[{"id":"1257","cataloger_name":["Mahtab,Banihashemi"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":["Roy Kiyooka and Richard (Dick) Sommer at Sir George Williams University, The Poetry Series, 2 December 1966"],"item_title_source":["Cataloguer"],"item_title_note":["\"R. KIYOOKA 2/12/66\" written on the spine of the tape's box. \"Roy Kiyooka (2 tracls 3 3/4) and I086-11-030\" also written on reel and the tape's box.\n\n\"Dick Sommer Sides 1 & 2  3 3/4\"/sec 2/12/66\" handwriitten on the back of the tape's box. \"I086-11-046\" and \"RT 500\" also written."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_subseries_title":["Poetry 1"],"item_identifiers":["[I086-11-030, I086-11-046]"],"access":["Streaming"],"creator_names":["Sommer, Richard","Kiyooka, Roy"],"creator_names_search":["Sommer, Richard","Kiyooka, Roy"],"creators":["[{\"url\":\"https://viaf.org/viaf/46769463/#Sommer,_Richard\",\"name\":\"Sommer, Richard\",\"dates\":\"1934-2012\",\"notes\":\"Richard Sommer was born on August 27, 1934 in St. Paul, Minnesota. He graduated with a B.A. summa cum laude from the University of Minnesota in 1956, then went on to receive an A.M. in 1957 and a Ph.D. in 1962 from Harvard University. In 1961 Sommer married Gillian Taylor, but remarried Victoria Tansey in 1969, with whom he had two children. Sommer won the American-Scandinavian Foundation fellowship for research in Norway in 1958-9, and published The Odyssey and Primitive Religion in 1962 (Norwegian Universities Press). That same year, he was hired at Sir George Williams College (now Concordia University) as an assistant professor from 1962 to 1967, when he became an associate professor of English in 1967. His second publication, Strangers and Pilgrims: An Essay on the Metaphor of Journey, was published in 1964, written with Georg Roppen (Humanities Press). Sommer’s collections of poetry that have been published by Delta Canada include Homage to Mr. MacMullin (Delta Canada, 1969), The Blue Sky Notebook (New Delta, 1972), Milarepa (New Delta, 1976), Left Hand Mind (New Delta, 1976), The Other Side of Games (New Delta, 1977), and Selected and New Poems (1983) published by Vehicule Press. After Sommer retired from Sir George Williams University, he became increasingly active in environmental conservation, leading the conservation effort of Pinnacle Mountain in Quebec, which was documented in an NFB film, The Poet and the Pinnacle (1995). In the early 2000s, Richard Sommer was diagnosed with prostate cancer and, shortly before his death in 2012, he published Cancer Songs (Signature Editions 2011), a mix of verse and journaling exploring his experiences living with the illness.\",\"nation\":[],\"role\":[\"Performer\",\"Author\",\"Series organizer\"]},{\"url\":\"http://viaf.org/viaf/30784426\",\"name\":\"Kiyooka, Roy\",\"dates\":\"1926-1994\",\"notes\":\"Roy Kiyooka was born in Moose Jaw, Saskatchewan in 1926. Sculptor, painter, photographer, poet, film-maker and teacher, he was influential in many important literary and artistic scenes all across Canada. Kiyooka studied fine art at the Provincial Institute of Art and Technology in Alberta, the Institute Allende in Mexico, the University of Saskatchewan, Emma Lake Workshops. He married Monica Dealtry Barker in 1955 and had three children.  He has exhibited his works in numerous cities, including Edmonton, Calgary, San Miguel D’Allende, Saskatoon, Regina, Vancouver, Toronto, New York and Montreal. Kiyooka’s work was shown at the National Gallery of Canada and the Museum of Modern Art in Washington, D.C. He won the silver medal representing Canada at the Sao Paulo Biennial in 1966. Kiyooka taught at various institutions, including Regina College, where he worked from 1956 to 1960, the Vancouver School of Art (Now Emily Carr Institute of Art + Design) from 1960-1965, Sir George Williams University (now Concordia University) from 1966 to 1969 and the University of British Columbia from 1972 to his retirement. During the 60’s, Kiyooka played a crucial role in the artistic renaissance of Vancouver poetry and art, and served to connect the Vancouver scene with the Coach House Press group in Toronto. It was around this time that he began writing poetry, publishing Kyoto airs in 1964 (Periwinkle Press), illustrating Daphne Marlatt’s The unquiet bed in 1967, Nevertheless these eyes also in 1967 (Coach House Press), Stoned gloves in 1970 (Coach House Press), Transcanada letters in 1975 (Talon Books), The Fontainebleau dream machine: 18 frames from a book in 1977 (Coach House Press), and Of seasonal pleasures and small hindrances in 1978 (B.C. Monthly). Pacific windows: collected poems of Roy Kiyooka came out in 1974 (Talon Books), and included a biography, bibliography and notes on his poetry. Pear tree poems came out almost a decade later in 1988 (Coach House Press) and was nominated for a Governor General’s Award. More recently he published Mothertalk: Life Stories of Mary Kiyoshi Kiyooka in 1997(NeWest Press), edited by Daphne Marlatt. Roy Kiyooka died in 1994.\",\"nation\":[],\"role\":[\"Author\",\"Performer\",\"Series organizer\"]}]"],"contributors_names":["Hoffman, Stanton"],"contributors_names_search":["Hoffman, Stanton"],"contributors":["[{\"url\":\"\",\"name\":\"Hoffman, Stanton\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Speaker\"]}]"],"Series_organizer_name":["Hoffman, Stanton"],"Speaker_name":["Hoffman, Stanton"],"Performance_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"BASF\",\"generations\":\"Duplicate\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"2 track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Kodak\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"00:50:00\",\"physical_condition\":\"\",\"track_configuration\":\"2 track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel","Reel to Reel"],"physical_compositions":["Magnetic Tape","Magnetic Tape"],"recording_type":["Analogue","Analogue"],"AV_type":["Audio","Audio"],"playback_mode":["Mono","Mono"],"Dates":["[{\"date\":\"1966 12 2\",\"type\":\"Performance Date\",\"notes\":\"Date written on the tape box and on a sticker on the tape reel\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080570\",\"venue\":\"Hall Building Basement Theatre\",\"notes\":\"Location specified in printed announcement \\\"Georgantics\\\" by Bob Simco (Supplemental material)\",\"address\":\"1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada\",\"latitude\":\"45.4972758\",\"longitude\":\"-73.57893043\"}]"],"Address":["1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada"],"Venue":["Hall Building Basement Theatre"],"City":["Montreal, Quebec"],"content_notes":["Roy Kiyooka reads from Kyoto Airs (Periwinkle Press, 1964) and poems published later in Nevertheless These Eyes (Coach House Press, 1967). Richard (Dick) Sommer reads poems from an unknown selection of books. "],"contents":["roy_kiyooka_i086-11-030.mp3 [File 1 of 2]\n\nStanton Hoffman\n00:00:00\nOn behalf of the Poetry Reading Committee of Sir George Williams University [https://www.wikidata.org/wiki/Q326342] I wish to welcome you to this, the fifth, in a series of poetry readings, given at this University during 1966-67. Tonight there will be readings by two poets living in Montreal [https://www.wikidata.org/wiki/Q340], and members of the faculty of this university. There will be a fifteen minute intermission in between each reading. Roy Kiyooka [https://www.wikidata.org/wiki/Q3445789] was born in Moose Jaw [https://www.wikidata.org/wiki/Q1019496], Saskatchewan [https://www.wikidata.org/wiki/Q1989], he studied at the Provincial Institute of Technology and Art, the Instituto Allende [https://www.wikidata.org/wiki/Q17989128] in Mexico [https://www.wikidata.org/wiki/Q96], and the University of Saskatchewan [https://www.wikidata.org/wiki/Q1514848] Emma Lake Workshops. He has had one-man exhibitions in Edmonton [https://www.wikidata.org/wiki/Q2096], Calgary [https://www.wikidata.org/wiki/Q36312], San Miguel de Allende [https://www.wikidata.org/wiki/Q4063467], Saskatoon [https://www.wikidata.org/wiki/Q10566], Regina [https://www.wikidata.org/wiki/Q2123], Toronto [https://www.wikidata.org/wiki/Q172], Vancouver [https://www.wikidata.org/wiki/Q24639], Victoria [https://www.wikidata.org/wiki/Q2132], New York City [https://www.wikidata.org/wiki/Q60] and Montreal. He exhibited at the Sao Paulo Biennial [https://www.wikidata.org/wiki/Q653360], where he was one of four painters representing Canada [https://www.wikidata.org/wiki/Q16], and where he received honourable mention and a Silver Medal. His most recent show was held last month at the Laing Galleries [https://www.wikidata.org/wiki/Q28846441] in Toronto. In 1964, his first volume of poems, Kyoto Airs, was published by the Periwinkle Press in Vancouver. His second volume, Nevertheless These Eyes is being published this month, in Montreal by Bev Leech. Ladies and Gentlemen, Mr. Roy Kiyooka.\n \nUnknown\n00:01:24\n[Cut or edit made in tape. Unknown amount of time elapsed].\n\nRoy Kiyooka\n00:01:25\n--want to start off this evening by reading a few poems from my earlier book, the one that Stan mentioned. These poems were written as a result of a summer in Japan [https://www.wikidata.org/wiki/Q17], and they are very much occasional poems, they address themselves to the particular occasion of having been there, and they were meant in part to account for that experience of having been there, to my numerable friends in Vancouver. I'll begin by reading three very short little poems, they all relate to, what should we call it, the various contexts in which I saw the sculptured image of the Buddha. The first one is called \"Waiting Out the Rain\".\n \nRoy Kiyooka\n00:02:51\nReads \"Waiting Out the Rain\" [from Kyoto Airs].\n \nRoy Kiyooka\n00:03:13\nThis is \"Buddha in the Garden\". Again, very brief.\n \nRoy Kiyooka\n00:03:23\nReads \"Buddha in the Garden\" [from Kyoto Airs].\n \nRoy Kiyooka\n00:03:47\nThis is \"Sunday at the Temple\".\n \nRoy Kiyooka\n00:03:53\nReads \"Sunday at the Temple\" [from Kyoto Airs].\n \nRoy Kiyooka\n00:04:20\nAnd this is the image of a Buddha seen in the Kyoto Museum, a reclining figure.\n \nRoy Kiyooka\n00:04:30\nReads unnamed poem [from Kyoto Airs].\n \nRoy Kiyooka\n00:05:01\nNow the next is a sequence of four little poems, very much like the traditional Japanese poems called the Haiku. This is a sequence, the title of which is \"The Stone Garden of Ryoanji\". The first one goes like this:\n \nRoy Kiyooka\n00:05:27\nReads “The Stone Garden of Ryoanji\", part 1 [from Kyoto Airs].\n \nRoy Kiyooka\n00:05:45\nReads “The Stone Garden of Ryoanji\", part 2 [from Kyoto Airs].\n \nRoy Kiyooka\n00:06:07\nReads “The Stone Garden of Ryoanji\", part 3 [from Kyoto Airs].\n \nRoy Kiyooka\n00:06:24\nReads “The Stone Garden of Ryoanji\", part 4 [from Kyoto Airs].\n \nRoy Kiyooka\n00:06:49\nNow this one is called \"Children's Shrine\". Throughout most of the cities and towns and villages all over Japan you'll find way-side shrines, they're frequently just built into the wall in a very narrow street and people on whatever religious occasion come to worship there. This is a shrine particularly for children. And it goes like this:\n \nRoy Kiyooka\n00:07:24\nReads \"Children's Shrine\" [from Kyoto Airs].\n \nRoy Kiyooka\n00:08:41\nWell this is rather a long sequence, once more very short poems, there are eleven of them, and the title of the sequence is simply \"Higashiyama\", now 'higashiyama' means, in English, 'east mountain'.\n \nRoy Kiyooka\n00:09:22\nReads \"Higashiyama\", part 1 [from Kyoto Airs].\n \nRoy Kiyooka\n00:09:39\nReads \"Higashiyama\", part 2 [from Kyoto Airs].\n \nRoy Kiyooka\n00:10:04\nReads \"Higashiyama\", part 3 [from Kyoto Airs].\n \nRoy Kiyooka\n00:10:20\nReads \"Higashiyama\", part 4 [from Kyoto Airs].\n \nRoy Kiyooka\n00:10:38\nReads \"Higashiyama\", part 5 [from Kyoto Airs].\n \nRoy Kiyooka\n00:10:54\nReads \"Higashiyama\", part 6 [from Kyoto Airs].\n \nRoy Kiyooka\n00:11:13\nReads \"Higashiyama\", part 7 [from Kyoto Airs].\n \nRoy Kiyooka\n00:11:38\nReads \"Higashiyama\", part 8 [from Kyoto Airs].\n \nRoy Kiyooka\n00:11:55\nReads \"Higashiyama\", part 9 [from Kyoto Airs].\n \nRoy Kiyooka\n00:12:17\nReads \"Higashiyama\", part 10 [from Kyoto Airs].\n \nRoy Kiyooka\n00:12:43\nReads \"Higashiyama\", part 11 [from Kyoto Airs].\n \nRoy Kiyooka\n00:13:01\nWell I'll go on to the last poem in the book, this is an attempt, as it were, to sum up the varied experiences that I had there. The poem is called \"Itinerary of a View\".\n \nRoy Kiyooka\n00:13:29\nReads \"Itinerary of a View\" [from Kyoto Airs].\n \nRoy Kiyooka\n00:17:07\nI think I need to say a few words about this next group of poems, they were, they're from the book that I am having done at the moment, I started these poems in June 1965 in Montreal when I first came here. I don't know how to tell you this, except that at the time I came, I stayed with Alfred Pinsky [https://www.wikidata.org/wiki/Q21997094], or rather I stayed at his home, at his invitation, while I was looking for a place to live. Now, this took me about two weeks, it was very hot, and in the evenings I used to go through his library and pick up things and scanned them. One evening I came across this book, which was a biography of the English painter, Stanley Spencer [https://www.wikidata.org/wiki/Q1282413]. Spencer, we could say is perhaps the co-partner in the origin and the form and the content of this book. The book is in three parts, the first part is called the mirror, \"The Song the Mirror Sang at Midnight\", and it is prefaced by a quotation from Spencer, which goes like this: \"I am meeting you all the time, and sending my longing for you into chaos, into the darkness, beyond these walls\". I may add that these poems, likewise, are on the whole, very brief, though some are longer.\n \nRoy Kiyooka\n00:19:31\nReads \"The Song the Mirror Sang at Midnight\", part 1 [published later in Nevertheless These Eyes].\n \nRoy Kiyooka\n00:20:34\nReads \"The Song the Mirror Sang at Midnight\", part 2 [published later in Nevertheless These Eyes].\n \nRoy Kiyooka\n00:21:55\nReads \"The Song the Mirror Sang at Midnight\", part 3 published later in Nevertheless These Eyes].\n \nRoy Kiyooka\n00:22:49\nReads \"The Song the Mirror Sang at Midnight\", part 4 [published later in Nevertheless These Eyes].\n \nRoy Kiyooka\n00:23:23\nReads \"The Song the Mirror Sang at Midnight\", part 5 [published later in Nevertheless These Eyes].\n \nRoy Kiyooka\n00:24:18\nReads \"The Song the Mirror Sang at Midnight\", part 6 [published later in Nevertheless These Eyes].\n\nRoy Kiyooka\n00:24:46\nReads \"The Song the Mirror Sang at Midnight\", part 7 [published later in Nevertheless These Eyes].\n\nRoy Kiyooka\n00:25:24\nReads \"The Song the Mirror Sang at Midnight\", part 8 [published later in Nevertheless These Eyes].\n\nRoy Kiyooka\n00:25:51\nReads \"The Song the Mirror Sang at Midnight\", part 9 [published later in Nevertheless These Eyes].\n\nRoy Kiyooka\n00:26:27\nReads \"The Song the Mirror Sang at Midnight\", part 10 [published later in Nevertheless These Eyes].\n\nRoy Kiyooka\n00:27:02\nReads \"The Song the Mirror Sang at Midnight\", part 11 [published later in Nevertheless These Eyes].\n\nRoy Kiyooka\n00:27:26\nReads \"The Song the Mirror Sang at Midnight\", part 12 [published later in Nevertheless These Eyes].\n \nRoy Kiyooka\n00:28:06\nReads \"The Song the Mirror Sang at Midnight\", part 13 [published later in Nevertheless These Eyes].\n \nRoy Kiyooka\n00:28:36\nReads \"The Song the Mirror Sang at Midnight\", part 14 [published later in Nevertheless These Eyes].\n \nRoy Kiyooka\n00:29:21\nReads \"The Song the Mirror Sang at Midnight\", part 15 [published later in Nevertheless These Eyes].\n \nRoy Kiyooka\n00:30:05\nThe last one in this section.\n \nRoy Kiyooka\n00:30:11\nReads \"The Song the Mirror Sang at Midnight\", part 16 [published later in Nevertheless These Eyes].\n \nRoy Kiyooka\n00:30:53\nThere's a terrible draft coming in from the back, I think you're right Dick, we're going to end up with arthritic ankles. Well, this is the second section, and it is called \"The Proposal\". Once more, prefaced with a remark from Stanley Spencer, a very beautiful one. They are set down, as I found them in the book, I have used them in the context of this section of the book and these four poems, taken from his writings are meant to define certain of her attributes. Now I have given a title to each one of these four poems, and I hope they will clarify the context in which they belong here. \"Portrait of the Beloved\".\n \nRoy Kiyooka\n00:32:06\nReads \"Portrait of the Beloved\" [published later in Nevertheless These Eyes].\n \nRoy Kiyooka\n00:32:56\nThis I called \"The Marriage\".\n \nRoy Kiyooka\n00:33:05\nReads \"The Marriage\" [published later in Nevertheless These Eyes].\n \nRoy Kiyooka\n00:33:37\nThis is called \"The Separation\".\n \nRoy Kiyooka\n00:33:45\nReads \"The Separation\" [published later in Nevertheless These Eyes].\n \nRoy Kiyooka\n00:34:07\nAnd this, is \"Her Apotheosis\".\n \nRoy Kiyooka\n00:34:17\nReads \"Her Apotheosis\" [published later in Nevertheless These Eyes].\n \nRoy Kiyooka\n00:35:23\nThat incidentally, is a description he wrote to a friend about a painting that he in fact had made. From your response, I gathered, it has a comic element, but I don't think that he himself made it that way. [Laughter].\n \nRoy Kiyooka\n00:36:05\nReads unnamed poem.\n \nRoy Kiyooka\n00:38:04\nReads unnamed poem.\n \nRoy Kiyooka\n00:38:36\nThe first stanza of this two-stanza poem is from Spencer, once again.\n \nRoy Kiyooka\n00:38:43\nReads unnamed poem.\n \nRoy Kiyooka\n00:39:34\nThe reference in this poem is to an exemplary sculptor who died many years ago, who obsessionally sculpted the human female form, his name is Gaston Lachaise [https://www.wikidata.org/wiki/Q1495586].