015c-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10940/2022.003.015d-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10940/2022.003.015e-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10940/2022.003.015f-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10940/2022.003.015g-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10940/2022.003.015h-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"/Users/labmanager/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.015/audio\",\"filename\":\"2022.003.015_15. Williams, Kearns, Mathews, Wah, Olson. 1 side Zukofsky._Side 1_1-4_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:31:09\",\"precision\":\"\",\"size\":\"2.1 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/labmanager/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.015/audio\",\"filename\":\"2022.003.015_15. Williams, Kearns, Mathews, Wah, Olson. 1 side Zukofsky._Side 1_1-4_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:30:51\",\"precision\":\"\",\"size\":\"2.09 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/labmanager/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.015/audio\",\"filename\":\"2022.003.015_15. Williams, Kearns, Mathews, Wah, Olson. 1 side Zukofsky._Side 2_1-4_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T00:56:46\",\"precision\":\"\",\"size\":\"1.31 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/labmanager/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.015/audio\",\"filename\":\"2022.003.015_15. Williams, Kearns, Mathews, Wah, Olson. 1 side Zukofsky._Side 2_3-2_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:37:12\",\"precision\":\"\",\"size\":\"2.24 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-02\",\"type\":\"Performance Date\",\"notes\":\"Lionel Kearns, Robin Mathews, and Fred Wah Poetry Centre reading.\",\"source\":\"Date listed on box.\"},{\"date\":\"1962-01-08\",\"type\":\"Performance Date\",\"notes\":\"Robert Creeley interview of Robert Duncan. Date is unconfirmed. Could also be August 1, 1962.\",\"source\":\"Date listed on box.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/11678160\",\"venue\":\"The University of British Columbia\",\"notes\":\"Location of Lionel Kearns, Robin Mathews, and Fred Wah reading.\",\"address\":\"Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2581\",\"longitude\":\"-123.2448\"}]"],"Address":["Vancouver, BC V6T 1Z4"],"Venue":["The University of British Columbia"],"City":["Vancouver, British Columbia"],"contents":["\"Poetry readings include: Lionel Kearns, Robin Mathews, and Fred Wah at Poetry Centre Reading, UBC, February 1962.\nWilliam Carlos Williams reading Caedmon.\nCharles Olson reading Maximus.\nRobert Creeley interview of Robert Duncan, 8/1/62.\nWilliams Carlos Williams and Louis Zukofsky, NET Soundtrack.\""],"Note":["[{\"note\":\"Tape 15 in Fred Wah's catalogue.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550003515394,"timestamp":"2026-01-07T14:59:54.597Z","score":3.0190003},{"id":"4075","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Fred Wah fonds"],"source_collection_label":["Fred Wah fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2022.003"],"persistent_url":[""],"item_title":["20. The Berkeley Poetry Conference. Loewinsohn, Kyger, Welch: Poetry Reading"],"item_title_source":["Title written on box."],"item_title_note":["Title on box: 20. The Berkeley Poetry Conference. Loewinsohn, Kyger, Welch: Poetry Reading\n\nSide A title: n/a\n\nSide B title: n/a\n\nFront of box:\ntwo track recording\n3 3/4 ips\nThe Berkeley Poetry Conference\ntrack one\nLoewinsohn, Ron; Kyger, Joanne; Welch, Lew: Poetry Reading - 116' 20\"\nintro: Robert Duncan, Allen Ginsberg - 4' 40\"\nJuly 24, 1965\ntrack two\nLoewinsoh[sic], Kyger, Welch: Poetry Reading cont.\n#934\nUniversity of California, Berkeley Language Laboratory\n\nAccompanying information: 1 index card with timestamps of contents."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Loewinsohn, Ron","Kyger, Joanne","Welch, Lew","Duncan, Robert","Ginsberg, Allen"],"creator_names_search":["Loewinsohn, Ron","Kyger, Joanne","Welch, Lew","Duncan, Robert","Ginsberg, Allen"],"creators":["[{\"url\":\"http://viaf.org/viaf/85836314\",\"name\":\"Loewinsohn, Ron\",\"dates\":\"1937-2014\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/71627705\",\"name\":\"Kyger, Joanne\",\"dates\":\"1934-2017\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/72272999\",\"name\":\"Welch, Lew\",\"dates\":\"1926-1971\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"Introducer\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"Introducer\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10945/2022.003.020a-Resize.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"1 index card with timestamps of contents.\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10945/2022.003.020b-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10945/2022.003.020c-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10945/2022.003.020d-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10945/2022.003.020e-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"/Users/labmanager/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.020/audio\",\"filename\":\"2022.003.020_20. The Berkeley Poetry Conference. Loewinsohn, Kyger, Welch: Poetry Reading_Side 1_1-4.wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T00:47:46\",\"precision\":\"\",\"size\":\"1.65 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/labmanager/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.020/audio\",\"filename\":\"2022.003.020_20. The Berkeley Poetry Conference. Loewinsohn, Kyger, Welch: Poetry Reading_Side 1_3-2_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:13:15\",\"precision\":\"\",\"size\":\"2.53 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/labmanager/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.020/audio\",\"filename\":\"2022.003.020_20. The Berkeley Poetry Conference. Loewinsohn, Kyger, Welch: Poetry Reading_Side 2_1-4_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:12:56\",\"precision\":\"\",\"size\":\"2.52 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/labmanager/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.020/audio\",\"filename\":\"2022.003.020_20. The Berkeley Poetry Conference. Loewinsohn, Kyger, Welch: Poetry Reading_Side 2_3-2_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T00:48:33\",\"precision\":\"\",\"size\":\"1.68 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-07-24\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on box.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/24024512\",\"venue\":\"California Hall, Berkeley Campus, University of California\",\"notes\":\"\",\"address\":\"Sather Road, Berkeley, CA, USA\",\"latitude\":\"37.8718839\",\"longitude\":\"-122.2603674\"}]"],"Address":["Sather Road, Berkeley, CA, USA"],"Venue":["California Hall, Berkeley Campus, University of California"],"City":["Berkeley, California"],"contents":["Readings by Ron Loewinsohn, Joanne Kyger, and Lew Welch at the Berkeley Poetry Conference, introduced by Robert Duncan and Allen Ginsberg, July 24, 1965."],"Note":["[{\"note\":\"Tape 20 in Fred Wah's catalogue.\",\"type\":\"General\"},{\"note\":\"Related tapes:\\n2012.002.012 (duplicate)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670550006661120,"timestamp":"2026-01-07T14:59:54.597Z","score":3.0190003},{"id":"4076","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Fred Wah fonds"],"source_collection_label":["Fred Wah fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2022.003"],"persistent_url":[""],"item_title":["21. Finlay / Corman / Duncan"],"item_title_source":["Title written on box."],"item_title_note":["Title on box: 21. Finlay / Corman / Duncan\n\nSide A title: n/a\n\nSide B title: n/a\n\nBack of box:\n1-A Finlay\nCorman (280 ff. H-11\n2-A Corman\n17. Duncan at UNM Spring 64 reading from Roots and Branches\n1-B Poet Michael McClure reading at the Lion - house Fleishacker Zoo S.F. (an edition of 50 by Wally Berman) and Glover, Butterick, Wah, Clark\n2-B [same as side 1-B] Jan 15/66\n\nAccompanying information: n/a"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Corman, Cid","Duncan, Robert","McClure, Michael","Glover","Butterick, George","Wah, Fred","Finlay, Ian Hamilton","Clarke, John \"Jack\""],"creator_names_search":["Corman, Cid","Duncan, Robert","McClure, Michael","Glover","Butterick, George","Wah, Fred","Finlay, Ian Hamilton","Clarke, John \"Jack\""],"creators":["[{\"url\":\"http://viaf.org/viaf/7405370\",\"name\":\"Corman, Cid\",\"dates\":\"1924-2004\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/71493269\",\"name\":\"McClure, Michael\",\"dates\":\"1932-2020\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Glover\",\"dates\":\"\",\"notes\":\"Reader unknown.\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/109397621\",\"name\":\"Butterick, George\",\"dates\":\"1942-1988\",\"notes\":\"Reader unconfirmed.\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/44322259\",\"name\":\"Finlay, Ian Hamilton\",\"dates\":\"1925-2006\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/40837274\",\"name\":\"Clarke, John \\\"Jack\\\"\",\"dates\":\"1933-1992\",\"notes\":\"Possible reader.\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1964],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10946/2022.003.021a-Resize.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Kodak Sound Recording Tape\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"4 track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"None\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10946/2022.003.021b-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10946/2022.003.021c-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10946/2022.003.021d-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"/Users/labmanager/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.021/audio\",\"filename\":\"2022.003.021_21. Finlay / Corman / Duncan_Side 1_1-4_part 1_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T00:48:17\",\"precision\":\"\",\"size\":\"1.67 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/labmanager/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.021/audio\",\"filename\":\"2022.003.021_21. Finlay / Corman / Duncan_Side 1_3-2_part 1_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T00:48:38\",\"precision\":\"\",\"size\":\"1.68 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/labmanager/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.021/audio\",\"filename\":\"2022.003.021_21. Finlay / Corman / Duncan_Side 1_1-4_part 2_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T00:15:46\",\"precision\":\"\",\"size\":\"545.1 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/labmanager/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.021/audio\",\"filename\":\"2022.003.021_21. Finlay / Corman / Duncan_Side 1_3-2_part 2_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T00:15:46\",\"precision\":\"\",\"size\":\"545 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/labmanager/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.021/audio\",\"filename\":\"2022.003.021_21. Finlay / Corman / Duncan_Side 2_1-4_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:03:16\",\"precision\":\"\",\"size\":\"2.19 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/labmanager/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.021/audio\",\"filename\":\"2022.003.021_21. Finlay / Corman / Duncan_Side 2_1-4_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T00:47:45\",\"precision\":\"\",\"size\":\"1.65 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1964\",\"type\":\"Performance Date\",\"notes\":\"Spring 1964. Date of Duncan reading in Albuquerque (Roots and Branches)\",\"source\":\"Date listed on box.\"},{\"date\":\"1966-01-15\",\"type\":\"Performance Date\",\"notes\":\"Date of Glover, Butterick, Wah, and Clarke reading.\",\"source\":\"Date listed on box.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/305072242\",\"venue\":\"University of New Mexico\",\"notes\":\"Location of Robert Duncan reading.\",\"address\":\"Albuquerque, New Mexico, USA\",\"latitude\":\"35.08663275\",\"longitude\":\"-106.6202094\"},{\"url\":\"https://www.openstreetmap.org/way/28942097\",\"venue\":\"Lion House, San Francisco Zoo\",\"notes\":\"Location of Michael McClure reading.\",\"address\":\"Sloat Blvd &, Upper Great Hwy, San Francisco, CA 94132, United States\",\"latitude\":\"37.7321651\",\"longitude\":\"-122.50162234997299\"},{\"url\":\"https://www.openstreetmap.org/relation/175031\",\"venue\":\"\",\"notes\":\"Location of Gover, Butterick, Wah, and Clarke reading.\",\"address\":\"Buffalo, New York, USA\",\"latitude\":\"42.8867166\",\"longitude\":\"-78.8783922\"}]"],"Address":["Albuquerque, New Mexico, USA","Sloat Blvd &, Upper Great Hwy, San Francisco, CA 94132, United States","Buffalo, New York, USA"],"Venue":["University of New Mexico","Lion House, San Francisco Zoo"],"City":["Albuquerque, New Mexico","Buffalo, New York"],"contents":["Readings by Ian Hamilton Finlay, Cid Corman. Robert Duncan reading of Roots and Branches in Albuquerque, Spring 1964. Michael McClure reading at the Lion House, San Francisco Zoo. Glover, George Butterick, Fred Wah, and Clarke reading at Buffalo, January 15, 1966."],"Note":["[{\"note\":\"Tape 21 in Fred Wah's catalogue.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Duncan, Robert. Roots and Branches. 1964.\"}]"],"_version_":1853670550006661121,"timestamp":"2026-01-07T14:59:54.597Z","score":3.0190003},{"id":"4084","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Fred Wah fonds"],"source_collection_label":["Fred Wah fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2022.003"],"persistent_url":[""],"item_title":["29. Duncan \"Passages\" and \"Apprehensions\". Duncan, Spicer, Blaser re Berkeley Days. S.F. July 1965."],"item_title_source":["Title taken from back of box"],"item_title_note":["Title on box: 29.\n\nSide A title: n/a\n\nSide B title: n/a\n\nBack of box: \n1A 21. Duncan - \"Passages\" - Buffalo - May 1/67. - 0-580. all. 684-\n2A 22. Duncan - \"Apprehensions Lctr.\" - Jan 12/66. - 0-1150 Vancouver.\n854 reading apprehensions\n1B 23. Duncan, Spicer, Blaser re Berkeley Days S.F. July 1965. all\n2B. Duncan, Spicer, Blaser re Berkeley Days S.F. July 1965. all\n2A. Duncan, Spicer, Blaser re Berkeley Days S.F. July 1965. 1150-end\nMultweisity[?] 838\nPassages 22 909\nPassages 23 946\nPassages 24-25 1021\nPassages 26 1079\nPassages 27 1189\nPassages 28 1237\n\nAccompanying information: n/a"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert","Spicer, Jack","Blaser, Robin"],"creator_names_search":["Duncan, Robert","Spicer, Jack","Blaser, Robin"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"Lecturer and reader.\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/46807530\",\"name\":\"Spicer, Jack\",\"dates\":\"1925-1965\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10994/2022.003.029a-Resize.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Award polyester base magnetic recording tape\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"4 track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"None\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10994/2022.003.029b-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10994/2022.003.029c-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10994/2022.003.029d-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"/Users/labmanager/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.029/audio\",\"filename\":\"2022.003.029_29.[Duncan \",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:55:17\",\"precision\":\"\",\"size\":\"3.98 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/labmanager/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.029/audio\",\"filename\":\"2022.003.029_29.[Duncan \",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T02:02:26\",\"precision\":\"\",\"size\":\"4.23 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/labmanager/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.029/audio\",\"filename\":\"2022.003.029_29.[Duncan Passages and Apprehensions. Duncan, Spicer, Blaser re Berkeley Days. S.F. July 1965.]_Side 2_1-4_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T02:02:15\",\"precision\":\"\",\"size\":\"4.22 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/labmanager/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.029/audio\",\"filename\":\"2022.003.029_29.