[{"id":"1268","cataloger_name":["Mahtab,Banihashemi"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":["Joe Rosenblatt and John Newlove at Sir George Williams University, The Poetry Series, 9 February 1968"],"item_title_source":["Cataloguer"],"item_title_note":["\"JOE RESENBLATT I006/SR138\" written on sticker on the spine of the tape's box. JOE RESENBLATT refers to Joe Rosenblatt. RESENBLATT is mispelled. \"I006-11-138\" written on sticker on the reel.\n\n\"JOHN NEWLOVE I006/S2143\" written on sticker on the spine of the tape's box. I006-11-143 written on sticker on the reel."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["The Poetry Series"],"item_subseries_title":["Poetry 2"],"item_identifiers":["[I006-11-138, I006-11-143]"],"creator_names":["Rosenblatt, Joseph","Newlove, John"],"creator_names_search":["Rosenblatt, Joseph","Newlove, John"],"creators":["[{\"url\":\"http://viaf.org/viaf/69752567\",\"name\":\"Rosenblatt, Joseph\",\"dates\":\"1933-\",\"notes\":\"Poet and artist Joe (Joseph) Rosenblatt was born in Toronto in 1933, where he attended Central Technical School, which he left in grade ten. After a decade of traveling across Canada, working labour jobs with the CPR, Rosenblatt published his first collection of poetry through a small press, called The voyage of the mood (Heinrich Heine Press, 1963). He received a Canada Council grant in 1963 to write and draw, and published The LSD Leacock (Coach House Press, 1966), which established Rosenblatt as a serious poet. Rosenblatt then began editing Jewish Dialog, a literary magazine, in 1969, which he continued until 1983. He then published The winter of the lunar moth (House of Anansi, 1968), a collection of drawings Greenbaum (Coach House Press, 1971), Bumblebee dithyramb (Press Porcepic, 1972), Dream craters (Press Porcepic, 1974), Virgins and vampires (McClelland and Stewart, 1975) and Top Soil (Press Porcepic, 1976) which won a Governor General’s Award. Rosenblatt continued to publish collections of drawings and poetry collections, including Doctor Anacoda’s solar fan club (Press Porcepic, 1978), Loosely tied hands: an experiment in punk (Black Moss Press, 1978), The sleeping lady (Exile Editions, 1979), Brides of the stream (Oolichan Books, 1983), a reconsidered history of Marxist government Beds and consenting dreamers (Oolichan Books, 1994) and The Joe Rosenblatt Reader (Exile Editions, 1995). Rosenblatt received the B.C. Book Prize in 1986 for Poetry Hotel (1986). Rosenblatt held several positions as writer in residence at the University of Western Ontario (1979-1980), as Visiting Lecturer at University of Victoria (1980-81), the Associate editor of the Malahat Review (1980-1982), the writer in residence at the Saskatoon Public Library (1985-86) and at the University of Rome and University of Bologna (1987). Rosenblatt also served as a literary consultant for Porcupine's Quill, Blackfish Press, McClelland and Stewart, the Canada Council and Oolichan Books. His collected works can be found in The voluptuous gardener: the collected art and writing of Joe Rosenblatt, 1973-1996 (Beach Holme Publishers, 1996). Rosenblatt lived in Qualicum Beach on Vancouver Island, and during that time, also published Parrot fever (Exile Editions, 2002), The lunatic muse (Exile, 2007) and Dog (Mansfield Press, 2008). Rosenblatt died in 2019 after finishing work on Bite Me! Musings on Monsters and Mayhem (The Porcupine's Quill, 2019).\\n\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]},{\"url\":\"http://viaf.org/viaf/92277383\",\"name\":\"Newlove, John\",\"dates\":\"1938-2003\",\"notes\":\"Canadian poet John Newlove was born on June 13, 1938 in Regina, and was raised in Kamsack, Saskatchewan. He graduated from Kamsack College in 1956, and completed one year at the University of Saskatoon before touring and working in many cities across Canada. Newlove has worked as a school teacher in Birtle, Manitoba, as a social worker in Yorkton, Saskatchewan, at a radio station in Weyburn and in Regina, and as a clerk at the University of British Columbia bookstore. His first book of poetry is titled Grave Sirs (Robert Reid & Takao Tanabe, Vancouver, 1962), and is followed by Elephants, Mothers and Others (Periwinkle, 1963), Moving in Alone (Contact Press, 1965), What They Say (Weed/Flower, 1967), Black Night Window (McClelland & Stewart, 1968), The Cave (McClelland & Stewart, 1970), and Lies (McClelland & Stewart, 1972), which won a Governor General’s Award for Poetry. Newlove also worked as a writer-in-residence at the Regina Public Library, the University of Toronto, at Montreal’s Loyola College, and as an editor with McClelland & Stewart Publishing in Toronto between 1970 and 1974. Newlove then edited the McClelland & Stewart anthology Canadian Poetry: the modern era (1977), and published his own poetry in The fat man: selected poems 1962-1972 (McClelland & Stewart, 1977), The green plain (Oolichan Books, 1981), The night the dog smiled (ECW Press, 1986) and Apology for absence: Selected poems 1962-1992 (Porcupine’s Quill, 1993). Newlove taught writing at the David Thompson University Centre in Nelson, B.C. and as an editor for the Federal Commission of Official Languages in Ottawa. Newlove won the Saskatchewan Writer’s Guild Founders Award in 1984 and the Literary Press Group Award in 1986. Known and celebrated for bringing the Canadian Prairie into Canadian Literature, John Newlove died suddenly at the age of 65 on December 23, 2003.\",\"nation\":[],\"role\":[]}]"],"contributors_names":["Kiyooka, Roy"],"contributors_names_search":["Kiyooka, Roy"],"contributors":["[{\"url\":\"http://viaf.org/viaf/30784426\",\"name\":\"Kiyooka, Roy\",\"dates\":\"1926-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Presenter\"]}]"],"Presenter_name":["Kiyooka, Roy"],"Series_organizer_name":["Kiyooka, Roy"],"Performance_Date":[1968],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel","Reel to Reel"],"physical_compositions":["Magnetic Tape","Magnetic Tape"],"recording_type":["Analogue","Analogue"],"AV_type":["Audio","Audio"],"playback_mode":["Mono","Mono"],"Dates":["[{\"date\":\"1968 2 9\",\"type\":\"Performance Date\",\"notes\":\"Date specified in \\\"Georgantics\\\" by Marty Charny\",\"source\":\"Supplemental Material\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080570\",\"venue\":\"Hall Building Art Gallery\",\"notes\":\"Location specified in printed announcement \\\"Georgantics\\\" by Marty Charny (Supplemental material)\",\"address\":\"1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada\",\"latitude\":\"45.4972758\",\"longitude\":\"-73.57893043\"}]"],"Address":["1455, Boul de Maisonneuve Ouest, Montreal, Quebec, Canada"],"Venue":["Hall Building Art Gallery"],"City":["Montreal, Quebec"],"content_notes":["Joe Rosenblatt reads from Winter of the Luna Moth (Anansi Press, 1968)] and The LSD Leacock (Coach House Press, 1966) and a few poems from unknown sources. John Newlove reads from Black Night Window (McClelland & Stewart, 1968), What They Say (Weed/Flower, 1967), Elephants, Mothers and Others (Periwinkle Press, 1963) and poems later published in The Cave (McClelland & Stewart, 1970). Most of these poems have been collected in The Fat Man: Selected Poems 1962-1972 (McClelland & Stewart, 1977)."],"contents":["joe_rosenblatt_i006-11-138.mp3 [File 1 of 2]\n \nRoy Kiyooka\n00:00:00\nGood evening. Hello, Mr. Bowering [https://www.wikidata.org/wiki/Q1239280]. [Audience laughter]. Well, welcome to the sixth reading of our second series of evenings with Canadian and American poets. Tonight we have Joe Rosenblatt [https://www.wikidata.org/wiki/Q1691575], Toronto [https://www.wikidata.org/wiki/Q172], and John Newlove [https://www.wikidata.org/wiki/Q6250356], formerly of Vancouver [https://www.wikidata.org/wiki/Q24639], now residing in Nova Scotia [https://www.wikidata.org/wiki/Q1952]. Joe Rosenblatt will begin the reading, there will be an intermission, and John Newlove will follow. I'm going to quote largely from the copy in Joe Rosenblatt's book, The LSD Leacock, for I hope servient biographical information. It goes like this, he was born in Toronto on December the 26th, nineteen hundred and thirty-three. He says that he has suffocated in Toronto ever since then. He attended the Central Technical School [https://www.wikidata.org/wiki/Q5061898] and dropped out in Grade 10, he has worked as a grave-digger, plumber's helper, civil servant, railway express misanthrope. He has attended the Provincial Institute of Trades where he acquired a diploma as a welder fitter, his favourite writers are Ambrose Biers, William Blake [https://www.wikidata.org/wiki/Q41513], Emily Dickinson [https://www.wikidata.org/wiki/Q4441], and A.M. Klein [https://www.wikidata.org/wiki/Q2778027], and his favourite dream, is Cyclops turning up at a [nigh-bank (?)]. [Audience laughter]. His previous book of poems, which was probably printed in nineteen hundred and sixty-three, is called Voyage of the Mood. Joe Rosenblatt.\n \nAudience\n00:02:27\nApplause.\n \nJoe Rosenblatt\n00:02:36\nWasn't that [unintelligible]. I'm just going to read, start off with a series of poems I had written about my uncle, who was a fishmonger. He had a habit of phyxiating and murdering fish, and slicing them, and slicing them, and...well, I'll start. This is called \"Uncle Nathan: Blessed his memory, speaketh in land-locked green\".\n \nJoe Rosenblatt\n00:03:11\nReads \"Uncle Nathan: Blessed his memory, speaketh in land-locked green\" [from Winter of the Luna Moth].\n\nAudience\n00:06:10\nApplause.\n \nJoe Rosenblatt\n00:06:16\n\"Ichthycide\". Another poem about my uncle. It's funny, really. [Audience laughter].\n \nJoe Rosenblatt\n00:06:29\nReads \"Ichthycide\" [from Winter of the Luna Moth].\n \nAudience\n00:08:05\nLaughter and applause .\n\nJoe Rosenblatt\n00:08:13\nThis is called \"A Shell Game\". Has to do with my uncle. [Audience laughter]. It's about his funeral.  Joke.\n \nJoe Rosenblatt\n00:08:27\nReads \"A Shell Game [from Winter of the Luna Moth].\n \nJoe Rosenblatt\n00:09:42\nI wrote all kinds of poems. I was in Vancouver and I came across the god-awful logic of the zoo. It kinda scared the hell out of me. It was a bat. I've never seen a bat before. Met people who were bats. But this was the real McCoy, it was a fruit bat and it was hanging upside-down, you know, that's the way they live and they fornicate that way too, apparently, upside-down. So I wrote about bats. I have some more fish poems but I get tired of that after a while, you start hating it. And we'll begin with \"Bats\". While it's true the bat is a mammal, not a bird, there's all types of kinds of mythology based on prejudice about bats and which I've tried to embody in these poems. \n \nJoe Rosenblatt\n00:10:47\nReads \"Bats\" [from Winter of the Luna Moth].\n \nJoe Rosenblatt\n00:11:32\nOutside of the bat poem there came a group of sound poetry. Because I tried to get the feeling of the bat in the air, you know the image of the bat and the way it, and the movements of the bat. And this is called \"The Fruit Bat\". First encounter with a bat.\n \nJoe Rosenblatt\n00:11:56\nReads \"The Fruit Bat\" [from Winter of the Luna Moth].\n \nJoe Rosenblatt\n00:13:16\nThis is better. This is “The Bat Cage”.\n \nJoe Rosenblatt\n00:13:19\nReads “The Bat Cage” [from Winter of the Luna Moth]. \n \nJoe Rosenblatt\n00:14:39\nOh we're like bats to people. We used to have, I used to, when I was a kid I went to school and we had a music teacher who was a bit of a nut. She used to rap kids across the knuckles, you know, just to hear them singing. [Audience laughter]. I may have called her Mrs. Love, I can't recall, the trauma was too great. \n \nJoe Rosenblatt\n00:15:02\nReads “The Vampire” [from Winter of the Luna Moth].\n \nAudience\n00:15:48\nLaughter and applause.\n \nJoe Rosenblatt\n00:15:55\n\"The Zombie\". Just whistle when you get tired of these bat poems. Do anything you wanna do. \"The Zombie\". By the way, bats are supposed to be unkosher according to Leviticus [https://www.wikidata.org/wiki/Q41490]. It says all fowl that creep going upon all fours shall be an abomination unto you. But in other countries they're great appetizers, the fruit bat especially, and I have an interesting poem, not right now though. \"The Zombie\".\n \nJoe Rosenblatt\n00:16:26\nReads \"The Zombie\" [from Winter of the Luna Moth].\n \nJoe Rosenblatt\n00:17:59\nI'll read one more bat poem, it's the sound thing, an experimental thing which I later developed...too many of these bats here. I wrote a Christmas poem on bats, too. Maybe I should read it. Dedicated to somebody. I'll read the sound poem. It's more important. \"The Butterfly Bat\". There is a butterfly bat. Hm, found in the Orient, a very beautiful bat, orange apparently, very beautiful though. \n \nJoe Rosenblatt\n00:18:43\nReads \"The Butterfly Bat\" [from Winter of the Luna Moth].\n \nJoe Rosenblatt\n00:20:02\nReads \"Orpheus in Stanley Park\" [from Winter of the Luna Moth]. \n \nJoe Rosenblatt\n00:20:50\n\"Sex and Death\". This poem's for a friend of mine. \n \nJoe Rosenblatt\n00:20:54\nReads \"Sex and Death\" [from Winter of the Luna Moth].