\n \nRoy Kiyooka\n00:40:02\nReads unnamed poem.\n\nRoy Kiyooka\n00:40:59.50\nThe title of this poem is the same as the title of the second section, it's \"The Proposal\".\n \nRoy Kiyooka\n00:41:14\nReads \"The Proposal\" [published later in Nevertheless These Eyes].\n \nRoy Kiyooka\n00:42:27\nThis one is called \"The Dance\".\n \nRoy Kiyooka\n00:42:33\nReads \"The Dance\" [published later in Nevertheless These Eyes].\n \nRoy Kiyooka\n00:43:59\nThe title of this poem is called \"Her Admonition\".\n \nRoy Kiyooka\n00:44:06\nReads \"Her Admonition\" [published later in Nevertheless These Eyes].\n \nRoy Kiyooka\n00:45:28\nNow the following five poems are called \"Poems of Resurrection\".\n \nRoy Kiyooka\n00:45:46\nReads \"Poems of Resurrection\", part 1 [published later in Nevertheless These Eyes].\n \nRoy Kiyooka\n00:47:27\nSecond \"Resurrection\" poem.\n \nRoy Kiyooka\n00:47:28\nReads \"Poems of Resurrection\", part 2 [published later in Nevertheless These Eyes].\n \nRoy Kiyooka\n00:48:33\nReads \"Poems of Resurrection\", part 3 [published later in Nevertheless These Eyes].\n \nRoy Kiyooka\n00:49:07\nReads \"Poems of Resurrection\", part 4 [published later in Nevertheless These Eyes].\n \nRoy Kiyooka\n00:49:49\nThe last Resurrection poem, which concludes with a very brief, two-line coda.\n \nRoy Kiyooka\n00:50:01\nReads \"Poems of Resurrection\", part 5 [published later in Nevertheless These Eyes].\n \nRoy Kiyooka\n00:50:51\nNow, the second to last poem is called \"The Visitation\".\n \nRoy Kiyooka\n00:51:16\nReads \"The Visitation\" [published later in Nevertheless These Eyes].\n \nRoy Kiyooka\n00:53:14\nAnd finally,\n \nRoy Kiyooka\n00:53:22\nReads unnamed poem.\n \nRoy Kiyooka\n00:53:56\nWell, this is the final section. This is called \"Nevertheless These Eyes\" and briefly, and again from Spencer, a preface that goes like this: \"I am on this side of angels and dirt\".\n \nRoy Kiyooka\n00:55:25\nReads \"Nevertheless These Eyes\" [published later in Nevertheless These Eyes].\n \nRoy Kiyooka\n01:00:20\nAnd finally, by way of acknowledging the nature of this book.\n \nRoy Kiyooka\n01:00:31\nReads unnamed poem [published later in Nevertheless These Eyes].\n \nRoy Kiyooka\n01:00:57\nThank you very much--\n\nUnknown\n01:00:59\n[Cut or edit made in tape. Unknown amount of time elapsed].\n\nRoy Kiyooka\n01:01:00\n--and I were reading together, decided we should write one for the occasion, so we have each come up with a haiku. This is my haiku, it's especially for Dick. I have in brackets here, \"A gentle admonition to the audience following my reading, and preceding his\" and it goes like this: \"Let the stone tell how /snow-covered in whiteness, /these words, when his words come.\"\n \nEND\n01:01:42\n\n\nrichard_sommer_i086-11-046.mp3 [File 2 of 2]\n\nStanton Hoffman\n00:00:00\nThe second reader of this evening, Dick Sommer, was born in St. Paul [https://www.wikidata.org/wiki/Q28848], Minnesota [https://www.wikidata.org/wiki/Q1527], and educated at the University of Minnesota [https://www.wikidata.org/wiki/Q238101] where he most recently returned as a visiting Assistant Professor of English, and at Harvard [https://www.wikidata.org/wiki/Q13371]. In 1958 he was a recipient of the Academy of American Poets [https://www.wikidata.org/wiki/Q282096] Prize, and over a period of several years published his poems in the Harvard Advocate. He has given readings in Cambridge [https://www.wikidata.org/wiki/Q49111], Minneapolis [https://www.wikidata.org/wiki/Q36091], and in Oslo [https://www.wikidata.org/wiki/Q585]. Also, he does not want me to mention his scholarly publications: Dash, Which Are, Strangers and Pilgrims, an essay on the Metaphor of the Journey written with Georg Roppen [https://www.wikidata.org/wiki/Q23944662] and published by the Humanities Press [https://www.wikidata.org/wiki/Q97958829] in New York City, as well as by the Norwegian University's Press, in Norway [https://www.wikidata.org/wiki/Q20] and A Monograph, the Odyssey and Primitive Religion, published by the University of Bergen [https://www.wikidata.org/wiki/Q204457] in 1962. Ladies and gentlemen, Mr. Dick Sommer.\n \nRichard (Dick) Sommer\n00:01:02\nI didn't want him to mention those. Oh I've got the deal with Roy, as well. So this is a haiku with, which you'll be glad to know also has seventeen syllables in the title. \"The Haiku to Roy Kiyooka\", in reply to his haiku to me.\n \nRichard (Dick) Sommer\n00:01:31\nReads \"The Haiku to Roy Kiyooka\".\n \nRichard (Dick) Sommer\n00:01:50\nAnd this is the Haiku that began the mess, this was the one that I originally threatened to read to him, and naturally will carry out my threat. Which has a slightly different title, \"Haiku at Roy Kiyooka\"\n \nRichard (Dick) Sommer\n00:02:07\nReads \"Haiku at Roy Kiyooka\".\n \nRichard (Dick) Sommer\n00:02:27\nAnd then there's the one that I think you have on that broadsheet, which as I looked at it, in all of its mimeographed splendor, struck me as sounding a bit, now, like the theme song of the Central Intelligence Agency [https://www.wikidata.org/wiki/Q37230], but I'm sorry about that, I didn't mean it that way when I wrote it.\n \nRichard (Dick) Sommer\n00:02:55\nReads unnamed haiku.\n \nRichard (Dick) Sommer\n00:03:13\nI'm as you've heard, I'm responsible for having written some criticism, sorry about that, but I hope to make it up with the next poem, which is also on your broadsheet. Called the meaning of- \"The Meaning of Poetry\".\n \nRichard (Dick) Sommer\n00:03:36\nReads \"The Meaning of Poetry\".\n \nRichard (Dick) Sommer\n00:04:19\nAnd this next poem, you'll be very happy to know I have my wife's permission to read.\n\nRichard (Dick) Sommer\n00:04:26\nReads unnamed poem.\n \nRichard (Dick) Sommer\n00:05:02\nYou're going to be out of luck if you don't play chess, for this next one. You may be out of luck if you do, but that has more to do with the poem than your ability at chess.\n \nRichard (Dick) Sommer\n00:05:23\nReads unnamed poem. \n \nRichard (Dick) Sommer\n00:06:27\nRoy's given us a series of poems in praise of 'her', I don't know who 'her' is, but I have another name for her myself, she's called the Lady of Situations, and that's the title of this poem. You know, situations in the sense of she's always getting involved, or people are always getting involved. This is that Lady of Situation. And, oh yes, there's some erudition in this one too, there's a marvelous drawing taken from the tomb of Tuthmosis [https://www.wikidata.org/wiki/Q1320491], which appears in the Skera, Egyptian Painting Volume, and you might look it up because she appears there as a tree, a breasted tree, and giving suck to a Pharaoh, it's quite interesting as a painting, anyway, that's in here too.\n \nRichard (Dick) Sommer\n00:07:34\nReads \"Lady of Situation\".\n \nRichard (Dick) Sommer\n00:09:29\nThe, I noticed that the Brotherhood of Railroad Engineers has arranged to have separate drinking glasses, or they're trying to get themselves put into the sanitary code, I think this is Roy's. This must be mine, still water. This next one, I wrote the day following my seeing of a movie that I hope many of you are familiar with, it's the Russian version of Don Quixote [https://www.wikidata.org/wiki/Q49612156], a lovely film, beautiful adaptation of the myth of Don Quixote, and Sancho Panza [https://www.wikidata.org/wiki/Q630823] in the terms of the revolution to come, and I was particularly fascinated to the title that was given to Don Quixote, in this film, so I used it for the title of the poem.\n \nRichard (Dick) Sommer\n00:10:54\nReads \"Don Quixote de la Manchesky\".\n \nRichard (Dick) Sommer\n00:13:25\nThis next one takes its title, this is another area of that reference, takes its title from a little known and very important folk ballad, I had to put something in ethnic here, so this is it. It's, the title is \"The Other Side of the Mountain\", and it comes from that little song that begins \"The bear climbed over the mountain to see what he could see, but the other side of the mountain was all that he could see\".\n \nRichard (Dick) Sommer\n00:14:05\nReads \"The Other Side of the Mountain\".\n \nRichard (Dick) Sommer\n00:17:15\nIncidentally, you must not get the idea that the mountain, you know, came entirely from the, from the, from the song. It, you can find it on the Greater Barrington Quadrangle, for the appropriate section of the Massachusetts [https://www.wikidata.org/wiki/Q771] of the US [https://www.wikidata.org/wiki/Q30] geological survey, it's right on the map. It's really there, it's got position. This poem is in four sections, there are three narrative sections and then there's a short epilogue. And it's called \"My Loveliest Enemies\". I don't think there's any point in keeping you in suspense about this, my loveliest enemies are birds. And that's the punchline, so now you know it and you can listen to the poem.\n \nRichard (Dick) Sommer\n00:18:24\nReads \"My Loveliest Enemies\" [parts 1-3].\n \nRichard (Dick) Sommer\n00:33:12\nAnd here's the epilogue.\n \nRichard (Dick) Sommer\n00:33:19\nReads \"Epilogue\" of \"My Loveliest Enemies\".\n \nRichard (Dick) Sommer\n00:35:52\nIt's a race against not time but against the creeping gelatination, I think is the word of my lower extremities, and I'm sure the creeping sleepiness that is likely to affect you. This next, excuse me, here's to you! This next poem requires an erudite explanation too and I'm sorry for that. I hope, actually, it's not necessary. Alcuin [https://www.wikidata.org/wiki/Q154332], the Charles the King, Alcuin was an 8th century scholar who was brought from his, from the York [https://www.wikidata.org/wiki/Q42462] diocese, to the court of Charlemagne [https://www.wikidata.org/wiki/Q3044], and there became the principal architect of Charlemagne's attempt to bring Latin and Latin culture to the Francs. You might say, I suppose, that he was the first of, first great humanist, but we'll see what his Latin is worth in this poem. This is a letter, written by Alcuin, actually it was written by me, presumably written by Alcuin, to Charles the King.\n \nRichard (Dick) Sommer\n00:37:33\nReads \"Letter written by Alcuin, to Charles the King\".\n \nRichard (Dick) Sommer\n00:41:46\nAnd this poem is, has a title, and a subtitle. The title is \"Concentration\" the subtitle, \"Homage to Eva Jerome\".\n\nEND\n00:42:12\n[Cut off abruptly]."],"Note":["[{\"note\":\"Year-Specific Information:\\n\\nIn 1966, Kiyooka was working on Nevertheless these eyes (1967) and was teaching at Sir George Williams University. He was part of the Reading Series Committee.\\n\\nIn 1966, Richard Sommer was teaching at Sir George Williams University.\\n\\n\",\"type\":\"General\"},{\"note\":\"Local Connections:\\n\\nRoy Kiyooka had many connections all across Canada: he was involved in the poetry renaissance in Vancouver in the 60’s, he was connected to the Coach House poetry group in Toronto, thus he was most likely influential in the communication between Sir George Williams Reading Series and other Canadian poets.\\n\\nRichard Sommer became an important influence and player in Montreal poetry in the 1970’s, associated with Vehicule Press and poets Artie Gold, Ken Norris and Stephen Morrissey.\",\"type\":\"General\"},{\"note\":\"Original transcript, research, introduction and edits by Celyn Harding-Jones\\n\\nAdditional research and edits by Ali Barillaro\",\"type\":\"Cataloguer\"},{\"note\":\"2 reel-to-reel tapes>2 CDs>2 digital files\",\"type\":\"Preservation\"}]"],"Related_works":["[{\"url\":\"https://www.thecanadianencyclopedia.ca/en/article/poetry-in-english\",\"citation\":\"Barbour, Douglas. “Poetry in English: The New Generation: After 1960”. The Canadian Encyclopedia. Historica-Dominion, 2009. \"},{\"url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/gary-snyder-at-sgwu-1971/#1\",\"citation\":\"Boxer, Avi and Bryan McCarthy and Graham Seal. “Re: Reverend Richard J. Sommer”. The Georgian. Montreal: Sir George Williams University, 12 November 1971, page 4. \"},{\"url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/gary-snyder-at-sgwu-1971/#1\",\"citation\":\"Boxer, Avi and Bryan McCarthy and Graham Seal. “Get Your Shit Together...”. The Georgian. Montreal: Sir George Williams University, 19 November 1971, page 4. \"},{\"url\":\"https://www.worldcat.org/title/montreal-english-poetry-of-the-seventies/oclc/1072194565&referer=brief_results\",\"citation\":\"Farkas, Andre & Ken Norris (eds). Montreal English Poetry of the Seventies. Montreal: Vehicule Press, 1977. \"},{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-canadian-literature/oclc/605246871&referer=brief_results\",\"citation\":\"Hancock, Geoff. \\\"Kiyooka, Roy\\\". The Oxford Companion to Canadian Literature. Eugene Benson and William Toye (eds). Oxford University Press, 2001. \"},{\"url\":\"https://www.worldcat.org/title/kyoto-airs/oclc/70783779&referer=brief_results\",\"citation\":\"Kiyooka, Roy. Kyoto Airs. Vancouver: Periwinkle Press, 1964. \"},{\"url\":\"https://www.worldcat.org/title/nevertheless-these-eyes/oclc/1138698061&referer=brief_results\",\"citation\":\"Kiyooka, Roy. Nevertheless These Eyes. Toronto: Coach House Press, 1967.\"},{\"url\":\"\",\"citation\":\"“Poetry Reading Info”. OP-ED. Montreal: Sir George Williams University, 25 November 1966, page 7. \"},{\"url\":\"\",\"citation\":\"“Poetry Readings”. Post-Grad. Montreal: Sir George Williams University, Spring 1967, page 13.\"},{\"url\":\"https://www.concordia.ca/content/dam/concordia/offices/archives/docs/the-georgian/The%20Georgian_Vol%2031%20no%2010_1967-10-17.pdf\",\"citation\":\"“Prism Awards For Literature”. The Georgian. Montreal: Sir George Williams University, 17 October 1967, page 11.\"},{\"url\":\"\",\"citation\":\"Marlatt, Daphne. “Roy Kiyooka: from eminence to immanence”. West Coast Line: A Journal of Contemporary Writing & Criticism. No. 38.3 (Winter 2005), page 39.\"},{\"url\":\"\",\"citation\":\"\\\"Roy (Kenzie) Kiyooka.\\\" Contemporary Authors Online. Detroit: Gale, 2003.\"},{\"url\":\"\",\"citation\":\"\\\"Richard J(erome) Sommer.\\\" Contemporary Authors Online. Detroit: Gale, 2001. \"},{\"url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/roy-kiyooka-at-sgwu-1966-stanton-hoffman/\",\"citation\":\"Simco, Bob. “Georgantics”. The Georgian. Montreal: Sir George Williams University, 2 December 1966. \"},{\"url\":\"https://www.worldcat.org/title/4-montreal-poets-peter-van-toorn-marc-plourde-arty-gold-richard-sommer/oclc/622296821&referer=brief_results\",\"citation\":\"Solway, David. 4 Montreal poets: Peter van Toorn, Marc Plourde, Arty Gold and Richard       Sommer. Fredericton, N.B., Fiddlehead Poetry Books, 1973. \"},{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-canadian-literature/oclc/605246871&referer=brief_results\",\"citation\":\"Stevens, Peter. \\\"Sommer, Richard\\\". The Oxford Companion to Canadian Literature. Eugene Benson and William Toye (eds). Oxford University Press, 2001.  \"},{\"url\":\"http://www.jrank.org/literature/pages/8722/Richard-Sommer.html#ixzz0Zb3DRqFx\",\"citation\":\"Stevens, Peter. “Richard Sommer Biography- (b.1934), The Poet and the Pinnacle, Blue sky notebook, The other side of games”. Literature Reference: American Literature, English Literature, Classics & Modern Fiction. \"},{\"url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/roy-kiyooka-at-sgwu-1966-stanton-hoffman/\",\"citation\":\"Stock, Sandra. “Kiyooka Examined”. The Georgian. Montreal: Sir George Williams University, 4 November 1966. \"}]"],"_version_":1853670548665532416,"timestamp":"2026-01-07T14:59:53.264Z","digital_description":["[{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0086_11_0030_side.jpg\",\"file_path\":\"My Drive>Sir George Williams TIme-Stamped Transcripts>Spokenweb Tape Case Photos taken by Drew Bernet\",\"filename\":\"I0086_11_0030_side.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Roy Kiyooka Tape Box - Spine\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://montreal.spokenweb.ca/wp-content/uploads/2014/12/I0086_11_0030_back.jpg\",\"file_path\":\"My Drive>Sir George Williams TIme-Stamped Transcripts>Spokenweb Tape Case Photos taken by Drew Bernet\",\"filename\":\"I0086_11_0030_back.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"title\":\"Roy Kiyooka Tape Box - 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Spine\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/richard_sommer_i086-11-046.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"richard_sommer_i086-11-046.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:42:12\",\"precision\":\"\",\"size\":\"101.3 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"richard_sommer_i086-11-046.mp3 [File 2 of 2]\\n\\nStanton Hoffman\\n00:00:00\\nThe second reader of this evening, Dick Sommer, was born in St. Paul [https://www.wikidata.org/wiki/Q28848], Minnesota [https://www.wikidata.org/wiki/Q1527], and educated at the University of Minnesota [https://www.wikidata.org/wiki/Q238101] where he most recently returned as a visiting Assistant Professor of English, and at Harvard [https://www.wikidata.org/wiki/Q13371]. In 1958 he was a recipient of the Academy of American Poets [https://www.wikidata.org/wiki/Q282096] Prize, and over a period of several years published his poems in the Harvard Advocate. He has given readings in Cambridge [https://www.wikidata.org/wiki/Q49111], Minneapolis [https://www.wikidata.org/wiki/Q36091], and in Oslo [https://www.wikidata.org/wiki/Q585]. Also, he does not want me to mention his scholarly publications: Dash, Which Are, Strangers and Pilgrims, an essay on the Metaphor of the Journey written with Georg Roppen [https://www.wikidata.org/wiki/Q23944662] and published by the Humanities Press [https://www.wikidata.org/wiki/Q97958829] in New York City, as well as by the Norwegian University's Press, in Norway [https://www.wikidata.org/wiki/Q20] and A Monograph, the Odyssey and Primitive Religion, published by the University of Bergen [https://www.wikidata.org/wiki/Q204457] in 1962. Ladies and gentlemen, Mr. Dick Sommer.