[Duncan \",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T02:02:16\",\"precision\":\"\",\"size\":\"4.23 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-07\",\"type\":\"Performance Date\",\"notes\":\"Date of Robert Duncan, Jack Spicer, and Robin Blaser discussion about Berkeley Days at the Berkeley Poetry Conference in July 1965.\",\"source\":\"Date listed on box.\"},{\"date\":\"1966-01-12\",\"type\":\"Performance Date\",\"notes\":\"Date of Robert Duncan \\\"Apprehensions\\\" lecture in Vancouver.\",\"source\":\"Date listed on box.\"},{\"date\":\"1967-05-01\",\"type\":\"Performance Date\",\"notes\":\"Date of Robert Duncan \\\"Passages\\\" reading in Buffalo.\",\"source\":\"Date listed on box.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/175031\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Buffalo, New York, USA\",\"latitude\":\"42.8867166\",\"longitude\":\"-78.8783922\"},{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Vancouver, BC, Canada\",\"latitude\":\"49.2608724\",\"longitude\":\"-123.113952\"}]"],"Address":["Buffalo, New York, USA","Vancouver, BC, Canada"],"City":["Buffalo, New York","Vancouver, British Columbia"],"contents":["Tape includes recordings of Robert Duncan reading \"Passages\" in Buffalo on May 1, 1967; Robert Duncan \"Apprehensions\" lecture and reading in Vancouver on January 12, 1966; and Robert Duncan, Jack Spicer, and Robin Blaser discussion re Berekley Days in San Francisco in July 1965."],"Note":["[{\"note\":\"Tape 29 in Fred Wah's catalogue.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550009806850,"timestamp":"2026-01-07T14:59:54.597Z","score":3.0190003},{"id":"4086","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Fred Wah fonds"],"source_collection_label":["Fred Wah fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2022.003"],"persistent_url":[""],"item_title":["31. Duncan, Spicer Berkeley Days; Duncan Buffalo Lecture; Wieners - Drugs - Buffalo Spring 1967"],"item_title_source":["Title taken from back of box"],"item_title_note":["Title on box: 31.\n\nSide A title: track one. The Berkeley Poetry Conference. Loewinsohn, Kyger, Welch: Poetry Reading\n\nSide B title: track two. The Berkeley Poetry Conference. Loewinsohn, Kyger, Welch: Reading cont.\n\nBack of box: \n23. 1A. Duncan, Spicer Berkeley Days - - - - 0-58\nDuncan Buffalo lecture #1. - - - - 60-end\n2A. Duncan Buffalo lecture #2 - - - - all\n1B. Duncan Buffalo lecture #3 - - - - all\n2B. Wieners - Drugs - Buffalo Spring 1967 - - - -\n27.\n\nAccompanying information: n/a"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert","Spicer, Jack","Blaser, Robin","Wieners, John"],"creator_names_search":["Duncan, Robert","Spicer, Jack","Blaser, Robin","Wieners, John"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/46807530\",\"name\":\"Spicer, Jack\",\"dates\":\"1925-1965\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/90723960\",\"name\":\"Wieners, John\",\"dates\":\"1934-2002\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1967],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11001/2022.003.031a-Resize.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Award polyester base magnetic recording tape\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"4 track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"None\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/11001/2022.003.031b-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/11001/2022.003.031c-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/11001/2022.003.031d-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"/Users/labmanager/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.031/audio\",\"filename\":\"2022.003.031_31.[Duncan, Blaser, Spicer, Wieners, 1967]_Side 1_1/4_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:59:48\",\"precision\":\"\",\"size\":\"4.14 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/labmanager/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.031/audio\",\"filename\":\"2022.003.031_31.[Duncan, Blaser, Spicer, Wieners, 1967]_Side 1_3/2_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:59:56\",\"precision\":\"\",\"size\":\"4.14 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/labmanager/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.031/audio\",\"filename\":\"2022.003.031_31.[Duncan, Blaser, Spicer, Wieners, 1967]_Side 2_1-4_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:54:47\",\"precision\":\"\",\"size\":\"3.97 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/labmanager/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.031/audio\",\"filename\":\"2022.003.031_31.[Duncan, Blaser, Spicer, Wieners, 1967]_Side 2_3-2_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:51:41\",\"precision\":\"\",\"size\":\"3.86 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1967\",\"type\":\"Performance Date\",\"notes\":\"Spring 1967 date of John Wiener's lecture.\",\"source\":\"Date listed on box.\"},{\"date\":\"1967-05-04\",\"type\":\"Performance Date\",\"notes\":\"Date of Robert Duncan's second lecture in Buffalo.\",\"source\":\"Date listed on Fred Wah's catalogue.\"},{\"date\":\"1967-04-30\",\"type\":\"Performance Date\",\"notes\":\"Date of Robert Duncan's first lecture in Buffalo.\",\"source\":\"Date listed on Fred Wah's catalogue.\"},{\"date\":\"1967-05-05\",\"type\":\"Performance Date\",\"notes\":\"Date of Robert Duncan's third lecture in Buffalo.\",\"source\":\"Date listed on Fred Wah's catalogue.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/175031\",\"venue\":\"\",\"notes\":\"Location of Robert Duncan's and John Wiener's lectures.\",\"address\":\"Buffalo, New York, USA\",\"latitude\":\"42.8867166\",\"longitude\":\"-78.8783922\"}]"],"Address":["Buffalo, New York, USA"],"City":["Buffalo, New York"],"contents":["Tape includes recordings of Robert Duncan, Jack Spicer, and Robin Blaser re Berkeley Days; Three lectures by Robert Duncan at Buffalo on April 30, May 4, and May 5, 1967; and John Wieners Drug lectures at Buffalo, Spring 1967."],"Note":["[{\"note\":\"Tape 31 in Fred Wah's catalogue.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550011904000,"timestamp":"2026-01-07T14:59:54.597Z","score":3.0190003},{"id":"4100","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Fred Wah fonds"],"source_collection_label":["Fred Wah fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2022.003"],"persistent_url":[""],"item_title":["45. Duncan - The Creative Imagination: The Derivation and Projection of A Poetry, Inst. of Further Studies, Spring 1967\n"],"item_title_source":["Title taken from back of box"],"item_title_note":["Title on box: n/a\n\nSide A title: n/a\n\nSide B title: n/a\n\nBack of box: \n45. Duncan - The Creative Imagination: The Derivation and Projection of A Poetry, Inst. of Further Studies, Spring 1967\n26. 1A 2A 1B 0-1030\n\nAccompanying information: n/a"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert"],"creator_names_search":["Duncan, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/1051422811\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1967],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11066/2022.003.045a-Resize.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Award Fidelity Sound polyester base magnetic recording tape\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"4 track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"None\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/11066/2022.003.045b-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/11066/2022.003.045c-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/11066/2022.003.045d-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"/Users/labmanager/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.045/audio\",\"filename\":\"2022.003.045_45. Duncan - The Creative Imagination- The Derivation and Projection of A Poetry, Inst. of Further Studies, Spring 1967 _Side 1_1-4_pt1_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:02:37\",\"precision\":\"\",\"size\":\"2.16 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Too large to be exported by Audacity - split into two parts\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/labmanager/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.045/audio\",\"filename\":\"2022.003.045_45. Duncan - The Creative Imagination- The Derivation and Projection of A Poetry, Inst. of Further Studies, Spring 1967 _Side 1_1-4_pt2_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:06:20\",\"precision\":\"\",\"size\":\"2.29 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Too large to be exported by Audacity - split into two parts\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/labmanager/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.045/audio\",\"filename\":\"2022.003.045_45. Duncan - The Creative Imagination- The Derivation and Projection of A Poetry, Inst. of Further Studies, Spring 1967 _Side 1_3-2_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:31:23\",\"precision\":\"\",\"size\":\"3.16 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/labmanager/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.045/audio\",\"filename\":\"2022.003.045_45. Duncan - The Creative Imagination- The Derivation and Projection of A Poetry, Inst. of Further Studies, Spring 1967 _Side 2_1-4_pt1_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:06:14\",\"precision\":\"\",\"size\":\"2.29 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Too large to be exported by Audacity - split into two parts\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/labmanager/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.045/audio\",\"filename\":\"2022.003.045_45. Duncan - The Creative Imagination- The Derivation and Projection of A Poetry, Inst. of Further Studies, Spring 1967 _Side 2_1-4_pt2_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:02:40\",\"precision\":\"\",\"size\":\"2.17 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Too large to be exported by Audacity - split into two parts. Side 2 track 3/2 is BLANK\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1967\",\"type\":\"Performance Date\",\"notes\":\"Spring 1967.\",\"source\":\"Date listed on box.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/175031\",\"venue\":\"Inst. of Further Studies\",\"notes\":\"\",\"address\":\"Buffalo, New York, USA\",\"latitude\":\"42.8867166\",\"longitude\":\"-78.8783922\"}]"],"Address":["Buffalo, New York, USA"],"Venue":["Inst. of Further Studies"],"City":["Buffalo, New York"],"contents":["Recording of Robert Duncan lecture on \"The Creative Imagination: The Derivation and Projection of A Poetry\" at the Institute of Further Studies in Buffalo, NY, Spring 1967."],"Note":["[{\"note\":\"Tape 45 in Fred Wah's catalogue.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550016098304,"timestamp":"2026-01-07T14:59:54.597Z","score":3.0190003},{"id":"4057","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Fred Wah fonds"],"source_collection_label":["Fred Wah fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2022.003"],"persistent_url":[""],"item_title":["2. Duncan (Lectures July/61) Lectures July 61 (Tape No. 2)"],"item_title_source":["Title written on box."],"item_title_note":["Title on box: Duncan (Lectures July/61) Lectures July 61 (Tape No. 2)\n\nBack of box: \nSide\n1-A. Duncan Lectures July 24/61. 0-290\nDuncan Lectures July 25/61. 291-1160\n2-A. Duncan Lectures July 25/61. 0-1190\n1-B. Duncan Lectures July 25/61. 0-210\n\nSide A title: n/a\n\nSide B title: n/a\n\nAccompanying information: n/a\n"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["7 inch reels"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Duncan, Robert","Tallman, Warren","Tallman, Ellen"],"creator_names_search":["Wah, Fred","Duncan, Robert","Tallman, Warren","Tallman, Ellen"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/113977088\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"Lectures hosted in Warren and Ellen Tallman's home.\",\"nation\":[],\"role\":[\"Series organizer\"]},{\"url\":\"\",\"name\":\"Tallman, Ellen\",\"dates\":\"1927-2008\",\"notes\":\"Lectures hosted in Warren and Ellen Tallman's home.\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors":["[]"],"Performance_Date":[1961],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10891/2022.003.002b-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10891/2022.003.002c-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10891/2022.003.002d-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10891/2022.003.002a-Resize.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Magnetic Recording Tape\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"4 track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"None\",\"other_physical_description\":\"7 inch reel\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"/Volumes/research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.002/audio\",\"filename\":\"2022.003.002_2. Duncan (Lectures July/61) Lectures July 61 (Tape No. 2)_Side 2_1-4_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:35:24\",\"precision\":\"\",\"size\":\"3.29 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side 2, track 1/4 of reel-to-reel tape.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Volumes/research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.002/audio\",\"filename\":\"2022.003.002_2. Duncan (Lectures July/61) Lectures July 61 (Tape No. 2)_Side 1_3-2_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T00:23:51\",\"precision\":\"\",\"size\":\"824.2 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side 1, track 3/2 of reel-to-reel tape.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Volumes/research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.002/audio\",\"filename\":\"2022.003.002_2. Duncan (Lectures July/61) Lectures July 61 (Tape No. 2)_Side 1_1-4_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:35:14\",\"precision\":\"\",\"size\":\"3.3 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side 1, track 1/4 of reel-to-reel tape.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1961-07-24\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on box.\"},{\"date\":\"1961-07-25\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on box.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"Warren and Ellen Tallman's home\",\"notes\":\"Location of Robert Duncan lecture.\",\"address\":\"37th St., Vancouver, B.C., Canada\",\"latitude\":\"49.246292\",\"longitude\":\"-123.116226\"}]"],"Address":["37th St., Vancouver, B.C., Canada"],"Venue":["Warren and Ellen Tallman's home"],"City":["Vancouver, British Columbia"],"contents":["Original master copy of Robert Duncan Vancouver lectures held in the home of Warren and Ellen Tallman on July 24 and July 25, 1961. Recorded by Fred Wah."],"Note":["[{\"note\":\"Tape 2 in Fred Wah's catalogue.\",\"type\":\"General\"},{\"note\":\"Related tapes:\\n2022.003.001 (original)\\n2014.002.001 (copy)\\n2014.002.009 (copy)\\n2014.002.010 (copy)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670550023438337,"timestamp":"2026-01-07T14:59:54.597Z","score":3.0190003},{"id":"4058","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Fred Wah fonds"],"source_collection_label":["Fred Wah fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2022.003"],"persistent_url":[""],"item_title":["3. Duncan Reading"],"item_title_source":["Title written on box."],"item_title_note":["Title on box: 3. Duncan Reading\n\nBack of box: Duncan Wedding Reading + July 26/63\n\nSide A title: n/a\n\nSide B title: n/a\n\nAccompanying information: 3 pages/index cards with content timestamps. See images."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Duncan, Robert","Butling, Pauline"],"creator_names_search":["Wah, Fred","Duncan, Robert","Butling, Pauline"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"Recordist of July 26/63 recording and recipient of the wedding gift.\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"Speaker and recordist of January 15/16, 1963 (wedding gift) recording.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/44560494\",\"name\":\"Butling, Pauline\",\"dates\":\"\",\"notes\":\"Recipient of the wedding gift.\",\"nation\":[],\"role\":[]}]"],"contributors":["[]"],"Performance_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10892/2022.003.003a-Resize.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Magnetic Recording Tape\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"4 track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"3 pages/index cards with content timestamps.