[{"id":"5671","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Giorno Poetry Systems: Smack My Crack recorded at various times between 1984-1986 #657"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Vanel, Kurtis","Haynes, Gibby","Leary, Paul","Galas, Diamanda","Burroughs, William S.","John Giorno Band","Waits, Tom","Stein, Chris","Gysin, Brion","Cave, Nick"],"creator_names_search":["Vanel, Kurtis","Haynes, Gibby","Leary, Paul","Galas, Diamanda","Burroughs, William S.","John Giorno Band","Waits, Tom","Stein, Chris","Gysin, Brion","Cave, Nick"],"creators":["[{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"Also known as Doug Gyseman\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/153753449\",\"name\":\"Haynes, Gibby\",\"dates\":\"\",\"notes\":\"Member of Butthole Surfers\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/66656346\",\"name\":\"Leary, Paul\",\"dates\":\"1957-\",\"notes\":\"Member of Butthole Surfers\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\" http://viaf.org/viaf/122323958\",\"name\":\"Galas, Diamanda \",\"dates\":\"1955-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/108916275\",\"name\":\"Burroughs, William S.\",\"dates\":\"1914-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/121146557\",\"name\":\"John Giorno Band\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/74039179\",\"name\":\"Waits, Tom\",\"dates\":\"1949-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/66729621\",\"name\":\"Stein, Chris\",\"dates\":\"1950-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/100267599\",\"name\":\" Gysin, Brion\",\"dates\":\"1916-1986\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/270687916\",\"name\":\"Cave, Nick\",\"dates\":\"1957-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[]"],"Performance_Date":[1984],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5851/Reading in BC_MsC199_657.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"Second generation from Reel-to-Reel\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"657-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:32\",\"precision\":\"\",\"size\":\"42.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"657-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:36\",\"precision\":\"\",\"size\":\"43.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1984\",\"type\":\"Performance Date\",\"notes\":\"Recorded at various times & between 1984-1986\",\"source\":\"Inventory\"},{\"date\":\"1986\",\"type\":\"Performance Date\",\"notes\":\"Recorded at various times & between 1984-1986\",\"source\":\"Inventory\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t\tTime: 23 mins.\n\t\t000\tButthole Surfers\n\t\t075\t“Boilded Dove”\n\t\t\t“Eingfurzerde Neubauten\n\t\t140\t“Adler-Komml Spater’\n\t\t\tDiamanda Galas\n\t\t330\t“Solo Live in Amsterdam”\n\t\t\tWilliam S. Burroughs\n\t\t431\t“Words of Advice” [Same old stuff, very Vampirish]\n\t\t567\t“Kim Like the Great Gatsby” [From The Western Lands] Swans\n\t\t627\t“Anything for you” [Hang Me]\n\t\t865\tSide One over\nTwo\t\t\tTime: 23:30 mins.\n\t\t000\tJohn Giorno Band\n\t\t008\t“Sucking Mud”\n\t\t\tChad & Sudan\n\t\t187\t“Cheap Energy”\n\t\t\tTom Waits\n\t\t410\t“The Pontiac”\n\t\t\tChris Stein\n\t\t490\tIndia for Brian Gysin\n\t\t\tNick Cave\n\t\t624\t“The Atra Vivago” or “The Vargus Barking Spider”\n\t\t905\tSide Two over\n"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553739591680,"timestamp":"2026-01-07T14:59:58.173Z","score":3.8398938},{"id":"5708","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robin Blaser, bp Nichol, Sharon Thesen in Poetry and the sacred at SFU on July 6th, 1983 tape 1 of 2 #425"],"item_title_source":["J-card and inventory"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Blaser, Robin","Nichol, B.P.","Thesen, Sharon","Vanel, Kurtis","Miki, Roy"],"creator_names_search":["Blaser, Robin","Nichol, B.P.","Thesen, Sharon","Vanel, Kurtis","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"bp Nichol\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/115694373\",\"name\":\"Thesen, Sharon\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"no info in any directories, he was an SFU technician, also known as 'Doug Gysemen'\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy \",\"dates\":\"1942-2024\",\"notes\":\"He does the introduction part\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6007/Reading in BC_MsC199_425.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"425-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:41:35\",\"precision\":\"\",\"size\":\"62.