\n \nJoe Rosenblatt\n00:21:48\nI should read the egg poems, because I don't think many of you have heard them, and I'll do that. You'd probably like them better than the bats. More meaningful. This is called \"Egg Sonata\".\n \nJoe Rosenblatt\n00:22:20\nReads \"Egg Sonata\" [from The LSD Leacock].\n \nAudience\n00:23:38\nLaughter and applause.\n \nJoe Rosenblatt\n00:23:44\nReads [\"Let the egg live\" (?)].\n \nUnknown\n00:24:56\nSilence [cut or edit made in tape. Unknown amount of time elapsed].\n \nJoe Rosenblatt\n00:24:59\nReads \"It's in the egg, in the little round egg\" [from The LSD Leacock].\n \nJoe Rosenblatt\n00:26:57\nOne more egg poem. [Audience laughter and applause]. This is a prose poem. It's called \"The Easter I got for Passover\". [Audience laughter]. It has to do with an argument, whether the body of Christ did not go to heaven, the moderator of the United Church of Canada [https://www.wikidata.org/wiki/Q198745] said yesterday, Right Reverend Ernest Marshall Howes told a press conference that he does not believe in the physical resurrection of Jesus but does believe in a spiritual resurrection. That's from the Globe and Mail [https://www.wikidata.org/wiki/Q43148750], 23rd of April, '65.\n \nJoe Rosenblatt\n00:27:46\nReads \"The Easter I got for Passover\" [from The LSD Leacock].\n \nAudience\n00:30:02\nApplause. \n \nJoe Rosenblatt\n00:30:10\nDo you want to read, John? Where is he? [Audience laughter]. Do you want me to come here? Yeah, okay. I'm getting down to my dirty poems, what am I going to do? I wrote a whole bunch of pornographic poetry, right. I'll read that for the end when the time's up. I wrote a poem to Che Guevara [https://www.wikidata.org/wiki/Q5809], if I can find the thing now, because I really muddled everything up here, oh here it is. It's called \"The Beehive: An Elegy to Che Guevara\".\n \nJoe Rosenblatt\n00:30:52\nReads \"The Beehive: An Elegy to Che Guevara\" [from Winter of the Luna Moth]. \n \nJoe Rosenblatt\n00:31:42\nA poem about a critic, “Fable”.\n \nJoe Rosenblatt\n00:31:47\nReads “Fable” [from Winter of the Luna Moth].  \n \nJoe Rosenblatt\n00:32:37\nI wrote another one about a critic, a friend of mine. It's called \"The Crab Louse\". I'll read it. [Audience laughter]. I think some of you may recognize him. \n \nJoe Rosenblatt\n00:32:47\nReads \"The Crab Louse\".\n \nJoe Rosenblatt\n00:33:25\nReads \"The Fire Bug Poet\".\n \nJoe Rosenblatt\n00:34:29\n\"How Mice Make Love,\" how'd this get in here? \"How Mice Make Love\".\n \nJoe Rosenblatt\n00:34:36\nReads \"How Mice Make Love\" [from Winter of the Luna Moth].\n \nJoe Rosenblatt\n00:35:29\n\"The Electric Rose\".\n \nJoe Rosenblatt\n00:35:34\nReads \"The Electric Rose\" [from Winter of the Luna Moth].\n \nAudience\n00:37:13\nApplause.\n \nJoe Rosenblatt\n00:37:17\nShould I read on? Well this is a poem called \"Itch\". It's about that cat who, you know, in the world of the dead. And as usual I mucked up all the mythology, but it was too late to change the poem. So I said, what the hell. \n \nJoe Rosenblatt\n00:37:44\nReads \"Itch\" [from Winter of the Luna Moth].\n \nJoe Rosenblatt\n00:41:51\nThere's a loathsome typographical error in here. That's what happens.\n \nJoe Rosenblatt\n00:41:56\nResumes reading \"Itch\" [from Winter of the Luna Moth].\n \nJoe Rosenblatt\n00:43:20\n[Unintelligible] a more cheerful poem, if I can find one here. How about \"Cricket Love\"? I'll read one very early poem I wrote, \"Better She Dressed in a Black Garment\". \n \nJoe Rosenblatt\n00:43:39\nReads \"Better She Dressed in a Black Garment\" [from Winter of the Luna Moth].\n \nJoe Rosenblatt\n00:44:21\nThank you. \n \nAudience\n00:44:22\nApplause.\n \nRoy Kiyooka\n00:44:35\nThere'll be a fifteen minute inter- [cut off abruptly]. \n \nEND\n00:44:37\n\n\njohn_newlove_i006-11-143.mp3 [File 2 of 2]\n\nRoy Kiyooka\n00:00:00\nWell, it gives me a very special kind of pleasure to introduce John Newlove. An old and dear friend. We met in the fall of '61 in Vancouver, and both of us had come from Saskatchewan [https://www.wikidata.org/wiki/Q1989] to Vancouver. I think that some of John's most memorable early poems have to do with the fact of Saskatchewan.  It's perhaps not an exaggeration to say that the place does continue to haunt him, and hopefully that the exorcism is not complete and that we may get some more Saskatchewan poems. Subsequently, and this is still in Vancouver, we shared a studio, or rather, he shared my studio [audience laughter], for a period of little over a year. Now during this time, we played marathon games of chess, ate several hundred dozens of chocolate-coated Long Johns, scribbled poems, dribbled paint, drank cheap red wine...and read through at least a dozen five-foot shelves of great and lesser works of literature, not to mention the confusion of mice, drunken poets, women, painters, and assorted kooks who kept visiting us. Now, it was during this period that his first book, called Grave Sirs was printed, and I have in italics here \"more or less.\" If you want to know the history of that book, you can ask John. I think there must be fifty odd copies that are still unbound someplace. This was printed by Robert Reed. It was followed by a second, called Elephants, Mothers, and Others, done by Tak Tanabe, again in Vancouver, and subsequent to that, it was rumored that Robert Columbo had discovered John Newlove for Canadian poetry [audience laughter], when he collected some of his works together in an anthology called Poetry '64. Now. Following this, of course, Contact Press bought out his book, Moving in Alone, which was perhaps the book that brought him his first large-scale critical attention. Meanwhile, of course, I'd come here, and some time afterwards I received a book, a wee book, called...let's see. [Audience laughter]. Can't read my own printing here. What They Say. Yes, What They Say is a wee book of poems, it's made up of the rejects from his manuscript that he submitted to McClelland and Stewart [https://www.wikidata.org/wiki/Q6800322]. McClelland and Stewart is to bring out his next book of poems called Black Night Window, when they get around to doing it. The manuscript has been in their hands for over twenty-four months. There has been much other activity which include three, two years and a third one coming up as poet in residence at Deep Springs [https://www.wikidata.org/wiki/Q5250324] in California [https://www.wikidata.org/wiki/Q99]. I want to conclude this little preamble by saying that at the time that John moved out of our studio, I took over this room that he slept in and wrote poetry in. The mattress in this room was about sixteen inches from the floor, and on two sides, on the wall, there was copious scribbling.  Most of it were quotations from Heraclitus [https://www.wikidata.org/wiki/Q41155] that he was reading at that time.\n \nAudience\n00:04:43\nApplause.\n \nJohn Newlove\n00:04:51\nThey weren't quotations from whoever, whatever Greek name that was you just made up, [audience laughter], they were from Herodotus [https://www.wikidata.org/wiki/Q26825]. And, Roy [https://www.wikidata.org/wiki/Q3445789] might have mentioned that, while I suppose technically you could say I was sharing the studio, I was paying half the rent.  Almost half the rent. I was paying some rent. [Audience laughter]. And he never mentioned who won most of the chess games. I write a lot of...who's throwing things at me?  You didn't win any chess games. [Audience laughter]. And you weren't paying any rent, either. I write a lot of poems about dreams, one night I woke up with a dream about an Australian chief and I managed to write down most of it. It's called \"The Almost King\".\n \nJohn Newlove\n00:05:42\nReads \"The Almost King\" [audience laughter throughout].\n\nJohn Newlove\n00:08:32\nWell, when you have dreams like that, you don't really have much chance. I've a number of short poems, I'm told it's not good to give them at poetry readings because people don't listen fast enough or something. But. [Laughter]. This...Yes, that ashtray is stolen from the faculty club, George, and your wife stole it. [Audience laughter]. This one is called \"The Candle\".\n \nJohn Newlove\n00:09:07\nReads \"The Candle\".\n \nJohn Newlove\n00:09:19\nAgain a dream. This poem, misprinted in the Malahat Review [https://www.wikidata.org/wiki/Q1567225], is one that I most like. It's called \"The Engine and the Sea\".\n \nJohn Newlove\n00:09:32\nReads \"The Engine and the Sea\" [published later in The Cave and in The Fat Man].\n \nJohn Newlove\n00:11:26\nLove poems about sleep. And about dreams. This one is called \"Before Sleep\". I used to have a great deal of trouble going to sleep because I was afraid I would have nightmares.\n \nJohn Newlove\n00:11:44\nReads \"Before Sleep\" [later published in The Cave and in The Fat Man].\n \nJohn Newlove\n00:12:53\nAnd again another one about dreams, this one called \"The Dream Man”. Dreamed I once wrote a dream about somebody else's dream, but that's not fair, dreams are copyright. This was my own. [Audience laughter].\n \nJohn Newlove\n00:13:09\nReads \"The Dream Man\".\n \nJohn Newlove\n00:14:35\nAccording to the rules, you're supposed to say things in between poems, but I can't really ever think of anything appropriate to say in between them, so. I used to have some nice Ed Sullivan [https://www.wikidata.org/wiki/Q83807] routines, but I've forgotten them. This poem is called \"Burn\".\n \nJohn Newlove\n00:14:52\nReads \"Burn\".\n \nJohn Newlove\n00:15:16\nAnd this one, an old one, again fairly short. It's called \"No Song\".\n \nJohn Newlove\n00:15:25\nReads \"No Song\" [from Black Night Window and published later in The Fat Man].\n \nJohn Newlove\n00:15:47\nI have a poem I wrote for and about a friend, but after the poem was finished as you may see, I showed it to him but I didn't tell him it was about him. He said it was a very good poem and very accurate, and so on. But he didn't know it was about himself. It's called, \"What do you want, what do you want?\".\n \nJohn Newlove\n00:16:06\nReads \"What do you want, what do you want?\" [from Black Night Window and later published in The Fat Man; audience laughter and applause throughout].\n  \nJohn Newlove\n00:17:01\nAfter he said it was such an accurate poem, I couldn't tell him it was about him. This one's called \"Strand by Strand\".\n \nJohn Newlove\n00:17:14\nReads \"Strand by Strand\".\n \nJohn Newlove\n00:17:56\nThis is the first time I've kept to a list of...because usually I decide that I don't want to read a particular poem and I get all confused, but I'm very pleased with myself when I keep right to the schedule. Everything organized, everything complete. This short poem in five naturally short pieces is called \"One Day\".\n \nJohn Newlove\n00:18:23\nReads \"One Day\".\n \nJohn Newlove\n00:18:55\nCharles Williams [https://www.wikidata.org/wiki/Q124735] died in about 1953, he was an Englishman, originally Cockney. He wrote a number of what I think are very good poems, a number of detective novels, some theological deputation, I guess would be the right word. One of his detective novels is about finding the holy grail. It's called War in Heaven and it's out in Faber Paperback, go and buy it, it's really nice. This poem is for and from and about Charles Williams.\n \nJohn Newlove\n00:19:35\nReads “For and From Charles Williams” [from What They Say].\n \nJohn Newlove\n00:20:04\nNow my list has gone to pot, because I've got a poem down in a magazine that I didn't bring. So. One day some years ago, I was hitchhiking out to British Columbia [https://www.wikidata.org/wiki/Q1974]. I got to a place called Golden [https://www.wikidata.org/wiki/Q1020179], B.C. and I had to go up the Big Bend Highway [https://www.wikidata.org/wiki/Q30253222], this would be before the Rogers Pass [https://www.wikidata.org/wiki/Q383051] was open. And I got a ride about thirty miles in on what I didn't know was an illegally-present logging truck, because the Big Bend Highway was not open to traffic for three more days. So I sat three days on the Big Bend Highway. This poem roughly...well, it's called \"Solitaire\".\n \nJohn Newlove\n00:20:47\nReads \"Solitaire\" [from Black Night Window and published later in The Fat Man].\n \nJohn Newlove\n00:21:22\nThis short one called \"El Paso\" because El Paso was the place where it happens. It was ninety degrees outside in El Paso [https://www.wikidata.org/wiki/Q16562], and with the air conditioning, which I couldn't turn off, it was about thirty below. And I couldn't sleep, I had to get up in the middle of the night and get dressed and get under the blankets, and I caught terrible cold in that motel. \n \nJohn Newlove\n00:21:41\nReads \"El Paso\".\n \nJohn Newlove\n00:21:56\nSince I've been out of Nova Scotia, I've written a couple of poems about or around Nova Scotia. The main thing I can't seem to get in a poem just yet is the difference between the Pacific Ocean [https://www.wikidata.org/wiki/Q98], in Vancouver, and the Atlantic [https://www.wikidata.org/wiki/Q97]. There seems a tremendous difference that I can feel but that I can't seem yet to grasp in the fact. This poem is called \"God Bless You\".