\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10892/2022.003.003b-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10892/2022.003.003c-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10892/2022.003.003d-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10892/2022.003.003_e-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10892/2022.003.003_f-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10892/2022.003.003_g-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10892/2022.003.003_h-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10892/2022.003.003_i-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"/Volumes/research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.003/audio\",\"filename\":\"2022.003.003_3. Duncan Reading_Side 1_1-4_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:36:36\",\"precision\":\"\",\"size\":\"3.34 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side 1, track 1/4 of reel-to-reel tape.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Volumes/research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.003/audio\",\"filename\":\"2022.003.003_3. Duncan Reading_Side 2_1-4_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:35:35\",\"precision\":\"\",\"size\":\"3.3 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side 2, track 1/4 of reel-to-reel tape.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Volumes/research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.003/audio\",\"filename\":\"2022.003.003_3. Duncan Reading_Side 1_3-2_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:31:23\",\"precision\":\"\",\"size\":\"3.16 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"Side 1, track 3/2 of reel-to-reel tape.\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-07-26\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on box and accompanying information.\"},{\"date\":\"1962\",\"type\":\"\",\"notes\":\"Winter 1962.\",\"source\":\"Date listed on accompanying information.\"},{\"date\":\"1963-01-15\",\"type\":\"Performance Date\",\"notes\":\"January 15-16, 1963. \",\"source\":\"Date listed on accompanying material.\"},{\"date\":\"1963-01-16\",\"type\":\"Performance Date\",\"notes\":\"January 15-16, 1963. \",\"source\":\"Date listed on accompanying information.\"}]"],"Location":["[]"],"City":["Other"],"contents":["Robert Duncan's wedding gift recording to Pauline Butling and Fred Wah, January 15 and 16, 1963. Also included on tape are recordings of Duncan, perhaps recorded by Fred Wah, from Winter 1962 and July 26, 1963."],"Note":["[{\"note\":\"Tape 3 in Fred Wah's catalogue.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550023438338,"timestamp":"2026-01-07T14:59:54.597Z","score":3.0190003},{"id":"4059","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Fred Wah fonds"],"source_collection_label":["Fred Wah fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2022.003"],"persistent_url":[""],"item_title":["4. The Berkeley Poetry Conference. Duncan: Psyche-Myth and the Moment of Truth: Poetry Reading"],"item_title_source":["Title written on box."],"item_title_note":["Title on box: 4. The Berkeley Poetry Conference. Duncan: Psyche-Myth and the Moment of Truth: Poetry Reading\n\nWritten on box: two track recording 3 3/4 ips\nThe Berkeley Poetry Conference.\ntrack one\nDuncan, Robert: Psyche-Myth and the Moment of Truth - 88' 00\"\nintro: Thomas Parkinson - 2' 25\"\nJuly 13, 1965\ntrack two\nDuncan, Robert: Poetry Reading - 91' 30\"\nintro: Thomas Parkinson - 4' 10\"\nJuly 16, 1965\nUniversity of California, Berkeley\nLanguage Laboratory #934\n\nSide A title: track one. The Berkeley Poetry Conference Duncan: Psyche-Myth and the Moment of Truth\n\nSide B title: track two. The Berkeley Poetry Conference. Duncan: Poetry Reading\n\nAccompanying information: n/a"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Parkinson, Thomas","Duncan, Robert"],"creator_names_search":["Parkinson, Thomas","Duncan, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/92344899\",\"name\":\"Parkinson, Thomas\",\"dates\":\"1920-1992\",\"notes\":\"Introducer of Robert Duncan.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"Lecturer and reader.\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10893/2022.003.004a-Resize.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch Brand Magnetic Tape\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"None\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10893/2022.003.004b-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10893/2022.003.004c-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10893/2022.003.004d-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"/Volumes/research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.004/audio\",\"filename\":\"2022.003.004_4. The Berkeley Poetry Conference. Duncan: Psyche-Myth and the Moment of Truth: Poetry Reading_Side 2_1-4(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:36:07\",\"precision\":\"\",\"size\":\"3.32 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side 2, track 1/4 of reel-to-reel tape. Track 3/2 is blank on both sides.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Volumes/research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.004/audio\",\"filename\":\"2022.003.004_4. The Berkeley Poetry Conference. Duncan: Psyche-Myth and the Moment of Truth: Poetry Reading_Side 1_1-4(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:30:47\",\"precision\":\"\",\"size\":\"3.14 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side 1, track 1/4 of reel-to-reel tape. Track 3/2 is blank on both sides.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-07-13\",\"type\":\"Performance Date\",\"notes\":\"Date of Duncan's lecture.\",\"source\":\"Date listed on box.\"},{\"date\":\"1965-07-16\",\"type\":\"Performance Date\",\"notes\":\"Date of Duncan's poetry reading.\",\"source\":\"Date listed on box.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/24024512\",\"venue\":\"California Hall, Berkeley Campus, University of California\",\"notes\":\"\",\"address\":\"Sather Road, Berkeley, CA, USA\",\"latitude\":\"37.8718839\",\"longitude\":\"-122.2603674\"}]"],"Address":["Sather Road, Berkeley, CA, USA"],"Venue":["California Hall, Berkeley Campus, University of California"],"City":["Berkeley, California"],"contents":["Robert Duncan lecture \"Psyche-Myth and the Moment of Truth\" and poetry reading at the Berkeley Poetry Conference, July 13 and 16, 1965. Both events introduced by Thomas Parkinson. Recorded by Language Laboratory of the University of California, Berkeley."],"Note":["[{\"note\":\"Tape 4 in Fred Wah's catalogue.\",\"type\":\"General\"},{\"note\":\"Related tapes:\\n2022.002.124 (duplicate?)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670550024486912,"timestamp":"2026-01-07T14:59:54.597Z","score":3.0190003},{"id":"4060","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Fred Wah fonds"],"source_collection_label":["Fred Wah fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2022.003"],"persistent_url":[""],"item_title":["5. Aug 5 - Evening Duncan Lecture. Aug 7 - Avison Reading."],"item_title_source":["Title written on box."],"item_title_note":["Title on box: 5. Aug 5 - Evening Duncan Lecture. Aug 7 - Avison Reading.\n\nWritten on box:\n1A. Robert Duncan Evening. Mond. Aug 5.\n2A. -213. Robert Duncan Evening. Mond. Aug 5.\n2A. - 215 Marg. Avison.\n962\n[crossed out] 1-B. -936 Morning Wed Aug 14. Transferred to Tape #4.\n1B. - 0- all. Spicer, Vancouver lecture #1, Spring/1965.\n2B. 568-end. continued The Text Book of Poetry (reading)\nWeyl. Philosophy of Mathematics & Natural Science. 2.95.\n\nSide A title: n/a\n\nSide B title: n/a\n\nAccompanying information: 2 index cards with content timestamps. See images."],"item_language":["English"],"item_production_context":["Classroom recording"],"item_series_title":["1963 Vancouver Poetry Conference"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Duncan, Robert","Avison, Margaret","Tallman, Warren","Tallman, Ellen"],"creator_names_search":["Wah, Fred","Duncan, Robert","Avison, Margaret","Tallman, Warren","Tallman, Ellen"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/79128508\",\"name\":\"Avison, Margaret\",\"dates\":\"1918-2007\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/113977088\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"Organizer of event.\",\"nation\":[],\"role\":[\"Series organizer\"]},{\"url\":\"\",\"name\":\"Tallman, Ellen\",\"dates\":\"1927-2008\",\"notes\":\"Organizer of event.\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors":["[]"],"Performance_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10894/2022.003.005a-Resize.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Ampex\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"4 track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"2 index cards with content timestamps.\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10894/2022.003.005b-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10894/2022.003.005c-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10894/2022.003.005d-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10894/2022.003.005e-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10894/2022.003.005f-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10894/2022.003.005g-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"/Users/SpokenWeb/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.005/audio\",\"filename\":\"2022.003.005_5. Aug 5 - Evening Duncan Lecture. Aug 7 - Avison Reading._Side 1_1-4_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:35:43\",\"precision\":\"\",\"size\":\"3.31 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/SpokenWeb/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.005/audio\",\"filename\":\"2022.003.005_5. Aug 5 - Evening Duncan Lecture. Aug 7 - Avison Reading._Side 2_1-4_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:23:22\",\"precision\":\"\",\"size\":\"2.88 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/SpokenWeb/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.005/audio\",\"filename\":\"2022.003.005_5. Aug 5 - Evening Duncan Lecture. Aug 7 - Avison Reading._Side 1_3-2_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:35:46\",\"precision\":\"\",\"size\":\"3.31 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/SpokenWeb/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.005/audio\",\"filename\":\"2022.003.005_5. Aug 5 - Evening Duncan Lecture. Aug 7 - Avison Reading._Side 2_3-2_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:32:38\",\"precision\":\"\",\"size\":\"3.2 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-08-05\",\"type\":\"Performance Date\",\"notes\":\"Robert Duncan's evening lecture.\",\"source\":\"Date listed on box.\"},{\"date\":\"1963-08-07\",\"type\":\"Performance Date\",\"notes\":\"Margaret Avison's reading.\",\"source\":\"Date listed on box.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/91208094\",\"venue\":\"Buchanan Building, University of British Columbia\",\"notes\":\"\",\"address\":\"1866 Main Mall, Vancouver, B.C.\",\"latitude\":\"49.26827765\",\"longitude\":\"-123.2542416\"}]"],"Address":["1866 Main Mall, Vancouver, B.C."],"Venue":["Buchanan Building, University of British Columbia"],"City":["Vancouver, British Columbia"],"contents":["Original recording from the 1963 Vancouver Poetry Conference: Robert Duncan evening lecture, August 5, 1963; and Margaret Avison reading August 7, 1963. Recorded by Fred Wah. "],"Note":["[{\"note\":\"Tape 5 in Fred Wah's catalogue.\",\"type\":\"General\"},{\"note\":\"Related tapes:\\n2012.002.021\\n2012.002.022\\n2012.002.023\\n2014.002.001\\n2014.002.002\\n2018.002.045\\n2022.002.126\\n2022.003.006\\n2022.003.007\\n2022.003.008\\n2022.003.009\\n2022.003.010\\n2022.003.011\\n2022.003.012\\n2022.003.013\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670550024486913,"timestamp":"2026-01-07T14:59:54.597Z","score":3.0190003},{"id":"4148","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Fred Wah fonds"],"source_collection_label":["Fred Wah fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2022.003"],"persistent_url":[""],"item_title":["Robert Duncan"],"item_title_source":["Title written on back of box."],"item_title_note":["Title: n/a\n\nSide A title: n/a\n\nSide B title: n/a\n\nBack of box: [Crossed out: 1 7/8. Robert Duncan. \nSide One - Left Channel. Talk on 'Apprehensions' at Warren Tallman's on Jan 12/66 in Vancouver. \nSide Two - Left Channel. 'The Creative Imagination: The Derivation and Projection of a Poetry' Inst. of Further Studies Buffalo, N.Y. Spring 1967 #1. \nSide One - Right Channel. #2.\nSide Two - Right Channel. #3.\"\n\nAccompanying information: n/a"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["5 inch reels"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Duncan, Robert"],"creator_names_search":["Tallman, Warren","Duncan, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"Possible location host for Side 1 Left Channel recording.\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"Possible speaker on Side 1 and 2 Left Channel\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11472/2022.003.093a-Resize.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Ampex Recording Tape 341\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"1 7/8 ips\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"4 track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"None\",\"other_physical_description\":\"5 inch reel\"},{\"side\":\"\",\"image\":\"../Uploads/11472/2022.003.093b-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/11472/2022.003.093c-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/11472/2022.003.093d-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"/Users/labmanager/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.093/audio\",\"filename\":\"2022.003.093_Robert Duncan_Side 1_1-4_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T00:47:15\",\"precision\":\"\",\"size\":\"1.63 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Access copy will require speed edit. \",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/labmanager/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.093/audio\",\"filename\":\"2022.003.093_Robert Duncan_Side 1_3-2_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T00:47:10\",\"precision\":\"\",\"size\":\"1.63 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Access copy will require speed edit. \",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/labmanager/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.093/audio\",\"filename\":\"2022.003.093_Robert Duncan_Side 2_1-4_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T00:47:40\",\"precision\":\"\",\"size\":\"1.65 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Access copy will require speed edit.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/labmanager/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.093/audio\",\"filename\":\"2022.003.093_Robert Duncan_Side 2_3-2_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T00:38:35\",\"precision\":\"\",\"size\":\"1.33 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Access copy will require speed edit. May be bleed through of sound from other side of tape - recording starts 9 minutes in on this track.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966-01-12\",\"type\":\"Performance Date\",\"notes\":\"Date of Side One Left Channel recording. This recording may have been erased.\",\"source\":\"Date listed on box.\"},{\"date\":\"1967\",\"type\":\"Performance Date\",\"notes\":\"Spring 1967. Date of Side Two Left Channel recording. This recording may have been erased.\",\"source\":\"Date listed on box.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"Warren and Ellen Tallman's home\",\"notes\":\"Possible location of Side One Left Channel recording. Recording may have been erased.\",\"address\":\"37th St., Vancouver, B.C.\",\"latitude\":\"49.246292\",\"longitude\":\"-123.116226\"},{\"url\":\"https://www.openstreetmap.org/relation/175031\",\"venue\":\"Inst. of Further Studies\",\"notes\":\"Possible location of Side Two Left Channel recording. Recording may have been erased.\",\"address\":\"Buffalo, New York, USA\",\"latitude\":\"42.8867166\",\"longitude\":\"-78.8783922\"}]"],"Address":["37th St., Vancouver, B.C.","Buffalo, New York, USA"],"Venue":["Warren and Ellen Tallman's home","Inst. of Further Studies"],"City":["Vancouver, British Columbia","Buffalo, New York"],"contents":["List of contents crossed out suggesting recordings on this tape may have been erased. Contents listed as a talk on \"Apprehensions\" by Robert Duncan at Warren Tallman's house in Vancouver on January 12, 1966 and a talk on \"The Creative Imagination: The Derivation and Projection of a Poetry\" by Robert Duncan at the Institute of Further Studies in Buffalo, NY in Spring 1967."],"Note":["[]"],"Related_works":["[]"],"_version_":1853670550210084864,"timestamp":"2026-01-07T14:59:54.808Z","score":3.0190003},{"id":"4296","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Peter Quartermain fonds"],"source_collection_label":["Peter Quartermain fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of 180 cassette tapes."],"collection_source_collection_id":["2022.002"],"persistent_url":[""],"item_title":["Duncan: Passages 13: The Fire"],"item_title_source":["Title written on container."],"item_title_note":["Title on case: Duncan: Passages 13: The Fire\n\nSide A title: Duncan. Passages 13. The Fire. 16 July 1965. Return to PAQ. 876 8061.