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"425-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:10\",\"precision\":\"\",\"size\":\"40.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-07-06\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"The location is mentioned in inventory \",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t002\tIntroduction to the topic by Roy Miki\n\t\t049\tThe Sacred: “The disappearance of the sacred is tied to the birth of its necessity…”; Miki quotes relevant lines from H.D. and Gertrude Stein\n\t\t065\tGod died in the 19th century, but only that God dies who is removed from his creation\n\t\t080\tThe 20th century obsessive drive to de-sacrilize the World, relegate ritual to a “dead” past history…\n\t\t110\tSharon Thesen talks about the deanimation and reanimation of the World\n\t\t120\tThe epigraph of Thesen’s prepared statement on Poetry and the sacred: “Big Science… Hallelujah!” – Laurie Anderson\n\t\t130\tIssues of the sacred in these final years of the 20th century\n\t\t138\t“To what extent is poetry, then, the repository of the sacred in our time?”\n\t\t157\t“…the sacred is involved when poetry enacts or experiences limitation…”; both poetry and the language of religion express the limits of our understanding of our own experience.\n\t\t184\t“…the sacred inhabits the realm of what we call meaning and language is a trespass into this realm.”\n\t\t204\t“There is no form in scientific ideology… only method and results!  Poetry’s procedures mirror… the language of our apprehension of all creation… the interpenetration of flesh and spirit, one –and many, word and love, the feminine source of both.”\n\t\t223\tPoetry has to contend with the minute scrutiny of science, Thesen feels that it will\n\t\t240\tBp Nichol talks about the effects of the sacred and of faith on his own poetry\n\t\t442\tSide one ends\nTwo\t\t003\tRobin Blaser introduces his approach to the topic: an anthology of writing on the sacred\n\t\t018\tThe “God is dead” argument; Blaser reads second chapter of first book of Thus Spake Zarathustra\n\t\t060\tThe deconstruction of the Western tradition of humanism, and the peculiarities of the reconstruction; Blaser reads a passage from Faucault\n\t\t082\tThe etymology of the word “sacred”\n\t\t089\tAll men and women respond to a cosmology, it is the job of poetry to build this cosmos.  The structuralist movement was mistaken in trying to separate poetry from myth, and in continuing the battle between science and poetry\n\t\t114\tReads from Philip Rieff’s Triumph of the Therapeutic\n\t\t134\tReads a passage by Octavio Paz, on contemporary Marxist thought\n\t\t198\tDiscusses and reads from Rene Girard’s book Violence and the Sacred (sacrifice is necessary to “hold down” and hide human violence)\n\t\t316\tSide two ends\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553751126018,"timestamp":"2026-01-07T14:59:58.173Z","score":3.8398938},{"id":"5709","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robin Blaser, bp Nichol, Sharon Thesen in Poetry and the sacred on at SFU July 6th, 1983, tape 2 of 2 #426"],"item_title_source":["J-card and inventory"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Blaser, Robin","Nichol, B.P.","Thesen, Sharon","Vanel, Kurtis"],"creator_names_search":["Blaser, Robin","Nichol, B.P.","Thesen, Sharon","Vanel, Kurtis"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"bp Nichol\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/115694373\",\"name\":\"Thesen, Sharon\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"no info in any directories, he was an SFU technician, also known as 'Doug Gysemen'\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6008/Reading in BC_MsC199_426.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"426-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:17\",\"precision\":\"\",\"size\":\"38.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"426-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:57\",\"precision\":\"\",\"size\":\"40.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-07-06\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"The location is mentioned in inventory \",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t002\tRobin Blaser continues his lecture; reads a quotation for Guy Davenports’ The Geography of the Imagination\n\t\t111\tReads a passage on the state of modern science from Ruth Nanda Anshen’s essay “Convergence” (in Bernard Lovell’s Emerging Cosmology)\n\t\t026\tReads a passage by Michel Serres on knowledge\n\t\t065\tBlaser’s lecture ends; the panel begins an open discussion.  