\n \nJohn Newlove\n00:22:24\nReads \"God Bless You\" [later published in The Cave and in The Fat Man].\n \nAudience\n00:22:43\nLaughter.\n \nJohn Newlove\n00:22:47\nThe next piece is on the back of my list. I think this is about the only other ethnic Nova Scotia-type poem that I've got, but I was only there for about six months and I can't quite put out a book yet. This is called \"By the Grey Atlantic\".\n \nJohn Newlove\n00:23:04\nReads \"By the Grey Atlantic\" [published later in The Cave and in The Fat Man].\n \nJohn Newlove\n00:23:31\nI think I'll read quickly a number of poems from this book. I'm anxious not to keep you too long, if anybody feels like walking out, I won't really be insulted if you'll [unintelligible]. These are all quite simple so I might as well just give the title in my school-class fashion and then go on to read them. This is called \"The Photograph my Mother Keeps\". I might see first that Veregin [https://www.wikidata.org/wiki/Q7921203] is a town in Saskatchewan named after a leader of the Doukhobors [https://www.wikidata.org/wiki/Q5302215], they first came to that area after Peter the Lordly Verigin [https://www.wikidata.org/wiki/Q4107818] [unintelligible] his palace, which is really just a gigantic farmhouse, it's outside the town. \n \nJohn Newlove\n00:24:19\nReads \"The Photograph my Mother Keeps\".\n \nJohn Newlove\n00:25:04\nThis one, about a pregnant girl, it's called \"On Her Long Bed of Night”.\n \nJohn Newlove\n00:25:09\nReads \"On Her Long Bed of Night\".\n \nJohn Newlove\n00:26:12\nSo, this one's about my father. Drowning kittens, in a lot of houses in Saskatchewan you keep a rain barrel on a corner of the house underneath a spout to get the fresh rainwater for washing and so on.\n \nJohn Newlove\n00:26:27\nReads “My Daddy Drowned” [from Elephants, Mothers and Others and later published in The Fat Man].\n \nAudience\n00:27:09.11\nLaughter and applause.\n \nJohn Newlove\n00:27:18\nThis one is called \"Half in Love\".\n \nJohn Newlove\n00:27:22\nReads \"Half in Love\".\n \nJohn Newlove\n00:28:02\nThis one is called \"Sister Cowen\". She used to run a mission in Edmonton [https://www.wikidata.org/wiki/Q2096], and she had very good stew. She was a very violent woman. On Christmas Eve she used to give all the bums fifty cents, but she gave a particularly long sermon on Christmas Eve. She was very down on booze.\n \nJohn Newlove\n00:28:25\nReads \"Sister Cowen\".\n \nJohn Newlove\n00:28:40\nLaughter.\n \nJohn Newlove\n00:28:49\nThis one is set in Vancouver outside Roy Kiyooka's studio. \n \nJohn Newlove\n00:28:58\nReads unnamed poem.\n \nJohn Newlove\n00:29:30\nThe name of this book is Elephants, Mothers, and Others. I've read poems about others and one about my mother, and this is the elephant’s poem. \n \nJohn Newlove\n00:29:41\nReads “Elephants” from Elephants, Mothers, and Others [and published later in The Fat Man; audience laughter throughout].\n \nJohn Newlove\n00:30:01\nI think I've gone on too long, there is a longish poem called \"The Fat Man\", which I want to read, so I'll skip the rest of the stuff I thought I was going to read and just do this one.\n \nAnnotation\n00:30:18\nReads \"The Fat Man\" [published later in The Fat Man].\n \nAudience\n00:34:47\nApplause.\n \nJohn Newlove\n00:34:48\nIt's not finished, you see, it's not...[Audience laughter].\n \nJohn Newlove\n00:34:52\nResumes reading \"The Fat Man\" [published later in The Fat Man].\n \nJohn Newlove\n00:36:33\nThank you.\n \nAudience\n00:36:35\nApplause.\n \nEND\n00:36:55\n"],"Note":["[{\"note\":\"Year-Specific Information:\\n\\nIn 1968, Rosenblatt published his third collection of poetry, The winter of the lunar moth (House of Anansi).\\n\\n In 1968, Newlove published Black Night Window (McClelland & Stewart) and 3 Poems (Western P). The Fat Man: Selected Poems 1962-1972 (McClelland & Stewart, 1977) collects poems written during this time.\",\"type\":\"General\"},{\"note\":\"Local Connections:\\n\\nRosenblatt was an influential and up-and-coming Canadian poet in the mid 60’s and while there is no direct connection to Sir George Williams University, he was friends with and known by many in poetry circles.\\n\\nAs illustrated in the introduction to this reading, John Newlove was close friends with Roy Kiyooka (Professor at Sir George Williams and Reading Series Committee member) when they both lived in Vancouver. Newlove was also an important Canadian and Prairie poet.\",\"type\":\"General\"},{\"note\":\"Original transcript by Rachel Kyne\\n\\nOriginal print catalogue, introduction, research, and edits by Celyn Harding-Jones\\n\\nAdditional research and edits by Ali Barillaro\\n\",\"type\":\"Cataloguer\"},{\"note\":\"2 reel-to-reel tapes>2 CDs> 2 digital files\",\"type\":\"Preservation\"}]"],"Related_works":["[{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-twentieth-century-poetry-in-english/oclc/807465072&referer=brief_results\",\"citation\":\"Besner, Neil. \\\"Rosenblatt, Joe (Joseph)\\\". The Oxford Companion to Twentieth-Century Poetry in English. Ian Hamilton (ed). Oxford University Press, 1996. \"},{\"url\":\"https://www.worldcat.org/title/contemporary-canadian-poem-anthology/oclc/988192362&referer=brief_results\",\"citation\":\"Bowering, George (ed). “John Newlove”. The Contemporary Canadian Poem Anthology.         Toronto: Coach House Press, 1984.\"},{\"url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/john-newlove-at-sgwu-1968/\",\"citation\":\"Charny, Marty. “Georgantics.” The Georgian. Montreal: Sir George Williams University, 9 February 1968. \"},{\"url\":\"https://www.worldcat.org/title/from-there-to-here-a-guide-to-english-canadian-literature-since-1960-ii-our-nature-our-voices/oclc/878901819&referer=brief_results\",\"citation\":\"Davey, Frank. “Joe Rosenblatt”. From There to Here: A Guide to English-Canadian Literature Since 1960. Erin, Ontario: Press Porcepic, 1974. \"},{\"url\":\"https://www.worldcat.org/title/from-there-to-here-a-guide-to-english-canadian-literature-since-1960-ii-our-nature-our-voices/oclc/878901819&referer=brief_results\",\"citation\":\"Davey, Frank. “John Newlove”. From There to Here: A Guide to English-Canadian Literature Since 1960. Erin, Ontario: Press Porcepic, 1974. \"},{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-canadian-literature/oclc/605246871&referer=brief_results\",\"citation\":\"Davey, Frank. \\\"Rosenblatt, Joe\\\". The Oxford Companion to Canadian Literature. Eugene Benson and William Toye (eds). Oxford University Press, 2001. \"},{\"url\":\"https://www.worldcat.org/title/15-canadian-poets-x2/oclc/40224711&referer=brief_results\",\"citation\":\"Geddes, Gary (ed). Fifteen Canadian Poets Times Two. Toronto: Oxford University Press, 1990. \"},{\"url\":\"https://www.worldcat.org/title/oxford-companion-to-canadian-literature/oclc/605246871&referer=brief_results\",\"citation\":\"Geddes, Gary. \\\"Newlove, John\\\". The Oxford Companion to Canadian Literature. Eugene Benson and William Toye (eds). Oxford University Press, 2001.\"},{\"url\":\"http://www.ccca.ca/history/ozz/english/authors/newlove_john.html\",\"citation\":\"“John Newlove (1938-)”. One Zero Zero: A Virtual Library of English Canadian Small Press 1945-2044. Centre for Contemporary Canadian Art, York University. \"},{\"url\":\"https://canpoetry.library.utoronto.ca/rosenblatt/index.htm\",\"citation\":\"“Joe Rosenblatt: Biography”. Canadian Poetry Online. University of Toronto Libraries, 2000. \"},{\"url\":\"https://canpoetry.library.utoronto.ca/newlove/index.htm\",\"citation\":\"“John Newlove: Biography”. Canadian Poetry Online. University of Toronto Libraries, 2000.\"},{\"url\":\"https://www.worldcat.org/title/poets-of-contemporary-canada-1960-1970/oclc/42678409&referer=brief_results\",\"citation\":\"Mandel, Eli (ed). “Joe Rosenblatt”. Poets of Contemporary Canada 1960-1970. Montreal, Quebec: McClelland and Stewart, 1972. \"},{\"url\":\"https://www.worldcat.org/title/poets-of-contemporary-canada-1960-1970/oclc/42678409&referer=brief_results\",\"citation\":\"Mandel, Eli (ed). “John Newlove”. Poets of Contemporary Canada 1960-1970. Montreal:         McClelland & Stewart, 1972. \"},{\"url\":\"https://www.worldcat.org/title/apology-for-absence-selected-poems-1962-1992/oclc/751573535&referer=brief_results\",\"citation\":\"Newlove, John. Apology for Absence: Selected Poems 1962-1992. Ontario: The Porcupine’s Quill, 1993.\"},{\"url\":\"https://www.worldcat.org/title/black-night-window/oclc/253373347&referer=brief_results\",\"citation\":\"Newlove, John. Black Night Window. Toronto: McClelland and Stewart, 1968. \"},{\"url\":\"https://www.worldcat.org/title/cave/oclc/556837824&referer=brief_results\",\"citation\":\"Newlove, John. The Cave. Toronto: McClelland and Stewart, 1970.\"},{\"url\":\"https://www.worldcat.org/title/fat-man-selected-poems-1962-1972/oclc/299451378&referer=brief_results\",\"citation\":\"Newlove, John. The Fat Man: Selected Poems 1962-1972. Toronto: McClelland and Stewart, 1977.\"},{\"url\":\"https://www.worldcat.org/title/what-they-say/oclc/433815288&referer=brief_results\",\"citation\":\"Newlove, John. What They Say. Ontario: Weed/Flower Press, 1967. \"},{\"url\":\"http://www.abcbookworld.com/view_author.php?id=1871\",\"citation\":\"“Newlove, John”. ABC BookWorld, Simon Fraser University Library. \"},{\"url\":\"https://www.worldcat.org/title/lsd-leacock-a-new-volume-of-poetry-by-joe-rosenblatt-with-20-drawings-by-r-daigneault-published-by-the-coach-house-press/oclc/1007418956&referer=brief_results\",\"citation\":\"Rosenblatt, Joe. The LSD Leacock. Toronto: Coach House Press, 1966. \"},{\"url\":\"https://www.worldcat.org/title/lunatic-muse/oclc/1150303654&referer=brief_results\",\"citation\":\"Rosenblatt, Joe. The Lunatic Muse. Holstein, Ontario: Exile Editions, 2007.\"},{\"url\":\"https://www.worldcat.org/title/winter-of-the-luna-moth/oclc/557044236&referer=brief_results\",\"citation\":\"Rosenblatt, Joe. Winter of the Luna Moth. Toronto: Anansi Press, 1968. \"},{\"url\":\"http://news.google.com/newspapers?id=np8tAAAAIBAJ&sjid=PKAFAAAAIBAJ&pg=4195,2837932&dq=sir+george+williams+poetry&hl=en\",\"citation\":\"“SGWU To Have Poetry Series”. The Gazette. 14 September 1967, page 15. \"},{\"url\":\"https://www.worldcat.org/title/encyclopedia-of-post-colonial-literatures-in-english-vol-1/oclc/32566813&referer=brief_results\",\"citation\":\"Whalen, Terry. “Newlove, John (1938-)”. Routledge Encyclopedia of Post-Colonial Literatures in English. Eugene Benson & L.W. Connolly (eds). London: Routledge, 1994. 2 Vols. \"},{\"url\":\"\",\"citation\":\"“Poetry Readings”. OP-ED. Montreal: Sir George Williams University, 6 October 1967, page 6. \"}]"],"_version_":1853670548835401728,"timestamp":"2026-01-07T14:59:53.477Z","digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/sgw/audio/all_mp3/john_newlove_i006-11-143.mp3\",\"file_path\":\"files.spokenweb.ca>concordia>sgw>audio>all_mp3\",\"filename\":\"john_newlove_i006-11-143.mp3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:36:55\",\"precision\":\"\",\"size\":\"88.6 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"john_newlove_i006-11-143.mp3 [File 2 of 2]\\n\\nRoy Kiyooka\\n00:00:00\\nWell, it gives me a very special kind of pleasure to introduce John Newlove. An old and dear friend. We met in the fall of '61 in Vancouver, and both of us had come from Saskatchewan [https://www.wikidata.org/wiki/Q1989] to Vancouver. I think that some of John's most memorable early poems have to do with the fact of Saskatchewan.  It's perhaps not an exaggeration to say that the place does continue to haunt him, and hopefully that the exorcism is not complete and that we may get some more Saskatchewan poems. Subsequently, and this is still in Vancouver, we shared a studio, or rather, he shared my studio [audience laughter], for a period of little over a year. Now during this time, we played marathon games of chess, ate several hundred dozens of chocolate-coated Long Johns, scribbled poems, dribbled paint, drank cheap red wine...and read through at least a dozen five-foot shelves of great and lesser works of literature, not to mention the confusion of mice, drunken poets, women, painters, and assorted kooks who kept visiting us. Now, it was during this period that his first book, called Grave Sirs was printed, and I have in italics here \\\"more or less.