\n\nSide B title: n/a\n\nJ-card description: Return to P.A. Quartermain. [Address] Vancouver, BC."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Copies of Tapes"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert"],"creator_names_search":["Duncan, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10707/2022.002.123a-Resize.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"TDK D-C60\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10707/2022.002.123b-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10707/2022.002.123c-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10707/2022.002.123d-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"/Users/SpokenWeb/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Peter_Quartermain/2022.002.123/audio\",\"filename\":\"2022.002.123_Duncan- Passages 13- The Fire_Side A_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T00:12:11\",\"precision\":\"\",\"size\":\"420.5 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A of Master Access file. Side B is blank.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-07-16\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on tape.\"}]"],"Location":["[]"],"City":["Other"],"contents":["Recording of Robert Duncan reading \"Passages 13:The Fire,\" possibly copied by Peter Quartermain for class use."],"Note":["[]"],"Related_works":["[]"],"_version_":1853670550439723009,"timestamp":"2026-01-07T14:59:55.015Z","score":3.0190003},{"id":"4297","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Peter Quartermain fonds"],"source_collection_label":["Peter Quartermain fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of 180 cassette tapes."],"collection_source_collection_id":["2022.002"],"persistent_url":[""],"item_title":["Duncan. Poetry + Myth. Berkeley 1965."],"item_title_source":["Title written on container."],"item_title_note":["Title on case: Duncan. Poetry + Myth. Berkeley 1965.\n\nSide A title: Duncan. Psyche-Myth (1965)\n\nSide B title: Duncan. Psyche-Myth (1965)\n\nJ-card description: Duncan. Psyche-Myth and the Moment of Truth. 13 July 1965. (Berkeley). The Berkeley Poetry Conference. 13 July 1965. Robert Duncan. \"Psyche-Myth + the Moment of Truth\" Lecture.\n88' 00\"\n(Ballad of Enamor'd Mage OP.F. 23-24)\n(Mrs Noan OPF 24-6)\n(Forcedlines R.B 118-119)"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Copies of Tapes"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert"],"creator_names_search":["Duncan, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"Lecturer\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10708/2022.002.124a-Resize.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"FUJI DR-II 90\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10708/2022.002.124b-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10708/2022.002.124c-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10708/2022.002.124d-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"/Users/SpokenWeb/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Peter_Quartermain/2022.002.124/audio\",\"filename\":\"2022.002.124_Duncan. Poetry + Myth. Berkeley 1965._Side B_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T00:42:23\",\"precision\":\"\",\"size\":\"1.46 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B of Master Access file. Original recording has one track only (mono-track).\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/SpokenWeb/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Peter_Quartermain/2022.002.124/audio\",\"filename\":\"2022.002.124_Duncan. Poetry + Myth. Berkeley 1965._Side A_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T00:47:41\",\"precision\":\"\",\"size\":\"1.65 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A of Master Access file. Original recording has one track only (mono-track).\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-07-13\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on tape.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/24024512\",\"venue\":\"California Hall, Berkeley Campus, University of California\",\"notes\":\"Location of the Berkeley Poetry Conference\",\"address\":\"Sather Road, Berkeley, CA, USA\",\"latitude\":\"37.8718839\",\"longitude\":\"-122.2603674\"}]"],"Address":["Sather Road, Berkeley, CA, USA"],"Venue":["California Hall, Berkeley Campus, University of California"],"City":["Berkeley, California"],"contents":["Robert Duncan's lecture \"Psyche-Myth & the Moment of Truth\" at Berkeley Poetry Conference, July 13, 1965."],"Note":["[]"],"Related_works":["[]"],"_version_":1853670550439723010,"timestamp":"2026-01-07T14:59:55.015Z","score":3.0190003},{"id":"4299","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Peter Quartermain fonds"],"source_collection_label":["Peter Quartermain fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of 180 cassette tapes."],"collection_source_collection_id":["2022.002"],"persistent_url":[""],"item_title":["Vancouver Poetry Conference. Monday July 29, 1963. \"History.\" C. Olson, Duncan, Creeley, Ginsberg."],"item_title_source":["Title written on container."],"item_title_note":["Title on case: Vancouver Poetry Conference. Monday July 29, 1963. \"History.\" C. Olson, Duncan, Creeley, Ginsberg.\n\nSide A title: n/a\n\nSide B title: n/a\n\nJ-card description: History (Part I.)"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_series_title":["Copies of Tapes"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Olson, Charles","Duncan, Robert","Creeley, Robert","Ginsberg, Allen"],"creator_names_search":["Olson, Charles","Duncan, Robert","Creeley, Robert","Ginsberg, Allen"],"creators":["[{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10710/2022.002.126a-Resize.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"BASF LH Super SM Cassette 120\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10710/2022.002.126b-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10710/2022.002.126c-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10710/2022.002.126d-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[]"],"Dates":["[{\"date\":\"1963-07-29\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on tape.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/91208094\",\"venue\":\"Buchanan Building, University of British Columbia\",\"notes\":\"\",\"address\":\"1866 Main Mall, Vancouver, B.C.\",\"latitude\":\"49.26827765\",\"longitude\":\"-123.2542416\"}]"],"Address":["1866 Main Mall, Vancouver, B.C."],"Venue":["Buchanan Building, University of British Columbia"],"City":["Vancouver, British Columbia"],"contents":["Lecture on \"History\" (Part 1) by Charles Olson, Robert Duncan, Robert Creeley, and Allen Ginsberg on July 29, 1963 at the Vancouver Poetry Conference."],"Note":["[{\"note\":\"\",\"type\":\"\"},{\"note\":\"Did not digitize this cassette due to:\\npoor sound quality ; duplicate recording of original tape in our collection (see 2022.003.007). SC.\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670550439723012,"timestamp":"2026-01-07T14:59:55.015Z","score":3.0190003},{"id":"4302","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Peter Quartermain fonds"],"source_collection_label":["Peter Quartermain fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of 180 cassette tapes."],"collection_source_collection_id":["2022.002"],"persistent_url":[""],"item_title":["Duncan. 15 Feb 1969."],"item_title_source":["Title written on container."],"item_title_note":["Title on case: Duncan. 15 Feb 1969.\n\nSide A title: Robt. Duncan. Feb 15, 1969.\n\nSide B title: n/a\n\nJ-card description: 19 Oct 94. Queer Poetics."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Copies of Tapes"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert"],"creator_names_search":["Duncan, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"contributors":["[]"],"Performance_Date":[1969],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10713/2022.002.129a-Resize.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony C-60\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10713/2022.002.129b-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10713/2022.002.129c-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10713/2022.002.129d-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"/Users/SpokenWeb/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Peter_Quartermain/2022.002.129/audio\",\"filename\":\"2022.002.129_Duncan. 15 Feb 1969._Side A_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T00:32:29\",\"precision\":\"\",\"size\":\"1.12 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A of Master Access file. Do not edit.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/SpokenWeb/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Peter_Quartermain/2022.002.129/audio\",\"filename\":\"2022.002.129_Duncan. 15 Feb 1969._Side B_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T00:32:43\",\"precision\":\"\",\"size\":\"1.13 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B of Master Access file. Do not edit.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1969-02-15\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on tape.\"}]"],"Location":["[]"],"City":["Other"],"contents":["Robert Duncan recording, February 15, 1969."],"Note":["[]"],"Related_works":["[]"],"_version_":1853670550440771586,"timestamp":"2026-01-07T14:59:55.015Z","score":3.0190003},{"id":"4316","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Peter Quartermain fonds"],"source_collection_label":["Peter Quartermain fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of 180 cassette tapes."],"collection_source_collection_id":["2022.002"],"persistent_url":[""],"item_title":["Feb 15, 1969 reading Hulcoop, Rosenblatt, Gilbert, Marlatt, Bissett"],"item_title_source":["Side A title"],"item_title_note":["Title on case: n/a\n\nSide A title: Feb 15, 1969 reading Hulcoop, Rosenblatt, Gilbert, Marlatt, Bissett\n\nSide B title: Robt. Duncan (reading) commentary. Feb 15. 1969.\n\nJ-card description: n/a"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Copies of Tapes"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Hulcoop, John","Rosenblatt, Joe","Gilbert, Gerry","Marlatt, Daphne","bissett, bill","Duncan, Robert"],"creator_names_search":["Hulcoop, John","Rosenblatt, Joe","Gilbert, Gerry","Marlatt, Daphne","bissett, bill","Duncan, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/105106789\",\"name\":\"Hulcoop, John\",\"dates\":\"1930-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/69752567\",\"name\":\"Rosenblatt, Joe\",\"dates\":\"1933-2019\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/96127023\",\"name\":\"bissett, bill\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1969],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10736/2022.002.143a-Resize.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"BASF C120\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10736/2022.002.143b-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10736/2022.002.143c-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10736/2022.002.143d-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"/Users/SpokenWeb/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Peter_Quartermain/2022.002.143/audio\",\"filename\":\"2022.002.143_Feb 15, 1969 reading Hulcoop, Rosenblatt, Gilbert, Marlatt, Bissett_Side A_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:00:35\",\"precision\":\"\",\"size\":\"2.09 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A of master access file. Do not edit.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/SpokenWeb/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Peter_Quartermain/2022.002.143/audio\",\"filename\":\"2022.002.143_Feb 15, 1969 reading Hulcoop, Rosenblatt, Gilbert, Marlatt, Bissett_Side B_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:00:38\",\"precision\":\"\",\"size\":\"2.1 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Robert Duncan included on this side. Side B of master access file. Do not edit.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1969-02-15\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on tape.\"}]"],"Location":["[]"],"City":["Other"],"contents":["Readings by John Hulcoop, Joe Rosenblatt, Gerry Gilbert, Daphne Marlatt, Bill Bissett and Robert Duncan on February 15, 1969. Music on B-side."],"Note":["[]"],"Related_works":["[]"],"_version_":1853670550444965890,"timestamp":"2026-01-07T14:59:55.015Z","score":3.0190003},{"id":"4343","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Peter Quartermain fonds"],"source_collection_label":["Peter Quartermain fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of 180 cassette tapes."],"collection_source_collection_id":["2022.002"],"persistent_url":[""],"item_title":["Poets: MacLow, Olson, Adam, Cage, Stein, Duncan, [illegible]"],"item_title_source":["Title written on container."],"item_title_note":["Title on case: Poets: MacLow, Olson, Adam, Cage, Stein, Duncan, [illegible]\n\nSide A title: MacLow, Olson, Adam, Stein (Charles), Cage, Duncan, Niedecker, Cage.\n\nSide B title: n/a\n\nJ-card description: \n1. 1961. Jackson MacLow. \"Thanks\" (Tandos[?] and MacLow 1993, NYC)\n2. 1965. Charles Olson. \"Only My Written Work\" (1967) from Maximus. 1:15.\n3. 1975. Helen Adam. \"Cheerless Junkie Song\" 2:45.\n4. 1975. Charles Stein. \"Seed Poem\" 1:44\n5. 1975. John Cage. \"Mureau\" 4:06\n6. 1974. Robert Duncan. \"To Speak My Mind; Convivial in What is Ours\" 2:40\n7. 1970. Lorine Niedecker. 15 Nov '70. Taped by Corman.\n8. Cage: Mesostic IV: \"Method\" I-VI p 215-6.\nCharles Eliot Norton Lectures at Harvard 1988-9."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Miscellaneous"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["MacLow, Jackson","Olson, Charles","Adam, Helen","Cage, John","Stein, Charles","Duncan, Robert","Niedecker, Lorine","Corman, Cid"],"creator_names_search":["MacLow, Jackson","Olson, Charles","Adam, Helen","Cage, John","Stein, Charles","Duncan, Robert","Niedecker, Lorine","Corman, Cid"],"creators":["[{\"url\":\"http://viaf.org/viaf/80245668\",\"name\":\"MacLow, Jackson\",\"dates\":\"1922-2004\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/70219271\",\"name\":\"Adam, Helen\",\"dates\":\"1909-1993\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/71577292\",\"name\":\"Cage, John\",\"dates\":\"1912-1992\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/72970041\",\"name\":\"Stein, Charles\",\"dates\":\"1920-2016\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/61814094\",\"name\":\"Niedecker, Lorine\",\"dates\":\"1903-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/7405370\",\"name\":\"Corman, Cid\",\"dates\":\"1924-2004\",\"notes\":\"Recordist of Lorine Niedecker recording.\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"contributors_names":["Norton, Charles Eliot"],"contributors_names_search":["Norton, Charles Eliot"],"contributors":["[{\"url\":\"http://viaf.org/viaf/17246640\",\"name\":\"Norton, Charles Eliot\",\"dates\":\"1827-1908\",\"notes\":\"Some recordings possibly from the Charles Eliot Norton lectures at Harvard in 1988-1989.\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1961],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10827/2022.002.170a-Resize.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Denon DX1/90\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10827/2022.002.170b-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10827/2022.002.170c-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10827/2022.002.170d-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10827/2022.002.170e-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10827/2022.002.170f-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"/Users/SpokenWeb/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Peter_Quartermain/2022.002.170/audio\",\"filename\":\"2022.002.170_Poets- MacLow, Olson, Adam, Cage, Stein, Duncan, [illegible]_Side A_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T00:24:24\",\"precision\":\"\",\"size\":\"843.1 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A of Master Access file. Do not edit. Side B is blank.