\\n \\nRichard (Dick) Sommer\\n00:01:02\\nI didn't want him to mention those. Oh I've got the deal with Roy, as well. So this is a haiku with, which you'll be glad to know also has seventeen syllables in the title. \\\"The Haiku to Roy Kiyooka\\\", in reply to his haiku to me.\\n \\nRichard (Dick) Sommer\\n00:01:31\\nReads \\\"The Haiku to Roy Kiyooka\\\".\\n \\nRichard (Dick) Sommer\\n00:01:50\\nAnd this is the Haiku that began the mess, this was the one that I originally threatened to read to him, and naturally will carry out my threat. Which has a slightly different title, \\\"Haiku at Roy Kiyooka\\\"\\n \\nRichard (Dick) Sommer\\n00:02:07\\nReads \\\"Haiku at Roy Kiyooka\\\".\\n \\nRichard (Dick) Sommer\\n00:02:27\\nAnd then there's the one that I think you have on that broadsheet, which as I looked at it, in all of its mimeographed splendor, struck me as sounding a bit, now, like the theme song of the Central Intelligence Agency [https://www.wikidata.org/wiki/Q37230], but I'm sorry about that, I didn't mean it that way when I wrote it.\\n \\nRichard (Dick) Sommer\\n00:02:55\\nReads unnamed haiku.\\n \\nRichard (Dick) Sommer\\n00:03:13\\nI'm as you've heard, I'm responsible for having written some criticism, sorry about that, but I hope to make it up with the next poem, which is also on your broadsheet. Called the meaning of- \\\"The Meaning of Poetry\\\".\\n \\nRichard (Dick) Sommer\\n00:03:36\\nReads \\\"The Meaning of Poetry\\\".\\n \\nRichard (Dick) Sommer\\n00:04:19\\nAnd this next poem, you'll be very happy to know I have my wife's permission to read.\\n\\nRichard (Dick) Sommer\\n00:04:26\\nReads unnamed poem.\\n \\nRichard (Dick) Sommer\\n00:05:02\\nYou're going to be out of luck if you don't play chess, for this next one. You may be out of luck if you do, but that has more to do with the poem than your ability at chess.\\n \\nRichard (Dick) Sommer\\n00:05:23\\nReads unnamed poem. \\n \\nRichard (Dick) Sommer\\n00:06:27\\nRoy's given us a series of poems in praise of 'her', I don't know who 'her' is, but I have another name for her myself, she's called the Lady of Situations, and that's the title of this poem. You know, situations in the sense of she's always getting involved, or people are always getting involved. This is that Lady of Situation. And, oh yes, there's some erudition in this one too, there's a marvelous drawing taken from the tomb of Tuthmosis [https://www.wikidata.org/wiki/Q1320491], which appears in the Skera, Egyptian Painting Volume, and you might look it up because she appears there as a tree, a breasted tree, and giving suck to a Pharaoh, it's quite interesting as a painting, anyway, that's in here too.\\n \\nRichard (Dick) Sommer\\n00:07:34\\nReads \\\"Lady of Situation\\\".\\n \\nRichard (Dick) Sommer\\n00:09:29\\nThe, I noticed that the Brotherhood of Railroad Engineers has arranged to have separate drinking glasses, or they're trying to get themselves put into the sanitary code, I think this is Roy's. This must be mine, still water. This next one, I wrote the day following my seeing of a movie that I hope many of you are familiar with, it's the Russian version of Don Quixote [https://www.wikidata.org/wiki/Q49612156], a lovely film, beautiful adaptation of the myth of Don Quixote, and Sancho Panza [https://www.wikidata.org/wiki/Q630823] in the terms of the revolution to come, and I was particularly fascinated to the title that was given to Don Quixote, in this film, so I used it for the title of the poem.\\n \\nRichard (Dick) Sommer\\n00:10:54\\nReads \\\"Don Quixote de la Manchesky\\\".\\n \\nRichard (Dick) Sommer\\n00:13:25\\nThis next one takes its title, this is another area of that reference, takes its title from a little known and very important folk ballad, I had to put something in ethnic here, so this is it. It's, the title is \\\"The Other Side of the Mountain\\\", and it comes from that little song that begins \\\"The bear climbed over the mountain to see what he could see, but the other side of the mountain was all that he could see\\\".\\n \\nRichard (Dick) Sommer\\n00:14:05\\nReads \\\"The Other Side of the Mountain\\\".\\n \\nRichard (Dick) Sommer\\n00:17:15\\nIncidentally, you must not get the idea that the mountain, you know, came entirely from the, from the, from the song. It, you can find it on the Greater Barrington Quadrangle, for the appropriate section of the Massachusetts [https://www.wikidata.org/wiki/Q771] of the US [https://www.wikidata.org/wiki/Q30] geological survey, it's right on the map. It's really there, it's got position. This poem is in four sections, there are three narrative sections and then there's a short epilogue. And it's called \\\"My Loveliest Enemies\\\". I don't think there's any point in keeping you in suspense about this, my loveliest enemies are birds. And that's the punchline, so now you know it and you can listen to the poem.\\n \\nRichard (Dick) Sommer\\n00:18:24\\nReads \\\"My Loveliest Enemies\\\" [parts 1-3].\\n \\nRichard (Dick) Sommer\\n00:33:12\\nAnd here's the epilogue.\\n \\nRichard (Dick) Sommer\\n00:33:19\\nReads \\\"Epilogue\\\" of \\\"My Loveliest Enemies\\\".\\n \\nRichard (Dick) Sommer\\n00:35:52\\nIt's a race against not time but against the creeping gelatination, I think is the word of my lower extremities, and I'm sure the creeping sleepiness that is likely to affect you. This next, excuse me, here's to you! This next poem requires an erudite explanation too and I'm sorry for that. I hope, actually, it's not necessary. Alcuin [https://www.wikidata.org/wiki/Q154332], the Charles the King, Alcuin was an 8th century scholar who was brought from his, from the York [https://www.wikidata.org/wiki/Q42462] diocese, to the court of Charlemagne [https://www.wikidata.org/wiki/Q3044], and there became the principal architect of Charlemagne's attempt to bring Latin and Latin culture to the Francs. You might say, I suppose, that he was the first of, first great humanist, but we'll see what his Latin is worth in this poem. This is a letter, written by Alcuin, actually it was written by me, presumably written by Alcuin, to Charles the King.\\n \\nRichard (Dick) Sommer\\n00:37:33\\nReads \\\"Letter written by Alcuin, to Charles the King\\\".\\n \\nRichard (Dick) Sommer\\n00:41:46\\nAnd this poem is, has a title, and a subtitle. The title is \\\"Concentration\\\" the subtitle, \\\"Homage to Eva Jerome\\\".\\n\\nEND\\n00:42:12\\n[Cut off abruptly].\",\"notes\":\"Richard (Dick) Sommer reads poems from an unknown selection of books. \\n\\n00:00- Stanton Hoffman introduces Richard/Dick Sommer [INDEX: St. Paul, Minnesota,         University of Minnesota, Harvard, published in Harvard Advocate, Academy of    American Poets Prize, Readings in Cambridge, Minneapolis, Oslo, Strangers and    Pilgrims: an essay on the Metaphor of Journey by Richard Sommer and Georg Roppen,  published by Humanities Press in New York City and by the Norwegian University Press, Monograph, the Odyssey and Primitive Religion by Richard Sommer, published by University of Bergen 1962, Criticism: Dash, Which Are]\\n01:02- Introduces “The Haiku to Roy Kiyooka” [INDEX: Haiku Battle with Roy Kiyooka]\\n01:31- Reads “The Haiku to Roy Kiyooka”\\n01:50- Introduces “Haiku at Roy Kiyooka”\\n02:07- Reads “Haiku at Roy Kiyooka”\\n02:27- Introduces first line haiku “The little known eye...” [INDEX: C.I.A.]\\n02:55- Reads first line “The little known eye...”\\n03:13- Introduces “The Meaning of Poetry” [INDEX: Writing criticism]\\n03:36- Reads “The Meaning of Poetry”\\n04:19- Introduces first line “The figure eight....”\\n04:26- Reads first line “The figure eight...”\\n05:02- Introduces first line “How much wildness in that horseman’s eye...” [INDEX: Chess]\\n05:23- Reads “How much wildness in that horseman’s eye...”\\n06:27- Introduces “Lady of Situation” [INDEX: Tomb of Tuthmosis, Skera- Egyptian Painting Volume, Pharaoh]\\n07:34- Reads “Lady of Situation”\\n09:29- Introduces “Don Quixote de la Manchesky” [INDEX: Brotherhood of Railroad   Engineers, Don Quixote: Russian Film “Don Kikhot”, Sancho Panza]\\n10:54- Reads “Don Quixote de la Manchesky”\\n13:25- Introduces “The Other Side of the Mountain” [INDEX: Folk ballads]\\n14:05- Reads “The Other Side of the Mountain”\\n17:15- Introduces “My Loveliest Enemies” [INDEX: Greater Barrington Quadrangle]\\n18:24- Reads “My Loveliest Enemies” parts 1-3\\n33:19- Reads “Epilogue” from “My Loveliest Enemies”\\n35:52- Introduces “Letter Written by Alcuin, to Charles the King” [INDEX: Alcuin \\t, Charlemange, 8th Century Scholars, Latin; Howard Fink List “Great Lord”.]\\n37:33- Reads “Letter Written by Alcowen, to Charles the King” [sp?]\\n41:46- Introduces “Concentration: Homage to Eva Jerome” (poem is never read)\\n42:12.32- END OF RECORDING\\n\\nHoward Fink List: 2/12/66\\n 3 3/4, on one 5” reel, two tracks mono, 50 mins\\n \\n1.  Haiku for Roy Kiyooka first line “the snow melts...”\\n2.  Haiku at Roy Kiyooka first line “I hear Roy speak...”\\n3.  Haiku first line “The little known eye...”\\n4.  “The Meaning of Poetry”\\n5.  first line “The figure eight...:\\n6.  first line “How much wilderness in that horses eye...”\\n7.   “The Lady of Situations”\\n8.  “Don Quixote de la Manchasky”\\n9.  “The Other Side of the Mountain”\\n10.  A poem in four sections: “My Loveliest Enemies” parts of section one missing\\n11. first line “Great Lord...”\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/richard-dick-sommer-at-sgwu-1966-stanton-hoffman/\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/roy_kiyooka_i086-11-030.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"roy_kiyooka_i086-11-030.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"01:01:42\",\"precision\":\"\",\"size\":\"148.1 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"roy_kiyooka_i086-11-030.mp3 [File 1 of 2]\\n\\nStanton Hoffman\\n00:00:00\\nOn behalf of the Poetry Reading Committee of Sir George Williams University [https://www.wikidata.org/wiki/Q326342] I wish to welcome you to this, the fifth, in a series of poetry readings, given at this University during 1966-67. Tonight there will be readings by two poets living in Montreal [https://www.wikidata.org/wiki/Q340], and members of the faculty of this university. There will be a fifteen minute intermission in between each reading. Roy Kiyooka [https://www.wikidata.org/wiki/Q3445789] was born in Moose Jaw [https://www.wikidata.org/wiki/Q1019496], Saskatchewan [https://www.wikidata.org/wiki/Q1989], he studied at the Provincial Institute of Technology and Art, the Instituto Allende [https://www.wikidata.org/wiki/Q17989128] in Mexico [https://www.wikidata.org/wiki/Q96], and the University of Saskatchewan [https://www.wikidata.org/wiki/Q1514848] Emma Lake Workshops. He has had one-man exhibitions in Edmonton [https://www.wikidata.org/wiki/Q2096], Calgary [https://www.wikidata.org/wiki/Q36312], San Miguel de Allende [https://www.wikidata.org/wiki/Q4063467], Saskatoon [https://www.wikidata.org/wiki/Q10566], Regina [https://www.wikidata.org/wiki/Q2123], Toronto [https://www.wikidata.org/wiki/Q172], Vancouver [https://www.wikidata.org/wiki/Q24639], Victoria [https://www.wikidata.org/wiki/Q2132], New York City [https://www.wikidata.org/wiki/Q60] and Montreal. He exhibited at the Sao Paulo Biennial [https://www.wikidata.org/wiki/Q653360], where he was one of four painters representing Canada [https://www.wikidata.org/wiki/Q16], and where he received honourable mention and a Silver Medal. His most recent show was held last month at the Laing Galleries [https://www.wikidata.org/wiki/Q28846441] in Toronto. In 1964, his first volume of poems, Kyoto Airs, was published by the Periwinkle Press in Vancouver. His second volume, Nevertheless These Eyes is being published this month, in Montreal by Bev Leech. Ladies and Gentlemen, Mr. Roy Kiyooka.\\n \\nUnknown\\n00:01:24\\n[Cut or edit made in tape. Unknown amount of time elapsed].\\n\\nRoy Kiyooka\\n00:01:25\\n--want to start off this evening by reading a few poems from my earlier book, the one that Stan mentioned. These poems were written as a result of a summer in Japan [https://www.wikidata.org/wiki/Q17], and they are very much occasional poems, they address themselves to the particular occasion of having been there, and they were meant in part to account for that experience of having been there, to my numerable friends in Vancouver. I'll begin by reading three very short little poems, they all relate to, what should we call it, the various contexts in which I saw the sculptured image of the Buddha. The first one is called \\\"Waiting Out the Rain\\\".\\n \\nRoy Kiyooka\\n00:02:51\\nReads \\\"Waiting Out the Rain\\\" [from Kyoto Airs].\\n \\nRoy Kiyooka\\n00:03:13\\nThis is \\\"Buddha in the Garden\\\". Again, very brief.\\n \\nRoy Kiyooka\\n00:03:23\\nReads \\\"Buddha in the Garden\\\" [from Kyoto Airs].\\n \\nRoy Kiyooka\\n00:03:47\\nThis is \\\"Sunday at the Temple\\\".\\n \\nRoy Kiyooka\\n00:03:53\\nReads \\\"Sunday at the Temple\\\" [from Kyoto Airs].\\n \\nRoy Kiyooka\\n00:04:20\\nAnd this is the image of a Buddha seen in the Kyoto Museum, a reclining figure.\\n \\nRoy Kiyooka\\n00:04:30\\nReads unnamed poem [from Kyoto Airs].\\n \\nRoy Kiyooka\\n00:05:01\\nNow the next is a sequence of four little poems, very much like the traditional Japanese poems called the Haiku. This is a sequence, the title of which is \\\"The Stone Garden of Ryoanji\\\". The first one goes like this:\\n \\nRoy Kiyooka\\n00:05:27\\nReads “The Stone Garden of Ryoanji\\\", part 1 [from Kyoto Airs].\\n \\nRoy Kiyooka\\n00:05:45\\nReads “The Stone Garden of Ryoanji\\\", part 2 [from Kyoto Airs].\\n \\nRoy Kiyooka\\n00:06:07\\nReads “The Stone Garden of Ryoanji\\\", part 3 [from Kyoto Airs].\\n \\nRoy Kiyooka\\n00:06:24\\nReads “The Stone Garden of Ryoanji\\\", part 4 [from Kyoto Airs].\\n \\nRoy Kiyooka\\n00:06:49\\nNow this one is called \\\"Children's Shrine\\\". Throughout most of the cities and towns and villages all over Japan you'll find way-side shrines, they're frequently just built into the wall in a very narrow street and people on whatever religious occasion come to worship there. This is a shrine particularly for children. And it goes like this:\\n \\nRoy Kiyooka\\n00:07:24\\nReads \\\"Children's Shrine\\\" [from Kyoto Airs].\\n \\nRoy Kiyooka\\n00:08:41\\nWell this is rather a long sequence, once more very short poems, there are eleven of them, and the title of the sequence is simply \\\"Higashiyama\\\", now 'higashiyama' means, in English, 'east mountain'.\\n \\nRoy Kiyooka\\n00:09:22\\nReads \\\"Higashiyama\\\", part 1 [from Kyoto Airs].\\n \\nRoy Kiyooka\\n00:09:39\\nReads \\\"Higashiyama\\\", part 2 [from Kyoto Airs].\\n \\nRoy Kiyooka\\n00:10:04\\nReads \\\"Higashiyama\\\", part 3 [from Kyoto Airs].\\n \\nRoy Kiyooka\\n00:10:20\\nReads \\\"Higashiyama\\\", part 4 [from Kyoto Airs].\\n \\nRoy Kiyooka\\n00:10:38\\nReads \\\"Higashiyama\\\", part 5 [from Kyoto Airs].\\n \\nRoy Kiyooka\\n00:10:54\\nReads \\\"Higashiyama\\\", part 6 [from Kyoto Airs].\\n \\nRoy Kiyooka\\n00:11:13\\nReads \\\"Higashiyama\\\", part 7 [from Kyoto Airs].\\n \\nRoy Kiyooka\\n00:11:38\\nReads \\\"Higashiyama\\\", part 8 [from Kyoto Airs].\\n \\nRoy Kiyooka\\n00:11:55\\nReads \\\"Higashiyama\\\", part 9 [from Kyoto Airs].\\n \\nRoy Kiyooka\\n00:12:17\\nReads \\\"Higashiyama\\\", part 10 [from Kyoto Airs].\\n \\nRoy Kiyooka\\n00:12:43\\nReads \\\"Higashiyama\\\", part 11 [from Kyoto Airs].\\n \\nRoy Kiyooka\\n00:13:01\\nWell I'll go on to the last poem in the book, this is an attempt, as it were, to sum up the varied experiences that I had there. The poem is called \\\"Itinerary of a View\\\".\\n \\nRoy Kiyooka\\n00:13:29\\nReads \\\"Itinerary of a View\\\" [from Kyoto Airs].\\n \\nRoy Kiyooka\\n00:17:07\\nI think I need to say a few words about this next group of poems, they were, they're from the book that I am having done at the moment, I started these poems in June 1965 in Montreal when I first came here. I don't know how to tell you this, except that at the time I came, I stayed with Alfred Pinsky [https://www.wikidata.org/wiki/Q21997094], or rather I stayed at his home, at his invitation, while I was looking for a place to live. Now, this took me about two weeks, it was very hot, and in the evenings I used to go through his library and pick up things and scanned them. One evening I came across this book, which was a biography of the English painter, Stanley Spencer [https://www.wikidata.org/wiki/Q1282413]. Spencer, we could say is perhaps the co-partner in the origin and the form and the content of this book. The book is in three parts, the first part is called the mirror, \\\"The Song the Mirror Sang at Midnight\\\", and it is prefaced by a quotation from Spencer, which goes like this: \\\"I am meeting you all the time, and sending my longing for you into chaos, into the darkness, beyond these walls\\\". I may add that these poems, likewise, are on the whole, very brief, though some are longer.\\n \\nRoy Kiyooka\\n00:19:31\\nReads \\\"The Song the Mirror Sang at Midnight\\\", part 1 [published later in Nevertheless These Eyes].\\n \\nRoy Kiyooka\\n00:20:34\\nReads \\\"The Song the Mirror Sang at Midnight\\\", part 2 [published later in Nevertheless These Eyes].\\n \\nRoy Kiyooka\\n00:21:55\\nReads \\\"The Song the Mirror Sang at Midnight\\\", part 3 published later in Nevertheless These Eyes].\\n \\nRoy Kiyooka\\n00:22:49\\nReads \\\"The Song the Mirror Sang at Midnight\\\", part 4 [published later in Nevertheless These Eyes].