[{"id":"1467","cataloger_name":["Samuel,Mercier"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Alan Lord collection"],"source_collection_label":["Alan Lord collection"],"collection_contributing_unit":["SpokenWeb at Concordia University"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Alan Lord collection contains all the archives regarding the Ultimatum poetry readings and the Ultimatum & Ultimatum II festivals, including film, sound and documentation."],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Performance by Ken Decker and Christopher Dewdney"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"creators":["[]"],"contributors_names":["Ken Decker","Christopher Dewdney"],"contributors_names_search":["Ken Decker","Christopher Dewdney"],"contributors":["[{\"url\":\"\",\"name\":\"Ken Decker\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Christopher Dewdney\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1985],"material_description":["[]"],"digital_description":["[]"],"Dates":["[{\"date\":\"04/05/1985\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.foufouneselectriques.com/\",\"venue\":\"Foufounes électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\"-73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes électriques"],"City":["Montreal, Quebec"],"Note":["[]"],"Related_works":["[{\"url\":\"https://encore.concordia.ca/iii/encore/record/C__Rb1494375?lang=eng\",\"citation\":\"\"}]"],"_version_":1853670548990590976,"timestamp":"2026-01-07T14:59:53.477Z","score":1.2242479},{"id":"1469","cataloger_name":["Samuel,Mercier"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Alan Lord collection"],"source_collection_label":["Alan Lord collection"],"collection_contributing_unit":["SpokenWeb at Concordia University"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Alan Lord collection contains all the archives regarding the Ultimatum poetry readings and the Ultimatum & Ultimatum II festivals, including film, sound and documentation."],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Performance by Jean-Yves Fréchette, The Woeurks and Anonyme Sanregret"],"item_language":["French"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creators":["[]"],"contributors":["[]"],"Performance_Date":[1985],"material_description":["[]"],"digital_description":["[]"],"Dates":["[{\"date\":\"04/05/1985\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.foufouneselectriques.com/\",\"venue\":\"Foufounes électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\"-73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes électriques"],"City":["Montreal, Quebec"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670548990590978,"timestamp":"2026-01-07T14:59:53.477Z","score":1.2242479},{"id":"1470","cataloger_name":["Samuel,Mercier"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Alan Lord collection"],"source_collection_label":["Alan Lord collection"],"collection_contributing_unit":["SpokenWeb at Concordia University"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Alan Lord collection contains all the archives regarding the Ultimatum poetry readings and the Ultimatum & Ultimatum II festivals, including film, sound and documentation."],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Performance by Anonyme Sanregret"],"item_language":["French"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"creators":["[]"],"contributors":["[]"],"Performance_Date":[1985],"material_description":["[]"],"digital_description":["[]"],"Dates":["[{\"date\":\"02/05/1985\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Documentation\"}]"],"Location":["[{\"url\":\"https://www.foufouneselectriques.com/\",\"venue\":\"Foufounes électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\"-73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes électriques"],"City":["Montreal, Quebec"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670548990590979,"timestamp":"2026-01-07T14:59:53.477Z","score":1.2242479},{"id":"1471","cataloger_name":["Samuel,Mercier"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Alan Lord collection"],"source_collection_label":["Alan Lord collection"],"collection_contributing_unit":["SpokenWeb at Concordia University"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Alan Lord collection contains all the archives regarding the Ultimatum poetry readings and the Ultimatum & Ultimatum II festivals, including film, sound and documentation."],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Performance by Ian Ferrier and Michael Toppings"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creators":["[]"],"contributors":["[]"],"Performance_Date":[1985],"material_description":["[]"],"digital_description":["[]"],"Dates":["[{\"date\":\"03/05/1985\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Documentation\"}]"],"Location":["[{\"url\":\"https://www.foufouneselectriques.com/\",\"venue\":\"Foufounes électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\"-73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes électriques"],"City":["Montreal, Quebec"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670548990590980,"timestamp":"2026-01-07T14:59:53.477Z","score":1.2242479},{"id":"1472","cataloger_name":["Samuel,Mercier"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Alan Lord collection"],"source_collection_label":["Alan Lord collection"],"collection_contributing_unit":["SpokenWeb at Concordia University"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Alan Lord collection contains all the archives regarding the Ultimatum poetry readings and the Ultimatum & Ultimatum II festivals, including film, sound and documentation."],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Performance by Mohamud Togane and Andre Farkas"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"creator_names":["Mohamud Togane","Endre Farkas"],"creator_names_search":["Mohamud Togane","Endre Farkas"],"creators":["[{\"url\":\"\",\"name\":\"Mohamud Togane\",\"dates\":\"04/05/1985\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Endre Farkas\",\"dates\":\"04/05/1985\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"contributors":["[]"],"Performance_Date":[1985],"material_description":["[]"],"digital_description":["[]"],"Dates":["[{\"date\":\"03/05/1985\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.foufouneselectriques.com/\",\"venue\":\"Foufounes électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\"-73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes électriques"],"City":["Montreal, Quebec"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670548990590981,"timestamp":"2026-01-07T14:59:53.477Z","score":1.2242479},{"id":"1473","cataloger_name":["Emma,Telaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Alan Lord collection"],"source_collection_label":["Alan Lord collection"],"collection_contributing_unit":["SpokenWeb at Concordia University"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Alan Lord collection contains all the archives regarding the Ultimatum poetry readings and the Ultimatum & Ultimatum II festivals, including film, sound and documentation."],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Daniel Guimond at Ultimatum Festival 1985-05-01 "],"item_title_source":["Container and Brochure "],"item_title_note":["On tape \"U-1-1\" and festival schedule corroborated in brochure. "],"item_language":["English, French"],"item_production_context":["Documentary recording"],"item_series_title":["Alan Lord Collection"],"item_subseries_title":["Ultimatum [1]"],"item_identifiers":["[]"],"rights_notes":["Rights status in process. Alan Lord has permission waivers. We may wish to seek permission from individual artists.  "],"creator_names":["Guimond, Daniel"],"creator_names_search":["Guimond, Daniel"],"creators":["[{\"url\":\"http://viaf.org/viaf/256764592\",\"name\":\"Guimond, Daniel \",\"dates\":\"1959-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Lord, Alan"],"contributors_names_search":["Lord, Alan"],"contributors":["[{\"url\":\"http://viaf.org/viaf/80186482\",\"name\":\"Lord, Alan\",\"dates\":\"1954-\",\"notes\":\"Alan Lord has been designated Contributor when in the role of series organizer and Creator when in the role of Performer. \",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Lord, Alan"],"Performance_Date":[1985],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"Tracks 1-8\",\"image\":\"../Uploads/3588/Daniel Guimond Tape U-1-1.png\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Ampex 406\",\"generations\":\"Audio taken from original reel to reel 8 track tape.\",\"Conservation\":\"Perforation repairs. 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Sticker identifying tape as U-1-1.\",\"other_physical_description\":\"Reel U-1-1\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-1-1/U-1-1_t08_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-1-1_t08_preservation.wav\",\"channel_field\":\"Mono\",\"sample_rate\":\"96kHz\",\"duration\":\"00:16:09\",\"precision\":\"\",\"size\":\"279.2 MB\",\"bitrate\":\"2304000 \",\"encoding\":\"Waveform \",\"contents\":\"This is track 8 of 8 tracks on tape U-1-1 containing vocal track from Daniel Guimond performance. \",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-1-1/U-1-1_t02_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-1-1/U-1-1_t02_preservation.wav\",\"channel_field\":\"Mono\",\"sample_rate\":\"96kHz\",\"duration\":\"00:16:16\",\"precision\":\"\",\"size\":\"281.1 MB\",\"bitrate\":\"2304000\",\"encoding\":\"Waveform \",\"contents\":\"This is track 2 of 8 tracks on tape U-1-1 containing a backing track from Daniel Guimond performance. \",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-1-1/U-1-1_t06_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-1-1_t06_preservation.wav\",\"channel_field\":\"Mono\",\"sample_rate\":\"96kHz\",\"duration\":\"00:16:09\",\"precision\":\"\",\"size\":\"279.2 MB\",\"bitrate\":\"2304000 \",\"encoding\":\"Waveform \",\"contents\":\"This is track 6 of 8 tracks on tape U-1-1 containing a back track from Daniel Guimond performance. \",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-1-1/U-1-1_t05_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-1-1_t05_preservation.wav\",\"channel_field\":\"Mono\",\"sample_rate\":\"96kHz\",\"duration\":\"00:16:09\",\"precision\":\"\",\"size\":\"279.2 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Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-1-1/U-1-1_t03_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-1-1_t03_preservation.wav\",\"channel_field\":\"Mono\",\"sample_rate\":\"96kHz\",\"duration\":\"00:16:16\",\"precision\":\"\",\"size\":\"281.1 MB\",\"bitrate\":\"2304000 \",\"encoding\":\"Waveform \",\"contents\":\"This is track 3 of 8 tracks on tape U-1-1 from Daniel Guimond performance containing no signal. \",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-1-1/U-1-1_t01_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-1-1_t01_preservation.wav\",\"channel_field\":\"Mono\",\"sample_rate\":\"96kHz\",\"duration\":\"00:16:16\",\"precision\":\"\",\"size\":\"281.1 MB\",\"bitrate\":\"2304000 \",\"encoding\":\"Waveform \",\"contents\":\"This is Track 1 of 8 tracks on tape U-1-1 containing a vocal track from Daniel Guimond performance. \",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-1-1/U-1-1_t07_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-1-1_t07_preservation.wav\",\"channel_field\":\"Mono\",\"sample_rate\":\"96kHz\",\"duration\":\"00:16:09\",\"precision\":\"\",\"size\":\"279.2 MB\",\"bitrate\":\"2304000 \",\"encoding\":\"Waveform \",\"contents\":\"This is track 7 of 8 tracks on tape U-1-1 from Daniel Guimond performance. Weak signal.\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://drive.google.com/drive/u/1/folders/159po7gLf37T_uUBLTBk6flt9qZmR2LU3\",\"file_path\":\"\",\"filename\":\"Ultimatum_Mixdown_Daniel Guimond_U-1-1_T1_T2_T3_T4_T5_T6_T7_T8.mp3\",\"channel_field\":\"Mono\",\"sample_rate\":\"44.1kHz\",\"duration\":\"00:32:36\",\"precision\":\"\",\"size\":\"23.7 MB\",\"bitrate\":\"\",\"encoding\":\"mp3 \",\"contents\":\"Mixdown of Daniel Guimond at Ultimatum Festival 1985-05-01 consisting of tracks 1- 8, spanning xx:xx-of tape U-1-1. For full details on individual tracks see digital file descriptions. \\n\\nTIMESTAMPS\\n\",\"notes\":\"Mixdown created by Emma Telaro on audacity version... date..\",\"title\":\"Mixdown of Daniel Guimond at Ultimatum Festival 1985-05-01\",\"credit\":\"\",\"caption\":\"Mixdown of Daniel Guimond at Ultimatum Festival 1985-05-01\",\"content_type\":\"Sound Recording\",\"featured\":\"Yes\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-05-01\",\"type\":\"Performance Date\",\"notes\":\"According to brochure, performance began at 19:00. \",\"source\":\"Container, Brochure \"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1296620055\",\"venue\":\"Foufounes Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"content_notes":["Bilingual \"Ultimatum Programme\" pamphlet describes performance as 'Poésie/Performance\" and \"Performance/Poetry\". \n\n"],"contents":["Ultimatum_Mixdown_Daniel Guimond_U-1-1_T1_T2_T3_T4_T5_T6_T7_T8  \n\nUnknown \n00:00:01.38 \nAmbient noise [high pitched whistle]    \n\nGuimond \n00:00:46.03 \nPerforms poem [underlying vocals can be heard throughout in English and French]. | Keywords: Drove; elusive; film; damage; skin; scar.  \n\nUnknown \n00:01:21.32 \nSilence [possible tape change].    \n\nGuimond \n00:02:25.57 \nPerforms piece. Underlying vocals throughout in English and French [sounds of electronic instrument or saxophone accompany]. | Keywords: Hair; dyed; darker; someone; elusive; rescue; scar; rupturing; integrity; exercise; contaminate; ramifications; cessation; hospital bed; overdose coma; older; ashtrays; bottles; gasping; air.     \n\nGuimond \n00:06:31.91 \nAmbient sounds [melodic recording and sounds of hitting/materials coming into contact]. Vocals can be heard unintelligibly.     \n\nGuimond \n00:08:02.60 \nFrench vocals.    \n\nGuimond \n00:11:01.69 \nMultilingual vocals (French and English) overlapping over electronic beat.    \n\nGuimond \n00:12:36.13 \nEnglish vocals. | Keyword: Mind; outset; responsible; stop; maintaining; invitation; skin; drugs; changed; spines; clear; reading; pages.  G\n\nGuimond \n00:15:14.57 \nVarious recorded sounds [recording of dogs or animals, voices running water, high pitched whistle] interspersed with French vocals.  \n\nGuimond \n00:16:23.06 \nFrench vocals.    \n\nGuimond \n00:21:45.02 \nVarious sounds [synthesizer, recordings; melodic, electric guitar, vocals (unintelligible)].  \n\nGuimond \n00:26:57.85 \nVarious sounds [recorded vocals (English and French), experimental electronics]. | Keywords: Waste; space; turn; job; easy; story; suicide; small.\n\nEND \n00:32:25.75 "],"Related_works":["[{\"url\":\"\",\"citation\":\"Cite secondary sources \\nPrimary sources by that performer \\nResearch involved in filling out entries for audio file \"},{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Ultimatum Program/me [Festival Pamphlet]\"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. Concordia University Library, Special Collections, Montréal, QC.\"}]"],"_version_":1853670548991639552,"timestamp":"2026-01-07T14:59:53.477Z","Note":["[{\"note\":\"Media Preserve Metadata for Tape U-1-1.\\n\\n<MediaAsset>\\n<!-- Original Physical Asset and Transfer Details -->\\n<Original>\\n<Filename>U-1-1</Filename>\\n<Title>Daniel Guimond</Title>\\n<RunningTime>00:16:16</RunningTime>\\n<RecordDate>undated</RecordDate>\\n<FormatType>Open Reel</FormatType>\\n<StockBrand>Ampex</StockBrand>\\n<TapeModel>406</TapeModel>\\n<TapeWidth>1/4\\\"</TapeWidth>\\n<TapeType>Polyester</TapeType>\\n<ReelSize>7\\\"</ReelSize>\\n<TrackConfiguration>8 Track</TrackConfiguration>\\n<SoundField>Mono</SoundField>\\n<RecordingSpeed>15 ips</RecordingSpeed>\\n<NoiseReduction>None</NoiseReduction>\\n<Equalization>NAB</Equalization>\\n<PackOrientation>Heads Out</PackOrientation>\\n<Language>Mixed</Language>\\n<PerforationRepairs>Yes</PerforationRepairs>\\n<Cleaned>No</Cleaned>\\n<Baked>Yes</Baked>\\n<TransferComments> Tracks 1-4 first multitrack program; Tracks 5-8 second multitrack program; Program Distorted at Times; Static on Tape; </TransferComments>\\n<ConditionReport>\\n<ExtremeRisk>StickyShed</ExtremeRisk>\\n</ConditionReport>\\n<TransferOperator>RS</TransferOperator>\\n<Deck_Description>8 Track Reel To Reel</Deck_Description>\\n<Deck_Brand>Fostex</Deck_Brand>\\n<Deck_Model>R8</Deck_Model>\\n<Deck_SerialNumber>n/a</Deck_SerialNumber>\\n<Originator> The MediaPreserve, a division of Preservation Technologies, LP </Originator>\\n<OriginatorAddress> 111 Thomson Park Drive, Cranberry Township, PA 16066-6424 </OriginatorAddress>\\n</Original>\\n<!-- Digital Preservation Master File 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Underneath his voice is the sound of typing, suggesting he is simultaneously writing on a typewriter or keyboard. \\n\\nThe piece is dialogic, and Decker seems to take on various characters, as they each assume a role in the telling of a fatality (the interview [presumably a police officer] and interviewee [presumably a suspect]).\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-2-1/U-2-1_t04_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-2-1_t04_preservation.wav\",\"channel_field\":\"\",\"sample_rate\":\"96kHz\",\"duration\":\"15:58\",\"precision\":\"\",\"size\":\"84.5 MB\",\"bitrate\":\"2304000\",\"encoding\":\"Waveform\",\"contents\":\"This is track 4 of 8 tracks on tape U-2-1 containing a vocal track from Ken Decker's performance. \\n\\nDecker preforms his set. Underneath his voice is the sound of typing, suggesting he is simultaneously writing on a typewriter or keyboard. \\n\\nThe piece is dialogic, and Decker seems to take on various characters, as they each assume a role in the telling of a fatality (the interview [presumably a police officer] and interviewee [presumably a suspect]).\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-01-02\",\"type\":\"Performance Date\",\"notes\":\"According to brochure, performance began at 7:00pm.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1296620055\",\"venue\":\"Foufounes Électriques\",\"notes\":\"\",\"address\":\"https://www.openstreetmap.org/node/1296620055\",\"latitude\":\"45.5109472\",\"longitude\":\"-73.5640102\"}]"],"Address":["https://www.openstreetmap.org/node/1296620055"],"Venue":["Foufounes Électriques"],"content_notes":["Decker preforms a monologue relaying the events of a murder. The sounds of his typing [?] accompany his speech, giving the impression he is recording the events down as he speaks aloud. At times, it is suggested that he is inhabiting the characters of interviewer and witness, evoking the aftermath of a crime."],"contents":["Ken Decker\n00:00:00\nDecker begins performance | Keywords: story; recording; lawnmower; sound; electrical cords; tapes; events; memories; pain; time; murder; accused; guilty; confession.\n\nAudience\n00:03:57.04\nLaughter\n\nDecker\n00:04:00.00\nResumes\n\nAudience\n00:13:01.00\nLaughter\n\nDecker\n00:13:16.00\nResumes\n\nAudience\n00:15:54.56\nLaughter\n\nEND\n00:15:59.00"],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Ultimatum pamphlet.\"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Ultimatum Administrative Council. Various manuscript notes for Ultimatum, Apr. 1985–May 1986, Alan Lord fonds (F039), Box 1, folder AL-Folder1_ult. Concordia University Library, Special Collections, Montréal, QC.\"}]"],"_version_":1853670548993736704,"timestamp":"2026-01-07T14:59:53.477Z","Note":["[{\"note\":\"Media Preserve Metadata for Tape U-2-1.\\n\\nMediaAsset>\\n<!-- Original Physical Asset and Transfer Details -->\\n<Original>\\n<Filename>U-2-1</Filename>\\n<Title>Ken Decker Christopher Dewdney</Title>\\n<RunningTime>00:15:58</RunningTime>\\n<RecordDate>undated</RecordDate>\\n<FormatType>Open Reel</FormatType>\\n<StockBrand>Ampex</StockBrand>\\n<TapeModel>406</TapeModel>\\n<TapeWidth>1/4\\\"</TapeWidth>\\n<TapeType>Polyester</TapeType>\\n<ReelSize>7\\\"</ReelSize>\\n<TrackConfiguration>8 Track</TrackConfiguration>\\n<SoundField>Mono</SoundField>\\n<RecordingSpeed>15 ips</RecordingSpeed>\\n<NoiseReduction>None</NoiseReduction>\\n<Equalization>NAB</Equalization>\\n<PackOrientation>Heads 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For full details on tracks see digital file descriptions\\\".\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-05-DAY\",\"type\":\"Performance Date\",\"notes\":\"According to brochure, performance began at TIME. (if known)  \",\"source\":\"Container. Brochure.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1296620055\",\"venue\":\"Foufounes Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"contents":["Coming soon. "],"Note":["[]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"},{\"url\":\"\",\"citation\":\"Cite secondary sources \\nPrimary sources by that performer \\nResearch involved in filling out entries for audio file \"}]"],"_version_":1853670548995833856,"timestamp":"2026-01-07T14:59:53.477Z","score":1.2242479},{"id":"1476","cataloger_name":["Sadie,Barker"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Alan Lord collection"],"source_collection_label":["Alan Lord collection"],"collection_contributing_unit":["SpokenWeb at Concordia University"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Alan Lord collection contains all the archives regarding the Ultimatum poetry readings and the Ultimatum & Ultimatum II festivals, including film, sound and documentation."],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Christopher Dewdney at Ultimatum Festival 1985-05-02 "],"item_title_source":["Container and Brochure "],"item_title_note":["On tape \"U-2-1\", \"U-2-2\" and festival schedule corroborated in brochure. 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"],"creator_names":["Dewdney, Christopher"],"creator_names_search":["Dewdney, Christopher"],"creators":["[{\"url\":\"https://viaf.org/viaf/101952075/\",\"name\":\"Dewdney, Christopher\",\"dates\":\"1951-\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"contributors_names":["Lord, Alan"],"contributors_names_search":["Lord, Alan"],"contributors":["[{\"url\":\"http://viaf.org/viaf/80186482\",\"name\":\"Lord, Alan\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Lord, Alan"],"Performance_Date":[1985],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/3617/Screen Shot 2020-06-13 at 4.47.18 PM.png\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Ampex 460\",\"generations\":\"Audio taken from original reel to reel 8 track tape.\",\"Conservation\":\"Perforation repairs, baked.\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"15 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"8 track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-2-1/U-2-1_t05_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-2-1_t05_preservation.wav\",\"channel_field\":\"Mono\",\"sample_rate\":\"96kHz\",\"duration\":\"00:16:04\",\"precision\":\"\",\"size\":\"85 MB\",\"bitrate\":\"2304000\",\"encoding\":\"Waveform \",\"contents\":\"This is track 5 of 8 tracks on tape U-2-1 containing a vocal track from Christopher Dewdney's performance. \\n\\nDewdney preforms [reads or recites] his poetry set. \",\"notes\":\"*Note for template: create one file description for each track, and use WAV form for entries.\\n\\nOnce final mixes are done, we will include a digital file description of the mix with a note of this sort: \\\"Above based upon mix of following tracks. 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\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-2-2/U-2-2_t03_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-2-2_t03_preservation.wav\",\"channel_field\":\"\",\"sample_rate\":\"96kHz\",\"duration\":\"00:16:08\",\"precision\":\"\",\"size\":\"85.4 MB\",\"bitrate\":\"2304000\",\"encoding\":\"Waveform\",\"contents\":\"This is track 3 of 8 tracks on tape U-2-2 containing a \\n vocal track from Christopher Dewdney's performance. \\n\\nDewdney preforms [reads or recites] his poetry set until 6:48 (from there on, is Konyves set).  \",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-2-2/U-2-2_t04_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-2-2_t04_preservation.wav\",\"channel_field\":\"\",\"sample_rate\":\"96kHz\",\"duration\":\"00:16:08\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"2304000\",\"encoding\":\"Waveform\",\"contents\":\"This is track 4 of 8 tracks on tape U-2-2 containing a \\n vocal track from Christopher Dewdney's performance. \\n\\nDewdney preforms [reads or recites] his poetry set until 6:48 (from there on, is Konyves set).  \",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-05-02\",\"type\":\"Performance Date\",\"notes\":\"According to brochure, performance began at 7:30 pm.\",\"source\":\"Container, Brochure \"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1296620055\",\"venue\":\"Foufounes Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"contents":["Coming soon. "],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Ultimatum pamphlet. \"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Ultimatum Administrative Council. Various manuscript notes for Ultimatum, Apr. 1985–May 1986, Alan Lord fonds (F039), Box 1, folder AL-Folder1_ult. Concordia University Library, Special Collections, Montréal, QC.\"}]"],"_version_":1853670548996882432,"timestamp":"2026-01-07T14:59:53.477Z","Note":["[{\"note\":\"Media Preserve Metadata for Tape U-2-1.\\n\\nMediaAsset>\\n<!-- Original Physical Asset and Transfer Details -->\\n<Original>\\n<Filename>U-2-1</Filename>\\n<Title>Ken Decker Christopher Dewdney</Title>\\n<RunningTime>00:15:58</RunningTime>\\n<RecordDate>undated</RecordDate>\\n<FormatType>Open Reel</FormatType>\\n<StockBrand>Ampex</StockBrand>\\n<TapeModel>406</TapeModel>\\n<TapeWidth>1/4\\\"</TapeWidth>\\n<TapeType>Polyester</TapeType>\\n<ReelSize>7\\\"</ReelSize>\\n<TrackConfiguration>8 Track</TrackConfiguration>\\n<SoundField>Mono</SoundField>\\n<RecordingSpeed>15 ips</RecordingSpeed>\\n<NoiseReduction>None</NoiseReduction>\\n<Equalization>NAB</Equalization>\\n<PackOrientation>Heads 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Lord Collection"],"item_subseries_title":["Ultimatum [1]"],"item_identifiers":["[]"],"rights_notes":["Rights status in process. Alan Lord has permission waivers. We may wish to seek permission from individual artists.  "],"creator_names":["Konyves, Tom"],"creator_names_search":["Konyves, Tom"],"creators":["[{\"url\":\"http://viaf.org/viaf/28334185/#Konyves,_Tom\",\"name\":\"Konyves, Tom\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Lord, Alan"],"contributors_names_search":["Lord, Alan"],"contributors":["[{\"url\":\"http://viaf.org/viaf/80186482\",\"name\":\"Lord, Alan\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Lord, Alan"],"Performance_Date":[1985],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/3638/Screen Shot 2020-06-16 at 12.00.32 PM.png\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Ampex 460\",\"generations\":\"Audio taken from original reel to reel 8 track tape.\",\"Conservation\":\"Perforation repairs, baked.\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"15 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"00:16:08\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"8 track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-2-2/U-2-2_t01_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-2-2_t01_preservation.wav\",\"channel_field\":\"Mono\",\"sample_rate\":\"96kHz\",\"duration\":\"00:16:08\",\"precision\":\"\",\"size\":\"85.4 MB\",\"bitrate\":\"2304000\",\"encoding\":\"Waveform \",\"contents\":\"This is track 1 of 8 tracks on tape U-2-2 containing a backing track from Tom Konyve's performance. \\n\\nKonyves performance begins at 6:48 (the first half is Christopher Dewdney). Konyves reads/recites over computer-generated sounds. \",\"notes\":\"*Note for template: create one file description for each track, and use WAV form for entries.\\n\\nOnce final mixes are done, we will include a digital file description of the mix with a note of this sort: \\\"Above based upon mix of following tracks. 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Konyves reads/recites over computer-generated sounds. \",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-2-2/U-2-2_t08_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-2-2_t08_preservation.wav\",\"channel_field\":\"\",\"sample_rate\":\"96kHz\",\"duration\":\"00:16:08\",\"precision\":\"\",\"size\":\"85.4 MB\",\"bitrate\":\"2304000\",\"encoding\":\"Waveform\",\"contents\":\"This is track 8 of 8 tracks on tape U-2-2 containing a \\n vocal track from Tom Konyve's performance. \\n\\nKonyves performance ends at 4:24 (the second half of the track is Bill Bissett's performance). Konyves reads/recites over computer-generated sounds. \",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-05-02\",\"type\":\"Performance Date\",\"notes\":\"According to brochure, performance began at 8:00pm.\",\"source\":\"Container, Brochure \"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1296620055\",\"venue\":\"Foufounes Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"contents":["Coming soon. "],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Festival pamphlet.\"},{\"url\":\"\",\"citation\":\"Konyves, Tom. Performance plan, bionote, letter, and photo for Ultimatum, 1983–1985, Alan Lord fonds (F039), Box 1, folder AL-Folder2_kon. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Garnet, Eldon, and Tom Konyves. Typescript of \\\"Eldon Garnet 2:32 Ultimatum\\\" and \\\"'Be it resolved' Tom Konyves: $4:25,\\\" c. May [1985?], Alan Lord fonds (F039), Box 1, folder AL-Folder1_gar-kon. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Ultimatum Administrative Council. Various manuscript notes for Ultimatum, Apr. 1985–May 1986, Alan Lord fonds (F039), Box 1, folder AL-Folder1_ult. Concordia University Library, Special Collections, Montréal, QC.\"}]"],"_version_":1853670548998979584,"timestamp":"2026-01-07T14:59:53.477Z","Note":["[{\"note\":\"Media Preserve Metadata for Tape U-2-2.\\n\\n<MediaAsset>\\n<!-- Original Physical Asset and Transfer Details -->\\n<Original>\\n<Filename>U-2-2</Filename>\\n<Title>Christopher Dewdney Tom Konyves Bill Bissett</Title>\\n<RunningTime>00:16:08</RunningTime>\\n<RecordDate>undated</RecordDate>\\n<FormatType>Open Reel</FormatType>\\n<StockBrand>Ampex</StockBrand>\\n<TapeModel>406</TapeModel>\\n<TapeWidth>1/4\\\"</TapeWidth>\\n<TapeType>Polyester</TapeType>\\n<ReelSize>7\\\"</ReelSize>\\n<TrackConfiguration>8 Track</TrackConfiguration>\\n<SoundField>Mono</SoundField>\\n<RecordingSpeed>15 ips</RecordingSpeed>\\n<NoiseReduction>None</NoiseReduction>\\n<Equalization>NAB</Equalization>\\n<PackOrientation>Heads 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"],"item_language":["English, French"],"item_production_context":["Documentary recording"],"item_series_title":["Alan Lord Collection"],"item_subseries_title":["Ultimatum [1]"],"item_identifiers":["[]"],"rights_notes":["Rights status in process. Alan Lord has permission waivers. We may wish to seek permission from individual artists.  "],"creator_names":["Campo, Mario"],"creator_names_search":["Campo, Mario"],"creators":["[{\"url\":\"http://viaf.org/viaf/104028810\",\"name\":\"Campo, Mario\",\"dates\":\"1951-2006\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Lord, Alan"],"contributors_names_search":["Lord, Alan"],"contributors":["[{\"url\":\"http://viaf.org/viaf/80186482\",\"name\":\"Lord, Alan\",\"dates\":\"1954-\",\"notes\":\"Alan Lord has been designated Contributor when in the role of series organizer and Creator when in the role of Performer. \",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Lord, Alan"],"Performance_Date":[1985],"material_description":["[{\"side\":\"Tracks 1-2. 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Sticker identifying tape as U-1-2.\",\"other_physical_description\":\"Reel U-1-2\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-1-2/U-1-2_t01_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-1-2_t01_preservation.wav\",\"channel_field\":\"Mono\",\"sample_rate\":\"96kHz\",\"duration\":\"00:13:25\",\"precision\":\"\",\"size\":\"221.15 MB\",\"bitrate\":\"2304000 \",\"encoding\":\"Waveform \",\"contents\":\"This is track 1 of 8 tracks on tape U-1-2 containing backing track from Mario Campo performance. \\n\\nTrack 3 is silent. \",\"notes\":\"From Alan Lord on document file titled NOTES ON ULTIMATUM AUDIO TAPES AND MP3 FILES, \\\"Tracks U-1-2_t01 , U-1-2_t01 : the music tapes backing Mario Campo's reading. 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They were provided by Alan Lord, and is his electronic music plus, band Débris (Lord, Zilon, JM Mignault)\\\". \",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-1-2/U-1-2_t04_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-1-2_t04_preservation.wav\",\"channel_field\":\"Mono\",\"sample_rate\":\"96kHz\",\"duration\":\"00:13:25\",\"precision\":\"\",\"size\":\"221.15 MB\",\"bitrate\":\"2304000 \",\"encoding\":\"Waveform \",\"contents\":\"This is track 4 of 8 tracks on tape U-1-2 containing vocal track from Mario Campo performance. \\n\\nTrack 3 is silent. \",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-05-01\",\"type\":\"Performance Date\",\"notes\":\"According to brochure, performance began at 19:30. \",\"source\":\"Container. Brochure. \"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1296620055\",\"venue\":\"Foufounes Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"content_notes":["Transcription by Emma Telaro\n\nBilingual \"Ultimatum Programme\" pamphlet describes performance as 'Poésie/Performance\" and \"Performance/Poetry\". "],"contents":["Ultimatum_Mixdown_Mario Campo_Tape U-1-2_T1_T2_T4.mp3\n\nThe following is a transcription of Mario Campo’s performance at Ultimatum, Monday May 1st, 1985 at the Foufounes Electriques. Campo reads, sings and chants poems to musical accompaniment. In his memoirs, Alan Lord writes how Campo first appeared onstage dressed in the head of an extraterrestrial, later changing into Bedouin headdress to perform Arabesque. This piece is included in the Ultimatum LP, which lists music and bass by Alan Lord, electronic percussions by Jean-Martin Mignault, vocals by Zilon and words and voice by Mario Campo. The performance is further referenced on Campo’s website, under the ‘biographie’ section, which provides a narrative account of his literary activities. Campo was a writer and poet involved with several alternative scenes, among some of his publications are the collections L’Anovulatoire (1978) and Coma Laudanum (1979). To access some of these writings and learn more about his biography, see his website dedicated to his art and memory, created by Alan Lord and Pierre Zovilé. \n\nTRANSCRIPT\n\nMario Campo \n00:00:00\nPerforms [electric sounds, poetry, drums] | Keywords: satellite, l’homme-singe, dinosaurs, ordinateurs, civilization.\n\nMario Campo\n00:02:28\nPerforms [transitions into new piece, electric sounds, poetry, drums] Keywords: miroir, humanoid, obsession, fixations, cure, piqûre, mercure. \n\nAudience \n00:04:38\nApplause [ambient sounds, cough]\n\nMario Campo \n00:05:03\nPerform “Arabesque” with electronic music by band Débris [electronic percussions, bass, vocals, music, chant, poetry] | Keywords: cité de minaret, fumé, fakir, kalif, saladin, baazar, balthazar, Koran, danse macabre, mosqué.  \n\nAudience\n00:08:30\nApplause\n\nMario Campo\n00:08:48\nPerforms [guitar, drums, electronic sounds, poetry] Keyword: Paris, flesh, danger, lust, love, syphilis, Verlaine, spleen, Baudelaire, pigale, Montparnasse. \n\nEND\n00:13:11 \nApplause\n"],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Ultimatum Program/me [Pamphlet]\"},{\"url\":\"http://mario-campo-poete.com/mariocampo-ultimatum85.html\",\"citation\":\"Website dedicated to Mario Campo's art and memory, created by Alan Lord and Pierre Zovilé. \"},{\"url\":\"https://soundcloud.com/alan-lord-4/10-mario-campo-arabesque\",\"citation\":\"Soundcloud link, selected performances from Ultimatum 85. Mario Campo performs \\\"Arabesque\\\". \"},{\"url\":\"https://www.discogs.com/release/2341164-Various-Ultimatum\",\"citation\":\"Discogs entry Ultimatum LP.\"},{\"url\":\"\",\"citation\":\"Alan Lord unpublished memoirs \"},{\"url\":\"https://ici.radio-canada.ca/ohdio/premiere/emissions/plus-on-est-de-fous-plus-on-lit/segments/prestation/5447/jean-paul-daoust-mario-campo-poesie\",\"citation\":\"Radio-Canada coverage of Mario Campo [Jean-Paul Daoust]\"},{\"url\":\"https://numerique.banq.qc.ca/patrimoine/details/52327/4047154\",\"citation\":\"Digitized copy of Mario Campo's book \\\"L'anovulatoire\\\" [Bibliothèque et Archives nationales du Québec]. \"},{\"url\":\"https://e-artexte.ca/id/eprint/9222/\",\"citation\":\"Collection of interviews featuring Mario Campo and other italo-quebecois artists [e-artexte]. \"},{\"url\":\"\",\"citation\":\"Campo, Mario. Contract and partial résumé for Ultimatum, Mar. 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder2_cam. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. Concordia University Library, Special Collections, Montréal, QC.\"}]"],"_version_":1853670549002125312,"timestamp":"2026-01-07T14:59:53.477Z","Note":["[{\"note\":\"Multitrack Mix File Name: Ultimatum_Mixdown_Mario Campo_U-1-2_T1_T2_T4.mp3\",\"type\":\"General\"},{\"note\":\"Media Preserve Metadata for Tape U-1-2.\\n\\n<MediaAsset>\\n<!-- Original Physical Asset and Transfer Details -->\\n<Original>\\n<Filename>U-1-2</Filename>\\n<Title>Mario Campo Michel Lefebvre</Title>\\n<RunningTime>00:13:25</RunningTime>\\n<RecordDate>undated</RecordDate>\\n<FormatType>Open Reel</FormatType>\\n<StockBrand>Ampex</StockBrand>\\n<TapeModel>406</TapeModel>\\n<TapeWidth>1/4\\\"</TapeWidth>\\n<TapeType>Polyester</TapeType>\\n<ReelSize>7\\\"</ReelSize>\\n<TrackConfiguration>8 Track</TrackConfiguration>\\n<SoundField>Mono</SoundField>\\n<RecordingSpeed>15 ips</RecordingSpeed>\\n<NoiseReduction>None</NoiseReduction>\\n<Equalization>NAB</Equalization>\\n<PackOrientation>Heads 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Brochure.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1296620055\",\"venue\":\"Foufounes Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"content_notes":["Transcription by Emma Telaro. \n\nBilingual \"Ultimatum Programme\" pamphlet announces the performance of \"Les Tables de Babylone\". "],"contents":["Ultimatum_Mixdown_Michel Lefebvre_U-1-2_T5_T6_T8_U-1-3_T1_T2.mp3\n\nThe following is a transcription of Michel Lefebvre’s performance at Ultimatum, Monday May 1st, 1985 at the Foufounes Electriques. The Ultimatum festival program titles the performance as “Les Tables de Babylone” and Alan Lord describes the scene in his memoirs: “A quite visibly and audibly tipsy Michel Lefebvre dressed as a space alien, knocking over vials of liquid on a table, with a girl in a Hugo Ball costume hovering robotically nearby”. She is possibly the source of a woman’s voice in the recording, who chants and recites poetry as Lefebvre performs sounds, poems and various theatrical noises.\n\nTRANSCRIPTION\n\nMichel Lefebvre\n00:00:00\nPerforms as female voice chants and recites poetry throughout [electric guitar, music, chanting, yelling, recorded voices, human voices, female voice, poetry, electronic noises].\n\n[Unknown]\n00:3:57 \nPause [ambient sounds].\n\nMichel Lefebvre\n00:04:24\nContinues to perform sounds [chanting, poetry, drums, electronic sounds, vocal performance, group, female voice, drums, recorded voices, human voices] Keywords: orgueil, organe, bistoury, chirurgie.\n\nUnknown\n00:16:09\n[tape cut]\n\nMichel Lefebvre \n00:16:12\nContinues performance [recording cuts into electric guitar, human voices, singing, chanting, drums].\n\nUnknown\n00:18:53 \nPause [ambient sounds and mumbling into microphone]. \n\nMichel Lefebvre\n00:19:06\nPerforms instrumental [electric guitar].\n\nEND\n00:23:08\n"],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Ultimatum Program/me [Pamphlet] \"},{\"url\":\"\",\"citation\":\"Alan Lord unpublished memoirs.\"},{\"url\":\"\",\"citation\":\"Lefebvre, Michel. Facsimiled copy of \\\"Les tables de Babylone,\\\" 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder1_lef. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Lefebvre, Michel. Proposal and résumé for Ultimatum, 1984–1985, Alan Lord fonds (F039), Box 1, folder AL-Folder2_lef. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. 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For full details on tracks see digital file descriptions\\\".\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-2-2/U-2-2_t06_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-2-2_t06_preservation.wav\",\"channel_field\":\"Mono\",\"sample_rate\":\"96kHz\",\"duration\":\"00:16:08\",\"precision\":\"\",\"size\":\" 85.4 MB\",\"bitrate\":\"2304000\",\"encoding\":\"\",\"contents\":\"This is track 6 of 8 tracks on tape U-2-2 containing a \\n vocal track from Bisset's performance.\\n\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-2-2/U-2-2_t07_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-2-2_t07_preservation.wav\",\"channel_field\":\"\",\"sample_rate\":\"96kHz\",\"duration\":\"00:16:08\",\"precision\":\"\",\"size\":\"85.4 MB\",\"bitrate\":\"2304000\",\"encoding\":\"\",\"contents\":\"This is track 7 of 8 tracks on tape U-2-2 containing a \\n vocal track from Bisset's performance.\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-2-2/U-2-2_t08_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-2-2_t08_preservation.wav\",\"channel_field\":\"Mono\",\"sample_rate\":\"96kHz\",\"duration\":\"00:16:08\",\"precision\":\"\",\"size\":\"85.4 MB\",\"bitrate\":\"2304000\",\"encoding\":\"\",\"contents\":\"This is track 8 of 8 tracks on tape U-2-2 containing a \\n vocal track from Bisset's performance.\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-2-3/U-2-3_t03_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-2-3_t03_preservation.wav\",\"channel_field\":\"Mono\",\"sample_rate\":\"96kHz\",\"duration\":\"00:15:41\",\"precision\":\"\",\"size\":\"83 MB\",\"bitrate\":\"2304000\",\"encoding\":\"\",\"contents\":\"This is track 3 of 8 tracks on tape U-2-3 containing a \\n vocal track from Bisset's performance.\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-2-3/U-2-3_t04_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-2-3_t04_preservation.wav\",\"channel_field\":\"Mono\",\"sample_rate\":\"96kHz\",\"duration\":\"00:15:41\",\"precision\":\"\",\"size\":\"83 MB\",\"bitrate\":\"2304000\",\"encoding\":\"\",\"contents\":\"This is track 4 of 8 tracks on tape U-2-3 containing a \\n vocal track from Bisset's performance.\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-05-02\",\"type\":\"Performance Date\",\"notes\":\"According to brochure, performance began at 8:30PM\",\"source\":\"Container. Brochure.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1296620055\",\"venue\":\"Foufounes Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"content_notes":["Rename mp3 to correct spelling of surname: bissett"],"contents":["Ultimatum_Mixdown_Bill Bisset_U-2-2_T5_T6_T7_T8_U-2-3_T3_T4.mp3  \n \n"],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Festival pamphlet. \"},{\"url\":\"\",\"citation\":\"bissett, bill. Annotated trypescripts of poems for Ultimatum, [20?] Feb. 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder1_bis. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"bissett, bill. Contract for Ultimatum, letters, poems, and press release, c. 20 Feb. 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder2_bis. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Rosen, Allan. Photo of bill bissett, n.d., Alan Lord fonds (F039), Box 1, folder AL-Folder2_bis. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Strom, Millie. Photo of bill bissett, n.d., Alan Lord fonds (F039), Box 1, folder AL-Folder2_bis. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Pattibo. Photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-photos. Concordia University Library, Special Collections, Montréal, QC.\"}]"],"_version_":1853670549008416768,"timestamp":"2026-01-07T14:59:53.477Z","Note":["[{\"note\":\"Media Preserve Metadata for Tape U-2-2. \\n\\n<MediaAsset>\\n<!-- Original Physical Asset and Transfer Details -->\\n<Original>\\n<Filename>U-2-2</Filename>\\n<Title>Christopher Dewdney Tom Konyves Bill Bissett</Title>\\n<RunningTime>00:16:08</RunningTime>\\n<RecordDate>undated</RecordDate>\\n<FormatType>Open Reel</FormatType>\\n<StockBrand>Ampex</StockBrand>\\n<TapeModel>406</TapeModel>\\n<TapeWidth>1/4\\\"</TapeWidth>\\n<TapeType>Polyester</TapeType>\\n<ReelSize>7\\\"</ReelSize>\\n<TrackConfiguration>8 Track</TrackConfiguration>\\n<SoundField>Mono</SoundField>\\n<RecordingSpeed>15 ips</RecordingSpeed>\\n<NoiseReduction>None</NoiseReduction>\\n<Equalization>NAB</Equalization>\\n<PackOrientation>Heads 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Brochure.\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"},{\"url\":\"https://www.openstreetmap.org/node/1296620055\",\"venue\":\"Foufounes Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"contents":["Coming soon. "],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Festival pamphlet. \"},{\"url\":\"\",\"citation\":\"Ultimatum Administrative Council. Various manuscript notes for Ultimatum, Apr. 1985–May 1986, Alan Lord fonds (F039), Box 1, folder AL-Folder1_ult. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. 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"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Alan Lord Collection"],"item_subseries_title":["Ultimatum [1]"],"item_identifiers":["[]"],"rights_notes":["Rights status in process. Alan Lord has permission waivers. We may wish to seek permission from individual artists.  "],"creator_names":["Truhlar, Richard","Owen Sound","Dean, Michael","Smith, Steven"],"creator_names_search":["Truhlar, Richard","Owen Sound","Dean, Michael","Smith, Steven"],"creators":["[{\"url\":\"https://viaf.org/viaf/38165242\",\"name\":\"Truhlar, Richard\",\"dates\":\"1950-2013\",\"notes\":\"Band member of Owen Sound.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"https://viaf.org/viaf/1202154075979611860004\",\"name\":\"Owen Sound\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"https://viaf.org/viaf/832169261592509510009/\",\"name\":\"Dean, Michael\",\"dates\":\"\",\"notes\":\"Band member of Owen Sound.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Smith, Steven\",\"dates\":\"1945-\",\"notes\":\"Band member of Owen Sound.\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Lord, Alan"],"contributors_names_search":["Lord, Alan"],"contributors":["[{\"url\":\"http://viaf.org/viaf/80186482\",\"name\":\"Lord, Alan\",\"dates\":\"1954-\",\"notes\":\"Alan Lord has been designated Contributor when in the role of series organizer and Creator when in the role of Performer. \",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Lord, Alan"],"Performance_Date":[1985],"material_description":["[{\"side\":\"Tracks 3 - 8\",\"image\":\"../Uploads/3671/Screen Shot 2020-07-01 at 6.09.29 PM.png\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Ampex 460\",\"generations\":\"Audio taken from original reel to reel 8 track tape.