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1961\",\"type\":\"Performance Date\",\"notes\":\"Performance date of the Jackson MacLow recording.\",\"source\":\"Date listed on tape.\"},{\"date\":\"1965\",\"type\":\"Performance Date\",\"notes\":\"Performance date of the Charles Olson recording.\",\"source\":\"Date listed on tape.\"},{\"date\":\"1975\",\"type\":\"Performance Date\",\"notes\":\"Respective performance dates of the Helen Adam, John Cage, and Charles Stein recordings.\",\"source\":\"Date listed on tape.\"},{\"date\":\"1974\",\"type\":\"Performance Date\",\"notes\":\"Performance date of the Robert Duncan recording.\",\"source\":\"Date listed on tape.\"},{\"date\":\"1970\",\"type\":\"Performance Date\",\"notes\":\"Performance date of the Lorine Niedecker recording.\",\"source\":\"Date listed on tape.\"},{\"date\":\"1988\",\"type\":\"Performance Date\",\"notes\":\"Year of the Charles Eliot Norton Lectures at Harvard.\",\"source\":\"Date listed on tape.\"},{\"date\":\"1993\",\"type\":\"Performance Date\",\"notes\":\"Date listed in connection with Jackson MacLow recording, perhaps as a remix?\",\"source\":\"Date listed on tape.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2415825\",\"venue\":\"Harvard University\",\"notes\":\"Location of the Charles Eliot Norton Lectures.\",\"address\":\"Cambridge, MA, United States\",\"latitude\":\"42.36790855\",\"longitude\":\"-71.12678237443698\"}]"],"Address":["Cambridge, MA, United States"],"Venue":["Harvard University"],"contents":["Mix tape of poetry readings compiled by Peter Quartermain perhaps after 1993. Includes recordings of Jackson MacLow, Charles Olson, Helen Adam, John Cage, Charles Stein, Robert Duncan, and Lorine Niedecker."],"Note":["[]"],"Related_works":["[]"],"_version_":1853670550758490116,"timestamp":"2026-01-07T14:59:55.332Z","score":3.0190003},{"id":"4354","cataloger_name":["Sarah,Cipes"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Peter Quartermain fonds"],"source_collection_label":["Peter Quartermain fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of 180 cassette tapes."],"collection_source_collection_id":["2022.002"],"persistent_url":[""],"item_title":["Duncan. Passages 1 - Berkeley 1965"],"item_title_note":["Title written on case."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert"],"creator_names_search":["Duncan, Robert"],"creators":["[{\"url\":\"https://viaf.org/viaf/105142281/#Duncan,_Robert,_1919-1988\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"contributors":["[]"],"Performance_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Fuji FR-II 90\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"45 minutes per side\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Cassette is damaged - cannot digitize.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-07-16\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on tape\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/109193723#map=17/37.86432/-122.24666 \",\"venue\":\"University of California, Berkeley\",\"notes\":\"\",\"address\":\"Berkeley, CA, United States\",\"latitude\":\"37.8719617\",\"longitude\":\"-122.2936451\"}]"],"Address":["Berkeley, CA, United States"],"Venue":["University of California, Berkeley"],"City":["Berkeley, California"],"contents":["Recording of Robert Duncan reading \"Passages 1 - 12\" from book \"Bending the Bow\". Possibly for use in Peter Quartermain's lectures."],"Note":["[]"],"Related_works":["[{\"url\":\"https://www.worldcat.org/title/901598334\",\"citation\":\"Duncan Robert. Bending the Bow. 1968. \"}]"],"_version_":1853670550761635840,"timestamp":"2026-01-07T14:59:55.332Z","score":3.0190003},{"id":"4414","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["1963 Vancouver Poetry Conference"],"item_title_source":["Title written on artifact."],"item_title_note":["Box title: BASF\n\nSide A title: 1963 Vancouver Poetry Conference\n\nSide B title: n/a\n"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Olson, Charles","Creeley, Robert","Duncan, Robert","Ginsberg, Allen","Whalen, Philip","Avison, Margaret","Levertov, Denise","Dorn, Edward","Dawson, Fielding"],"creator_names_search":["Olson, Charles","Creeley, Robert","Duncan, Robert","Ginsberg, Allen","Whalen, Philip","Avison, Margaret","Levertov, Denise","Dorn, Edward","Dawson, Fielding"],"creators":["[{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/54270610\",\"name\":\"Whalen, Philip\",\"dates\":\"1923-2002\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/79128508\",\"name\":\"Avison, Margaret\",\"dates\":\"1918-2007\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/9868894\",\"name\":\"Levertov, Denise\",\"dates\":\"1923-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/25166087\",\"name\":\"Dorn, Edward\",\"dates\":\"1929-1999\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/11120119\",\"name\":\"Dawson, Fielding\",\"dates\":\"1930-2002\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors":["[]"],"Performance_Date":[1963],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/5679/2018_002_045_a-resized.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"BASF Badische Anilin- & Soda-Fabrik AG Ludwigshafen am Rhein\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.045_1963_Vancouver_Conference_SideA_1-4_(MA)_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"\",\"precision\":\"\",\"size\":\"4.29 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A, track 1-4.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.045_1963_Vancouver_Conference_SideA_3-2_(MA)_01.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"\",\"precision\":\"\",\"size\":\"4.29 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A, track 3-2.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.045_1963_Vancouver_Conference_SideB_1-4_(MA)_05.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"\",\"precision\":\"\",\"size\":\"4.27 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B, track 1-4\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2018.002.045_1963_Vancouver_Conference_SideB_3-2_(MA)_01.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"\",\"precision\":\"\",\"size\":\"3.96 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B, track 3-2.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-07-29\",\"type\":\"Performance Date\",\"notes\":\"Olson, Creeley, Duncan, Ginsberg and Whalen on 'History'\",\"source\":\"Date listed on artifact.\"},{\"date\":\"1963-07-31\",\"type\":\"Performance Date\",\"notes\":\" Olson Creeley, Duncan, Ginsberg on 'Polis'\",\"source\":\"Date listed on artifact.\"},{\"date\":\"1963-08-05\",\"type\":\"Performance Date\",\"notes\":\"Olson, Creeley, Duncan, Ginsberg, Levertov & Avison. Selections only.\",\"source\":\"Date listed on artifact.\"},{\"date\":\"1963-08-14\",\"type\":\"Performance Date\",\"notes\":\"Olson, Duncan, Ginsberg on 'Duende, Angel, Muse'.\",\"source\":\"Date listed on artifact.\"},{\"date\":\"1963-08-07\",\"type\":\"Performance Date\",\"notes\":\"Ginsberg, Creeley, Duncan, Levertov, and Avison. Selections only.\",\"source\":\"Date listed on artifact.\"},{\"date\":\"1963-07-24\",\"type\":\"Performance Date\",\"notes\":\"Creeley and Ginsberg.\",\"source\":\"Date listed on artifact.\"},{\"date\":\"1962\",\"type\":\"Performance Date\",\"notes\":\"-Creeley, Interview with Fielding Dawson, Albuquerque\\n-Ed Dorn on Creeley's radio program, Albuquerque\\n\",\"source\":\"Date listed on artifact.\"},{\"date\":\"1963\",\"type\":\"Performance Date\",\"notes\":\"Creeley on Olson: tape made for his class at Univ. of New Mexico\",\"source\":\"Date listed on artifact.\"},{\"date\":\"1961-07-23\",\"type\":\"Performance Date\",\"notes\":\"Robert Duncan: Two lectures at Vancouver\",\"source\":\"Date listed on artifact.\"},{\"date\":\"1961-07-24\",\"type\":\"Performance Date\",\"notes\":\"Robert Duncan selections from lecture at Vancouver.\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2814221\",\"venue\":\"University of California, Berkeley\",\"notes\":\"\",\"address\":\"Berkeley, CA, USA\",\"latitude\":\"37.8753497\",\"longitude\":\"-122.2396336\"}]"],"Address":["Berkeley, CA, USA"],"Venue":["University of California, Berkeley"],"City":["Berkeley, California"],"content_notes":["Contents entry temporary."],"contents":["J-card reads as follows:\n\"1963 Vancouver Conference\n1A monday morn. July 29, 1963. Olson, Creeley, Duncan, Ginsberg and Whalen on 'History'\n1A/2A Wed. morning July 31, 1963 Olson Creeley, Duncan, Ginsberg on 'Polis'\n Mon. morn. Aug 5, 1963: Olson, Creeley, Duncan, Ginsberg, Levertov & Avison. Selections only\n1B Wed morn Aug 14, 1963: Olson, Duncan, Ginsberg on 'Duende, Angel, Muse'\n1B Wed morn Aug 7, 1963: Ginsberg, Creeley, Duncan, Levertov, and Avison. Selections only.\n?1B Wed morn July 24, 1963: Creeley and Ginsberg\n2B Creeley, Interview with Fielding Dawson, Albuquerque 1962\n2B Ed Dorn on Creeley's radio program, Albuquerque 1962\n2B Creeley on Olson: tape made for his class at Univ. of New Mexico, 1963\nOVER\n2A 630-end Robert Duncan: Two lectures at Vancouver July 23, 1961 - selections of\n2B 730-end# Robert Duncan: July 24, 1961, Selections\""],"Note":["[{\"note\":\"Digitization complete.\",\"type\":\"General\"},{\"note\":\"Tape is in box with 2018.002.043 and 2018.002.044.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550777364481,"timestamp":"2026-01-07T14:59:55.332Z","score":3.0190003},{"id":"4435","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["R. Duncan: Structures of Rhyme I-XXVIII SUNYAB Monday, July 15, 1968; R. Duncan: Poetry reading. Buffalo Festival of the Arts Albright-Knox Art Gallery Auditorium March 6, 1968 Intro Robt. Creeley "],"item_title_source":["Title written on artifact."],"item_title_note":["Box title: BASF\n\nSide A title: \"R. Duncan: Structures of Rhyme I-XXVIII SUNYAB Monday, July 15, 1968 \nR. Duncan: Poetry reading. Buffalo Festival of the Arts Albright-Knox Art Gallery Auditorium March 6, 1968 \nIntro Robt. Creeley \nPassage 30, 31, & 32 have been deleted.\nR. Duncan: \nPassages /-30 May 1, 1967 SUNYAB, \nPassages 31-32 at Albright Knox March 6th 1968\n\"The Earth\" - 32\"\n\nSide B title: n/a"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert","Creeley, Robert"],"creator_names_search":["Duncan, Robert","Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"Introducer.\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1968],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/5766/2018.002.066_a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"BASF Badische Anilin- & Soda-Fabrik AG Ludwigshafen am Rhein\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[]"],"Dates":["[{\"date\":\"1968-07-15\",\"type\":\"Performance Date\",\"notes\":\"Performance date of Robert Duncan reading Structures of Rhyme at SUNYAB.\",\"source\":\"Date listed on artifact.\"},{\"date\":\"1968-03-06\",\"type\":\"Performance Date\",\"notes\":\"Performance date of Robert Duncan reading at Buffalo Festival of the Arts Albright-Knox Art Gallery Auditorium\",\"source\":\"Date listed on artifact.\"},{\"date\":\"1967-05-01\",\"type\":\"\",\"notes\":\"Performance date of Robert Duncan reading at SUNYAB.\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/119504296\",\"venue\":\"Albright-Knox Art Gallery Auditorium\",\"notes\":\"Location of Robert Duncan's March 6, 1968 reading.\",\"address\":\"1285 Elmwood Ave, Buffalo, NY 14222, United States\",\"latitude\":\"42.9321293\",\"longitude\":\"-78.87568390024248\"}]"],"Address":["1285 Elmwood Ave, Buffalo, NY 14222, United States"],"Venue":["Albright-Knox Art Gallery Auditorium"],"City":["Buffalo, New York"],"content_notes":["Contents entry temporary. To be timestamped."],"contents":["Accompanying card reads: \n\"1 A 0-585 R. Duncan: Structures of Rhyme I-XXVIII SUNYAB Monday, July 15, 1968 \n1B 0-734 R. Duncan: Poetry reading. Buffalo Festival of the Arts Albright-Knox Art Gallery Auditorium March 6, 1968 Intro Robt. Creeley Passage 30, 31, & 32 have been deleted.\n2 A Reel R. Duncan: \nPassages /-30 May 1, 1967 SUNYAB, \nPassages 31-32 at Albright Knox March 6th 1968\n2B 0-707 \"The Earth\" - 32\""],"Note":["[{\"note\":\"Stored in container with 2018.002.065 and 2018.002.067.\",\"type\":\"General\"},{\"note\":\"Digitized. Not transcribed.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550972399616,"timestamp":"2026-01-07T14:59:55.538Z","score":3.0190003},{"id":"4436","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["Charles Olson Reading at Berkeley, Intro by R. Duncan, July 23, 1965 & Charles Olson \"Poetry on the Campus\" Oct 20, 1967, Cortland, N.Y."],"item_title_source":["Title written on artifact."],"item_title_note":["Box title: BASF\n\nSide A title: Charles Olson Reading at Berkeley, Intro by R. Duncan, July 23, 1965 & Charles Olson \"Poetry on the Campus\" Oct 20, 1967, Cortland, N.Y.\n\nSide B title: n/a"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Olson, Charles","Duncan, Robert"],"creator_names_search":["Olson, Charles","Duncan, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"Introducer.\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1965],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/5767/2018.002.067_a.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"BASF Badische Anilin- & Soda-Fabrik AG Ludwigshafen am Rhein\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"/Volumes/research/AmpLab/SpokenWeb/Collection/Robert_Hogg/2018.002.067/2018.002.067_Olson at Berkeley_Side 1\",\"filename\":\"2018.002.067_Olson at Berkeley_Side 1_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:02:25\",\"precision\":\"\",\"size\":\"1.44 GB\",\"bitrate\":\"16\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"July 23, 1965. File too large to save as 24-bit digital object.\",\"title\":\"Charles Olson Reading at Berkeley, Intro by R. Duncan, July 23, 1965\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Volumes/research/AmpLab/SpokenWeb/Collection/Robert_Hogg/2018.002.067/2018.002.067_Olson at Berkeley_Side 1\",\"filename\":\"2018.002.067_Olson at Berkeley_Side 1_L_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:02:25\",\"precision\":\"\",\"size\":\"1.44 GB\",\"bitrate\":\"16\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"July 23, 1965. File too large to save as 24-bit digital object.\",\"title\":\"Charles Olson Reading at Berkeley, Intro by R. Duncan, July 23, 1965\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Volumes/research/AmpLab/SpokenWeb/Collection/Robert_Hogg/2018.002.067/2018.002.067_Olson at Berkeley_Side 1\",\"filename\":\"2018.002.067_Olson at Berkeley_Side 1_R_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T01:01:26\",\"precision\":\"\",\"size\":\"1.42 GB\",\"bitrate\":\"16\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"July 23, 1965. File too large to save as 24-bit digital object.\",\"title\":\"Charles Olson Reading at Berkeley, Intro by R. Duncan, July 23, 1965\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Volumes/research/AmpLab/SpokenWeb/Collection/Robert_Hogg/2018.002.067/2018.002.067_Olson at Cortland NY_Side 2\",\"filename\":\"2018.002.067_Olson at Cortland NY_Side 2_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T00:59:56\",\"precision\":\"\",\"size\":\"1.38 GB\",\"bitrate\":\"16\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"October 27, 1967. File too large to export at 24 bit\",\"title\":\"Charles Olson Poetry on the Campus Oct 20, 1967, Cortland, N.Y.\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Volumes/research/AmpLab/SpokenWeb/Collection/Robert_Hogg/2018.002.067/2018.002.067_Olson at Cortland NY_Side 2\",\"filename\":\"2018.002.067_Olson at Cortland NY_Side 2_L_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T00:59:56\",\"precision\":\"\",\"size\":\"1.38 GB\",\"bitrate\":\"16\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"October 27, 1967. File too large to export at 24 bit\",\"title\":\"Charles Olson Poetry on the Campus Oct 20, 1967, Cortland, N.Y.\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Volumes/research/AmpLab/SpokenWeb/Collection/Robert_Hogg/2018.002.067/2018.002.067_Olson at Cortland NY_Side 2\",\"filename\":\"2018.002.067_Olson at Cortland NY_Side 2_R_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T00:56:49\",\"precision\":\"\",\"size\":\"1.36 GB\",\"bitrate\":\"16\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"October 27, 1967. File too large to export at 24 bit\",\"title\":\"Charles Olson Poetry on the Campus Oct 20, 1967, Cortland, N.Y.\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-07-23\",\"type\":\"Performance Date\",\"notes\":\"Performance date of Charles Olson's reading at Berkeley.