\\n \\nRoy Kiyooka\\n00:23:23\\nReads \\\"The Song the Mirror Sang at Midnight\\\", part 5 [published later in Nevertheless These Eyes].\\n \\nRoy Kiyooka\\n00:24:18\\nReads \\\"The Song the Mirror Sang at Midnight\\\", part 6 [published later in Nevertheless These Eyes].\\n\\nRoy Kiyooka\\n00:24:46\\nReads \\\"The Song the Mirror Sang at Midnight\\\", part 7 [published later in Nevertheless These Eyes].\\n\\nRoy Kiyooka\\n00:25:24\\nReads \\\"The Song the Mirror Sang at Midnight\\\", part 8 [published later in Nevertheless These Eyes].\\n\\nRoy Kiyooka\\n00:25:51\\nReads \\\"The Song the Mirror Sang at Midnight\\\", part 9 [published later in Nevertheless These Eyes].\\n\\nRoy Kiyooka\\n00:26:27\\nReads \\\"The Song the Mirror Sang at Midnight\\\", part 10 [published later in Nevertheless These Eyes].\\n\\nRoy Kiyooka\\n00:27:02\\nReads \\\"The Song the Mirror Sang at Midnight\\\", part 11 [published later in Nevertheless These Eyes].\\n\\nRoy Kiyooka\\n00:27:26\\nReads \\\"The Song the Mirror Sang at Midnight\\\", part 12 [published later in Nevertheless These Eyes].\\n \\nRoy Kiyooka\\n00:28:06\\nReads \\\"The Song the Mirror Sang at Midnight\\\", part 13 [published later in Nevertheless These Eyes].\\n \\nRoy Kiyooka\\n00:28:36\\nReads \\\"The Song the Mirror Sang at Midnight\\\", part 14 [published later in Nevertheless These Eyes].\\n \\nRoy Kiyooka\\n00:29:21\\nReads \\\"The Song the Mirror Sang at Midnight\\\", part 15 [published later in Nevertheless These Eyes].\\n \\nRoy Kiyooka\\n00:30:05\\nThe last one in this section.\\n \\nRoy Kiyooka\\n00:30:11\\nReads \\\"The Song the Mirror Sang at Midnight\\\", part 16 [published later in Nevertheless These Eyes].\\n \\nRoy Kiyooka\\n00:30:53\\nThere's a terrible draft coming in from the back, I think you're right Dick, we're going to end up with arthritic ankles. Well, this is the second section, and it is called \\\"The Proposal\\\". Once more, prefaced with a remark from Stanley Spencer, a very beautiful one. They are set down, as I found them in the book, I have used them in the context of this section of the book and these four poems, taken from his writings are meant to define certain of her attributes. Now I have given a title to each one of these four poems, and I hope they will clarify the context in which they belong here. \\\"Portrait of the Beloved\\\".\\n \\nRoy Kiyooka\\n00:32:06\\nReads \\\"Portrait of the Beloved\\\" [published later in Nevertheless These Eyes].\\n \\nRoy Kiyooka\\n00:32:56\\nThis I called \\\"The Marriage\\\".\\n \\nRoy Kiyooka\\n00:33:05\\nReads \\\"The Marriage\\\" [published later in Nevertheless These Eyes].\\n \\nRoy Kiyooka\\n00:33:37\\nThis is called \\\"The Separation\\\".\\n \\nRoy Kiyooka\\n00:33:45\\nReads \\\"The Separation\\\" [published later in Nevertheless These Eyes].\\n \\nRoy Kiyooka\\n00:34:07\\nAnd this, is \\\"Her Apotheosis\\\".\\n \\nRoy Kiyooka\\n00:34:17\\nReads \\\"Her Apotheosis\\\" [published later in Nevertheless These Eyes].\\n \\nRoy Kiyooka\\n00:35:23\\nThat incidentally, is a description he wrote to a friend about a painting that he in fact had made. From your response, I gathered, it has a comic element, but I don't think that he himself made it that way. [Laughter].\\n \\nRoy Kiyooka\\n00:36:05\\nReads unnamed poem.\\n \\nRoy Kiyooka\\n00:38:04\\nReads unnamed poem.\\n \\nRoy Kiyooka\\n00:38:36\\nThe first stanza of this two-stanza poem is from Spencer, once again.\\n \\nRoy Kiyooka\\n00:38:43\\nReads unnamed poem.\\n \\nRoy Kiyooka\\n00:39:34\\nThe reference in this poem is to an exemplary sculptor who died many years ago, who obsessionally sculpted the human female form, his name is Gaston Lachaise [https://www.wikidata.org/wiki/Q1495586].\\n \\nRoy Kiyooka\\n00:40:02\\nReads unnamed poem.\\n\\nRoy Kiyooka\\n00:40:59.50\\nThe title of this poem is the same as the title of the second section, it's \\\"The Proposal\\\".\\n \\nRoy Kiyooka\\n00:41:14\\nReads \\\"The Proposal\\\" [published later in Nevertheless These Eyes].\\n \\nRoy Kiyooka\\n00:42:27\\nThis one is called \\\"The Dance\\\".\\n \\nRoy Kiyooka\\n00:42:33\\nReads \\\"The Dance\\\" [published later in Nevertheless These Eyes].\\n \\nRoy Kiyooka\\n00:43:59\\nThe title of this poem is called \\\"Her Admonition\\\".\\n \\nRoy Kiyooka\\n00:44:06\\nReads \\\"Her Admonition\\\" [published later in Nevertheless These Eyes].\\n \\nRoy Kiyooka\\n00:45:28\\nNow the following five poems are called \\\"Poems of Resurrection\\\".\\n \\nRoy Kiyooka\\n00:45:46\\nReads \\\"Poems of Resurrection\\\", part 1 [published later in Nevertheless These Eyes].\\n \\nRoy Kiyooka\\n00:47:27\\nSecond \\\"Resurrection\\\" poem.\\n \\nRoy Kiyooka\\n00:47:28\\nReads \\\"Poems of Resurrection\\\", part 2 [published later in Nevertheless These Eyes].\\n \\nRoy Kiyooka\\n00:48:33\\nReads \\\"Poems of Resurrection\\\", part 3 [published later in Nevertheless These Eyes].\\n \\nRoy Kiyooka\\n00:49:07\\nReads \\\"Poems of Resurrection\\\", part 4 [published later in Nevertheless These Eyes].\\n \\nRoy Kiyooka\\n00:49:49\\nThe last Resurrection poem, which concludes with a very brief, two-line coda.\\n \\nRoy Kiyooka\\n00:50:01\\nReads \\\"Poems of Resurrection\\\", part 5 [published later in Nevertheless These Eyes].\\n \\nRoy Kiyooka\\n00:50:51\\nNow, the second to last poem is called \\\"The Visitation\\\".\\n \\nRoy Kiyooka\\n00:51:16\\nReads \\\"The Visitation\\\" [published later in Nevertheless These Eyes].\\n \\nRoy Kiyooka\\n00:53:14\\nAnd finally,\\n \\nRoy Kiyooka\\n00:53:22\\nReads unnamed poem.\\n \\nRoy Kiyooka\\n00:53:56\\nWell, this is the final section. This is called \\\"Nevertheless These Eyes\\\" and briefly, and again from Spencer, a preface that goes like this: \\\"I am on this side of angels and dirt\\\".\\n \\nRoy Kiyooka\\n00:55:25\\nReads \\\"Nevertheless These Eyes\\\" [published later in Nevertheless These Eyes].\\n \\nRoy Kiyooka\\n01:00:20\\nAnd finally, by way of acknowledging the nature of this book.\\n \\nRoy Kiyooka\\n01:00:31\\nReads unnamed poem [published later in Nevertheless These Eyes].\\n \\nRoy Kiyooka\\n01:00:57\\nThank you very much--\\n\\nUnknown\\n01:00:59\\n[Cut or edit made in tape. Unknown amount of time elapsed].\\n\\nRoy Kiyooka\\n01:01:00\\n--and I were reading together, decided we should write one for the occasion, so we have each come up with a haiku. This is my haiku, it's especially for Dick. I have in brackets here, \\\"A gentle admonition to the audience following my reading, and preceding his\\\" and it goes like this: \\\"Let the stone tell how /snow-covered in whiteness, /these words, when his words come.\\\"\\n \\nEND\\n01:01:42\\n\",\"notes\":\"Roy Kiyooka reads from Kyoto Airs (Periwinkle Press, 1964) and poems published later in Nevertheless These Eyes (Coach House Press, 1967).\\n\\n00:00- Introducer (Stanton Hoffman) introduces Roy Kiyooka [INDEX: Fifth reader in the       1966-67 Poetry Reading Series, Moose Jaw, Provincial Institute of Technology and Art, \\tInstituto Allende in Mexico, University of Saskatchewan: Emma Lake Workshop, One         man exhibitions in: Calgary, San Miguel D’Allende, Saskatoon, Toronto, Regina,        \\tMontreal, Vancouver, Victoria, New York City, Sao Paulo Biennial: Silver Medal     \\trepresenting Canada, Lane [or Ling?] Gallery in Toronto, Kyoto Airs by Roy Kiyooka, 1964, Periwinkle Press, Vancouver, [Unknown A1] Nevertheless These Eyes by Roy Kiyooka (1966), published by Bev Leech in Montreal, written in June 1965 in Montreal\\n01:25- Roy Kiyooka introduces Kyoto Airs and “Waiting Out the Rain” [INDEX: Occasional poetry in Japan, sculptured image of the Buddha, Japan]\\n02:51- Reads “Waiting Out the Rain”\\n03:13- Reads “Buddha in the Garden”\\n03:47- Reads “Sunday at the Temple”\\n04:20- Introduces first line “Hovering, he is hovering, his eyes closed...”\\n04:30- Reads first line “Hovering, he is hovering, his eyes closed...”\\n05:01- Introduces “The Stone Garden of Ryoanji” [INDEX: series of four haikus, stone      gardens in Royanji, Japan]\\n05:27- Reads haikus 1-4 of “The Stone Garden of Ryoanji Series”\\n06:49- Introduces “Children’s Shrine” [INDEX: Shrines in Japan]\\n07:24- Reads “Children’s Shrine”\\n08:41- Introduces “Higashiyama” sequence of eleven poems.\\n09:22- Reads “Higashiyama, 1-11”\\n13:01- Introduces “Itinerary of a View”\\n13:29- Reads “Itinerary of a View”\\n17:07- Introduces poems 1-15 of the section “The Song the Mirror Sang at Midnight” from Nevertheless These Eyes. [INDEX: Sequence poems, Higashiyama Mountain Japan, Alfred Pinsky, English Painter Stanley Spencer]\\n19:31- Reads poems 1-16 from “The Song the Mirror Sang at Midnight”\\n30:53- Introduces poems from the second section “The Proposal” from Nevertheless These Eyes. [INDEX: English Painter Stanley Spencer]\\n32:06- Reads “Portrait of the Beloved”\\n32:56- Reads “The Marriage”\\n33:37- Reads “The Separation”\\n34:07- Reads “Her Apotheosis”\\n35:23- Explains “Her Apotheosis”\\n36:05- Reads first line “The grotesque flash...”\\n38:04- Reads first line “The beloved is resilient...”\\n38:36- Introduces first line “The women say what I like...” [INDEX: English Painter Stanley Spencer]\\n38:43- Reads first line “The women say what I like...”\\n39:34- Introduces first line “Gaston Lachaise...”\\n40:02- Reads first line “Gaston Lachaise...”\\n40:59- Reads “The Proposal”\\n42:27- Reads “The Dance”\\n43:59- Reads “Her Admonition”\\n45:28- Introduces five poems called “Five Poems of Resurrection”\\n45:46- Reads 1-5 poems of “Five Poems of Resurrection”\\n50:51- Reads “The Visitation”\\n53:22- Reads first line “What the beloved said...”\\n53:56- Introduces “Nevertheless These Eyes”\\n55:25- Reads “Nevertheless These Eyes”\\n1:00:31- Reads first line “The figure in the poems are his...”\\n1:00:57- Introduces and reads haiku written for this reading [see transcript for entire poem] [INDEX: Haiku to Dick Sommers]\\n1:01:42.65- END OF RECORDING\\n\\nHoward Fink List of Poems:\\n2/12/66\\n one 5” @ 3 3/4 time: 1 hr 10 mins\\n \\nA)From Kyoto Airs about his experience in Japan\\n1. “Waiting Out the Rain”\\n2. “Buddha in the Garden”\\n3. “Sunday at the Temple”\\nFrom series- “The Stone Garden of Ryoanji” (first lines only)\\n4. “hovering, he is hovering...\\n5. “they whisper...”\\n6. “the boards...”\\n7. “white sand...”\\n8.  “when...”\\n9.  title: “Children’s Shrine” sequence of eleven poems\\n10. titled “Higashiyama” (first lines only) “kneeling, she...”\\n11.  “o the white pigeon...”\\n12.  “you raise up...”\\n13.  “she call’d...”\\n14.  “small comfort...”\\n15.  “on Higashiyama...”\\n16.   “tonight...”\\n17.  “beyond...”\\n18.  “put stone...”\\n19.  “tell me, Cid...”\\n20.  “I have left...”\\n21.   Title: “Itinerary of a View” (a poem summing up his experience in Japan)\\nB)  from Nevertheless These Eyes; a collection which was motivated from Kiyooka’s reading the biography of the English writer/sculptor Stanley Spencer. -  poems from section one; The song the mirror sang at midnight (first lines)\\n22.  “Climbing into the mirror...”\\n23.  “ Behind my eyes...”\\n24.  “The image of her...”\\n25.  “At least...”\\n26.  “Since you asked me...”\\n27.  “The distance...”\\n28.  “Moonch...”\\n29.  “My hand covets...”\\n30.  “The other face...”\\n31.  “Turning away...”\\n32.  “The mirror...”\\n33.  “In all this space...”\\n34.  “In a room...”\\n35.  “It is the vision of her...\\n36.  “Now, other faces appear...”\\n37.  “Who, among you...” four poems from the second section, “The Proposal”\\n38.  “Portrait of the Beloved”\\n39.  “The Marriage”\\n40.  “The Separation”\\n41.  “Her Apotheosis”\\n42.  first line- “The grotesque flash...”\\n43.  first line- “The beloved is...”\\n44.  first line- “The women say...”\\n45.  first line- “Gaston Lachaise”\\n46.  “The Proposal”\\n47.  “The Dance”\\n48.  “Her Admonition” series of five, from Poems of Resurrection\\n49.  first line “the way...”\\n50.  first line “the Fallen have risen”\\n51.  first line “the moon...”\\n52.  first line “Stanley Spencer painted...”\\n53.  first line “The resurrected flesh...”\\n54.  “The Visitation”\\n55.  first line “what the beloved said...” from section three Nevertheless These Eyes\\n56.  first line “Nevertheless these eyes”\\n57. a haiku composed for the reading by Kiyooka\\n\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/richard-dick-sommer-at-sgwu-1966-stanton-hoffman/\"}]"],"score":2.5249743},{"id":"4143","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Fred Wah fonds"],"source_collection_label":["Fred Wah fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2022.003"],"persistent_url":[""],"item_title":["Kiyooka 1 7/8"],"item_title_source":["Title written on tape."],"item_title_note":["Title on tape: n/a\n\nSide A title: Kiyooka 1 7/8\n\nSide B title: n/a\n\nAccompanying information: n/a"],"item_language":["English"],"item_series_title":["3 inch reels"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kiyooka, Roy"],"creator_names_search":["Kiyooka, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/30784426\",\"name\":\"Kiyooka, Roy\",\"dates\":\"1926-1994\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11467/2022.003.088a-Resize.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"No Brand\",\"generations\":\"\",\"Conservation\":\"Tape is twisted at end.\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"1 7/8 ips\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Poor\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"None\",\"other_physical_description\":\"3 inch reel\"},{\"side\":\"\",\"image\":\"../Uploads/11467/2022.003.088b-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"contents":["Recording possibly of or by Roy Kiyooka."],"Note":["[]"],"Related_works":["[]"],"_version_":1853670550209036289,"timestamp":"2026-01-07T14:59:54.808Z","score":2.5249743},{"id":"4144","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Fred Wah fonds"],"source_collection_label":["Fred Wah fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2022.003"],"persistent_url":[""],"item_title":["Discussion with Warren, Roy, Gladys, etc."],"item_title_source":["Title written on box."],"item_title_note":["Title: Discussion\n\nSide A title: n/a\n\nSide B title: n/a\n\nBack of box: Study Tape. 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Wah."],"Note":["[]"],"Related_works":["[]"],"_version_":1853670550209036290,"timestamp":"2026-01-07T14:59:54.808Z","score":2.5249743},{"id":"4160","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["George Bowering fonds"],"source_collection_label":["George Bowering fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2019.003"],"persistent_url":[""],"item_title":["1968 Election Year - U.S.A."],"item_title_source":["Title written on cassette."],"item_title_note":["Title on case: n/a\n\nSide A title: 1968 Election Year - U.S.A.\n\nSide B title: n/a\n\nJ-card description: n/a"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George","Bowering, Angela","Kiyooka, 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To be time stamped and transcribed."],"contents":["Side A: Tape consists of recording by George Bowering of daughter Thea Bowering age 1 week to 5 months.\n\nSide B: Tape consists of George Bowering, Angela Bowering, Roy Kiyooka, and Warren Tallman listening to the televised broadcast of the Apollo 11 moon landing and chatting."],"Note":["[{\"note\":\"Digitization complete.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550212182020,"timestamp":"2026-01-07T14:59:54.808Z","score":2.5249743},{"id":"4165","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["George Bowering fonds"],"source_collection_label":["George Bowering fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2019.003"],"persistent_url":[""],"item_title":["J. Langland Poet / Kiyooka, Gilbert, etc."],"item_title_source":["Title written on cassette."],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, Angela","Bowering, George","Kiyooka, Roy","Gilbert, Gerry"],"creator_names_search":["Bowering, Angela","Bowering, George","Kiyooka, Roy","Gilbert, Gerry"],"creators":["[{\"url\":\"http://viaf.org/viaf/93542147\",\"name\":\"Bowering, Angela\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/30784426\",\"name\":\"Kiyooka, Roy\",\"dates\":\"1926-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1119/UBCO_Bowering_2019_003_013_b.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"A & B\",\"image\":\"../Uploads/1119/UBCO_Bowering_2019_003_013_c.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"SMG Compact Cassette C60\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2019.003.013_D._Langland_SideA_(MASTER_ACCESS).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:31:44\",\"precision\":\"\",\"size\":\"1.1 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2019.003.013_Kiyooka_Gilbert_etc_SideB_(MASTER_ACCESS).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:31:41\",\"precision\":\"\",\"size\":\"1.1 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"content_notes":["Contents entry temporary."],"contents":["Side A consists of a home recording by George Bowering in which he and Angela Bowering chat with an unknown third speaker with an Australian accent addressed as \"Tony.\"\n\nSide B consists of a home recording by George Bowering in which Roy Kiyooka, Gerry Gilbert, Angela Bowering, and several other unknown speakers chat at a party."],"Note":["[{\"note\":\"Digitization complete. Transcription complete.