Sharon Thesen expresses an initial repulsion at the idea of convergence (of mind and matter).  Blaser responds\n\t\t114\tQuestion from the floor to the panel about the “slippage” between the very abstract notions of the sacred, and those notions derived from Social institutions which deal with the sacred… bp Nichol responds\n\t\t146\tBp Nichol is asked about whether there is any relationship between his view of the sacred and his work at Therfields; he responds\n\t\t203\tBp Nichol responds to a question about how he views the relationship between the family and the sacred\n\t\t257\tA question about the distinction between the sacred and the divine; the panel responds\n\t\t393\tQuestion about birth and death and their relationship to the sacred; Roy Miki and Robin Blaser respond, discussing how the certitude of death has affected poetry and contemporary attitudes toward the family.  Blaser begins to relate the yearning for family with the yearning for love\n\t\t473\tSide one ends\nTwo\t\t003\tBlaser continues to talk about love\n\t\t012\tSharon Thesen talks about the fragmentation of the family, says this is more easily related to deficiencies of language than to poetry or the sacred\n\t\t038\tComment from the audience and response by Robin Blaser about the language of the family and of the sacred\n\t\t058\tBlaser talks about ‘culture, institutions, power and civilization (as an “individual task”)\n\t\t074\tQuestion from audience: The tone of the present discussion seems to suggest a kind of lament for the loss of the sacred, but isn’t it true that the panel has been merely talking about the sacred, rather than acting within it?\n\t\t104\tA response: The poem, Portrait of the Poet as Landscape is a kind of lament for the absence of the sacred, but he failed to recognize that the sacred has become a part of the ordinary.  The disappearance of the sacred is at the base of modern thought\n\t\t133\tQuestion from audience about whether the fact that much respected modern writing on the sacred is in prose (not poetry) is a comment on the disappearance of the sacred.  The response: There is no distinguishable difference between poetry and the best prose on the sacred (Blaser: “…scholarship is a poetic act”)\n\t\t157\tBp Nichol brings the discussion back to the topic of death\n\t\t195\tComment from the audience on the relationship between violence and the sacred, and a question about whether the present discussion is a \"funeral or a party” for the sacred\n\t\t204\tBlaser expresses the view that “…we’re headed for a different kind of poem” in this so-called “post-modern” era; refers to Olson’s (and Pound’s) view that poetry and scholarship must come together\n\t\t244\tThe discussion ends, it is proposed that the panel reads some of their poetry\n\t\t259\tBp Nichol reads “Hour 24” from the second book of Book 6 of The Martyrology\n\t\t294\tSharon Thesen reads – from “Snakes and Ladders”\n\t\t321\t“What Now” – Thesen\n\t\t340\tRobin Blaser reads “The Universe Is a part of ourselves…”\n\t\t354\t“I have tried for 35 to redefine sweetness…” – Blaser\n\t\t261\tEnd of discussion"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553752174592,"timestamp":"2026-01-07T14:59:58.173Z","score":3.8398938},{"id":"9099","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Bill Bissett Reading at SFU Art Gallery and Studio on July 17, 1981"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Vanel, Kurtis","Tallman, Warren","Bissett, Bill"],"creator_names_search":["Vanel, Kurtis","Tallman, Warren","Bissett, Bill"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"an SFU technician, also known as 'Doug Gysemen'\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\" http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/96127023\",\"name\":\"Bissett, 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files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-07-17\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU Gallery\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU Gallery"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t001\tIntroduction by Warren Tallman\n\t\t034\tBissett chanting\n\t\t080\t“running down burrard street”\n\t\t105\t“sailor”\n\t\t111\t“th neatron bomb”\n\t\t124\t“th wunderfulness uv th mountees our secret police”\n\t\t148\t“arisin”\n\t\t185\t“yu sing”\n\t\t194\t“of