\",\"source\":\"Date listed on artifact.\"},{\"date\":\"1967-10-20\",\"type\":\"Performance Date\",\"notes\":\"Performance date of Charles Olson's lecture \\\"Poetry on the Campus.\\\"\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2814221\",\"venue\":\"University of California, Berkeley\",\"notes\":\"\",\"address\":\"Berkeley, CA, USA\",\"latitude\":\"37.8753497\",\"longitude\":\"-122.23963364918777\"},{\"url\":\"https://www.openstreetmap.org/relation/1838016\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Cortland, New York, United States\",\"latitude\":\"42.5842136\",\"longitude\":\"-76.0704906\"}]"],"Address":["Berkeley, CA, USA","Cortland, New York, United States"],"Venue":["University of California, Berkeley"],"City":["Berkeley, California"],"content_notes":["Contents entry temporary. To be time stamped."],"contents":["Accompanying card reads: \"\n0- Charles Olson Reading at Berkeley, Intro by R. Duncan, July 23, 1965 \n0-\n0-\n0-75\n76-862 Charles Olson \"Poetry on the Campus\" Oct 20, 1967, Cortland, N.Y.\""],"Note":["[{\"note\":\"Stored in container with 2018.002.065 and 2018.002.066.\",\"type\":\"General\"},{\"note\":\"Digitized. Not transcribed.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550972399617,"timestamp":"2026-01-07T14:59:55.538Z","score":3.0190003},{"id":"4563","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Warren Tallman fonds"],"source_collection_label":["Warren Tallman fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2012.002"],"persistent_url":[""],"item_title":["III Summer '63"],"item_title_source":["Title written on box."],"item_title_note":["Timestamps on back of box: \nJuly 31 \nMorning (last part) III Summer '63 \nAug 2 Morning \nJuly 24 Morning I 33 - I 1244 \nAug 5 Morning I 1244 -> II 1267 \nAug 7 Morning II 1267 - III 2424 \nAug 14 Morning"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Duncan, Robert","Olson, Charles","Ginsberg, Allen","Levertov, Denise","Avison, Margaret"],"creator_names_search":["Creeley, Robert","Duncan, Robert","Olson, Charles","Ginsberg, Allen","Levertov, Denise","Avison, Margaret"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/9868894\",\"name\":\"Levertov, Denise\",\"dates\":\"1923-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/79128508\",\"name\":\"Avison, Margaret\",\"dates\":\"1918-2007\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1963],"Performance_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/579/Swallow_2012_002_021_a.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Poor\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.021_III_Summer_'63_SideB_1-4_(MA)_1.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:26:00\",\"precision\":\"\",\"size\":\"861 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.021_III_Summer_'63_SideB_1-4_(MA)_2.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:03:34\",\"precision\":\"\",\"size\":\"118 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.021_III_Summer_'63_SideB_1-4_(MA)_2.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:24:55\",\"precision\":\"\",\"size\":\"825 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.021_III_Summer_'63_SideB_3-2_(MA)_3.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:03:46\",\"precision\":\"\",\"size\":\"125 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.021_III_Summer_'63_SideA_1-4_(MA)_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T01:27:31\",\"precision\":\"\",\"size\":\"3.2 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.021_III_Summer_'63_SideA_3-2_(MA)_03.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T01:37:17\",\"precision\":\"\",\"size\":\"3.2 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.021_III_Summer_'63_SideB_1-4_(MA)_3.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T01:04:40\",\"precision\":\"\",\"size\":\"2.14 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.021_III_Summer_'63_SideB_3-2_(MA)_1.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T01:08:48\",\"precision\":\"\",\"size\":\"2.28 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-08-05\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Date listed on artifact box.\"},{\"date\":\"1963-08-07\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Date listed on artifact box.\"},{\"date\":\"1963-08-14\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Date listed on artifact box.\"},{\"date\":\"1963-07-24\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on artifact box.\"},{\"date\":\"1963-07-31\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on artifact box.\"},{\"date\":\"1963-08-02\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on artifact box.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"University of British Columbia\",\"notes\":\"\",\"address\":\"Vancouver, B.C., Canada\",\"latitude\":\"49.25839375\",\"longitude\":\"-123.246581610019\"}]"],"Address":["Vancouver, B.C., Canada"],"Venue":["University of British Columbia"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Side A contents: \\nIII. (1) Fri. Aug. 2 Consciousness\\n(4) Repeat of July 25 + Mon. A.M. Aug. 5\\n(2) Mon, Aug 5 + Wed\\nIII Aug 7 (1275\\n(3) Wed. Aug 7 (contd) + Jump to Wed Aug 14\\n [illegible]\",\"type\":\"General\"},{\"note\":\"ITEM ID: 2012.002.021\",\"type\":\"General\"},{\"note\":\"Digitization complete.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670550986031111,"timestamp":"2026-01-07T14:59:55.538Z","score":3.0190003},{"id":"4564","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Warren Tallman fonds"],"source_collection_label":["Warren Tallman fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2012.002"],"persistent_url":[""],"item_title":["IV Summer 63"],"item_title_source":["Title written on box."],"item_title_note":["Timestamps on back of box: \nIV Summer '63 \nFri Morning Aug 9 \nMon Morning Aug 12 2-A (994) \nWed Morning Aug 14 Track 4 1298-> \nMon Evening Aug 5 (Duncan Lecture) \nWed Evening Aug 7 (Avison Reading)"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert","Creeley, Robert","Ginsberg, Allen","Avison, Margaret","Levertov, Denise"],"creator_names_search":["Duncan, Robert","Creeley, Robert","Ginsberg, Allen","Avison, Margaret","Levertov, Denise"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"Lecturer.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/79128508\",\"name\":\"Avison, Margaret\",\"dates\":\"1918-2007\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/9868894\",\"name\":\"Levertov, Denise\",\"dates\":\"1923-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/581/Swallow_2012_002_022_a.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.022_Summer_1963_SideA_1-4_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T01:37:25\",\"precision\":\"\",\"size\":\"3.22 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.022_Summer_1963_SideA_3-2_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T01:37:18\",\"precision\":\"\",\"size\":\"1.61 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.022_Summer_1963_SideB_1-4_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T01:37:18\",\"precision\":\"\",\"size\":\"1.61 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.022_Summer_1963_SideB_3-2_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T01:37:16\",\"precision\":\"\",\"size\":\"1.61 GB\",\"bitrate\":\"23\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-08-05\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on artifact box.\"},{\"date\":\"1963-08-07\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on artifact box.\"},{\"date\":\"1963-08-09\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on artifact box.\"},{\"date\":\"1963-08-12\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on artifact box.\"},{\"date\":\"1963-08-14\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on artifact box.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"The University of British Columbia\",\"notes\":\"\",\"address\":\"1866 Main Mall, Vancouver, B.C.\",\"latitude\":\"49.25839375\",\"longitude\":\"-123.246581610019\"}]"],"Address":["1866 Main Mall, Vancouver, B.C."],"Venue":["The University of British Columbia"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"ITEM ID: 2012.002.022\",\"type\":\"General\"},{\"note\":\"Digitization Complete.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670550987079680,"timestamp":"2026-01-07T14:59:55.538Z","score":3.0190003},{"id":"4565","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Warren Tallman fonds"],"source_collection_label":["Warren Tallman fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2012.002"],"persistent_url":[""],"item_title":["V Summer '63"],"item_title_source":["Title written on box."],"item_title_note":["Written on back of artifact box:\nWed Evening Aug 7 (Avison Reading)\nMon Evening Aug 12 (Creeley Reading)\nWed Evening Aug 14 (Olson Reading)\n[illegible] Verse -> Side 2\nTrack 2-3\nFrid. Morning Aug 16 (Lecture)\nV Summer '63"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Avison, Margaret","Creeley, Robert","Olson, Charles","Duncan, Robert","Ginsberg, Allen"],"creator_names_search":["Avison, Margaret","Creeley, Robert","Olson, Charles","Duncan, Robert","Ginsberg, Allen"],"creators":["[{\"url\":\"http://viaf.org/viaf/79128508\",\"name\":\"Avison, Margaret\",\"dates\":\"1918-2007\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/582/Swallow_2012_002_023_a.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.023_V Summer '63_SideA_3-2(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:14:52\",\"precision\":\"\",\"size\":\"349.2 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.023_V Summer '63_SideA_1-4(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:04:17\",\"precision\":\"\",\"size\":\"99.9 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.023_V Summer '63_SideB_1-4(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T01:05:29\",\"precision\":\"\",\"size\":\"1.51 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-08-07\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on artifact box.\"},{\"date\":\"1963-08-12\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on artifact box.\"},{\"date\":\"1963-08-14\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on artifact box.\"},{\"date\":\"1963-08-16\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on artifact box.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"The University of British Columbia\",\"notes\":\"\",\"address\":\"Vancouver, B.C., Canada\",\"latitude\":\"49.25839375\",\"longitude\":\"-123.246581610019\"}]"],"Address":["Vancouver, B.C., Canada"],"Venue":["The University of British Columbia"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"ITEM ID: 2012.002.023\\n\",\"type\":\"General\"},{\"note\":\"Digitized. \",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670550987079681,"timestamp":"2026-01-07T14:59:55.538Z","score":3.0190003},{"id":"5426","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Berkeley Poetry Conference Part 2: Ron Loewinsohn, Joanne Kyger, and Lew Welch reading on July 24th, 1965 tape 1 of 2 #513a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert","Loewinsohn, Ron","Kyger, Joanne","Welch, Lew"],"creator_names_search":["Duncan, Robert","Loewinsohn, Ron","Kyger, Joanne","Welch, Lew"],"creators":["[{\"url\":\" http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"Introduction by Robert Duncan\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/85836314\",\"name\":\"Loewinsohn, Ron\",\"dates\":\"1937- 2014\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\" http://viaf.org/viaf/71627705\",\"name\":\"Kyger, Joanne\",\"dates\":\"1934-2017\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/72272999\",\"name\":\"Welch, Lew\",\"dates\":\"1926-1971\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1361/Reading in BC_MsC199_513a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:00:36\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"513_1-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:18\",\"precision\":\"\",\"size\":\"39.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"513_1-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:15\",\"precision\":\"\",\"size\":\"40.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-07-24\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2833528\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Berkeley, California, USA\",\"latitude\":\"37.8679\",\"longitude\":\"-122.2984\"}]"],"Address":["Berkeley, California, USA"],"City":["Berkeley, California"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tStatement on Viet Nam\n\t\t023\tIntroduction by Robert Duncan\n\t\t050\tRon Loewinsohn reads from “The Step”:\n\t\t063\tThe Stern Alarum\n\t\t069\tGetting Her Feet Wet\n\t\t077\tInstructions: Reproducing Art-Work\n\t\t045\tSong, Without Objects\n\t\t103\tLost on a Plateau\n\t\t129\t3 work songs\n\t\t144\t“Brise Marine”\n\t\t157\tSuspicion\n\t\t167\tRoyal Blue\n\t\t183\tPilar Baugh, Nee Oz; a Swamp, A Plateau\n\t\t195\tSteps\n\t\t205\tThe Sea, For the Fifth Time\n\t\t223\tAnother State\n\t\t230\tThe Step\n\t\t285\tAn Actual Catalogue\n\t\t297\tAn Actual Song\n\t\t302\tAn Actual Play\n\t\t307\tLots of Lakes\n\t\t338\tThe Sea, Around Us\n\t\t378\t4 Backyard Dramas, With Mamas\n\t\t482\tRobert Duncan introduces Joanne Kyger\n\t\t516\tThe Maze\n\t\t550\tFrom The Long Poem\n\t\t633\t“Somewhere you can find a reference”\n\t\t661\t11\t29 & 30 (Dan as the son of Penelope)\n\t\t690\t“A song in the rope”\n\t\t707\t“waiting again”\n\t\t714\t“They are constructing a craft”\n\t\t727\t“It is lonely”\n\t\t739\tVision of heaven and hell\n\t\t761\tCaption for a miniature\n\t\t773\tMy Sister Evelyne\n\t\t800\tElizabeth\n\t\t809\tTapestry (“Dealing with the detail”)\n\t\t820\tThe Hunt in the Wood: Paolo Uccello\n\t\t838\tEnd of side one"],"Note":["[{\"note\":\"Liner Notes: \\nSide 1: 29:55\\nSide 2: 26:45\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553106251776,"timestamp":"2026-01-07T14:59:57.525Z","score":3.0190003},{"id":"5416","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Berkeley Poetry Conference Part 5: Charles Olson lecture and reading on July 20th, 1965 #516"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Olson, Charles","Duncan, Robert","Creeley, Bobbie"],"creator_names_search":["Olson, Charles","Duncan, Robert","Creeley, Bobbie"],"creators":["[{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"Introduction by Robert Duncan\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/263868544\",\"name\":\"Creeley, Bobbie \",\"dates\":\"1930-1976\",\"notes\":\"He participates in the discussion, and he is among the audience \",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1292/516.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:00:36\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"516-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:08\",\"precision\":\"\",\"size\":\"60.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"516-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:06\",\"precision\":\"\",\"size\":\"60.