\",\"Conservation\":\"Perforation repairs. 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No specific indication.\\n\\n\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-2-3/U-2-3_t06_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-2-3_t06_preservation.wav\",\"channel_field\":\"Mono\",\"sample_rate\":\"96kHz\",\"duration\":\"00:15:41\",\"precision\":\"\",\"size\":\"83 MB\",\"bitrate\":\"2304000\",\"encoding\":\"Waveform\",\"contents\":\"This is track 6 of 8 tracks on tape U-2-3 from Owen Sound's performance. No specific indication.\\n\\nBrief description of audio. \",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-2-3/U-2-3_t07_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-2-3_t07_preservation.wav\",\"channel_field\":\"\",\"sample_rate\":\"96kHz\",\"duration\":\"00:15:41\",\"precision\":\"\",\"size\":\"83 MB\",\"bitrate\":\"2304000\",\"encoding\":\"Waveform\",\"contents\":\"This is track 7 of 8 tracks on tape U-2-3 from Owen Sound's performance. No signal.\\n\\n\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-2-3/U-2-3_t08_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-2-3_t08_preservation.wav\",\"channel_field\":\"\",\"sample_rate\":\"96kHz\",\"duration\":\"00:15:41\",\"precision\":\"\",\"size\":\"83 MB\",\"bitrate\":\"2304000\",\"encoding\":\"Waveform\",\"contents\":\"This is track 8 of 8 tracks on tape U-2-3 from Owen Sound's performance. No signal. \\n\\n\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-2-3/U-2-3_t04_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-2-3_t04_preservation.wav\",\"channel_field\":\"\",\"sample_rate\":\"96kHz\",\"duration\":\"00:15:41\",\"precision\":\"\",\"size\":\"83 MB\",\"bitrate\":\"2304000\",\"encoding\":\"Waveform\",\"contents\":\"This is track 4 of 8 tracks on tape U-2-3 from Owen Sound's performance. No specific indication. \\n\\n\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-2-3/U-2-3_t03_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-2-3_t03_preservation.wav\",\"channel_field\":\"Mono\",\"sample_rate\":\"96kHz\",\"duration\":\"00:15:41\",\"precision\":\"\",\"size\":\" 83 MB\",\"bitrate\":\"2304000 \",\"encoding\":\"Waveform \",\"contents\":\"This is track 3 of 8 tracks on tape U-2-3 from Owen Sound's performance. No specific indication.\\n\\n\",\"notes\":\"*Note for template: create one file description for each track, and use WAV form for entries.\\n\\nOnce final mixes are done, we will include a digital file description of the mix with a note of this sort: \\\"Above based upon mix of following tracks. For full details on tracks see digital file descriptions\\\".\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-05-02\",\"type\":\"Performance Date\",\"notes\":\"According to brochure, performance began at 9:30pm.\",\"source\":\"Container. Brochure.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1296620055\",\"venue\":\"Foufounes Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"contents":["Coming soon. "],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Festival pamphlet. \"},{\"url\":\"\",\"citation\":\"Dean, Michael, Steven Smith, and Richard Truhlar. Owen Sound CV, bionotes, and performance plan for Ultimatum, c. May 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder2_owe. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Westlake, Marilyn. Photos of Owen Sound, before May 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder2_owe. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Gelinas, Daniel. Photo of Owen Sound band members Michael Dean and Steven Smith, 2 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_gel-photo. 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Brochure.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1296620055\",\"venue\":\"Foufounes Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"contents":["Coming soon. "],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Festival pamphlet.  \"},{\"url\":\"\",\"citation\":\"Arteau, Gilles. Facsimiled copy of \\\"THE WOEURKS, OU MÊME LA MUSIQUE IMMONDE,\\\" after 9 May 1983, Alan Lord fonds (F039), Box 1, folder AL-Folder2_art. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. 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Brochure.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1296620055\",\"venue\":\"Foufounes Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"contents":["Coming soon. "],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Festival pamphlet. \"},{\"url\":\"\",\"citation\":\"Sanregret, Anonyme (Pierre Cornudet). Typescript of \\\"Microprocesseur\\\" for Ultimatum, c. May 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder1_san. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Sanregret, Anonyme (Pierre Cornudet). Contract and copies of poems for Ultimatum, 20 Feb. 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder2_san. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"VOLTICHENKÖ (Pierre Cornudet, aka Anonyme Sanregret). Arwork and invitation, 1985–1986, Alan Lord fonds (F039), Box 1, folder AL-Folder2_san. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Gagné, Daniel. Photo of Anonyme Sanregret (Pierre Cornudet), 1984, Alan Lord fonds (F039), Box 1, folder AL-Folder2_san. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Giorno, John, Anonyme Sanregret (Pierre Cornudet), and Geneviève Letarte. Typescript and manuscripts of \\\"Last night I gambled with my anger (and lost),\\\" \\\"Microprocesseur,\\\" and \\\"Petit Nuage et Betelgeuse,\\\" c. May 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder1_gio-let-san. 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Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Campbell, Jocelyn Ann. \\\"Denis Vanier récidive avec un nouveau recueil de poèmes\\\" in La Criée, 5–12 Jun 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder2_van. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. Concordia University Library, Special Collections, Montréal, QC.\"}]"],"_version_":1853670549026242560,"timestamp":"2026-01-07T14:59:53.477Z","Note":["[{\"note\":\"Media Preserve Metadata for Tape U-4-1.\\n\\n<MediaAsset>\\n<!-- Original Physical Asset and Transfer Details -->\\n<Original>\\n<Filename>U-4-1</Filename>\\n<Title>Denis Vanier Janou St-Denis Andre etc.</Title>\\n<RunningTime>00:15:28</RunningTime>\\n<RecordDate>undated</RecordDate>\\n<FormatType>Open Reel</FormatType>\\n<StockBrand>Ampex</StockBrand>\\n<TapeModel>406</TapeModel>\\n<TapeWidth>1/4\\\"</TapeWidth>\\n<TapeType>Polyester</TapeType>\\n<ReelSize>7\\\"</ReelSize>\\n<TrackConfiguration>8 Track</TrackConfiguration>\\n<SoundField>Mono</SoundField>\\n<RecordingSpeed>15 ips</RecordingSpeed>\\n<NoiseReduction>None</NoiseReduction>\\n<Equalization>NAB</Equalization>\\n<PackOrientation>Heads 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Brochure.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1296620055\",\"venue\":\"Foufounes Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"contents":["Coming soon. "],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Festival pamphlet.  \"},{\"url\":\"\",\"citation\":\"saint-denis, janou. Press release and poster for \\\"GALGAL OU LA ROUE DU FEU SECRET,\\\" Jan.–Apr. 1984, Alan Lord fonds (F039), Box 1, folder AL-Folder2_sai. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"saint-denis, janou. Contract and bionote for Ultimatum, 15 Feb. 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder2_sai. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"saint-denis, janou. Copy of \\\"MANIFESTE DE LA PLACE AUX POETES,\\\" 1982, Alan Lord fonds (F039), Box 1, folder AL-Folder1_sai. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Ultimatum Administrative Council. Various manuscript notes for Ultimatum, Apr. 1985–May 1986, Alan Lord fonds (F039), Box 1, folder AL-Folder1_ult. 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Brochure.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1296620055\",\"venue\":\"Foufounes Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"contents":["Coming soon. "],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Festival pamphlet. \"},{\"url\":\"\",\"citation\":\"Tcetera, André (André Trottier). Typescript of \\\"Et sortent les loups\\\" for Ultimatum, 9 Jan. 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder1_tce. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Tcetera, André (André Trottier). Typescript note and press kit after Ultimatum, after 3 May 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder2_tce. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Bédard, Robert. Photo of André Tcetera (André Trottier) at Ultimatum, 3 May 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder2_tce. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. 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Brochure.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1296620055\",\"venue\":\"Foufounes Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"contents":["Coming soon. "],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Festival pamphlet. \"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Pattibo. Photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-photos. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Concept Variable. Contract signed by bandleader Sylvain Houde, group description, and lyrics for Ultimatum, 1 Mar. 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder2_con. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Concept Variable. Annotated typescript of \\\"THE STORY OF BILLY MANICOTI\\\" for Ultimatum, c. May 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder1_con. 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Brochure.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1296620055\",\"venue\":\"Foufounes Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"contents":["Coming soon. "],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Festival pamphlet. \"},{\"url\":\"\",\"citation\":\"Red Shift. Two manuscript versions of \\\"This is the worst of love,\\\" c. May 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder1_red. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. 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Marketing and admissions materials for Ultimatum, c. May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_ult-marketing. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. 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"],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Ultimatum Program/me [Festival Pamphlet]\"},{\"url\":\"https://eldongarnet.com/\",\"citation\":\"Artist website. \"},{\"url\":\"\",\"citation\":\"Pattibo. Photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-photos. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Garnet, Eldon, and Tom Konyves. Typescript of \\\"Eldon Garnet 2:32 Ultimatum\\\" and \\\"'Be it resolved' Tom Konyves: $4:25,\\\" c. May [1985?], Alan Lord fonds (F039), Box 1, folder AL-Folder1_gar-kon. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Garnet, Eldon. Letter to Alan Lord, 11 Mar. 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder2_gar. 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Brochure.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1296620055\",\"venue\":\"Foufounes Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"contents":["Coming soon. "],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Ultimatum Program/me [Pamphlet]\"},{\"url\":\"http://web4.uwindsor.ca/rampike\",\"citation\":\"Rampike magazine edited by Karl Jirgens. \"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Pattibo. Photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-photos. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Jirgens, Karl. Contract for Ultimatum, 23 Feb. 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder2_jir. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Jirgens, Karl. Typescript with performance plan for Ultimatum and facsimiled excerpt from Jirgens's book Strappado, c. May 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder1_jir. Concordia University Library, Special Collections, Montréal, QC.\"}]"],"_version_":1853670549047214080,"timestamp":"2026-01-07T14:59:53.477Z","Note":["[{\"note\":\"Media Preserve Metadata for Tape U-5-1.\\n\\n<MediaAsset>\\n<!-- Original Physical Asset and Transfer Details -->\\n<Original>\\n<Filename>U-5-1</Filename>\\n<Title>Paul Chamberland Eldon Garnet Karl Jirgens Sylvere Lotringer</Title>\\n<RunningTime>00:11:30</RunningTime>\\n<RecordDate>undated</RecordDate>\\n<FormatType>Open Reel</FormatType>\\n<StockBrand>Ampex</StockBrand>\\n<TapeModel>406</TapeModel>\\n<TapeWidth>1/4\\\"</TapeWidth>\\n<TapeType>Polyester</TapeType>\\n<ReelSize>7\\\"</ReelSize>\\n<TrackConfiguration>8 Track</TrackConfiguration>\\n<SoundField>Mono</SoundField>\\n<RecordingSpeed>15 ips</RecordingSpeed>\\n<NoiseReduction>None</NoiseReduction>\\n<Equalization>NAB</Equalization>\\n<PackOrientation>Heads 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No designation. \",\"notes\":\"Alan Lord indicates that Eldon Garnet joined Sylvère Lontringer on stage for these tracks. \",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-5-1/U-5-1_t07_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-5-1_t07_preservation.wav\",\"channel_field\":\"Mono\",\"sample_rate\":\"96kHz\",\"duration\":\"00:15:33\",\"precision\":\"\",\"size\":\" 82.3 MB\",\"bitrate\":\"2304000 \",\"encoding\":\"Waveform \",\"contents\":\"This is track 7 of 8 tracks on tape U-5-1 containing a vocal track from Lotringer's performance.\\n\\n\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-05-05\",\"type\":\"Performance Date\",\"notes\":\"According to brochure, performance began at 20:30.\",\"source\":\"Container. Brochure.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1296620055\",\"venue\":\"Foufounes Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"contents":["Coming soon. "],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Ultimatum Program/me [Pamphlet]\"},{\"url\":\"http://semiotexte.com/?page_id=142\",\"citation\":\"Semiotext(e) website. Publiciation co-edited by Sylvère Lotringer, Chris Kraus, and Hedi El Kholti. \"},{\"url\":\"\",\"citation\":\"Ultimatum Administrative Council. Marketing and admissions materials for Ultimatum, c. May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_ult-marketing. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Pattibo. Photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-photos. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Giorno, John. Event flyer and typescripts of \\\"Last night I gambled with my anger (and lost),\\\" Nov. 1984–May 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder1_gio. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Ultimatum II production team. Contact information of various performers and video credits for Ultimatum II, 1987, Alan Lord fonds (F039), Box 2, folder AL-UIIWB-12_A. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Ultimatum II production team. Poster, programs, and press releases for Ultimatum II, Sept. 1987, Alan Lord fonds (F039), Box 2, folder AL-UIIPK. Concordia University Library, Special Collections, Montréal, QC.\"}]"],"_version_":1853670549049311232,"timestamp":"2026-01-07T14:59:53.477Z","Note":["[{\"note\":\"Media Preserve Metadata for Tape U-5-1.\\n\\n<MediaAsset>\\n<!-- Original Physical Asset and Transfer Details -->\\n<Original>\\n<Filename>U-5-1</Filename>\\n<Title>Paul Chamberland Eldon Garnet Karl Jirgens Sylvere Lotringer</Title>\\n<RunningTime>00:11:30</RunningTime>\\n<RecordDate>undated</RecordDate>\\n<FormatType>Open Reel</FormatType>\\n<StockBrand>Ampex</StockBrand>\\n<TapeModel>406</TapeModel>\\n<TapeWidth>1/4\\\"</TapeWidth>\\n<TapeType>Polyester</TapeType>\\n<ReelSize>7\\\"</ReelSize>\\n<TrackConfiguration>8 Track</TrackConfiguration>\\n<SoundField>Mono</SoundField>\\n<RecordingSpeed>15 ips</RecordingSpeed>\\n<NoiseReduction>None</NoiseReduction>\\n<Equalization>NAB</Equalization>\\n<PackOrientation>Heads 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Brochure.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1296620055\",\"venue\":\"Foufounes Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"content_notes":["Contents field [transcription] by Emma Telaro. \n\n"],"contents":["Ultimatum_Mixdown_Richard Martel_U-5-2_T5_T6_T7_T8.mp3\n\nThe following is a transcription of Richard Martel’s performance at Ultimatum, Sunday May 5th, 1985 at the Foufounes Electriques. The Ultimatum festival pamphlet notes Martel’s role as the editor of Intervention magazine, a Quebec-based journal of international repute also known as ‘Inter’. Since 1979, Inter has published articles on all forms of contemporary art, questioning the role of art in society, politics and culture. Martel is the author and editor of a number of articles and books on performance art. As a curator and multimedia artist he has organized and participated in various art events and festivals. His own practice centers on art and the social. At the beginning of his Ultimatum set, Martel introduces the 3 pieces he will perform, \"Subordination\", \"Insubordination\" and \"L'expérience de l'art comme disponibilité du temps” which consist of sound and poetry.\n\nTRANSCRIPTION\n\nRichard Martel \n00:00:00\nMicrophone test.\n\nRichard Martel \n00:00:17\nIntroduces title of performance pieces \"Subordination\", \"Insubordination\" and \"L'expérience de l'art comme disponibilité du temps\". \n\nStage\n00:00:40\nAmbient sound [clanging noise throughout].\n\nRichard Martel\n00:00:52\nPerforms \"Subordination\" [chant] | Keywords: Guttenberg, stigmate, typographie, visuelle. \n\nAudience\n00:03:18\nApplause [tape cut]. Ambient sound [end of clanging].\n\nRichard Martel\n00:03:38\nPerforms \"Insubordination\" [tape cuts in while performance in progress]. [Martel, Various noises, grunting, additional audio tape]. \n\nAudience\n00:08:43\nApplause\n\nRichard Martel\n00:09:12\n\"On peut-y-aller\". \n\nRichard Matel\n00:09:25\nPerforms \"L'expérience de l'art comme disponibilité du temps\". Ambient sounds [audio, fan, friction, voice] and poetry. | Keywords: langage, art, \"L'experience de l'art comme disponibilité du temps\", avions, Québec, formalisme, Nietszche, Lewis Carroll, Karl Marx, Félix Potin, dada, concrete poetry, [cuts out].\n\nEND\n00:15:54\n[cuts out]\n\n"],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Ultimatum Program/me [Festival Pamphlet]\"},{\"url\":\"https://www.erudit.org/en/journals/inter/\",\"citation\":\"Inter journal\"},{\"url\":\"https://inter-lelieu.org/le-lieu/equipe/\",\"citation\":\"Le lieu webpage \"},{\"url\":\"https://inter-lelieu.org/revue-inter/a-propos/\",\"citation\":\"Information about Inter journal on le lieu webpage.\"},{\"url\":\"https://www.discogs.com/artist/965090-Richard-Martel\",\"citation\":\"Discogs entry Richard Martel \"},{\"url\":\"https://e-artexte.ca/view/artists/Martel,_Richard.htmlhttps://www.google.com/url?q=https://e-artexte.ca/view/artists/Martel,_Richard.html&sa=D&source=docs&ust=1649188287726748&usg=AOvVaw2KmMZmQ9mvFsduN9QCd9-M\",\"citation\":\"List of items on e-artexte related to Richard Martel.\"},{\"url\":\"\",\"citation\":\"Martel, Richard. Contract, bionote, poem, and performance plan for Ultimatum, c. May 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder2_mar. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Various authors. Newsclippings about Richard Martel, Feb.–Nov. 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder2_mar. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Pattibo. Photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-photos. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. 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Transcription and related works by Emma Telaro. \",\"type\":\"Cataloguer\"}]"],"score":1.2242479},{"id":"1498","cataloger_name":["Sadie,Barker"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Alan Lord collection"],"source_collection_label":["Alan Lord collection"],"collection_contributing_unit":["SpokenWeb at Concordia University"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Alan Lord collection contains all the archives regarding the Ultimatum poetry readings and the Ultimatum & Ultimatum II festivals, including film, sound and documentation."],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Jean-Paul Curtay at Ultimatum Festival 1985-05-05"],"item_title_source":["Container and Brochure "],"item_title_note":["On tape \"U-5-3\" and festival schedule corroborated in brochure. "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Alan Lord Collection"],"item_subseries_title":["Ultimatum [1]"],"item_identifiers":["[]"],"rights_notes":["Rights status in process. Alan Lord has permission waivers. We may wish to seek permission from individual artists.  "],"creator_names":["Curtay, Jean-Paul"],"creator_names_search":["Curtay, Jean-Paul"],"creators":["[{\"url\":\"http://viaf.org/viaf/29532386/#Curtay,_Jean-Paul\",\"name\":\"Curtay, Jean-Paul\",\"dates\":\"1951-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Lord, Alan"],"contributors_names_search":["Lord, Alan"],"contributors":["[{\"url\":\"http://viaf.org/viaf/80186482\",\"name\":\"Lord, Alan\",\"dates\":\"1954-\",\"notes\":\"Alan Lord has been designated Contributor when in the role of series organizer and Creator when in the role of Performer. \",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Lord, Alan"],"Performance_Date":[1985],"material_description":["[{\"side\":\"Tracks 1-4 \",\"image\":\"../Uploads/5876/Screen Shot 2020-11-08 at 8.11.39 PM.png\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Ampex 460\",\"generations\":\"Audio taken from original reel to reel 8 track tape.\",\"Conservation\":\"Perforation repairs. 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Brochure.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1296620055\",\"venue\":\"Foufounes Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"content_notes":["Contents field [transcription] by Emma Telaro. \n\n"],"contents":["Ultimatum_Mixdown_Jean-Paul Curtay_U-5-3_T1_T2_T3_T4\n\nThe following is a transcription of the Jean-Paul Curtay set at Ultimatum, Sunday May 5th, 1985 at the Foufounes Électriques. The Ultimatum festival program lists the performance as “Sound Super Writing.” Curtay was a member of the French avant-garde Lettrist movement and provided vital sonic and written contributions to its exegesis (see Body Music and Hypegraphic Music). In his memoirs, Alan Lord describes how, in this performance, Curtay wraps his mouth around the microphone to produce the sounds of his Sound Super Writing. The recording ends with an audio excerpt of the film “Framed” by Montreal filmmaker [(?)] Napoléon Moffat, a go-between Curtay’s set and the John Giorno band. \n\nFor more on French Lettrism, see Curtay’s performances and publications.\n\nTRANSCRIPT\n\nJean-Paul Curtay\n00:00:00\nPerforms sound [tape or computer audio, barking, gurgling, recorded human voices, speech sounds, stomping, stepping, mouth sounds, sound super writing]. | Keywords: occupy, action\n\nUnknown\n00:03:05\nAmbient Sound [pause in performance, silence, microphone feedback]. \n\nJean-Paul Curtay\n00:03:25\nPerforms sound [warbling, speech sounds, mouth sounds, nonsense, words, echo, vibrations, yelling]. | Keywords: power, rights, El Salvador, schools, what if, et si. \n\nAudience\n00:10:23\nApplause\n\nJean-Paul Curtay \n00:10:42\nPerforms sound [tape or computer audio, fan, speech sounds, mouth sounds, electronic sounds, murmuring, gurgling]. | Keywords: copie. \n\nUnknown\n00:15:38\nSilence [tape cut]\n\nJean-Paul Curtay\n00:15:42\nPerforms sound [slurping, muffled music, mouth sounds, recorded human voices, engine sound, electronic sounds, mouth noises]. | Keywords: what are you doing, save the baby birds.\n\nJean-Paul Curtay\n00:21:13\nSilence [Pause] \n\nJean-Paul Curtay\n00:21:23\nPerforms sound [pre-recorded sounds fade in, vocals, warbling, mouth sounds, speech sounds, yelling, screaming, tape or computer audio, electronic sounds]. | Keywords: man, animal, manimal.\n\nAudience\n00:24:31\nAmbient sounds audible throughout the end of the piece [\"bravo\", applause, banter]. \n\nJean-Paul Curtay\n00:21:24\nContinues to perform sound. \n\nAudience\n00:27:38\nApplause [sounds from Curtay set fade out]. \n\nAlan Lord\n00:28:18\nAnnounces the John Giorno band as the following set and introduces cinematic interlude, the film “Framed” by Napoléon Moffat, while technicians exit stage. | Keywords: bonsoir, the John Giorno band, Napoleon Moffat, the John Giorno Band, poésie visuelle.\n\n[Sound from film]\n00:29:43\nMusic and narration from Napoleon Moffat film \"Framed\" [cuts out].\n\n"],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Ultimatum Program/me [Festival Pamphlet]\"},{\"url\":\"https://www.discogs.com/Jean-Paul-Curtay-Body-Music-1/release/7365316\",\"citation\":\"Discogs entry for Body Music. \"},{\"url\":\"https://www.tate.org.uk/art/archive/items/tga-200414-7-3-2-30/audio-arts-published-supplement-jean-paul-curtay-body-music\",\"citation\":\"Supplement from Body Music for Tate Museum Archive. \"},{\"url\":\"https://monoskop.org/images/0/09/Visible_Language_17_3_Lettrisme_Into_the_Present_1983.pdf\",\"citation\":\"Jean-Paul Curtay contribution to Lettrism special issue (“Chronology” of Lettrism and article “Super Writing 1983 – America 1683”)\\n\"},{\"url\":\"https://monoskop.org/images/2/29/Curtay_Jean-Paul_La_poesie_lettriste_1974.pdf\",\"citation\":\"Jean-Paul Curtay anthology on La Poésie Lettriste (1974).\"},{\"url\":\"https://www.worldcat.org/title/posie-lettriste/oclc/1050063824\",\"citation\":\"Worldcat entry for Jean-Paul Curtay anthology on La Poésie Lettriste (1974). \"},{\"url\":\"https://www.worldcat.org/title/letterism-and-hypergraphics-the-unknown-avant-garde-1945-1985/oclc/13537381\",\"citation\":\"Jean-Paul Curtay book Letterism and Hypergraphics: the unknown avant-garde, 1945-1985. \"},{\"url\":\"\",\"citation\":\"Curtay, Jean-Paul. Letter to Alan Lord, copy of poem, and event flyers for Ultimatum, 27 Feb. 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder2_cur. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Photo of Jean-Paul Curtay (uncredited photographer), n.d., Alan Lord fonds (F039), Box 1, folder AL-Folder2_cur. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Janicot, Françoise. Photo of Jean-Paul Curtay, n.d., Alan Lord fonds (F039), Box 1, folder AL-Folder2_cur. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Zimmerman, Ann. Photo of Jean-Paul Curtay, n.d., Alan Lord fonds (F039), Box 1, folder AL-Folder2_cur. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Ultimatum Administrative Council. Various manuscript notes for Ultimatum, Apr. 1985–May 1986, Alan Lord fonds (F039), Box 1, folder AL-Folder1_ult. Concordia University Library, Special Collections, Montréal, QC.\"}]"],"_version_":1853670549053505536,"timestamp":"2026-01-07T14:59:53.477Z","Note":["[{\"note\":\"Media Preserve Metadata for Tape U-5-3.\\n\\n<MediaAsset>\\n<!-- Original Physical Asset and Transfer Details -->\\n<Original>\\n<Filename>U-5-3</Filename>\\n<Title>Jean-Paul Curtsy</Title>\\n<RunningTime>00:03:09</RunningTime>\\n<RecordDate>undated</RecordDate>\\n<FormatType>Open Reel</FormatType>\\n<StockBrand>Ampex</StockBrand>\\n<TapeModel>406</TapeModel>\\n<TapeWidth>1/4\\\"</TapeWidth>\\n<TapeType>Polyester</TapeType>\\n<ReelSize>7\\\"</ReelSize>\\n<TrackConfiguration>8 Track</TrackConfiguration>\\n<SoundField>Stereo</SoundField>\\n<RecordingSpeed>15 ips</RecordingSpeed>\\n<NoiseReduction>None</NoiseReduction>\\n<Equalization>NAB</Equalization>\\n<PackOrientation>Heads 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Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Pattibo. Photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-photos. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Ultimatum Administrative Council. Marketing and admissions materials for Ultimatum, c. May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_ult-marketing. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Giorno, John, Anonyme Sanregret (Pierre Cornudet), and Geneviève Letarte. Typescript and manuscripts of \\\"Last night I gambled with my anger (and lost),\\\" \\\"Microprocesseur,\\\" and \\\"Petit Nuage et Betelgeuse,\\\" c. May 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder1_gio-let-san. 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Brochure.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1296620055\",\"venue\":\"Foufounes Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"contents":["Ultimatum_Mixdown_Herbert Huncke_U-5-5_T5_T6_T7  \n\nAudience \n00:00:03.70 \nApplause  \n\nAlan Lord \n00:00:07.19 \nIntroduces Herbert Huncke in French. | Keywords: Beat generation; Kerouac [https://www.wikidata.org/wiki/Q160534]; Ginsberg [https://www.wikidata.org/wiki/Q6711]; Burroughs [https://www.wikidata.org/wiki/Q188176].    \n\nAudience \n00:00:25.50 \nApplause  \n\nHerbert Huncke \n00:00:31.09 \nRefers to previous act (\"a hard act to follow\"). Discusses sound and lighting. \n   \nHerbert Huncke \n00:01:12.72 \nIntroduces first piece \"Cuba\". | Keywords: General theme; creative people; festival; young people; encouraging; strange story; individual; sorry.    \n\nHerbert Huncke \n00:02:21.53 \nReads \"Cuba.\" | Keywords: hustler; contraband; eggs; meat; pants; hair; contact; ten year sentence; paroled; deported; New York; prison; summer; scars; shower; tan; skin; symmetrical; medallion; mother; resenting; lover; job; mess hall; cigarettes; smokes; kind; favours; gambles; state prison; hospital.    \n\nAudience \n00:09:36.78 \nApplause    \n\nHerbert Huncke \n00:09:48.92 \nAddresses audience while searching for poem \"Alverez\". | Keywords: intended; start; sad story.    \n\nHerbert Huncke \n00:10:13.24 \nReads \"Alverez\" | Keywords: Knot; shoulders; body; toes; vomited; bile; moaning; police headquarters; fingerprinted; photographed; frisked; cold shower; cell; city prison; trial; junkie; cuffed; cell; bail; detective; courtroom; shivering; doctor; daylight; outside; weak; sleep; keys; Maria; Rita; Lola; collapsed; guard; Saturday; sadness; flesh; bunk; dead.    \n\nAudience \n00:24:54.97 \nApplause    \n\nHerbert Huncke \n00:25:33.40 \nReads \"Russian Blackie\" | Keywords: Bar; 42nd St. and 8th Ave; drunk; handsome; gloves; intoxicated; dapper; characters; hustlers; friends; hotels; exploits; underworld; thieves; favour; illegal; hipster; invitation; companion; exploits; love; reserve; hardness; wife; Frank; trust; danger; Frank Junior; babysitting.   \n\nAudience \n00:40:53.72 \nApplause    \n\nUnknown \n00:41:34.29 \nSpeaker addresses audience and references Alan Lord in French.    \n\nEND \n00:41:34.29 \n"],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Ultimatum Program/me [Festival Pamphlet].\"},{\"url\":\"\",\"citation\":\"Ultimatum Administrative Council. Marketing and admissions materials for Ultimatum, c. May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_ult-marketing. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Lord, Alan. Assorted materials regarding events Alan Lord helped produce, 1983–1986, Alan Lord fonds (F039), Box 2, folder AL-P. Concordia University Library, Special Collections, Montréal, QC.\"}]"],"_version_":1853670549058748416,"timestamp":"2026-01-07T14:59:53.477Z","Note":["[{\"note\":\"Media Preserve Metadata for Tape U-5-5.\\n\\n<MediaAsset>\\n<!-- Original Physical Asset and Transfer Details -->\\n<Original>\\n<Filename>U-5-5</Filename>\\n<Title>John Giorno Band Herbert Huneke</Title>\\n<RunningTime>00:14:15</RunningTime>\\n<RecordDate>undated</RecordDate>\\n<FormatType>Open Reel</FormatType>\\n<StockBrand>Ampex</StockBrand>\\n<TapeModel>406</TapeModel>\\n<TapeWidth>1/4\\\"</TapeWidth>\\n<TapeType>Polyester</TapeType>\\n<ReelSize>7\\\"</ReelSize>\\n<TrackConfiguration>8 Track</TrackConfiguration>\\n<SoundField>Mono</SoundField>\\n<RecordingSpeed>15 ips</RecordingSpeed>\\n<NoiseReduction>None</NoiseReduction>\\n<Equalization>NAB</Equalization>\\n<PackOrientation>Heads 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"],"item_language":["French"],"item_production_context":["Documentary recording"],"item_series_title":["Alan Lord Collection"],"item_subseries_title":["Ultimatum [1]"],"item_identifiers":["[]"],"rights_notes":["Rights status in process. Alan Lord has permission waivers. We may wish to seek permission from individual artists.  "],"creator_names":["Montambault, Steve"],"creator_names_search":["Montambault, Steve"],"creators":["[{\"url\":\"\",\"name\":\"Montambault, Steve\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Lord, Alan"],"contributors_names_search":["Lord, Alan"],"contributors":["[{\"url\":\"http://viaf.org/viaf/80186482\",\"name\":\"Lord, Alan\",\"dates\":\"1954-\",\"notes\":\"Alan Lord has been designated Contributor when in the role of series organizer and Creator when in the role of Performer. \\n\\n\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Lord, Alan"],"Performance_Date":[1985],"material_description":["[{\"side\":\"Tracks 1-3. Tracks 5, 7.  \",\"image\":\"../Uploads/5879/TAPES-U-1-3 IMG.png\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Ampex 406\",\"generations\":\"Audio taken from original reel to reel 8 track tape.\",\"Conservation\":\"Perforation repairs. Baked. \",\"equalization\":\"NAB. \",\"playback_mode\":\"Mono\",\"playing_speed\":\"15 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"8 track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Tape box. Handwritten notes on front and back. Sticker identifying tape as U-1-3.\",\"other_physical_description\":\"Reel U-1-3\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-1-3/U-1-3_t01_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-1-3_t01_preservation.wav\",\"channel_field\":\"Mono\",\"sample_rate\":\"96kHz\",\"duration\":\"00:24:27\",\"precision\":\"\",\"size\":\"403.11 MB\",\"bitrate\":\"2304000 \",\"encoding\":\"Waveform \",\"contents\":\"This is track 1 of 8 tracks on tape U-1-3 containing a backing track from Steve Montambault. \",\"notes\":\"Notes from Alan Lord file \\\"ULTIMATUM - BANDE U-1-3.pdf\\\" :\\n\\nULTIMATUM - PISTES SUR LA BANDE U-1-3\\n\\nU-1-3_t01_LEFEBVRE-BT_MONTAMBAULT-BT_1\\nPiste musique de fond Lefebvre - jusqu'à 9:03\\nPiste musique de fond Montambault - débute à 9:48 jusqu'à la fin, à 24:28\\nmais avec un long vide au milieu\\n\\nU-1-3_t02_LEFEBVRE-BT_MONTAMBAULT-BT_2\\nPiste musique de fond Lefebvre - 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débute à 9:48 jusqu'à la fin, à 24:28\\nmais avec un long vide au milieu\\n\\nU-1-3_t02_LEFEBVRE-BT_MONTAMBAULT-BT_2\\nPiste musique de fond Lefebvre - jusqu'à 9:03\\nPiste musique de fond Montambault - débute à 9:48 jusqu'à la fin, à 24:28\\nmais avec un faible signal à partir de 15:36\\n\\nU-1-3_t03_MONTAMBAULT-VT\\nPiste voix - Steve Montambault - débute à 6:56 jusqu'à la fin, à 24:28\\n\\nU-1-3_t04_LEFEBVRE-VT\\nPiste voix - Michel Lefebvre\\nPiste micro de Lefebvre, mais qui capte bande de fond, jusqu'à 5:40 Piste vide de 5:40 jusqu'à la fin, à 24:28\\n\\nU-1-3_t05_MONTAMBAULT-BT_LETARTE-BT\\nPiste musique de fond Montambault - jusqu'à 5:56\\nPiste musique de fond Geneviève Letarte - débute à 6:25 jusqu'à la fin, à 24:03\\n\\nU-1-3_t06_LETARTE-BT\\nPiste musique de fond - Geneviève Letarte Du début à la fin, à 24:03\\n\\nU-1-3_t07_MONTAMBAULT-VT_LETARTE-BT\\nPiste voix Montambault - jusqu'à 5:56\\nPiste musique de fond Geneviève Letarte - débute à 6:13 jusqu'à la fin, à 24:03\\n\\nU-1-3_t08_LETARTE-VT\\nPiste voix - Geneviève Letarte\\nDébute à 7:45 - jusqu'à la fin de la bande, 24:03\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-1-3/U-1-3_t07_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-1-3_t07_preservation.wav\",\"channel_field\":\"Mono\",\"sample_rate\":\"96kHz\",\"duration\":\"00:24:02\",\"precision\":\"\",\"size\":\"396.33 MB\",\"bitrate\":\"2304000 \",\"encoding\":\"Waveform \",\"contents\":\"This is track 7 of 8 tracks on tape U-1-3 containing a vocal track from Steve Montambault. \",\"notes\":\"Notes from Alan Lord file \\\"ULTIMATUM - BANDE U-1-3.pdf\\\" :\\n\\nULTIMATUM - PISTES SUR LA BANDE U-1-3\\n\\nU-1-3_t01_LEFEBVRE-BT_MONTAMBAULT-BT_1\\nPiste musique de fond Lefebvre - jusqu'à 9:03\\nPiste musique de fond Montambault - débute à 9:48 jusqu'à la fin, à 24:28\\nmais avec un long vide au milieu\\n\\nU-1-3_t02_LEFEBVRE-BT_MONTAMBAULT-BT_2\\nPiste musique de fond Lefebvre - jusqu'à 9:03\\nPiste musique de fond Montambault - débute à 9:48 jusqu'à la fin, à 24:28\\nmais avec un faible signal à partir de 15:36\\n\\nU-1-3_t03_MONTAMBAULT-VT\\nPiste voix - Steve Montambault - débute à 6:56 jusqu'à la fin, à 24:28\\n\\nU-1-3_t04_LEFEBVRE-VT\\nPiste voix - Michel Lefebvre\\nPiste micro de Lefebvre, mais qui capte bande de fond, jusqu'à 5:40 Piste vide de 5:40 jusqu'à la fin, à 24:28\\n\\nU-1-3_t05_MONTAMBAULT-BT_LETARTE-BT\\nPiste musique de fond Montambault - jusqu'à 5:56\\nPiste musique de fond Geneviève Letarte - débute à 6:25 jusqu'à la fin, à 24:03\\n\\nU-1-3_t06_LETARTE-BT\\nPiste musique de fond - Geneviève Letarte Du début à la fin, à 24:03\\n\\nU-1-3_t07_MONTAMBAULT-VT_LETARTE-BT\\nPiste voix Montambault - jusqu'à 5:56\\nPiste musique de fond Geneviève Letarte - débute à 6:13 jusqu'à la fin, à 24:03\\n\\nU-1-3_t08_LETARTE-VT\\nPiste voix - Geneviève Letarte\\nDébute à 7:45 - jusqu'à la fin de la bande, 24:03\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-05-D01\",\"type\":\"Performance Date\",\"notes\":\"According to brochure, performance began at 20:30. \",\"source\":\"Container. Brochure.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1296620055\",\"venue\":\"Foufounes Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"content_notes":["Transcription by Emma Telaro.\n\nNotes from Alan Lord file \"ULTIMATUM - BANDE U-1-3.pdf\" :\n\nULTIMATUM - PISTES SUR LA BANDE U-1-3\n\nU-1-3_t01_LEFEBVRE-BT_MONTAMBAULT-BT_1\nPiste musique de fond Lefebvre - jusqu'à 9:03\nPiste musique de fond Montambault - débute à 9:48 jusqu'à la fin, à 24:28\nmais avec un long vide au milieu\n\nU-1-3_t02_LEFEBVRE-BT_MONTAMBAULT-BT_2\nPiste musique de fond Lefebvre - jusqu'à 9:03\nPiste musique de fond Montambault - débute à 9:48 jusqu'à la fin, à 24:28\nmais avec un faible signal à partir de 15:36\n\nU-1-3_t03_MONTAMBAULT-VT\nPiste voix - Steve Montambault - débute à 6:56 jusqu'à la fin, à 24:28\n\nU-1-3_t04_LEFEBVRE-VT\nPiste voix - Michel Lefebvre\nPiste micro de Lefebvre, mais qui capte bande de fond, jusqu'à 5:40 Piste vide de 5:40 jusqu'à la fin, à 24:28\n\nU-1-3_t05_MONTAMBAULT-BT_LETARTE-BT\nPiste musique de fond Montambault - jusqu'à 5:56\nPiste musique de fond Geneviève Letarte - débute à 6:25 jusqu'à la fin, à 24:03\n\nU-1-3_t06_LETARTE-BT\nPiste musique de fond - Geneviève Letarte Du début à la fin, à 24:03\n\nU-1-3_t07_MONTAMBAULT-VT_LETARTE-BT\nPiste voix Montambault - jusqu'à 5:56\nPiste musique de fond Geneviève Letarte - débute à 6:13 jusqu'à la fin, à 24:03\n\nU-1-3_t08_LETARTE-VT\nPiste voix - Geneviève Letarte\nDébute à 7:45 - jusqu'à la fin de la bande, 24:03"],"contents":["Ultimatum_Mixdown_Steve Montambault_U-1-3_T1_T2_T3_T4_U-1-3_T5_T6_T7.mp3\n\nThe following is a transcription of Steve Montambault’s performance at Ultimatum, Wednesday May 1th, 1985. The Ultimatum festival pamphlet lists Montambault’s performance as “Poésie Sonore” or “Sound Poetry”. The recording features electronic sounds, poetry, vocal performances and microphone distortions. \n\nTRANSCRIPT\n\nSteve Montambault\n00:00:00\nPerforms Sound Poetry [sound effects, electronic sounds, bilingual words, alien voice, microphone distortions].\n\nAudience\n00:02:16\nApplause\n\nSteve Montambault\n00:02:49\nContinues performance [voice distortion, sound effects, electronic sounds, poetry].\n\nAudience\n00:08:41\nApplause \n\nSteve Montambault\n00:09:02\nPerforms English poem [voice distortion from microphone]. Keywords: hometown, car, key, people.\n\nAudience\n00:13:41\nLaughter and applause.\n\nSteve Montambault\n00:13:44\nContinues performance [electronic sounds and voice distortion from microphone]. \n\nUnknown\n00:17:30\nPause \n\n00:17:41\nPerforms electronic sounds [vocal repetition].\n\nEND\n00:23:03\n"],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Ultimatum Program/me [Pamphlet]\"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. Concordia University Library, Special Collections, Montréal, QC.\"}]"],"_version_":1853670549060845568,"timestamp":"2026-01-07T14:59:53.477Z","Note":["[{\"note\":\"Multitrack Mix File Name: Ultimatum_Mixdown_Steve Montambault_U-1-3_T1_T2_T3_T4_U-1-3_T5_T6_T7.mp3\",\"type\":\"General\"},{\"note\":\"Media Preserve Metadata for Tape U-1-3.\\n\\n<MediaAsset>\\n<!-- Original Physical Asset and Transfer Details -->\\n<Original>\\n<Filename>U-1-3</Filename>\\n<Title>Michel Lefebvre Steve Montanbantt Genvieve Letarte</Title>\\n<RunningTime>00:24:27</RunningTime>\\n<RecordDate>undated</RecordDate>\\n<FormatType>Open Reel</FormatType>\\n<StockBrand>Ampex</StockBrand>\\n<TapeModel>406</TapeModel>\\n<TapeWidth>1/4\\\"</TapeWidth>\\n<TapeType>Polyester</TapeType>\\n<ReelSize>7\\\"</ReelSize>\\n<TrackConfiguration>8 Track</TrackConfiguration>\\n<SoundField>Mono</SoundField>\\n<RecordingSpeed>15 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Brochure.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1296620055\",\"venue\":\"Foufounes Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"content_notes":["Transcription by Emma Telaro. \n\nNotes from Alan Lord file \"ULTIMATUM - BANDE U-1-3.pdf\" :\n\nULTIMATUM - PISTES SUR LA BANDE U-1-3\n\nU-1-3_t01_LEFEBVRE-BT_MONTAMBAULT-BT_1\nPiste musique de fond Lefebvre - jusqu'à 9:03\nPiste musique de fond Montambault - débute à 9:48 jusqu'à la fin, à 24:28\nmais avec un long vide au milieu\n\nU-1-3_t02_LEFEBVRE-BT_MONTAMBAULT-BT_2\nPiste musique de fond Lefebvre - jusqu'à 9:03\nPiste musique de fond Montambault - débute à 9:48 jusqu'à la fin, à 24:28\nmais avec un faible signal à partir de 15:36\n\nU-1-3_t03_MONTAMBAULT-VT\nPiste voix - Steve Montambault - débute à 6:56 jusqu'à la fin, à 24:28\n\nU-1-3_t04_LEFEBVRE-VT\nPiste voix - Michel Lefebvre\nPiste micro de Lefebvre, mais qui capte bande de fond, jusqu'à 5:40 Piste vide de 5:40 jusqu'à la fin, à 24:28\n\nU-1-3_t05_MONTAMBAULT-BT_LETARTE-BT\nPiste musique de fond Montambault - jusqu'à 5:56\nPiste musique de fond Geneviève Letarte - débute à 6:25 jusqu'à la fin, à 24:03\n\nU-1-3_t06_LETARTE-BT\nPiste musique de fond - Geneviève Letarte Du début à la fin, à 24:03\n\nU-1-3_t07_MONTAMBAULT-VT_LETARTE-BT\nPiste voix Montambault - jusqu'à 5:56\nPiste musique de fond Geneviève Letarte - débute à 6:13 jusqu'à la fin, à 24:03\n\nU-1-3_t08_LETARTE-VT\nPiste voix - Geneviève Letarte\nDébute à 7:45 - jusqu'à la fin de la bande, 24:03"],"contents":["Ultimatum_Mixdown_Geneviève Letarte_U-1-3_T5_T6_T7_T8_U-1-4_T1_T2_T3_T4.mp3\n\nThe following is a transcription of Genevieve Letarte’s performance at Ultimatum, Monday May 1st, 1985. Letarte is an interdisciplinary artist from Montréal, Québec, Canada, writing under various modes and capacities: she is the author of 4 novels, among them, Souvent la nuit tu te reveilles (2002) and Les Vertiges Molino (1996), a poet, singer and songwriter. Her most recent publication is a poetry collection entitled Mes Ailleurs (2020). Her performances often combine text, song and music, as does the following multimodal performance from Ultimatum ’85, which mixes sound, song and poetry. The Ultimatum LP features “Petite Nuage Et Betelgeueuse” from this set, with electronic percussion by Bernard Poirier, music by Trafic D’Influences, synthesizer and trombone by Claude Saint-Jean, and word and voice by Geneviève Letarte. \n\nGeneviève Letarte\n00:00:00\nPerforms [music, drums, instruments, electronic instruments, saxophone, chanting, singing, poetry, electronic sounds, vocal performance] | Keywords: répeter, texte, geste, oublier. \n\nGeneviève Letarte\n00:02:53\nPerforms [poetry, singing, music, keyboard, electronic sounds] | Keywords: reincarnation, négociation, ville, harpie, voyage, vide, magie, Afrique, café, Parisien, crash, cochonnes, silence.\n\nGeneviève Letarte\n00:07:55\nPerforms [poetry, electronic sounds] | Keywords: Saturne, dommage, Américaniser, absence, retrouvailles.  \n\nGeneviève Letarte\n00:11:01\nPerforms [poetry, music, electronic sounds, guitar] | Keywords: cheval, enfant, amour, laboratoire, tranquille, texte, peau, livre, bouche, téléphone, stylo, vacances, tendresse, chagrin, distance.\n\nUnknown\n00:17:48\nTape cut \n\nGeneviève Letarte\n00:17:51\nPerforms [poetry, singing, music, saxophone, electronic sounds] | Keywords: chair, peur, baiser, marcher, idoles, amant, coeur, théorie, train, maison. \n\nAudience\n00:21:40\nApplause \n\nEnd\n00:22:01\n\n"],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Ultimatum Program/me [Pamphlet]\"},{\"url\":\"http://www.edhexagone.com/genevieve-letarte/auteur/leta1003\",\"citation\":\"Geneviève Letarte bio on l'Hexagone [Québecor Média]\"},{\"url\":\"https://www.supermusique.qc.ca/fr/artistes/letarte_ge\",\"citation\":\"Artist bio, audio, and events on supermusique.ca.ca\"},{\"url\":\"https://www.discogs.com/artist/591749\",\"citation\":\"Discogs entry Geneviève Letarte\"},{\"url\":\"https://actuellecd.com/fr/artiste/letarte_ge/Genevi%C3%A8ve_Letarte\",\"citation\":\"Artist bio, press, and web links. \"},{\"url\":\"https://www.renaud-bray.com/Livres_Produit.aspx?id=3293463&def=Mes+ailleurs%2CLETARTE%2C+GENEVI%C3%88VE%2C9782896454013\",\"citation\":\"Link to purchase novel by Geneviève Letarte, \\\"Mes ailleurs\\\". \"},{\"url\":\"\",\"citation\":\"Letarte, Geneviève. Typescript of \\\"Petit Nuage et Betelgeuse,\\\" for Ultimatum, c. 1985 May, Alan Lord fonds (F039), Box 1, folder AL-Folder1_let. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Letarte, Geneviève. Contract for Ultimatum, 12 Apr. 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder2_let. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Butterfield, Sarah. Photo of Geneviève Letarte, n.d., Alan Lord fonds (F039), Box 1, folder AL-Folder2_let. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Maheux, Camille. Photo of Geneviève Letarte, n.d., Alan Lord fonds (F039), Box 1, folder AL-Folder2_let. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Ultimatum Administrative Council. Various manuscript notes for Ultimatum, Apr. 1985–May 1986, Alan Lord fonds (F039), Box 1, folder AL-Folder1_ult. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Ultimatum Administrative Council. Miscellaneous organizational material for Ultimatum, Feb.–Jun. 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder2_ult. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Giorno, John, Anonyme Sanregret (Pierre Cornudet), and Geneviève Letarte. Typescript and manuscripts of \\\"Last night I gambled with my anger (and lost),\\\" \\\"Microprocesseur,\\\" and \\\"Petit Nuage et Betelgeuse,\\\" c. May 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder1_gio-let-san. 