\\\" If you want to know the history of that book, you can ask John. I think there must be fifty odd copies that are still unbound someplace. This was printed by Robert Reed. It was followed by a second, called Elephants, Mothers, and Others, done by Tak Tanabe, again in Vancouver, and subsequent to that, it was rumored that Robert Columbo had discovered John Newlove for Canadian poetry [audience laughter], when he collected some of his works together in an anthology called Poetry '64. Now. Following this, of course, Contact Press bought out his book, Moving in Alone, which was perhaps the book that brought him his first large-scale critical attention. Meanwhile, of course, I'd come here, and some time afterwards I received a book, a wee book, called...let's see. [Audience laughter]. Can't read my own printing here. What They Say. Yes, What They Say is a wee book of poems, it's made up of the rejects from his manuscript that he submitted to McClelland and Stewart [https://www.wikidata.org/wiki/Q6800322]. McClelland and Stewart is to bring out his next book of poems called Black Night Window, when they get around to doing it. The manuscript has been in their hands for over twenty-four months. There has been much other activity which include three, two years and a third one coming up as poet in residence at Deep Springs [https://www.wikidata.org/wiki/Q5250324] in California [https://www.wikidata.org/wiki/Q99]. I want to conclude this little preamble by saying that at the time that John moved out of our studio, I took over this room that he slept in and wrote poetry in. The mattress in this room was about sixteen inches from the floor, and on two sides, on the wall, there was copious scribbling.  Most of it were quotations from Heraclitus [https://www.wikidata.org/wiki/Q41155] that he was reading at that time.\\n \\nAudience\\n00:04:43\\nApplause.\\n \\nJohn Newlove\\n00:04:51\\nThey weren't quotations from whoever, whatever Greek name that was you just made up, [audience laughter], they were from Herodotus [https://www.wikidata.org/wiki/Q26825]. And, Roy [https://www.wikidata.org/wiki/Q3445789] might have mentioned that, while I suppose technically you could say I was sharing the studio, I was paying half the rent.  Almost half the rent. I was paying some rent. [Audience laughter]. And he never mentioned who won most of the chess games. I write a lot of...who's throwing things at me?  You didn't win any chess games. [Audience laughter]. And you weren't paying any rent, either. I write a lot of poems about dreams, one night I woke up with a dream about an Australian chief and I managed to write down most of it. It's called \\\"The Almost King\\\".\\n \\nJohn Newlove\\n00:05:42\\nReads \\\"The Almost King\\\" [audience laughter throughout].\\n\\nJohn Newlove\\n00:08:32\\nWell, when you have dreams like that, you don't really have much chance. I've a number of short poems, I'm told it's not good to give them at poetry readings because people don't listen fast enough or something. But. [Laughter]. This...Yes, that ashtray is stolen from the faculty club, George, and your wife stole it. [Audience laughter]. This one is called \\\"The Candle\\\".\\n \\nJohn Newlove\\n00:09:07\\nReads \\\"The Candle\\\".\\n \\nJohn Newlove\\n00:09:19\\nAgain a dream. This poem, misprinted in the Malahat Review [https://www.wikidata.org/wiki/Q1567225], is one that I most like. It's called \\\"The Engine and the Sea\\\".\\n \\nJohn Newlove\\n00:09:32\\nReads \\\"The Engine and the Sea\\\" [published later in The Cave and in The Fat Man].\\n \\nJohn Newlove\\n00:11:26\\nLove poems about sleep. And about dreams. This one is called \\\"Before Sleep\\\". I used to have a great deal of trouble going to sleep because I was afraid I would have nightmares.\\n \\nJohn Newlove\\n00:11:44\\nReads \\\"Before Sleep\\\" [later published in The Cave and in The Fat Man].\\n \\nJohn Newlove\\n00:12:53\\nAnd again another one about dreams, this one called \\\"The Dream Man”. Dreamed I once wrote a dream about somebody else's dream, but that's not fair, dreams are copyright. This was my own. [Audience laughter].\\n \\nJohn Newlove\\n00:13:09\\nReads \\\"The Dream Man\\\".\\n \\nJohn Newlove\\n00:14:35\\nAccording to the rules, you're supposed to say things in between poems, but I can't really ever think of anything appropriate to say in between them, so. I used to have some nice Ed Sullivan [https://www.wikidata.org/wiki/Q83807] routines, but I've forgotten them. This poem is called \\\"Burn\\\".\\n \\nJohn Newlove\\n00:14:52\\nReads \\\"Burn\\\".\\n \\nJohn Newlove\\n00:15:16\\nAnd this one, an old one, again fairly short. It's called \\\"No Song\\\".\\n \\nJohn Newlove\\n00:15:25\\nReads \\\"No Song\\\" [from Black Night Window and published later in The Fat Man].\\n \\nJohn Newlove\\n00:15:47\\nI have a poem I wrote for and about a friend, but after the poem was finished as you may see, I showed it to him but I didn't tell him it was about him. He said it was a very good poem and very accurate, and so on. But he didn't know it was about himself. It's called, \\\"What do you want, what do you want?\\\".\\n \\nJohn Newlove\\n00:16:06\\nReads \\\"What do you want, what do you want?\\\" [from Black Night Window and later published in The Fat Man; audience laughter and applause throughout].\\n  \\nJohn Newlove\\n00:17:01\\nAfter he said it was such an accurate poem, I couldn't tell him it was about him. This one's called \\\"Strand by Strand\\\".\\n \\nJohn Newlove\\n00:17:14\\nReads \\\"Strand by Strand\\\".\\n \\nJohn Newlove\\n00:17:56\\nThis is the first time I've kept to a list of...because usually I decide that I don't want to read a particular poem and I get all confused, but I'm very pleased with myself when I keep right to the schedule. Everything organized, everything complete. This short poem in five naturally short pieces is called \\\"One Day\\\".\\n \\nJohn Newlove\\n00:18:23\\nReads \\\"One Day\\\".\\n \\nJohn Newlove\\n00:18:55\\nCharles Williams [https://www.wikidata.org/wiki/Q124735] died in about 1953, he was an Englishman, originally Cockney. He wrote a number of what I think are very good poems, a number of detective novels, some theological deputation, I guess would be the right word. One of his detective novels is about finding the holy grail. It's called War in Heaven and it's out in Faber Paperback, go and buy it, it's really nice. This poem is for and from and about Charles Williams.\\n \\nJohn Newlove\\n00:19:35\\nReads “For and From Charles Williams” [from What They Say].\\n \\nJohn Newlove\\n00:20:04\\nNow my list has gone to pot, because I've got a poem down in a magazine that I didn't bring. So. One day some years ago, I was hitchhiking out to British Columbia [https://www.wikidata.org/wiki/Q1974]. I got to a place called Golden [https://www.wikidata.org/wiki/Q1020179], B.C. and I had to go up the Big Bend Highway [https://www.wikidata.org/wiki/Q30253222], this would be before the Rogers Pass [https://www.wikidata.org/wiki/Q383051] was open. And I got a ride about thirty miles in on what I didn't know was an illegally-present logging truck, because the Big Bend Highway was not open to traffic for three more days. So I sat three days on the Big Bend Highway. This poem roughly...well, it's called \\\"Solitaire\\\".\\n \\nJohn Newlove\\n00:20:47\\nReads \\\"Solitaire\\\" [from Black Night Window and published later in The Fat Man].\\n \\nJohn Newlove\\n00:21:22\\nThis short one called \\\"El Paso\\\" because El Paso was the place where it happens. It was ninety degrees outside in El Paso [https://www.wikidata.org/wiki/Q16562], and with the air conditioning, which I couldn't turn off, it was about thirty below. And I couldn't sleep, I had to get up in the middle of the night and get dressed and get under the blankets, and I caught terrible cold in that motel. \\n \\nJohn Newlove\\n00:21:41\\nReads \\\"El Paso\\\".\\n \\nJohn Newlove\\n00:21:56\\nSince I've been out of Nova Scotia, I've written a couple of poems about or around Nova Scotia. The main thing I can't seem to get in a poem just yet is the difference between the Pacific Ocean [https://www.wikidata.org/wiki/Q98], in Vancouver, and the Atlantic [https://www.wikidata.org/wiki/Q97]. There seems a tremendous difference that I can feel but that I can't seem yet to grasp in the fact. This poem is called \\\"God Bless You\\\".\\n \\nJohn Newlove\\n00:22:24\\nReads \\\"God Bless You\\\" [later published in The Cave and in The Fat Man].\\n \\nAudience\\n00:22:43\\nLaughter.\\n \\nJohn Newlove\\n00:22:47\\nThe next piece is on the back of my list. I think this is about the only other ethnic Nova Scotia-type poem that I've got, but I was only there for about six months and I can't quite put out a book yet. This is called \\\"By the Grey Atlantic\\\".\\n \\nJohn Newlove\\n00:23:04\\nReads \\\"By the Grey Atlantic\\\" [published later in The Cave and in The Fat Man].\\n \\nJohn Newlove\\n00:23:31\\nI think I'll read quickly a number of poems from this book. I'm anxious not to keep you too long, if anybody feels like walking out, I won't really be insulted if you'll [unintelligible]. These are all quite simple so I might as well just give the title in my school-class fashion and then go on to read them. This is called \\\"The Photograph my Mother Keeps\\\". I might see first that Veregin [https://www.wikidata.org/wiki/Q7921203] is a town in Saskatchewan named after a leader of the Doukhobors [https://www.wikidata.org/wiki/Q5302215], they first came to that area after Peter the Lordly Verigin [https://www.wikidata.org/wiki/Q4107818] [unintelligible] his palace, which is really just a gigantic farmhouse, it's outside the town. \\n \\nJohn Newlove\\n00:24:19\\nReads \\\"The Photograph my Mother Keeps\\\".\\n \\nJohn Newlove\\n00:25:04\\nThis one, about a pregnant girl, it's called \\\"On Her Long Bed of Night”.\\n \\nJohn Newlove\\n00:25:09\\nReads \\\"On Her Long Bed of Night\\\".\\n \\nJohn Newlove\\n00:26:12\\nSo, this one's about my father. Drowning kittens, in a lot of houses in Saskatchewan you keep a rain barrel on a corner of the house underneath a spout to get the fresh rainwater for washing and so on.\\n \\nJohn Newlove\\n00:26:27\\nReads “My Daddy Drowned” [from Elephants, Mothers and Others and later published in The Fat Man].\\n \\nAudience\\n00:27:09.11\\nLaughter and applause.\\n \\nJohn Newlove\\n00:27:18\\nThis one is called \\\"Half in Love\\\".\\n \\nJohn Newlove\\n00:27:22\\nReads \\\"Half in Love\\\".\\n \\nJohn Newlove\\n00:28:02\\nThis one is called \\\"Sister Cowen\\\". She used to run a mission in Edmonton [https://www.wikidata.org/wiki/Q2096], and she had very good stew. She was a very violent woman. On Christmas Eve she used to give all the bums fifty cents, but she gave a particularly long sermon on Christmas Eve. She was very down on booze.\\n \\nJohn Newlove\\n00:28:25\\nReads \\\"Sister Cowen\\\".\\n \\nJohn Newlove\\n00:28:40\\nLaughter.\\n \\nJohn Newlove\\n00:28:49\\nThis one is set in Vancouver outside Roy Kiyooka's studio. \\n \\nJohn Newlove\\n00:28:58\\nReads unnamed poem.\\n \\nJohn Newlove\\n00:29:30\\nThe name of this book is Elephants, Mothers, and Others. I've read poems about others and one about my mother, and this is the elephant’s poem. \\n \\nJohn Newlove\\n00:29:41\\nReads “Elephants” from Elephants, Mothers, and Others [and published later in The Fat Man; audience laughter throughout].\\n \\nJohn Newlove\\n00:30:01\\nI think I've gone on too long, there is a longish poem called \\\"The Fat Man\\\", which I want to read, so I'll skip the rest of the stuff I thought I was going to read and just do this one.\\n \\nAnnotation\\n00:30:18\\nReads \\\"The Fat Man\\\" [published later in The Fat Man].\\n \\nAudience\\n00:34:47\\nApplause.\\n \\nJohn Newlove\\n00:34:48\\nIt's not finished, you see, it's not...[Audience laughter].\\n \\nJohn Newlove\\n00:34:52\\nResumes reading \\\"The Fat Man\\\" [published later in The Fat Man].\\n \\nJohn Newlove\\n00:36:33\\nThank you.\\n \\nAudience\\n00:36:35\\nApplause.\\n \\nEND\\n00:36:55\\n\",\"notes\":\"John Newlove reads from Black Night Window (McClelland & Stewart, 1968), What They Say (Weed/Flower, 1967), Elephants, Mothers and Others (Periwinkle Press, 1963) and poems later published in The Cave (McClelland & Stewart, 1970). Most of these poems have been collected in The Fat Man: Selected Poems 1962-1972 (McClelland & Stewart, 1977).\\n\\n00:00- Roy Kiyooka introduces John Newlove. [INDEX: friend, fall of 1961, Vancouver,        Saskatchewan, early poems, studio, chess, Long Johns, paint, wine, literature, mice,     drunken poets, women, Grave Sirs published in this period, Robert Reed, Elephants,      Mothers and Others, Tak Tanabe, Robert Columbo discovered John Newlove, Canadian        poetry, Poetry ’64, Contact Press, Moving in Alone, critical attention, What They Say \\t(Weed/Flower, 1967), rejected manuscripts submitted to McClelland and Stewart, new   book Black Night Window, manuscript, poet in residence at Deep Springs in California,    Heraclitus.]\\n04:51- John Newlove responds to Kiyooka’s introduction, and introduces “The Almost King”. [INDEX: Herodotus, studio, Roy Kiyooka, rent, chess games, poems about dreams, Australian chief; from unknown source.]\\n05:42- Reads “The Almost King”.\\n08:32- Introduces “The Candle”. [INDEX: drams, short poems, poetry readings, listening, ashtray, faculty club, George (Bowering), Angela (Bowering); from unknown source.]\\n09:07- Reads “The Candle”.\\n09:19- Introduces “The Engine in the Sea”. [INDEX: dream, misprinted in the Malahat Review, favourite poem, supposed to be ‘and the Sea’; first printed in The Cave (McClelland and Stewart, 1970), collected in The Fat Man (McClelland and Stewart, 1977).]