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-07-20\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2833528\",\"venue\":\"\",\"notes\":\"\",\"address\":\" Berkeley, California, USA\",\"latitude\":\"37.8705\",\"longitude\":\"-122.2826\"}]"],"Address":[" Berkeley, California, USA"],"City":["Berkeley, California"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tIntroduction by Robert Duncan\n\t\t029\tOlson begins to speak, identifies the lecture subject as “casual mythology”\n\t\t044\tDescribes recent meeting with Pound\n\t\t058\tFour topics for discussion: The Earth, the Image of the World, the History or City, and the Spirit of the World: these will be discussed under the epigraph, “that which exists through itself is what is called meaning”\n\t\t070\tPairs the Earth (orb) and the City (urb), as well as the Spirit of the World (anima mundi) and the Image of the World (imago mundi); these terms will be related to four Maximus poems\n\t\t094\tReads “Astride/the Cabot/fault…”\n\t\t103\tPrepares to discuss the Earth in terms of woman historian Francis Rose-Troup and “Mongolian Ice”\n\t\t116\tReads from “Letter, May 2, 1959: “then to now nothing/new…”\n\t\t126\tTalks about the Earth as a “One”\n\t\t142\tResumes reading from “Letter, May 2, 1959”\n\t\t177\tLooks for a passage in the text which he can’t find\n\t\t202\tReads as earlier passage from “Letter, May 2, 1959”\n\t\t213\tEarth as orb, a familiar theme\n\t\t221\tRereads “Astride/the Cabot/fault…”\n\t\t243\tBobbie Creeley asks about the meaning of “the Diorite Stone lopped off…”; Olson responds verbally and with blackboard illustration\n\t\t314\tDescribes how the poem “The Song of Ullikummi” relates to the Diorite Stone\n\t\t370\tQuestion: What is “lopped off at the left shoulder?”; Olson responds\n\t\t394\tReads story about “the condition of the two angels”\n\t\t416\tThe Diorite Stone as the “child of Mother Earth”\n\t\t495\tBegins to speak about the “imago mundi”\n\t\t533\tIntroduces next poem\n\t\t576\tReads “rages/strain/Dog of Tartarus…”\n\t\t620\tBegins to discuss History, or City\n\t\t682\tReads “7 years & you could carry cinders in your hand…”\nTwo\t\t060\tIntroduces the subject, “anima mundi”; reads “The Song of Ullikummi”\n\t\t122\tResponds to question about anima mundi as woman\n\t\t130\tResponds to question on why he draws on other cultures for myths\n\t\t228\tResponds to question about the link between mythological elements and the establishment, trade, and war \n\t\t268\tLecture ends"],"Note":["[{\"note\":\"Liner Notes: \\nThe Berkeley Poetry Conference Part 5 July 20th, 1965 \\nCharles Olson:\\nThe Causal Mythology Introduced by Robert Duncan\\nSide 1: 41 min\\nSide 2: 38:25\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553271926786,"timestamp":"2026-01-07T14:59:57.732Z","score":3.0190003},{"id":"5468","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Berkeley Poetry Conference Part 3: reading and lecture by Lew Welch and Robert Duncan on July 24th and July 13th, 1965 Tape 1 of 2 #514a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Welch, Lew","Duncan, Robert","Parkinson, Thomas","[Baker, Richard?]"],"creator_names_search":["Welch, Lew","Duncan, Robert","Parkinson, Thomas","[Baker, Richard?]"],"creators":["[{\"url\":\"http://viaf.org/viaf/72272999\",\"name\":\"Welch, Lew\",\"dates\":\"1926-1971\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/92344899\",\"name\":\" Parkinson, Thomas\",\"dates\":\"1920-1992\",\"notes\":\"Introduction by Thomas Parkinson\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"[Baker, Richard?]\",\"dates\":\"\",\"notes\":\"His name is mentioned in the audio, and he's introduced as the organizer of the Berkeley Poetry conference \",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors":["[]"],"Performance_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1506/Reading in BC_MsC199_514a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:00:36\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"514_1-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:33\",\"precision\":\"\",\"size\":\"41.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"514_1-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:24\",\"precision\":\"\",\"size\":\"42.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-07-24\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1965-07-13\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2833528\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Berkeley, California, USA\",\"latitude\":\"37.8679\",\"longitude\":\"-122.2888\"}]"],"Address":["Berkeley, California, USA"],"City":["Berkeley, California"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t\tWelch reading concluded:\n\t\t000\t“I saw myself”\n\t\t007\tHe Greets, Again, “the Open Road (Return to the City)”\n\t\t028\tThis Book is for Magda (On Out)\n\t\t045\tLecture: “Psyche: Myth and the Moment of Truth”, by Duncan\n\t\t\tIntroduction by Thomas Parkinson\n\t\t072\tRobert Duncan introduces his topic, discusses “myth”\n\t\t148\t“the moment of truth”, “Psyche”\n\t\t169\t“We are chemical events” Duncan discusses identity\n\t\t215\tBegins to discuss “A Poem Beginning With A Line by Pindar” – talks about its composition, how he came to begin his poem with this line\n\t\t260\tDuncan always gets out of a poem “by having a dance at the end”\n\t\t300\tDiscusses the “ill-kept garden”\n\t\t355\tReads and discusses the opening of the “Pindar” poem\n\t\t427\tPindar carries Duncan through the poem in the way that Virgil carries Dante through hell\n\t\t464\tReads and discusses the rest of part I of the “Pindar” poem\n\t\t525\tTalks about Psyche and Eros\n\t\t594\tTalks about developing the love of language\n\t\t672\t“Revision is meaningless…”\n\t\t703\tReads and discusses last section of part III of “Pindar”\n\t\t758\tReads beginning of part IV of “Pindar”, discusses “the footfall”\n\t\t832\tReads “that foot informed/by the weight of all things”, discusses the sound of these lines"],"Note":["[{\"note\":\"Liner Notes: \\nBerkeley Poetry Conference Part 3\\nLew Welch Reading Conclusion July 24th, 1965\\nIntroduction to Robert Duncan- Thomas Parkinson\\nRobert Duncan Lecture: Psyche- Myth and the Moment of Truth, July 13th\\nBeginning 26\\nContinued 29:50\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553277169668,"timestamp":"2026-01-07T14:59:57.732Z","score":3.0190003},{"id":"5469","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Berkeley Poetry Conference Part 3: Robert Duncan lecture on July 13th, 1965 Tape 2 of 2 #514b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert"],"creator_names_search":["Duncan, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1507/Reading in BC_MsC199_514b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:00:36\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"514_2-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:20:29\",\"precision\":\"\",\"size\":\"21.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"514_2-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:20:30\",\"precision\":\"\",\"size\":\"20.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-07-13\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2833528\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Berkeley, California, USA\",\"latitude\":\"37.8705\",\"longitude\":\"-122.2826\"}]"],"Address":["Berkeley, California, USA"],"City":["Berkeley, California"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t000\tTalks about being “self-enamoured”\n\t\t030\tThe “Pindar” poem could take place because Duncan started to write books\n\t\t055\tTalks about what makes Shakespeare great, introducing the point of view of “The Ballad of the Enamoured Mage”\n\t\t089\t“The Ballad of the Enamoured Mage”\n\t\t113\tTalks about this poem being influenced by Edith Sitwell, etc.\n\t\t161\tDiscusses the writing of Roots and Branches, compared to The Opening of the Field\n\t\t172\tIntroduces “The Ballad of Mrs. Noah”\n\t\t212\tReads “The Ballad of Mrs. Noah”\n\t\t270\tDiscusses the importance of “following the tone of the poem”\n\t\t\tRather than consciously trying to write in a certain style”\n\t\t307\tDiscusses the influence of Joyce and Milton on his poetic style\n\t\t345\tAdmits to trying to revise Milton-influenced poem, “Heavenly City, Earthly City”\n\t\t360\tDiscusses how his policy of not rejecting or revising his work resulted in an “impossible poem” being included in Roots and Branches\n\t\t391\tReads “Forced Lines”, decides he likes it after all\n\t\t428\tLecture ends"],"Note":["[{\"note\":\"Liner Notes: \\nRobert Duncan: Psyche - Myth and the moment of Truth \\nSide 3 19:30\\nSide 4 15\\nBerkeley July 13, 1965\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553277169669,"timestamp":"2026-01-07T14:59:57.732Z","score":3.0190003},{"id":"5502","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Berkeley Poetry Conference Part 7: Robert Creeley lecture on July 23rd, 1965 #518"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Olson, Charles","Duncan, Robert","Williams, William Carlos"],"creator_names_search":["Creeley, Robert","Olson, Charles","Duncan, Robert","Williams, William Carlos"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/29542054\",\"name\":\"Williams, William Carlos\",\"dates\":\"1883-1963\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Author\"]}]"],"contributors":["[]"],"Performance_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/3453/518.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"518-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:49\",\"precision\":\"\",\"size\":\"55.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"518-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:52:28\",\"precision\":\"\",\"size\":\"67.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-07-23\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2833528\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Berkeley, California, USA\",\"latitude\":\"37.8705\",\"longitude\":\"-122.2826\"}]"],"Address":["Berkeley, California, USA"],"City":["Berkeley, California"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t\tRobert Creeley lecture, “A Sense of Measure”\n\t\t000\tIntroduction: Williams Carlos Williams’ sense of “measure”\n\t\t021\tCreeley quotes Williams, speaking of Shakespeare\n\t\t047\tThe word “measure” implies many things; e.g., “metrical” in Olson’s sense of the word\n\t\t057\tWilliams’ large focus “on measure” and the difficulties he experienced after his strokes\n\t\t078\tCreeley relates how Williams’ concerns have affected his feelings about Pound, Olson, Zukosfsky, and others\n\t\t096\tWilliams’ feelings about the Russian cosmonaut’s orbit of the Earth\n\t\t110\tCreeley asks audience for feedback on what is meant by “measure”; response: Williams himself did not seem to know\n\t\t126\tWilliams’ reaction to Olson and vice versa\n\t\t143\tOlson’s “Projected Verse” essay\n\t\t173\tCreeley says “if anything is, then all things are”, relates this idea to poetry\n\t\t197\tCreeley’s use of the word measure\n\t\t211\tComments from Robert Duncan on measuring one’s measure while one is intoxicated\n\t\t277\tComments from Robert Duncan on measuring one’s measure while one is intoxicated\n\t\t343\t“Writing somehow doesn’t count”, says Creeley\n\t\t374\tDiscussion of numbers and counting as measures\n\t\t410\tDuncan speaks about the patterns in Pound’s “Rock Drill” Cantos\n\t\t456\tDuncan speaks about the crudity of “conscious numbers” as opposed to the complexity of “unconscious numbers” a “loosed mode”\n\t\t495\tCreeley discusses the “numbers” he uses in his poems\n\t\t514\tDuncan brings up the counted syllables in Williams’ work; Creeley discusses Tomlinson’s use of Williams’ style of syllabic verse\n\t\t562\tAudience member refers to a statement on the sonnet form by Zukofsky; Duncan comments\n\t\t605\tCreeley gets back to statement, “Writing somehow doesn’t count”; focuses on word “somehow”\n\t\t635\tAudience members enter into debate about whether arithmetical counting is necessary in poetry\n\t\t777\tCreeley discusses the many possibilities with poems that are consciously and ostensibly “measured” (or metred) by the writer\n\t\t864\tCreeley refers to Olson’s “testing and missing some proof”; audience debates conscious and unconscious experience of numbers\n\t\t965\tSide one ends\nTwo\t\t000\tDiscussion of unconscious experience of numbers resumes\n\t\t035\tDistinction between “measure” and “order”\n\t\t047\tDiscussion of the etymology of word “measure”\n\t\t084\tQuestion from audience: Is it important for the reader to get the same sense of measure as that which was intuitively experienced by the writer of a poem?; Duncan and Creeley respond\n\t\t148\tQuestion: How do you perceive a measure”\n\t\t176\tQuestion: Is the poet responsible for the readers’ understanding of the poem?\n\t\t278\tLecture ends"],"Note":["[{\"note\":\"The Berkeley Poetry Conference Part 7 July 23rd, 1965\\nRobert Creeley: A Sense of Measure\\nSide 1 43:25 min\\nSide 2 41:50 min\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553284509698,"timestamp":"2026-01-07T14:59:57.732Z","score":3.0190003},{"id":"5504","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Berkeley Poetry Conference Part 9: Robert Duncan Reading on July 16th, 1965 #520"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert","Parkinson, Thomas"],"creator_names_search":["Duncan, Robert","Parkinson, Thomas"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Author\"]},{\"url\":\"http://viaf.org/viaf/92344899\",\"name\":\"Parkinson, Thomas\",\"dates\":\"1920-1992\",\"notes\":\"Introduction by Thomas Parkinson\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/3455/520.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"520-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:03:00\",\"precision\":\"\",\"size\":\"84.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"520-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:54\",\"precision\":\"\",\"size\":\"66.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-07-16\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2833528\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Berkeley, California, USA\",\"latitude\":\"37.8705\",\"longitude\":\"-122.2826\"}]"],"Address":["Berkeley, California, USA"],"City":["Berkeley, California"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t\tRobert Duncan poetry reading\n\t\t000\tIntroduction by Thomas Parkinson\n\t\t040\tDuncan introduces “Passages”, an open series of poems\n\t\t081\t“from the Emperor Julian…”\n\t\t086\tI.\tTribal Memories\n\t\t115\tII.\tAt the Loom\n\t\t154\tIII.\tWhat I Saw\n\t\t163\tIV.\tWhere it Appears\n\t\t183\tV.\tThe Moon\n\t\t208\tVI.\tThe Collage\n\t\t260\tVII.\tEnvoy\n\t\t269\tVIII.\tAs in the Old Days\n\t\t294\tIX.\tThe Architecture\n\t\t344\tX.\tThese Past Years\n\t\t375\tXI.\tShadows\n\t\t415\tXII.\tWine\n\t\t468\tXIII.\tThe Fire\nTwo\t\t000\tMore introductory remarks by Duncan\n\t\t014\tXIV.\tChords\n\t\t048\tXV.\tSpelling\n\t\t119\tXVI.\tThe Currents\n\t\t159\tXVII.\tMoving the Moving Image\n\t\t217\tXVIII.\tThe Torso\n\t\t250\tXIX.\tThe Earth\n\t\t306\tXX.\tStructure of Rime XXVI for Kenneth Anger: An Illustration\n\t\t343\tXXI.\tMultiversity\n\t\t402\tXXII.\tIn the Place of a Passage 22\n\t\t442\tXXIII.\tBenefice\n\t\t456\tXXIV.\tOrders\n\t\t526\tXXV.\tUp-Rising\n\t\t589\tEnd of tape"],"Note":["[{\"note\":\"The Berkeley Poetry Conference Part 9 July 16th, 1965\\nRobert Duncan Reading\\nSide 1 47:45 min\\nSide 2 43:40 min\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553285558272,"timestamp":"2026-01-07T14:59:57.732Z","score":3.0190003},{"id":"5510","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Berkeley Poetry Conference Part 13: Robert Creeley Reading on July 22nd, 1965 #524"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Duncan, Robert"],"creator_names_search":["Creeley, Robert","Duncan, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"Introduction by Robert Duncan\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/3464/524.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"524-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:15\",\"precision\":\"\",\"size\":\"58.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"524-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:10\",\"precision\":\"\",\"size\":\"61.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-07-22\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2833528\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Berkeley, California, USA\",\"latitude\":\"37.8705\",\"longitude\":\"-122.2826\"}]"],"Address":["Berkeley, California, USA"],"City":["Berkeley, California"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tIntroduction by Robert Duncan\n\t\t037\tIntroductory remarks by Creeley\n\t\t048\t“The Rhythm”\n\t\t060\tCreeley describes how he feels about the poems he is reading, and tells when they were written\n\t\t072\t“The Rocks”\n\t\t079\t“Water”\n\t\t091\t“The Mountains in the Desert”\n\t\t098\t“Waiting”\n\t\t106\t“The Invitation”\n\t\t116\t“For W.C.W” (“The rhyme is after…”)\n\t\t123\t“Song” (“The grit”)\n\t\t129\t“The Fire”\n\t\t138\t“For no clear reason”\n\t\t145\t“The Messengers, for Allen Ginsberg”\n\t\t157\t“I”\n\t\t175\t“Something”\n\t\t188\t“Walking”\n\t\t197\t“The Language”\n\t\t212\t“The Window”\n\t\t223\t“The Chance” (with explanatory comments)\n\t\t255\t“Hello”\n\t\t270\t“Quick-Step”\n\t\t276\t“Variations” (with introductory remarks)\n\t\t314\t“There Is”\n\t\t322\t“The Measure”\n\t\t328\t“The Woman”\n\t\t362\t“The Pattern”\n\t\t370\t“The Mechanic”\n\t\t375\t“Walls”\n\t\t379\t“I Keep to Myself Such Measures…”\n\t\t415\t“The Dream”\n\t\t462\t“One Way”\n\t\t482\t“Anger”\n\t\t552\t“Some Afternoon”\n\t\t568\t“Distance”\n\t\t631\t“Some Place”\n\t\t650\t“Song” (“I wouldn’t/embarrass you”) (with comments)\n\t\t690\t“Song” (“What do you/want, love…”)\n\t\t700\t“For Helen”\n\t\t713\t“A Night Sky”\n\t\t737\t“The Answer”\n\t\t747\t“Dimensions”\n\t\t773\t“A Place”\n\t\t786\t“Some Echoes”\n\t\t796\t“Fancy”\n\t\t810\t“The World”\nTwo\t\t000\tSecond half of “Going”\n\t\t002\t“The City”\n\t\t012\t“Words”\n\t\t021\t“A Reason”\n\t\t032\t“The Shame”\n\t\t038\t“The Window” (“Position is where you”)\n\t\t054\t“To Bobbie” (Creeley becomes emotional during reading, pauses to explain this to audience)\n\t\t090\t“They” (with explanatory comments, and reference to Ron Lowenson’s “Against the Silences to Come”)\n\t\t126\t“A Method” (a longer version than that in The Collected Works)\n\t\t149\t“A Sight”\n\t\t184\t“The Hole”\n\t\t214\tReading ends"],"Note":["[{\"note\":\"The Berkeley Poetry Conference Part 13 July 22nd, 1965\\nRobert Creeley Reading\\nSide 1 43:15 min\\nSide 2 33:05 min\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553286606848,"timestamp":"2026-01-07T14:59:57.732Z","score":3.0190003},{"id":"5512","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["The Berkeley Poetry Conference Part 15: Charles Olson reading and lecture on July 23rd, 1965 tape 1 of 3 #526a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert","Olson, Charles"],"creator_names_search":["Duncan, Robert","Olson, Charles"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"Introduction by Robert Duncan\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles\",\"dates\":\"1910-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/3471/526a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"526_1-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:17\",\"precision\":\"\",\"size\":\"29.