th land divine service”\n\t\t206\t“I come from Halifax”\n\t\t212\t“beyond even faithful legends”\n\t\t255\t“awake in th red desert”\n\t\t282\t“let me tell yu a story uv how they met”\n\t\t348\t“carrying the torch”\n\t\t375\t“rain bow music”\n\t\t397\t“that great shootin gallery in the sky”\n\t\t408\t“th guy drivin round in” from plutonium missing\n\t\t415\t“oaoabaoadabaaogaoga” from awake in th red desert\n\t\t497\t“and the green wind is moving thru th summer trees”\n\t\t549\t“courting goes on forever”\n\t\t568\t“exposing th core”\n\t\t\t“ovr the edge”\n\t\t612\t“she wantid to get rid of it”\n\t\t621\t“when I first came to Vancouver”\n\t\t646\t“coyotes are fast movin”\n\t\t697\t“th birds in color”\n\t\t746\t“hun-nee”\nTwo\t\t001\tChanting yu want to walk with me through the forest\n\t\t\tCumin into me\n\t\t\tCumin into yu\n\t\t\tPoems from Northern Birds in Colour\n\t\t108\t“th ravens uv faro”\n\t\t216\t“Collingwood”\n\t\t368\t“I remember I was getting kinduv”\n\t\t424\t“keepin th fire goin”\n\t\t496\t“th last day”\n\t\t609\t“darling”\n\t\t633\t“northern birds in colour”"],"Note":["[{\"note\":\"This tape is a duplicate of the tape from the Readings in BC collection \\\"The Coast is Only a Line: Bill Bissett Reading at the SFU Art Gallery on July 17, 1981 #337\\\" (SWALLOW ID 5308)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670558012538884,"timestamp":"2026-01-07T15:00:02.246Z","score":3.8398938},{"id":"9100","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Robert Kroetsch Reading at the SFU Art Gallery on July 28, 1981 DUPLICATE 2 OF 2"],"item_title_source":["cassette and 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lemon”\n\t\t225\t“The criminal intensities of love as paradise”\n\t\t326\tSelections from “Seed catalogue”\n\t\t534\tFrom “The sad Phoenician”\n\t\t\t“a to g,” “The silent poet eats his words”\nTwo\t\t\tFrom Field notes\n\t\t000\t“Stone hammer poem”\n\t\t115\tSelections from “Seed catalogue”\n\t\t211\t“Sketches of a lemon”\n\t\t296\tFrom “The criminal intensities of love as paradise”\n\t\t\t‘Bear story with or without bear’\n\t\t\t‘And dreamers, even then, if dreaming’\n\t\t365\t“How I joined the seal herd”\n\t\t522\t“The silent poet sees red”"],"Note":["[{\"note\":\"This tape is a duplicate of the tape from the Readings in BC collection \\\"The Coast is Only a Line: Robert Kroetsch Reading at the SFU Art Gallery on July 28, 1981 #340\\\" (SWALLOW ID 5312);\\nA part of tape 276 (SWALLOW ID 9091) in this collection is also a duplicate of this tape\",\"type\":\"Related 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days”\n\t\t215\t“Annie of the Corridors”\n\t\t250\t“Wispering Chester”\n\t\t268\t“The Last Living Room”\n\t\t288\t“Boat House”\n\t\t311\t“Brawls”\n\t\t\tPOEMS FROM THE INTERIOR\n\t\t353\t“The Guests”\n\t\t373\t“No Breeze on Lake Louise”\n\t\t390\t“The Abandoned Alexandra bridge”\n\t\t413\t“Hell’s Gate”\n\t\t430\t“Grindrod”\n\t\t\tMISCELLANEOUS POEMS\n\t\t465\t“In the Church Yard”\n\t\t494\t“Overhead Crane”\n\t\t540\t“Outhouse”\n\t\t577\t“Not-so-still life with Damp Beer Tables”\n\t\t590\t“Outside the Courtroom”\n\t\t621\t“The East End Toronto Railroad Insomnia Blues”\n\t\t659\t“A Pay with Big Dutch”\n\t\t705\t“The Popcorn Man’\n\t\t754\t“Kisses in the whiskey” ded. To Tom Waits\n\t\t805\t“Requirements”\nTwo\t\t007\tIntroduction by Peter Trower – “These poems are from a new manuscript called Music Against Midnight”\n\t\t012\t“The ghosts”\n\t\t070\t“Goose quill snags”\n\t\t111\t“Sailor”\n\t\t167\t“The million glitter”\n\t\t205\t“Where roads lead”\n\t\t260\t“Driftwood”\n\t\t309\t“The gathering”\n\t\t406\t“The beginning again”\n\t\t453\t“The storm riders”\n\t\t502\t“Boondocks”\n\t\t619\t“Kingdom of rust”\n\t\t673\t“The crippled girl”\n\t\t720\t“Windworld”\n\t\t774\t“A man goes mad with logging”\n\t\t871\t“The peaks”\n\t\t948\tEnd of tape"],"Note":["[{\"note\":\"This tape is a duplicate of the tape from the Readings in BC collection \\\"\\nThe Coast is Only a Line: Peter Trower Reading at the SFU Art Gallery and the IMC studio on July 31, 1981 #342\\\" (SWALLOW ID 5315)\",\"type\":\"Related 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Poetry is a language used to describe that which lies beyond language – Warren Tallman gives a little talk himself.  Questions audience about Royal Wedding.  Once again introduces Eli Mandel and Frank Davey\n\t\t123\tEli Mandel introduces his “Anima poems” written for his wife, Ann, and discusses the nature of his reading and the fact that his poetry concerns magic and fantasy.