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Brochure.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1296620055\",\"venue\":\"Foufounes Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"content_notes":["Transcription by Emma Telaro. \n\nPerformance of \"Poésie Guerrière\" according to bilingual \"Ultimatum Programme\" pamphlet. "],"contents":["Ultimatum_Mixdown_Jack V_U-1-4_T1_T2_T3_T4.mp3\n\nThe following is a transcription of Jack V performance of “Poésie Guerrière” at Ultimatum, Monday May 1st, 1985 at the Foufounes Electriques. Alan Lord provides a description and interpretation of the performance in his memoirs: \n\n“For his performance—called Poésie guerrière—Jack read a few texts, then smashed a mirror, invoking \"seven years of bad luck!\" He then stripped down to the waist and smeared war paint on his face. He started dancing, prancing and swaying in abandon like a wild man, and soon a regiment of a dozen drummers joined him onstage one by one—a post-punk marching band—martially rat-tatting their snares. Jack was feline and menacing, irresistibly magnetic. This was poetry beyond words, like Alex nodding you his glass of Moloko Plus in A Clockwork Orange. When we watch Jack's clip we feel the shock of realizing his performance anticipates by some 35 years that of Joaquin Phoenix dancing down the stairs in Joker.”\n\nJack V entered the alternative scene by playing bass for Roro d’Haïti and later for Monty Casin, in First Aid Brigade. Lord determines that ultimately, Jack V “gave the most memorable performance of the festival”. \n\nTRANSCRIPT\n\nJack V\n00:00:00\nPerforms “Poésie Guerrière” [acapella singing, chanting and poetry over buzzing sound]. \n\nJack V\n00:58:00\nSmashes mirror, “7 ans de malheur!”.\n\nJack V\n00:01:02\nPerforms “Poésie Guerrière” [reads poem over musical track and electronic sounds] | Keywords: religieuse, avortement, écoliers, couronne, chagrin, intestin, l’inderteminable, absolu, chien, révolution, ange, violence, peur, alcohol, rock ’n roll, corps, tête, spectateur, sexe. \n\nJack V\n00:10:08\nContinues performance of “Poésie Guerrière” [chanting, singing, robot sounds, electronic sounds, human voices, poetry] | Keywords: trance, chapeau, taureau, habit, moine, guerre, sauvage, Zorro, Don Quixote, Pepino, radio. \n\nJack V\n00:13:12\nContinues performance of “Poésie Guerrière” [Jack V says a few words into the mic while music plays. Dancing, electronic sounds, drums, bass, guitar, keyboard] | Keywords: Rock n’Roll, Madonna.\n\nJack V\n00:16:52\nContinues performance of  “Poésie Guerrière” [repeats variations of “allons à la guerre” over sustained drum roll, keyboard and electronic sounds]. | Keywords: guerre, cause d’honneur, riche, pauvre, ridicule. \n\nEND\n00:19:02\nDrums and snares fade out. \n\n"],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Ultimatum Program/me [Pamphlet]\"},{\"url\":\"\",\"citation\":\"Alan Lord unpublished memoirs. \"},{\"url\":\"https://www.youtube.com/watch?v=dp5RbILEQpc\",\"citation\":\"Jack V performance at Ultimatum uploaded by Alan Lord on YouTube. \"},{\"url\":\"https://www.discogs.com/release/435530-Monty-Cantsin-First-Aid-Brigade-Mass-Media\",\"citation\":\"Discogs entry for Mounty Cantsin [Jack V on bass]. \"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. 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"],"item_language":["French"],"item_production_context":["Documentary recording"],"item_series_title":["Alan Lord Collection"],"item_subseries_title":["Ultimatum [1]"],"item_identifiers":["[]"],"rights_notes":["Rights status in process. Alan Lord has permission waivers. We may wish to seek permission from individual artists.  "],"creator_names":["Tougas, Colette"],"creator_names_search":["Tougas, Colette"],"creators":["[{\"url\":\"http://viaf.org/viaf/50700299\",\"name\":\"Tougas, Colette \",\"dates\":\"1950-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Lord, Alan"],"contributors_names_search":["Lord, Alan"],"contributors":["[{\"url\":\"http://viaf.org/viaf/80186482\",\"name\":\"Lord, Alan\",\"dates\":\"1954-\",\"notes\":\"Alan Lord has been designated Contributor when in the role of series organizer and Creator when in the role of Performer. \\n\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Lord, Alan"],"Performance_Date":[1985],"material_description":["[{\"side\":\"Tracks 7-8. \",\"image\":\"../Uploads/5881/Screen Shot 2020-11-07 at 1.17.54 PM.png\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Ampex 406\",\"generations\":\"Audio taken from original reel to reel 8 track tape.\",\"Conservation\":\"Perforation repairs. 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Brochure.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1296620055\",\"venue\":\"Foufounes Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"content_notes":["According to festival pamphlet \"Ultimatum Programme\", Colette Tougas performs \"Clara la Brune\". Corroborated in listening.\n\nTranscription by Emma Telaro.  "],"contents":["Ultimatum_Mixdown_Colette Tougas_U-1-4_T7_T8.mp3\n\nThe following is a transcription of the Colette Tougas set at Ultimatum, Wednesday May 1st, 1984 at the Foufounes Électriques. Tougas performs “Clara La Brune”, an alluring, dramatic monologue with a refrain sung throughout. In his memoirs, Alan Lord counts the performance as one of the festival highlights, recalling “Writer Colette Tougas singing a capella the sultry Modesty in her smoldering breathy voice, which I just had to put on the festival's documentary LP...” Colette Tougas is a translator, writer of fiction and of essays, recently contributing art criticism to the online magazine, Ciel Variable. She is the author of Le Porphyre de la Rue Dezery (1985).  \n\nTRANSCRIPT\n\nAudience\n00:00:00\nAmbient Sounds [voices and laughter audible throughout]. \n\nColette Tougas\n00:00:04\nIntroduces performance “Clara La Brune”. | Keywords: Clara La Brune, seduction.\n\nColette Tougas\n00:00:13\nPerforms “Clara La Brune”. Sings refrain throughout ‘On m’appelle Clara La Brune, on m’appelle la dame qui fume des cigarettes russes’. \n\nColette Tougas \n00:00:28\nPerforms “Clara La Brune”. | Keywords: tigane, Roumanie, Adam, Ève, Clara, femme fictive, nounours, malaise, moderne, amour, Paris.  \n\n[Unknown]\n00:03:37\nLaughter. \n\nColette Tougas \n00:03:39\nSpeaks “Merci”.\n\nColette Tougas \n00:03:43\nContinues “Clara La Brune”. \n\nColette Tougas \n00:03:51\nSings in Italian. Repeated throughout. Keywords: prima volta, uomo, tanto bello.\n\nColette Tougas\n00:04:10\nContinues “Clara La Brune”. |  Keywords: automne, chien Kiki, homme.  \n\n[Unknown]\n00:04:24\nLaughter. \n\nColette Tougas\n00:04:26\nSings Italian refrain. \n\nColette Tougas\n00:04:44 \nContinues “Clara La Brune”. | Keywords: mondaine, Roumanie, Italienne. \n\nColette Tougas \n00:05:13\nSings Italian refrain. \n\nColette Tougas\n00:05:31\nContinues “Clara La Brune”. | Keywords: chien Kiki, Paris, homme. \n\nColette Tougas\n00:05:48\nSings Italian refrain. \n\nColette Tougas\n00:06:10\nContinues performance. | Keywords: Amour, Cinéma, alcohol, fumée, russe, cinéaste, chat, beau, laid, bonheur, prince, novembre, séduction, âme, beurrier, obsession, malaise, désir, amoureux.\n\n[Unknown]\n00:11:10\nClaps preemptively. \n\nColette Tougas\n00:11:12 \n“J’ai pas fini j’m’excuse” [laughs].\n\nColette Tougas\n00:11:17\nSings “Modesty”. | Keywords: diamonds, neck, lip, mink coat, fur, pur, presents, Rolls Royce.\n\nAudience\n00:13:46\nApplause \n\nColette Tougas \n00:13:58\nSpeaks “Merci”.\n\nColette Tougas \n00:14:01\nContinues “Clara La Brune”. | Keywords: désir, volonté, corps, veille de Noël, potins, flirt, l’art de la séduction, l’autre, regard, cigarette, boisson, passion. \n\nColette Tougas \n00:17:06\nSings French refrain, “On m’appelle Clara La Brune, on m’apelle la dame qui fume des cigarettes russes”. \n,\nColette Tougas\n00:17:16\nContinues “Clara La Brune”. | Keywords: femme fatale, sentimentale, banal, verticale. \n\nColette Tougas\n00:17:31\nSings French refrain.\n\nColette Tougas \n00:17:41\nContinues “Clara La Brune”. | Keywords: caserne, pompiers, escaliers, ascension, vanité, pâtissier, infini.\n\nColette Tougas\n00:18:06\nSings French refrain. \n\nColette Tougas\n00:18:17\nContinues “Clara La Brune”. \n\nColette Tougas \n00:18:31 \nSings French refrain.\n\nAudience \n00:18:42 \nApplause. \n"],"Related_works":["[{\"url\":\"http://cielvariable.ca/en/auteurscv/tougas-colette-en/\",\"citation\":\"Contributions to the online magazine \\\"Ciel Variable\\\". \\n\"},{\"url\":\"\",\"citation\":\"Title of piece performed, \\\"Clara la Brune\\\". \"},{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Ultimatum Program/me [Pamphlet]\"},{\"url\":\"https://soundcloud.com/alan-lord-4/05-colette-tougas-modesty\",\"citation\":\"Alan Lord soundcloud. Recording of Colette Tougas singing \\\"Modesty\\\". \"},{\"url\":\"\",\"citation\":\"Alan Lord unpublished memoirs. \"},{\"url\":\"https://www.discogs.com/release/2341164-Various-Ultimatum\",\"citation\":\"Ultimatum LP on discogs. \"},{\"url\":\"https://www.pleinelune.qc.ca/titre/255/le-porphyre-de-la-rue-dezery\",\"citation\":\"Le porphyre de la rue Dézéry, novel by Colette Tougas.\"},{\"url\":\"\",\"citation\":\"Tougas, Colette. Contract, bionote, and performance plan for Ultimatum, 25 Feb. 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder2_tou. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Tougas, Colette. Typescript and manuscript versions of \\\"Modesty\\\" for Ultimatum, c. 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"],"item_language":["English, French"],"item_production_context":["Documentary recording"],"item_series_title":["Alan Lord Collection"],"item_subseries_title":["Ultimatum [1]"],"item_identifiers":["[]"],"rights_notes":["Rights status in process. Alan Lord has permission waivers. We may wish to seek permission from individual artists.  "],"creator_names":["Lord, Alan"],"creator_names_search":["Lord, Alan"],"creators":["[{\"url\":\"http://viaf.org/viaf/80186482\",\"name\":\"Lord, Alan\",\"dates\":\"1954-\",\"notes\":\"Alan Lord has been designated Contributor when in the role of series organizer and Creator when in the role of Performer. \\n\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Lord, Alan"],"contributors_names_search":["Lord, Alan"],"contributors":["[{\"url\":\"http://viaf.org/viaf/80186482\",\"name\":\"Lord, Alan\",\"dates\":\"1954-\",\"notes\":\"Alan Lord has been designated Contributor when in the role of series organizer and Creator when in the role of Performer. \\n\\n\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Lord, Alan"],"Performance_Date":[1985],"material_description":["[{\"side\":\"Tracks 1-4. \",\"image\":\"../Uploads/5884/Screen Shot 2020-11-07 at 4.35.29 PM.png\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Ampex 406\",\"generations\":\"Audio taken from original reel to reel 8 track tape.\",\"Conservation\":\"Perforation repairs. 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Sticker identifying tape as ALAN LORD.\",\"other_physical_description\":\"Reel AL-1\"}]"],"material_designations":["Reel to Reel","Reel to Reel"],"physical_compositions":["Magnetic Tape","Magnetic Tape"],"recording_type":["Analogue","Analogue"],"AV_type":["Audio","Audio"],"playback_mode":["Mono","Mono"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-1-5/U-1-5_t01_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-1-5_t01_preservation.wav\",\"channel_field\":\"Mono\",\"sample_rate\":\"96kHz\",\"duration\":\"00:16:55\",\"precision\":\"\",\"size\":\"278.80 MB\",\"bitrate\":\"2304000 \",\"encoding\":\"Waveform \",\"contents\":\"This is track 1 of 8 tracks on tape U-1-5 containing a backing track from Alan Lord. \",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-1-5/U-1-5_t03_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-1-5_t03_preservation.wav\",\"channel_field\":\"Mono\",\"sample_rate\":\"96kHz\",\"duration\":\"00:16:55\",\"precision\":\"\",\"size\":\"278.80 MB\",\"bitrate\":\"2304000 \",\"encoding\":\"Waveform \",\"contents\":\"This is track 3 of 8 tracks on tape U-1-5 containing a vocal track from Alan Lord.\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-1-5/U-1-5_t02_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-1-5_t02_preservation.wav\",\"channel_field\":\"Mono\",\"sample_rate\":\"96kHz\",\"duration\":\"00:16:55\",\"precision\":\"\",\"size\":\"278.80 MB\",\"bitrate\":\"2304000 \",\"encoding\":\"Waveform \",\"contents\":\"This is track 2 of 8 tracks on tape U-1-5 containing a backing track from Alan Lord.\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-1-5/U-1-5_t04_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-1-5_t04_preservation.wav\",\"channel_field\":\"Mono\",\"sample_rate\":\"96kHz\",\"duration\":\"00:16:55\",\"precision\":\"\",\"size\":\"278.80 MB\",\"bitrate\":\"2304000 \",\"encoding\":\"Waveform \",\"contents\":\"This is track 4 of 8 tracks on tape U-1-5 containing a vocal track from Alan Lord.\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Document\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-05-01\",\"type\":\"Performance Date\",\"notes\":\"According to brochure, performance began at 22:30.\",\"source\":\"Container. Brochure.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1296620055\",\"venue\":\"Foufounes Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"content_notes":["Transcription by Emma Telaro\n\nPerformance of \"Ignoring the Future Today\" according to festival pamphlet \"Ultimatum Programme\". "],"contents":["Ultimatum_Mixdown_Alan Lord_U-1-5_T1_T2_T3_T4.mp3\n\nThe following is a transcription of Alan Lord’s performance at Ultimatum, Wednesday May 1st, 1985. Alan Lord is the festival organizer and creator of Ultimatum. He is a Canadian musician, writer and engineer, and was a member of the bands Vex, the Marauders, Vent du Mont Scharr and Alan Lord & the Falling Men. An important figure for Montreal’s alternative punk scene, he is featured in Erik Cimon’s documentary “Mtl Punk -- The first wave” (2011). \n\nDuring his Ultimatum set, he performed four song-poems, including “Ignoring the Future Today '' and “Too Much Money” with accompanying electronic music tapes by Jean-Luc Bonspiel and computer graphics videos done by Boris Wanowitch. The Ultimatum LP features “Ignore the Future Today” with music by Jean-Luc Bonspiel and words and vocals by Alan Lord. \n\nTRANSCRIPT\n\nUnknown\n00:00:00\nAmbient sounds\n\nAlan Lord \n00:00:39\n“Ok on peut-y aller”\n\nAlan Lord\n00:01:01\nSpeaks\n\nAlan Lord\n00:01:06\nPerforms song [music, singing, speech, poetry, drum set, electric keyboard, electronic sounds] | Keywords: too much money, banks, stock exchange, secret deals, criminal, dream, wealth.\n\nAudience\n00:04:47\nApplause\n\nAlan Lord\n00:04:52\nSpeaks\n\nAlan Lord\n00:04:57\nPerforms song [cymbals, electronic sounds, electronic keyboard, bass, guitar, instruments, singing, poetry, speech] Keywords: career, media misery, starvation, sensation, fix, missiles, people, assassinate.\n\nAudience\n00:08:45 \nApplause\n\nAlan Lord \n00:08:47\nSpeaks\n\nAlan Lord\n00:08:49\nPerforms song [music, electronic sounds, bass, drum set, guitar, electric keyboard, singing, speech] | Keywords: everybody, stranger, change, universe, world. \n\nAudience\n00:11:44\nApplause\n\nAlan Lord\n00:11:58\nAnnounces upcoming performance on Friday [Boys du Severe] and performs song [electronic sounds, electric keyboard, bass, drum set, guitar, spoken word, speech] | Keywords: ecstatic, wind, sidewalk cracks, obstacles, work, cup of coffee, luxury, business, nation, egg, kid, philosophy, credibility, future. \n\nAudience \n00:16:25\nApplause \n\nAlan Lord\n00:16:38\nThanks the audience in French and explains his choice to write songs in English.\n"],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Ultimatum Program/me [Pamphlet]\\n\\n\"},{\"url\":\"https://www.discogs.com/release/2341164-Various-Ultimatum\",\"citation\":\"Discogs entry Ultimatum LP.\"},{\"url\":\"https://www.discogs.com/artist/1868386-Alan-Lord\",\"citation\":\"Discogs entry Alan Lord.\"},{\"url\":\"\",\"citation\":\"Alan Lord unpublished memoirs.\"},{\"url\":\"https://www.guernicaeditions.com/author/1005\",\"citation\":\"Guernica editions website: links, bio, and books by Alan Lord.\"},{\"url\":\"https://soundcloud.com/alan-lord-4/04-alan-lord-ignoring-the\",\"citation\":\"Select performances from Ultimatum 85 on Alan Lord Soundcloud. Track: Ignoring the Future Today by Alan Lord. \"},{\"url\":\"https://en.wikipedia.org/wiki/Alan_Lord\",\"citation\":\"Alan Lord wikipedia page.\"},{\"url\":\"https://montrealgazette.com/entertainment/mtl-punk-the-first-wave-captures-the-original-punk-scene-here\",\"citation\":\"Gazette article by Brendan Kelly on Erik Cimon’s documentary \\\"Mtl Punk – The First Waves\\\" which features Alan Lord.\"},{\"url\":\"https://minorliteratures.com/2019/03/22/burroughs-makes-it-to-the-foufounes-electriques-alan-lord/#\",\"citation\":\"Article \\\"Burroughs Makes It to The Foufounes Électriques\\\" by Alan Lord. \"},{\"url\":\"https://voir.ca/chroniques/mines-darchives/2019/06/06/alan-lord-gourou-paien-de-lunderground-quebecois/\",\"citation\":\"Article \\\"ALAN LORD, GOUROU PAÏEN DE L’UNDERGROUND QUÉBÉCOIS\\\" by Félix B. Desfossés. \"},{\"url\":\"https://vimeo.com/ondemand/punk1\",\"citation\":\"\\\"MTL PUNK - The First Wave\\\", by Érik Cimon and Alain Cliche (version anglaise)\"},{\"url\":\"\",\"citation\":\"Lord, Alan. Typescript of \\\"Ignoring The Future Today\\\" for Ultimatum, 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_lor-poem. Concordia University Library, Special Collections, Montréal, QC.\"}]"],"_version_":1853670549073428480,"timestamp":"2026-01-07T14:59:53.477Z","Note":["[{\"note\":\"Multitrack Mix File Name: \\nUltimatum_Mixdown_Alan Lord_U-1-5_T1_T2_T3_T4.mp3\",\"type\":\"General\"},{\"note\":\"Media Preserve Metadata for Tape U-1-5.\\n\\n<MediaAsset>\\n<!-- Original Physical Asset and Transfer Details -->\\n<Original>\\n<Filename>U-1-5</Filename>\\n<Title>Alan Lord Open Mouth</Title>\\n<RunningTime>00:16:55</RunningTime>\\n<RecordDate>undated</RecordDate>\\n<FormatType>Open Reel</FormatType>\\n<StockBrand>Ampex</StockBrand>\\n<TapeModel>406</TapeModel>\\n<TapeWidth>1/4\\\"</TapeWidth>\\n<TapeType>Polyester</TapeType>\\n<ReelSize>7\\\"</ReelSize>\\n<TrackConfiguration>8 Track</TrackConfiguration>\\n<SoundField>Mono</SoundField>\\n<RecordingSpeed>15 ips</RecordingSpeed>\\n<NoiseReduction>None</NoiseReduction>\\n<Equalization>NAB</Equalization>\\n<PackOrientation>Heads 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Brochure.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1296620055\",\"venue\":\"Foufounes Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"content_notes":["Pamphlet describes performance as \"Text/Computer Music\" with performers: Tristan Renaud, Gaetan Gravel, Corrina Viereck. "],"contents":["Coming soon. "],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Ultimatum Program/me [Pamphlet]\"},{\"url\":\"https://www.discogs.com/Various-Ultimatum/release/2341164\",\"citation\":\"Ultimatum LP discogs entry. \"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. 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Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"content_notes":["Festival pamphlet describes performance as \"poetry/electronic tapes\". \n"],"contents":["Coming soon."],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Ultimatum Program/me [Pamphlet]\"},{\"url\":\"\",\"citation\":\"Pattibo. 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"],"contents":["Coming soon."],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Ultimatum Program/me [Pamphlet]\"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Tcetera, André (André Trottier). Typescript note and press kit after Ultimatum, after 3 May 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder2_tce. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Toppings, Mike (Michael). Photo of Mike Toppings, n.d., Alan Lord fonds (F039), Box 1, folder AL-Folder2_top. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Toppings, Michael. Typescript of \\\"boom,\\\" n.d., Alan Lord fonds (F039), Box 1, folder AL-Folder1_top. 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"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Alan Lord Collection"],"item_subseries_title":["Ultimatum [1]"],"item_identifiers":["[]"],"rights_notes":["Rights status in process. Alan Lord has permission waivers. We may wish to seek permission from individual artists.  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"],"item_language":["French"],"item_production_context":["Documentary recording"],"item_series_title":["Alan Lord Collection"],"item_subseries_title":["Ultimatum [1]"],"item_identifiers":["[]"],"rights_notes":["Rights status in process. Alan Lord has permission waivers. We may wish to seek permission from individual artists.  "],"creator_names":["Bonspiel, Jean-Luc","Mignault, Jean-Martin","Thibeault, Josée","Wanowitch, Boris","Lord, Alan"],"creator_names_search":["Bonspiel, Jean-Luc","Mignault, Jean-Martin","Thibeault, Josée","Wanowitch, Boris","Lord, Alan"],"creators":["[{\"url\":\"http://viaf.org/viaf/59159397449519301861\",\"name\":\"Bonspiel, Jean-Luc \",\"dates\":\"1960-\",\"notes\":\"From correspondence with Alan: \\\"The music you hear is by the band Boys du Sèvère (JL Bonspiel, Josée Thibeault, JM Mignault) - I only joined them to do the song \\\"The Wrong Way\\\". As stated previously, Boris W joined them and they called their JOINT performance \\\"Misère Plus\\\".\\n\\nAccording to Ultimatum LP entry on Discogs, words, music and vocals by Jean-Luc Bonspiel. \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"https://www.discogs.com/artist/2861340-Jean-Martin-Mignault\",\"name\":\"Mignault, Jean-Martin \",\"dates\":\"\",\"notes\":\"From correspondence with Alan: The music you hear is by the band Boys du Sèvère (JL Bonspiel, Josée Thibeault, JM Mignault) - I only joined them to do the song \\\"The Wrong Way\\\". As stated previously, Boris W joined them and they called their JOINT performance \\\"Misère Plus\\\".\\n\\nAccording to Ultimatum LP entry on Discogs, percussions by Jean-Martin Mignault. \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/104903653\",\"name\":\"Thibeault, Josée \",\"dates\":\"\",\"notes\":\"From correspondence with Alan: The music you hear is by the band Boys du Sèvère (JL Bonspiel, Josée Thibeault, JM Mignault) - I only joined them to do the song \\\"The Wrong Way\\\". As stated previously, Boris W joined them and they called their JOINT performance \\\"Misère Plus\\\".\\n\\nAccording to Ultimatum LP entry on Discogs, voice by Josée Thibeault. \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/104709851\",\"name\":\"Wanowitch, Boris\",\"dates\":\"\",\"notes\":\"Notes from Alan: Boris Wanowitch wound up integrating his performance with that of Boys du Sévère - the whole being called Misère Plus. Boris did the occasional art performance, but was mainly a computer artist. The \\\"poésie des yeux\\\" referred to the computer animations he did on the videos which accompanied their performance. Boris and JL Bonspiel took turns reading a text being printed randomly live on a dot-matrix printer. Then Boris sat in a chair reading a paper while Josée Thibeault gave him a haircut, with the buzzing electric clipper amplified by microphones.\\n\\nNote that according to pamphlet, Boris Wanowitch was meant to have his own set, but integrated his performance to that of the Boys du Sévère: the result was \\\"Misère Plus\\\". \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/80186482\",\"name\":\"Lord, Alan\",\"dates\":\"1954-\",\"notes\":\"From correspondence with Alan: The music you hear is by the band Boys du Sèvère (JL Bonspiel, Josée Thibeault, JM Mignault) - I only joined them to do the song \\\"The Wrong Way\\\". As stated previously, Boris W joined them and they called their JOINT performance \\\"Misère Plus\\\".\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Lord, Alan"],"contributors_names_search":["Lord, Alan"],"contributors":["[{\"url\":\"http://viaf.org/viaf/80186482\",\"name\":\"Lord, Alan\",\"dates\":\"1954-\",\"notes\":\"Alan Lord has been designated Contributor when in the role of series organizer and Creator when in the role of Performer. \",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Lord, Alan"],"Performance_Date":[1985],"material_description":["[{\"side\":\"Tracks 5-8. \",\"image\":\"../Uploads/5901/Screen Shot 2020-11-09 at 10.31.33 PM.png\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Ampex 406\",\"generations\":\"Audio taken from original reel to reel 8 track tape.\",\"Conservation\":\"Perforation repairs. Baked. \",\"equalization\":\"NAB. \",\"playback_mode\":\"Mono\",\"playing_speed\":\"15 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"8 track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Tape box. Handwritten notes on front and back. Sticker identifying tape. \",\"other_physical_description\":\"Reel U-3-5\"},{\"side\":\"Tracks 1-4. \",\"image\":\"../Uploads/5903/Screen Shot 2020-11-10 at 9.29.41 AM.png\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Ampex 406\",\"generations\":\"Audio taken from original reel to reel 8 track tape.\",\"Conservation\":\"Perforation repairs. 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Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"content_notes":["According to festival pamphlet, performance described as \"digital music\" or, \"musique digital, Insouciance\". \n\nNotes from Alan on the performance: \"Boris Wanowitch wound up integrating his performance with that of Boys du Sévère - the whole being called Misère Plus. Boris did the occasional art performance, but was mainly a computer artist. The \"poésie des yeux\" referred to the computer animations he did on the videos which accompanied their performance. Boris and JL Bonspiel took turns reading a text being printed randomly live on a dot-matrix printer. Then Boris sat in a chair reading a paper while Josée Thibeault gave him a haircut, with the buzzing electric clipper amplified by microphones\". \n\n\"The music you hear is by the band Boys du Sèvère (JL Bonspiel, Josée Thibeault, JM Mignault) - I only joined them to do the song \"The Wrong Way\". As stated previously, Boris W joined them and they called their JOINT performance \"Misère Plus\"."],"contents":["Coming soon."],"Related_works":["[{\"url\":\"https://www.discogs.com/Various-Ultimatum/release/2341164\",\"citation\":\"Discogs entry for Ultimatum LP.\"},{\"url\":\"\",\"citation\":\"Notes from Alan Lord (correspondence). \"},{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Ultimatum Program/me [Pamphlet]\"},{\"url\":\"\",\"citation\":\"Boys du Sévère. Manuscript of \\\"Jésus\\\" for Ultimatum, c. 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder1_boys. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. 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"],"creator_names":["Daoust, Jean-Paul"],"creator_names_search":["Daoust, Jean-Paul"],"creators":["[{\"url\":\"http://viaf.org/viaf/7405391/#Daoust,_Jean-Paul\",\"name\":\"Daoust, Jean-Paul\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Lord, Alan"],"contributors_names_search":["Lord, Alan"],"contributors":["[{\"url\":\"http://viaf.org/viaf/80186482\",\"name\":\"Lord, Alan\",\"dates\":\"1954-\",\"notes\":\"Alan Lord has been designated Contributor when in the role of series organizer and Creator when in the role of Performer. \",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Lord, Alan"],"Performance_Date":[1985],"material_description":["[{\"side\":\"Tracks 6 - 7 \",\"image\":\"../Uploads/6000/Screen Shot 2021-01-12 at 2.31.08 PM.png\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Ampex 460\",\"generations\":\"Audio taken from original reel to reel 8 track tape.\",\"Conservation\":\"Perforation repairs. 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For full details on tracks see digital file descriptions\\\".\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-05-04\",\"type\":\"Performance Date\",\"notes\":\"According to brochure, performance began at 7:40PM.\",\"source\":\"Container. Brochure.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1296620055\",\"venue\":\"Foufounes Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"contents":["Coming soon. "],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Festival pamphlet. \"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Daoust, Jean-Paul. Contract and résume for Ultimatum, 28 Feb. 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder2_dao. Concordia University Library, Special Collections, Montréal, QC.\"}]"],"_version_":1853670549121662976,"timestamp":"2026-01-07T14:59:53.772Z","Note":["[{\"note\":\"Media Preserve Metadata for Tape U-3-6/U-4-1.\\n\\n<MediaAsset>\\n<!-- Original Physical Asset and Transfer Details -->\\n<Original>\\n<Filename>U-3-6_(U-4-1)</Filename>\\n<Title>Boys du Severe (Misere Plus) Claude Beausoleil + Michael Delisle</Title>\\n<RunningTime>00:10:01</RunningTime>\\n<RecordDate>undated</RecordDate>\\n<FormatType>Open Reel</FormatType>\\n<StockBrand>Ampex</StockBrand>\\n<TapeModel>406</TapeModel>\\n<TapeWidth>1/4\\\"</TapeWidth>\\n<TapeType>Polyester</TapeType>\\n<ReelSize>7\\\"</ReelSize>\\n<TrackConfiguration>8 Track</TrackConfiguration>\\n<SoundField>Mono</SoundField>\\n<RecordingSpeed>15 ips</RecordingSpeed>\\n<NoiseReduction>None</NoiseReduction>\\n<Equalization>NAB</Equalization>\\n<PackOrientation>Heads 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"],"creator_names":["Harvey, Pauline"],"creator_names_search":["Harvey, Pauline"],"creators":["[{\"url\":\"http://viaf.org/viaf/116543018/#Harvey,_Pauline\",\"name\":\"Harvey, Pauline\",\"dates\":\"1950-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Lord, Alan"],"contributors_names_search":["Lord, Alan"],"contributors":["[{\"url\":\"http://viaf.org/viaf/80186482\",\"name\":\"Lord, Alan\",\"dates\":\"1954-\",\"notes\":\"Alan Lord has been designated Contributor when in the role of series organizer and Creator when in the role of Performer. \",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Lord, Alan"],"Performance_Date":[1985],"material_description":["[{\"side\":\"Tracks 7 - 8 \",\"image\":\"../Uploads/6001/Screen Shot 2020-11-19 at 9.45.01 PM.png\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Ampex 460\",\"generations\":\"Audio taken from original reel to reel 8 track tape.\",\"Conservation\":\"Perforation repairs. 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For full details on tracks see digital file descriptions\\\".\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-3-6_%28U-4-1%29/U-3-6_%28U-4-1%29_t08_access.wav\",\"file_path\":\"\",\"filename\":\"U-3-6_%28U-4-1%29_t08_access.wav\",\"channel_field\":\"Mono\",\"sample_rate\":\"96kHz\",\"duration\":\"00:15:00\",\"precision\":\"\",\"size\":\"259.2 MB\",\"bitrate\":\"2304000\",\"encoding\":\"Waveform\",\"contents\":\"This is track 8 of 8 tracks on tape U-3-6/U-4-1 containing a vocal track from Pauline Harvey's performance.\\n\\n\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-05-04\",\"type\":\"Performance Date\",\"notes\":\"According to brochure, performance began at 8:00pm.\",\"source\":\"Container. Brochure.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1296620055\",\"venue\":\"Foufounes Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"contents":["Coming soon. "],"Related_works":["[{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Festival pamphlet. \"},{\"url\":\"\",\"citation\":\"Pattibo. Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Pattibo. Photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-photos. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Harvey, Pauline. Photos of Pauline Harvey, n.d., Alan Lord fonds (F039), Box 1, folder AL-Folder2_har. 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Contact sheets of photos taken during the Ultimatum Festival, 1–5 May 1985, Alan Lord fonds (F039), Box 1, folder AL-U85_pat-sheets. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Weiss, A.M. (Anne-Marie). Contract, bionote, performance plan of \\\"Belle Laide,\\\" and photo for Ultimatum, 20 Feb. 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder2_wei. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Weiss, A.M. (Anne-Marie). Manuscripts of \\\"BELLE LAIDE\\\" for Ultimatum, c. May 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder1_wei. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Weiss, A.M. (Anne-Marie). Typescript of \\\"BELLE LAIDE,\\\" 1985, Alan Lord fonds (F039), Box 1, folder AL-BL. 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Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"content_notes":["Bilingual \"Ultimatum Programme\" festival pamphlet describes performance as 'Poésie/Performance\" and \"Performance/Poetry\". Specification that artist is \"de/from Québec\". \n\nContents field [transcription] by Emma Telaro. "],"contents":["Ultimatum_Mixdown_Alain Martin Richard_U-3-4_T5_T6_T7_T8_U-3-5_T1_T2_T3_T4.mp3\n\nThe following is a transcription of the Alain-Martin Richard set at Ultimatum, Friday May 3rd, 1985 at the Foufounes Électriques. Richard is a multidisciplinary artist, editor and critic from Québec, Canada, active since the late 70s, touring and presenting at festivals and events across North America, Europe and Japan. Previously, he was a member of the defunct international collective The Nomads and of INTER/Le Lieu from Quebec City. More recently, he has been involved with the collective Les Causes Perdues and Folie/Culture, having co-created the poetic game, “L’atopie textutelle est une cause qui se perd” for the first. He co-edited Performance in/au Canada 1970-1990 with Clive Robertson, the book Territoires Nomades and various catalogues and publications on art and performance. His experimental practice questions the social and the everyday, postmodernism, space and identity. \n\nTRANSCRIPT\n\n[Unknown]\n00:00:00\nAmbient sounds [music cuts out]\n\nAlain-Martin Richard \n00:00:07\nIntroduces performance. | Keywords: texte charnelle, ordinateur, voix, imprimante, toast melba, popsicle. \n\nAlain-Martin Richard\n00:00:42\nPerforms vocal and electronic sounds [reads, chants, pants and moans over pre-recorded sounds and voices]. Keywords: peaux, plaisir, chair, frénésie, orgasme, crâne, recherche, remplace. \n\n[Unknown]\n00:07:23\nPause [silence].\n\nAlain-Martin Richard \n00:07:26\nContinues performance.\n\nAudience\n00:09:41\nApplause [electronic sound fades out]\n"],"Related_works":["[{\"url\":\"https://artpublicmontreal.ca/artiste/richard-alain-martin/\",\"citation\":\"Art Public Montréal page on Alain-Martin Richard \"},{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Ultimatum Program/me [Pamphlet]\"},{\"url\":\"https://artpublicmontreal.ca/en/artiste/richard-alain-martin/\",\"citation\":\"Art Public Montréal\"},{\"url\":\"https://artpublicmontreal.ca/en/artiste/richard-alain-martin/\",\"citation\":\"Au numérique, préférer la chair [Mois Multi] by Alain Martin Richard. \\n\"},{\"url\":\"http://www.performanceart.ca/index.php?m=people_details&id=117\",\"citation\":\"FADO Performance Art Centre\"},{\"url\":\"http://www.performanceart.ca/index.php?m=program&id=171\",\"citation\":\"\\\"Route to Rosa\\\" performance piece by Alain Martin Richard.\"},{\"url\":\"https://www.fondation-langlois.org/html/e/page.php?NumPage=326\",\"citation\":\"Foundation Langlois, bio and list of publications. \"},{\"url\":\"https://www.fondation-langlois.org/html/e/page.php?NumPage=325\",\"citation\":\"\\\"L'atopie textuelle est une cause qui se perd\\\" (2001) by Alain Martin Richard. \"},{\"url\":\"\",\"citation\":\"Richard, Alain-Martin. Performance plan of \\\"LA MEMOIRE DU CORPS\\\" for Ultimatum, 4 Mar. 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder2_ric. Concordia University Library, Special Collections, Montréal, QC.\"}]"],"_version_":1853670549142634496,"timestamp":"2026-01-07T14:59:53.772Z","Note":["[{\"note\":\"Multitrack Mix File Name:\\nUltimatum_Mixdown_Alain Martin Richard_U-3-4_T5_T6_T7_T8_U-3-5_T1_T2_T3_T4.mp3\",\"type\":\"General\"},{\"note\":\"Media Preserve Metadata for Tape U-3-4.\\n\\n<MediaAsset>\\n<!-- Original Physical Asset and Transfer Details -->\\n<Original>\\n<Filename>U-3-4</Filename>\\n<Title>Ian Stephens A.M. 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\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1296620055\",\"venue\":\"Foufounes Électriques\",\"notes\":\"\",\"address\":\"87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5\",\"latitude\":\"45.5109472\",\"longitude\":\" -73.5640102\"}]"],"Address":["87 Rue Sainte-Catherine E, Montréal, QC H2X 1K5"],"Venue":["Foufounes Électriques"],"City":["Montreal, Quebec"],"content_notes":["Bilingual \"Ultimatum Programme\" festival pamphlet describes performance as 'Poésie/Performance\" and \"Performance/Poetry\". Specifies \"de/from Québec\". "],"contents":["Coming soon."],"Related_works":["[{\"url\":\"https://www.oeildepoisson.com/__archives/expos/archives/jc_gagnon/jc_gagnon.html\",\"citation\":\"L'Oeil de poisson page on Jean-Claude Gagnon. \"},{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/07%20-%20ULTIMATUM/1%20-%20PHOTOS%20%26%20DOCUMENTATION/0%20-%20ULTIMATUM.pdf\",\"citation\":\"Ultimatum Program/me [Pamphlet]\"},{\"url\":\"\",\"citation\":\"St-Hilaire, Jean-Claude. Photo of Jean-Claude Gagnon (aka Beurk Tisselard), before 23 Feb. 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder2_gag. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Gagnon, Jean-Claude (aka Beurk Tisselard). Contract, résumé, plan, and photos for Ultimatum, Feb.–May 1985, Alan Lord fonds (F039), Box 1, folder AL-Folder2_gag. Concordia University Library, Special Collections, Montréal, QC.\"},{\"url\":\"\",\"citation\":\"Gagnon, Jean-Claude. Handmade booklet \\\"Beurk Tisselard au 'Festival D'IN(TER)VENTION(S)\\\", 1984, Alan Lord fonds (F039), Box 1, folder AL-Folder1_gag. 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"],"contents":["Debate and reading held on October 19th, 1985 at the Ottawa Public Library between Robin Mathews (Professor at Carleton University) and Frank Davey (Head of English Dept at York University in Toronto). The debate was moderated and recorded by George Young, sponsored by the Canadian Book Publishing Council, and organized by the Council for the Arts in Ottawa. The event consists of a reading by Robin Mathews, then a reading by Frank Davey, and then a debate."],"Note":["[{\"note\":\"Item #: 2014.002.013\",\"type\":\"General\"},{\"note\":\"Digitization complete. Transcription complete.\",\"type\":\"General\"},{\"note\":\"For more information, see the article \\\"Computers to change book form?\\\" from Citizen Book editor, Burt Heward's column, \\\"Cover to Cover\\\" in The Ottawa Citizen, October 19, 1985. https://www.newspapers.com/newspage/464365037/\\nTranscription of \\\"Computers to change book form?\\\": \\n\\\"Ottawa's fourth annual Festival of the Arts is getting its biggest boost ever from the book community, specially the debate today between literary critics Frank Davey of York University and Robin Mathews of Carleton University.\\nThe first of the five lively events under the WordWorks title, the debate between computer-advocate Davey and nationalist Mathews, promises fireworks. It was to begin at 1 p.m. today in the Ottawa Public Library auditorium, Metcalfe and Laurier.\\nAuthor Mathews operates a traditional small publishing operation, Steel Rail Press, while poet Davey is founder of Swift Current, a computer network for writers. Most appropriately for them, the topic is 'Whither the Book?'\\n'I have opposed the Mathews style of nationalism, Davey said earlier, 'because it assumes a single definition of Canadian culture. It seems to stem from a United Empire Loyalist tradition that may be valid in Ontario, but is not in the West.'\\nDavey said he prefers a Diefenbaker-style 'community of communities ... an accumulation of regional artistic cultures.'\\nMathews's traditional views reflect a central stream of Canadian literature and valid concerns--shared by Davey--about the nation's cultural survival. Steel Rail next month launches Ottawa poet Patrick White's long poem in honor of a Chilean leftist martyr, Homage to Victor Jara (paperback, $7.95). It includes translation into Spanish by Ottawa Cuban-Canadian Juan O'Neil.\\nDo books, as we know them, have a future?\\nDavey offers a radical view that publishers will lose their power to decide the number of copies, the type of paper and the cost of books as readers assume authority.\\n'With the computer,' said Davey, 'you can actually send the text of the book to a bookstore and have the printing done there and the reader could determine there all the things decided by the publisher.'\\nDavey said the bookstore printings to suit individuals could vary from cheap formats to some approaching medieval manuscripts in appeal and quality.\\nCanada Council partly funds Swift Current, 'an electronic literary magazine' in which each of 40 Canadian writers edits his or her own contribution to the large data bank (Vax-750 operated by York University).\\n'We offer every reader an option of deleting not only an individual work but an individual author from his or her own view of the data base,' said Davey. Writers participate free in return for their writing and editing work. The 40 subscribers, so far, pay $25 (individuals) or $100 (libraries and other institutions). For classroom study, subscribers can pay for printouts at three cents for 50 lines (about 60 cents for 20 pages)--'a nominal fee.'\\nSwift Current gives regions and individuals an  escape from 'centralizing forces,' and Canadian writers a seawall against the flood of U.S. culture.\\\"\\n\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670549989883906,"timestamp":"2026-01-07T14:59:54.597Z","score":1.2242479},{"id":"4231","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Peter Quartermain fonds"],"source_collection_label":["Peter Quartermain fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Fonds consists of 180 cassette tapes."],"collection_source_collection_id":["2022.002"],"persistent_url":[""],"item_title":["PQ at Buffalo"],"item_title_source":["Title written on container."],"item_title_note":["Title on case: PQ at Buffalo\n\nSide A title: 9 Nov 89 SUNY Buffalo PQ on [illegible] in BB+ LZ\n\nSide B title: n/a\n\nJ-card description: 9/xi/89. 1/2 speed"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Talks by Peter Quartermain"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Quartermain, Peter"],"creator_names_search":["Quartermain, Peter"],"creators":["[{\"url\":\"https://viaf.org/viaf/34534588/\",\"name\":\"Quartermain, Peter\",\"dates\":\"1934-\",\"notes\":\"Guest speaker.\",\"nation\":[],\"role\":[\"Speaker\",\"Recordist\"]}]"],"contributors_names":["Bunting, Basil","Zukofsky, Louis"],"contributors_names_search":["Bunting, Basil","Zukofsky, Louis"],"contributors":["[{\"url\":\"http://viaf.org/viaf/4949021\",\"name\":\"Bunting, Basil\",\"dates\":\"1900-1985\",\"notes\":\"Subject of lecture.\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/42358\",\"name\":\"Zukofsky, Louis\",\"dates\":\"1904-1978\",\"notes\":\"Subject of lecture.\",\"nation\":[],\"role\":[\"Author\"]}]"],"author_name":["Bunting, Basil","Zukofsky, Louis"],"Performance_Date":[1989],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10506/2022.002.055a-Resize.jpg\",\"other\":\"Recorded at 1/2 speed.\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10506/2022.002.055b-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10506/2022.002.055c-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/10506/2022.002.055d-Resize.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"/Users/SpokenWeb/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Peter_Quartermain/2022.002.055/audio\",\"filename\":\"2022.002.055_PQ at Buffalo_Side A_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T00:37:06\",\"precision\":\"\",\"size\":\"1.28 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A. 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To be time stamped and transcribed."],"contents":["Side A of tape consists of Margaret Atwood reading her story \"The Salt Garden\" at the Canadian Literary Review reading in the Spring of 1983.\n\nSide B of tape consists of Maja Bannerman performing her piece \"Close Up on Cancer and Camera\" followed by various musical performances."],"Note":["[{\"note\":\"Digitization complete.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Atwood, Margaret. \\\"The Salt Garden.\\\" 1983\"},{\"url\":\"\",\"citation\":\"Bannerman, Maja. \\\"Close Up on Cancer and Camera.\\\"\"}]"],"_version_":1853670550779461632,"timestamp":"2026-01-07T14:59:55.332Z","score":1.2242479},{"id":"4511","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Warren Tallman fonds"],"source_collection_label":["Warren Tallman fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2012.002"],"persistent_url":[""],"item_title":["[Robin] Blaser - [Charles] Olson Lecture 25 March 1987"],"item_title_source":["Title written on container."],"item_title_note":["Container title: Blaser - Olson Lecture 25 March 1987\n\nSide A title: Blaser C.O. 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To be time stamped and transcribed.\",\"type\":\"General\"},{\"note\":\"Other tapes in the SoundBox Collection recording lectures and panels from this event: 2012.002.030, 2012.002.037, 2012.002.039.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550976593921,"timestamp":"2026-01-07T14:59:55.538Z","score":1.2242479},{"id":"4517","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Warren Tallman fonds"],"source_collection_label":["Warren Tallman fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2012.002"],"persistent_url":[""],"item_title":["[Robin] Blaser - [Charles] Olson Lecture 23 March 1987"],"item_title_source":["Title written on artifact."],"item_title_note":["Title on cassette box: Blaser - Olson Lecture 23 March 1987\n\nSide A title: Blaser C.O. 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[bp]Nichol, [Steve] McCaffrey, [Robin] Blaser, [Robert] Creeley, [Warren] Tallman"],"item_title_source":["Title written on artifact."],"item_title_note":["Side A title: March 26 '87 Panel  - Nicol, McCaffrey, Blaser, Creeley, Tallman"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Nichol, Barrie Phillip","McCaffery, Steve","Blaser, Robin","Creeley, Robert"],"creator_names_search":["Tallman, Warren","Nichol, Barrie Phillip","McCaffery, Steve","Blaser, Robin","Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"More specifically, Warren Tallman is the moderator of the panel.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, Barrie Phillip\",\"dates\":\"1944-1988\",\"notes\":\"bpNichol is a speaker on the panel.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/38243\",\"name\":\"McCaffery, Steve\",\"dates\":\"1947-\",\"notes\":\"Steve McCaffery is a speaker on the panel.