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550223716354,"timestamp":"2026-01-07T14:59:54.808Z","score":2.5249743},{"id":"4306","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Peter Quartermain fonds"],"source_collection_label":["Peter Quartermain fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of 180 cassette tapes."],"collection_source_collection_id":["2022.002"],"persistent_url":[""],"item_title":["Fri. Nite; Mar 13 70. Joanne, George, Ebbe, etc. Roy etc."],"item_title_source":["Title written on container."],"item_title_note":["Title on case: Fri. Nite; Mar 13 70. Joanne, George, Ebbe, etc. Roy etc.\n\nSide A title: n/a\n\nSide B title: Stanley, Kyger, [Illegible], Copithorne, Cacchioni, Welkes. Mon March 9. Evening. SF-Van poets.\n\nJ-card description: n/a"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Copies of Tapes"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Stanley, George","Kyger, Joanne","Copithorne, Judith","Borregaard, Ebbe","Cacchioni, Dianne","Kiyooka, Roy"],"creator_names_search":["Stanley, George","Kyger, Joanne","Copithorne, Judith","Borregaard, Ebbe","Cacchioni, Dianne","Kiyooka, Roy"],"creators":["[{\"url\":\"\",\"name\":\"Stanley, George\",\"dates\":\"1934-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/71627705\",\"name\":\"Kyger, Joanne\",\"dates\":\"1934-2017\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/63020479\",\"name\":\"Copithorne, Judith\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/43263290\",\"name\":\"Borregaard, Ebbe\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/102821032\",\"name\":\"Cacchioni, Dianne\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/30784426\",\"name\":\"Kiyooka, Roy\",\"dates\":\"1926-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10718/2022.002.133a-Resize.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"BASF C 60\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"30 minutes per side\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10718/2022.002.133b-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10718/2022.002.133c-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10718/2022.002.133d-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"/Users/SpokenWeb/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Peter_Quartermain/2022.002.133/audio\",\"filename\":\"2022.002.133_Fri. Nite; Mar 13 70. Joanne, George, Ebbe, etc. Roy etc._Side A_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T00:31:15\",\"precision\":\"\",\"size\":\"1.08 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A of Master Access file. Do not edit.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/SpokenWeb/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Peter_Quartermain/2022.002.133/audio\",\"filename\":\"2022.002.133_Fri. Nite; Mar 13 70. Joanne, George, Ebbe, etc. Roy etc._Side A_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T00:26:14\",\"precision\":\"\",\"size\":\"906.8 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B of Master Access file. Do not edit. Tape is damaged. Had issues during playing - I believe we were able to digitize the recording portion in its entirety.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1970-03-13\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on tape.\"},{\"date\":\"1970-03-09\",\"type\":\"Performance Date\",\"notes\":\"Evening.\",\"source\":\"Date listed on tape.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/11678163\",\"venue\":\"The University of British Columbia\",\"notes\":\"\",\"address\":\"Vancouver, BC V6T 1Z7\",\"latitude\":\"49.2581\",\"longitude\":\"-123.2448\"}]"],"Address":["Vancouver, BC V6T 1Z7"],"Venue":["The University of British Columbia"],"City":["Vancouver, British Columbia"],"contents":["George Stanley, Joanne Kyger, Judy Copithorne, Dianne Cacchioni, Welkes, Ebbe Borregaard, and Roy Kiyooka at UBC, March 9 and 13, 1970."],"Note":["[{\"note\":\"Related tapes:\\n2022.002.130\\n2022.002.131\\n2022.002.132\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670550441820162,"timestamp":"2026-01-07T14:59:55.015Z","score":2.5249743},{"id":"4548","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Warren Tallman fonds"],"source_collection_label":["Warren Tallman fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2012.002"],"persistent_url":[""],"item_title":["Charles Olson Memorial Poetry Reading - 14 March 1970 (Recorded: Richard Sommer) St. Anselm's Church, Vancouver"],"item_title_source":["Title taken from back of box"],"item_title_note":["Additional writing on front of box: \"Roberts Tape Recorders. \nSpeakers AR3 not AR3A. \nCommercial Elect: Sony Integrated Amplifier - 300/400. \nConsumers report for [illegible] on Speakers - Apr-May - 70. \nRichard Sommer 3757 Draper Montreal, Quebec.\"\n\nWritten on back of box: \"Charles Olson Memorial Poetry Reading - 14 March 1970 (Recorded: Richard Sommer) St. Anselm's Church, Vancouver. Readers: Judy Copithorne, Peter Quartermain, Lionel Kearns, Jim Brown, George Stanley (San Francisco), Stan Persky,  Roy Cartlidge (England), Brian Fawcett, Scott Lawrence, Ralph Maud, Richard Sommer, Doug Walker, Maxine Gadd, Mark Cacchioni, Ebbe Borregaard (San Francisco), Roy Kiyooka, Roger Field, Jon Furburg, Robin Blaser\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Copithorne, Judith","Quartermain, Peter","Kearns, Lionel","Brown, Jim","Kiyooka, Roy","Field, Roger","Furburg, Jon","Blaser, Robin","Sommer, Richard","Stanley, George"],"creator_names_search":["Copithorne, Judith","Quartermain, Peter","Kearns, Lionel","Brown, Jim","Kiyooka, Roy","Field, Roger","Furburg, Jon","Blaser, Robin","Sommer, Richard","Stanley, George"],"creators":["[{\"url\":\"http://viaf.org/viaf/63020479\",\"name\":\"Copithorne, Judith\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/34534588\",\"name\":\"Quartermain, Peter\",\"dates\":\"1934-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/30784380\",\"name\":\"Kearns, Lionel\",\"dates\":\"1937-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/60325134\",\"name\":\"Brown, Jim\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/30784426\",\"name\":\"Kiyooka, Roy\",\"dates\":\"1926-1994\",\"notes\":\"Also officiating the memorial.\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Field, Roger\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Furburg, Jon\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/46769463\",\"name\":\"Sommer, Richard\",\"dates\":\"1934-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"\",\"name\":\"Stanley, George\",\"dates\":\"1934-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Persky, Stan","Cartlidge, Roy","Fawcett, Brian","Maud, Ralph","Lawrence, Scott","Walker, Doug","Gadd, Maxine","Cacchioni, Mark","Borregaard, Ebbe","Avison, Margaret","Olson, Charles"],"contributors_names_search":["Persky, Stan","Cartlidge, Roy","Fawcett, Brian","Maud, Ralph","Lawrence, Scott","Walker, Doug","Gadd, Maxine","Cacchioni, Mark","Borregaard, Ebbe","Avison, Margaret","Olson, Charles"],"contributors":["[{\"url\":\"http://viaf.org/viaf/57448780\",\"name\":\"Persky, Stan\",\"dates\":\"1941-\",\"notes\":\"Attended event as reader and is listed as such on box, but is not present on this particular recording.\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Cartlidge, Roy\",\"dates\":\"\",\"notes\":\"Attended event as reader and is listed as such on box, but is not present on this particular recording.\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/35890\",\"name\":\"Fawcett, Brian\",\"dates\":\"1944-\",\"notes\":\"Attended event as reader and is listed as such on box, but is not present on this particular recording.\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/66537561\",\"name\":\"Maud, Ralph\",\"dates\":\"1928-2014\",\"notes\":\"Attended event as reader and is listed as such on box, but is not present on this particular recording.\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Lawrence, Scott\",\"dates\":\"\",\"notes\":\"Attended event as reader and is listed as such on box, but is not present on this particular recording.\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Walker, Doug\",\"dates\":\"\",\"notes\":\"Attended event as reader and is listed as such on box, but is not present on this particular recording.\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/75225856\",\"name\":\"Gadd, Maxine\",\"dates\":\"\",\"notes\":\"Attended event as reader and is listed as such on box, but is not present on this particular recording.\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Cacchioni, Mark\",\"dates\":\"\",\"notes\":\"Attended event as reader and is listed as such on box, but is not present on this particular recording.\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/43263290\",\"name\":\"Borregaard, Ebbe\",\"dates\":\"\",\"notes\":\"Attended event as reader and is listed as such on box, but is not present on this particular recording.\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/79128508\",\"name\":\"Avison, Margaret\",\"dates\":\"1918-2007\",\"notes\":\"Her poem \\\"The 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Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Charles_Olson_Memorial_(MASTER_ACCESS).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T01:04:57\",\"precision\":\"\",\"size\":\"2.26 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1970-03-14\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on box.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/682591080\",\"venue\":\"St. Anselm's Church\",\"notes\":\"\",\"address\":\"5210 University Blvd., Vancouver, B.C., 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Transcription complete.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"https://www.biblegateway.com/passage/?search=Revelation+1%3A4-20&version=KJV\",\"citation\":\"Revelations 1:4-20. 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Original recordings on reel to reel and cassette, Edmonton and area, 1969-1988."],"collection_source_collection_id":[""],"persistent_url":["https://ualberta.aviaryplatform.com/collections/1783"],"item_title":["Roy Kiyooka at University of Alberta, 1977"],"item_language":["English"],"item_identifiers":["[]"],"creator_names":["Kiyooka, Roy","Kiyooka, Roy","Barbour, Douglas"],"creator_names_search":["Kiyooka, Roy","Kiyooka, Roy","Barbour, Douglas"],"creators":["[{\"url\":\"\",\"name\":\"Kiyooka, Roy\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"\",\"name\":\"Kiyooka, Roy\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Barbour, Douglas\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1977],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony SLH-72-370-BL\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"https://ualberta.aviaryplatform.com/r/w08w951p28\"}]"],"Dates":["[{\"date\":\"1977-02-11\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"University of Alberta (Edmonton)\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Venue":["University of Alberta (Edmonton)"],"Note":["[{\"note\":\"Liner notes: Handwritten from back of reel case: Roy Kiyooka - speaking, Feb.11/77, Trans Canada Letters.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552523243523,"timestamp":"2026-01-07T14:59:57.006Z","score":2.5249743},{"id":"9503","cataloger_name":["University of Alberta,"],"partnerInstitution":["University of Alberta"],"collection_source_collection":["Department of English Recorded Events"],"source_collection_label":["Department of English Recorded Events"],"collection_contributing_unit":["Department of English and Film Studies"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Literary readings, lectures, panels, and interviews organized by members of the Department of English, University of Alberta, featuring local and visiting authors. Original recordings on reel to reel and cassette, Edmonton and area, 1969-1988."],"collection_source_collection_id":[""],"persistent_url":["https://ualberta.aviaryplatform.com/collections/1783"],"item_title":["Roy Kiyooka Interview at University of Alberta, 1977"],"item_language":["English"],"item_identifiers":["[]"],"creator_names":["Kiyooka, Roy","Kiyooka, Roy"],"creator_names_search":["Kiyooka, Roy","Kiyooka, Roy"],"creators":["[{\"url\":\"\",\"name\":\"Kiyooka, Roy\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"\",\"name\":\"Kiyooka, Roy\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1977],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"LH Super SM Cassette 90\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"3/8 ips\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"https://ualberta.aviaryplatform.com/r/j38kd1rs15\"}]"],"Dates":["[{\"date\":\"1977-02-11\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"University of Alberta (Edmonton)\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Venue":["University of Alberta (Edmonton)"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670552525340675,"timestamp":"2026-01-07T14:59:57.006Z","score":2.5249743},{"id":"5235","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Readings at Sir George Williams: Robin Blaser reading on  March 28, 1969 #185"],"item_title_source":["J-card and SpokenWeb website"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"access":["Streaming"],"creator_names":["Blaser, Robin","Kiyooka, Roy"],"creator_names_search":["Blaser, Robin","Kiyooka, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/30784426\",\"name\":\"Kiyooka, Roy\",\"dates\":\"1926-1994\",\"notes\":\"Introduction is by him\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Bowering, George"],"contributors_names_search":["Bowering, 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files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1969-03-28\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"SpokewWeb website\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/103248053\",\"venue\":\"Sir George Williams University (Concordia University)\",\"notes\":\"\",\"address\":\"1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada\",\"latitude\":\"45.4954\",\"longitude\":\"-73.5783\"}]"],"Address":["1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada"],"Venue":["Sir George Williams University (Concordia University)"],"City":["Montreal, Quebec"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t000\tIntroduction by Roy Kiyooka\n\t\t025\tPrefatory remarks by Blaser\n\t\t033\tThe Hunger Sound from Boston Poems 1956\n\t\t111\tCups\n\t\t230\tReading from the essay “The Fire”\n\t\t483\tReading from The Holy Forest Section\n\t\t\tThe drive to the spring mountains…\n\t\t486\tThe Prince\n\t\t494\tLove\n\t\t518\tSong\n\t\t526\tTranslation\n\t\t534\tFirst Tale, Over\n\t\t545\tSecond Tale, Return\n\t\t572\tAt Last\n\t\t583\tAphrodite of The Leaves\n\t\t629\tTranslator – A Tale\n\t\t650\tA Gift-Homage To Robert Creeley\n\t\t668\tBottom’s Dream\n\t\t681\tThe Finder\n\t\t728\tMerlin\n\t\t796\tImage-Nations 6- Marriage Poem for Galdys [Gladys] Hindmarch & Cliff?"],"Note":["[{\"note\":\"Liner Notes: (1969?)\\nIntroduction by Roy Kiyooka \\nSide 1 29:49\\n2 28:00\\nDolby B\",\"type\":\"General\"},{\"note\":\"Detailed information about the reading and transcription: https://montreal.spokenweb.ca/sgw-poetry-readings/robin-blaser-at-sgwu-1969/\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670552757075969,"timestamp":"2026-01-07T14:59:57.226Z","score":2.5249743},{"id":"5337","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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An introductory speaker is setting the stage for the speaker\n\t\t046\tKiyooka takes the microphone and proceeds to warm up\n\t\t080\tKiyooka plays some traditional Japanese music\n\t\t096\tKiyooka begins speaking; explaining the music we just heard\n\t\t119\t…explains the connection between music and language\n\t\t146\tKiyooka explains about his spontaneous style of creating\n\t\t187\tKiyooka phrases a question to himself – “How come I, as a second generation Japanese Canadian, was so thoroughly educated in the tradition of Western European Renaissance art?”\n\t\t220\tKiyooka fends various questions relating to the form of his work\n\t\t314\tKiyooka is questioned about his Japanese heritage, and his “Japanese-ness” as a Canadian\n\t\t356\tKiyooka draws an analogy between Eastern and Western culture – by elaborating on each culture’s music\n\t\t378\tEnd.  End side One\nTwo\t\t000\t\n\t\t008\tKiyooka is asked if he visits the historical Japanese areas within Vancouver\n\t\t034\tThe audience is encouraged to Question Kiyooka directly about some selected poems\n\t\t068\tKiyooka suggests a difference between the arrangement of words on a page, and the “space” between words: “The desire to make the poem articulate on the blank white page is a very strong one, it’s not just reading the words and what they’re meaning, but also the spaces and what they’re meaning…”\n\t\t124\tKiyooka comments about historical perspectives: For Kiyooka this is an important and somewhat mystical concept\n\t\t160\tKiyooka denies any strong dependency or concern with dreams or dream imagery – he points instead to a relativity of states of consciousness\n\t\t226\tAn audience member interprets one of Kiyooka’s poems: “The reality was the dream, and the waking world was only there to feed the dream”\n\t\t280\tKiyooka proposes a definition of articulateness: “You should be responsible in talking about anything – and that means candid… nothing is withheld”\n\t\t310\tKiyooka reads “The Fourth Frem”\n\t\t325\tEnd\n\t\t326\tKiyooka reads an unidentified poem\n\t\t342\tEnd.  