\\n09:32- Reads “The Engine and the Sea”.\\n11:26- Introduces “Before Sleep”. [INDEX: love poems about sleep, dreams, problems sleeping, nightmares; first printed in The Cave (McClelland and Stewart, 1970), collected in The Fat Man (McClelland and Stewart, 1977).]\\n11:44- Reads “Before Sleep”.\\n12:53- Introduces “The Dream Man”. [INDEX: dreams, dream about someone else’s dream, copyright; from unknown source.]\\n13:09- Reads “The Dream Man”.\\n14:35- Introduces “Burn”. [INDEX: reading ‘rules’, extra-poetic speech, Ed Sullivan routines; from unknown source.]\\n14:52- Reads “Burn”.\\n15:16- Introduces “No Song”. [INDEX: old poem, short poem; published first in Black Night Window (McClelland and Stewart, 1968), collected in The Fat Man (McClelland and Stewart, 1977).]\\n15:25- Reads “No Song”.\\n15:47- Introduces “What do you want?” [INDEX: wrote for and about a friend; originally    printed in Black Night Window (McClelland and Stewart, 1968), collected in The Fat       Man (McClelland and Stewart, 1977).]\\n16:06- Reads “What do you want?”.\\n17:01- Introduces “Strand by Strand”. [INDEX: from unknown source.]\\n17:14- Reads “Strand by Strand”.\\n17:56- Introduces “One Day”. [INDEX: list of poems to read, poem in five short parts; from unknown source.]\\n18:23- Reads “One Day”.\\n18:55- Introduces first line “For and From Charles Williams”. [INDEX: Charles Williams   \\tdeath in 1953, Englishman, Cockney, detective novels, poems, theological disputation,   holy grail, War in Heaven Faber Paperback; published in What they Say (Weed/flower     Press, 1967).]\\n19:35- Reads first line “For and From Charles Williams”.\\n20:04- Introduces “Solitaire”. [INDEX: list, magazine, hitchhiking in British Columbia, Golden, B.C, Big Bend Highway, Rogers Pass, ride, illegally-present logging truck; originally printed in Black Night Window (McClelland and Stewart, 1968), collected in The Fat Man (McClelland and Stewart, 1977).]\\n20:47- Reads “Solitaire”.\\n21:22- Introduces “El Paso”. [INDEX: ninety degrees, air conditioning, thirty below, sleep, cold, motel; from unknown source.]\\n21:41- Reads “El Paso”.\\n21:56- Introduces “God Bless You”. [INDEX: Nova Scotia, poem, difference between Pacific Ocean and Atlantic Ocean, Vancouver; later printed in The Cave (McClelland and Stewart, 1970), The Fat Man (McClelland and Stewart, 1977).]\\n22:24- Reads “God Bless You”.\\n22:47- Introduces “By the Grey Atlantic”. [INDEX: list, Nova-Scotia-type poem, six months, unfinished book; later printed in The Cave (McClelland and Stewart, 1970), The Fat Man (McClelland and Stewart, 1977).]\\n23:04- Reads “By the Grey Atlantic”.\\n23:31- Introduces “The Photograph my Mother Keeps”. [INDEX: reading poems from book (unknown), title, school-class fashion, Verrigan, Saskatchewan, named after the leader of the Doukhabors, Peter the Lordly Verrigan, farmhouse; from unknown source.]\\n24:19- Reads “The Photograph my Mother Keeps”.\\n25:04- Introduces “On Her Long Bed of Night”. [INDEX: pregnant girl; from unknown        source.]\\n25:09- Reads “On Her Long Bed of Night”.\\n26:12- Introduces “My Daddy Drowned”. [INDEX: father, kittens, houses in Saskatchewan, rain barrel, house, fresh rainwater; published Elephants, Mothers and Others (Periwinkle, 1963), collected in The Fat Man (McClelland and Stewart, 1977).]\\n26:27- Reads “My Daddy Drowned”.\\n27:18- Reads “Half in Love”.\\n28:02- Introduces “Sister Cowen”. [INDEX: Sister Cowen, mission in Edmonton, stew, violent woman, Christmas eve, homeless men, fifty cents, alcohol, sermon; from unknown source.]\\n28:27- Reads “Sister Cowen”.\\n28:49- Introduces first line “The obnoxiously-generated neon suspense...”. [INDEX: Roy        Kiyooka’s studio; from unknown source.]\\n28:58- Reads first line “The obnoxiously-generated neon suspense...”.\\n29:30- Introduces first line “Elephants ”. [INDEX: from Elephants, Mothers and Others        (Periwinkle, 1963) later collected in The Fat Man (McClelland and Stewart, 1977),       \\tmother, others, elephant poem.]\\n29:41- Reads first line “Elephants”.\\n30:01- Introduces “The Fat Man”. 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Hello, Mr. Bowering [https://www.wikidata.org/wiki/Q1239280]. [Audience laughter]. Well, welcome to the sixth reading of our second series of evenings with Canadian and American poets. Tonight we have Joe Rosenblatt [https://www.wikidata.org/wiki/Q1691575], Toronto [https://www.wikidata.org/wiki/Q172], and John Newlove [https://www.wikidata.org/wiki/Q6250356], formerly of Vancouver [https://www.wikidata.org/wiki/Q24639], now residing in Nova Scotia [https://www.wikidata.org/wiki/Q1952]. Joe Rosenblatt will begin the reading, there will be an intermission, and John Newlove will follow. I'm going to quote largely from the copy in Joe Rosenblatt's book, The LSD Leacock, for I hope servient biographical information. It goes like this, he was born in Toronto on December the 26th, nineteen hundred and thirty-three. He says that he has suffocated in Toronto ever since then. He attended the Central Technical School [https://www.wikidata.org/wiki/Q5061898] and dropped out in Grade 10, he has worked as a grave-digger, plumber's helper, civil servant, railway express misanthrope. He has attended the Provincial Institute of Trades where he acquired a diploma as a welder fitter, his favourite writers are Ambrose Biers, William Blake [https://www.wikidata.org/wiki/Q41513], Emily Dickinson [https://www.wikidata.org/wiki/Q4441], and A.M. Klein [https://www.wikidata.org/wiki/Q2778027], and his favourite dream, is Cyclops turning up at a [nigh-bank (?)]. [Audience laughter]. His previous book of poems, which was probably printed in nineteen hundred and sixty-three, is called Voyage of the Mood. Joe Rosenblatt.\\n \\nAudience\\n00:02:27\\nApplause.\\n \\nJoe Rosenblatt\\n00:02:36\\nWasn't that [unintelligible]. I'm just going to read, start off with a series of poems I had written about my uncle, who was a fishmonger. He had a habit of phyxiating and murdering fish, and slicing them, and slicing them, and...well, I'll start. This is called \\\"Uncle Nathan: Blessed his memory, speaketh in land-locked green\\\".\\n \\nJoe Rosenblatt\\n00:03:11\\nReads \\\"Uncle Nathan: Blessed his memory, speaketh in land-locked green\\\" [from Winter of the Luna Moth].\\n\\nAudience\\n00:06:10\\nApplause.\\n \\nJoe Rosenblatt\\n00:06:16\\n\\\"Ichthycide\\\". Another poem about my uncle. It's funny, really. [Audience laughter].\\n \\nJoe Rosenblatt\\n00:06:29\\nReads \\\"Ichthycide\\\" [from Winter of the Luna Moth].\\n \\nAudience\\n00:08:05\\nLaughter and applause .\\n\\nJoe Rosenblatt\\n00:08:13\\nThis is called \\\"A Shell Game\\\". Has to do with my uncle. [Audience laughter]. It's about his funeral.  Joke.\\n \\nJoe Rosenblatt\\n00:08:27\\nReads \\\"A Shell Game [from Winter of the Luna Moth].\\n \\nJoe Rosenblatt\\n00:09:42\\nI wrote all kinds of poems. I was in Vancouver and I came across the god-awful logic of the zoo. It kinda scared the hell out of me. It was a bat. I've never seen a bat before. Met people who were bats. But this was the real McCoy, it was a fruit bat and it was hanging upside-down, you know, that's the way they live and they fornicate that way too, apparently, upside-down. So I wrote about bats. I have some more fish poems but I get tired of that after a while, you start hating it. And we'll begin with \\\"Bats\\\". While it's true the bat is a mammal, not a bird, there's all types of kinds of mythology based on prejudice about bats and which I've tried to embody in these poems. \\n \\nJoe Rosenblatt\\n00:10:47\\nReads \\\"Bats\\\" [from Winter of the Luna Moth].\\n \\nJoe Rosenblatt\\n00:11:32\\nOutside of the bat poem there came a group of sound poetry. Because I tried to get the feeling of the bat in the air, you know the image of the bat and the way it, and the movements of the bat. And this is called \\\"The Fruit Bat\\\". First encounter with a bat.\\n \\nJoe Rosenblatt\\n00:11:56\\nReads \\\"The Fruit Bat\\\" [from Winter of the Luna Moth].\\n \\nJoe Rosenblatt\\n00:13:16\\nThis is better. This is “The Bat Cage”.\\n \\nJoe Rosenblatt\\n00:13:19\\nReads “The Bat Cage” [from Winter of the Luna Moth]. \\n \\nJoe Rosenblatt\\n00:14:39\\nOh we're like bats to people. We used to have, I used to, when I was a kid I went to school and we had a music teacher who was a bit of a nut. She used to rap kids across the knuckles, you know, just to hear them singing. [Audience laughter]. I may have called her Mrs. Love, I can't recall, the trauma was too great. \\n \\nJoe Rosenblatt\\n00:15:02\\nReads “The Vampire” [from Winter of the Luna Moth].\\n \\nAudience\\n00:15:48\\nLaughter and applause.\\n \\nJoe Rosenblatt\\n00:15:55\\n\\\"The Zombie\\\". Just whistle when you get tired of these bat poems. Do anything you wanna do. \\\"The Zombie\\\". By the way, bats are supposed to be unkosher according to Leviticus [https://www.wikidata.org/wiki/Q41490]. It says all fowl that creep going upon all fours shall be an abomination unto you. But in other countries they're great appetizers, the fruit bat especially, and I have an interesting poem, not right now though. \\\"The Zombie\\\".\\n \\nJoe Rosenblatt\\n00:16:26\\nReads \\\"The Zombie\\\" [from Winter of the Luna Moth].\\n \\nJoe Rosenblatt\\n00:17:59\\nI'll read one more bat poem, it's the sound thing, an experimental thing which I later developed...too many of these bats here. I wrote a Christmas poem on bats, too. Maybe I should read it. Dedicated to somebody. I'll read the sound poem. It's more important. \\\"The Butterfly Bat\\\". There is a butterfly bat. Hm, found in the Orient, a very beautiful bat, orange apparently, very beautiful though. \\n \\nJoe Rosenblatt\\n00:18:43\\nReads \\\"The Butterfly Bat\\\" [from Winter of the Luna Moth].\\n \\nJoe Rosenblatt\\n00:20:02\\nReads \\\"Orpheus in Stanley Park\\\" [from Winter of the Luna Moth]. \\n \\nJoe Rosenblatt\\n00:20:50\\n\\\"Sex and Death\\\". This poem's for a friend of mine. \\n \\nJoe Rosenblatt\\n00:20:54\\nReads \\\"Sex and Death\\\" [from Winter of the Luna Moth].\\n \\nJoe Rosenblatt\\n00:21:48\\nI should read the egg poems, because I don't think many of you have heard them, and I'll do that. You'd probably like them better than the bats. More meaningful. This is called \\\"Egg Sonata\\\".\\n \\nJoe Rosenblatt\\n00:22:20\\nReads \\\"Egg Sonata\\\" [from The LSD Leacock].\\n \\nAudience\\n00:23:38\\nLaughter and applause.\\n \\nJoe Rosenblatt\\n00:23:44\\nReads [\\\"Let the egg live\\\" (?)].\\n \\nUnknown\\n00:24:56\\nSilence [cut or edit made in tape. Unknown amount of time elapsed].\\n \\nJoe Rosenblatt\\n00:24:59\\nReads \\\"It's in the egg, in the little round egg\\\" [from The LSD Leacock].\\n \\nJoe Rosenblatt\\n00:26:57\\nOne more egg poem. [Audience laughter and applause]. This is a prose poem. It's called \\\"The Easter I got for Passover\\\". [Audience laughter]. It has to do with an argument, whether the body of Christ did not go to heaven, the moderator of the United Church of Canada [https://www.wikidata.org/wiki/Q198745] said yesterday, Right Reverend Ernest Marshall Howes told a press conference that he does not believe in the physical resurrection of Jesus but does believe in a spiritual resurrection. That's from the Globe and Mail [https://www.wikidata.org/wiki/Q43148750], 23rd of April, '65.\\n \\nJoe Rosenblatt\\n00:27:46\\nReads \\\"The Easter I got for Passover\\\" [from The LSD Leacock].\\n \\nAudience\\n00:30:02\\nApplause. \\n \\nJoe Rosenblatt\\n00:30:10\\nDo you want to read, John? Where is he? [Audience laughter]. Do you want me to come here? Yeah, okay. I'm getting down to my dirty poems, what am I going to do? I wrote a whole bunch of pornographic poetry, right. I'll read that for the end when the time's up. I wrote a poem to Che Guevara [https://www.wikidata.org/wiki/Q5809], if I can find the thing now, because I really muddled everything up here, oh here it is. It's called \\\"The Beehive: An Elegy to Che Guevara\\\".\\n \\nJoe Rosenblatt\\n00:30:52\\nReads \\\"The Beehive: An Elegy to Che Guevara\\\" [from Winter of the Luna Moth]. \\n \\nJoe Rosenblatt\\n00:31:42\\nA poem about a critic, “Fable”.\\n \\nJoe Rosenblatt\\n00:31:47\\nReads “Fable” [from Winter of the Luna Moth].  \\n \\nJoe Rosenblatt\\n00:32:37\\nI wrote another one about a critic, a friend of mine. It's called \\\"The Crab Louse\\\". I'll read it. [Audience laughter]. I think some of you may recognize him. \\n \\nJoe Rosenblatt\\n00:32:47\\nReads \\\"The Crab Louse\\\".\\n \\nJoe Rosenblatt\\n00:33:25\\nReads \\\"The Fire Bug Poet\\\".\\n \\nJoe Rosenblatt\\n00:34:29\\n\\\"How Mice Make Love,\\\" how'd this get in here? \\\"How Mice Make Love\\\".\\n \\nJoe Rosenblatt\\n00:34:36\\nReads \\\"How Mice Make Love\\\" [from Winter of the Luna Moth].\\n \\nJoe Rosenblatt\\n00:35:29\\n\\\"The Electric Rose\\\".\\n \\nJoe Rosenblatt\\n00:35:34\\nReads \\\"The Electric Rose\\\" [from Winter of the Luna Moth].\\n \\nAudience\\n00:37:13\\nApplause.