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"Robin Blaser is a speaker on the panel.\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"Robert Creeley is a speaker on the panel.\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1987],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/3697/UBCO_Tallman_2012_002_039_b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"TDK AD 90 Normal Bias 120 us EQ\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"A & B\",\"image\":\"../Uploads/3697/UBCO_Tallman_2012_002_039_b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"TDK AD 90 Normal Bias 120 us EQ\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette","Cassette"],"physical_compositions":["Magnetic Tape","Magnetic Tape"],"recording_type":["Analogue","Analogue"],"AV_type":["Audio","Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.039_March26-87_Panel_Nichol-Mccaffery-Blaser-Creely-TallnnW_SideA_(MA)_02.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:46:23\",\"precision\":\"\",\"size\":\"1.54 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.039_SideB_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:46:54\",\"precision\":\"\",\"size\":\"1.55 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987-03-26\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["Contents entry temporary."],"contents":["Side A of this tape consists of a panel discussion chaired by Warren Tallman on the topic \"The Vocabulary of the Postmodern.\" The panelists include bpNichol, Steve McCaffrey, Robin Blaser, and Robert Creeley. The panel was held on March 26, 1987. Location of the conference is unknown. Side A ends with the panel taking a short break. Panel resumes on Side B.\n\nSide B consists of a question-and-answer period in which the panelists respond to questions audience members wrote on cards and submitted during the break. bpNichol and Steve McCaffery primarily speak during this period, with Robin Blaser answering a question at the end."],"Note":["[{\"note\":\"Other tapes in the SoundBox Collection recording lectures from this event: 2012.002.030, 2012.002.036, 2012.002.037.\",\"type\":\"General\"},{\"note\":\"Digitization complete. Transcription complete.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550979739652,"timestamp":"2026-01-07T14:59:55.538Z","score":1.2242479},{"id":"4520","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Warren Tallman fonds"],"source_collection_label":["Warren Tallman fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2012.002"],"persistent_url":[""],"item_title":["Warren Tallman's Retirement Speech At UBC Nov 27, 1986 - Buchanan A-100"],"item_title_source":["Title written on artifact."],"item_title_note":["Side A title: Warren Tallman's Retirement Speech At UBC Nov 27, 1986 - Buchanan A-100"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren"],"creator_names_search":["Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/3698/UBCO_Tallman_2012_002_040_a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\\\"Sounds Great\\\" Tape Supply 3458 Dunbar St., Vancouver, B.C. V6S 2C2 Tel. 324-3800\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.040 Warren Tallman Retirement Speech_(MASTER_ACCESS).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T01:33:45\",\"precision\":\"\",\"size\":\"3.1 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A & B\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-11-27\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/27989126\",\"venue\":\"Buchanan A-100, University of British Columbia\",\"notes\":\"\",\"address\":\"1866 Main Mall, Vancouver, B.C.\",\"latitude\":\"49.26827765\",\"longitude\":\"-123.25424162050663\"}]"],"Address":["1866 Main Mall, Vancouver, B.C."],"Venue":["Buchanan A-100, University of British Columbia"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Digitization complete. Transcription complete.\",\"type\":\"General\"},{\"note\":\"Duplicate recording in the SoundBox Collection: 2012.002.041.\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670550991273984,"timestamp":"2026-01-07T14:59:55.538Z","score":1.2242479},{"id":"4521","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Warren Tallman fonds"],"source_collection_label":["Warren Tallman fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2012.002"],"persistent_url":[""],"item_title":["Warren Tallman's Retirement Speech at UBC Nov 27, 1986 - Buchanan A-100"],"item_title_source":["Title written on artifact."],"item_title_note":["Side A title: Warren Tallman's Retirement Speech at UBC Nov 27, 1986 - Buchanan A-100"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren"],"creator_names_search":["Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1986],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/3699/UBCO_Tallman_2012_002_041_a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\\\"Sounds Great\\\" Tape Supply\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.041_Warren_Tallman's_Retirement_Speech_at_UBC_NOV27,1986_Buchanan_A-100_SideA_(MASTER_ACCESS).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:47:07\",\"precision\":\"\",\"size\":\"1.56 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Side A\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-11-27\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on artifact.\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/27989126\",\"venue\":\"Buchanan A-100, University of British Columbia\",\"notes\":\"\",\"address\":\"1866 Main Mall, Vancouver, B.C.\",\"latitude\":\"49.26827765\",\"longitude\":\"-123.25424162050663\"}]"],"Address":["1866 Main Mall, Vancouver, B.C."],"Venue":["Buchanan A-100, University of British Columbia"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Digitization complete. Transcription complete.\",\"type\":\"General\"},{\"note\":\"Duplicate recording in the SoundBox Collection: 2012.002.040.\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670550991273985,"timestamp":"2026-01-07T14:59:55.538Z","score":1.2242479},{"id":"5248","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Anne Waldman reading at Naropa institute on May 24, 1986 #710  "],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Waldman, Anne","Fida, Jane"],"creator_names_search":["Waldman, Anne","Fida, Jane"],"creators":["[{\"url\":\"http://viaf.org/viaf/84079610\",\"name\":\"Waldman, Anne \",\"dates\":\"1945-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Fida, Jane \",\"dates\":\"\",\"notes\":\"Jane Fida (Head of Naropa institute) introduces Anne Waldman and Rachel Farrel\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1042/Reading in BC_MsC199_710.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"710-side-1.mp3\",\"channel_field\":\"Stereo \",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:28\",\"precision\":\"\",\"size\":\"40.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"710-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:48\",\"precision\":\"\",\"size\":\"42.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-05-24\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/391232001\",\"venue\":\"Naropa institute \",\"notes\":\"\",\"address\":\"Marine Street, Boulder, Boulder County, Colorado, 80309, United States\",\"latitude\":\"40.01405\",\"longitude\":\"-105.26696\"}]"],"Address":["Marine Street, Boulder, Boulder County, Colorado, 80309, United States"],"Venue":["Naropa institute "],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t007\tA speaker makes an introduction for Jan Fida\n\t\t021\tJane Fida introduces Anne Waldman and Rachel Farrel\n\t\t053\tWaldman begins with ‘Said So’\n\t\t094\t‘Eyes in All heads to be looked out of…’\n\t\t188\t‘Ballad…’\n\t\t212\t‘Anarchy’\n\t\t237\t‘Lament’\n\t\t309\tFarrel sings ‘U-La-La’\n\t\t331\t‘Baby and the Gypsy’\n\t\t337\t‘In the down-filled U.S.A. Store’\n\t\t345\t‘The Number Song’\n\t\t351\t‘Mother and Child’\n\t\t362\t‘Crack in the World’\n\t\t398\tEnd of Side One\nTwo\t\t000\t\n\t\t006\t‘All Hallow’s Eve’\n\t\t021\t‘Sonnet after Sir Phillip Siddon’\n\t\t037\t‘Of a Cruel Mistress’\n\t\t051\t‘I think I’m in Love…’\n\t\t067\t‘Dance Sing after the Copper Eskimo to expel Hesitation’\n\t\t086\t‘Patchy Tears’\n\t\t111\t‘Corridor’\n\t\t132\tFarrel finishes with a chant poem\n\t\t191\tEnd of Side Two"],"Note":["[{\"note\":\"Liner Notes: Naropa institute, May 24, 1986 #710 \\nAnne Waldman reading\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552842010624,"timestamp":"2026-01-07T14:59:57.321Z","score":1.2242479},{"id":"5270","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering Interview, May 1988 part 1 of 2 #712"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George","Ricou, Laurence (Laurie)","Quartermain, Peter"],"creator_names_search":["Bowering, George","Ricou, Laurence (Laurie)","Quartermain, Peter"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/16316481\",\"name\":\"Ricou, Laurence (Laurie)\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/34534588\",\"name\":\"Quartermain, Peter\",\"dates\":\"1934-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors":["[]"],"Performance_Date":[1988],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1093/Reading in BC_MsC199_712.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"712-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:34\",\"precision\":\"\",\"size\":\"65.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"712-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:56\",\"precision\":\"\",\"size\":\"66.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1988-05\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t024\tThe interview asks about Bowering’s teaching experiences at SFU.  The tape is plagued intermittently by a strong feedback noise\n\t\t120\tCaprice is discussed\n\t\t170\tBowering’s sense of time in Caprice is discussed\n\t\t232\t“Is there a Canadian Western as a genre?” asks the interviewer\n\t\t270\t‘Coast Chauvinism’ is discussed\n\t\t310\tRealism is discussed\n\t\t340\tBowering remarks upon the Japanese touches found in Vancouver\n\t\t362\tBowering’s experiences publishing his work is elaborated upon\n\t\t460\tThe subject of teaching is touched upon again\n\t\t477\tBowering admits he still favors high culture, even though he is a post-modernist\n\t\t500\tGertrude Stein is discussed\n\t\t520\tJames T. Farrell is discussed\n\t\t563\tBowering is asked about his diary and his writing process\n\t\t608\tEnd of Side One\nTwo\t\t000\t\n\t\t004\tContinued discussion of Bowering’s writing process\n\t\t080\tBowering relates his year of travelling (1965) and Heraclitus\n\t\t188\tA 1963 Conference on poetry is described\n\t\t210\tBowering explains his love of plot and story\n\t\t270\tThe Western novel is discussed, in the context of their male-centeredness and the fact they take place on dry land\n\t\t311\t“So, do you have ‘desires’ for that story?” asks the interviewer\n\t\t350\t“The ground is really important in my work”, notes Bowering\n\t\t365\tDaphne Marlatt’s work is discussed\n\t\t400\tBowering says he believes that ‘reading’ comes before writing and speech\n\t\t422\tThe difference in tension between Bowering’s poetry and prose is discussed\n\t\t445\t‘Kerrisdale elegies’ are discussed\n\t\t490\tBaseball poetry is discussed\n\t\t536\t“The metaphysical is a useless concept if you are not retaining 100% of the notion of the physical”, notes Bowering.  It doesn’t mean anything unless it carries its opposite with it\n\t\t560\tEnd of Side Two"],"Note":["[{\"note\":\"The tape is plagued intermittently by a strong feedback noise that prevents us from hearing, in the beginning of side 1. \",\"type\":\"\"},{\"note\":\"Liner Notes: George Bowering Interview, Part I, May 1988 #712\\nLaurence (Laurie) Ricou  & peter quartermain\\nTape #1\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552845156353,"timestamp":"2026-01-07T14:59:57.321Z","score":1.2242479},{"id":"5271","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["George Bowering Interview, May 1988 part 2 of 2 #713"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George \",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1988],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1094/Reading in BC_MsC199_713.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"713-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:17\",\"precision\":\"\",\"size\":\"47.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"713-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:15\",\"precision\":\"\",\"size\":\"49.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1988-05\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t004\tDiscussion of Kerrisdale Elegies continues\n\t\t125\tThe interviewer asks Bowering about ‘high culture’ in his poetry\n\t\t145\tDuncan is discussed\n\t\t215\tThe significance of ‘tradition’ is looked at\n\t\t322\t“I read a lot more stuff than I consider part of my world”, notes Bowering\n\t\t360\tOn the labor that the writing process is\n\t\t381\t“I feel best when I am writing everyday”, says Bowering\n\t\t450\tDiscussion of the use of the computer as a writing tool\n\t\t473\tTape abruptly ends, Bowering noting that he feels dizzy\nTwo\t\t000\tSide Two is blank"],"Note":["[{\"note\":\"Liner Notes: George Bowering Interview, Part II, May (19?),1988  \\nTape #2\\n#713\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552846204928,"timestamp":"2026-01-07T14:59:57.321Z","score":1.2242479},{"id":"5276","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["7 Poems for Robert Therrien by Robert Creeley on February 2, 1987 #718"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert"],"creator_names_search":["Creeley, Robert"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1987],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1132/Reading in BC_MsC199_718.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"718-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:24:08\",\"precision\":\"\",\"size\":\"23.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"718-side-2 - blank.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:01\",\"precision\":\"\",\"size\":\"23.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987-02-02\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t010\tCreeley introduces 7 poems for Robert Therrien\n\t\t031\t‘Straight’\n\t\t038\tCommentary on ‘Straight’\n\t\t058\t‘Plate’\n\t\t081\t‘Red’\n\t\t091\tCommentary\n\t\t109\t‘Snowman’\n\t\t127\tCommentary\n\t\t135\t‘Wings’\n\t\t145\tCommentary – this time from W. Tallman (in the audience)\n\t\t184\t‘Box’\n\t\t191\tCommentary\n\t\t197\t‘Boat’\n\t\t201\tCommentary and a discussion on Therrien’s sculpture\n\t\t252\tEnd of Side One\nTwo\t\t000\tSide Two is blank"],"Note":["[{\"note\":\"Liner Notes: Robert Creeley (7 poems for Robert Therrien)\\nFebruary 2, 1987 \\n#718\",\"type\":\"General\"},{\"note\":\"Side 2 is blank\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670552846204933,"timestamp":"2026-01-07T14:59:57.321Z","score":1.2242479},{"id":"5278","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Creeley, Expo 86: 60th Birthday Reading in Vancouver, 1986 part 1 of 2 #720"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Gilbert, Gerry","Tallman, Warren"],"creator_names_search":["Creeley, Robert","Gilbert, Gerry","Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\",\"Donor\"]},{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry \",\"dates\":\"1936-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1134/Reading in BC_MsC199_720.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"720-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:31\",\"precision\":\"\",\"size\":\"42.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"720-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:41\",\"precision\":\"\",\"size\":\"44.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986\",\"type\":\"Performance Date\",\"notes\":\"The mentioned date in the BC inventory document for the second part of this recording is 1986, so part one might've been recorded in the same year.  \",\"source\":\"Inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Vancouver, BC, Canada\",\"latitude\":\"49.2519\",\"longitude\":\"-123.1145\"}]"],"Address":["Vancouver, BC, Canada"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t005\tIntroductory comments by Warren Tallman\n\t\t133\tGerry Gilbert takes the microphone\n\t\t\tAnd warms up the audience\n\t\t226\tRobert Creeley takes the microphone\n\t\t232\tCreeley reads from : Hello\n\t\t400\tEnd\n\t\t411\tCreeley reads an untitled poem about Singapore\n\t\t428\tEnd\n\t\t440\tCreeley reads from Shelley’s “Triumph of Life”\n\t\t460\tEnd\n\t\t481\t“Blues”\n\t\t500\tEnd\n\t\t518\t“Rehearsal”\n\t\t551\tEnd\n\t\t553\t“If I had my Way”\n\t\t568\tEnd, End Side One\nTwo\t\t000\t\n\t\t008\t“The fact”\n\t\t043\tEnd\n\t\t058\tUntitled – about Perene Ricard\n\t\t092\tEnd\n\t\t113\t“First Rain”\n\t\t123\tEnd\n\t\t125\tMusic accompaniment\n\t\t296\t“Human Song”\n\t\t306\tEnd\n\t\t307\t“Time”\n\t\t328\tEnd\n\t\t329\t“Mothers Voice”\n\t\t339\tEnd\n\t\t341\t“Dreams”\n\t\t346\tEnd\n\t\t347\t“Outside”, “There”, “The Visit”, “Versions”, “Death”, “Age”, “Oh-Love”, “Wind Lifts”, The Movie Run Backward”, “Bresson’s Movies”, “Stone”, “Still Too Young”, “Two Kids”, “Echos”, Creeley reads these short poems in quick succession\n\t\t502\t“Such Flowers”\n\t\t\t“Buffalo Evening”\n\t\t\t“Winter”\n\t\t\t“All The Way”\n\t\t\t“Kid”\n\t\t\t“Early Reading”\n\t\t\t“Circles”\n\t\t\t“Worry”\n\t\t\t“Coming Home”\n\t\t\t“Be a Good Cheer”\n\t\t569\tEnd, End Side Two"],"Note":["[{\"note\":\"Liner Notes: \\nRobert Creeley \\nExpo 86, 60th birthday reading, Vancouver 1986\\npart one of two\\nSide 1: 44 min\\nDOLBY B\\n#720\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552847253505,"timestamp":"2026-01-07T14:59:57.321Z","score":1.2242479},{"id":"5280","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Steve Swallow,Robert Creeley, Steve Kuhn, and Sheila Jordan in New York on April 7, 1983, and 1980 #722"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kuhn, Steve","Jordan, Sheila","Flaherty, Joseph P.","Creeley, Robert","Swallow, Steve"],"creator_names_search":["Kuhn, Steve","Jordan, Sheila","Flaherty, Joseph P.","Creeley, Robert","Swallow, Steve"],"creators":["[{\"url\":\"http://viaf.org/viaf/84970988\",\"name\":\"Kuhn, Steve\",\"dates\":\"1938-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/34643571\",\"name\":\"Jordan, Sheila \",\"dates\":\"1928- \",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\" http://viaf.org/viaf/2071298\",\"name\":\"Flaherty, Joseph P.\",\"dates\":\"1940-\",\"notes\":\"Side two is recorded at the Red Mill, Rochester, NY, April 7, 1983. Joe Flaherty of Writers and Books introduces the side\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/42026809\",\"name\":\"Swallow, Steve\",\"dates\":\"1940-\",\"notes\":\"This person could be Steve Swallow\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[]"],"Performance_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1136/Reading in BC_MsC199_722.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"722-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:34\",\"precision\":\"\",\"size\":\"44.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"722-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:36\",\"precision\":\"\",\"size\":\"42.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-04-07\",\"type\":\"Performance Date\",\"notes\":\"Side two is recorded at the Red Mill, Rochester, NY, April 7, 1983\",\"source\":\"J-card\"},{\"date\":\"1980\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/176069\",\"venue\":\"\",\"notes\":\"As it's mentioned in the BC inventory document, side two is recorded at the Red Mill, Rochester, NY, April 7, 1983\",\"address\":\"Rochester, New York, USA\",\"latitude\":\"43.1676\",\"longitude\":\"-77.6129\"}]"],"Address":["Rochester, New York, USA"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t007\tJazz music fills the side, with pieces such as ‘Some Echoes’, ‘She was Young’, ‘In the fall’, and ‘Ice Cream’\nTwo\t\t000\t\n\t\t007\tSide two intersperses song and poetry.  Side two is recorded at the Red Mill, Rochester, NY, April 7, 1983.  Joe Flaherty of Writers and Books introduces the side\n\t\t059\tSteve Kuhn & Sheila Jordan Play\n\t\t251\tEnd of piece – Creeley is introduced and reads ‘The Thirty Things’\n\t\t310\t‘For Ever and Ever with Love’\n\t\t329\t‘Kitchen’\n\t\t336\t‘Here is where there is’\n\t\t363\t‘Xmas Poem Bolinas’\n\t\t380\t‘Photo (for Joanne)’\n\t\t383\t‘The Loop’\n\t\t392\t‘Postcards’\n\t\t410\t‘Change’\n\t\t457\t‘The Plan is the Body’\n\t\t475\tA break\n\t\t490\tCreeley continues\n\t\t507\t‘Time (for Willie)’\n\t\t538\t‘Memory’\n\t\t547\tMore Jazz with Kuhn and Jordan\n\t\t574\tEnd of Side Two"],"Note":["[{\"note\":\"Liner Notes: Swallow/ Creeley/ S. Jordan/Kuhn  Rochester, NY, 1980/83\\n#722\\n\",\"type\":\"General\"},{\"note\":\"I personally searched and figured out that Swallow's first name is Steve and Creeley's first name is Robert. \",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670552850399232,"timestamp":"2026-01-07T14:59:57.321Z","score":1.2242479},{"id":"5295","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Daphne Marlatt talk on Steveston at UBC on March 19, 1980 #724"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Marlatt, Daphne"],"creator_names_search":["Marlatt, Daphne"],"creators":["[{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1980],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1151/Reading in BC_MsC199_724.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"724-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:15\",\"precision\":\"\",\"size\":\"57.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"724-side-2 - blank.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:19\",\"precision\":\"\",\"size\":\"62.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1980-03-19\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t008\tMarlatt speaks informally about “The origins of Steveston\n\t\t025\tMarlatt explains how she worked on a government writing project about the town of Steveston, the project allowing her to gain experience with the history of the people and township\n\t\t127\tMarlatt is questioned about how she was accepted within the Japanese community\n\t\t206\tMarlatt speaks about the relationship between the photographs and poems within Steveston\n\t\t230\t“Imagination is a vehicle to get into that ‘other’ which stands outside of us… when it’s historical, it’s doubly outside of us…”\n\t\t286\t“Imagine: a town”\n\t\t303\tEnd\n\t\t315\tMarlatt gives the background to “Pour, pour”\n\t\t353\t“Pour, pour”\n\t\t390\tEnd\n\t\t393\tMarlatt talks about ‘voice’, and the means of structuring the syntax to the represent her ‘voice’\n\t\t460\t“End of Cannery Channel”\n\t\t500\tEnd\n\t\t520\t“Sun and Moon Through the Japanese Fisherman’s Hospital 1898-1942”\n\t\t540\tEnd\n\t\t545\tGeneral questions from the audience about the history of the Japanese Canadian people\n\t\t580\tEnd.  End side One\nTwo\t\t000\tSide Two is blank"],"Note":["[{\"note\":\"Liner Notes: \\nDaphne Marlatt: \\\"Steveston\\\"\\nUBC March 19, 1980\\nside two is empty\\nDOLBY B\\n\",\"type\":\"General\"},{\"note\":\"Site two is empty\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670552854593536,"timestamp":"2026-01-07T14:59:57.321Z","score":1.2242479},{"id":"5296","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Poems from Apalache and Genda: Paul Metcalf reading on April 23, 1987 #725"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Metcalf, Paul"],"creator_names_search":["Metcalf, Paul"],"creators":["[{\"url\":\"http://viaf.org/viaf/80869459\",\"name\":\"Metcalf, Paul\",\"dates\":\"1917-1999\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1987],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1152/Reading in BC_MsC199_725.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"725-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:31\",\"precision\":\"\",\"size\":\"30.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"725-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:27\",\"precision\":\"\",\"size\":\"31.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987-04-23\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t008\tIntroductory speaker\n\t\t050\tMetcalf takes the microphone\n\t\t065\tMetcalf begins reading Part 1 of “Bash Bish” from Apalache\n\t\t242\tEnd\n\t\t245\t“Bash Bish (Part 2)”\n\t\t330\tEnd\n\t\t340\tUnidentified section from Apalache dealing with the imagery of Sable Island\n\t\t380\tEnd of Side One\nTwo\t\t000\t\n\t\t005\tContinuation of last poem from Side One\n\t\t037\tEnd\n\t\t040\tMetcalf explains the narrative basis of Genoa\n\t\t060\t“Genoa (Part 5)” – From Genoa\n\t\t287\tEnd\n\t\t290\t“Willy’s Throw”\n\t\t375\tEnd, End of Side Two"],"Note":["[{\"note\":\"Liner Notes: Paul Metcalf \\npoem from Apalache and Genda \\nApril 23, 1987 \\n(very distorted sound)\\n#725\",\"type\":\"General\"},{\"note\":\"It's written on the cassette's label that the sound is very distorted, but it's not. The sound quality is good.\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670552854593537,"timestamp":"2026-01-07T14:59:57.321Z","score":1.2242479},{"id":"5335","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":[" \"Two Horesmen\" performance by Rafael Baretto Rivera and Steve Mccaffery on March 18, 1980 #727 "],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Baretto Rivera, Rafael","Mccaffery, Steve","Tallman, Warren"],"creator_names_search":["Baretto Rivera, Rafael","Mccaffery, Steve","Tallman, Warren"],"creators":["[{\"url\":\"\",\"name\":\"Baretto Rivera, Rafael\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/38243\",\"name\":\"Mccaffery, Steve \",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"Guessed by his voice; He does the introduction \",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1980],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1198/Reading in BC_MsC199_727.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"727-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:23\",\"precision\":\"\",\"size\":\"40.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"727-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:23\",\"precision\":\"\",\"size\":\"38.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1980-03-18\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"Liner Notes:\\nRafael Baretto Rivera and Steve Mccaffery  \\n\\\"Two Horesmen\\\" \\nMarch 18, 1980 \\n#727 \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552862982148,"timestamp":"2026-01-07T14:59:57.321Z","score":1.2242479},{"id":"5336","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Bill Bissett performance of  \"Jumping Cloud\" in St. John’s and Toronto, 1986 #728"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bissett, Bill"],"creator_names_search":["Bissett, Bill"],"creators":["[{\"url\":\"http://viaf.org/viaf/96127023\",\"name\":\"Bissett, Bill\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\",\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1199/Reading in BC_MsC199_728.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T02:40:00\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\" Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"728-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:43:56\",\"precision\":\"\",\"size\":\"43.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"728-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:33\",\"precision\":\"\",\"size\":\"44.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986\",\"type\":\"Performance Date\",\"notes\":\"Side One in Summer 1986 and side two in 1986\",\"source\":\"Inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2805426\",\"venue\":\"\",\"notes\":\"\",\"address\":\"St. John’s, newfounland, Canada\",\"latitude\":\"47.4857\",\"longitude\":\"-52.7591\"},{\"url\":\"https://www.openstreetmap.org/relation/324211\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Toronto, Ontario, Canada\",\"latitude\":\"43.7279\",\"longitude\":\"-79.3721\"}]"],"Address":["St. John’s, newfounland, Canada","Toronto, Ontario, Canada"],"City":["Toronto, Ontario"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t012\t“where we are in the karibo”\n\t\t040\tEnd\n\t\t042\t“all the brite eyez deep in th rivr bed” (Richard Spurrell on Drums)\n\t\t136\tEnd\n\t\t145\t“yv want to walk with me”\n\t\t213\tEnd\n\t\t215\t“it sz in th London free press”\n\t\t274\tEnd\n\t\t280\t“hunnee chant”\n\t\t307\tEnd\n\t\t312\t“walkin on th moon”\n\t\t452\t“the elvs ozone factorees”\n\t\t480\tEnd.  End Side One\nTwo\t\t000\t\n\t\t006\t“chang opning”\n\t\t177\tEnd\n\t\t182\t“I was on beech ave in vancouvr”\n\t\t206\tEnd\n\t\t213\t“vancouvr citee council 1986”\n\t\t232\tEnd\n\t\t234\t“Canada gees mate for life”\n\t\t272\tEnd\n\t\t274\t“wher we are in the karibu”\n\t\t292\tEnd\n\t\t294\t“mulroonee sells de haviland”\n\t\t318\tEnd\n\t\t319\t“I met yu in the park”\n\t\t335\tEnd\n\t\t336\t“it sz in th London free press”\n\t\t380\tEnd\n\t\t384\t“the goddess uv mersee th pink lites al getting pinkr”\n\t\t497\tEnd.  End side Two"],"Note":["[{\"note\":\"the length of the digital file's side 1 is T00:43:56 and side 2 is T00:45:33, but the performance only takes 34:50 on side 1 and 36:40 on side 2 and the rest of audio is empty \",\"type\":\"\"},{\"note\":\"Liner Notes:\\nBill Bissett\\n\\\"Jumping Cloud\\\" \\nSt. John’s, Newfoundland/Toronto\\nside 1 34:50\\nside 2 36:40\\nDOLBY B\\n #728\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552864030720,"timestamp":"2026-01-07T14:59:57.321Z","score":1.2242479},{"id":"5337","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Roy Kiyooka interview on March 13, 1980 #729"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kiyooka, Roy","Tallman, Warren"],"creator_names_search":["Kiyooka, Roy","Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/30784426\",\"name\":\"Kiyooka, Roy\",\"dates\":\"1926-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"Guessed by his voice\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1980],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1200/Reading in BC_MsC199_729.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"729-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:26\",\"precision\":\"\",\"size\":\"40.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"729-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:22\",\"precision\":\"\",\"size\":\"41.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1980-03-13\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t008\tThe recording begins in the middle of a discussion.  An introductory speaker is setting the stage for the speaker\n\t\t046\tKiyooka takes the microphone and proceeds to warm up\n\t\t080\tKiyooka plays some traditional Japanese music\n\t\t096\tKiyooka begins speaking; explaining the music we just heard\n\t\t119\t…explains the connection between music and language\n\t\t146\tKiyooka explains about his spontaneous style of creating\n\t\t187\tKiyooka phrases a question to himself – “How come I, as a second generation Japanese Canadian, was so thoroughly educated in the tradition of Western European Renaissance art?”\n\t\t220\tKiyooka fends various questions relating to the form of his work\n\t\t314\tKiyooka is questioned about his Japanese heritage, and his “Japanese-ness” as a Canadian\n\t\t356\tKiyooka draws an analogy between Eastern and Western culture – by elaborating on each culture’s music\n\t\t378\tEnd.  End side One\nTwo\t\t000\t\n\t\t008\tKiyooka is asked if he visits the historical Japanese areas within Vancouver\n\t\t034\tThe audience is encouraged to Question Kiyooka directly about some selected poems\n\t\t068\tKiyooka suggests a difference between the arrangement of words on a page, and the “space” between words: “The desire to make the poem articulate on the blank white page is a very strong one, it’s not just reading the words and what they’re meaning, but also the spaces and what they’re meaning…”\n\t\t124\tKiyooka comments about historical perspectives: For Kiyooka this is an important and somewhat mystical concept\n\t\t160\tKiyooka denies any strong dependency or concern with dreams or dream imagery – he points instead to a relativity of states of consciousness\n\t\t226\tAn audience member interprets one of Kiyooka’s poems: “The reality was the dream, and the waking world was only there to feed the dream”\n\t\t280\tKiyooka proposes a definition of articulateness: “You should be responsible in talking about anything – and that means candid… nothing is withheld”\n\t\t310\tKiyooka reads “The Fourth Frem”\n\t\t325\tEnd\n\t\t326\tKiyooka reads an unidentified poem\n\t\t342\tEnd.  End side Two"],"Note":["[{\"note\":\"Liner Notes:\\nRoy Kiyooka interview\\nMarch 13, 1980 \\n#729\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552865079296,"timestamp":"2026-01-07T14:59:57.321Z","score":1.2242479},{"id":"5340","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Steve Cummings reading and interview with Warren Tallman on February 21, 1980 #733 "],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Cummings, Steve"],"creator_names_search":["Tallman, Warren","Cummings, Steve"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/93107845\",\"name\":\"Cummings, Steve \",\"dates\":\"1953-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1980],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1205/Reading in BC_MsC199_733.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"733-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:57\",\"precision\":\"\",\"size\":\"31.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"733-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:25\",\"precision\":\"\",\"size\":\"30.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1980-02-21\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t008\t“In the Tower at the Wheel”\n\t\t355\tEnd\n\t\t356\tDiscussion ensues – Cummings is asked about the significance of the title, and the origins of the sub-stories within the poem\n\t\t411\tEnd.  End Side One\nTwo\t\t000\t\n\t\t009\tCummings is speaking about the origins of the religious elements within the poem\n\t\t045\tCummings is questioned about his regionalism: i.e. the climatic sensations within the poem\n\t\t097\tCummings is questioned about his sensitivity to sounds, and the importance these experiences play within his poetry\n\t\t144\tCummings is asked about his sensitivity to the intense climate of his home town – Alabama question\n\t\t162\t“Is your physical organism geared up to a different wave length…?”\n\t\t194\tThe discussion focuses upon Cumming’s musical background, and how the poet deals with a hearing disability\n\t\t270\tThe discussion takes a more personal direction – between Cummings and interviewer\n\t\t375\tCummings is asked to list the sections of “In the Tower” in sequence"],"Note":["[{\"note\":\"I listened to the recording and I noticed that the interviewer is Warren Tallman, and it's not written neither on cassette's label nor inventory. I just added it to this entry \",\"type\":\"\"},{\"note\":\"Liner Notes:\\nSteve Cummings:\\nReading and Interviewe \\nFeb 21, 1980\\nDOLBY B\\n #733\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552865079299,"timestamp":"2026-01-07T14:59:57.321Z","score":1.2242479},{"id":"5341","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Julia Steele reading poems and some dictionary definitions at UBC on November 4, 1986 #734"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Steele, Julia","Hawkins, Bobbie Louise"],"creator_names_search":["Steele, Julia","Hawkins, Bobbie Louise"],"creators":["[{\"url\":\"http://viaf.org/viaf/272696517\",\"name\":\"Steele, Julia \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/35849197\",\"name\":\"Hawkins, Bobbie Louise\",\"dates\":\"1930-2018 \",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1206/Reading in BC_MsC199_734.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"734-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:56\",\"precision\":\"\",\"size\":\"49.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"734-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:52\",\"precision\":\"\",\"size\":\"52.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-11-04\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1424987\",\"venue\":\"UBC\",\"notes\":\"\",\"address\":\"6398 University Blvd, Vancouver, BC V6T 1Z4\",\"latitude\":\"49.2586\",\"longitude\":\"-123.2452\"}]"],"Address":["6398 University Blvd, Vancouver, BC V6T 1Z4"],"Venue":["UBC"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t019\tUntitled\n\t\t080\tEnd\n\t\t081\t“Metaphor” – a very long poem dealing with the forms of poetry, and the structure of language\n\t\t345\tEnd\n\t\t361\t“The Big Fat Lady is Naked”\n\t\t365\tEnd\n\t\t366\t“I am a Materialist”\n\t\t369\tEnd\n\t\t370\t“November is Cathartic”\n\t\t374\tEnd\n\t\t375\t“Empty Stomach”\n\t\t384\tEnd\n\t\t385\t“Getting Out of Bed for a Drink of Water: or the Nightmare of Sexism”\n\t\t396\tEnd\n\t\t397\t“The Young Man Unzipped His Fly”\n\t\t404\tEnd\n\t\t405\tUntitled\n\t\t408\tEnd\n\t\t412\t“1:49 A.M.”\n\t\t433\tEnd\n\t\t434\t“Baths With People I Know”\n\t\t445\tEnd\n\t\t446\tUntitled\n\t\t449\tEnd\n\t\t450\tUntitled\n\t\t459\tEnd.  End Side Two"],"Note":["[{\"note\":\"side two is blank\",\"type\":\"\"},{\"note\":\"Liner Notes:\\nJulia Steele reading: from 'dictionary difinitions' and 'poems'\\nUBC, November 4, 1986 \\nDOLBY B\\n#734\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670552865079300,"timestamp":"2026-01-07T14:59:57.321Z","score":1.2242479},{"id":"5357","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["bp Nichol interview with Pauline Butling on November 13, 1986 part 1 of 2 #748"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Butling, Pauline","Nichol, B. P."],"creator_names_search":["Butling, Pauline","Nichol, B. P."],"creators":["[{\"url\":\"http://viaf.org/viaf/44560494\",\"name\":\"Butling, Pauline\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B. P.\",\"dates\":\"1944-1988\",\"notes\":\"Nichol, Barrie Phillip\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1225/Reading in BC_MsC199_748.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"748-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:38\",\"precision\":\"\",\"size\":\"61.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"748-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:41\",\"precision\":\"\",\"size\":\"63.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-11-13\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2221423\",\"venue\":\"\",\"notes\":\"\",\"address\":\"[Nelson, British Columbia, Canada?]\",\"latitude\":\"49.4931\",\"longitude\":\"-117.2907\"}]"],"Address":["[Nelson, British Columbia, Canada?]"],"content_notes":["SFU BC Readings formatting\n"],"Note":["[{\"note\":\"BP Nichol interviewed by Pauline Butling \\nNovember 13, 1986\\n(Nelson, B.C. ?)\\nside 1: 45:47\\nDOLBY B\\npart I\\n#748\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553062211584,"timestamp":"2026-01-07T14:59:57.525Z","contents":["Side\tTrack\tNo.\tComments\nOne\t\t010\tTape begins mid-interview with bp Nichol about The Plunkett Papers and The Undiscovered Country, a long unpublished poem he spent seven years writing and then threw away.  He felt he was romanticizing, turning ordinary human experience into a mythic dimension; but wanted to get back to what is heroic on its own terms, and what is interesting in everyday life\n\t\t033\tHe discusses Burke Sproxton’s book Headframe about Flin Flon\n\t\t044\tPauline Butling : that romanticizing impulse has plagued Nichol from the start.  How does he resist it?\n\t\t047\tbpN: What is seductive about it is a voice tone he can get into.  It can become the “lyric I” or the “self-aggrandizing I” that is treacherous.  There’s no modulation of tone\n\t\t069\tbpN: In the Plunkett Hotel is a new poem, but is the best writing out of the experience of his earlier work\n\t\t093\t“Plunkett Hotel” comes out of a maternal grandmother’s family reunion Nichol attended in Plunkett, Saskatchewan\n\t\t181\tButling reads quote of Frank Davey’s criticizing bp Nichol’s work as irrelevant “visual poetry” and stating that poetry is still a language, and language of sound, rhythms, stress and pitch, and not just visual shapes\n\t\t204\tUnexplained search for a source (to the aforementioned quote??)  Nichol speaks of Alfred Kallir, who wrote Sign and Design, a psychogenetic (?) history of the alphabet; first published a monograph in 1944 called V is for Victory, then expounded on alphabet of the history of the world in Sign and Design, (an influential text for Nichol)\n\t\t221\tButling asks about The Flower Poem, recorded on High Barnett cassettes\n\t\t266\tMasaoka Shiki – Japanese poet mentioned by Nichol.  Nichol says he is doing a paraphrase of Shiki’s haiku from his First Record of my Peonies\n\t\t276\tPB: Likes context, and says criticism must establish a context in which the work can be read\n\t\t283\tbpN: Criticism is a written record of a reading process and provides the reader with a different accessing of the book\n\t\t301\tDiscussion of bp Nichol’s use of epigrams – Epi stands for epigrams a reversal of the technique he later gets into with the mathematical signs\n\t\t342\tBp Nichol refers to the Lost Literature of Medieval England; one of his fascinations is with works that don’t last.  In this book on books which were written, but no copies exist, was a reference to Buamundus; a character which has only one reference in English literature.  A child is named Buamundus as a joke, but we don’t know what the joke means\n\t\t363\tReferences to the meanings of crow\n\t\t372\tHistorically there are 2 St. Valentines.  One of them has the crow as his totem, found in the Dictionary of English Saints\n\t\t382\tButling is looking for themes of the multiples of doubles\n\t\t397\tNichol talks about returning to the idea of a historical narrative in The Martyrology in Book 1 and Book 6\n\t\t405\tNichol talks about taking 2 actual disciples of Christ about whom nothing is known and using the historical actuality that real people provide\n\t\t423\tButling asks about the rhetorical voice in Waves Against the Boat as the one Nichol is always resisting.  Is it o.k. to use it here because it is historical?\n\t\t424\tNichol says he is not taking personal history and claiming for himself privilege by being connected to mythic figures.  If we say our grandparents were mythic, we are saying we are one with the gods.  This is self-aggrandizement, two generations removed, whereas Nichol is using the tools of history to describe a certain situation and to deal with the problem in writing that kind of historical narrative\n\t\t433\tContinental Trance is the Canadian travel poem taken on.  Butling calls it the apocalyptic narrative\n\t\t438\tButling asks if Nichol investigated the research on the Bible in connection to the two figures Nichol uses.  Refers to the debate around the figure of Daniel\n\t\t444\tNichol refers to an MA thesis of a friend on James, the younger brother of the Lord – Jesus’ younger brother, used in his research, as well as alternate histories of the church, documents written by drooling fanatics, non-drooler documents, etc.\n\t\t454\tNichol found information to prove the Catholic Church did wipe out the English Christian Church, that was seen as a pagan tradition\n\t\t467\tNichol talks about a piece of work that is unnamed.  Butling asks where Nichol is “at” in terms of Book 5.  Suggests a real sense of loss\n\t\t491\tThe notion of imperfection is crucial to the whole beginning idea of The Martyrology.  Failure, imperfection, success has to be there structurally.  It is an argument with the notion that history was on a superhuman scale rather than “just a bunch of assholes that went around beating people up”\n\t\t516\tDiscussion of Vander Zalm leading people down the garden path with simplicity in poetics vs. the difficult structure of The Martyrology\n\t\t530\tButling comments on the structure of The Martyrology.  Bp Nichol suggests people approach his poetry like music and take what they like from it\n\t\t536\tNichol tells anecdote of a reading to students at Mohawk College in the 70’s\n\t\t580\tButling: How do you see these books interacting with one another?\n\t\t582\tBook 6 began with the imperfection of prophecy; up until then The Martyrology consisted of separate books begun and finished individually.  Nichol discusses how this changes with the carryover of themes in Book 5 to Book 6.  The twelve chains of Book 5 became the six books of Book 6\nTwo\t\t007\tSide Two Tape 1 begins\n\t\t015\tNichol discusses family reunion and his poetic themes; “The grace of the moment,” in which one finds the strength to deal with death\n\t\t084\tButling questions the use of form in The Martyrology\n\t\t093\tNichol discusses the dialogue between closed form and open form\n\t\t107\tNichol on inspiration and states of mind and The Book of Hours\n\t\t165\tButling on the arbitrariness of forms and the contemporary poet, does this form avoid the poet’s ego?\n\t\t188\tNichol discusses the structures “The Plunkett Hotel”, and Continental Trance\n\t\t197\tButling: Does taking those arbitrary forms free you from thinking about form?\n\t\t199\tNichol says it creates an extra tension, an external factor and elaborates briefly\n\t\t220\tButling: Does the punning and word play get you away from intention?\n\t\t223\tNichol talks about the objectivity these bring in to the work.  Point of view creates reality and its own argument\n\t\t240\tButling asks if the post-modern poets have dealt with the modernist question of absence through form\n\t\t284\tButling notes that word play hasn’t become dull or repetitive in Nichol’s work\n\t\t295\tNichol discusses formal advance of structure in Books I-VI\n\t\t317\tNichol talks about ideas for a new form for Book 10; The Bard project, a kind of Frankenstein monster of form in which he would work his way through every closed and open form\n\t\t440\tThey discuss Phyllis Webb’s poetry\n\t\t474\tGossip about the Montreal scene, F.R. Scott, Phyllis Webb etc.\n\t\t493\tNichol talks about his early teaching history and university\n\t\t517\tNichol on Adder magazine at King Edward, dadaists, Tish, and his first published poem\n\t\t549\tThe Tish movement and Frank Davey\n\t\t556\tNichol reminisces about UBC, readings by Freddy Douglas and Kurt Lang, Bill Bissett\n\t\t575\tNichol remembers student protest against Bay of Pigs Invasion, 1962\n\t\t597\t1963 Vancouver Poetry Conference.  Nichol says he is glad to have missed the conference because of the effect its influence would have had on his writing (ie. Olson)\n\t\t609\tEnd of Side Two"],"score":1.2242479},{"id":"5358","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["bp Nichol interview with Pauline Butling on November 13, 1986 part 2 of 2 #749"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, Barrie Phillip","Butling, Paulina"],"creator_names_search":["Nichol, Barrie Phillip","Butling, Paulina"],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, Barrie Phillip\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/44560494\",\"name\":\"Butling, Paulina\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors":["[]"],"Performance_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1226/Reading in BC_MsC199_749.