End side Two"],"Note":["[{\"note\":\"Liner Notes:\\nRoy Kiyooka interview\\nMarch 13, 1980 \\n#729\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552865079296,"timestamp":"2026-01-07T14:59:57.321Z","score":2.5249743},{"id":"5537","cataloger_name":["Nina,Fesenko"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Lionel Kearns reading on Mount Currie and interview with Roy Kiyooka, May 1976 #1021"],"item_title_source":["cassette and j-card"],"item_title_note":["Exact date unknown"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kearns, Lionel","Kiyooka, Roy"],"creator_names_search":["Kearns, Lionel","Kiyooka, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/30784380\",\"name\":\"Kearns, Lionel\",\"dates\":\"1937-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\",\"Author\"]},{\"url\":\"http://viaf.org/viaf/30784426\",\"name\":\"Kiyooka, Roy\",\"dates\":\"1926-1994\",\"notes\":\"\\\"Interview\\\" mentioned on cassette, although it seems like more of a post-reading Q&A\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors":["[]"],"Performance_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/3662/Reading in BC_McS199_1021.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"1021-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:47\",\"precision\":\"\",\"size\":\"31.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"1021-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:49\",\"precision\":\"\",\"size\":\"30.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976-05\",\"type\":\"Performance Date\",\"notes\":\"Exact date unknown\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/4740644968\",\"venue\":\"Mount Currie\",\"notes\":\"Exact location unknown\",\"address\":\"Squamish-Lillooet Regional District, British Columbia, Canada\",\"latitude\":\"50.3186\",\"longitude\":\"-122.7209\"}]"],"Address":["Squamish-Lillooet Regional District, British Columbia, Canada"],"Venue":["Mount Currie"],"Note":["[{\"note\":\"Lionel reads a poem of his based on a poem George Bowering wrote (A28:08-31:22)\",\"type\":\"General\"},{\"note\":\"Lionel has a great voice, sounds a bit like Jonathan Banks\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553290801159,"timestamp":"2026-01-07T14:59:57.732Z","score":2.5249743},{"id":"5911","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Roy Kiyooka reading at the College of New Caledonia #221"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kiyooka, Roy"],"creator_names_search":["Kiyooka, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/30784426\",\"name\":\"Kiyooka, Roy\",\"dates\":\"1926-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Donor\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/202/Readings in BC_MsC199_221.jpg\",\"other\":\"J-card\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Black and white clear jewel case with J card\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"221-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:59:43\",\"precision\":\"\",\"size\":\"58.3 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"221-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:09:53\",\"precision\":\"\",\"size\":\"67.7 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"\",\"type\":\"\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/443237227\",\"venue\":\"The College of New Caledonia\",\"notes\":\"\",\"address\":\"Imperial Parking, 3330 22 Ave, Prince George, BC V2N 1P8\",\"latitude\":\"53.90687\",\"longitude\":\"-122.78621\"}]"],"Address":["Imperial Parking, 3330 22 Ave, Prince George, BC V2N 1P8"],"Venue":["The College of New Caledonia"],"content_notes":["SFU BC Readings formatting"],"Note":["[{\"note\":\"The quality of the audio improves on the second side.\",\"type\":\"\"},{\"note\":\"Liner Notes: Roy Kiyooka Reading at the College of New Caledonia \\nSide 1: 45:20 \\nSide 2: 41:00 \\nVery noisy and distorted Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554194673665,"timestamp":"2026-01-07T14:59:58.590Z","contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tOpening remarks – “I’m gonna show you some pictures – 100 slides of a day in Bolinas, Ca.”\n\t\t008\tNo voice.  Kiyooka resumes at 018, speaks of magazine White Pelican in honour of Sheila Watson – reproduced a couple of his rap sessions in the 1st session\n\t\t032\tReads excerpts from these sessions – “made in Canada”\n\t\t080\tJohn Cage re “12 ready-made answers for all occasions”\n\t\t094\t“To be at the centre is where the ideas are – that is, to be in your own head, wherever you are”\n\t\t100\t“Art doesn’t support you” – gives resumé of varied jobs\n\t\t122\t“I’m not too interested in argument, particularly the kind that wants to argue “pathetics” – (esthetics?) – not that I’m not involved there, but simply – it’s not where my head is, most of the time.”  (Conclusion of excerpt)\n\t\t126\tReads another excerpt re/ “some aspects of education” :\n\t\t140\tReads “My three kids, 14, 12 and 9…”\n\t\t191\tEnd of 2nd excerpt\n\t\t193\t“I’ll rad you a few letters” – (see Trans Canada Letters)\n\t\t243\tReads letter to Gladys Hindmarch\n\t\t364\t“Dear Hugh”\n\t\t393\t“dear Brian”\n\t\t438\t“dear Bri”\n\t\t464\tKimo Danji (?) (? Kim Ondaatje?) is the treasurer of CAR…This is a letter to her\n\t\t489\tLetter to George Bowering\n\t\t562\t“Some thoughts from the Point… last weekend in June.”\n\t\t585\t“A little thing from Allen Ginsberg” – reads “Yes, that’s what I wanted…”\n\t\t590\t“A true reproduction for Libby, Gretchen, Mary, Valerie and Ken” – Cape Traverse, Prince Edward Island\n\t\t612\t“Another poem about Creeley’s in “Pieces” : (reads from “When he and I,” then reads “The Maritimes don’t seem to have that lovely pathos of paradise…”)\n\t\t640\t“A letter to Phil Whalen…”\n\t\t665\t“Here’s something that might tell you something about my being in Japan:: “For cool-hand Luke”\n\t\t671\tSound breaks off\nTwo\t\t000\tBegins in process; R.K. reading “…agricultural transplant…”\n\t\t023\t“This letter is to my second daughter…” “Dear Jan I got my suit…”\n\t\t050\t“I wrote a letter to recommend a woman I know (?) for a LIP grant… to start something that may have been the equivalent of Ms… Thank god it didn’t get off the ground.  Anyhow, To whom it may concern…”\n\t\t072\t“This is a letter I wrote to Brad Robinson from Halifax… Dear Engeldink…” [******]\n\t\t130\tSound gets muddy\n\t\t225\tLetter to Brad Robinson ends.  R.K. announces break\n\t\t231\tR.K. commences again: “I lived on fourth avenue…”  These were written in 1964.  Thy were printed in an issue of Imago magazine by George Bowering\n\t\t239\tReads “Tonight nothing is enough…”\n\t\t256\t“John Newlove lived with me at that time, for a year, so a lot of these poems have to do with [that]\n\t\t258\t“Dear John: I threw out all your dirty socks…”\n\t\t267\t“The colour of death is black and white puked into a million homes…”\n\t\t274\t“The argument”\n\t\t278\t“How long have you floated in the gray scum in my coffee cup”\n\t\t283\t“John (?) has left, John too…”\n\t\t303\t“Leaves of grass grow in the pavement’s cracks where my comely daughter sings”\n\t\t308\t“For John (or Joss?) somethere in the world…”\n\t\t316\t“Already I inhabit another room…”\n\t\t321\t“This room, John…”\n\t\t327\t“Cherry blossoms in Nitobe Garden…”\n\t\t331\t“Postscript to the room…”\n\t\t336\t“In the mid-60s I did a book called Nevertheless These Eyes, a beginner’s attempt to define what poetry is all about to one man… [there are] 3 sections – each section has a crib of quotation from Stanley Spencer… a very eccentric English painter.  It was after reading his biography that I wrote these poems.  The poems purport to tell you something about the goddess through 4 or 5 voices.\n\t\t361\tReads “Words to enliven the pedestal/she gyrates upon”\n\t\t371\t“This is a quotation slightly altered from the newspaper: “She was found in the early morning…”\n\t\t383\t“My hand covets whatever it can…”\n\t\t386\t“The image of her…”\n\t\t389\t“Among the shattered pieces of the mirror…”\n\t\t392\t“Across the meadow they come…”\n\t\t398\t“At least, the mirror framed her face perfectly…”\n\t\t403\t“The dead, the numinous ones…”\n\t\t407\t“Gaston La chaise you…”\n\t\t415\t“The wind ruffles her skirts…”\n\t\t419\t“In the meadow we lay in, the unseen wind…”\n\t\t427\t“Edward Munch stuffed her scream/into his painting…”\n\t\t433\t“In a room/full of mirrors…”\n\t\t437\t“Valentine”\n\t\t447\t“Since you asked me…”\n\t\t455\t“Her admonition”\n\t\t461\t“Now other faces…”\n\t\t465\t“Who/among you…”\n\t\t469\t“I thought I saw her…”\n\t\t475\t“She is not a collage…”\n\t\t478\t“The Beloved is/resilient…”\n\t\t484\t“Behind my eyes you move…”\n\t\t489\t“Men in the night/bite empty air…”\n\t\t491\t“O guardians of the meadow…”\n\t\t495\t“Now the shadow cast by the lid of the two (?)…”\n\t\t498\t“Climbing up into the mirror/ I sat between her thighs and fell asleep…”\n\t\t506\t“It was not that she was beautiful…”  (That last poem is from H.D.’s book, called Helen in Egypt)\n\t\t516\t“I think I’ll leave it at that” (end of tape)"],"score":2.5249743},{"id":"5929","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Memorial readings for Charles Olson at St. Anselm's Anglican Church on March 14, 1970, and February 14 part 2 of 2 #12b"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["n/a","Avison, Margaret","Olson, Charles","Gadd, Maxine","Hauser, Gwen","Kiyooka, Roy"],"creator_names_search":["n/a","Avison, Margaret","Olson, Charles","Gadd, Maxine","Hauser, Gwen","Kiyooka, Roy"],"creators":["[{\"url\":\"\",\"name\":\"n/a\",\"dates\":\"\",\"notes\":\"Almost all the poets do not introduce themselves.\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/79128508\",\"name\":\"Avison, Margaret\",\"dates\":\"1918-2007\",\"notes\":\"Roy Kiyooka reads her long poem\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles \",\"dates\":\"1910-1970\",\"notes\":\"I have recognized at least one of his poems. I am not sure but there is a possibility that the voice on the recorded recording is also his.\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/75225856\",\"name\":\"Gadd, Maxine\",\"dates\":\"1940-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/268119769\",\"name\":\"Hauser, Gwen\",\"dates\":\"1944-\",\"notes\":\"There are two women voices on two cassettes, Copithorne I identified by her voice, this one I take as a second women's name from the spreadsheets\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/30784426\",\"name\":\"Kiyooka, Roy\",\"dates\":\"1926-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Enomoto, Randy"],"contributors_names_search":["Enomoto, Randy"],"contributors":["[{\"url\":\"http://viaf.org/viaf/256444645\",\"name\":\"Enomoto, Randy \",\"dates\":\"1941-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/224/Reading in BC_MsC199_12b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:44:27\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"12b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:28:22\",\"precision\":\"\",\"size\":\"19.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"12b-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:16:40\",\"precision\":\"\",\"size\":\"11.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1970-03-14\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1970-02-14\",\"type\":\"Production Date\",\"notes\":\"The year was not identified, so I've checked if 14 Feb 1970 was Saturday and it was\",\"source\":\"Inventory reading in BC\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/682591080\",\"venue\":\"St. Anselm's Anglican Church\",\"notes\":\"info about place is from spreadsheets\",\"address\":\"5210 University Blvd, Vancouver, BC V6T 2H5\",\"latitude\":\"49.26314\",\"longitude\":\"-123.23046\"}]"],"Address":["5210 University Blvd, Vancouver, BC V6T 2H5"],"Venue":["St. Anselm's Anglican Church"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["\t\t\tReading Honey\n\t\t\tReading The Trouble\n\t\t\tReading Sycamore\n\t\t\tReading “A man opens a door, steps out…”\n\t\t\tMaxine Gadd reading Apollo is also dead…\n\t\t\t? reading “Charles Olson, I want to know you…”\n\t\t\t? reading “We are Olson’s children…\n\t\t\t? Reading?\n\t\t\t? Reading “How to be a poet”\n\t\t\tRoy Kiyooka reading Olson’s At Yorktown\n\t\t\tRoy Kiyooka reading\n\t\t\tRoy Kiyooka reading Margaret Avison’s poem The Earth That Falls Away\n"],"Note":["[{\"note\":\"Liner Notes: Olson March 14, 1970 Part2 Dolby B #12b\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554197819396,"timestamp":"2026-01-07T14:59:58.590Z","score":2.5249743},{"id":"5964","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["UBC Poetry Festival: Avison, Olson, Creeley, Duncan, Ginsberg, Whalen, and Levertov on August 9, 1963 #46a"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Whalen, Philip","Avison, Margaret","Duncan, Robert","Ginsberg, Allen","Olson, Charles","Creeley, Robert","Levertov, Denise","Kiyooka, Roy","Keyes, John"],"creator_names_search":["Whalen, Philip","Avison, Margaret","Duncan, Robert","Ginsberg, Allen","Olson, Charles","Creeley, Robert","Levertov, Denise","Kiyooka, Roy","Keyes, John"],"creators":["[{\"url\":\"https://viaf.org/viaf/54270610/\",\"name\":\"Whalen, Philip\",\"dates\":\"1923-2002\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/79128508\",\"name\":\" Avison, Margaret\",\"dates\":\"1918-2007\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert \",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen \",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/27091190\",\"name\":\"Olson, Charles \",\"dates\":\"1910-1970\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/9868894\",\"name\":\"Levertov, Denise\",\"dates\":\"1923-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/30784426\",\"name\":\"Kiyooka, Roy\",\"dates\":\"1926-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Keyes, John\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Wah, Fred"],"contributors_names_search":["Wah, Fred"],"contributors":["[{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1963],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/371/Reading in BC_MsC199_46A.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"46a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:23\",\"precision\":\"\",\"size\":\"29.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"46a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:20:55\",\"precision\":\"\",\"size\":\"13.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1963-08-09\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card and inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tCreeley presenting Zukofsky bibliography\n\t\t140\tAudience question – gestalt therapy in relation to poetics – discussion on contexts of being\n\t\t170\tCreeley – reality as extensive verbal construct – need to return to our bodies – often by the agencies of this order of help ie psychologists\n\t\t200\tGinsberg on keywords used by members of this discussion which reveal a definite experience of being here in the universe, in a place: field, energy, eternity, form-place, natural harmony, go for broke… samenesses and differences\n\t\t290\tDangers of static terminologies\n\t\t340\tCreeley recounts story of a reading in the mid-west.  After the reading, a young man who was deeply moved by the second to last poem, comes up to the reader and asks this question “Was that a real poem or did you just make it up yourself?”  Creeley’s question is “How shall we measure what we do?”\n\t\t360\tDiscussion on form and content – Creeley stating a context in which the issue of some occasion is the means by which a poem occurs as opposed to a putting on of form like a coat.  Levertov – form is never more than the revelation of content as opposed to Creeley’s “Form is never more than the extension of content”.\n\t\t395\tLevertov – the Elizabethan sonnet\n\t\t470\tAvison – the ‘machine’ and ‘form’\n\t\t510\tLevertov – “You don’t know what you think till you see what you do.”\n\t\t\tCreeley – “There’s no occasion other than what is, as is literally now.”\n\t\t580\tCreeley’s letter to Olson re ‘form-content’\n\t\t670\tThought preceding poem? – Form preceding occasion? – Wyatt’s “They Flee From Me”\n\t\t725\tRoy Kiyooka – form in painting – Rubens\n\t\t765\tCreeley – What do we mean by form in a poem? – How do we know when it’s a poem? – What is a poem?\n\t\t820\tCreeley – “What measure exists to know what a poem is? “ this is not a concern while you’re writing – story about Robert Graves being halfway through a poem for The New Yorker\n\t\t890\tJohn Keyes relates story about Franz Kline, destroying form, destroying himself- argument ensues involving Keyes, Creeley, Ginsberg, Kiyooka\n"],"Note":["[{\"note\":\"Liner Notes: Vancouver Poetry  festival, UBC, Vancouver, August 9, 1963 (side 1 of 2) Avison, Creeley, Duncan?, Ginsberg, Levertov, Whalen, Olson\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554400194560,"timestamp":"2026-01-07T14:59:58.804Z","score":2.5249743},{"id":"5975","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Readings at Sir George Williams: Roy Kiyooka Reading his poems on December 2, 1966 #73"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kiyooka, Roy"],"creator_names_search":["Kiyooka, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/30784426\",\"name\":\"Kiyooka, Roy\",\"dates\":\"1926-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Bowering, George"],"contributors_names_search":["Bowering, George"],"contributors":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935- \",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/399/Reading in BC_MsC199_73.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"73-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:01\",\"precision\":\"\",\"size\":\"22.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"73-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:55\",\"precision\":\"\",\"size\":\"20.