\n\t\t\tFour kinds of fantasy (Journey through time, Doppelganger, Double story and Story within story)\n\t\t171\t“Four Kinds of fantasy” prose piece by Martin Avery\n\t\t201\tEli describes a dream he recently had.  He woke up aware of himself as nothing more than a number\n\t\t240\tReintroduces the ‘Anima poems” and discusses ‘courtship’ of his wife\n\t\t248\tQuestions Anima figure\n\t\t252\t“The moon in all her phases”\n\t\t265\t“Woodbine”\n\t\t279\t“Listen the sea”\n\t\t299\t“Marina”\n\t\t335\t“Notes from the underground”\n\t\t380\tDiscusses Anima poetry as sexist.  Introduces “The return”\n\t\t420\tQuestions audience about Dr. Hoffer and his work with LSD\n\t\t440\t“The return”\n\t\t470\t“Petroglyphs at Saint Victor” introduction\n\t\t490\t“Petroglyphs at Saint Victor”\n\t\t539\tEli begins discussion of what it is to live and work within Academia, and the discrimination women face in this field.  A general discussion of discrimination in the university context\n\t\t870\tGeneral discussion of Anima to end of tape\nTwo\t\t000\tContinuation of general discussion of Anima and double\n\t\t025\tEli tells his double story\n\t\t115\tDiscusses meaning of double\n\t\t124\tQuestions from audience\n\t\t144\t“Instructions on the nature of Doubles and Doubling”\n\t\t174\t“The Doppelganger, ways to prevent me” (The double speaking)"],"Note":["[{\"note\":\"This tape is a duplicate of the tape from the Readings in BC collection \\\"\\nThe Coast is Only a Line: Eli Mandel Reading at SFU on July 31, 1981 #347\\\" (SWALLOW ID 5322)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670558016733186,"timestamp":"2026-01-07T15:00:02.246Z","score":3.8398938},{"id":"9128","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds 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“Thursday”\n\t\t183\t“Tobacco”\n\t\t195\tWeeks “Friday”\n\t\t198\t             “Saturday”\n\t\t205\t             “Sunday”\n\t\t213\t             “Monday”\n\t\t223\t            “Tuesday”\n\t\t233\t            “Wednesday”\n\t\t239\t            “Thursday”\n\t\t243\t             “Good Friday”\n\t\t250\t              “Bad Saturday”\n\t\t285\t              “Easter Sunday”\n\t\t299\t“Slow”\n\t\t311\t“Better Monday”\n\t\t318\t“Deep trigger”\n\t\t322\t“BYOP”\n\t\t336\t“Is’s and not’s”\n\t\t361\t“Days”\n\t\t364\t“At least”\n\t\t369\t“Epitaph”\n\t\t370\t“The driver”\n\t\t375\t“Free food”\n\t\t390\t“Naked similarities”\n\t\t400\t“Tune”\n\t\t421\t“A call”\n\t\t504\t“The poor baby that dies…”\n\t\t523\t“I open my notebook on the train”\n\t\t535\t“Canada House Trafalgar Square”\n\t\t561\t“BC monthly”\n\t\t725\tTalks about police downtown\n\t\t736\t“Sunday” (BC Monthly)\n\t\t765\t“Monday”\n\t\t803\t“Tuesday”\n\t\t848\t“Its taken a week and half to run out of tobacco”\n\t\t865\t“Come – come”\n\t\t892\t“Reggae is not punk-disco”\n\t\t912\t“Hear – hear”\n\t\t921\t“So – so”\n\t\t930\t“Now – now’"],"Note":["[{\"note\":\"This tape is a duplicate of the tape from the Readings in BC collection \\\"\\nThe Coast is Only a Line: Gerry Gilbert Reading at the SFU Art Gallery on August 7, 1981 #344a\\\" (SWALLOW ID 5317)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670558016733187,"timestamp":"2026-01-07T15:00:02.246Z","score":3.8398938},{"id":"9129","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Daphne Marlatt Reading at the SFU Art Gallery and Studio on August 11, 1981"],"item_title_source":["cassette and 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a farm in Wisconson\n\t\t114\t“Last section of rings”\n\t\t261\t“When I was young”\n\t\t280\t“Note”\n\t\t297\tBackground for selections from Here and there\n\t\t313\t“Begin with ai  from Here and there\n\t\t347\t“Drive”\n\t\t377\t“In passing”\n\t\t418\tIntroduction to a series of new prose works dealing with a trip to Britain\n\t\t435\t“Departure – Beginning and ending”\n\t\t473\t“Kinderjune”\n\t\t529\t“On Dartmoor”\n\t\t605\tIntroduction to “To Ilfrecoombe”\n\t\t621\t“To Ilfrecoombe”\n\t\t671\t“Coombe Martin”\nSide\tTrack\tNo.\tComments\nTwo\t\t003\tDaphne: “I’m going to read from a sequence of poems titled Here and there (July 1980)\n\t\t009\t#1 “Arriving…”\n\t\t014\t“Arriving” (For Fred and Pauline)\n\t\t084\t“Where” (For David)\n\t\t153\t“Drive”\n\t\t193\t“Held” (For Gloria)\n\t\t260\t“In passing”\n\t\t318\t“Begin with ai” from Here and there\n\t\t373\t“From somewhere”\n\t\t438\t“Here”\n\t\t520\t“The car…”\n"],"Note":["[{\"note\":\"This tape is a duplicate of the tape from the 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