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T02:28:00\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"749-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:39\",\"precision\":\"\",\"size\":\"43.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"749-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:37\",\"precision\":\"\",\"size\":\"43.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-11-13\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2221423\",\"venue\":\"\",\"notes\":\"\",\"address\":\"[Nelson, British Colombia, Canada?]\",\"latitude\":\"49.4931\",\"longitude\":\"-117.2907\"}]"],"Address":["[Nelson, British Colombia, Canada?]"],"content_notes":["SFU BC Readings formatting"],"Note":["[{\"note\":\"BP Nichol interviewed by Pauline Butling \\nNovember 13, 1986\\n(Nelson, B.C. ?)\\nside 1: 44:30\\nside 2: 44:30\\nDOLBY B\\npart II\\n#749\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553062211585,"timestamp":"2026-01-07T14:59:57.525Z","contents":["Side\tTrack\tNo.\tComments\nOne\t\t009\tSide One begins mid-anecdote by Nichol about giving a copy of Craft Dinner to his father (to whom the book is dedicated)\n\t\t054\tNichol comments on his father attending a reading of his poetry\n\t\t083\tButling re-asks the question about structure (see tape #748) and how the 6 books of The Martyrology interact\n\t\t089\tNichol is not working with a thematic structure; but is working with similar themes that recur in The Martyrology\n\t\t112\tNichol – discusses “Imperfection of Prophecy”, “In the Plunkett Hotel,” The Continental Trance as self-contained ideas; The Book of Hours and structure, “Inchoate Road”\n\t\t144\tButling asks about the circular structure of The Book of Hours as a deliberate structuring.  Discussion ensues about the form of meditation as a circle and The Book of Hours requiring no closure\n\t\t181\tButling: How are you consciously involved in form or are you?\n\t\t188\tBp Nichol cites “In the Plunkett Hotel” as an “in/from” structure that grew from the idea, whereas a more perceptual piece emerges as Nichol writes it and that dictates form, “Inchoate Road”\n\t\t215\tButling: You have to make choices about what you are writing, what is the basis for those decisions?\n\t\t223\tNichol responds that it is the play and the subjects that are arising that dictates form.  What is the piece about?  It is a piece of thinking, and he is trying to make the thinking cohere while not being obvious about it.  Possibilities present themselves: some discussion this\n\t\t256\tButling suggests that as soon as The Martyrology begins to deepen that it immediately goes back to surface\n\t\t259\tNichol says that is a conscious choice because statemental voice is too obvious and he would rather make a leap to something else.  It is a working out of ekstasis, not giving a person his vision in a narcissistic sense, but giving the person an experience of vision\n\t\t289\tThen he will cut to the didactic voice as a relief or a release from the other voice.  This becomes musical pacing as sometimes he will say something rather than show it for the rhythm of the poem\n\t\t290\tNichol on Ondaatje’s “Billy the Kid” poem as an example of this\n\t\t311\tBp Nichol explains that he is primarily led by the ear, and then led visually\n\t\t314\tWhat about morality?  Butling asks\n\t\t339\tNichol complains that much writing becomes a panacea, that writers used to pretend that they were more in control than they were, that literature presented an idea of life being utterly controllable.  Discussion of Robert Duncan, Robin Blaser, Charles Olson in this vein\n\t\t386\tNichol explains a notion he is working on; that which is unsignable, not because of a failure on the author’s part, but because it lies outside the range of that which is signable (linguistic-signed)\n\t\t395\tHe wants to use the medium of that which is written to talk about that which is unwritable.  He elaborates on presenting an essence, the blank page, not as a blank book, and putting the readers into the frame of mind where they will look at the page in a certain way\n\t\t405\tDiversion into bp Nichol’s expression “real mysteries”\n\t\t423\tNichol’s experience as a therapist and structures and systems that function for individuals; the self as multiple consciousnesses.  Pataphysics and “Probably systems”\n\t\t457\tButling senses absence in Nichol’s early work;’ questions if this is outside the self (Book 1 and 2)\n\t\t459\tNichols discusses alienation from the self as a reason why he was in therapy\n\t\t470\tWriters would create personas as a solution to absence, suggests Nichol\n\t\t479\tNichol’s mistrust of adjectives – all they say is the noun is weak\n\t\t486\tThe pun works like reference, it opens up additional worlds – pun provides multiple chords, like music, which becomes a “packing the noun”\n\t\t502\tNichol discusses the alienation of the self and title The Martyrology, and Books 4, 5 and 6\n\t\t511\tNichol takes on the Christian subtext in “really seriously”\n\t\t516\tNichol says The Martyrology attempts to work out a “no gimme” relationship to the concept of God.  He wants a relationship to God that does not include the notion of heaven, in which he “gets nothing for it”\n\t\t530\tIn the work there is also a tension of looking at that sense of loss historically and at the same time attempting to embrace \n\t\t539\tNichol says that life is in the present, a notion that connects with other ideas in The Martyrology of the dailiness of living and the argument with history\n\t\t543\tNichol’s favourite word in The Martyrology is ‘now’.  A discussion ensues regarding the philosophy of living in the present\n\t\t560\tNichol: The goal of high modernism gets us into trouble because it is to live beyond the moment\n\t\t568\tNichol says, “popular poetry” will talk of this tradition of the 20th century modernists in a way that is antithetical to world peace.  Nichol’s provisional solution is to make the work of art something that has history in it, but that also has the absolute reading of the moment in it\nTwo\t\t008\tSide 2 begins.  Nichol on fluid structure as counter to the high modernist notion that art is eternal\n\t\t015\tButling & Nichol discuss the contradiction between the argument with systems and structure that there isn’t any one, but may; but still giving a structure, creating a work that will live beyond the artists\n\t\t039\tNichol argues that it should not be presented as a prescription, but to present things side by side: statement/non-statement, concreteness/abstraction, coherence/incoherence oscillating within the same structure\n\t\t065\tThe Martyrology becomes a model of an approach to poetics\n\t\t122\tNichol: The minute I die [the structure’s] fixed… I want to revise my will so that it’s really obvious the thing should be published in its state, it shouldn’t be cleaned up\n\t\t142\tButling wants to talk about politics as an issue for Nichol partly because it’s an issue for Phyllis [Webb]\n\t\t159\tNichol sees his work as political but not in the sense of an Octavio Paz or Pablo Neruda.  Discussion ensues on Barthes, politics in art, and a Puritan approach; comments of Robert Kroetsch\n\t\t196\tYou have to have an imagination of difference, of a possibility of difference in the world, because Nichol cannot see the isms we have as working\n\t\t200\tThe problem with even talking about this [political solutions to complex if not insoluble problems] is that it begins to sound like a justification for it.  The analogy with talking about Americans’ ignorance of Canadian writing\n\t\t227\tThe problems begin in the mind and how people formulate problems and solutions – Nichol\n\t\t245\tOn deconstruction, concrete poetry not leading to chaos or dead ends; concrete poetry seen as ‘barbarism’, to take Louis Dudek’s terms.  Nichol discusses Dudek’s hostility to concrete poetry although realizing the use by Nichol’s generation of his own work\n\t\t270\tModernism as failure in proposing a permanent coherence; Nichol on Pound’s Cantos\n\t\t365\tNichol and Butling begin to review Nichol’s “The Grace of the Moment” (The Martyrology Book 6, VI) to examine what choices are open to him.  Poem beginning “The Grace of the Moment” is discussed, referencing Nichol’s work process as it pertains line by line to this work\n\t\t423\tNichol’s choice for words will be that which keeps as many meanings in the air as possible\n\t\t439\tThe Martyrology as a piece of music; the first time through you will hear certain things, the second time through certain others.  Discussion continues line by line on “The Grace of the Moment” to end of tape\n\t\t580\tSide 2 ends"],"score":1.2242479},{"id":"5359","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["bp Nichol interview with Fred Wah and Pauline Butling on November 16, 1986 part 2 of 2 #750"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Butling, Paulina","Wah, Fred","Nichol, B. P."],"creator_names_search":["Butling, Paulina","Wah, Fred","Nichol, B. P."],"creators":["[{\"url\":\"http://viaf.org/viaf/44560494\",\"name\":\"Butling, Paulina\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Interviewer\"]},{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred \",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B. P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1227/Reading in BC_MsC199_750.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"T02:08:00\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"750-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:38\",\"precision\":\"\",\"size\":\"39.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"750-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:15:42\",\"precision\":\"\",\"size\":\"18.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-11-16\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t007\tTape begins mid-interview with Nichol on imagination and play and process\n\t\t075\tWah talks about a novel on the Titanic story that foreshadows the Titanic incident\n\t\t101\tWah asks Butling if she has talked to bp about the unit of composition in The Martyrology?  How it changes through the books.  A sketchy discussion evolves with bp Nichol very poorly miked and barely audible in the background – Wah exits discussion\n\t\t154\tButling states that content will take care of itself if bp Nichol looks after the form.  Discussion becomes even more inaudible\n\t\t217\tWah on a student’s book of poems, Robert McLean, who invented a line break\n\t\t253\tMike is moved to catch Nichol’s voice\n\t\t255\tNichol on pataphysical process in Book 2\n\t\t304\tButling : you’re committed to process, to things not ending, so how do you stop?\n\t\t307\tNichol says it’s arbitrary, it’s like a meditation\n\t\t315\tNichol says the poem is dealing with the absolute nature of the transitory\n\t\t325\tDeath brackets everything we’re talking about, which goes back to The Book of Hours\n\t\t350\tTrying to find an open structure which allows in the moment as well as a sense of history\n\t\t376\tButling on Nichol’s ability to exit the didactic voice through use of sound and multiple voices\n\t\t396\tSide One ends\nTwo\t\t009\tNichol on his family as a tribe with no national boundary\n\t\t022\tNichol has no place to return to, no hometown\n\t\t034\tNichol says he’s never become a regional poet because his family moved all the time.  Nichol says his childhood moving traumatized him.  Discussion ensues on the Canadian writing community\n\t\t072\tNichol’s theme on a notion of return, a return to language\n\t\t092\t“The Plunkett Hotel” is about the desperate attempt to establish roots.  A reclamation of what family was then\n\t\t125\tButling asks about community : what gives you permission to transgress, or to do things that aren’t considered acceptable or normal?\n\t\t147\tNichol on meeting Margaret Avison and her approval of his poetry\n\t\t167\tNichol on meeting McCaffery in 1968, support and publishing\n\t\t212\tNichol talks about media writing in later life and how it is not conducive to play"],"Note":["[{\"note\":\"BP Nichol with Fred Wah and Pauline Butling  November 16, 1986\\npart II \\nside 3: 28:57\\nside 4: 13:30\\nDOLBY B\\n#750\",\"type\":\"General\"},{\"note\":\"The first part of this interview is missing\",\"type\":\"\"},{\"note\":\"the length of the digital file's side 1 is T00:30:38 and side 2 is T00:15:42, but the performance only takes 28:57 on side 1 and 13:30 on side 2 and the rest of audio is empty \",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553063260160,"timestamp":"2026-01-07T14:59:57.525Z","score":1.2242479},{"id":"5378","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Duncan speaks on Jack Spicer at Zen Center in San Francisco on April 13, 1980 part 1 of 2 #755\n"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert"],"creator_names_search":["Duncan, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1980],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1253/Reading in BC_MsC199_755.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"755-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:33:54\",\"precision\":\"\",\"size\":\"32.1 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"755-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:01\",\"precision\":\"\",\"size\":\"44.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1980-04-13\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/3439271\",\"venue\":\"Zen Center\",\"notes\":\"\",\"address\":\"300 Page St, San Francisco, CA 94102, United States\",\"latitude\":\"37.77391\",\"longitude\":\"-122.42612\"}]"],"Address":["300 Page St, San Francisco, CA 94102, United States"],"Venue":["Zen Center"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n½\t\t\tRobert Duncan speaks on Jack Spicer"],"Note":["[{\"note\":\"Robert Duncan speaks on Jack Spicer \\nSan Francisco, Zen Center\\nApril 13, 1980\\nPart I \\n#755 \",\"type\":\"General\"},{\"note\":\"The first 14 minutes and 47 seconds of side 2 is empty.\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553067454465,"timestamp":"2026-01-07T14:59:57.525Z","score":1.2242479},{"id":"5379","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Duncan speaks on Jack Spicer at Zen Center in San Francisco on April 13, 1980 part 2 of 2 #756"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Duncan, Robert"],"creator_names_search":["Duncan, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert \",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1980],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1254/Reading in BC_MsC199_756.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"756-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:35:06\",\"precision\":\"\",\"size\":\"34.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"756-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:57\",\"precision\":\"\",\"size\":\"45.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1980-04-13\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/3439271\",\"venue\":\"Zen Center\",\"notes\":\"\",\"address\":\"300 Page St, San Francisco, CA 94102, United States\",\"latitude\":\"37.77391\",\"longitude\":\"-122.42612\"}]"],"Address":["300 Page St, San Francisco, CA 94102, United States"],"Venue":["Zen Center"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n½\t\t\tRobert Duncan speaks on Jack Spicer\n"],"Note":["[{\"note\":\"Robert Duncan speaks on Jack Spicer \\nSan Francisco, Zen Center\\nApril 13, 1980\\nPart II \\n#756\",\"type\":\"General\"},{\"note\":\"The first 14 minutes and 42 seconds of side 2 is empty.\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553067454466,"timestamp":"2026-01-07T14:59:57.525Z","score":1.2242479},{"id":"5382","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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Whitehead\\nNovember 10,1983\\npart I\\n#761\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553068503043,"timestamp":"2026-01-07T14:59:57.525Z","score":1.2242479},{"id":"5384","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robin Blaser lecture on Charles Olson and Alfred North Whitehead on November 10, 1983 part 2 of 2 #762"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[RB_762]"],"rights":["In Copyright (InC)"],"access":["Streaming"],"creator_names":["Blaser, Robin"],"creator_names_search":["Blaser, Robin"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1259/Reading in BC_MsC199_762.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"762-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:19\",\"precision\":\"\",\"size\":\"48.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/rbr-78/rb762a\",\"file_path\":\"\",\"filename\":\"762-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:25\",\"precision\":\"\",\"size\":\"33.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-11-10\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\nTrack\nNo.\nComments\n1 Part II\nBlaser lectures on Olson and Whitehead\n2 Part II\nBlaser lectures on Olson and Whitehead"],"Note":["[{\"note\":\"The first 17 minutes and 26 seconds of side 2 is empty.\",\"type\":\"\"},{\"note\":\"Robin Blaser lecture on Charles Olson and A.N. Whitehead \\nNovember 10, 1983\\npart II \\n#762\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553068503044,"timestamp":"2026-01-07T14:59:57.525Z","score":1.2242479},{"id":"5386","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["David Bromige Reading his poems at SFU on March 6, 1989 #764\n"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bromige, David"],"creator_names_search":["Bromige, David"],"creators":["[{\"url\":\"http://viaf.org/viaf/7436750\",\"name\":\"Bromige, David\",\"dates\":\"1933-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1989],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1261/Reading in BC_MsC199_764.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"764-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:27\",\"precision\":\"\",\"size\":\"30.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"764-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:34\",\"precision\":\"\",\"size\":\"32.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1989-03-06\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n½\t\t\tDavid Bromige reading his poems\n"],"Note":["[{\"note\":\"David Bromige Reading his poems at SFU Burnaby, Vancouver BC, March 6, 1989 \\nDOLBY B\\n#764\",\"type\":\"General\"},{\"note\":\"The first 23 seconds of side 2 is empty\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553069551616,"timestamp":"2026-01-07T14:59:57.525Z","score":1.2242479},{"id":"5387","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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last 11 minutes of side 2 is nor really good.\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553069551617,"timestamp":"2026-01-07T14:59:57.525Z","score":1.2242479},{"id":"5388","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robin Blaser reading from Pell Mell at The Western Front on January 16, 1989 part 2 of 2 #767"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[RB_767]"],"rights":["In Copyright (InC)"],"access":["Streaming"],"creator_names":["Blaser, Robin"],"creator_names_search":["Blaser, Robin"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1989],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/1263/Reading in BC_MsC199_767.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"767-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:36:37\",\"precision\":\"\",\"size\":\"38.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/rbr-82/rb767a\",\"file_path\":\"\",\"filename\":\"767-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:36\",\"precision\":\"\",\"size\":\"31.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1989-01-16\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/292460590\",\"venue\":\"The Western Front\",\"notes\":\"\",\"address\":\"303 E 8th Ave E, Vancouver, BC V5T 1S1\",\"latitude\":\"49.26391\",\"longitude\":\"-123.09869\"}]"],"Address":["303 E 8th Ave E, Vancouver, BC V5T 1S1"],"Venue":["The Western Front"],"City":["Vancouver, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n½ / Part II\t\t\tRobin Blaser reading\n"],"Note":["[{\"note\":\"Robin Blaser reading from Pell Mell \\nWestern Front, Vancouver, BC\\nMonday, January 16, 1989\\npart II #767\",\"type\":\"General\"},{\"note\":\"Side 2 is empty\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553069551618,"timestamp":"2026-01-07T14:59:57.525Z","score":1.2242479},{"id":"5659","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Poetry Seminar: BP Nichol reading at SFU on July 7, 1983 part 1 of 2 #409"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P.","Miki, Roy"],"creator_names_search":["Nichol, B.P.","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"Roy Miki introduces bp\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/5836/Reading in BC_MsC199_409.jpg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"409 part 1-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:36\",\"precision\":\"\",\"size\":\"31.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"409 part 1-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:25\",\"precision\":\"\",\"size\":\"31.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-07-07\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University \",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["Simon Fraser University "],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nA\t\t000\tRoy Miki introduces bp\n\t\t023\tBp starts to read and talk about his early publications – early concrete publications.  Cycles– the first - 1965\n\t\t045\tReads “The historical implications of turnips\n\t\t074\t“The evening’s ritual”\n\t\t086\t“Milk” – the child in me\n\t\t138\t“Fishy”\n\t\t149\t“Cycle number twenty two” Retrospectively realized sound poem based on the typewriter grid\n\t\t224\tTalks about Schwitters and Hugo Ball\n\t\t283\tReads from “The undiscovered country” (discarded long poem)\nB\t\t000\tTalking about subjectivity and ego in poetry\n\t\t037\tFinding a way to objectify experience and language via the saints in book 1 of Martyrology\n\t\t049\tTalks about the concrete “The end of the affair” as a transformative structure and consciously working to get the “I” out\n\t\t081\tSequence 8 from Scraptures (reads)\n\t\t125\tSequence 7 from Scraptures\n\t\t186\tSequence 4 from Scraptures (in which the Saints emerge)\n\t\t256\tUncovering meaning and rhetorical speech\n\t\t310\tReads poem “Before closure”\n\t\t330\tTalks about the Captain Poetry Poems and reads several sections\n\t\t400\tEnds "],"Note":["[{\"note\":\"On the J-card it's written that the date on June 7 although on the audio it's said that it's July 7 \",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553736445956,"timestamp":"2026-01-07T14:59:58.173Z","score":1.2242479},{"id":"5708","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robin Blaser, bp Nichol, Sharon Thesen in Poetry and the sacred at SFU on July 6th, 1983 tape 1 of 2 #425"],"item_title_source":["J-card and inventory"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Blaser, Robin","Nichol, B.P.","Thesen, Sharon","Vanel, Kurtis","Miki, Roy"],"creator_names_search":["Blaser, Robin","Nichol, B.P.","Thesen, Sharon","Vanel, Kurtis","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"bp Nichol\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/115694373\",\"name\":\"Thesen, Sharon\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"no info in any directories, he was an SFU technician, also known as 'Doug Gysemen'\",\"nation\":[],\"role\":[\"Recordist\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy \",\"dates\":\"1942-2024\",\"notes\":\"He does the introduction part\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6007/Reading in BC_MsC199_425.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"425-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:41:35\",\"precision\":\"\",\"size\":\"62.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"425-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:10\",\"precision\":\"\",\"size\":\"40.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-07-06\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"The location is mentioned in inventory \",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t002\tIntroduction to the topic by Roy Miki\n\t\t049\tThe Sacred: “The disappearance of the sacred is tied to the birth of its necessity…”; Miki quotes relevant lines from H.D. and Gertrude Stein\n\t\t065\tGod died in the 19th century, but only that God dies who is removed from his creation\n\t\t080\tThe 20th century obsessive drive to de-sacrilize the World, relegate ritual to a “dead” past history…\n\t\t110\tSharon Thesen talks about the deanimation and reanimation of the World\n\t\t120\tThe epigraph of Thesen’s prepared statement on Poetry and the sacred: “Big Science… Hallelujah!” – Laurie Anderson\n\t\t130\tIssues of the sacred in these final years of the 20th century\n\t\t138\t“To what extent is poetry, then, the repository of the sacred in our time?”\n\t\t157\t“…the sacred is involved when poetry enacts or experiences limitation…”; both poetry and the language of religion express the limits of our understanding of our own experience.\n\t\t184\t“…the sacred inhabits the realm of what we call meaning and language is a trespass into this realm.”\n\t\t204\t“There is no form in scientific ideology… only method and results!  Poetry’s procedures mirror… the language of our apprehension of all creation… the interpenetration of flesh and spirit, one –and many, word and love, the feminine source of both.”\n\t\t223\tPoetry has to contend with the minute scrutiny of science, Thesen feels that it will\n\t\t240\tBp Nichol talks about the effects of the sacred and of faith on his own poetry\n\t\t442\tSide one ends\nTwo\t\t003\tRobin Blaser introduces his approach to the topic: an anthology of writing on the sacred\n\t\t018\tThe “God is dead” argument; Blaser reads second chapter of first book of Thus Spake Zarathustra\n\t\t060\tThe deconstruction of the Western tradition of humanism, and the peculiarities of the reconstruction; Blaser reads a passage from Faucault\n\t\t082\tThe etymology of the word “sacred”\n\t\t089\tAll men and women respond to a cosmology, it is the job of poetry to build this cosmos.  The structuralist movement was mistaken in trying to separate poetry from myth, and in continuing the battle between science and poetry\n\t\t114\tReads from Philip Rieff’s Triumph of the Therapeutic\n\t\t134\tReads a passage by Octavio Paz, on contemporary Marxist thought\n\t\t198\tDiscusses and reads from Rene Girard’s book Violence and the Sacred (sacrifice is necessary to “hold down” and hide human violence)\n\t\t316\tSide two ends\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553751126018,"timestamp":"2026-01-07T14:59:58.173Z","score":1.2242479},{"id":"5709","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robin Blaser, bp Nichol, Sharon Thesen in Poetry and the sacred on at SFU July 6th, 1983, tape 2 of 2 #426"],"item_title_source":["J-card and inventory"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Blaser, Robin","Nichol, B.P.","Thesen, Sharon","Vanel, Kurtis"],"creator_names_search":["Blaser, Robin","Nichol, B.P.","Thesen, Sharon","Vanel, Kurtis"],"creators":["[{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"bp Nichol\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/115694373\",\"name\":\"Thesen, Sharon\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"no info in any directories, he was an SFU technician, also known as 'Doug Gysemen'\",\"nation\":[],\"role\":[\"Recordist\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6008/Reading in BC_MsC199_426.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"426-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:17\",\"precision\":\"\",\"size\":\"38.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"426-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:37:57\",\"precision\":\"\",\"size\":\"40.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-07-06\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"The location is mentioned in inventory \",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t002\tRobin Blaser continues his lecture; reads a quotation for Guy Davenports’ The Geography of the Imagination\n\t\t111\tReads a passage on the state of modern science from Ruth Nanda Anshen’s essay “Convergence” (in Bernard Lovell’s Emerging Cosmology)\n\t\t026\tReads a passage by Michel Serres on knowledge\n\t\t065\tBlaser’s lecture ends; the panel begins an open discussion.  Sharon Thesen expresses an initial repulsion at the idea of convergence (of mind and matter).  Blaser responds\n\t\t114\tQuestion from the floor to the panel about the “slippage” between the very abstract notions of the sacred, and those notions derived from Social institutions which deal with the sacred… bp Nichol responds\n\t\t146\tBp Nichol is asked about whether there is any relationship between his view of the sacred and his work at Therfields; he responds\n\t\t203\tBp Nichol responds to a question about how he views the relationship between the family and the sacred\n\t\t257\tA question about the distinction between the sacred and the divine; the panel responds\n\t\t393\tQuestion about birth and death and their relationship to the sacred; Roy Miki and Robin Blaser respond, discussing how the certitude of death has affected poetry and contemporary attitudes toward the family.  Blaser begins to relate the yearning for family with the yearning for love\n\t\t473\tSide one ends\nTwo\t\t003\tBlaser continues to talk about love\n\t\t012\tSharon Thesen talks about the fragmentation of the family, says this is more easily related to deficiencies of language than to poetry or the sacred\n\t\t038\tComment from the audience and response by Robin Blaser about the language of the family and of the sacred\n\t\t058\tBlaser talks about ‘culture, institutions, power and civilization (as an “individual task”)\n\t\t074\tQuestion from audience: The tone of the present discussion seems to suggest a kind of lament for the loss of the sacred, but isn’t it true that the panel has been merely talking about the sacred, rather than acting within it?\n\t\t104\tA response: The poem, Portrait of the Poet as Landscape is a kind of lament for the absence of the sacred, but he failed to recognize that the sacred has become a part of the ordinary.  The disappearance of the sacred is at the base of modern thought\n\t\t133\tQuestion from audience about whether the fact that much respected modern writing on the sacred is in prose (not poetry) is a comment on the disappearance of the sacred.  The response: There is no distinguishable difference between poetry and the best prose on the sacred (Blaser: “…scholarship is a poetic act”)\n\t\t157\tBp Nichol brings the discussion back to the topic of death\n\t\t195\tComment from the audience on the relationship between violence and the sacred, and a question about whether the present discussion is a \"funeral or a party” for the sacred\n\t\t204\tBlaser expresses the view that “…we’re headed for a different kind of poem” in this so-called “post-modern” era; refers to Olson’s (and Pound’s) view that poetry and scholarship must come together\n\t\t244\tThe discussion ends, it is proposed that the panel reads some of their poetry\n\t\t259\tBp Nichol reads “Hour 24” from the second book of Book 6 of The Martyrology\n\t\t294\tSharon Thesen reads – from “Snakes and Ladders”\n\t\t321\t“What Now” – Thesen\n\t\t340\tRobin Blaser reads “The Universe Is a part of ourselves…”\n\t\t354\t“I have tried for 35 to redefine sweetness…” – Blaser\n\t\t261\tEnd of discussion"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553752174592,"timestamp":"2026-01-07T14:59:58.173Z","score":1.2242479},{"id":"5710","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Michael McClure lecture at SFU on March 2, 1984 Tape 1 of 2 #427"],"item_title_source":["cassette and J-card"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Mcclure, Michael","Blaser, Robin"],"creator_names_search":["Mcclure, Michael","Blaser, Robin"],"creators":["[{\"url\":\"http://viaf.org/viaf/71493269\",\"name\":\"Mcclure, Michael\",\"dates\":\"1932-2020\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1984],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6009/Reading in BC_MsC199_427.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"427-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:41\",\"precision\":\"\",\"size\":\"35.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"427-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:31\",\"precision\":\"\",\"size\":\"34.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1984-03-02\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t003\tIntroduction by Robin Blaser\n\t\t063\tBlaser introduces and reads the preface to “The Surge” by Michael McClure\n\t\t083\tBlaser introduces and reads McClure’s “Plank” from Sagetrieb Vol. 2 No. 3\n\t\t100\tMcClure introduces his lecture by reading a poem by William Blake\n\t\t124\tMcClure reads the American Indian hunting song from the beginning of “The Beat Surface” as found in Scratching the Beat Surface (1982)\n\t\t128\tIntroduces and reads the introduction to “The Beat Surface” (“In 1958 I ate the American Indian drug peyote for the first time”)\n\t\t172\tReads “Peyote Poem”\n\t\t211\t“Of the one hundred and fifty copies of ‘Peyote Poem’ that Berman published, several were sold in City Lights Books…”\n\t\t222\tExplains that his lecture is about the relationship between the Beat Movement and nature, consciousness, the mind, and the environment\n\t\t235\tContinues reading from “The Beat Surface”\n\t\t315\tReads First part of “Howl” by Allen Ginsberg\n\t\t347\tReads first section of Gary Snyder’s “Berry Feast”\n\t\t377\t“Snyder’s gloss on the poem reads:…”\n\t\t395\tSide one ends\nTwo\t\t003\tContinues reading from “The Beat Surface”\n\t\t018\tIntroduces and reads Philip Whalen’s “Plus Ca Change”\n\t\t067\tReads his poem “Point Lobos: Animism”\n\t\t099\tReads “Poem” (“Linked part to part, toe to knee…”)\n\t\t110\tIntroduces and reads “For the Death of 100 Whales”\n\t\t154\tIntroduces and reads Robert Creeley’s “Desultory Days”\n\t\t207\tMcClure’s lecture ends.  Robin Blaser comments on the “postmodern” movement in poetry\n\t\t267\tMcClure talks about meeting Charles Olson in Gloucester\n\t\t313\tMcClure responds to a question on his feelings on science, especially biology\n\t\t402 \tSide two ends"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553752174593,"timestamp":"2026-01-07T14:59:58.173Z","score":1.2242479},{"id":"5711","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Michael McClure lecture at SFU on March 2, 1984 Tape 2 of 2 #428"],"item_title_source":["cassette and J-card"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Mcclure, Michael"],"creator_names_search":["Mcclure, Michael"],"creators":["[{\"url\":\"http://viaf.org/viaf/71493269\",\"name\":\"Mcclure, Michael\",\"dates\":\"1932-2020\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1984],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6011/Reading in BC_MsC199_428.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"428-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:09\",\"precision\":\"\",\"size\":\"49.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"428-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:57\",\"precision\":\"\",\"size\":\"48.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1984-03-02\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t002\tMcClure continues talking about his feelings on biology, nature, poetry, etc., and the effects of the Beat Movement\n\t\t074\tResponds to a question about literature critics and the difference (or lack thereof) between East and West Coast poetry\n\t\t130\tResponds to a question about how he feels about the relationship between the various arts\n\t\t184\tTalks about living in New York\n\t\t203\tTalks about John Wieners\n\t\t228\tHow McClure started writing plays\n\t\t275\tResponds to question about what is necessary for the act of composition\n\t\t337\tQuestion about the composition of “Fleas”, and “Ghost Tantras”\n\t\t405\tQuestion about whether McClure uses mind altering drugs while composing poetry (Answer: “No”)\n\t\t438\tQuestion about McClure’s feelings on the sonnet\n\t\t483\tMcClure’s variation on the sonnet: the “mad sonnet”\n\t\t\tReads two examples of “mad sonnets”\n\t\t544\tSide one ends\nTwo\t\t002\tMcClure’s feelings about Robinson Jeffers poetry\n\t\t027\tMcClure’s impressions of current performance artists like Laurie Anderson\n\t\t047\tTalk returns to sonnets, especially altered sonnets\n\t\t120\tThe American poets whose work McClure reads, from both the 19th and 20th centuries\n\t\t151\tMcClure responds to a question about “drive words’ in poetry; recites an example of a poem which makes almost exclusive use of these words\n\t\t218\tQuestion about Zukofsky’s notion of a poem’s sound preceding the words\n\t\t236\tMcClure’s feelings about abstract expressionism and the current art scene (especially in New York)\n\t\t315\tQuestion about whether there is anything happening in writing that is comparable to the current trends in painting.  McClure talks about European sound poetry\n\t\t352\tQuestion about whether the political significance of the harsh black and white handbills that are now so common\n\t\t378\tMcClure’s impressions of Henry Miller, Kenneth Rexroth, Kenneth Patchen and Robinson Jeffers\n\t\t491\tMcClure responds to a question about the Tung Dynasty\n\t\t518\tEnd of lecture and question period"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553752174594,"timestamp":"2026-01-07T14:59:58.173Z","score":1.2242479},{"id":"5712","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Miriam Nichols and Caffyn Kelley at SFU on November 14th, 1985 #429"],"item_title_source":["J-card and inventory"],"item_title_note":["Liner notes: see the photo in material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichols, Miriam","Kelley, Caffyn"],"creator_names_search":["Nichols, Miriam","Kelley, Caffyn"],"creators":["[{\"url\":\"http://viaf.org/viaf/104945553\",\"name\":\"Nichols, Miriam\",\"dates\":\"1952-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/73451944\",\"name\":\"Kelley, Caffyn\",\"dates\":\"1957-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1985],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6012/Reading in BC_MsC199_429.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"429-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:23\",\"precision\":\"\",\"size\":\"30.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"429-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:30:17\",\"precision\":\"\",\"size\":\"31.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-11-14\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n\t\t\tMiriam Nichols reading\nOne\t\t007\tPastoral I\n\t\t020\tPastoral II\n\t\t041\tReversing the Negative\n\t\t051\tSonata\n\t\t068\tDevelopment\n\t\t085\tRecapitulation\n\t\t094\t“Like being stranded on a small island in the middle of the ocean…”\n\t\t106\tArrogance of the Code, As It Imposes Direction On the Organism\n\t\t125\tPostscript\n\t\t128\tAntipastoral\n\t\t136\tMatrix Genatrix\n\t\t148\tMid-May\n\t\t160\tA story\n\t\t175\tThe Ice Palace\n\t\t209\tCold Paradise\nTwo\t\t\tCaffyn Kelley reading\n\t\t002\tNever the Same I\n\t\t048\tNever the Same II\n\t\t100\tNever the Same III\n\t\t145\tNever the Same IV\n\t\t185\tNever the Same V\n\t\t242\t“Work”, from Cumulation and Arrangement\n\t\t375\tReadings ends"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553752174595,"timestamp":"2026-01-07T14:59:58.173Z","score":1.2242479},{"id":"5713","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Sharon Thesen and Michael Ondaatje reading at the W.I.S.E. Club on December 1, 1989 #1037"],"item_title_source":["j-card and recording"],"item_title_note":["Liner notes: see the photo in the material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Thesen, Sharon","Ondaatje, Michael"],"creator_names_search":["Thesen, Sharon","Ondaatje, Michael"],"creators":["[{\"url\":\"http://viaf.org/viaf/115694373\",\"name\":\"Thesen, Sharon\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/111941870\",\"name\":\"Ondaatje, Michael\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1989],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6123/Reading in BC_McS199_1037(1).jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"1037-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:29:59\",\"precision\":\"\",\"size\":\"39.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"1037-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:03\",\"precision\":\"\",\"size\":\"64.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1989-12-01\",\"type\":\"Performance Date\",\"notes\":\"Item appears to show 1983 as year but based on publication dates of Ondaatje's works mentioned at beginning of B-side, 1989 is correct\",\"source\":\"Recording and J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/2963169816\",\"venue\":\"WISE Club & Hall\",\"notes\":\"See here for history of the club: http://wisehall.ca/history/\",\"address\":\"1882 Adanac St Vancouver, BC V5L 4E5\",\"latitude\":\"49.2772898\",\"longitude\":\"-123.0660472\"}]"],"Address":["1882 Adanac St Vancouver, BC V5L 4E5"],"Venue":["WISE Club & Hall"],"City":["Vancouver, British Columbia"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670553972375553,"timestamp":"2026-01-07T14:59:58.384Z","score":1.2242479},{"id":"5805","cataloger_name":["Nina,Fesenko"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Miriam Waddington reading at Artist's inc. poetry center in Hamilton on December 6, 1984 #1039"],"item_title_source":["cassette and j-card"],"item_title_note":["Liner notes: see the photo in the material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Waddington, Miriam"],"creator_names_search":["Waddington, Miriam"],"creators":["[{\"url\":\"http://viaf.org/viaf/2499852\",\"name\":\"Waddington, Miriam\",\"dates\":\"1917-2004\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1984],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6125/Reading in BC_McS199_1039(1).jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"1039-side-1 BLANK.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:03:12\",\"precision\":\"\",\"size\":\"81.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"Not actually blank until T00:34:10\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"1039-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:03:13\",\"precision\":\"\",\"size\":\"82.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"Starts playing at T00:01:08, is a repeat of side 1\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1984-12-06\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/906646708\",\"venue\":\"Hamilton Artists Inc\",\"notes\":\"\",\"address\":\"155 James St N, Hamilton, ON L8R 2K9, Canada\",\"latitude\":\" 43.2609451\",\"longitude\":\"-79.8673766\"}]"],"Address":["155 James St N, Hamilton, ON L8R 2K9, Canada"],"Venue":["Hamilton Artists Inc"],"City":["Hamilton, Ontario"],"Note":["[{\"note\":\"Side 1 is not blank\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553973424128,"timestamp":"2026-01-07T14:59:58.384Z","score":1.2242479},{"id":"5828","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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Williams’ use of active voice as a source for poetry\n\t\t228\tReads Williams’”By the road to the contagious hospital”\n\t\t238\tThe poem as a record of perception, not simply image\n\t\t256\tReads Williams’ “Unspeakable”\n\t\t269\tLine break recording meeting of self and other\n\t\t310\tTalks about John Donne’s use of difficult grammar to record a dialectic struggle in the self\n\t\t422\tModernism as a step out of Nature and into history\n\t\t480\tTalks about social & poetic “seriousness” as evident in the line\n\t\t548\tDiscusses Bill Bisset’s* use of alternate spelling, lower case, and chant\n\t\t595\tBisset’s written poems as scores for the voice\n\t\t598\tOver\nTwo\t\t000\tUse of measure in poetry analogous to measure in Music\n\t\t028\tRelationship of rhyme and measure\n\t\t059\tPossibility of cohering visual form of the poem with content\n\t\t069\tThe notion of experimentation\n\t\t081\tReading as the primary activity of language, preceding writing and language\n\t\t099\tDiscussion of the audience of poetry\n\t\t140\tFailures of criticism, & the role of criticism\n\t\t170\tThe poet’s responsibility to consider criticism\n\t\t300\tCharles Olson’s use of geography & ethnology\n\t\t340\tOlson’s sense and use of measure\n\t\t450\tWilliams’ explorations of American speech\n\t\t553\tDifferences between prose & poetry\n\t\t602\tEnd of side 2\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553978667011,"timestamp":"2026-01-07T14:59:58.384Z","score":1.2242479},{"id":"5829","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. 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There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Michael Palmer and Judith Roche Reading at Greenwood Gallery on February 20, 1981 #572"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Palmer, Michael","Roche, Judith"],"creator_names_search":["Palmer, Michael","Roche, Judith"],"creators":["[{\"url\":\"http://viaf.org/viaf/100912074\",\"name\":\"Palmer, Michael\",\"dates\":\"1942-2013\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/26009267\",\"name\":\"Roche, Judith\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6151/Reading in BC_MsC199_572.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"572-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:33\",\"precision\":\"\",\"size\":\"61.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"572-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:13\",\"precision\":\"\",\"size\":\"61.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-02-20\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/2420103600\",\"venue\":\"Greenwood Gallery\",\"notes\":\"\",\"address\":\"8537 Greenwood Ave N #1, Seattle, WA 98103, United States\",\"latitude\":\"47.69160\",\"longitude\":\"-122.35555\"}]"],"Address":["8537 Greenwood Ave N #1, Seattle, WA 98103, United States"],"Venue":["Greenwood Gallery"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nA\t\t000\tLoud tape hiss obscuring voice\n\t\t015\t“Words say”\n\t\t024\tTitle inaudible\n\t\t088\t“the secret remains in the book”\n\t\t105\t“You say a miracle convinced…”\n\t\t129\t“She says…”\n\t\t147\t“There is much that is precise between us”\n\t\t163\t“At the table we say…”\n\t\t198\tTitle inaudible\n\t\t227\t“I am not that one who once spoke of you”\n\t\t260\t“All those words we once used…”\n\t\t300\t“This is a glove”\n\t\t302\tTitle inaudible\n\t\t354\t“Songs for my daughter”\n\t\t418\tJudith Roche begins to read.  