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966-12-02\",\"type\":\"Production Date\",\"notes\":\"Exact date is taken from SpokeWeb Montreal\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/103248053\",\"venue\":\"Sir George Williams University (Concordia University)\",\"notes\":\"\",\"address\":\"1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada\",\"latitude\":\"45.4954\",\"longitude\":\"-73.5783\"}]"],"Address":["1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada"],"Venue":["Sir George Williams University (Concordia University)"],"City":["Montreal, Quebec"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tIntroduction\n\t\t045\tReading from Kyoto Airs\n\t\t\tWaiting Out The Rain\n\t\t057\tBuddha In The Garden\n\t\t064\tSunday At The Temple\n\t\t073\tReclining Buddha\n\t\t087\tThe Stone Garden Of Ryoanji\n\t\t112\tChildren’s Shrine\n\t\t148\tHigashiyama\n\t\t230\tItinerary of A View\n\t\t320\tReading from Nevertheless These Eyes\n\t\t\tFirst section – The Song The Mirror Sang\n\t\t018\tPortrait Of The Beloved\n\t\t031\tThe Marriage\n\t\t040\tThe Separation\n\t\t048\tHer Apotheosis\n\t\t075\tThe grotesque flesh…\n\t\t105\tThe Beloved is resilient…\n\t\t151\tThe Proposal\n\t\t172\tThe Dance\n\t\t197\tHer Admonition\n\t\t222\tFive Poems of Resurrection\n\t\t316\tThe Visitation\n\t\t377\tNevertheless These Eyes\n\t\t529\tHaiku for the occasion of the reading\n"],"Note":["[{\"note\":\"Liner Notes:  side 1 - 32 min side 2 29 min\",\"type\":\"General\"},{\"note\":\"Detailed information about the reading and transcription: https://montreal.spokenweb.ca/sgw-poetry-readings/david-bromige-at-sgwu-1970\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554402291713,"timestamp":"2026-01-07T14:59:58.804Z","score":2.5249743},{"id":"5995","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["San Francisco/Vancouver Poets: Stan Persky, Roy Kiyooka, and Dan Conrad reading on March 13, 1970 part 1 of 2 #212a"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Persky, Stan","Kiyooka, Roy","Conrad, Daniel"],"creator_names_search":["Persky, Stan","Kiyooka, Roy","Conrad, Daniel"],"creators":["[{\"url\":\"http://viaf.org/viaf/57448780\",\"name\":\"Persky, Stan\",\"dates\":\"1941-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/30784426\",\"name\":\"Kiyooka, Roy\",\"dates\":\"1026-1944\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/11176358\",\"name\":\"Conrad, Daniel\",\"dates\":\"1938-\",\"notes\":\"Dan Conrad\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Quartermain, Peter"],"contributors_names_search":["Quartermain, Peter"],"contributors":["[{\"url\":\"http://viaf.org/viaf/34534588\",\"name\":\"Quartermain, Peter\",\"dates\":\"1934-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1970],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/430/Readings in BC_MsC199_212a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"j-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"212a-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:28:53\",\"precision\":\"\",\"size\":\"27.4 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"212a-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:27:07\",\"precision\":\"\",\"size\":\"26 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1970-03-13\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/111968\",\"venue\":\"\",\"notes\":\"\",\"address\":\"San Francisco, California, USA\",\"latitude\":\"37.7544\",\"longitude\":\"-122.4605\"}]"],"Address":["San Francisco, California, USA"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tStanley – prefatory remarks\n\t\t020\tStan Persky – reads story – “This is last night…”\n\t\t072\tStan Persky – reads another story – “Very still, consciously moving things slowly…”\n\t\t180\tRoy Kiyooka reading\n\t\t205\t“Higashiyama” – from Kyoto Airs 1963 – sequence of poems for Cid Corman\n\t\t275\t“White”\n\t\t297\t“Sunflower”\n\t\t328\t“On the occasion of Angela Bowering’s first acid trip…”\n\t\t360\t“In Botticelli’s nativity…”\n\t\t400\tCommentary on next poem – Kiyooka\n\t\t441\t“Stone gloves”\n\t\t550\tReads quotation from Jean Dubefay, French painter\n\t\t558\t“Deeper than death the breadth of breath…”\n\t\t573\tSequence for Margaret Avison\n\t\t\t“Five fingers make a pass at the moon…”\n\t\t591\t“Trinity”\n\t\t620\t“Alms for sharp palms…”\n\t\t627\t“Somewhere in front of all these words…”\n\t\t640\tBackground comments\n\t\t672\tDan Conrad reads poems\n\t\t\t“Factory pipes, ominous, stretching and twisting…”\n\t\t702\t“Lazarus”\n\t\t736\t“Riding the IND in dark Manhattan…”\n\t\t767\t“Messiah”\n\t\t794\t“The toast”"],"Note":["[{\"note\":\"Liner Notes: SF/Vancouver Poets March 13, 1970 Tape 1 of 2 Side 1: 29:12 Side 2: 27:30 Stan Persky, Roy Kiyooka, Dan Dolby B\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554406486016,"timestamp":"2026-01-07T14:59:58.804Z","score":2.5249743},{"id":"6154","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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V of Lady Oracle – this is an early draft\n\t\t267\tEncounters with the Element Man – prose piece\n\t\t484\tAtwood reading poems\n\t\t\tThere is Only One of Everything\n\t\t505\tLate August\n\t\t624\tQuestions from the audience\n\t\t838\tDiscussion with Pierre Coupey’s creative writing class\n"],"Note":["[{\"note\":\"Liner Notes: Margaret Atwood, reading/interive Capilano College, March 12, 1975 Reading: 66 min Talk to Pierre Coupey's creative writing class: 37 min. 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Interview: 86 min\",\"type\":\"General\"},{\"note\":\"The information about the time of the recording  on the cassette is incorrect, it is probably the time of 151a and 151b and 151c\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554829062144,"timestamp":"2026-01-07T14:59:59.214Z","score":2.5249743},{"id":"6164","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. 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Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Margaret Atwood reading and talking to Pierre Coupey's creative writing class at Capilano College on March 12, 1975 #151c"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Atwood, Margaret","Coupey, Pierre","Kiyooka, Roy","Marlatt, Daphne"],"creator_names_search":["Atwood, Margaret","Coupey, Pierre","Kiyooka, Roy","Marlatt, Daphne"],"creators":["[{\"url\":\"http://viaf.org/viaf/109322990\",\"name\":\"Atwood, Margaret\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/96212091\",\"name\":\"Coupey, Pierre\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/30784426\",\"name\":\"Kiyooka, Roy\",\"dates\":\"1926-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1975],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/717/Reading in BC_McS199_151c.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"151c-side-a.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:44:59\",\"precision\":\"\",\"size\":\"44.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975-03-12\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/485438830\",\"venue\":\"Capilano College\",\"notes\":\"\",\"address\":\"2055 Purcell Way, North Vancouver, BC V7J 3H5\",\"latitude\":\"49.3179\",\"longitude\":\"-123.0195\"}]"],"Address":["2055 Purcell Way, North Vancouver, BC V7J 3H5"],"Venue":["Capilano College"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\tA\t000\tContinuation of discussion with class\n\t\t095\tAtwood interview with Pierre Coupey, Daphne Marlatt\n\t\t\t-\tPatterns of composition in poetry and prose\n\t\t\t-\tProsody\n\t\t\t-\tPublishing industry\n\t\t\t-\tThe experimental novel\n\t\t\t-\tDiscussion of The Edible Woman and Surfacing\n"],"Note":["[{\"note\":\"The information about the time of the recording  on the cassette is incorrect, it is probably the time of 151a and 151b and 151c\",\"type\":\"General\"},{\"note\":\"Liner Notes: Margaret Atwood (conclusion), reading/interive Capilano College, March 12, 1975 Reading: 66 min Talk to Pierre Coupey's creative writing class: 37 min. Interview: 86 min\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554829062145,"timestamp":"2026-01-07T14:59:59.214Z","score":2.5249743},{"id":"6165","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Readings at Sir George Williams: Margaret Avison reading on January 27, 1967 #152"],"item_title_source":["J-card, inventory, and SpokenWeb Montreal website"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Avison, Margaret","Kiyooka, Roy"],"creator_names_search":["Avison, Margaret","Kiyooka, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/79128508\",\"name\":\"Avison, Margaret\",\"dates\":\"1918-2007\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/30784426\",\"name\":\"Kiyooka, Roy\",\"dates\":\"1926-1994\",\"notes\":\"He does the introduction part\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Bowering, George"],"contributors_names_search":["Bowering, George"],"contributors":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935- \",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1967],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/718/Reading in BC_McS199_152.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:10:35\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"152-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:37\",\"precision\":\"\",\"size\":\"38 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"152-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:40\",\"precision\":\"\",\"size\":\"37.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1967-01-27\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\" SpokenWeb Montreal website\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/103248053\",\"venue\":\"Sir George Williams University (Concordia University)\",\"notes\":\"\",\"address\":\"1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada\",\"latitude\":\"45.4954\",\"longitude\":\"-73.5783\"}]"],"Address":["1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada"],"Venue":["Sir George Williams University (Concordia University)"],"City":["Montreal, Quebec"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t000\tIntroduction by Roy Kiyooka\n\t\t040\tAvison-prefatory remarks\n\t\t056\tAn excerpt from a prose piece by Bukowski\n\t\t068\tAn excerpt from a piece by Al Fowler\n\t\t078\t“Zoo” by Gerry Gilbert\n\t\t086\t“The Delinquent” by a young friend\n\t\t143\tSubway Poem #1\n\t\t156\tSubway Station, Why Not?\n\t\t170\tInsomniac Report\n\t\t192\tIs That You Me Standing On My Your Feet\n\t\t236\tOctober 21/66\n\t\t258\tDedicated to Jacques?\n\t\t303\tSketching\n\t\t314\tThe Seven Birds\n\t\t340\tOf Tyranny, in One Breath (translated from a Hungarian poem by Gyula Illyes)\n\t\t465\tBestialities\n\t\t498\tThe Absorbed\n\t\t544\tThaw\n\t\t573\tTwo Mayday Selves\n\t\t603\tBlack-White Under Green, May 18, 1965-\nTwo\tA\t005\tThe Valiant Vacationist\n\t\t038\tTo Professor X, Year Y\n\t\t069\tThe Absolute-The Day\n\t\t083\tThe Earth That Falls Away\n\n"],"Note":["[{\"note\":\"Liner Notes: Side 1 - 41 min Side 2 - 36 min\",\"type\":\"General\"},{\"note\":\"Detailed information about the reading and transcription: https://montreal.spokenweb.ca/sgw-poetry-readings/victor-coleman-at-sgwu/\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554829062146,"timestamp":"2026-01-07T14:59:59.214Z","score":2.5249743},{"id":"6409","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 14 August and 31 July, 1988"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Takeo","Ismail, Jamila","Miyata, Mami","Kiyooka, Roy","Ito, Sally","Gilbert, Gerry"],"creator_names_search":["Takeo","Ismail, Jamila","Miyata, Mami","Kiyooka, Roy","Ito, Sally","Gilbert, Gerry"],"creators":["[{\"url\":\"\",\"name\":\"Takeo\",\"dates\":\"\",\"notes\":\"Takeo could be the person who plays Flute. \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/105789361\",\"name\":\"Ismail, Jamila\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/265040189\",\"name\":\"Miyata, Mami\",\"dates\":\"1951-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/30784426\",\"name\":\"Kiyooka, Roy\",\"dates\":\"1926-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/117855300\",\"name\":\"Ito, Sally\",\"dates\":\"1964-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\",\"Donor\",\"Recordist\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1988],"Performance_Date":[1988],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1605/Gerry Gilbert Fonds_MsC14_123.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-91/radiofreerainforest-14-august-and-31-july-1988-part-1\",\"file_path\":\"\",\"filename\":\"MSC14-123-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:33:02\",\"precision\":\"\",\"size\":\"46.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-92/radiofreerainforest-14-august-and-31-july-1988-part-2\",\"file_path\":\"\",\"filename\":\"MSC14-123-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:44:19\",\"precision\":\"\",\"size\":\"62.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1988-08-14\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1988-08-12\",\"type\":\"Performance Date\",\"notes\":\"Jamila Ismail read at R2B2 on this date.\",\"source\":\"J-card\"},{\"date\":\"1988-07-31\",\"type\":\"Production Date\",\"notes\":\"The Powell Street Wall Festival\",\"source\":\"J-card\"},{\"date\":\"1988-07-30\",\"type\":\"Production Date\",\"notes\":\"The Powell Street Wall Festival\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/7802936235\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\"370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\"49.2818703\",\"longitude\":\"-123.1022474\"},{\"url\":\"https://www.openstreetmap.org/node/3974498662\",\"venue\":\"R2B2: Books Books\",\"notes\":\"Jamila Ismail reads there.\",\"address\":\"2100 W 4th Ave Vancouver, BC V6K 1N6\",\"latitude\":\"49.2679903\",\"longitude\":\"-123.1529668\"}]"],"Address":["370 Columbia St, Vancouver, BC V6A 4J1","2100 W 4th Ave Vancouver, BC V6K 1N6"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM","R2B2: Books Books"],"City":["Vancouver, British Columbia","Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: see photo\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555278901250,"timestamp":"2026-01-07T14:59:59.632Z","score":2.5249743},{"id":"6418","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 15 October, 1988"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Kiyooka, Roy","Tallman, Warren","Hindmarch, Gladys","Kamboureli, Smaro","Gilbert, Gerry","Scobie, Stephen","Little, Billy","Phillips, David","Blaser, Robin","Bowering, George","Bowering, Angela","Nichol, B. P.","Webb, Phyllis","Miki, Roy"],"creator_names_search":["Kiyooka, Roy","Tallman, Warren","Hindmarch, Gladys","Kamboureli, Smaro","Gilbert, Gerry","Scobie, Stephen","Little, Billy","Phillips, David","Blaser, Robin","Bowering, George","Bowering, Angela","Nichol, B. P.","Webb, Phyllis","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/30784426\",\"name\":\"Kiyooka, Roy\",\"dates\":\"1926-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/38164256\",\"name\":\"Hindmarch, Gladys\",\"dates\":\"1940-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/56633719\",\"name\":\"Kamboureli, Smaro \",\"dates\":\"1955-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Producer\",\"Recordist\",\"Donor\",\"Series organizer\"]},{\"url\":\"http://viaf.org/viaf/18385392\",\"name\":\"Scobie, Stephen \",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/223141797\",\"name\":\"Little, Billy\",\"dates\":\"1943-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/92376773/\",\"name\":\"Phillips, David\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"The event happened in Angela's and George's place.\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/93542147\",\"name\":\"Bowering, Angela \",\"dates\":\"\",\"notes\":\"The event happened in Angela's and George's place.\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B. P.\",\"dates\":\"1944-1988\",\"notes\":\"It's a memorial ceremony for BP.\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/29847238\",\"name\":\"Webb, Phyllis\",\"dates\":\"1927-2021\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/30784426\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"Introduction by him\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1988],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1614/Gerry Gilbert Fonds_MsC14_131.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-118/radiofreerainforest-15-october-1988-part-1\",\"file_path\":\"\",\"filename\":\"MSC14-131-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:14:52\",\"precision\":\"\",\"size\":\"17.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-119/radiofreerainforest-15-october-1988-part-2\",\"file_path\":\"\",\"filename\":\"MSC14-131-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:17\",\"precision\":\"\",\"size\":\"56.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1988-10-15\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/7802936235\",\"venue\":\"Vancouver Co-op Radio CFRO 100.5 FM\",\"notes\":\"\",\"address\":\"370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\"49.2818703\",\"longitude\":\"-123.1022474\"},{\"url\":\"https://www.openstreetmap.org/way/356584778#map=19/49.26359/-123.21061\",\"venue\":\"George and Angela Bowering home\",\"notes\":\"The wake for BP Nichole. 