\\n \\nJoe Rosenblatt\\n00:37:17\\nShould I read on? Well this is a poem called \\\"Itch\\\". It's about that cat who, you know, in the world of the dead. And as usual I mucked up all the mythology, but it was too late to change the poem. So I said, what the hell. \\n \\nJoe Rosenblatt\\n00:37:44\\nReads \\\"Itch\\\" [from Winter of the Luna Moth].\\n \\nJoe Rosenblatt\\n00:41:51\\nThere's a loathsome typographical error in here. That's what happens.\\n \\nJoe Rosenblatt\\n00:41:56\\nResumes reading \\\"Itch\\\" [from Winter of the Luna Moth].\\n \\nJoe Rosenblatt\\n00:43:20\\n[Unintelligible] a more cheerful poem, if I can find one here. How about \\\"Cricket Love\\\"? I'll read one very early poem I wrote, \\\"Better She Dressed in a Black Garment\\\". \\n \\nJoe Rosenblatt\\n00:43:39\\nReads \\\"Better She Dressed in a Black Garment\\\" [from Winter of the Luna Moth].\\n \\nJoe Rosenblatt\\n00:44:21\\nThank you. \\n \\nAudience\\n00:44:22\\nApplause.\\n \\nRoy Kiyooka\\n00:44:35\\nThere'll be a fifteen minute inter- [cut off abruptly]. \\n \\nEND\\n00:44:37\\n\",\"notes\":\"Joe Rosenblatt reads from Winter of the Luna Moth (Anansi Press, 1968)] and The LSD Leacock (Coach House Press, 1966) and a few poems from unknown sources.\\n\\n00:00- Roy Kiyooka introduces Joe Rosenblatt. [INDEX: George Bowering, sixth reading, second series, Canadian and American poets, Toronto, John Newlove of Vancouver/Nova Scotia, Joe Rosenblatt as first reader, The LSD Leacock (Coach House Press, 1966), biographical information, born in Toronto Dec. 26, 1933, Central Technical School, dropped out in grade 10, grave-digger, plumber’s helper, civil servant, railway express misanthrope, Provincial Institute of Trades, diploma as a welder fitter, Ambrose Biers, William Blake, Emily Dickinson, A.M. Klein, dream of cyclops turned up at nigh-bank [?], previous book of poems Voyage of the Mood (Heinrich Heine Press, 1963).]\\n02:36- Joe Rosenblatt introduces “Uncle Nathan: Blessed his memory, speaketh in land-locked green” [INDEX series of poems about his uncle, fishmonger, fish, slicing \\tfish; from Winter of the Luna Moth (Anansi, 1968).]\\n03:11- Reads “Uncle Nathan: Blessed his memory, speaketh in land-locked green”.\\n06:16- Introduces “Ichthycide”. [INDEX: poem about uncle, funny; from Winter of the Luna Moth (Anansi, 1968).]\\n06:29- Reads “Ichthycide”\\n08:13- Introduces “A Shell Game” [INDEX: uncle, funeral, joke; from Winter of the Luna Moth (Anansi, 1968).]\\n08:27- Reads “A Shell Game”.\\n09:42- Introduces “Bats”. [INDEX: all kinds of poems, Vancouver, zoo, scared, bat, fruit bat, fornicate, fish poems, mammal, bird, mythology, prejudice about bats; most likely from Winter of the Luna Moth (Anansi, 1968).]\\n10:47- Reads “Bats”.\\n11:32- Introduces “The Fruit Bat”. [INDEX: bat poem, group of sound poetry, feeling of the bat, first encounter; from Winter of the Luna Moth (Anansi, 1968).]\\n11:56- Reads “The Fruit Bat”.\\n13:16- Introduces “The Bat Cage”. [INDEX: from Winter of the Luna Moth (Anansi, 1968).]\\n13:19- Reads “The Bat Cage”.\\n14:39- Introduces “The Vampire”. [INDEX: bats, people, kid, school, music teacher,  \\ttrauma; from Winter of the Luna Moth (Anansi, 1968).]\\n15:02- Reads “The Vampire”.\\n15:55- Introduces “The Zombie”. [INDEX: bat poem, unkosher, Levictis, fowl, appetizers; from Winter of the Luna Moth (Anansi, 1968).]\\n16:26- Reads “The Zombie”.\\n17:59- Introduces “The Butterfly Bat”. [INDEX: bat poem, experimental, Christmas poem, dedication, sound poem, Orient, orange bat; from Winter of the Luna Moth (Anansi, 1968).]\\n18:43- Reads “The Butterfly Bat”.\\n20:02- Reads “Orpheus in Stanley Park”. [INDEX: from Winter of the Luna Moth (Anansi, 1968).]\\n20:50- Introduces “Sex and Death”. [INDEX: for a friend; from Winter of the Luna Moth       (Anansi, 1968).]\\n20:54- Reads “Sex and Death”.\\n21:48- Introduces “Egg Sonata”. [INDEX: egg poem, meaning; from The LSD Leacock (Coach House Press, 1966).]\\n22:20- Reads “Egg Sonata”.\\n23:44- Reads unknown poem, first line “Let the egg live...”. [INDEX: from unknown source]\\n24:59- Reads “It’s in the egg, the little round egg” [INDEX: from The LSD Leacock (Coach House Press, 1966).]\\n27:08- Introduces “The Easter I got for Passover”. [INDEX: prose poem, argument, the body of Christ, moderator of the United Church of Canada, Right Reverend Earnest Marshall Hows, press conference, disbelief in the physical resurrection of Jesus, spiritual resurrection, Globe and Mail, April 23, 1965; from The LSD Leacock (Coach House Press, 1966).]\\n27:46- Reads “The Easter I got for Passover”.\\n30:02- Introduces “The Beehive: An Elegy to Che Guevara” [INDEX: John Newlove, dirty poems, pornographic poems, Che Guevara; from Winter of the Luna Moth (Anansi Press, 1968).] \\n30:52- Reads “The Beehive: An Elegy to Che Guevara”.\\n31:42- Introduces “Fable” [INDEX: critic, fable; from Winter of the Luna Moth (Anansi Press, 1968).]\\n31:47- Reads “Fable”.\\n32:37- Introduces “The Crab Louse”. [INDEX: critic, friend; from unknown source]\\n32:47- Reads “The Crab Louse”.\\n33:25- Reads “The Fire Bug Poet”. [INDEX: from unknown source\\n34:29- Introduces “How Mice Make Love”. [INDEX: from Winter of the Luna Moth (Anansi Press, 1968).]\\n34:36- Reads “How Mice Make Love”.\\n35:29- Reads “The Electric Rose” [INDEX: from Winter of the Luna Moth (Anansi Press,      1968).]\\n37:17- Introduces “Itch”. [INDEX: Cat, world of the dead, mythology from Winter of the Luna Moth (Anansi Press, 1968).]\\n37:44- Reads “Itch”. [INDEX: interrupts poem with admission of a typographical error]\\n43:20- Introduces “Better She Dressed in a Black Garment”. [INDEX: early poem, “Cricket Love”; from Winter of the Luna Moth (Anansi Press, 1968).]\\n43:39- Reads “Better She Dressed in a Black Garment”.\\n44:35- Introducer (Roy Kiyooka) introduces 15 minute intermission.\\n44:37.30- END OF RECORDING.\\n\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"https://montreal.spokenweb.ca/sgw-poetry-readings/joe-rosenblatt-at-sgwu-1968/\"}]"],"score":3.5688455},{"id":"4437","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Sharon Thesen fonds"],"source_collection_label":["Sharon Thesen fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2019.002"],"persistent_url":[""],"item_title":["Sharon [Thesen] Reading and On CBC Radio 1986/87"],"item_title_source":["Title written on j-card."],"item_title_note":["Cassette box title: Sharon Reading and On CBC Radio 1986/87\nSide A title: Sharon on CBC Radio\nSide B title: Sharon Reading - Feb/87"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Thesen, Sharon","Newlove, John","Bowering, George","Ritter, Erika","Webb, Phyllis"],"creator_names_search":["Thesen, Sharon","Newlove, John","Bowering, George","Ritter, Erika","Webb, Phyllis"],"creators":["[{\"url\":\"http://viaf.org/viaf/115694373\",\"name\":\"Thesen, Sharon\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/92277383\",\"name\":\"Newlove, John\",\"dates\":\"1938-2003\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/38381080\",\"name\":\"Ritter, Erika\",\"dates\":\"1948-\",\"notes\":\"Probably the interviewer/host of DAYSHIFT radio, but unconfirmed.\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/29847238\",\"name\":\"Webb, Phyllis\",\"dates\":\"1927-2021\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1987],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1120/UBCO_Thesen_2019_002_001_b.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"A & B\",\"image\":\"../Uploads/1120/UBCO_Thesen_2019_002_001_a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"TDX D 60\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2019_002_001_SharonThesen_CBCandReadings_SideB_(MASTER_ACCESS).WAV\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:21:51\",\"precision\":\"\",\"size\":\"2.27 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2019_002_001_SharonThesen_CBCandReadings_SideA_(MASTER_ACCESS).WAV\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:41:21\",\"precision\":\"\",\"size\":\"4.29 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987-02-23\",\"type\":\"Performance Date\",\"notes\":\"Side B\",\"source\":\"Date listed on artifact.\"},{\"date\":\"1986\",\"type\":\"Performance Date\",\"notes\":\"Side A\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/163538023\",\"venue\":\"Anza Club\",\"notes\":\"\",\"address\":\"3 West 8th Ave., Vancouver, B.C., Canada\",\"latitude\":\"49.26393185\",\"longitude\":\"-123.105092456718\"}]"],"Address":["3 West 8th Ave., Vancouver, B.C., Canada"],"Venue":["Anza Club"],"City":["Vancouver, British Columbia"],"content_notes":["Side A: Sharon Thesen interviewed on ARTBEAT and interviewed on DAYSHIFT poets panel with Phyllis Webb and John Newlove about Vancouver poetry.\n\nSide B: Sharon Thesen reading poetry at the Anza Club, Vancouver. Cuts to MORNINGSIDE Interview with George Bowering[?]."],"Note":["[{\"note\":\"Digitization complete.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550972399618,"timestamp":"2026-01-07T14:59:55.538Z","score":3.5688455},{"id":"9474","cataloger_name":["University of Alberta,"],"partnerInstitution":["University of Alberta"],"collection_source_collection":["Department of English Recorded Events"],"source_collection_label":["Department of English Recorded Events"],"collection_contributing_unit":["Department of English and Film Studies"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Literary readings, lectures, panels, and interviews organized by members of the Department of English, University of Alberta, featuring local and visiting authors. Original recordings on reel to reel and cassette, Edmonton and area, 1969-1988."],"collection_source_collection_id":[""],"persistent_url":["https://ualberta.aviaryplatform.com/collections/1783"],"item_title":["John Newlove at University of Alberta, 1981"],"item_language":["English"],"item_identifiers":["[]"],"creator_names":["Newlove, John","Newlove, John","Barbour, Douglas"],"creator_names_search":["Newlove, John","Newlove, John","Barbour, Douglas"],"creators":["[{\"url\":\"\",\"name\":\"Newlove, John\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"\",\"name\":\"Newlove, John\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Barbour, Douglas\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony SLH-7-550-BL\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"https://ualberta.aviaryplatform.com/r/z60bv7c18x\"}]"],"Dates":["[{\"date\":\"1981-03-19\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"University of Alberta (Edmonton)\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Venue":["University of Alberta (Edmonton)"],"Note":["[{\"note\":\"Handwritten from back of reel case: Side #1 only. Handwritten from note taped inside reel case: Side One: John Newlove (UofA 19/03/81. Side #1 Only, Speed 3 3/4\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552522194944,"timestamp":"2026-01-07T14:59:57.006Z","score":3.5688455},{"id":"5418","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["CBC Arts week: John Newlove interview with Shelagh Rogers on March 13, 1994 #778\n"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Broadcast"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Newlove, John","Rogers, Shelagh"],"creator_names_search":["Newlove, John","Rogers, Shelagh"],"creators":["[{\"url\":\"http://viaf.org/viaf/92277383\",\"name\":\"Newlove, John\",\"dates\":\"1938-2003\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/31294368\",\"name\":\"Rogers, Shelagh \",\"dates\":\"1956-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors":["[]"],"Performance_Date":[1994],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1301/Reading in BC_MsC199_778.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:19:20\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"778-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:24:56\",\"precision\":\"\",\"size\":\"25.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"778-side-2 - blank.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:38\",\"precision\":\"\",\"size\":\"24.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1994-03-13\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/50259713\",\"venue\":\"CBC studio\",\"notes\":\"We assume that this tape was recorded in Vancouver\",\"address\":\"700 Hamilton Street Vancouver, British Columbia V6B 4A2\",\"latitude\":\"49.27915495\",\"longitude\":\"-123.11434125336939\"}]"],"Address":["700 Hamilton Street Vancouver, British Columbia V6B 4A2"],"Venue":["CBC studio"],"City":["Hamilton, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n½ \t\t\tJohn Newlove: Apology for Absence\n"],"Note":["[{\"note\":\"John Newlove, Apology for Absence\\nCBC\\nArtsweek March 13, 1994 \\nDOLBY B\\n19:20\\n#778 \",\"type\":\"General\"},{\"note\":\"side two is empty.