Title inaudible\n\t\t448\t“Conviction”\n\t\t492\t“I took a plane to Minnesota”\n\t\t536\tTitle inaudible\n\t\t560\t“In my dream I can’t sleep”\n\t\t578\t“Changing on the road”\n\t\t604\tEnd of side one\nTwo\t\t000\tJudith Roche, continued\n\t\t007\t“Bitching”\n\t\t029\t“Her story”\n\t\t069\t“The Rape”\n\t\t095\tMichael Davidson reads\n\t\t102\t“Subject matter” Michael Palmer reads with Davidson\n\t\t125\tUntitled, also read with Davidson\n\t\t140\t“Scales”\n\t\t176\t“White place”\n\t\t190\t“The Exegy”\n\t\t206\t“The report”\n\t\t217\t“More is up”\n\t\t263\t“The Memo”\n\t\t285\t“So what did you learn from King Lear”\n\t\t295\t“Cartoon Life”\n\t\t324\tExhibit A”\n\t\t339\tA series of prose pieces, each containing 5 sentences\n\t\t419\t“Beyond the Alps”\n\t\t502\tEnd of side two\n"],"Note":["[{\"note\":\"Side 1: Michael Palmer Reading\\nSide 2: Judith Roche Continues\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670553978667013,"timestamp":"2026-01-07T14:59:58.384Z","score":1.2242479},{"id":"5831","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["bp Nichol Reading at SFU on July 2, 1987 #573"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B. P.","Miki, Roy"],"creator_names_search":["Nichol, B. P.","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B. P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy \",\"dates\":\"1942-2024\",\"notes\":\"Roy Miki introduces bp\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1987],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6152/Reading in BC_MsC199_573.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"573-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:48:52\",\"precision\":\"\",\"size\":\"51.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"573-side-2 - blank.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:51\",\"precision\":\"\",\"size\":\"47.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987-07-02\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tRoy Miki introduces bp\n\t\t015\tBp reads from Book 6 of The Martyrology – the 6th book of Book 6, called “The Grace of the Moment”\n\t\t105\t“After Bird – improvising”\n\t\t136\tExplains the structures of Book 6, Book 7, & Book 8 \n\t\t157\tReads a Fragment of Book 7, beginning with a quote from Sharon Thesen.  “Language all her life is a second language”\n\t\t166\t“The punctuation periods of co-longing…”\n\t\t180\t“The night the man drowned in the canal…”\n\t\t218\t“Our Lady of the Assumption”\n\t\t258\t“Names lists”\n\t\t274\t“All these assumptions”\n\t\t290\t“Sun not yet visible…”\n\t\t300\t“Passion or Pa shun…”\n\t\t317\t“Rap traps”\n\t\t343\t“St Anzas” – From Book 10 Working in the Form of the Ode\n\t\t440\t“St. Anzas”, Part 2\n\t\t452\tPart 3 “and then your voice”\n\t\t479\tPart 6 “Three ‘Id end the same way”\n\t\t511\t“The white stone wall” from Book 7\n\t\t582\tEnd of tape\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553979715584,"timestamp":"2026-01-07T14:59:58.384Z","score":1.2242479},{"id":"5832","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Kroetsch Open Interview with George Bowering, Fred Wah, and Roy Miki at SFU on July 10, 1986 Tape 1 of 2 #574"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Bowering, George","Wah, Fred","Kroetsch, Robert","Miki, Roy"],"creator_names_search":["Bowering, George","Wah, Fred","Kroetsch, Robert","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6153/Reading in BC_MsC199_574.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"574-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:50\",\"precision\":\"\",\"size\":\"34.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"574-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:35\",\"precision\":\"\",\"size\":\"32.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-07-10\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t30:14 min\t000\tRoy Miki opens the discussion as George Bowering and Fred Wah arrive\n\t\t036\tThe Long Poem and Wallace Stevens\n\t\t050\tKroetsch talks about teaching in the United States.  The Odyssey and The Divine Comedy as introductions to the long poem form\n\t\t086\tPatterson and Williams’ insistence on local pride\n\t\t114\trelation of American poetry to Kroetsch’s rural Canadian background\n\t\t138\tFred Wah talks about Olson studies in Buffalo, 1964\n\t\t160\tInfluence of Williams\n\t\t189\tThe New Criticism and John Donne as a model of lyric complexity\n\t\t212\tStudy of the long poem as a lesson in construction of the novel\n\t\t289\tDiscovering an old seed catalogue in an archive in Calgary, 1975, and the poem “Seed catalogue”  coming together\n\t\t337\tWhitman’s “Leaves of Grass” as a model, and the method of adding more material\n\t\t361\tIncompletion as an exciting model in [Chancer]*, Spencer & Whitman\n\t\t396\tTape ends\nTwo\t26:25 min\t000\t“Applegarth” publication of The Ledger\n\t\t036\tThe idea of Field notes – notes towards a fiction\n\t\t083\tT.S. Eliot as the failed modernist poet.  Kroetsch’s resistance of the notion of poet in Four Quartets\n\t\t126\tThe Last Phoenicians – non-sacred language\n\t\t157\tIs there a difference between failing and abandoning a poem?\n\t\t188\tKroetsch’s sense of rapport with bp Nichol, Bowering, Marlatt, Wah\n\t\t208\tDifference between Canadian & American Experience.  Canadians live with a fragmentation which can be explored in the long poem\n\t\t257\tLevi-Strauss’ idea of bricaleur, as long-poem poet\n\t\t281\tUse of prose-poem form. An anxiety concerning the line\n\t\t226\tEnd of tape\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553979715585,"timestamp":"2026-01-07T14:59:58.384Z","score":1.2242479},{"id":"5833","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Kroetsch Open Interview with George Bowering, Fred Wah, and Roy Miki at SFU on July 10, 1986 Tape 2 of 2 #575"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kroetsch, Robert","Bowering, George","Wah, Fred","Miki, Roy"],"creator_names_search":["Kroetsch, Robert","Bowering, George","Wah, Fred","Miki, Roy"],"creators":["[{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\" http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/94949252\",\"name\":\"Miki, Roy\",\"dates\":\"1942-2024\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6154/Reading in BC_MsC199_575.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"575-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:31\",\"precision\":\"\",\"size\":\"32.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"575-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:32\",\"precision\":\"\",\"size\":\"32.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-07-10\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tKroetsch discusses Ondaatje’s poem Billy the Kid.  The notion of borrowed material as an evasion of “here”\n\t\t029\tBowering talks about Ondaatje’s early British influence and the development away from that, in long poems such as “Tin Roof”\n\t\t068\tKroetsch talks about Phyllis Webb’s “Naked Poems”\n\t\t099\tKroetsch discusses unusual poetic Forms such as folding [bocks]*, poster poems, and stained glass windows\n\t\t125\tInvolvement in the physical production of the poem as part of the poetic process\n\t\t190\tKroetsch discusses his early life as a writer\n\t\t248\tThe arbitrary systems of numbers and the mathematics of a poem\n\t\t307\t[Ray]** Miki asks about the idea of “process poetry”\n\t\t391\tEnd of side one\nTwo\t\t000\tThe nation of “middles” in the long poem as opposed to an insistence on endings\n\t\t021\tBowering talks about Louis Sullivan’s notion of architecture in which beauty is equal to perfect economy, and how this concept carried into modernism\n\t\t056\t“notion of origins has been turned upside down”  A poetry of quotation announces the abundance of beginnings\n\t\t077\tAmerican long poem as epic.  In Canada long poem is simply long, Miki says, and remains undefined\n\t\t122\tCanadian scholarship and the problem of genre\n\t\t145\tUncertain origins in both Field Notes and The Martyrology\n\t\t174\tLong poem as a mode of discourse, away of dealing with complexities of thought\n\t\t221\tYeats’ developmental form\n\t\t250\tAccumulative function of the long poem\n\t\t294\tFred Wah says the long poem and the prose poem are needed to explore a mode of writing which is not lyric\n\t\t350\tEnd of discussion\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553979715586,"timestamp":"2026-01-07T14:59:58.384Z","score":1.2242479},{"id":"5834","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Kroetsch Reading at SFU on July 11, 1986 Tape 1 of 4 #576"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kroetsch, Robert"],"creator_names_search":["Kroetsch, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6155/Reading in BC_MsC199_576.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"576-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:37\",\"precision\":\"\",\"size\":\"74.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"576-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:02\",\"precision\":\"\",\"size\":\"68.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-07-11\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\" 8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":[" 8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t44 min.\t000\tKroetsch opens by saying that boredom is a part of performance\n\t\t034\tField Notes “Stone Hammer Poem” 1.\n\t\t040\t2. “This paperweight on my desk…”\n\t\t043\t3. “Grey, two-headed”\n\t\t047\t4. “This stone maul…”\n\t\t048\t5. “It is a stone…”\n\t\t052\t6.“This stone maul…”\n\t\t057\t7. “The poem…”\n\t\t058\t8. “Now the field is…”\n\t\t064\t9. “This won’t…”\n\t\t065\t10. “My Father (retired)…”\n\t\t072\t11. “I keep it…”\n\t\t078\t“The Ledger”\n\t\t347\t“Seed Catalogue” 1.\n\t\t394\t2. “My Father was mad at the badger”\n\t\t412\t3. “No. 1248 – Hubbard Squash:”\n\t\t448\t4.“It arrived in winter, the seed catalogue”\n\t\t489\t5. “I planted some melons…”\n\t\t495\t6. “No. 339 – McKenzie’s Pedigreed Early Snowcap Cauliflower:”\n\t\t560\tEnd of Side One\nTwo\t\t000\t7. “Brome Grass (Bromuslnermis)”\n\t\t026\t8. “We silence words…”\n\t\t035\t9. “The danger of merely living”\n\t\t050\t10.“After the bomb/blossoms…”\n\t\t070\t“How I Joined the Seal Herd”\n\t\t132\t“The Sad Phoenician” “A”\n\t\t455\tEnd of side two\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670553980764160,"timestamp":"2026-01-07T14:59:58.384Z","score":1.2242479},{"id":"5835","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Kroetsch Reading at SFU on July 11, 1986 Tape 2 of 4 #577"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kroetsch, Robert"],"creator_names_search":["Kroetsch, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6156/Reading in BC_MsC199_577.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"577-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:26\",\"precision\":\"\",\"size\":\"49.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"577-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:53:00\",\"precision\":\"\",\"size\":\"56.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-07-11\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\" 8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":[" 8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t“The Silent Poet Sequence”\n\t\t\t“The Silent Poet Sees Red”\n\t\t021\t“The Silent Poet Moves his Office”\n\t\t041\t“The Silent Poet at Intermission”\n\t\t059\t“The Silent Poet Finds Out”\n\t\t093\t“The Silent Poet Eats his Words”\n\t\t118\t“The Winnipeg Zoo”\n\t\t165\t“Sketches of a Lemon” 1.\n\t\t171\t2. “As my father used to say…”\n\t\t173\t3. “I went and looked at Francis Ponge’s poem…”\n\t\t175\t4.“Sketches, I reminded myself”\n\t\t181\t5.“What about oranges?”\n\t\t184\t6. “Smaro is rolling a lemon on the breadboard”\n\t\t188\t7.“I had a very strong desire”\n\t\t190\t8.“I bought a second-hand car”\n\t\t191\t9.“If someone asked me”\n\t\t194\t10.“The lemon cure”\n\t\t197\t11.“Poem for a child who has just bit into”\n\t\t203\t12.“This hour is shaped like”\n\t\t207\t“The Criminal Intensities of Love as Paradise” ‘Morning’, Jasper Park’\n\t\t220\t‘Fire & Pan’\n\t\t233\t‘Breakfast, After, & Looking’\n\t\t244\t‘Standing Near a Waterfall’\n\t\t258\t‘Salt of Ocean Sea, of Tears”\n\t\t270\t‘Awoken and, Again, Hungry, Again’\n\t\t279\t‘Into Town’\n\t\t290\t‘Post Card to a Hillside’\n\t\t299\t‘Nude Swimmers in Late Afternoon’\n\t\t313\t‘Campsite, Home, Away From’\n\t\t324\t‘Bear Story with or without Bear’\n\t\t341\t‘And Dreamers, Even Thou, if Dreaming’\n\t\t363\t“Advice to my friends,” 1.\n\t\t377\t2. “To Eli Mandel, Setting his new alarm”\n\t\t392\t3. “To the Wahs, on the Kootenay River”\n\t\t408\t4. “Slocan Valley, July 17”\n\t\t424\t5. “Listening to the Radio, for Michael Ondaatje”\n\t\t440\t6.“Reading it in the Comics, for bp”\n\t\t456\t7. “The Bridegroom rises to speak”\n\t\t474\t8. “Wedding Dance, country style”\n\t\t493\t9. “Philosophy of composition, for Paul Thompson”\n\t\t512\t10. “Back in the spring of ’76, for Laurie Racoux”\n\t\t533\t11.“Laurie Racoux waiting to present a paper…”\n\t\t552\t12.“Late fall drive, for Berna Barclay”\n\t\t574\t13. “November 9, 1983, for Robert Hillas”\n\t\t597\tEnd of Side One\nTwo\t\t000\t14. “I find myself reading the old guys now”\n\t\t014\t15. “For Doug James: The Explanation”\n\t\t022\t16. “Seeing the Bear”\n\t\t028\t17. “Having a word with Columbus”\n\t\t037\t18. “Four questions for George Bowering”\n\t\t047\t19. “Stairway, for Giovanna Capon”\n\t\t056\t20. “A ritual for one”\n\t\t066\t“Mile Zero” \n\t\t085\t2. “Where did the Virgin come from…”\n\t\t099\t3. “On the third night west”\n\t\t123\t4.“Order Gentlemen, Order’\n\t\t139\t5. “The bindertwine of place”\n\t\t158\t6.“What I took to be an eagle”\n\t\t189\tLetters to Salonika\n\t\t500\tEnd of side two\n"],"Note":["[{\"note\":\"This tape is a duplicate of the tape from the Roy Miki's collection \\\"Robert Kroetsch Reading at SFU on July 11, 1986 Side 3\\\" (SWALLOW ID 9239)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670553980764161,"timestamp":"2026-01-07T14:59:58.384Z","score":1.2242479},{"id":"5836","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Kroetsch Reading at SFU on July 11, 1986 Tape 3 of 4 #578"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kroetsch, Robert"],"creator_names_search":["Kroetsch, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6157/Reading in BC_MsC199_578.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"578-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:36\",\"precision\":\"\",\"size\":\"54.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"578-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:37\",\"precision\":\"\",\"size\":\"53.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-07-11\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\" 8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":[" 8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tPost cards from China July 1\n\t\t024\tJuly 2 “You must have a guide”\n\t\t056\tJuly 3 “The bicycle riders are dancing”\n\t\t096\tJuly 4 “Tea in the cool dawn”\n\t\t112\tJuly 5\n\t\t144\tJuly 6 “The Tong Museum”\n\t\t171\tJuly 7 “Here Where the silk route began”\n\t\t200\tJuly 8 “Up early to fly to Gwan-Jo”\n\t\t221\tJuly ? “Taking the train from Gwan-Jo to Hong-Kong”\n\t\t236\t“Delphi Commentary”\n\t\t500\tEnd of side one\nTwo\t\t000\t“the wind was a dry wind…” Delphi Commentary, continued\n\t\t050\t“The Frankfurt Haubt: Bannhoff” 1. “Keep an eye peeled for an ancestor”\n\t\t097\t“Grab a cab…”\n\t\t500\tEnd of side two\nThree\t\t109\t3. “Frankfurt Main”\n\t\t138\t5.“Notation, divination, augury”\n\t\t151\t6.“the immense sadness of travel”\n\t\t163\t7.“Notation is a set of instructions for reading in the future”\n\t\t177\t8.“Notation in Field Notes.  Barry, is the relation between the reader and the text”\n\t\t185\t9.“Notation is the double of the poem”\n\t\t202\t10.“I was in the main railway station”\n\t\t227\t11.“Like I mean out and in…”\n\t\t236\tSounding the Name. Sonnet #1\n\t\t248\t“Birthday”\n\t\t273\t“Sounding the name”\n\t\t287\t“Sonnet #5”\n\t\t292\t“Sonnet for my daughters”\n\t\t299\t“The Poets’s mother” 1.\n\t\t309\t2. “I have sought my mother”\n\t\t315\t3. “I the fall of snow I hear my mother”\n\t\t323\t4. “these are the scars”\n\t\t352\tExcerpts from the real world\n"],"Note":["[{\"note\":\"This tape is a duplicate of the tape from Roy Miki's collection \\\"Robert Kroetsch Reading at SFU on July 11, 1986 Side 5 and 6\\\" (SWALLOW ID 9092)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670553980764162,"timestamp":"2026-01-07T14:59:58.384Z","score":1.2242479},{"id":"5837","cataloger_name":["Ben,Joseph"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robert Kroetsch Reading at SFU on July 11, 1986 Tape 4 of 4 #579"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Kroetsch, Robert","McFarlane, Susan"],"creator_names_search":["Kroetsch, Robert","McFarlane, Susan"],"creators":["[{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/106220852\",\"name\":\"McFarlane, Susan\",\"dates\":\"\",\"notes\":\"She is present in this reading session \",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6158/Reading in BC_MsC199_579.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Very Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"579-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:14\",\"precision\":\"\",\"size\":\"54.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"579-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:38:15\",\"precision\":\"\",\"size\":\"51.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-07-11\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\" 8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178\"}]"],"Address":[" 8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting\n"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tExcerpts from the real world continued 15 March “I liked the telegram…”\n\t\t245\t22 August\n\t\t267\t31 August\n\t\t282\t23 September\n\t\t319\t1 October\n\t\t357\t9 November\n\t\t404\t30 November\n\t\t444\tEnd of Excerpts from the real world\nTwo\t\t000\tDiscussion. Kroetsch comments on his penchant for endings, the appeal of the domestic, his difficulties with the feminine\n\t\t102\tThe dedication of Excerpts from the real world “to you, Ishtar” The power of language to elucidate a presence\n\t\t146\tSusan McFarlane asks if the excerpt is to leave out, or things that are not real\n\t\t196\tThe suppressed story of the Pacific, of Asia, and the restriction of the Atlantic story\n\t\t260\tDeconstructing Greece as an originary point\n\t\t317\tEnd of discussion\n"],"Note":["[{\"note\":\"This tape is a duplicate of the tape from Readings in BC collection \\\"Robert Kroetsch Reading at SFU on July 11, 1986 Side 7 and 8\\\" (SWALLOW ID 9093)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670553980764163,"timestamp":"2026-01-07T14:59:58.384Z","score":1.2242479},{"id":"5858","cataloger_name":["Nina,Fesenko"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Judith Forst, Sharon Thesen, and Daphne Marlatt at College Awareness Rally/ concert on March 27, 1985 #1041"],"item_title_source":["cassette and j-card"],"item_title_note":["Liner notes: see the photo in the material description"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Thesen, Sharon","Forst, Judith","Marlatt, Daphne"],"creator_names_search":["Thesen, Sharon","Forst, Judith","Marlatt, Daphne"],"creators":["[{\"url\":\"http://viaf.org/viaf/115694373\",\"name\":\"Thesen, Sharon\",\"dates\":\"1946-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"https://viaf.org/viaf/14804371/\",\"name\":\"Forst, Judith\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1985],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6220/Reading in BC_McS199_1041(1).jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"1041-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:33:29\",\"precision\":\"\",\"size\":\"31.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"1041-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:36:33\",\"precision\":\"\",\"size\":\"34.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-03-27\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670554173702146,"timestamp":"2026-01-07T14:59:58.590Z","score":1.2242479},{"id":"5873","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["St. Mark's Poetry Project: Edith Jarolim lecture on editing Paul Blackburn in New York City, 1983 #601"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Jarolim, Edith","Blackburn, Paul"],"creator_names_search":["Jarolim, Edith","Blackburn, Paul"],"creators":["[{\"url\":\"https://viaf.org/viaf/53095842/\",\"name\":\"Jarolim, Edith\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/29555679\",\"name\":\"Blackburn, Paul\",\"dates\":\"1926-1971\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors":["[]"],"Performance_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6237/Reading in BC_MsC199_601.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"601-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:04\",\"precision\":\"\",\"size\":\"50.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"601-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:05\",\"precision\":\"\",\"size\":\"48.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/241844932\",\"venue\":\"St. Mark's Church\",\"notes\":\"\",\"address\":\"131 E. 10th Street, New York, NY\",\"latitude\":\"40.7303\",\"longitude\":\"-73.98727\"}]"],"Address":["131 E. 10th Street, New York, NY"],"Venue":["St. Mark's Church"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t001\tIntroduction\n\t\t\t*”Let Them Quarry Cleanly” – title of lecture\n\t\t\t*Background on Edith [Jerolin’s] academic career to date\n\t\t018\tLecture begins\n\t\t021\tDiscusses Blackburn’s work on the Poetry\n\t\t026\tDiscussion of Blackburn’s life\n\t\t\t*Reading from a grant application Blackburn wrote in mid-60’s\n\t\t\t*Continues from there onwards\n\t\t050\tBlackburn’s influence on fellow poets\n\t\t\t*He was an angel\n\t\t066\tHis work, his “good ear”\n\t\t072\tBlackburn’s theory [or rather lack of]\n\t\t078\t“He wrote very little criticism”\n\t\t\t*Letter to Robert Creeley is read aloud\n\t\t091\tHis work\n\t\t\t*Minor works\n\t\t\t*Major works\n\t\t103\t[Jerolin] on editing Blackburn’s complete work\n\t\t\t*Changes in editing and publishing\n\t\t\t*Posthumous legacy and methodology\n\t\t128\tThe title of the lecture explained\n\t\t144\tCome genres of Blackburn’s poetry\n\t\t166\tBlackburn’s attitude toward his text\n\t\t\t*Revision, reproduction, etc.\n\t\t185\tEditing and publishing techniques in the later 20th century\n\t\t\t*Blackburn’s poems were to be found in many different places and forms\n\t\t295\t*The small, many temporary magazines in which Blackburn’s poems appeared, sometimes under alias\n\t\t348\tThe many versions of Blackburn’s poems\n\t\t409\t*His lack of sequenal patterns\n\t\t523\t[Jerolin’s] trouble, organizing a chronology\n\t\t\t*Compare typeface of letters – which were dated – and of poems\n\t\t556\tLecture suddenly ends in mid-sentence\n\t\t613\tSide 1 ends\nTwo\t\t000\t\n\t\t027\tLecture begins where it left off\n\t\t\t*Comparing typefaces\n\t\t038\tDating the poems in a biographical sense\n\t\t\t*Events in his life, events of a poem\n\t\t\t*Letters and the addresses on them\n\t\t058\tDating the love poems\n\t\t090\tBlackburn and Creeley\n\t\t111\tConclusion, reiterating the themes of the lecture\n\t\t116\t[Jerolin] consents to a Question and Answer Session\n\t\t119\t*First question inaudible\n\t\t124\t*Question on method of establishing dates in relation to the typewriter Blackburn may have been using\n\t\t128\t*Third question inaudible – something to do with drafts\n\t\t139\t*Fourth question on did [Jerolin] “grow tired or grow to like Blackburn’s poems more” as she worked on the editing process\n\t\t149\t*Fifth question: “Did he publish the same poem several times?”\n\t\t161\t*Sixth question, basically inaudible, something to do with image poetry and the Black Mountain poets\n\t\t175\t*Seventh question, again basically inaudible, but something to do with revision methods\n\t\t189\t*Eighth question on the casual qualities of Blackburn’s poems\n\t\t205\t*Follow-up question, mainly inaudible\n\t\t222\t*Ninth question: “Did Blackburn keep a large number of the magazines in which his work was published?”\n\t\t235\t*Follow-up question on the ‘orbitary’ nature of small magazine publishing\n\t\t255\t*Discussion by [Jerolin] on poems that Blackburn did not intend for publishing\n\t\t\t*Editorial principle\n\t\t278\t*Tenth question, what to include, what not to\n\t\t292\t*Eleventh question and [Jerolin’s] reply are basically inaudible\n\t\t319\tQuestion and Answer Session ends\n\t\t320\tConcluding remarks, announcements on forthcoming lectures at the Poetry Project\n\t\t334\tPeople file out\n\t\t617\tSide two ends"],"Note":["[{\"note\":\"A few minutes of silence at beginning of each side of the tape\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670554182090754,"timestamp":"2026-01-07T14:59:58.590Z","score":1.2242479},{"id":"5874","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Louky Bersianik reading her own work on March 10, 1983 #602"],"item_title_source":["cassette and j-card"],"item_language":["French"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Durand, Lucille"],"creator_names_search":["Durand, Lucille"],"creators":["[{\"url\":\"https://viaf.org/viaf/27094343/\",\"name\":\"Durand, Lucille\",\"dates\":\"1930-2011\",\"notes\":\"Pen name Louky Bersianik\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6238/Reading in BC_MsC199_602.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"602-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:50\",\"precision\":\"\",\"size\":\"64.0 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"602-side-2 - blank.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:46\",\"precision\":\"\",\"size\":\"64.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-03-10\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Note":["[{\"note\":\"High-pitched squeal for first 40 seconds. \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670554183139328,"timestamp":"2026-01-07T14:59:58.590Z","score":1.2242479},{"id":"5880","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["James Broughton reads True & False Unicorn and other poems, 1987 #608"],"item_title_source":["J-card and inventory"],"item_title_note":["For full J-card information, including titles, see photo."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Broughton, James"],"creator_names_search":["Broughton, James"],"creators":["[{\"url\":\"http://viaf.org/viaf/22263700\",\"name\":\"Broughton, James\",\"dates\":\"1913-1999\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1987],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6244/Reading in BC_MsC199_608.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"608-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:34:24\",\"precision\":\"\",\"size\":\"33.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"608-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:34:38\",\"precision\":\"\",\"size\":\"33.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Inventory\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t\tTime: 23 mins.\n\t\t000\t\n\t\t001\tTrue & False Unicorn\n\t\t003\t   “Scene 1 Before the Arras”\n\t\t036\t   “Scene 2 Horn & Hounds”\n\t\t111\t   “Scene 3 Snare & Delusion”\n\t\t157\t   “Scene 4 ‘Mon Seul Desir’”\n\t\t248\tThe Ballad of Mad Jenny\n\t\t436\tSide 1 ends\nTwo\t\t\tTime: 28 mins.\n\t\t000\t\n\t\t003\tVisitations\n\t\t004\t   “Gavin & the Green Uncle”\n\t\t030\t   “Three Visits to the Virgin”\n\t\t059\t   “A Visit from Three Muses”\n\t\t097\t   “The Night Watch of the Magdalene”\n\t\t151\t   “Feathers or Lead”\n\t\t193\t   “The Bride from the Sea”\n\t\t249\t   “The Gift of the Stag”\n\t\t278\t   “It was the Worm”\n\t\t290\t   “Nick of Time”\n\t\t309\t   “The Birds of America”\n\t\t437\tSide 2 ends"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554184187907,"timestamp":"2026-01-07T14:59:58.590Z","score":1.2242479},{"id":"5882","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Michael McClure and Allen Ginsberg reading in Natoma on May 8, 1983 and in San Francisco in Spring 1956 #610"],"item_title_source":["J-card and inventory"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["McClure, Michael","Ginsberg, Allen"],"creator_names_search":["McClure, Michael","Ginsberg, Allen"],"creators":["[{\"url\":\"http://viaf.org/viaf/71493269\",\"name\":\"McClure, Michael\",\"dates\":\"1932-2020\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/108417923\",\"name\":\"Ginsberg, Allen\",\"dates\":\"1926-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6246/Reading in BC_MsC199_610.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"610-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:59:49\",\"precision\":\"\",\"size\":\"61.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"610-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:45:49\",\"precision\":\"\",\"size\":\"43.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-05-08\",\"type\":\"Performance Date\",\"notes\":\"Michael McClure reading “The Daily Vision” in Natoma\",\"source\":\"J-card\"},{\"date\":\"1956\",\"type\":\"Performance Date\",\"notes\":\"Spring 1956 in San Fransisco \",\"source\":\"Inventory\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/130000\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Natoma, Osborne County, Kansas, United States\",\"latitude\":\"39.1894\",\"longitude\":\"-99.0248\"},{\"url\":\"https://www.openstreetmap.org/relation/111968\",\"venue\":\"\",\"notes\":\"\",\"address\":\"San Francisco, California, United States\",\"latitude\":\"37.7425\",\"longitude\":\"-123.0565\"}]"],"Address":["Natoma, Osborne County, Kansas, United States","San Francisco, California, United States"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t002\tIntroduction\n\t\t006\tMichael McClure\n\t\t026\t   “The Daily Vision” [read in its complete form]\n\t\t521\t   “The Daily Vision” cut off in mid-sentence\n\t\t522\tSide 1 ends\nTwo\t\t000\t\n\t\t001\tMichael McClure reading “The Daily Vision” where it was cut off on Side 1\n\t\t023\tA question and answer period\n\t\t058\tAllen Ginsberg\n\t\t\t   “Howl” [tape cuts in mid-verse]\n\t\t171\t   “Soloman”\n\t\t206\t   “Sunflower Sukra”\n\t\t299\t   “Supermarket”\n\t\t355\t   “America”\n\t\t491\tIntroduction of Robert Creeley reading, Dec. 4th, 1963, in Tucson, Arizona\n\t\t498\tRobert Creeley\n\t\t500\tRobert Creeley cut off in mid-sentence\n\t\t\tRest of Side 2 blank\n\t\t590\tSide 2 ends"],"Note":["[{\"note\":\"Sound warbles; possibly a problem with the digitization.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670554185236480,"timestamp":"2026-01-07T14:59:58.590Z","score":1.2242479},{"id":"5883","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Michael McClure interview with Robert Duncan on August 23, 1984 #611"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["McClure, Michael","Duncan, Robert"],"creator_names_search":["McClure, Michael","Duncan, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/71493269\",\"name\":\"McClure, Michael\",\"dates\":\"1932-2020\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1984],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6247/Reading in BC_MsC199_611.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"611-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:31\",\"precision\":\"\",\"size\":\"42.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"611-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:32\",\"precision\":\"\",\"size\":\"41.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1984-08-23\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t005\tDuncan is asked about his fascination with alchemy and other mystical science\n\t\t110\tDuncan is asked a question about the complexities Bending the Bow\n\t\t150\tDuncan gets “heavy” – questions about the process of construction in his work.  Duncan reiterates mystical process of “Assembly”\n\t\t260\tDuncan is questioned whether he thinks language precedes thought, or thought language\n\t\t280\tDuncan compares mental and physical states\n\t\t320\tDuncan falls into a long monologue about science, existence and other related matters\n\t\t366\tEnd side one\nTwo\t\t000\t\n\t\t003\tDuncan speaks\n\t\t027\t“Shakespeare has equality of souls”\n\t\t040\tDuncan reflects upon Darwin and evolution\n\t\t150\tDuncan recounts Nietzsche’s notion that we are struggling to become children\n\t\t170\tThe discussion focuses upon Jackson Pollock and the nature of the artist\n\t\t280\tDuncan elicits some notion about biological functions rooted to poetry and “life sense”\n\t\t340\tThe interviewer asks Duncan what poets he is reading at present\n\t\t360\tThe speakers recount how the present environment resembles the conditions of the 1950’s\n\t\t396\tEnd side two"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554185236481,"timestamp":"2026-01-07T14:59:58.590Z","score":1.2242479},{"id":"5884","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Marlene Swidzinksi and Angela Hryniuk reading at SFU on November 21, 1985 #612"],"item_title_source":["cassette and j-card"],"item_title_note":["On J-card: Readings by Marlene Swidzinski and Angela Hryniuk; recorded at SFU on Nov. 21, 1985 by Kurtis Vanel"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Swidzinski, Marlene","Hryniuk, Angela"],"creator_names_search":["Swidzinski, Marlene","Hryniuk, Angela"],"creators":["[{\"url\":\"\",\"name\":\"Swidzinski, Marlene\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"\",\"name\":\"Hryniuk, Angela\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1985],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6248/Reading in BC_MsC199_612.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"612-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:19\",\"precision\":\"\",\"size\":\"23.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"612-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:23:18\",\"precision\":\"\",\"size\":\"23.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-11-21\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2773\",\"longitude\":\"-122.9218\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t\tTime: 19:20 mins.\n\t\t000\t\n\t\t004\tIntroduction to both poets\n\t\t010\tMarlene Swidzinski\n\t\t012\t“Winter Poem”\n\t\t015\t“Poem in which she renounces Cowboys”\n\t\t022\t“Housecall”\n\t\t033\t“The Waiting Poem”\n\t\t039\t“They have studied the dreams of humans”\n\t\t044\t“Small talk, Mall talk”\n\t\t057\t“They have studied the dreams of humans”\n\t\t075\t“She held discourse with herself”\n\t\t123\tSwidzinski pauses to announce she will read selections from her manuscript “Heathen “Wine”\n\t\t127\t“Time and/or Space”\n\t\t158\t“Heathen Wine”\n\t\t182\t“Essenses”\n\t\t201\t“Eozone”\n\t\t215\tSwidzinski introduces selections from her Science Fiction writings\n\t\t218\t“The Kinky Season”\n\t\t257\tMarlene Swidzinski’s reading ends\n\t\t332\tSide 1 ends\nTwo\t\t\tTime: 22:00 mins.\n\t\t000\t\n\t\t003\tAngela Hryniuk introduces her work\n\t\t011\t“Full Moon/Pregnant”\n\t\t030\tIntroduces next sections, talking about trip to United Kingdom & Northern Ireland\n\t\t036\t“The Life of a Lamb”\n\t\t063\t“Belfast”\n\t\t107\t“I’m taking ya to the market”\n\t\t160\tIntroduction to reading from “Kara”\n\t\t163\t“Kara”\n\t\t231\t“I want to strangle memories”\n\t\t159\t“There really isn’t…”\n\t\t274\tWe hold each other”\n\t\t305\tAngela Hryniuk reading ends\n\t\t332\tSide 2 ends"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554185236482,"timestamp":"2026-01-07T14:59:58.590Z","score":1.2242479},{"id":"5885","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Interview with Robert Trammel conducted by Gerald Burns with Joe Camrey at Dallas Institute of Humanities & Culture on October 20, 1982 #613"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Burns, Gerald","Camrey, Joe","Trammell, Robert"],"creator_names_search":["Burns, Gerald","Camrey, Joe","Trammell, Robert"],"creators":["[{\"url\":\"https://viaf.org/viaf/20961150/\",\"name\":\"Burns, Gerald\",\"dates\":\"1940-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"\",\"name\":\"Camrey, Joe\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/13563976\",\"name\":\"Trammell, Robert\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1982],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6249/Reading in BC_MsC199_613.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\" Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"613-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:47\",\"precision\":\"\",\"size\":\"59.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"613-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:47\",\"precision\":\"\",\"size\":\"59.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-10-20\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/471558978\",\"venue\":\"Dallas Institute of Humanities and Culture\",\"notes\":\"\",\"address\":\"2719 Routh St. Dallas, Texas 75201\",\"latitude\":\"32.79741\",\"longitude\":\"-96.8035\"}]"],"Address":["2719 Routh St. Dallas, Texas 75201"],"Venue":["Dallas Institute of Humanities and Culture"],"content_notes":["SFU BC Readings formatting"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554185236483,"timestamp":"2026-01-07T14:59:58.590Z","contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t006\tVoice over introducing interview\n\t\t008\tUnknown voice reading what appears to be verse\n\t\t010\tVoice over introducing interview for the third time\n\t\t011\tBrief background on Robert Trammel\n\t\t014\tRobert Trammel corrects the interviewer on the background information\n\t\t016\tInterview begins centering on Trammel’s bias, in particular myth & life in East Texas\n\t\t036\tEmphasis on Trammel’s use of oral Texas myth tradition\n\t\t064\tTrammel’s New York experiences\n\t\t092\tDiscussion on O’Hara, Creeley, Olson, Pound, etc. that is broken off prematurely\n\t\t110\tThe motivational forces behind the new book\n\t\t140\tBesides birds, Burns notes, there are few animals mentioned.  He asks why.  A digression by Trammel on the stupidity of turkeys\n\t\t165\tBurns asks Trammel to read a few poems\n\t\t167\tTrammel consents but continues on a digression on the lack of available culture when he was growing up in East Texas\n\t\t179\t“The day begins in the back hall…”\n\t\t193\tCamrey mentions motifs in the previous poem\n\t\t197\tTrammel responds\n\t\t212\t“The Long Hall That Splits the House”\n\t\t223\tBurns comments on the poem\n\t\t227\tTrammel talks about writing poems concerning “Houses”\n\t\t237\t“The Living Room” poem\n\t\t259\tBurns tries a weak joke “What do you use for your work, sex or drugs?”\n\t\t261\tTrammel responds, making a much better joke or rather a display of wit\n\t\t275\tDiscussion on violence and its involvement with love\n\t\t309\tBurns asks two disjointed questions: One concerning sport poems & one on his high school & college experiences\n\t\t320\tTrammel responds, discusses the Dallas Cowboy’s stadium as a temple\n\t\t358\tTrammel talks about non intentional art being real Art, he then reads from an article discussion Native Indian artistic tradition\n\t\t381\tBurns asks a long winded question concerning a poet living his poetry.  Trammel responds in kind\n\t\t427\tTrammel vs. the standard academic poets.  He wonders what is a “standard academic poet”?  He goes on to a pseudo-philosophical monologue on the state on modern poetry.  And solutions to the problems\n\t\t496\tBurns, semi-defensively talks about his own poetics\n\t\t509\t“Can other poets learn from you?”\n\t\t512\tTrammel responds discussing what he assumes is his audience, or rather is not his audience\n\t\t552\tBurns: “Do you think it is good to have audience you do not choose?”\n\t\t556\tDiscussion to change rooms and turn the tape over\n\t\t615\tSide one ends\nTwo\t\t000\t\n\t\t011\tInterview continues\n\t\t012\tTrammel reads some of his more recent work\n\t\t015\t“No one knew who live in hotels…”\n\t\t027\tBurns asks an irrelevant question concerning the previous poem\n\t\t028\tTrammel responds\n\t\t029\tDiscussion over what Trammel should read next\n\t\t032\t“Red and short…”\n\t\t043\tTrammel introduces the next poem\n\t\t045\t“This would fall fail first around the nail”\n\t\t053\tTrammel wonders if the poems work separately or in a group “referring back to themselves”\n\t\t055\tBurns talks about the mood Trammel creates [Burns can’t help but refer to his own work]  Trammel mentions the difficulty he has with having “persons” in his works, Olson & Pound are cited as examples\n\t\t080\t“The Jacksonville Poems” are brought up as well as the lack of interesting people & situations\n\t\t113\tCamrey brings up the element of disillusionment he senses in the poem, Burns argues with him.  Trammel sides with Camrey & goes on to seemingly inadvertently proving Camrey’s point\n\t\t158\tBurns brings up the mood of the room they are in.  Trammel says he would rather write a poem about it, then talk about it\n\t\t171\tBurns asks about past works specifically ones concerning “car wrecks”.  Trammel responds, seeing it as the Trickster element in Artists\n\t\t184\tTrammel, Burns says, “has kept his adolescence”.  Trammel sees his work not as nostalgia but as an attempt to get away from nostalgia\n\t\t191\tBurns brings up the religious background Trammel has\n\t\t213\t“Are you more sensitive to being duped or deceived?”  Trammel responds\n\t\t219\tA discussion develops over Trammel’s tendency to lie; Trammel says he doesn’t lie, he “Bullshits”, a myth-building trait.  People in New York, Trammel says, are very easy to bullshit\n\t\t251\t“Do you think you would have been that different if you hadn’t grown up in Texas?”\n\t\t255\tTrammel wonders when you start to become aware of where you grew up\n\t\t258\tA discussion on poets only becoming recognized when their talents begin to decrease.  Trammel puts it down to “expensive drugs” & offers acute insight.  The history of American poets going bad\n\t\t295\tThe freedom of being an obscure poet in America.  Allen Ginsberg is mention.  Trammel sees him as destroyed by celebrity, Burns says “…he handles it beautifully”\n\t\t314\tSalt Lake Press & its publisher Joe Hanney is brough up & its effect upon Burns & Trammel\n\t\t352\tCamrey asks a question concerning why a place so rich in artistic tradition as Texas has little time for poets.  Trammel responds, noting that songwriting has almost filled the poetry void.  A discussion ensues; citing culture is viewed in Texas as a feminine thing & the pseudo-french bent of Texas culture.  Dallas as a cultural centre\n\t\t489\tEndowment of poets & arts; the pitfalls\n\t\t510\tDallas culture & the poet in culture\n\t\t590\tBurns tries to paint Trammel as a bit of a cultural snob in comparison to himself.  Trammel responds\n\t\t615\tSide two ends"],"score":1.2242479},{"id":"5886","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Gerald Burns reading his works on October 29, 1982 #614"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Burns, Gerald"],"creator_names_search":["Burns, Gerald"],"creators":["[{\"url\":\"https://viaf.org/viaf/20961150/\",\"name\":\"Burns, Gerald\",\"dates\":\"1940-1997\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1982],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/6250/Reading in BC_MsC199_614.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"614-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:52\",\"precision\":\"\",\"size\":\"47.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"614-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:45\",\"precision\":\"\",\"size\":\"46.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1982-10-29\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t001\tIntroduction – “A Book of Spells to Date”\n\t\t102\tReading begins, concerning the abilities of words, though the central idea is hidden under a flood of poetics with such gems as “…sentences balance better than my checkbook”\n\t\t522\tAnnounces he is at line 830 of “A Book of Spells To Date”\n\t\t609\tSide 2 ends\nTwo\t\t000\t\n\t\t014\tFrom “The Slate Notebook” Burns reads\n\t\t041\tSelections from “Letters to Obscure Men” [which is Book 1 of “The Myth of Accidents”]\n\t\t212\tReading from Book 11 of”The Myth of Accidents’, the poem is titled “Punch in a Nutshell”\n\t\t296\tReads a piece of prose titled “For My Atheist Theologians”\n\t\t350\tBack to “Letters to Obscure Men”, each set of poems to be read in complementing pairs\n\t\t559\tBurns stops reading\n\t\t614\tSide 2 ends"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670554187333632,"timestamp":"2026-01-07T14:59:58.590Z","score":1.2242479},{"id":"6232","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Poetry Festival in Bisbee: Michael McClure reading and interview at Cochise Fine Arts in Arizona, 1980 #616"],"item_title_source":["cassette and j-card"],"item_title_note":["Tape reads \"Micheal McClure Bisbee Poetry Festival 1980 Reading\" and \"Cochise Fine Arts, PO Box 1783 Bisbee, Ariz. 85603\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["McClure, Michael"],"creator_names_search":["McClure, Michael"],"creators":["[{\"url\":\"http://viaf.org/viaf/71493269\",\"name\":\"McClure, Michael\",\"dates\":\"1932-2020\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1980],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/7870/Reading in BC_MsC199_616.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"616-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:08\",\"precision\":\"\",\"size\":\"27.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"616-side-2.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:36\",\"precision\":\"\",\"size\":\"29.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1980\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/6833664\",\"venue\":\"Cochise Fine Arts\",\"notes\":\"latitude and latitude of Bisbee have been entered since the exact location can't be found \",\"address\":\"Bisbee, Arizona\",\"latitude\":\"31.4489\",\"longitude\":\"109.9283\"}]"],"Address":["Bisbee, Arizona"],"Venue":["Cochise Fine Arts"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\t\n\t\t001\tIntroduction of Michael McClure reading from “Anti-chamber & other poems”, as well even more recent work\n\t\t012\tMichael McClure [sound quality is poor]\n\t\t024\t“I love to think of the red purple rose…”\n\t\t035\t“How sweet to…”\n\t\t042\tMcClure introduces next poem\n\t\t046\t“The world is ours…”\n\t\t056\t“My mother said to me…”\n\t\t065\tA Poem for Lawrence Ferlinghetti “Listen Lawrence…”\n\t\t120\tIntroduction to the next set of poems\n\t\t133\t“Watching the Vulture”\n\t\t147\t“Love me for the fool…”\n\t\t170\t“The Blacked In One”\n\t\t182\t“To the Drive-in Teller at the Bank”\n\t\t196\tTape breaks into “Listen Lawrence” halfway through the poem\n\t\t209\tIntroduction to the next few pieces which are excerpts from a larger work. “I know nothing about boats…”\n\t\t260\t“We are baby locks…”\n\t\t322\t“Politics starts with the barrel of a gun”\n\t\t338\t“Cousin to the…”\n\t\t345\tIntroduction to the next poem, something to do with gravity, most of it is inaudible\n\t\t358\t“How beautiful gravity is”\n\t\t377\t“I am the dead coyote on the…”\n\t\t388\tSound cuts off\n\t\t409\tSide One ends\nTwo\t\t000\t\n\t\t001\tIntroduction to the next poem, written after a trip to Disneyland\n\t\t005\t“How sad the silhouettes…”\n\t\t014\t“Hymn to Quanam Goddess of Mercy”\n\t\t049\t“Sure, Let me Burst Again”\n\t\t068\tSome short poems\n\t\t075\tThe rose is a pink yellow…”\n\t\t080\t“I work with the shape…”\n\t\t088\tThe interview with McClure appears to commence.  