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FM\",\"notes\":\"\",\"address\":\" 370 Columbia St, Vancouver, BC V6A 4J1\",\"latitude\":\" 49.2818703\",\"longitude\":\" -123.1022474\"},{\"url\":\"https://www.openstreetmap.org/search?whereami=1&query=49.26855%2C-123.16739#map=17/49.26901/-123.16579\",\"venue\":\"R2B2 Books\",\"notes\":\"\",\"address\":\" 2742 West 4th Avenue\",\"latitude\":\"49.26855\",\"longitude\":\"-123.16739\"}]"],"Address":[" 370 Columbia St, Vancouver, BC V6A 4J1"," 2742 West 4th Avenue"],"Venue":["Vancouver Co-op Radio CFRO 100.5 FM","R2B2 Books"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Liner Notes: See photo attachment\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555839889408,"timestamp":"2026-01-07T15:00:00.156Z","score":2.5249743},{"id":"6913","cataloger_name":["Teddie,Brock"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["radiofreerainforest 17 November, 1992 and 10 December, 1992 "],"item_title_source":["item, j-card"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kiyooka, Roy","Wah, Fred","Shaw, Nancy"],"creator_names_search":["Kiyooka, Roy","Wah, Fred","Shaw, Nancy"],"creators":["[{\"url\":\"http://viaf.org/viaf/30784426\",\"name\":\"Kiyooka, Roy\",\"dates\":\"1926-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939–\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/53241677\",\"name\":\"Shaw, Nancy\",\"dates\":\"1962–2007\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]}]"],"contributors":["[]"],"Production_Date":[1992],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7983/Fred Wah Fonds_MsC 17e_21.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-17-november-1992-sides-11-and-10-december-1992-sides-12-22-part-2\",\"file_path\":\"\",\"filename\":\"FW_021 side 2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:11\",\"precision\":\"\",\"size\":\"45.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/_flysystem/fedora/2025-03/MSC17E-21/MSC17E-21-01.mp3\",\"file_path\":\"\",\"filename\":\"MSC17E-21-01.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:12\",\"precision\":\"\",\"size\":\"29.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://digital.lib.sfu.ca/radiofreerainforest-17-november-1992-sides-11-and-10-december-1992-sides-12-22-part-1\"}]"],"Dates":["[{\"date\":\"1992-12-10\",\"type\":\"Production Date\",\"notes\":\"date of Roy Kiyooka reading\",\"source\":\"item, j-card\"},{\"date\":\"1992-11-17\",\"type\":\"Production Date\",\"notes\":\"date of Fred Wah reading \",\"source\":\"item, j-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/69701736#map=19/49.28288/-123.12056\",\"venue\":\"Vancouver Art Gallery\",\"notes\":\"Venue of Roy Kiyooka reading\",\"address\":\"750 Hornby St, Vancouver, BC V6Z 2H7\",\"latitude\":\"49.2829\",\"longitude\":\"-123.12049\"},{\"url\":\"https://www.openstreetmap.org/node/3974498662\",\"venue\":\"R2B2 Books Books (Vancouver)\",\"notes\":\"Venue of Fred Wah reading. Originally located at 2742 West 4th Avenue, Vancouver (approximate OSM link)\",\"address\":\"2742 West 4th Ave, Vancouver, BC V6K 1R1\",\"latitude\":\"49.26855\",\"longitude\":\"-123.16739\"}]"],"Address":["750 Hornby St, Vancouver, BC V6Z 2H7","2742 West 4th Ave, Vancouver, BC V6K 1R1"],"Venue":["Vancouver Art Gallery","R2B2 Books Books (Vancouver)"],"City":["Vancouver, British Columbia","Vancouver, British Columbia"],"content_notes":["Side 1: 1/2 of Fred Wah reading lost (also indicated on physical tape). Includes 2/2 of reading + 1/2 of Roy Kiyooka reading at T00:18:42\n\nSide 2: 2/2 of Roy Kiyooka reading from \"Mothertalk\"\n\n"],"Note":["[{\"note\":\"Sound quality: Wah recording is very quiet in relation to foreground noise; Kiyooka reading significantly louder.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556053798914,"timestamp":"2026-01-07T15:00:00.367Z","score":2.5249743},{"id":"6935","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["An evening with bp Nichol reading poetry at NSCAD University in Halifax in [1971 or 1972?], Tape 1 of 2"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kiyooka, Roy","Wah, Fred","[Mc?, Brian]","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Kiyooka, Roy","Wah, Fred","[Mc?, Brian]","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\" http://viaf.org/viaf/30784426\",\"name\":\"Kiyooka, Roy\",\"dates\":\"1926-1994\",\"notes\":\"His name is written on the J-card as a person who brought BP to Halifax for a visit. 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According to the J-card it is either 1971 or 1972.  \\n\\nAs for the month and day, the J-card indicates 11-03. We suppose this date is written by Fred Wah although we are not sure what date it is (whether November 3 or March 11).\",\"source\":\"J-card\"},{\"date\":\"2000-11-03\",\"type\":\"\",\"notes\":\"The supporting letter to Fred Wah and his wife Pauline was written on this day\",\"source\":\"letter\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/88879165\",\"venue\":\"NSCAD University\",\"notes\":\"\",\"address\":\"University NSCAD, Marginal Road, Halifax, Halifax Regional Municipality, Halifax County, Nova Scotia, B3H 4N4, Canada\",\"latitude\":\"44.63931\",\"longitude\":\"-63.56549\"}]"],"Address":["University NSCAD, Marginal Road, Halifax, Halifax Regional Municipality, Halifax County, Nova Scotia, B3H 4N4, Canada"],"Venue":["NSCAD University"],"City":["Halifax, Nova Scotia"],"Note":["[{\"note\":\"There is a name on the j-card, and we assume it could be Brian [Mc?]. It is very likely that he recorded these tapes and gave them to Fred Wah.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556236251137,"timestamp":"2026-01-07T15:00:00.560Z","score":2.5249743},{"id":"6936","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["An evening with bpNichol reading poetry at NSCAD University in Halifax in [1971 or 1972?], Tape 2 of 2"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Wah, Fred","Kiyooka, Roy","[Mc?, Brian]","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Wah, Fred","Kiyooka, Roy","[Mc?, Brian]","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Donor\"]},{\"url\":\" http://viaf.org/viaf/30784426\",\"name\":\"Kiyooka, Roy\",\"dates\":\"1926-1994\",\"notes\":\"His name is written on the J-card as a person who brought BP to Halifax for a visit. We are not sure if he was present at BP's reading, but we decided to put his name here as a person who might've been present there.\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"[Mc?, Brian]\",\"dates\":\"\",\"notes\":\"His letter is attached to the tapes with the recordings, he describes his emotions during the reading and that his breathing can be heard\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Author\",\"Performer\",\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1971],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/6936/Fred Wah Fonds_MsC 17f_20.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-020-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:27\",\"precision\":\"\",\"size\":\"34 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-020-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:10\",\"precision\":\"\",\"size\":\"34.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1971\",\"type\":\"Production Date\",\"notes\":\"The year is uncertain. According to the J-card it is either 1971 or 1972. \\n\\nThe month and day is indicated on the J-card as 11-03. We suppose this date was written by Fred Wah although we are not sure  what date it is, whether November 3 or March 11.\",\"source\":\"J-card\"},{\"date\":\"2000-11-03\",\"type\":\"\",\"notes\":\"The supporting letter to Fred Wah and his wife Pauline was written on this day\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/88879165\",\"venue\":\"NSCAD University\",\"notes\":\"\",\"address\":\"University NSCAD, Marginal Road, Halifax, Halifax Regional Municipality, Halifax County, Nova Scotia, B3H 4N4, Canada\",\"latitude\":\"44.63931\",\"longitude\":\"-63.56549\"}]"],"Address":["University NSCAD, Marginal Road, Halifax, Halifax Regional Municipality, Halifax County, Nova Scotia, B3H 4N4, Canada"],"Venue":["NSCAD University"],"City":["Halifax, Nova Scotia"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556236251138,"timestamp":"2026-01-07T15:00:00.560Z","score":2.5249743},{"id":"7195","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Robert Creeley Tribute at The Western Front on June 2, 1990"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Bull, Hank","Gilbert, Gerry","Kearns, Lionel","Little, Billy","Kroetsch, Robert","Bowering, George","Hindmarch, Gladys","Marlatt, Daphne","Gadd, Maxine","Miki, Roy","Copithorne, Judith","Tallman, Warren","Phillips, David","Bowering, Angela","Kiyooka, Roy","Culley, Peter","McKinnon, Barry","Tallman, Ellen","Maud, Ralph","Persky, Stan","Poh Seng, Goh","Watts, Charles"],"creator_names_search":["Creeley, Robert","Bull, Hank","Gilbert, Gerry","Kearns, Lionel","Little, Billy","Kroetsch, Robert","Bowering, George","Hindmarch, Gladys","Marlatt, Daphne","Gadd, Maxine","Miki, Roy","Copithorne, Judith","Tallman, Warren","Phillips, David","Bowering, Angela","Kiyooka, Roy","Culley, Peter","McKinnon, Barry","Tallman, Ellen","Maud, Ralph","Persky, Stan","Poh Seng, Goh","Watts, Charles"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/205149294089180520706\",\"name\":\"Bull, Hank \",\"dates\":\"1949-\",\"notes\":\"Music is by Hank Bull\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry \",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/30784380\",\"name\":\"Kearns, Lionel\",\"dates\":\"1937-\",\"notes\":\"He speaks at The Western Front on June 2nd. \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/223141797\",\"name\":\"Little, Billy\",\"dates\":\"1943-\",\"notes\":\"Known as Zonko\\nHe talks at The Western Front on June 2nd. \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"He speaks at The Western Front on June 2nd. \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"He is the emcee of the event with Angela Bowering.\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/38164256\",\"name\":\"Hindmarch, Gladys\",\"dates\":\"1940-\",\"notes\":\"She reads at the Western Front on June 2.\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"She reads at the Western Front on June 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2.\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"\",\"name\":\"Bowering, Angela\",\"dates\":\"1940-1999\",\"notes\":\"She is the emcee of this event with George Bowering.\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Kiyooka, Roy\",\"dates\":\"1926-1994\",\"notes\":\"He is introduced by the emcee George Bowering but his reading was not recorded.\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Culley, Peter\",\"dates\":\"1958-2015\",\"notes\":\"He read at the Western Front on June 2.\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/60321164\",\"name\":\"McKinnon, Barry\",\"dates\":\"1944-2023\",\"notes\":\"He reads at the Western Front on June 2.\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"\",\"name\":\"Tallman, Ellen\",\"dates\":\"1927-2008\",\"notes\":\"She speaks at the Western Front on June 2.\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Maud, Ralph\",\"dates\":\"1928-2014\",\"notes\":\"He speaks at the Western 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files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"196 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:03:25\",\"precision\":\"\",\"size\":\"58 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1990-06-01\",\"type\":\"Production Date\",\"notes\":\"Robert Creeley Tribute at The Western Front \",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"The Western Front\",\"notes\":\"\",\"address\":\"303 E 8th Ave E, Vancouver, BC V5T 1S1\",\"latitude\":\"49.26392\",\"longitude\":\"-123.09869\"}]"],"Address":["303 E 8th Ave E, Vancouver, BC V5T 1S1"],"Venue":["The Western Front"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Tape 185 SWALLOW ID 7184 is a version of this live event edited and broadcast by Paul Mutton for Co-op Radio (August 12, 1990). Tape 196 SWALLOW ID 7195 contains the recording of the full event for Robert Creeley on June 2, 1990.\",\"type\":\"Related Version\"},{\"note\":\"This Robert Creeley tribute event took place at the Western Front on June 2, 1990, organized by Warren Tallman and emceed by Angela and George Bowering. Presentations of poems and speeches are as follows on Side A:\\nHank Bull: piano opening\\nGeorge Bowering: intro, begins reading 4:05\\nAngela Bowering: 8:03\\nLionel Kearns: 17:03\\nGladys Hindmarch: 24:05\\nPeter Culley: 29:48\\nDaphne Marlatt: 39:02\\nRobert Kroetsch: 45:01\\nDavid Phillips: 48:00\\nEllen Tallman: 53:23\\nBarry McKinnnon: 55:52\\n\\nSide B\\nGerry Gilbert: 0:13\\nMaxine Gadd: 8:00\\nRalph Maud: 13:19\\nStan Persky: 20:45\\nGoh Poh Seng: 27:50 \\nJudith Copithorne: 32:50 \\nBilly Little: 36:49 \\nCharles Watts: 45:28 \\nRoy Miki: 52:20 (tape cuts at 59:53)\\n(Roy Kiyooka was introduced by George Bowering but was not recorded)\\n\\n\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556697624576,"timestamp":"2026-01-07T15:00:00.983Z","score":2.5249743},{"id":"7361","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Roy Miki and Fred Wah reading at Kiyooka Show at Triangle Gallery of Visual Art in Calgary on April 7, 2001"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kiyooka, Harry","Kiyooka, Roy","Wah, Fred","Miki, Roy"],"creator_names_search":["Kiyooka, Harry","Kiyooka, Roy","Wah, Fred","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/105883397\",\"name\":\"Kiyooka, Harry\",\"dates\":\"1928-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/30784426\",\"name\":\"Kiyooka, Roy\",\"dates\":\"1926-1994\",\"notes\":\"He is the artist whose this event is all about\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"Fred Wah part is missing \",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy \",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[2001],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7361/Fred Wah Fonds_MsC 17f_154.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"154 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:57:06\",\"precision\":\"\",\"size\":\"60.8 MB\",\"bitrate\":\"31 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2001-04-07\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/27055405\",\"venue\":\"Triangle Gallery of Visual Art\",\"notes\":\"\",\"address\":\"800 Macleod Trail SE, Calgary, AB T2G 2M3\",\"latitude\":\"51.04561\",\"longitude\":\"-114.05648\"}]"],"Address":["800 Macleod Trail SE, Calgary, AB T2G 2M3"],"Venue":["Triangle Gallery of Visual Art"],"City":["Calgary, Alberta"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556916776966,"timestamp":"2026-01-07T15:00:01.192Z","score":2.5249743},{"id":"7362","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Roy Kiyooka reading at DTUC (David Thompson University Centre ) on March 10, 1982"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kiyooka, Roy","Gomez, Rick","Wah, Fred"],"creator_names_search":["Kiyooka, Roy","Gomez, Rick","Wah, Fred"],"creators":["[{\"url\":\"http://viaf.org/viaf/30784426\",\"name\":\"Kiyooka, Roy\",\"dates\":\"1926-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Speaker\",\"Performer\"]},{\"url\":\"http://viaf.org/viaf/21873474\",\"name\":\"Gomez, Rick\",\"dates\":\"1972-\",\"notes\":\"He introduces Roy Kiyooka \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"His voice is heard at the end of side two\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1982],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7362/Fred Wah Fonds_MsC 17f_155.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"155 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:51\",\"precision\":\"\",\"size\":\"52.9 MB\",\"bitrate\":\"31 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"155 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:35\",\"precision\":\"\",\"size\":\"53.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-03-10\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/936493657\",\"venue\":\"David Thompson University Centre\",\"notes\":\"David Thompson University Centre got closed in Nelson in 1984; its current adopted name is Notre Dame University College\\n\\nSince the exact location could not be found on OpenStreetMap, the provided link refers to the closest point on Vernon Street in Downtown Nelson, within the Regional District of Central Kootenay, British Columbia, V1L 4G2, Canada\",\"address\":\"713 Vernon Street, Nelson, BC, V1L 4G8\",\"latitude\":\"49.489145\",\"longitude\":\"-117.301457\"}]"],"Address":["713 Vernon Street, Nelson, BC, V1L 4G8"],"Venue":["David Thompson University Centre"],"Note":["[{\"note\":\"Roy Kiyooka reads some parts of his book named Wheels\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556916776967,"timestamp":"2026-01-07T15:00:01.192Z","score":2.5249743},{"id":"7364","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. 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The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Roy Kiyooka reading on March 4, 1976"],"item_title_source":["Cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Oppen, George","Kiyooka, Roy","Wah, Fred"],"creator_names_search":["Oppen, George","Kiyooka, Roy","Wah, Fred"],"creators":["[{\"url\":\"http://viaf.org/viaf/98097764\",\"name\":\"Oppen, George\",\"dates\":\"1908-1984\",\"notes\":\"Roy Kiyooka reads a poem of George Oppen\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/30784426\",\"name\":\"Kiyooka, Roy\",\"dates\":\"1926-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Speaker\",\"Reader\",\"Performer\"]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"Fred Wah is heard on side one asking Roy Kiyooka some questions\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7364/Fred Wah Fonds_MsC 17f_157.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"157 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:00\",\"precision\":\"\",\"size\":\"47.7 MB\",\"bitrate\":\"31 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"157 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:35\",\"precision\":\"\",\"size\":\"46.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976-03-04\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"Roy Kiyooka first reads an [introduction to his catalogue called intersection?] sharing a bit what interested him into Art. 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