\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553075843074,"timestamp":"2026-01-07T14:59:57.525Z","score":3.5688455},{"id":"5445","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Dorothy Livesay Tapes: Seymour Mayne, Patrick Lane, John Newlove, Mike Matthews reading at Dorothy Livesay’s house, 1965 and 1969 part 2 of 2 #370b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Livesay, Dorothy","Mayne, Seymour","Newlove, John","Lane, Patrick","Mathews, Mike"],"creator_names_search":["Livesay, Dorothy","Mayne, Seymour","Newlove, John","Lane, Patrick","Mathews, Mike"],"creators":["[{\"url\":\"http://viaf.org/viaf/116854541\",\"name\":\"Livesay, Dorothy\",\"dates\":\"1909-1966\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/56739500\",\"name\":\"Mayne, Seymour\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/92277383\",\"name\":\"Newlove, John\",\"dates\":\"1938-2003\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/66513400\",\"name\":\"Lane, Patrick \",\"dates\":\"1939-2019\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"\",\"name\":\"Mathews, Mike  \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[1969],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1380/Readings in BC_MsC199_370b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"SFU\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"White clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"370-part-2-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:46\",\"precision\":\"\",\"size\":\"30.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"370-part-2-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:36\",\"precision\":\"\",\"size\":\"31.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1969-03-23\",\"type\":\"Production Date\",\"notes\":\"reading by Seymour Mayne\",\"source\":\"J-card\"},{\"date\":\"1965-\",\"type\":\"Production Date\",\"notes\":\"Reading by John Newlove and Mike Matthews\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"Dorothy Livesay’s house\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Venue":["Dorothy Livesay’s house"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t004\tSeymour Mayne “Service of the Native Canadian Church”\n\t\t049\t“Mustard seed”\n\t\t053\t“Uri ears…”\n\t\t060\tDiscussion of above poems – playing around with words singing them in one’s head\n\t\t068\tSound poems as punning – combination of sounds for semantic reasons\n\t\t071\t“Microcosmic shadows between tissues”\n\t\t108\tPatrick Lane begins – from a sequence of love poems\n\t\t113\t“In asylum”\n\t\t127\t“Testament”\n\t\t139\t“Spanish banks”  (some mic hum)\n\t\t150\t“Alberta”   (mic hum)\n\t\t161\t“Cold”\n\t\t175\t“For ten years”\n\t\t193\t“Raking leaves”\n\t\t206\t“My father’s face”\n\t\t220\t“Last night in darkness”\n\t\t237\t“The bee cave”\n\t\t246\tJohn Newlove begins “The film of Lahousa”\n\t\t256\tDiscussion of last poem – prose paragraphs\n\t\t290\tThe poem on the page – why go to the trouble of lines\n\t\t318\t“Disappointment”\n\t\t331\tChanging meaning by changes in word positions\n\t\t336\t“While you were out Pt.1”\n\t\t343\t“While you were out Pt.2”\n\t\t354\t“You know’\n\t\t359\t“The flowers”\n\t\t408\tThe act of writing\n\t\t414\tEzra Pound’s ideas about rhythm\n\t\t419\tThe line as a breath unit – working variations on melody\n\t\t450\tBreaking the line\n\t\t472\t“Arrival”\n\t\t504\tGetting to Vancouver – a hesitant journey\n\t\t510\tOn the writing of “Arrival”\n\t\t558\t“Four small scars”\n\t\t469\t“The grass is a reasonable colour”\n\t\t591\t“East from the mountains”\n\t\t650\tEnd of John Newlove\n\t\t651\tMike Mathews “World without end”\n\t\t764\tThe criteria of poetry\n\t\t823\tEnd of recording"],"Note":["[{\"note\":\"Liner Notes: Track 2 Time 10 Seymoure Mayne March 23, 1969 Time 10 Patrick Lane Time 27 John Newlove Time 7 Mike Matthews 1965 End of Side 3 Side 3: 28:45 Side 4: 26:56 Dolby B\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553270878208,"timestamp":"2026-01-07T14:59:57.732Z","score":3.5688455},{"id":"5896","cataloger_name":["Isabella,Wang"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["CBC, Canadian Poets: Phyllis Webb, Earle Birney, John Newlove, and Alfred Purdy reading in Toronto, 1966 tape 1 of 2 #449 - tape 1"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Birney, Earle","Newlove, John","Purdy, Al","Webb, Phyllis"],"creator_names_search":["Birney, Earle","Newlove, John","Purdy, Al","Webb, Phyllis"],"creators":["[{\"url\":\"http://viaf.org/viaf/97679781\",\"name\":\"Birney, Earle\",\"dates\":\"1904-1995 \",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/92277383\",\"name\":\"Newlove, John\",\"dates\":\"1938-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/7398775\",\"name\":\"Purdy, Al\",\"dates\":\"1918-2000\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/29847238\",\"name\":\"Webb, Phyllis\",\"dates\":\"1927-2021\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7365/Reading in BC_MsC199_449 - tape 1.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"449-tape-1-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:49\",\"precision\":\"\",\"size\":\"41.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"449-tape-1-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:31\",\"precision\":\"\",\"size\":\"43.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/456341915#map=19/43.65360/-79.37320\",\"venue\":\"CBC Studio\",\"notes\":\"CBC Toronto studio address was changed in 1993 (after this recording took place) to 205 Wellington Street West, Toronto, Ontario, M5V 3G7 from a smaller facility on Jarvis Street, near the former television transmitter. (Source: https://en.wikipedia.org/wiki/Canadian_Broadcasting_Centre)\",\"address\":\"Jarvis Street, Toronto, Ontario, Canada\",\"latitude\":\"43.6562555\",\"longitude\":\"-79.374232 \"}]"],"Address":["Jarvis Street, Toronto, Ontario, Canada"],"Venue":["CBC Studio"],"City":["Toronto, Ontario"],"content_notes":["SFU BC Readings formatting"],"contents":["Two\t\t000\tPhyllis Webb –“Alex”\n\t\t\t“Rilke”\n\t\t\t“Sitting”\n\t\t\t“The Time of Man”\n\t\t\t“Propositions”\n\t\t\t“Breaking”\n\t\t\t“Naked Poems”\n\t\t\tSuites One and Two\nTwo\t\t000\tPhyllis Webb –“Alex”\n\t\t\t“Rilke”\n\t\t\t“Sitting”\n\t\t\t“The Time of Man”\n\t\t\t“Propositions”\n\t\t\t“Breaking”\n\t\t\t“Naked Poems”\n\t\t\tSuites One and Two\n"],"Note":["[{\"note\":\"side one and two should be vice versa. Earle Birney, John Newlove, and Alfred Purdy parts are missing in the content \",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554189430788,"timestamp":"2026-01-07T14:59:58.590Z","score":3.5688455},{"id":"5938","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["John Newlove at The Arts Club on June 27, 1964 and at UBC on March 1, 1966 #17"],"item_title_source":["cassette and J-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Newlove, John","Livesay, Dorothy"],"creator_names_search":["Newlove, John","Livesay, Dorothy"],"creators":["[{\"url\":\"http://viaf.org/viaf/92277383\",\"name\":\"Newlove, John\",\"dates\":\"1938-2003\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/116854541\",\"name\":\"Livesay, Dorothy\",\"dates\":\"1909-1996\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Gyseman, Doug"],"contributors_names_search":["Gyseman, Doug"],"contributors":["[{\"url\":\"\",\"name\":\"Gyseman, Doug \",\"dates\":\"1936-2017\",\"notes\":\"also known as Curtis Vanel\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"Recordist_name":["Gyseman, Doug "],"Production_Date":[1964],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/299/Reading in BC_MsC199_17.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:22:2\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"17-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:44:03\",\"precision\":\"\",\"size\":\"32.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"17-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:17\",\"precision\":\"\",\"size\":\"27.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1964-06-27\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1966-03-01\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"2329 West Mall, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"},{\"url\":\"https://www.openstreetmap.org/way/42788935\",\"venue\":\"The Arts Club/ UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.26385\",\"longitude\":\"-123.25518\"}]"],"Address":["2329 West Mall, Vancouver, BC V6T 1Z4","6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC","The Arts Club/ UBC"],"City":["Vancouver, British Columbia","Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n\tOne\t\t“The Singing Head\n\t\t\t“To My Niece, Judith”\n\t\t\t“Two Letters from Austria”\n\t\t\tThat’s What Misery Is\n\t\t\tThe Old Man\n\t\t\tTwo Poems of Mao Tse-Tung\n\t\t\t“The Dead Beast—“\n\t\t\tTwo Towns\n\t\t\tI Could See\n\t\t\tLove Letter\n\t\t\tDream of a Circus\n\t\t\tIt Just Lay There\n\t\t\tAdvertising\n\t\t\tMy Daddy Drowned\n\t\t\tWhite Cat\n\t\t\tThe flowers\n\t\t\tIn The Seed\n\t\t\tIntroduction\n\t\t\tComments\n\t\t\tVancouver Spring Dawn\n\t\t\tIndian Women\n\t\t\tThe Dam\n\t\t\tThe Dog\n\tTwo\t\t3 Dreams\n\t\t\tThe Grass is a Reasonable Color\n\t\t\tLines to a Young Lady Poet\n\t\t\tOn that Black Highway\n\t\t\tQuestion on Syntax\n\t\t\tQuiet Days\n\t\t\tComments / Elephants/ Sister Collins / My Daddy Drowned\n\t\t\tSources of Information\n\t\t\tCrazy Riel\n\t\t\tNorth America\n\t\t\tFlood\n\t\t\tThen He Ran Away…\n\t\t\tLike Counting Sheep\n\t\t\tWild Dream\n\t\t\tThe Flowers\n\t\t\tTwo Poems by Mao Tse-Tung\n\t\t\tTwo Small Poems\n\t\t\tThe Singing Head\n\t\t\tVerigin, Moving in alone…\n\t\t\tClosing Comments\n"],"Note":["[{\"note\":\"Liner Notes: Detailed description of the contents on the J-card\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554200965123,"timestamp":"2026-01-07T14:59:58.590Z","score":3.5688455},{"id":"6040","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Earle Birney reading at SFU on January 27, 1969 #92"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Birney, Earle","Newlove, John"],"creator_names_search":["Birney, Earle","Newlove, John"],"creators":["[{\"url\":\"http://viaf.org/viaf/97679781\",\"name\":\"Birney, Earle\",\"dates\":\"1904-1995\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/92277383\",\"name\":\"Newlove, John\",\"dates\":\"1938-2003\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Enomoto, Randy"],"contributors_names_search":["Enomoto, Randy"],"contributors":["[{\"url\":\"http://viaf.org/viaf/256444645\",\"name\":\"Enomoto, Randy \",\"dates\":\"1944-\",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1969],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/503/Reading in BC_MsC199_92.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T00:54:10\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"92-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:27:47\",\"precision\":\"\",\"size\":\"25.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1969-01-27\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t000\tEarle Birney reads:\n\t\t\tFound Swahili Serenade\n\t\t020\tAlaska Passage\n\t\t034\tLines (a computer poem)\n\t\t071\tCaptain Cook\n\t\t110\tHalifax\n\t\t125\t1497 Giovanni sailed\n\t\t135\tThe Maple Leaf Forever\n\t\t160\tBillboard Poem\n\t\t180\tCampus Theatre Steps\n\t\t190\tGuadalupe\n\t\t200\tSinaloa\n\t\t232\tPlaza de Inquisicion\n\t\t240\tEl Greco: Espolio\n\t\t267\tSalt Fish With ?\n\t\t285\tFor George Lamming\n\t\t310\tMeeting of Strangers\n\t\t338\tA poem by W.B. Yeats – Prayer For Old Age\n\t\t350\tCuracao\n\t\t360\tStill\n\t\t366\tI think you are a whole city…\n\t\t380\tLike an eddy, my words turn…\n\t\t392\tA Song For Sunsets\n\t\t410\tFine Arts\n\t\t420\tAnswers to a Grade School Biology Test\n\t\t455\tHippodorus\n\t\t475\tWind-chimes in a Temple Ruin\n\t\t485\tFrom The Hazel-bough\nOne\tB\t000\tJohn Newlove reads:\n\t\t014\tIt Just Lay There\n\t\t019\tFor Judith Now About Ten Years Old\n\t\t029\tBlack Night Window\n\t\t033\tThe Pride\n"],"Note":["[{\"note\":\"Liner Notes: Earle Birney Reading at SFU Jan. 27, 1960 Side 1 27:50 Side 2 25:20\",\"type\":\"General\"},{\"note\":\"No digital file for Side 2\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554415923202,"timestamp":"2026-01-07T14:59:58.804Z","score":3.5688455},{"id":"6156","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["John Newlove reading on October 9, 1975 and Interview with Pierre Coupey and Daphne Marlatt on October 10 at Capilano College, 1975  #147"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Newlove, John"],"creator_names_search":["Newlove, John"],"creators":["[{\"url\":\"http://viaf.org/viaf/92277383\",\"name\":\"Newlove, John\",\"dates\":\"1938-2003\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1975],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/709/Reading in BC_McS199_147.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"147-side-A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:40:22\",\"precision\":\"\",\"size\":\"39.