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"526_1-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:14\",\"precision\":\"\",\"size\":\"29.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-07-23\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2833528\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Berkeley, California, USA\",\"latitude\":\"37.8705\",\"longitude\":\"-122.2826\"}]"],"Address":["Berkeley, California, USA"],"City":["Berkeley, California"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tIntroduction by Robert Duncan\n\t\t034\tOlson introduces “The Ring Of”, reads same, p.2\n\t\t065\tIntroduces “An Ode on Nativity”\n\t\t124\tReads first part of same, p.5\n\t\t146\tDiscusses the poem\n\t\t214\tReads second section of “An Ode on Nativity”, with occasional comments, p.8\n\t\t315\tOlson re-evaluates the poem he has just read\n\t\t340\tPromises to rad “Maximus, Letter 9”, gets sidetracked and talks about radicalism, love, the death of late night clubs in Berkeley, etc. (see transcript)\n\t\t917\tTape ends"],"Note":["[{\"note\":\"The Berkeley Poetry Conference Part 6 July 22nd, 1965\\nCharles Olson Reading \\nTape 1 of 2\\nSide 1 26:20 min\\nSide 2 29:30 min\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553286606850,"timestamp":"2026-01-07T14:59:57.732Z","score":3.0190003},{"id":"5636","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Duncan Workshop: reading production of \"Adam's Way\" at UBC on February 4, 1966 #655"],"item_title_source":["cassette and j-card"],"item_title_note":["J-card: 3:30 P.M. Feb. 4, 1966 EDUCATION 100 \"Adam's Way\", a workshop reading production of a modern mystery play in progress, phantasmagoria on theosophic themes, theatre of the irreal with a cast of dragons, elves, ur-men and angels. Written and produced by Robert Duncan."],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["[Hartman, Maria?]","[Buchart, Brian?]","[Henley, Dermot?]","[Kennedy, Allen?]","Duncan, Robert","Vanel, Kurtis","Graham, Robert","[Smy, Sheila?]","Gilbert, Gerry","[Mckenzie, Brian?]","[Gill, Nirmal?]"],"creator_names_search":["[Hartman, Maria?]","[Buchart, Brian?]","[Henley, Dermot?]","[Kennedy, Allen?]","Duncan, Robert","Vanel, Kurtis","Graham, Robert","[Smy, Sheila?]","Gilbert, Gerry","[Mckenzie, Brian?]","[Gill, Nirmal?]"],"creators":["[{\"url\":\"\",\"name\":\"[Hartman, Maria?]\",\"dates\":\"\",\"notes\":\"In the role of Mrs. Maybe\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"[Buchart, Brian?]\",\"dates\":\"\",\"notes\":\"In the role of Michael\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"[Henley, Dermot?]\",\"dates\":\"\",\"notes\":\"In the role of Samuel\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"[Kennedy, Allen?]\",\"dates\":\"\",\"notes\":\"In the role of Adam\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\",\"Author\"]},{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"Also known as Doug Gyseman\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"\",\"name\":\"Graham, Robert\",\"dates\":\"\",\"notes\":\"In the role of the dragon Hermes\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"[Smy, Sheila?]\",\"dates\":\"\",\"notes\":\"In the role of the dragon Lilith\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Gilbert, Gerry\",\"dates\":\"\",\"notes\":\"In the role of the elf Bobbin\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"[Mckenzie, Brian?]\",\"dates\":\"\",\"notes\":\"In the role of the elf [Pook?]\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"[Gill, Nirmal?]\",\"dates\":\"\",\"notes\":\"In the role of the elf [Urda?]\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[]"],"Performance_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5811/Reading in BC_MsC199_655.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"655-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:58\",\"precision\":\"\",\"size\":\"46.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"655-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:55\",\"precision\":\"\",\"size\":\"48.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966-02-04\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"University of British Columbia\",\"notes\":\"Location of this event mentioned in another Robert Duncan reading in February 1966 (SWALLOW ID 5817)\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["University of British Columbia"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t\tTime: 62 mins.\n\t\t000\t\n\t\t004\tIntroductory remarks, cast members, who plays who, etc. A workshop reading of Robert Duncan’s play “Adam’s Way”\n\t\t022\tMore introductory remarks stressing the imagination of the audience as vital; active delusion. A reading performance of a modern Mystery play in progress, Phantasmagoria on Theosophic themes. Tape liner notes go on to say “Theatre of the Irreal with a Last of Dragons, Elves, Ur-men & Angels\n\t\t050\tThe play begins\n\t\t445\tExplanatory remarks\n\t\t484\t“Adam’s Way” continues\n\t\t969\tSide One ends\nTwo\t\t\tTime: 10 mins.\n\t\t000\t\n\t\t003\t“Adam’s Way” continues\n\t\t115\tApplause, which soon fades out to silence\n"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553512050692,"timestamp":"2026-01-07T14:59:57.945Z","score":3.0190003},{"id":"5641","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Duncan reading his poetry at UBC on February 2, 1966 #656"],"item_title_source":["cassette and j-card"],"item_title_note":["J-card: 3:30 P.M. Feb. 2, 1966 BUCHANAN 106 Poetry Reading. Robert Duncan, author of \"The Opening of the Field\" and \"Roots and Branches\", well known to Vancouver poetry audiences, will read his more recent poetry. Recorded by Kurtis Vanel Side 1 44:35 2 22:30 Opening and closing remarks by Warren Tallman; Robert Duncan UBC Feb. 2, 1966"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Duncan, Robert","Vanel, Kurtis"],"creator_names_search":["Tallman, Warren","Duncan, Robert","Vanel, Kurtis"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"Opening and closing remarks\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"Also known as Doug Gyseman\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"contributors":["[]"],"Performance_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5817/Reading in BC_MsC199_656.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"656-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:18\",\"precision\":\"\",\"size\":\"47.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"656-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:25\",\"precision\":\"\",\"size\":\"46.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966-02-02\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"University of British Columbia\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["University of British Columbia"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\nTrack\nNo.\nComments\nOne\n000\n005\nIntroduction of Robert Duncan by Warren Tallman. Biographical details, Contextual significance, etc.\n036\nRobert Duncan\n037\n“For Jack Spicer”\n080\n“The Beginning of Writing: A Composition”\n132\n“Watts Towers”\n184\nDuncan talks of his “derivate” writing methods\n207\n“The Robber Moon”\n244\n“Marriage”\n277\n“Thank You for Love, for Robert Creeley”\n299\n“Two Presentations”\n300\n“I”\n339\n“II”\n394\nDuncan explains, the form behind the next poem\n428\n“The Multiversity”\n525\n“Doves”\n625\n“The Ballad of the Four Far Witches Sing”\n756\nApplause for Duncan\n767\nExplanation of the break\nTwo\n000\n003\nCrowd noises\n006\nDuncan begins to read again\n010\n“A Structure of Rhyme #22, for Dean Stockwell”\n035\n“A Structure of Rhyme #26, for Kenneth Anger”\n068\n“Four Songs the Night Nurse Sang”\n145\nQualifying statements to explain the next three poems\n151\n“Passages #5”\n181\n“Passages #6”\n237\n“Passages #7”\n247\nRemarks concerning “Country Wife Song”\n256\n“Country Wife Song” [Which Duncan actually sings quite well]\n290\nApplause/Reading ends"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553513099267,"timestamp":"2026-01-07T14:59:57.945Z","score":3.0190003},{"id":"5676","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Duncan lecture on imagism at UBC on February 8, 1966 #659"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Livesay, Dorothy","Duncan, Robert","Vanel, Kurtis"],"creator_names_search":["Livesay, Dorothy","Duncan, Robert","Vanel, Kurtis"],"creators":["[{\"url\":\"http://viaf.org/viaf/116854541\",\"name\":\"Livesay, Dorothy\",\"dates\":\"1909-1996\",\"notes\":\"Introduces Robert Duncan\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"Also known as Doug Gyseman\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"contributors":["[]"],"Performance_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5856/Reading in BC_MsC199_659.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"659-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:10\",\"precision\":\"\",\"size\":\"64.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"659-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:15\",\"precision\":\"\",\"size\":\"64.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966-02-08\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"University of British Columbia\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452 \"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["University of British Columbia"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t\tTime: 63 mins.\n\t\t0000\t\n\t\t0004\tIntroduction by Dorothy Livesay; at first inaudible, then clears up into a brief statement on post WWII interest in “Imagism”\n\t\t0014\tRobert Duncan\n\t\t0002\tBreaks into song to create an analogy for his position\n\t\t0058\tStresses his lecture on “Imagism” is a personal viewpoint\n\t\t0063\tSpeaks of the literary tradition of “Imagism”\n\t\t0071\tH.D., Pound & Williams respective ideas on Imagism as well as Joyce & Lawrence’s relation to “Imagism”\n\t\t0081\tImpressions a reader gets from an image in a poem\n\t\t\tA.T.E. Hume poem is read as an example\n\t\t0118\tThree “Main” types of Images\n\t\t0120\tCommunity Images\n\t\t0124\tMyth Images\n\t\t0210\tInvocative Images\n\t\t0279\tEliot’s use of images & many others, do not have a universe of symbols behind it – Whereas someone like Yeats utilizes images that move both backward & forward in a universe of symbols\n\t\t0360\tHistorical tradition of Imagism – Dante’s “Divine Comedy”\n\t\t0489\tPoem as an agent of seeing “-the poet sees & “reports” to us in the hope we too will see” – In this case the tension between the Christian world & the Pagan world\n\t\t0550\tThe divine force in the poet’s images\n\t\t0573\tThe different between poetic impression and Imagism – the intensity of seeing\n\t\t0700\tH.D.’s images in relation to Plato\n\t\t0790\tPainting in relation to imagery; futile attempts by such people as Picasso to be too intellectual\n\t\t0755\tH.D.’s distaste for Yeat’s mythology imagery\n\t\t0849\tPound’s imprisonment cantos & the images revealed\n\t\t0971\tAs Duncan is reading a Pound canto, the tape cuts off\n\t\t0992\tSide one over\nTwo\t\t00000\t\n\t\t005\tTape breaks in where it cut off on Side 1\n\t\t022\tDiscussion on the tones of the Cantos\n\t\t060\tThe Image of Crucifixion\n\t\t078\tEuripide’s mystery faith, the influence it had on H.D.\n\t\t120\tSins in the poetry of H.D.\n\t\t130\tDuncan opens the floor for questions\n\t\t135\tInaudible question concerning Dylan Thomas & Images. Duncan answers there are images in everything; reads some of his own poetry, he then begins to ramble\n\t\t255\tInaudible question\n\t\t262\tInaudible question\n\t\t\tDuncan expressing his belief in the intrinsic connection between feelings & Images\n\t\t301\tSide two over\n\t\t099\tSide two ends\n"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553743785984,"timestamp":"2026-01-07T14:59:58.173Z","score":3.0190003},{"id":"5761","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Five Poets: a discussion and interview with Charles Olson, Robert Duncan, Allen Ginsberg, Robert Creeley, and Denise Levertov recorded by Vancouver CBC on January 19, 1964 #499B"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Olson, Charles","Duncan, Robert","Ginsberg, Allen","Levertov, Denise","Webb, Phyllis"],"creator_names_search":["Creeley, Robert","Olson, Charles","Duncan, Robert","Ginsberg, Allen","Levertov, Denise","Webb, Phyllis"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles \",\"dates\":\"1910-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert \",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen \",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/9868894\",\"name\":\"Levertov, Denise\",\"dates\":\"1923-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/29847238\",\"name\":\"Webb, Phyllis\",\"dates\":\"1927-2021\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1964],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6068/Reading in BC_MsC199_499-B.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"499B-2-Side-1.pm3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:24\",\"precision\":\"\",\"size\":\"30.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"499B-2-Side-2.pm3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:36\",\"precision\":\"\",\"size\":\"30.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1964-01-19\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/3764261726\",\"venue\":\"CBC\",\"notes\":\"We don't know where CBC Vancouver located before 1975, now its address is 700 Hamilton Street\\nVancouver, British Columbia\\nV6B 4A2\",\"address\":\"Vancouver, BC, Canada\",\"latitude\":\"49.27867\",\"longitude\":\"-123.11458\"}]"],"Address":["Vancouver, BC, Canada"],"Venue":["CBC"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553958744068,"timestamp":"2026-01-07T14:59:58.384Z","score":3.0190003},{"id":"8630","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["The Capilano Review Recordings"],"source_collection_label":["The Capilano Review Recordings"],"collection_contributing_unit":[""],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Robert Duncan's lecture and poems on 13 July, 1965"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert"],"creator_names_search":["Duncan, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert \",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1965],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/8630/Capilano Review MsC264_1.png\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"sticker on the case\",\"other_physical_description\":\"Black and white clear jewel case \"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC264-01 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:42:45\",\"precision\":\"\",\"size\":\"43.2 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC264-01 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:03:18\",\"precision\":\"\",\"size\":\"63.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1965-07-13\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"cassette\"}]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"There is another voice on the tape. An unidentified person introduces Robert Duncan.\",\"type\":\"General\"},{\"note\":\"The sound quality on side B is worse\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670557781852160,"timestamp":"2026-01-07T15:00:02.033Z","score":3.0190003}]