Poet as an evolutionary scientist.  McClure reads from a poem on the subject.  The conversation continues along such lines\n\t\t149\tThe subject of Animals & their place in McClure’s work\n\t\t210\tA discussion of McClure’s Japanese tastes & sensibilities\n\t\t265\tConversation concludes with applause\n\t\t412\tSide two ends"],"Note":["[{\"note\":\"Sound quality for reading is poor; sound quality for interview (which starts partway through side 2) is excellent.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555070234625,"timestamp":"2026-01-07T14:59:59.437Z","score":1.2242479},{"id":"6318","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Reading in BC Collection"],"source_collection_label":["Reading in BC Collection"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Reading in BC collection was assembled during the late 1970s and ‘80s. There are approximately 1000 tapes in this collection. It consists of the recordings of Canadian and American writers, mostly poets, reading poems, talking, being interviewed, participating in panel discussions, and so on. Most of the recordings were made in BC, but there are some made elsewhere in Canada or the USA. Quite a few of these recordings are unique copies, not to be found elsewhere."],"collection_source_collection_id":["MsC 199"],"persistent_url":[""],"item_title":["Robin Blaser reading his own works at Valencia Rose Café in San Francisco on November 9, 1983 Part 2 of 2 #759b"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[RB_759]"],"rights":["In Copyright (InC)"],"access":["Streaming"],"creator_names":["Duncan, Robert","Blaser, Robin"],"creator_names_search":["Duncan, Robert","Blaser, Robin"],"creators":["[{\"url\":\"http://viaf.org/viaf/105142281\",\"name\":\"Duncan, Robert\",\"dates\":\"1919-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/8684/Reading in BC_MsC199_759b.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"759b-side-2 - Blank.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:59\",\"precision\":\"\",\"size\":\"48.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/rbr-73/rb759c\",\"file_path\":\"\",\"filename\":\"759b-side-1.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:13:25\",\"precision\":\"\",\"size\":\"13.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-11-09\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/258650728\",\"venue\":\"Valencia Rose Café\",\"notes\":\"\",\"address\":\"1252 Valencia St, San Francisco, CA 94110, USA\",\"latitude\":\"37.75284\",\"longitude\":\"-122.42099\"}]"],"Address":["1252 Valencia St, San Francisco, CA 94110, USA"],"Venue":["Valencia Rose Café"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\n1/Part I\t\t\tBlaser reading (Duncan introduction)\n2/Part I\t\t\tBlaser reading"],"Note":["[{\"note\":\"Side 2 is empty\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670555078623232,"timestamp":"2026-01-07T14:59:59.437Z","score":1.2242479},{"id":"6686","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Women and Words Fonds"],"source_collection_label":["Women and Words Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The West Coast Women and Words Society was incorporated in 1982 with the goal of supporting women's writing. The society held an influential conference in Vancouver from June 30 to July 3, 1983; participants included Canadian women writers, editors, publishers, critics, printers, typesetters, academics, playwrights, librarians, distributors, booksellers, translators, and educational and cultural organizers. The conference featured presentations of papers, panel discussions, workshops and interviews relevant to such themes as: feminism, power and alternative structures doing it (i.e. developing work strategies), traditions and new directions. Following the conference, the West Coast Women and Word Society continued to fulfil their mandate by organizing poetry competitions, hosting readings and events, editing and compiling anthologies of women's writing, and running a mentorship program designed to connect young women writers with more established ones."],"collection_source_collection_id":["MsC 23"],"persistent_url":[""],"item_title":["Women and Words -  \"Criticizing Criticism: Women's Writing and the Literary Tradition\": Louky Bersianik, Carolyn Hlus, Ann Saddlemyer, France Théoret, Lorraine Weir, Jennifer Waelti-Walters at UBC on July 1, 1983"],"item_title_source":["Conference Program"],"item_language":["English, French"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Waelti-Walters, Jennifer","Bersianik, Louky","Hlus, Carolyn","Saddlemyer, Ann","Théoret, France","Weir, Lorraine"],"creator_names_search":["Waelti-Walters, 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Following the conference, the West Coast Women and Word Society continued to fulfil their mandate by organizing poetry competitions, hosting readings and events, editing and compiling anthologies of women's writing, and running a mentorship program designed to connect young women writers with more established ones."],"collection_source_collection_id":["MsC 23"],"persistent_url":[""],"item_title":["Women in Words - \"Criticizing Criticism: Women's Writing and the Literary Tradition\": Caroline Hlus, Louky Bersianik, Ann Saddlemyer, Lorraine Weir, UBC, July 1, 1983"],"item_title_source":["Item, recording"],"item_language":["English, French"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Hlus, Caroline","Bersianik, Louky","Saddlemyer, Ann","Lorraine, Weir"],"creator_names_search":["Hlus, Caroline","Bersianik, Louky","Saddlemyer, Ann","Lorraine, Weir"],"creators":["[{\"url\":\"http://viaf.org/viaf/104803167\",\"name\":\"Hlus, Caroline \",\"dates\":\"1941-\",\"notes\":\"Affiliated with the University of Alberta\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"https://viaf.org/viaf/27094343/\",\"name\":\"Bersianik, Louky \",\"dates\":\"1930-2011\",\"notes\":\"Writer\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"http://viaf.org/viaf/66481339\",\"name\":\"Saddlemyer, Ann \",\"dates\":\"1932-\",\"notes\":\"Author of Theatre History in Canada\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"http://viaf.org/viaf/34478391\",\"name\":\"Lorraine, Weir\",\"dates\":\"1946-\",\"notes\":\"Affiliated with the University of British Columbia\",\"nation\":[],\"role\":[\"Presenter\"]}]"],"contributors":["[]"],"Performance_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11895/Women and Words–MSC23-002a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Clear tape box\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC23-2-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:01\",\"precision\":\"\",\"size\":\"53.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC23-2-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:15:40\",\"precision\":\"\",\"size\":\"54.2 MB \",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-07-01\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Item recording\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/83433307\",\"venue\":\"IRC, University of British Columbia\",\"notes\":\"Room 110\",\"address\":\"University of British Columbia, Vancouver, BC\",\"latitude\":\"49.26503765\",\"longitude\":\"-123.25386541436339\"}]"],"Address":["University of British Columbia, Vancouver, BC"],"Venue":["IRC, University of British Columbia"],"City":["Vancouver, British Columbia"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556048556035,"timestamp":"2026-01-07T15:00:00.367Z","score":1.2242479},{"id":"6934","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Fred Wah Fonds"],"source_collection_label":["Fred Wah Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Fred Wah fonds collects materials from Vancouver-based poet Fred Wah, who was appointed as Canadau2019s fifth Parliamentary Poet Laureate in 2011 and has published 25 books between 1965 and 2016. Wah was born in Swift Current, Saskatchewan in 1939 and grew up in the West Kootenay region. His Chinese and Scots-Irish ethnic background and identity have a significant influence on his literary work. Wah completed an undergraduate degree in Literature and Music at the University of British Columbia, where he became a founding editor of the TISH newsletter in 1961, and has taught at Selkirk College, the David Thompson University Centre, and the University of Calgary. The fonds contains a number of interviews, conversations, lectures, and public readings recorded between the years 1976 and 2006, featuring local and national literary and media figures such as Lorna Crozier, bpNichol, Daphne Marlatt, and Stuart McLean."],"collection_source_collection_id":["MsC 17"],"persistent_url":[""],"item_title":["Sleepwalkers by Steven Smith and Richard Truhlar recorded at Artculture Resource Center in Toronto on February 23, 1985 and at the Cilog Electronic Studio in Toronto between January 1985 to May 1987"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Smith, Steven","Potts, Keith","Elijosius, John","Wah, Fred","Truhlar, Richard"],"creator_names_search":["Smith, Steven","Potts, Keith","Elijosius, John","Wah, Fred","Truhlar, Richard"],"creators":["[{\"url\":\"\",\"name\":\"Smith, Steven \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Potts, Keith\",\"dates\":\"\",\"notes\":\"Recording Engineer \",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Elijosius, John\",\"dates\":\"\",\"notes\":\"Cover photo by him\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/1330211\",\"name\":\"Wah, Fred\",\"dates\":\"1939-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Donor\"]},{\"url\":\"http://viaf.org/viaf/38165242\",\"name\":\"Truhlar, Richard \",\"dates\":\"1950-\",\"notes\":\"Mixed and mastered also done by him\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[]"],"Performance_Date":[1985],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/6934/Fred Wah Fonds_MsC 17f_18.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card and a peice of paper with poems have written on\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-018-Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:50\",\"precision\":\"\",\"size\":\"30.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Wah2021-018-Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:47\",\"precision\":\"\",\"size\":\"30.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-02-23\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"},{\"date\":\"1985-01\",\"type\":\"Performance Date\",\"notes\":\"Other cuts except for 3, 6, and 10 were recorded from January 1985 to May 1987\",\"source\":\"J-card\"},{\"date\":\"1987-05\",\"type\":\"Performance Date\",\"notes\":\"Other cuts except for 3, 6, and 10 were recorded from January 1985 to May 1987\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/2989349\",\"venue\":\"Artculture Resource Center\",\"notes\":\"The exact location cannot be found, so we decided to put Toronto's latitude, longitude, and Url\",\"address\":\"City Toronto, Golden Horseshoe, Ontario, Canada\",\"latitude\":\"43.6530\",\"longitude\":\"-79.3838\"},{\"url\":\"https://www.openstreetmap.org/relation/2989349\",\"venue\":\"Cilog Electronic Studio\",\"notes\":\"The exact location cannot be found, so we decided to put Toronto's latitude, longitude, and Url\\nOther cuts except for 3, 6, and 10 were recorded from January 1985 to May 1987 at Cilog Electronic Studio\",\"address\":\"City Toronto, Golden Horseshoe, Ontario, Canada\",\"latitude\":\"43.6530\",\"longitude\":\"-79.3838\"},{\"url\":\"\",\"venue\":\"Underwhich Editions\",\"notes\":\"This is where these performances were published \",\"address\":\"Underwhich Editions P.O. Box 262 Adelaide Street Station Toronto, Ontario Canada MSC 2J4 \",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["City Toronto, Golden Horseshoe, Ontario, Canada","City Toronto, Golden Horseshoe, Ontario, Canada","Underwhich Editions P.O. Box 262 Adelaide Street Station Toronto, Ontario Canada MSC 2J4 "],"Venue":["Artculture Resource Center","Cilog Electronic Studio","Underwhich Editions"],"City":["Toronto, Ontario","Toronto, Ontario","Toronto, Ontario"],"Note":["[{\"note\":\"A list of the performances are written on the J-card.\",\"type\":\"General\"},{\"note\":\"Kontakte Writers Performance Series: Steven Smith and Richard Truhlar perform Sleepwalkers (cuts 3, 6, and 10) at the Artculture Resource Center in Toronto on February 23, 1985, with additional cuts recorded at the Cilog Electronic Studio in Toronto between January 1985 and May 1987.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556236251136,"timestamp":"2026-01-07T15:00:00.560Z","score":1.2242479},{"id":"6719","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Women and Words Fonds"],"source_collection_label":["Women and Words Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The West Coast Women and Words Society was incorporated in 1982 with the goal of supporting women's writing. The society held an influential conference in Vancouver from June 30 to July 3, 1983; participants included Canadian women writers, editors, publishers, critics, printers, typesetters, academics, playwrights, librarians, distributors, booksellers, translators, and educational and cultural organizers. The conference featured presentations of papers, panel discussions, workshops and interviews relevant to such themes as: feminism, power and alternative structures doing it (i.e. developing work strategies), traditions and new directions. Following the conference, the West Coast Women and Word Society continued to fulfil their mandate by organizing poetry competitions, hosting readings and events, editing and compiling anthologies of women's writing, and running a mentorship program designed to connect young women writers with more established ones."],"collection_source_collection_id":["MsC 23"],"persistent_url":[""],"item_title":["Women and Words - \"History of Feminist Presses and Magazines\" (workshop): Francine Pelletier, Lois Pike, and Frances Rooney at UBC on July 2, 1983"],"item_title_source":["Conference Program"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Pelletier, Francine","Pike, Lois","Rooney, Frances","Ireland, Sally"],"creator_names_search":["Pelletier, Francine","Pike, Lois","Rooney, Frances","Ireland, Sally"],"creators":["[{\"url\":\"https://viaf.org/viaf/104940308/\",\"name\":\"Pelletier, Francine\",\"dates\":\"1955-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Pike, Lois\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Rooney, Frances\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Ireland, Sally\",\"dates\":\"\",\"notes\":\"Workshop organizer\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/9025/MSC76-028a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"Good\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Clear tape box\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/women-and-words-history-feminist-presses-and-magazines-workshop-francine-pelletier-lois-pike-and\",\"file_path\":\"\",\"filename\":\"MSC23-28-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:52:26\",\"precision\":\"\",\"size\":\"57.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/women-and-words-history-feminist-presses-and-magazines-workshop-francine-pelletier-lois-pike-and-0\",\"file_path\":\"\",\"filename\":\"MSC23-28-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:56\",\"precision\":\"\",\"size\":\"53.7 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-07-02\",\"type\":\"Performance Date\",\"notes\":\"Saturday at 2-3:30pm\",\"source\":\"Conference Program\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/83433307\",\"venue\":\"Angus Building, University of British Columbia, Room A326\",\"notes\":\"\",\"address\":\"University of British Columbia, Vancouver, BC\",\"latitude\":\"49.26503765\",\"longitude\":\"-123.25386541436339\"}]"],"Address":["University of British Columbia, Vancouver, BC"],"Venue":["Angus Building, University of British Columbia, Room A326"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[]"],"_version_":1853670556237299715,"timestamp":"2026-01-07T15:00:00.560Z","score":1.2242479},{"id":"6720","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Women and Words Fonds"],"source_collection_label":["Women and Words Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The West Coast Women and Words Society was incorporated in 1982 with the goal of supporting women's writing. The society held an influential conference in Vancouver from June 30 to July 3, 1983; participants included Canadian women writers, editors, publishers, critics, printers, typesetters, academics, playwrights, librarians, distributors, booksellers, translators, and educational and cultural organizers. The conference featured presentations of papers, panel discussions, workshops and interviews relevant to such themes as: feminism, power and alternative structures doing it (i.e. developing work strategies), traditions and new directions. Following the conference, the West Coast Women and Word Society continued to fulfil their mandate by organizing poetry competitions, hosting readings and events, editing and compiling anthologies of women's writing, and running a mentorship program designed to connect young women writers with more established ones."],"collection_source_collection_id":["MsC 23"],"persistent_url":[""],"item_title":["Women and Words - \"Opportunities of the Long Poem\" (workshop): Travis Lane at UBC on July 2, 1983"],"item_title_source":["Conference Program"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Lane, Travis"],"creator_names_search":["Lane, Travis"],"creators":["[{\"url\":\"https://viaf.org/viaf/45550437\",\"name\":\"Lane, Travis\",\"dates\":\"1934-\",\"notes\":\"Workshop organizer. Full name Millicent Travis Lane, goes by Travis Lane\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1983],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/9165/MSC76-024a.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"Good\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Clear tape box\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://digital.lib.sfu.ca/women-and-words-opportunities-long-poem-workshop-travis-lane-ubc-july-2-1983-part-1\",\"file_path\":\"\",\"filename\":\"MSC23-24-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:52\",\"precision\":\"\",\"size\":\"50.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://digital.lib.sfu.ca/women-and-words-opportunities-long-poem-workshop-travis-lane-ubc-july-2-1983-part-2\",\"file_path\":\"\",\"filename\":\"MSC23-24-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:33:43\",\"precision\":\"\",\"size\":\"102 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-07-02\",\"type\":\"Performance Date\",\"notes\":\"Saturday at 2-3:30pm\",\"source\":\"Conference Program\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/83433307\",\"venue\":\"Angus Building, University of British Columbia, Room A412\",\"notes\":\"\",\"address\":\"University of British Columbia, Vancouver, BC\",\"latitude\":\"49.26503765\",\"longitude\":\"-123.25386541436339\"}]"],"Address":["University of British Columbia, Vancouver, BC"],"Venue":["Angus Building, University of British Columbia, Room A412"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Side A holds the first half of the workshop; Side B holds the entire recording.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556237299716,"timestamp":"2026-01-07T15:00:00.560Z","score":1.2242479},{"id":"6721","cataloger_name":["Kate,Moffatt"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Women and Words Fonds"],"source_collection_label":["Women and Words Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The West Coast Women and Words Society was incorporated in 1982 with the goal of supporting women's writing. 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Fonds includes records (1964-1987) of Nichol's presses, Ganglia and grOnk, consisting of manuscript files, correspondence files, mockups, business and reference files, computer discs, the authors poetry and comic book collections, photographs, television scripts, etc. Correspondents and contributors include Bill Bissett, Gerry Gilbert, Margaret Avison, Earle Birney, David Harris, David Phillips, David McFadden and others"],"collection_source_collection_id":["MsC 12"],"persistent_url":[""],"item_title":["bpNichol reading at Don Mills Collegiate Institute, February 14, 1980 tape 2 of 2 #4"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P."],"creator_names_search":["Nichol, B.P."],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\",\"Reader\",\"Speaker\",\"Donor\"]}]"],"contributors":["[]"],"Performance_Date":[1980],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11790/bpNichol Fonds_MsC12_4.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"004 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:51:08\",\"precision\":\"\",\"size\":\"53.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\\n \\n\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1980-02-14\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"cassette\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/40754689\",\"venue\":\"Don Mills Collegiate Institute\",\"notes\":\"\",\"address\":\"15 The Donway E, North York, ON M3C 1X6\",\"latitude\":\"43.73695\",\"longitude\":\"-79.34197\"}]"],"Address":["15 The Donway E, North York, ON M3C 1X6"],"Venue":["Don Mills Collegiate Institute"],"contents":["0:40 - Pome pome song \n4 :10 - Poems from \"Captain Poetry Poems\"\n9:15 - \"Julia, a novel, Julia,\" whose title comes directly from a conversation with a friend, to whom Nichol was explaining what the work was.\n13:10 - \"[Mind] on a lake\" \n15:00 - from \"The May Day Book\" Nichol began with a book of Canadian songs and used each Canadian song as a prompt for a poem. \n22:30 - Here Nichol mentions the \"e\" book from the Ouilepo group (name) and the essay On And, both forms of procedural-based forms of writing.\n23:30 - \"[Two pieces on ...]\"\n26:15 - Questions and Answers \n30:45 - Performance of \"Milk\" by audience request"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556251979777,"timestamp":"2026-01-07T15:00:00.560Z","score":1.2242479},{"id":"7008","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["bpNichol Fonds"],"source_collection_label":["bpNichol Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of correspondence, poems (including concrete, experimental and sound poem drafts), manuscripts (including drafts), notebooks, and journals of bp Nichol. Fonds includes records (1964-1987) of Nichol's presses, Ganglia and grOnk, consisting of manuscript files, correspondence files, mockups, business and reference files, computer discs, the authors poetry and comic book collections, photographs, television scripts, etc. Correspondents and contributors include Bill Bissett, Gerry Gilbert, Margaret Avison, Earle Birney, David Harris, David Phillips, David McFadden and others"],"collection_source_collection_id":["MsC 12"],"persistent_url":[""],"item_title":["bpNichol reading at Milwaukee Public Library for Woodland Pattern on February 24, 1980 #5"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P."],"creator_names_search":["Nichol, B.P."],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Speaker\",\"Donor\"]}]"],"contributors":["[]"],"Performance_Date":[1980],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11796/bpNichol Fonds_MsC12_5.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"005 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:31\",\"precision\":\"\",\"size\":\"50.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\\n\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"005 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:44:16\",\"precision\":\"\",\"size\":\"46.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1980-02-24\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"cassette\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/export#map=19/43.03955/-87.92237\",\"venue\":\"Milwaukee Public Library\",\"notes\":\"\",\"address\":\"814 W Wisconsin Ave, Milwaukee, WI 53233\",\"latitude\":\"43.04037\",\"longitude\":\"-87.92392\"}]"],"Address":["814 W Wisconsin Ave, Milwaukee, WI 53233"],"Venue":["Milwaukee Public Library"],"contents":["In this reading at the Milwaukee Public Library, Nichol reads from sections of each of the books of the Martyrology which he had at that point completed. He makes reference to bill bissett, W.S. Merwin and Dick Tracy comics as different sources of inspiration.\nSide A\n0:20 - from \"The Martyrology of St. And\"\n6:00 - from \"The Martyrology Book 2\"\n9:30 - song from \"The Martyrology\"\n11:10 - from \"The Martyrology Book 2, Friends as Footnotes\"\n15:00 - from \"The Martyrology Book 3\"\n25:00 - \"Mid-initial Sequence from Coda, of Martyrology Book 3\"\n28:25 - from \"The Martyrology Book 4\"\n35:00 - from \"The Martyrology Book 5\"\nSide B\n0:20 - \"Two Words: a wedding\" \n2:30 - \"a counting\" from \"The Book of Hours\"\n10:30 - \"Hour 3\" from \"The Book of Hours,\" which he says was written on a ferry between Vancouver and Victoria, BC.\n15:30 - \"Hour 5\" from \"The Book of Hours\" written outside of Saskatchewan on an eventual train from Toronto, ON, to Vancouver, BC.\n19:40 - \"Hour 7\" from \"The Book of Hours\" written in a building outside of Toronto during a storm.\n25:35 - \"Hour 11\" from \"The Book of Hours\"\n29:40 - from \"Translating Translating Apollinaire\"\n39:00 - song or sound poem called \"Flower Eyes\"\n41:20 - \"Song for St. ein\" which Nichol notes is drawn from a question posed by Gertrude Stein\n42:20 - \"You too Nicky\" from \"a counting\" which Nichol notes is drawn from the Japanese poetic form the Uttanikki, used in his Martyrology. \n\n"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556251979778,"timestamp":"2026-01-07T15:00:00.560Z","score":1.2242479},{"id":"7009","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["bpNichol Fonds"],"source_collection_label":["bpNichol Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of correspondence, poems (including concrete, experimental and sound poem drafts), manuscripts (including drafts), notebooks, and journals of bp Nichol. Fonds includes records (1964-1987) of Nichol's presses, Ganglia and grOnk, consisting of manuscript files, correspondence files, mockups, business and reference files, computer discs, the authors poetry and comic book collections, photographs, television scripts, etc. Correspondents and contributors include Bill Bissett, Gerry Gilbert, Margaret Avison, Earle Birney, David Harris, David Phillips, David McFadden and others"],"collection_source_collection_id":["MsC 12"],"persistent_url":[""],"item_title":["bpNichol reading the Martyrology at SFU on July 23, 1981 #7"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P."],"creator_names_search":["Nichol, B.P."],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Speaker\",\"Donor\"]}]"],"contributors":["[]"],"Performance_Date":[1981],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11799/bpNichol Fonds_MsC12_7.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"007 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:46\",\"precision\":\"\",\"size\":\"36.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"007 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:05\",\"precision\":\"\",\"size\":\"33.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-07-23\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"j-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/export#map=15/49.2767/-122.9182\",\"venue\":\"Simon Fraser University\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC V5A 1S6\",\"latitude\":\"49.2884\",\"longitude\":\"-122.9430\"}]"],"Address":["8888 University Dr, Burnaby, BC V5A 1S6"],"Venue":["Simon Fraser University"],"City":["Burnaby, British Columbia"],"contents":["This is a reading of Book 5 of the Martyrology. At multiple points in the reading Nichol re-reads certain verses in order to get them the way in which he wants them read. \n\nSide A\n0:00 - Introduction discussing the beginnings of this section of the Martyrology as based on the street names in the Annex or Toronto. He also mentions Fred Wah and his notion of \"place...rooted in a certain sense of language.\"\n1:05 -  Chain 1 from \"Book 5 of the Martyrology\" \n28:00 - At this point in the recording, the quality of the audio decreases and the sound waves become much wider, perhaps indicating that this tape was comprised of different recordings.\n\nSide B\nThis recording is a continuation of the former. Nichol finishes reading Chain 5 of Book 5 of the Martyrology and at one point speaks to a recordist. Toward the end of the tape he reads from TTA, Translating Translating Appolinaire.\n0:00 - from Chain 1 of Book 5\n0:27 - Nichol speaks to recordist\n0:38 - Chain 1 of Book 5\n7:50 - from Catulsis of TTA.\n8:30 - Poem 31 from TTA\n9:24 - Catulis 93\n9:48 - Catulis 91. Here Nichol also speaks directly to a Fred, presumably Fred Wah.\n10:35 - Catulis 111"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556251979779,"timestamp":"2026-01-07T15:00:00.560Z","score":1.2242479},{"id":"7010","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["bpNichol Fonds"],"source_collection_label":["bpNichol Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of correspondence, poems (including concrete, experimental and sound poem drafts), manuscripts (including drafts), notebooks, and journals of bp Nichol. Fonds includes records (1964-1987) of Nichol's presses, Ganglia and grOnk, consisting of manuscript files, correspondence files, mockups, business and reference files, computer discs, the authors poetry and comic book collections, photographs, television scripts, etc. Correspondents and contributors include Bill Bissett, Gerry Gilbert, Margaret Avison, Earle Birney, David Harris, David Phillips, David McFadden and others"],"collection_source_collection_id":["MsC 12"],"persistent_url":[""],"item_title":["bpNichol reading at Carleton University on October 14, 1984 #8"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P."],"creator_names_search":["Nichol, B.P."],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Donor\",\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[1984],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11800/bpNichol Fonds_MsC12_8.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"008 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:59\",\"precision\":\"\",\"size\":\"60.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"008 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:51:26\",\"precision\":\"\",\"size\":\"121.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1984-10-14\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"j-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/export#map=15/45.3858/-75.6953\",\"venue\":\"Carleton University\",\"notes\":\"\",\"address\":\"1125 Colonel By Dr, Ottawa, ON K1S 5B6\",\"latitude\":\"45.3984\",\"longitude\":\"-75.7200\"}]"],"Address":["1125 Colonel By Dr, Ottawa, ON K1S 5B6"],"Venue":["Carleton University"],"City":["Ottawa, Ontario"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556251979780,"timestamp":"2026-01-07T15:00:00.560Z","score":1.2242479},{"id":"7011","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["bpNichol Fonds"],"source_collection_label":["bpNichol Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of correspondence, poems (including concrete, experimental and sound poem drafts), manuscripts (including drafts), notebooks, and journals of bp Nichol. Fonds includes records (1964-1987) of Nichol's presses, Ganglia and grOnk, consisting of manuscript files, correspondence files, mockups, business and reference files, computer discs, the authors poetry and comic book collections, photographs, television scripts, etc. Correspondents and contributors include Bill Bissett, Gerry Gilbert, Margaret Avison, Earle Birney, David Harris, David Phillips, David McFadden and others"],"collection_source_collection_id":["MsC 12"],"persistent_url":[""],"item_title":["bpNichol reading The Martyrology in Tofino on May 7, 1987 #9"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P."],"creator_names_search":["Nichol, B.P."],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\",\"Speaker\",\"Donor\"]}]"],"contributors":["[]"],"Performance_Date":[1987],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11808/bpNichol Fonds_MsC12_9.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"009 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:42:32\",\"precision\":\"\",\"size\":\"44.8 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987-05-07\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"j-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/export#map=17/49.15234/-125.90415\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Tofino, BC, Canada\",\"latitude\":\"49.15525\",\"longitude\":\"-125.91034\"}]"],"Address":["Tofino, BC, Canada"],"contents":["In this reading by bpNichol, he draws primarily from his work on the Martyrology. He also notably discusses the project as finished, which for years it was, until he began it again and added on an additional 4 books. The audio in the first three minutes is of lower quality than the rest of the tape to follow. Much of the tape is Nichol answering to questions from the group.\n15:45 - Interlude about the Canadian Great Lakes region, discussed in the section to follow.\n18:36 - Hour 17 from the Book of Hours\n21:14 - Interlude \n22:11 - Comment from audience member\n22:50 - Question\n22:52 - Answer\n24:20 - Question\n25:53 - Interlude about Hour 13\n27:21 - Hour 13\n29:15 - Interlude\n29:37 - Interlude about Hour 24 \n31:46 - Hour 24\n33:52 - Interlude about knowledge, Kepler, religion, celestial bodies,\n39:44 - Hour 24\n41:51 - Salutations\n0:00 - Introduction by Nichol \n4:34 - from Book of Hours \n7:14 - Break for questions\n7:34 - Question, barely audible\n8:00 - Answer\n9:30 - Question about poetry as magic \n10:00 - Answer\n11:37 - Question about contemporary poetry\n12:45 - Answer\n"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556253028352,"timestamp":"2026-01-07T15:00:00.560Z","score":1.2242479},{"id":"7012","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["bpNichol Fonds"],"source_collection_label":["bpNichol Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of correspondence, poems (including concrete, experimental and sound poem drafts), manuscripts (including drafts), notebooks, and journals of bp Nichol. Fonds includes records (1964-1987) of Nichol's presses, Ganglia and grOnk, consisting of manuscript files, correspondence files, mockups, business and reference files, computer discs, the authors poetry and comic book collections, photographs, television scripts, etc. Correspondents and contributors include Bill Bissett, Gerry Gilbert, Margaret Avison, Earle Birney, David Harris, David Phillips, David McFadden and others"],"collection_source_collection_id":["MsC 12"],"persistent_url":[""],"item_title":["Ear Lick performed for CBC on April 13, 1987 #30"],"item_title_source":["j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P.","Dutton, Paul","Barreto-Rivera, Rafael"],"creator_names_search":["Nichol, B.P.","Dutton, Paul","Barreto-Rivera, Rafael"],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\",\"Speaker\",\"Donor\",\"Reader\"]},{\"url\":\" http://viaf.org/viaf/30591332 http://viaf.org/viaf/101952075 http://viaf.org/viaf/83981636 http://viaf.org/viaf/25166087  http://viaf.org/viaf/39400140 http://viaf.org/viaf/13554538 http://viaf.org/viaf/102795332 http://viaf.org/viaf/105142281 http://viaf.org/viaf/315084078\",\"name\":\"Dutton, Paul\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/16154730\",\"name\":\"Barreto-Rivera, Rafael\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\",\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1987],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/11809/bpNichol Fonds_MsC12_30.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"030 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:44:50\",\"precision\":\"\",\"size\":\"49.1 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"030 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:34:00\",\"precision\":\"\",\"size\":\"36.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987-04-13\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"j-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/export#map=19/43.64484/-79.38814\",\"venue\":\"CBC Toronto\",\"notes\":\"\",\"address\":\"250 Front St W, Toronto, ON M5V 3G5\",\"latitude\":\"43.64564\",\"longitude\":\"-79.38969\"}]"],"Address":["250 Front St W, Toronto, ON M5V 3G5"],"Venue":["CBC Toronto"],"City":["Toronto, Ontario"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556253028353,"timestamp":"2026-01-07T15:00:00.560Z","score":1.2242479},{"id":"7015","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["bpNichol Fonds"],"source_collection_label":["bpNichol Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of correspondence, poems (including concrete, experimental and sound poem drafts), manuscripts (including drafts), notebooks, and journals of bp Nichol. Fonds includes records (1964-1987) of Nichol's presses, Ganglia and grOnk, consisting of manuscript files, correspondence files, mockups, business and reference files, computer discs, the authors poetry and comic book collections, photographs, television scripts, etc. Correspondents and contributors include Bill Bissett, Gerry Gilbert, Margaret Avison, Earle Birney, David Harris, David Phillips, David McFadden and others"],"collection_source_collection_id":["MsC 12"],"persistent_url":[""],"item_title":["Poetry as Performance Anthology including The Four Horsemen, June 1984 #27"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Four Horsemen (Musical Group)","Nichol, B.P.","McCaffery, Steve","Dutton, Paul","Barreto-Rivera, Rafael","Sword, Robert"],"creator_names_search":["Four Horsemen (Musical Group)","Nichol, B.P.","McCaffery, Steve","Dutton, Paul","Barreto-Rivera, Rafael","Sword, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/128949455\",\"name\":\"Four Horsemen (Musical Group)\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\",\"Author\",\"Donor\"]},{\"url\":\"http://viaf.org/viaf/38243\",\"name\":\"McCaffery, Steve\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]},{\"url\":\"http://viaf.org/viaf/36999806\",\"name\":\"Dutton, Paul\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]},{\"url\":\"http://viaf.org/viaf/16154730\",\"name\":\"Barreto-Rivera, Rafael\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]},{\"url\":\"\",\"name\":\"Sword, Robert\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\",\"Speaker\",\"Producer\"]}]"],"contributors":["[]"],"Performance_Date":[1984],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"},{\"side\":\"\",\"image\":\"../Uploads/11912/bpNichol Fonds_MsC12_27.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette","Cassette"],"physical_compositions":["Magnetic Tape","Magnetic Tape"],"recording_type":["Analogue","Analogue"],"AV_type":["Audio","Audio"],"playback_mode":["Stereo","Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"013 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:55\",\"precision\":\"\",\"size\":\"33.4 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1984-06\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"j-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/export#map=17/43.63859/-79.38332\",\"venue\":\"Harbourfront Centre\",\"notes\":\"\",\"address\":\"235 Queens Quay W, Toronto, ON M5J 2G8\",\"latitude\":\"43.64181\",\"longitude\":\"-79.38951\"}]"],"Address":["235 Queens Quay W, Toronto, ON M5J 2G8"],"Venue":["Harbourfront Centre"],"City":["Toronto, Ontario"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556254076930,"timestamp":"2026-01-07T15:00:00.560Z","score":1.2242479},{"id":"7021","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["bpNichol Fonds"],"source_collection_label":["bpNichol Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of correspondence, poems (including concrete, experimental and sound poem drafts), manuscripts (including drafts), notebooks, and journals of bp Nichol. Fonds includes records (1964-1987) of Nichol's presses, Ganglia and grOnk, consisting of manuscript files, correspondence files, mockups, business and reference files, computer discs, the authors poetry and comic book collections, photographs, television scripts, etc. Correspondents and contributors include Bill Bissett, Gerry Gilbert, Margaret Avison, Earle Birney, David Harris, David Phillips, David McFadden and others"],"collection_source_collection_id":["MsC 12"],"persistent_url":[""],"item_title":["2 Nights by The Four Horsemen"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["In Copyright (InC)"],"creator_names":["Nichol, B.P.","Four Horsemen (Musical group)","McCaffery, Steve","Dutton, Paul","Barreto-Rivera, Rafael"],"creator_names_search":["Nichol, B.P.","Four Horsemen (Musical group)","McCaffery, Steve","Dutton, Paul","Barreto-Rivera, Rafael"],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/128949455\",\"name\":\"Four Horsemen (Musical group)\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/38243\",\"name\":\"McCaffery, Steve\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/36999806\",\"name\":\"Dutton, Paul\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/16154730\",\"name\":\"Barreto-Rivera, Rafael\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[]"],"Publication_Date":[1988],"Performance_Date":[1987],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12069/bpNichol Fonds_MsC12_2Nights.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Excellent\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"036 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:57\",\"precision\":\"\",\"size\":\"53 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"036 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:21\",\"precision\":\"\",\"size\":\"50.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987-10-09\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"j-card\"},{\"date\":\"1988\",\"type\":\"Publication Date\",\"notes\":\"\",\"source\":\"j-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/241163484\",\"venue\":\"The Music Gallery\",\"notes\":\"\",\"address\":\"918 Bathurst St, Toronto ON M5R 3G5\",\"latitude\":\"43.66944\",\"longitude\":\"-79.41372\"}]"],"Address":["918 Bathurst St, Toronto ON M5R 3G5"],"Venue":["The Music Gallery"],"City":["Toronto, Ontario"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556254076936,"timestamp":"2026-01-07T15:00:00.560Z","score":1.2242479},{"id":"7031","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["bpNichol Fonds"],"source_collection_label":["bpNichol Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of correspondence, poems (including concrete, experimental and sound poem drafts), manuscripts (including drafts), notebooks, and journals of bp Nichol. Fonds includes records (1964-1987) of Nichol's presses, Ganglia and grOnk, consisting of manuscript files, correspondence files, mockups, business and reference files, computer discs, the authors poetry and comic book collections, photographs, television scripts, etc. Correspondents and contributors include Bill Bissett, Gerry Gilbert, Margaret Avison, Earle Birney, David Harris, David Phillips, David McFadden and others"],"collection_source_collection_id":["MsC 12"],"persistent_url":[""],"item_title":["The Four Horsemen Reading at Rivoli on Oct. 11, 1984 #51"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Nichol, B.P.","Four Horsemen (Musical group)","McCaffery, Steve","Barreto-Rivera, Rafael","Dutton, Paul"],"creator_names_search":["Nichol, B.P.","Four Horsemen (Musical group)","McCaffery, Steve","Barreto-Rivera, Rafael","Dutton, Paul"],"creators":["[{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\" http://viaf.org/viaf/128949455\",\"name\":\"Four Horsemen (Musical group)\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/38243\",\"name\":\"McCaffery, Steve\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/16154730\",\"name\":\"Barreto-Rivera, Rafael\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/36999806\",\"name\":\"Dutton, Paul\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[]"],"Performance_Date":[1984],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12080/bpNichol Fonds_MsC12_51.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"031 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:41:38\",\"precision\":\"\",\"size\":\"45.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1984-10-11\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"cassette\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/161835042\",\"venue\":\"Rivoli Toronto\",\"notes\":\"\",\"address\":\"334 Queen Street West, Toronto ON M5V 2A2\",\"latitude\":\"43.65035\",\"longitude\":\"-79.39570\"}]"],"Address":["334 Queen Street West, Toronto ON M5V 2A2"],"Venue":["Rivoli Toronto"],"City":["Toronto, Ontario"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556255125512,"timestamp":"2026-01-07T15:00:00.560Z","score":1.2242479},{"id":"7062","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Warren Tallman reading his groundwork for the preface he wrote for Adeena Karasick's poems, 1989 "],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Karasick, Adeena","Tallman, Warren"],"creator_names_search":["Karasick, Adeena","Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/76188856\",\"name\":\"Karasick, Adeena\",\"dates\":\"1965-\",\"notes\":\"Warren Tallman mentions, early on the first side, that he was going to read the preface that he was writing for the Adeena's poem.\\n\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\",\"Recordist\"]}]"],"contributors":["[]"],"Performance_Date":[1989],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10346/Warren Tallman Fonds_MsC 26.42_55.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-55-SideA.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:24\",\"precision\":\"\",\"size\":\"52.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC26-55-SideB.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T01:34:52\",\"precision\":\"\",\"size\":\"104 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1989\",\"type\":\"Performance Date\",\"notes\":\"Based on the date Warren Tallman mentions at the beginning of the first side, the year in which Warren Tallman is reading this preface must be 1989\",\"source\":\"J-card\"}]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"Side one and two are duplicates; they have the exact same content.