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"147-side-B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:35:52\",\"precision\":\"\",\"size\":\"35 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1975-04-09\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J card\"},{\"date\":\"1975-04-10\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/485438830\",\"venue\":\"Capilano College\",\"notes\":\"\",\"address\":\"2055 Purcell Way, North Vancouver, BC V7J 3H5\",\"latitude\":\"49.3179\",\"longitude\":\"-123.0195\"}]"],"Address":["2055 Purcell Way, North Vancouver, BC V7J 3H5"],"Venue":["Capilano College"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t000\tPrefatory remarks\n\t\t026\tCrazy Riel\n\t\t070\tCrow\n\t\t099\tRide Off Any Horizon\n\t\t163\tThe Arrival\n\t\t185\tI want to address you…\n\t\t202\tLike A Canadian\n\t\t219\tSolitaire\n\t\t233\tSamuel Hearne In Wintertime\n\t\t280\tThe Flower\n\t\t341\tEvery Muddy Road\n\t\t361\tThe Hero Around Me\n\t\t390\tWhite Lies\n\t\t409\tA Long Continual Argument With Myself\n\t\t432\tDream\n\t\t446\tEverywhere I Go\n\t\t463\tBlue Cow Phrases\n\t\t486\tWhy Do You Hat[e] Me?\n\t\t499\tThat There Is No Relaxation\nTwo\tA\t000\tJohn Newlove Interview with Pierre Coupey and Daphne Marlatt\n-\t“How did you get into writing?”\n-\tThe composition of “The Pride”\n-\tNotation and the spoken word\n\t\t745\tNewlove reads It Is Our Duty\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554826964996,"timestamp":"2026-01-07T14:59:59.214Z","score":3.5688455},{"id":"6173","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Readings at Sir George Williams: Joe Roseblatt and John Newlove reading on February 9, 1968 #158"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Newlove, John","Rosenblatt, Joe"],"creator_names_search":["Newlove, John","Rosenblatt, Joe"],"creators":["[{\"url\":\"http://viaf.org/viaf/92277383\",\"name\":\"Newlove, John\",\"dates\":\"1938-2003\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/69752567\",\"name\":\"Rosenblatt, Joe\",\"dates\":\"1933-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Bowering, George"],"contributors_names_search":["Bowering, George"],"contributors":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935- \",\"notes\":\"In the inventory it states that he is a Donor and we are not sure what it means\",\"nation\":[],\"role\":[\"Donor\"]}]"],"Production_Date":[1968],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/738/Reading in BC_McS199_158.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:17:00\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"158-side-A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:41:19\",\"precision\":\"\",\"size\":\"42.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"158-side-B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:34:48\",\"precision\":\"\",\"size\":\"35.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1968-02-09\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/103248053\",\"venue\":\"Sir George Williams University (Concordia University)\",\"notes\":\"\",\"address\":\"1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada\",\"latitude\":\"45.4954\",\"longitude\":\"-73.5783\"}]"],"Address":["1455 De Maisonneuve Blvd. W., Montreal, Quebec, Canada"],"Venue":["Sir George Williams University (Concordia University)"],"City":["Montreal, Quebec"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\tA\t000\tIntroduction by Roy Kiyooka\n\t\t040\tPrefatory remarks by Rosenblatt\n\t\t045\tUncle Nathan – Blessed Is Memory Speaketh From Landlocked Green\n\t\t091\tIchtycide\n\t\t120\tThe Shell Game\n\t\t150\tBats\n\t\t172\tThe Fruit Bat\n\t\t194\tThe Bat Cage\n\t\t220\tWay Back In The Days Of The British Empire\n\t\t235\tThe Zombie\n\t\t275\tThe Butterfly Bat\n\t\t303\tOrpheus in Stanley Park\n\t\t315\tSex and Death\n\t\t340\tEgg Sonata\n\t\t395\tIt’s In The Egg\n\t\t435\tThe Easter Egg I Got For Passover\n\t\t503\tThe Beehive\n\t\t522\tFable\n\t\t541\tThe Crab Louse\n\t\t555\tThe Firebug Poet\n\t\t580\tHow Mice Make Love\n\t\t600\tThe Electric Rose\n\t\t640\tThe Itch\n\t\t793\tBetter She Dressed In A Black Garment\nTwo\tA\t000\tIntroduction by Roy Kiyooka\n\t\t065\tPreamble by Newlove\n\t\t076\tThe Almost King\n\t\t123\tThe Candle\n\t\t129\tThe Engine and the Sea\n\t\t159\tBefore Sleep\n\t\t180\tThe Dream Man\n\t\t206\tBurn\n\t\t214\tNo Song\n\t\t224\tWhat Do You Want?  What Do You Want?\n\t\t241\tStrand by Strand\n\t\t267\tOne Day\n\t\t285\tFor Charles Williams\n\t\t304\tSolitaire\n\t\t315\tEl Paso\n\t\t330\tGod Bless You\n\t\t341\tBy The Gray Atlantic\n\t\t357\tThe Photograph My Mother Keeps\n\t\t375\tOn Her Long Bed Of Light\n\t\t397\tMy Father\n\t\t412\tHalf in Love\n\t\t425\tSister (Cohen?)\n\t\t441\tVancouver Studio Poem\n\t\t453\tThe Elephant’s Poem\n\t\t463\tThe Fat Man"],"Note":["[{\"note\":\"Liner Notes: Side 1: 42 min Side 2: 35 min\",\"type\":\"General\"},{\"note\":\"Detailed information about the reading and transcription: https://montreal.spokenweb.ca/sgw-poetry-readings/joe-rosenblatt-at-sgwu-1968/\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554831159297,"timestamp":"2026-01-07T14:59:59.214Z","score":3.5688455},{"id":"6199","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["John Newlove reading his poetry at Langara College on January 28, 1976 #173"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Newlove, John"],"creator_names_search":["Newlove, John"],"creators":["[{\"url\":\"http://viaf.org/viaf/92277383\",\"name\":\"Newlove, John\",\"dates\":\"1938-2003\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1976],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/791/Reading in BC_McS199_173.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"173-Side-A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:29\",\"precision\":\"\",\"size\":\"30.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1976-01-28\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/23393992\",\"venue\":\"Langara College\",\"notes\":\"\",\"address\":\"100 W 49th Ave, Vancouver, BC V5Y 2Z6\",\"latitude\":\"49.22483\",\"longitude\":\"-123.10860\"}]"],"Address":["100 W 49th Ave, Vancouver, BC V5Y 2Z6"],"Venue":["Langara College"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n\t\t\tPoems read:\n\t\t\t“Two Letters From Austria”\n\t\t\t“The Hitchhiker”\n\t\t\t“Ride On Any Horizon”\n\t\t\t“Solitaire”\n\t\t\t“Doukhobor”\n\t\t\t“America”\n\t\t\t“Alcazar”\n\t\t\t“Fat Man”\n\t\t\t“Elephants”\n\t\t\t“The Hero Around Me”\n\t\t\t“The Mountain”\n\t\t\t“Everywhere I Go”\n\t\t\t“Flowers”"],"Note":["[{\"note\":\"Liner Notes: Side one only\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670554839547908,"timestamp":"2026-01-07T14:59:59.214Z","score":3.5688455},{"id":"6535","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Gerry Gilbert Fonds"],"source_collection_label":["Gerry Gilbert Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Gerry Gilbert Fonds collects materials from Vancouver poet Gerry Gilbert. Gilbert was a multimedia artist and writer who published 19 books between 1960 and 2006. This collection contains poetry recordings of Gilbertu2019s, including a large number of tapes from u201cradiofreerainforest,u201d the radio show he hosted. radiofreerainforest [sic] aired on Vancouver co-op radio CFRO-FM Radio beginning in the spring of 1985 and ran well into the 1990s. The show consisted of interviews, readings, and discussions with local, national and international literary figures such as Maxine Gadd, Judith Copithorne, Steve McCaffery, bpNichol, and WIlliam Burroughs."],"collection_source_collection_id":["MsC 14"],"persistent_url":[""],"item_title":["radiofreerainforest 8 March and 22 April, 1990 "],"item_title_source":["item and j-card"],"item_language":["English"],"item_production_context":["Studio recording"],"item_identifiers":["[]"],"rights":["No Copyright non commercial reuse only (NoCNC)"],"creator_names":["Newlove, John","Pane, Jone","Power, Peter","Pelli, Elena","Coleman, Victor","Druick, Don","Lawrence, Scott","Heyman, Jorj","Rappaport, Henry","Nakahara, Chūya","Bluesinger, Taki","Mcleod, Dan","Lewis, Glen","Seamus, Finn","Seamus, Slim","Clark, Susan","Farrell, Dan","MacLeod, Kathryn","Gilbert, Gerry","Gadd, Maxine","Copithorne, Judy (Judith)","Creede, Gerald","Nichol, B. P.","Timewell, Lary","Varney, Ed","Ferguson, Deanna","Derksen, Jeff","Browne, Colin","Bissett, Bill"],"creator_names_search":["Newlove, John","Pane, Jone","Power, Peter","Pelli, Elena","Coleman, Victor","Druick, Don","Lawrence, Scott","Heyman, Jorj","Rappaport, Henry","Nakahara, Chūya","Bluesinger, Taki","Mcleod, Dan","Lewis, Glen","Seamus, Finn","Seamus, Slim","Clark, Susan","Farrell, Dan","MacLeod, Kathryn","Gilbert, Gerry","Gadd, Maxine","Copithorne, Judy (Judith)","Creede, Gerald","Nichol, B. P.","Timewell, Lary","Varney, Ed","Ferguson, Deanna","Derksen, Jeff","Browne, Colin","Bissett, Bill"],"creators":["[{\"url\":\"https://viaf.org/viaf/92277383/#Newlove,_John,_1938-....\",\"name\":\"Newlove, John\",\"dates\":\"1938-2003\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Pane, Jone\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/909150323914309972841/#Power,_Peter,_1962-\",\"name\":\"Power, Peter\",\"dates\":\"1962-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Pelli, Elena\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"https://viaf.org/viaf/38160442/#Coleman,_Victor,_1944-....\",\"name\":\"Coleman, Victor\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"https://viaf.org/viaf/96543337/#Druick,_Don,_1945-\",\"name\":\"Druick, Don\",\"dates\":\"1945-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/104098433/#Lawrence,_Scott\",\"name\":\"Lawrence, Scott\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/50676977/#Heyman,_Jorj,_1949-\",\"name\":\"Heyman, Jorj\",\"dates\":\"1949- \",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/60598383/#Rappaport,_Henry\",\"name\":\"Rappaport, Henry\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/92452732/#Nakahara,_Chūya\",\"name\":\"Nakahara, Chūya\",\"dates\":\"1907-1937\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"\",\"name\":\"Bluesinger, Taki \",\"dates\":\"1943-2004\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/39150565650706252115/#Mcleod,_Dan,_1943-\",\"name\":\"Mcleod, Dan\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/65401882/#Lewis,_Glen,_1943-....\",\"name\":\"Lewis, Glen\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Seamus, Finn\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Seamus, Slim\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/106508864/#Clark,_Susan,_1954-\",\"name\":\"Clark, Susan\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/28695406/#Farrell,_Dan,_1963-\",\"name\":\"Farrell, Dan\",\"dates\":\"1963-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/40907463/#MacLeod,_Kathryn,_1960-\",\"name\":\"MacLeod, Kathryn\",\"dates\":\"1960-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/13554305/#Gilbert,_Gerry\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\",\"Speaker\",\"Reader\"]},{\"url\":\"https://viaf.org/viaf/75225856\",\"name\":\"Gadd, Maxine\",\"dates\":\"1940-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"https://viaf.org/viaf/63020479\",\"name\":\"Copithorne, Judy (Judith)\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/11296961\",\"name\":\"Creede, Gerald\",\"dates\":\"1951-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"https://viaf.org/viaf/76350280\",\"name\":\"Nichol, B. P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"https://viaf.org/viaf/68009652\",\"name\":\"Timewell, Lary\",\"dates\":\"1950-\",\"notes\":\"also known as Bremner, Lary\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"https://viaf.org/viaf/93087655\",\"name\":\"Varney, Ed\",\"dates\":\"1944-\",\"notes\":\"Edwin\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"https://viaf.org/viaf/9448936\",\"name\":\"Ferguson, Deanna\",\"dates\":\"1962-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/30591332\",\"name\":\"Derksen, Jeff\",\"dates\":\"1958-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/105886216\",\"name\":\"Browne, Colin\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/96127023\",\"name\":\"Bissett, Bill\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors_names":["Gilbert, Gerry"],"contributors_names_search":["Gilbert, Gerry"],"contributors":["[{\"url\":\"http://viaf.org/viaf/13554305/#Gilbert,_Gerry\",\"name\":\"Gilbert, Gerry\",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\",\"Donor\"]}]"],"Producer_name":["Gilbert, Gerry"],"Production_Date":[1990],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/2166/radiofreerainforest_7.8both.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T01:40:00\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic 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files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-390 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:27\",\"precision\":\"\",\"size\":\"28.8 GB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-07 \",\"type\":\"Production Date\",\"notes\":\"\\\"Mouth to Mouth\\\" and \\\"Stereo Nose\\\" were recorded on home equipment in Toronto, Canada July - August 1986\\n\",\"source\":\"J-card \"},{\"date\":\"1986-08\",\"type\":\"Production Date\",\"notes\":\"\\\"Mouth to Mouth\\\" and \\\"Stereo Nose\\\" were recorded on home equipment in Toronto, Canada July - August 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