\\n\\nThis preface may have been intended for Karasick's first publication, The Empress Has No Closure, published by Talonbooks in 1992.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556462743554,"timestamp":"2026-01-07T15:00:00.772Z","score":1.2242479},{"id":"7063","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. 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The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Warren Tallman reading \"Word Refrains\" and \"Claw\" for Adeena Karasick in November, 1988"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren"],"creator_names_search":["Tallman, Warren"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\",\"Recordist\"]}]"],"contributors":["[]"],"Performance_Date":[1988],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/10347/Warren Tallman Fonds_MsC 26.42_57.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Re-recordings 2023-57- Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:16\",\"precision\":\"\",\"size\":\"44.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Re-recordings 2023-57- Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:30\",\"precision\":\"\",\"size\":\"41 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"It's blank\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1988-11\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Note":["[{\"note\":\"Warren Tallman also reads his poem \\\"Claw\\\" at 12:38 on side one\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556462743555,"timestamp":"2026-01-07T15:00:00.772Z","score":1.2242479},{"id":"7182","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Paul Dutton's Four Horsemen performance tape York University on December 5, 1991 Part 2 of 2 "],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Dutton, Paul","McCaffery, Steve","Barreto-Rivera, Rafael","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Dutton, Paul","McCaffery, Steve","Barreto-Rivera, Rafael","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/36999806\",\"name\":\"Dutton, Paul\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/38243\",\"name\":\"McCaffery, Steve\",\"dates\":\"1947-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/16154730\",\"name\":\"Barreto-Rivera, Rafael\",\"dates\":\"1944-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors":["[]"],"Publication_Date":[1978],"Production_Date":[1973],"Performance_Date":[1987],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12164/Warren Tallman Fonds_MsC 26.44_183.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"183 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:36\",\"precision\":\"\",\"size\":\"43.5 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1987-10-09\",\"type\":\"Performance Date\",\"notes\":\"Two Nights, 1988 (Performed on October 9 & 10, 1987)\",\"source\":\"Internet \"},{\"date\":\"1987-10-10\",\"type\":\"Performance Date\",\"notes\":\"Two Nights, 1988 (Performed on October 9 & 10, 1987)\",\"source\":\"Internet\"},{\"date\":\"1977\",\"type\":\"Performance Date\",\"notes\":\"Live in the West (Toronto: Starborn Productions, 1977); 1978 is written on the j-card. 1978 could be its publication date \",\"source\":\"Internet\"},{\"date\":\"1973\",\"type\":\"Production Date\",\"notes\":\"Nada Canadada (Toronto: Griffin House, 1973). We are not sure if 1973 is the publication or production date. 1972 is written on the j-card; 1972 could be the performance date \",\"source\":\"Internet\"},{\"date\":\"1978\",\"type\":\"Publication Date\",\"notes\":\"Live in the West (Toronto: Starborn Productions, 1977); 1978 is written on the j-card. 1978 could be its publication date\",\"source\":\"Internet\"},{\"date\":\"1972\",\"type\":\"Performance Date\",\"notes\":\"Nada Canadada (Toronto: Griffin House, 1973). We are not sure if 1973 is the publication or production date. 1972 is written on the j-card; 1972 could be the performance date \",\"source\":\"Internet\"},{\"date\":\"1991-12-05\",\"type\":\"Production Date\",\"notes\":\"On tape 182, Paul Dutton has an interview with Warren Tallman regarding sound poetry and The Four Horsemen at [York University?] on December 5, 1991; we are not sure if he plays this tape (183) after his interview on not; this date is written on the j-card \",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/241163484#map=19/43.66857/-79.41299\",\"venue\":\"Music Gallery\",\"notes\":\"We are not sure about 2 Nights pieces on this tape, but 2 Nights is recorded and performed at The Music Gallery in Toronto on October 9 and 10 in 1987\",\"address\":\"918 Bathurst, 918, Bathurst Street, Seaton Village, University—Rosedale, Old Toronto, Toronto, Golden Horseshoe, Ontario, M5R 3G5, Canada\",\"latitude\":\"43.66859\",\"longitude\":\"-79.41300\"},{\"url\":\"https://www.openstreetmap.org/relation/324211#map=11/43.7175/-79.3762\",\"venue\":\"\",\"notes\":\"Live in the West (Toronto: Starborn Productions, 1977) and Nada Canadada (Toronto: Griffin House, 1973)\",\"address\":\"City Toronto, Golden Horseshoe, Ontario, Canada\",\"latitude\":\"43.6535\",\"longitude\":\"-79.3831\"},{\"url\":\"https://www.openstreetmap.org/way/876212862\",\"venue\":\"York University\",\"notes\":\"\",\"address\":\"York University, Keele Campus, Hackett Avenue, Humber River—Black Creek, North York, Toronto, Golden Horseshoe, Ontario, M3J 0K9, Canada\",\"latitude\":\"43.77393\",\"longitude\":\"-79.49883\"}]"],"Address":["918 Bathurst, 918, Bathurst Street, Seaton Village, University—Rosedale, Old Toronto, Toronto, Golden Horseshoe, Ontario, M5R 3G5, Canada","City Toronto, Golden Horseshoe, Ontario, Canada","York University, Keele Campus, Hackett Avenue, Humber River—Black Creek, North York, Toronto, Golden Horseshoe, Ontario, M3J 0K9, Canada"],"Venue":["Music Gallery","York University"],"City":["Toronto, Ontario","Toronto, Ontario","Toronto, Ontario"],"Note":["[{\"note\":\"Based on what it's written on the j-card, here are the list of the Four Horsemen performances on this tape:\\n\\nFrom Nada Canadada (Toronto: Griffin House, 1973): \\nAllegro \\nCoffee Break\\nIn the Middle of a Blue Balloon \\n\\nFrom Live in the West (Toronto: Starborn Productions, 1977):\\nMayakovsky\\nAssassin\\nSonada\\n\\nFrom Two Nights, 1988 (Performed on October 9 & 10, 1987)\\n\",\"type\":\"General\"},{\"note\":\"On tape 182, Paul Dutton has an interview with Warren Tallman regarding sound poetry and The Four Horsemen at [York University?] on December 5, 1991; we are not sure if he plays this tape (183) after his interview on not; this date is written on the j-card \",\"type\":\"General\"},{\"note\":\"We are not sure if this tape is part two of tape 182. Both tapes' j-cards have the same dates, locations, and people\",\"type\":\"General\"},{\"note\":\"Some interruptions occur all along this tape \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670556693430277,"timestamp":"2026-01-07T15:00:00.983Z","score":1.2242479},{"id":"7190","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Warren Tallman Fonds"],"source_collection_label":["Warren Tallman Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["Warren Tallman (7 November 1921 - 1 July 1994) was an American-born poetry professor who inspired the Canadian Tish movement and influenced the mid-20th century poetry scene in Canada. Born in Seattle attended the University of California, Berkeley on the G.I. Bill. There he met Ellen King; they married in 1951. In 1956, the Tallmans accepted teaching jobs in the English department at the University of British Columbia, where they helped Earle Birney and Roy Daniells to organize the creative writing department. In 1963, they hosted a poetry conference attended by Denise Levertov, Charles Olson, Allen Ginsberg, Robert Duncan, Margaret Avison, and Philip Whalen. The Tallman home itself also served as a poetry enclave of sorts. It was there that Jack Spicer gave some of his now legendary lectures. Two years later, they held another poetry conference in Berkeley, California. Sometimes criticized by Canadian literary nationalists for turning the Vancouver poetry circle into a California branch plant, Tallman embraced the Black Mountain school approach to poetry, and also was influenced from the Beats and other New American Poets. The fonds consists of correspondence, manuscripts, teaching papers, personal and financial records, material pertaining to the Vancouver Poetry Centre, photographs, audiotapes, ephemera, etc."],"collection_source_collection_id":["MsC 26"],"persistent_url":[""],"item_title":["Gerry Gilbert, Robert Creeley, and The Vancouver Art Trio on Robert Creeley's 60th Birthday"],"item_title_source":["J-card and Recording"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Vancouver Art Trio","Simpson, Gregg","Freedman, Bruce","Reed, Clyde","Tallman, Warren","Gilbert, Gerry"],"creator_names_search":["Creeley, Robert","Vancouver Art Trio","Simpson, Gregg","Freedman, Bruce","Reed, Clyde","Tallman, Warren","Gilbert, Gerry"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]},{\"url\":\"http://viaf.org/viaf/137142705\",\"name\":\"Vancouver Art Trio\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/62914314\",\"name\":\"Simpson, Gregg\",\"dates\":\"1947- \",\"notes\":\"Vancouver Art Trio: Drum Player \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\" http://viaf.org/viaf/151209964\",\"name\":\"Freedman, Bruce \",\"dates\":\"\",\"notes\":\"Vancouver Art Trio: Tenor Sax Player \",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Reed, Clyde \",\"dates\":\"\",\"notes\":\"Vancouver Art Trio: Bass Player\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"He talks about the event and all the contributors \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/13554305\",\"name\":\"Gilbert, Gerry \",\"dates\":\"1936-2009\",\"notes\":\"He introduces Robert Creeley\",\"nation\":[],\"role\":[\"Speaker\",\"Reader\"]}]"],"contributors":["[]"],"Performance_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/12181/Warren Tallman Fonds_MsC 26.44_191.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"J-card\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"191 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:19\",\"precision\":\"\",\"size\":\"43.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"191 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:16\",\"precision\":\"\",\"size\":\"43.2 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-05\",\"type\":\"Performance Date\",\"notes\":\"It should be the end or the latest the beginning of may, because Creeley's birthday is on May 21\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Vancouver, Metro Vancouver Regional District, British Columbia, Canada\",\"latitude\":\"49.2604\",\"longitude\":\"-123.1159\"}]"],"Address":["Vancouver, Metro Vancouver Regional District, British Columbia, Canada"],"City":["Vancouver, British Columbia"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670556695527426,"timestamp":"2026-01-07T15:00:00.983Z","score":1.2242479},{"id":"7271","cataloger_name":["Maya,Schwartz"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Adeena Karasick Fonds "],"source_collection_label":["Adeena Karasick Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC162"],"persistent_url":[""],"item_title":["Warren Tallman reads at UBC, January 1989"],"item_title_source":["cassette tape"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Karasick, Adeena"],"creator_names_search":["Tallman, Warren","Karasick, Adeena"],"creators":["[{\"url\":\"https://viaf.org/viaf/11397708/#Tallman,_Warren,_1921-1994\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Reader\"]},{\"url\":\"https://viaf.org/viaf/76188856/#Karasick,_Adeena,_1965-\",\"name\":\"Karasick, Adeena\",\"dates\":\"1965-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]}]"],"contributors":["[]"],"Performance_Date":[1989],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/7271/Adeena Karasick Fonds_MsC 162_7.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Clear tape box\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC162-007 Side A.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:47:08\",\"precision\":\"\",\"size\":\"52.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MSC162-007 Side B.mp3\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:46:59\",\"precision\":\"\",\"size\":\"52.6 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1989-01\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://nominatim.openstreetmap.org/ui/details.html?osmtype=R&osmid=11678160&class=boundary\",\"venue\":\"University of British Columbia\",\"notes\":\"\",\"address\":\"Vancouver, BC V6T 1Z4\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Vancouver, BC V6T 1Z4"],"Venue":["University of British Columbia"],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"Version also exists in Warren Tallman Fonds as \\\"Warren Tallman reading at UBC faculty club on January 21, 1989\\\" MsC26-68\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670556901048331,"timestamp":"2026-01-07T15:00:01.192Z","score":1.2242479},{"id":"7390","cataloger_name":["Maya,Schwartz"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["SFU Archives Readings"],"source_collection_label":["SFU Archives Readings"],"collection_contributing_unit":["SFU Archives and Records Management"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["A collection of poetry readings and panels that took place at SFU during the 1970s and are located in the SFU Archives. This group includes writers such as Margaret Atwood, Dorothy Livesay, Anne Marriott, Joy Kagawa, P. K. 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service”\n\t\t206\t“I come from Halifax”\n\t\t212\t“beyond even faithful legends”\n\t\t255\t“awake in th red desert”\n\t\t282\t“let me tell yu a story uv how they met”\n\t\t348\t“carrying the torch”\n\t\t375\t“rain bow music”\n\t\t397\t“that great shootin gallery in the sky”\n\t\t408\t“th guy drivin round in” from plutonium missing\n\t\t415\t“oaoabaoadabaaogaoga” from awake in th red desert\n\t\t497\t“and the green wind is moving thru th summer trees”\n\t\t549\t“courting goes on forever”\n\t\t568\t“exposing th core”\n\t\t\t“ovr the edge”\n\t\t612\t“she wantid to get rid of it”\n\t\t621\t“when I first came to Vancouver”\n\t\t646\t“coyotes are fast movin”\n\t\t697\t“th birds in color”\n\t\t746\t“hun-nee”\nTwo\t\t001\tChanting yu want to walk with me through the forest\n\t\t\tCumin into me\n\t\t\tCumin into yu\n\t\t\tPoems from Northern Birds in Colour\n\t\t108\t“th ravens uv faro”\n\t\t216\t“Collingwood”\n\t\t368\t“I remember I was getting kinduv”\n\t\t424\t“keepin th fire goin”\n\t\t496\t“th last day”\n\t\t609\t“darling”\n\t\t633\t“northern birds in colour”"],"Note":["[{\"note\":\"This tape is a duplicate of the tape from the Readings in BC collection \\\"The Coast is Only a Line: Bill Bissett Reading at the SFU Art Gallery on July 17, 1981 #337\\\" (SWALLOW ID 5308)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670558012538884,"timestamp":"2026-01-07T15:00:02.246Z","score":1.2242479},{"id":"9100","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Robert Kroetsch Reading at the SFU Art Gallery on July 28, 1981 DUPLICATE 2 OF 2"],"item_title_source":["cassette and 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files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-07-28\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU Gallery\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU Gallery"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tEli Mandel introduces Robert Kroetsch\n\t\t029\tExcerpts from The crow journals\n\t\t\tFebruary 28, 1974\n\t\t\tOctober 12, 1976\n\t\t\tSeptember 26, 1976\n\t\t\tAugust 6, 1977\n\t\t\tAugust 7, 1977\n\t\t104\tOpening of Badlands\n\t\t\tFrom Field notes\n\t\t173\t“Sketches of a lemon”\n\t\t225\t“The criminal intensities of love as paradise”\n\t\t326\tSelections from “Seed catalogue”\n\t\t534\tFrom “The sad Phoenician”\n\t\t\t“a to g,” “The silent poet eats his words”\nTwo\t\t\tFrom Field notes\n\t\t000\t“Stone hammer poem”\n\t\t115\tSelections from “Seed catalogue”\n\t\t211\t“Sketches of a lemon”\n\t\t296\tFrom “The criminal intensities of love as paradise”\n\t\t\t‘Bear story with or without bear’\n\t\t\t‘And dreamers, even then, if dreaming’\n\t\t365\t“How I joined the seal herd”\n\t\t522\t“The silent poet sees red”"],"Note":["[{\"note\":\"This tape is a duplicate of the tape from the Readings in BC collection \\\"The Coast is Only a Line: Robert Kroetsch Reading at the SFU Art Gallery on July 28, 1981 #340\\\" (SWALLOW ID 5312);\\nA part of tape 276 (SWALLOW ID 9091) in this collection is also a duplicate of this tape\",\"type\":\"Related 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Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-07-29\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/102254132\",\"venue\":\"SFU Gallery\",\"notes\":\"\",\"address\":\"8888 University Dr, Burnaby, BC, Canada\",\"latitude\":\"49.2767\",\"longitude\":\"-122.9178 \"}]"],"Address":["8888 University Dr, Burnaby, BC, Canada"],"Venue":["SFU Gallery"],"City":["Burnaby, British Columbia"],"content_notes":["SFU BC Readings formatting"],"contents":["Side\tTrack\tNo.\tComments\nOne\t\t000\tIntroduction by Warren Tallman\n\t\t030\tGladys Hindmarch reading From Boat Stories\n\t\t\tFirst story (untitled)\ntwo\t\t262\tHalf of following story (untitled)\n\t\t513\tNew story (untitled) beginning “Sunday night I head back”"],"Note":["[{\"note\":\"This tape is a duplicate of the tape from the Readings in BC collection \\\"The Coast is Only a Line: Gladys Hindmarch Reading at the SFU Art Gallery on July 29, 1981 #341a\\\" (SWALLOW ID 5313)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670558013587456,"timestamp":"2026-01-07T15:00:02.246Z","score":1.2242479},{"id":"9102","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Peter Trower Reading at the SFU Art Gallery and the IMC studio on July 31, 1981"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Vanel, Kurtis","Tallman, Warren","Trower, Peter"],"creator_names_search":["Vanel, Kurtis","Tallman, Warren","Trower, 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days”\n\t\t215\t“Annie of the Corridors”\n\t\t250\t“Wispering Chester”\n\t\t268\t“The Last Living Room”\n\t\t288\t“Boat House”\n\t\t311\t“Brawls”\n\t\t\tPOEMS FROM THE INTERIOR\n\t\t353\t“The Guests”\n\t\t373\t“No Breeze on Lake Louise”\n\t\t390\t“The Abandoned Alexandra bridge”\n\t\t413\t“Hell’s Gate”\n\t\t430\t“Grindrod”\n\t\t\tMISCELLANEOUS POEMS\n\t\t465\t“In the Church Yard”\n\t\t494\t“Overhead Crane”\n\t\t540\t“Outhouse”\n\t\t577\t“Not-so-still life with Damp Beer Tables”\n\t\t590\t“Outside the Courtroom”\n\t\t621\t“The East End Toronto Railroad Insomnia Blues”\n\t\t659\t“A Pay with Big Dutch”\n\t\t705\t“The Popcorn Man’\n\t\t754\t“Kisses in the whiskey” ded. To Tom Waits\n\t\t805\t“Requirements”\nTwo\t\t007\tIntroduction by Peter Trower – “These poems are from a new manuscript called Music Against Midnight”\n\t\t012\t“The ghosts”\n\t\t070\t“Goose quill snags”\n\t\t111\t“Sailor”\n\t\t167\t“The million glitter”\n\t\t205\t“Where roads lead”\n\t\t260\t“Driftwood”\n\t\t309\t“The gathering”\n\t\t406\t“The beginning again”\n\t\t453\t“The storm riders”\n\t\t502\t“Boondocks”\n\t\t619\t“Kingdom of rust”\n\t\t673\t“The crippled girl”\n\t\t720\t“Windworld”\n\t\t774\t“A man goes mad with logging”\n\t\t871\t“The peaks”\n\t\t948\tEnd of tape"],"Note":["[{\"note\":\"This tape is a duplicate of the tape from the Readings in BC collection \\\"\\nThe Coast is Only a Line: Peter Trower Reading at the SFU Art Gallery and the IMC studio on July 31, 1981 #342\\\" (SWALLOW ID 5315)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670558013587457,"timestamp":"2026-01-07T15:00:02.246Z","score":1.2242479},{"id":"9127","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Eli Mandel Reading at SFU on July 31, 1981"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Vanel, Kurtis","Tallman, Warren","Mandel, Eli"],"creator_names_search":["Vanel, Kurtis","Tallman, Warren","Mandel, 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Poetry is a language used to describe that which lies beyond language – Warren Tallman gives a little talk himself.  Questions audience about Royal Wedding.  Once again introduces Eli Mandel and Frank Davey\n\t\t123\tEli Mandel introduces his “Anima poems” written for his wife, Ann, and discusses the nature of his reading and the fact that his poetry concerns magic and fantasy.\n\t\t\tFour kinds of fantasy (Journey through time, Doppelganger, Double story and Story within story)\n\t\t171\t“Four Kinds of fantasy” prose piece by Martin Avery\n\t\t201\tEli describes a dream he recently had.  He woke up aware of himself as nothing more than a number\n\t\t240\tReintroduces the ‘Anima poems” and discusses ‘courtship’ of his wife\n\t\t248\tQuestions Anima figure\n\t\t252\t“The moon in all her phases”\n\t\t265\t“Woodbine”\n\t\t279\t“Listen the sea”\n\t\t299\t“Marina”\n\t\t335\t“Notes from the underground”\n\t\t380\tDiscusses Anima poetry as sexist.  Introduces “The return”\n\t\t420\tQuestions audience about Dr. Hoffer and his work with LSD\n\t\t440\t“The return”\n\t\t470\t“Petroglyphs at Saint Victor” introduction\n\t\t490\t“Petroglyphs at Saint Victor”\n\t\t539\tEli begins discussion of what it is to live and work within Academia, and the discrimination women face in this field.  A general discussion of discrimination in the university context\n\t\t870\tGeneral discussion of Anima to end of tape\nTwo\t\t000\tContinuation of general discussion of Anima and double\n\t\t025\tEli tells his double story\n\t\t115\tDiscusses meaning of double\n\t\t124\tQuestions from audience\n\t\t144\t“Instructions on the nature of Doubles and Doubling”\n\t\t174\t“The Doppelganger, ways to prevent me” (The double speaking)"],"Note":["[{\"note\":\"This tape is a duplicate of the tape from the Readings in BC collection \\\"\\nThe Coast is Only a Line: Eli Mandel Reading at SFU on July 31, 1981 #347\\\" (SWALLOW ID 5322)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670558016733186,"timestamp":"2026-01-07T15:00:02.246Z","score":1.2242479},{"id":"9128","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Gerry Gilbert Reading at the SFU Art Gallery and Studio on August 7, 1981"],"item_title_source":["cassette and j-card"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Vanel, Kurtis","Tallman, Warren","Gilbert, Gerry"],"creator_names_search":["Vanel, Kurtis","Tallman, Warren","Gilbert, Gerry"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Vanel, Kurtis\",\"dates\":\"1936-2017\",\"notes\":\"an SFU technician, also known as 'Doug 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“Thursday”\n\t\t183\t“Tobacco”\n\t\t195\tWeeks “Friday”\n\t\t198\t             “Saturday”\n\t\t205\t             “Sunday”\n\t\t213\t             “Monday”\n\t\t223\t            “Tuesday”\n\t\t233\t            “Wednesday”\n\t\t239\t            “Thursday”\n\t\t243\t             “Good Friday”\n\t\t250\t              “Bad Saturday”\n\t\t285\t              “Easter Sunday”\n\t\t299\t“Slow”\n\t\t311\t“Better Monday”\n\t\t318\t“Deep trigger”\n\t\t322\t“BYOP”\n\t\t336\t“Is’s and not’s”\n\t\t361\t“Days”\n\t\t364\t“At least”\n\t\t369\t“Epitaph”\n\t\t370\t“The driver”\n\t\t375\t“Free food”\n\t\t390\t“Naked similarities”\n\t\t400\t“Tune”\n\t\t421\t“A call”\n\t\t504\t“The poor baby that dies…”\n\t\t523\t“I open my notebook on the train”\n\t\t535\t“Canada House Trafalgar Square”\n\t\t561\t“BC monthly”\n\t\t725\tTalks about police downtown\n\t\t736\t“Sunday” (BC Monthly)\n\t\t765\t“Monday”\n\t\t803\t“Tuesday”\n\t\t848\t“Its taken a week and half to run out of tobacco”\n\t\t865\t“Come – 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1.\n\t\t171\t2. “As my father used to say…”\n\t\t173\t3. “I went and looked at Francis Ponge’s poem…”\n\t\t175\t4.“Sketches, I reminded myself”\n\t\t181\t5.“What about oranges?”\n\t\t184\t6. “Smaro is rolling a lemon on the breadboard”\n\t\t188\t7.“I had a very strong desire”\n\t\t190\t8.“I bought a second-hand car”\n\t\t191\t9.“If someone asked me”\n\t\t194\t10.“The lemon cure”\n\t\t197\t11.“Poem for a child who has just bit into”\n\t\t203\t12.“This hour is shaped like”\n\t\t207\t“The Criminal Intensities of Love as Paradise” ‘Morning’, Jasper Park’\n\t\t220\t‘Fire & Pan’\n\t\t233\t‘Breakfast, After, & Looking’\n\t\t244\t‘Standing Near a Waterfall’\n\t\t258\t‘Salt of Ocean Sea, of Tears”\n\t\t270\t‘Awoken and, Again, Hungry, Again’\n\t\t279\t‘Into Town’\n\t\t290\t‘Post Card to a Hillside’\n\t\t299\t‘Nude Swimmers in Late Afternoon’\n\t\t313\t‘Campsite, Home, Away From’\n\t\t324\t‘Bear Story with or without Bear’\n\t\t341\t‘And Dreamers, Even Thou, if Dreaming’\n\t\t363\t“Advice to my friends,” 1.\n\t\t377\t2. “To Eli Mandel, Setting his new alarm”\n\t\t392\t3. “To the Wahs, on the Kootenay River”\n\t\t408\t4. “Slocan Valley, July 17”\n\t\t424\t5. “Listening to the Radio, for Michael Ondaatje”\n\t\t440\t6.“Reading it in the Comics, for bp”\n\t\t456\t7. “The Bridegroom rises to speak”\n\t\t474\t8. “Wedding Dance, country style”\n\t\t493\t9. “Philosophy of composition, for Paul Thompson”\n\t\t512\t10. “Back in the spring of ’76, for Laurie Racoux”\n\t\t533\t11.“Laurie Racoux waiting to present a paper…”\n\t\t552\t12.“Late fall drive, for Berna Barclay”\n\t\t574\t13. “November 9, 1983, for Robert Hillas”\n\t\t597\tEnd of Side One\nTwo\t\t000\t14. “I find myself reading the old guys now”\n\t\t014\t15. “For Doug James: The Explanation”\n\t\t022\t16. “Seeing the Bear”\n\t\t028\t17. “Having a word with Columbus”\n\t\t037\t18. “Four questions for George Bowering”\n\t\t047\t19. “Stairway, for Giovanna Capon”\n\t\t056\t20. “A ritual for one”\n\t\t066\t“Mile Zero” \n\t\t085\t2. “Where did the Virgin come from…”\n\t\t099\t3. “On the third night west”\n\t\t123\t4.“Order Gentlemen, Order’\n\t\t139\t5. “The bindertwine of place”\n\t\t158\t6.“What I took to be an eagle”\n\t\t189\tLetters to Salonika\n\t\t500\tEnd of side two\n"],"Note":["[{\"note\":\"This tape is a duplicate of the tape from the Readings in BC collection \\\"Robert Kroetsch Reading at SFU on July 11, 1986 Tape 2 of 4 #577\\\" (SWALLOW ID 5835)\",\"type\":\"Related Version\"}]"],"Related_works":["[]"],"_version_":1853670558017781769,"timestamp":"2026-01-07T15:00:02.246Z","score":1.2242479},{"id":"9240","cataloger_name":["Linara,Kolosov"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["Steve McCaffery 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The night remembering Alden Nowlan.\n- [00:01:50] Premier Frank McKenna\n- [00:05:12] Amos\n- [00:09:38] Bob Gibbs, reads from a letter - [00:11:06] , discussion of The Wanton Troopers published posthumously in 1988. Significant laughter - [00:16:25] , applause at end - [00:17:25] \n- [00:17:30] female speaker (Janet)\n- [00:18:33] David Adams Richards\n- [00:19:33] Richards reads “Ypres: 1915”. Laughter - [00:22:25] , applause at end - [00:22:37] \n- [00:22:47] female speaker (Janet)\n- [00:24:28] Richard Hatfield, applause at his coming onto the stage. Laughter - [00:25:58] , and increases - [26:08-15] . Laughter - [00:26:47] - [00:30:30] - [00:34:50] , applause at end - [00:35:16] \n- Recording loops at - [00:31:12] \n- Amos introduces play the audience will be seeing tonight, Lockhartville written by Paul Hanna, adapted from Alden Nowlan’s book of the same name\n- [00:36:20] John Clemmer from Imperial Oil (sponsor of the play and the dinner)\n- [00:38:48] cut in recording. Returns to Amos.\n- [00:40:56] Jim Stewart, plays music; applause to his coming onto the stage. Applause at end - [00:43:22] \n- Event ends, recording catches end of event conversation."],"contents":["Alden Nowlan\n\"Ypres: 1915\""],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"The Mysterious Naked Man (1969)\"}]"],"_version_":1853670558224351241,"timestamp":"2026-01-07T15:00:02.444Z","score":1.2242479},{"id":"8294","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Cogswell - Mar ’80"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Cogswell - Mar '80\"; label on tape, side A: \"Fred Cogswell - 1A 2 March/80\"; label on tape, side B: \"Cogswell #1B, 2 Mar/80\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[3.22]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2030"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Cogswell, Fred","Nowlan, Alden"],"contributors_names_search":["Cogswell, Fred","Nowlan, Alden"],"contributors":["[{\"url\":\"http://viaf.org/viaf/94503298\",\"name\":\"Cogswell, Fred\",\"dates\":\"1917-2004\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/61671170\",\"name\":\"Nowlan, Alden\",\"dates\":\"1933-1983\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Cogswell, Fred","Nowlan, Alden"],"Performance_Date":[1980],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Neutron\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_3.22\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:58:37\",\"precision\":\"\",\"size\":\"1.89 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1980-03\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Conversation with Fred Cogswell and Alden Nowlan\n- interview for retirement piece in Quill & Quire \n- includes visit with A. Alden Nowlan "],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558434066432,"timestamp":"2026-01-07T15:00:02.646Z","score":1.2242479},{"id":"8295","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Cogswell, Mar 1980"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Label on tape box: \"Cogswell, Mar 1980\"; label on tape, side A: \"Cogswell #2A Nowlans Mar'80\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[3.23]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2030"],"creator_names":["Cook, Gregory, M."],"creator_names_search":["Cook, Gregory, M."],"creators":["[{\"url\":\"http://viaf.org/viaf/230841225\",\"name\":\"Cook, Gregory, M.\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]}]"],"contributors_names":["Cogswell, Fred","Nowlan, Alden"],"contributors_names_search":["Cogswell, Fred","Nowlan, Alden"],"contributors":["[{\"url\":\"http://viaf.org/viaf/94503298\",\"name\":\"Cogswell, Fred\",\"dates\":\"1917-2004\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/61671170\",\"name\":\"Nowlan, Alden\",\"dates\":\"1933-1983\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Cogswell, Fred","Nowlan, Alden"],"Performance_Date":[1980],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Neutron\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Nowlan_MsC_301_3.23\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:26:13\",\"precision\":\"\",\"size\":\"863.91 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1980-03\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Conversation with Fred Cogswell and Alden Nowlan\n- interview for retirement piece in Quill & Quire \n- includes visit with A. Alden Nowlan "],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558434066433,"timestamp":"2026-01-07T15:00:02.646Z","score":1.2242479},{"id":"8327","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Brahms Clarinet Quintet Stanley McCartney & the Brunswick String Quartet. Opening remarks by Dr. James Downey, President U.N.B. Performance dedicated to the memory of Alden Nowlan, 27 June 1983. The Playhouse, Fredericton N. B."],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Case label: Brahms Clarinet Quintet Stanley McCartney & the Brunswick String Quartet. Opening remarks by Dr. James Downey, President U.N.B. Performance dedicated to the memory of Alden Nowlan, 27 June 1983. The Playhouse, Fredericton N. B."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[4.1.3]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2033"],"creators":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"contributors_names":["Downey, James"],"contributors_names_search":["Downey, James"],"contributors":["[{\"url\":\"\",\"name\":\"Downey, James\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]}]"],"Presenter_name":["Downey, James"],"Performance_Date":[1983],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Sony\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"AN_523_92.21.4.1.3\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:41:12\",\"precision\":\"\",\"size\":\"75.43 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1983-06-27\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"The Playhouse\",\"notes\":\"\",\"address\":\"Fredericton, New Brunswick, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Fredericton, New Brunswick, Canada"],"Venue":["The Playhouse"],"content_notes":["UNB concert the evening of Alden Nowlan’s death. Speaker paying tribute to Alden Nowlan.\n- [00:01:54] speaker reads Alden Nowlan’s poem “Aunt Jane”\n- [00:02:27] “This evening, the Brahms is dedicated to the memory of Alden Nowlan. It is a tribute by the musicians in this festival to a great colleague”\n- [00:02:59] Brahms begins.\n- [00:40:47] applause at end of performance. Cut off mid-applause."],"contents":["[00:01:54] \"Aunt Jane\""],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Under the Ice (1961)\"}]"],"_version_":1853670558515855360,"timestamp":"2026-01-07T15:00:02.734Z","score":1.2242479},{"id":"8347","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Robert Kroetsch fonds"],"source_collection_label":["Robert Kroetsch fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/robert-kroetsch-fonds"],"item_title":["Ida Babcock"],"item_title_source":["Transcribed from the artifact"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[29.9]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2034"],"creator_names":["Kroetsch, Robert"],"creator_names_search":["Kroetsch, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1984],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"BASF\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Poor\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Background noise significant.\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"RK_Acc_775_04.25.29-9\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T01:32:39\",\"precision\":\"\",\"size\":\"1.49 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1984-09-19\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Morden, Manitoba, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Morden, Manitoba, Canada"],"content_notes":["Conversation, stories to Robert Kroetsch and others by Ida Babcock.\n- Recording of Robert Kroetsch and others interviewing Ida Babcock. Other interviewers are not identified. Trying to learn and (presumably) preserve Robert Kroetsch family history.\n- Stories of travelling through Alberta, including Heisler. Picking berries, hitchhiking, cooking in a bush camp near Smithers\n- Ida Babcock (née Robert Kroetsch) 1900-1996: widowed at 41, no children. Only educated to grade three. Family moved to Langdon, Alberta in 1910.\n- Babcock shows pictures to Robert Kroetsch et al.\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\"}]"],"_version_":1853670558520049665,"timestamp":"2026-01-07T15:00:02.734Z","score":1.2242479},{"id":"8374","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Tape of First Session (Alden Nowlan and Walter Learning) on \"La Svengali\" Radio Play 1981-1982"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Accompanying paper from archivist describing sides of cassettes. Envelope with typed title for cassette 1."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[111.13-1]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2052"],"creator_names":["Nowlan, Alden"],"creator_names_search":["Nowlan, Alden"],"creators":["[{\"url\":\"http://viaf.org/viaf/61671170\",\"name\":\"Nowlan, Alden\",\"dates\":\"1933-1983\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Learning, Walter"],"contributors_names_search":["Learning, Walter"],"contributors":["[{\"url\":\"http://viaf.org/viaf/11093579\",\"name\":\"Learning, Walter\",\"dates\":\"1938-2020\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Learning, Walter"],"Performance_Date":[1981],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Concertape\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"1 7/8 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"AN_MsC_40.111.13-1\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:53:57\",\"precision\":\"\",\"size\":\"889.10 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-1982\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Alden Nowlan fonds Item number 111.13-1\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Alden Nowlan and Walter Learning discuss production of “La Svengali” radio play.\n- Discussion of notes from independent readers of the script.\n- Cut to change sides on the tape at 31:04.\n"],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\\\"La Svengali\\\" radio play; Saturday Stereo Theatre, CBC Radio\"}]"],"_version_":1853670558524243977,"timestamp":"2026-01-07T15:00:02.734Z","score":1.2242479},{"id":"8375","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Alden Nowlan fonds"],"source_collection_label":["Alden Nowlan fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/alden-nowlan-fonds"],"item_title":["Alden Nowlan and Walter Learning Working on \"Svengali\""],"item_title_source":["Transcribed from the artifact"],"item_title_note":["Accompanying paper from archivist describing sides of cassettes. Envelope with typed title for cassette 1."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[111.13-2]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2052"],"creator_names":["Nowlan, Alden"],"creator_names_search":["Nowlan, Alden"],"creators":["[{\"url\":\"http://viaf.org/viaf/61671170\",\"name\":\"Nowlan, Alden\",\"dates\":\"1933-1983\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors_names":["Learning, Walter"],"contributors_names_search":["Learning, Walter"],"contributors":["[{\"url\":\"http://viaf.org/viaf/11093579\",\"name\":\"Learning, Walter\",\"dates\":\"1938-2020\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Learning, Walter"],"Performance_Date":[1981],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Realistic Supertape Gold\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"1 7/8 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"AN_MsC_40.111.13-2\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T01:03:42\",\"precision\":\"\",\"size\":\"1.03 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1981-1982\",\"type\":\"Performance Date\",\"notes\":\"Date taken from creation dates listed for item level descriptions in archival finding aid for the Alden Nowlan fonds Item number 111.13-2\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["Continued discussion with Alden Nowlan and Walter Learning about “La Svengali” radio play. Discussion of notes from independent readers of the script.\n- [00:09:23] cut in recording.\n- [00:31:38] woman’s voice (likely Alden Nowlan’s partner Claudine Orser) interrupts recording, Walter responds excitedly. Recording cuts out.\n- [00:54:55] cut in recording."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"\\\"La Svengali\\\" radio play; Saturday Stereo Theatre, CBC Radio\"}]"],"_version_":1853670558524243978,"timestamp":"2026-01-07T15:00:02.734Z","score":1.2242479},{"id":"8376","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Robert Kroetsch fonds"],"source_collection_label":["Robert Kroetsch fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/robert-kroetsch-fonds"],"item_title":["The Bards of March: Mar 15/86 Barbour/Prize Draw/Kroetsch (Nichol) Van Herk B Wiebe"],"item_title_source":["Transcribed from the artifact"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[29.10.1]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2036"],"creator_names":["Kroetsch, Robert"],"creator_names_search":["Kroetsch, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors_names":["Barbour, Doug","Nichol, B.P.","Van Herk, Aritha","Wiebe, Rudy"],"contributors_names_search":["Barbour, Doug","Nichol, B.P.","Van Herk, Aritha","Wiebe, Rudy"],"contributors":["[{\"url\":\"\",\"name\":\"Barbour, Doug \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, B.P.\",\"dates\":\"1944-1988\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/110789564\",\"name\":\"Van Herk, Aritha\",\"dates\":\"-1954\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/39385421\",\"name\":\"Wiebe, Rudy\",\"dates\":\"-1934\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Barbour, Doug ","Nichol, B.P.","Van Herk, Aritha","Wiebe, Rudy"],"Performance_Date":[1986],"material_description":["[{\"side\":\"A and B\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"XHE\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"RK_Acc_775_04.25.29.10-1\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:59:20\",\"precision\":\"\",\"size\":\"978.34 MB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-03-15\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"Edmonton [?], Alberta, Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Edmonton [?], Alberta, Canada"],"City":["Edmonton, Alberta"],"content_notes":["\nReadings as well as prize draws for the NeWest event.\n- Doug Barbour, two poems about jazz: “Alone on the Road” and “That Gone Tune”. “That Gone Tune” inspired by listening to Dave Holland Quintet at the Yardbird Suite (jazz club in Edmonton). Third poem “For a Branch of Almond Tree in Bloom, 1890” a sonnet responding to Vincent van Gogh’s iconic “Branch of Almond Tree in Bloom” (find now as “Almond Blossom”). Untitled mixing sound and poetry, begins with epigraph from review Smaro Kambourelli wrote of Phyllis Webb.\n- Recording includes prize draw by Jack Lewis (NeWest manager): Rudy Wiebe giving away his books (Wiebe helped organize the event), art prize.\n- Robert Kroetsch (read by bpNichol): Nichol qualifies to read Robert Kroetsch because his father was born in Alberta. Nichol notes that Kroestch seeks to displace the “I” in his poetry, and this is about as far as he can displace it. Reading from section Advice to My Friends, \"1: For a Poet Who Has Stopped Writing,\" \"14: I Find Myself Reading the Old Guys Now December 6th 1983,\" \"Sonnet #1,\" \"I'm Getting Old Now,\" \"Sonnet #5\"; reading from section Sounding the Name, \"Sonnet for My Daughters\"; reading from section The Poet's Mother \"1,\" \"3,\" \"Envoy, To Begin With.\"\n- Aritha Van Herk: Reading from No Fixed Address: something is playing in the background during the reading. Section pertains to characters going to poetry reading, feminist and ironic view of poetry by novelists.\n- Rudy Wiebe: Reading from The Temptation of Big Bear, the last and only speech of big Bear, post-conviction.\n"],"contents":["Doug Barbour  \n[00:00:56]\nReads \"Alone on the Road\".\nDoug Barbour\n[00:03:30]\nReads \"That Gone Tune\".\nDoug Barbour\n[00:08:25]\nReads \"For a Branch of Almond Tree in Bloom, 1890\".\nUnknown\n[00:09:45]\nUntitled [begins with epigraph from review Smaro Kambourelli wrote of Phyllis Webb].\nB.P. Nichol\n[00:20:15]\nReads \"1: For a Poet Who Has Stopped Writing\" by Robert Kroetsch.\nB.P. Nichol\n[00:21:30]\nReads \"14: I Find Myself Reading the Old Guys Now December 6th 1983\" by Robert Kroetsch.\nB.P. Nichol\n[00:22:31]\nReads \"Sonnet #1\" by Robert Kroetsch.\nB.P. Nichol\n[00:23:32]\nReads \"I'm Getting Old Now\" by Robert Kroetsch.\nB.P. Nichol\n[00:24:42]\nReads \"Sonnet #5\" by Robert Kroetsch.\nB.P. Nichol\n[00:25:15]\nReads \"Sonnet for My Daughters\" by Robert Kroetsch.\nB.P. Nichol\n[00:26:00]\nReads \"1\" by Robert Kroetsch.\nB.P. Nichol\n[00:26:31]\nReads \"3\" by Robert Kroetsch.\nB.P. Nichol\n[00:27:05]\nReads \"Envoy, To Begin With\" by Robert Kroetsch.\nAritha Van Herk\n[00:30:57]\nReads excerpt from No Fixed Address.\nRuby Wiebe\n[00:47:04]\nReads excerpt from The Temptation of Big Bear."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Kroetsch, Advice to My Friends. Van Herk, No Fixed Address. Wiebe, The Tempation of Big Bear.\"}]"],"_version_":1853670558525292544,"timestamp":"2026-01-07T15:00:02.734Z","score":1.2242479},{"id":"8379","cataloger_name":["Leah,Van Dyk"],"partnerInstitution":["University of Calgary"],"collection_source_collection":["Robert Kroetsch fonds"],"source_collection_label":["Robert Kroetsch fonds"],"collection_contributing_unit":["University of Calgary, Archives and Special Collections"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":["https://searcharchives.ucalgary.ca/robert-kroetsch-fonds"],"item_title":["Robert Kroetsch Poetry Reading"],"item_title_source":["Transcribed from the artifact"],"item_title_note":["List of readers."],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[29.13]"],"rights":["In Copyright (InC)"],"rights_notes":["Enters Public Domain at the end of 2041"],"creator_names":["Kroetsch, Robert"],"creator_names_search":["Kroetsch, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/120613489\",\"name\":\"Kroetsch, Robert\",\"dates\":\"1927-2011\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors_names":["McMaster, Sheila","Vaira, Ursula","Jenkins, Kay","Dingwald, Mairi","Mann, Elizabeth","Marlin, Linda"],"contributors_names_search":["McMaster, Sheila","Vaira, Ursula","Jenkins, Kay","Dingwald, Mairi","Mann, Elizabeth","Marlin, Linda"],"contributors":["[{\"url\":\"http://viaf.org/viaf/106146938\",\"name\":\"McMaster, Sheila\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/35687029\",\"name\":\"Vaira, Ursula\",\"dates\":\"1952-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Jenkins, Kay\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Dingwald, Mairi\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Mann, Elizabeth \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Marlin, Linda\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["McMaster, Sheila","Vaira, Ursula","Jenkins, Kay","Dingwald, Mairi","Mann, Elizabeth ","Marlin, Linda"],"Performance_Date":[1988],"material_description":["[{\"side\":\"A\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Memorex\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"RK_Acc_775_04.25.29-13\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"T00:44:21\",\"precision\":\"\",\"size\":\"1.43 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1988\",\"type\":\"Performance Date\",\"notes\":\"Dates taken from container and/or accompanying material.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["- A weeklong poetry workshop in August 1991. Somewhere with a beach (British Columbia?)\n- “I Spoke”: fascinated by the act of naming, by naming something it will exist. Also about chickens.\n- Robert Kroetsch on Kay – she is a successful watercolour painter who has decided to write poems\n- Dingwald – comparatively late to writing, she considers it verse rather than poetry. Living as a learning process.\n- “Song”: “I would not have read tonight except Robert read it and said ‘why not?’”\n- Robert Kroetsch on Mann – poet from the interior\n- Mann: difficulties of building and sustaining a ranch, as well as women’s condition\n- Martin recording is not part of the workshop recording.\n"],"contents":["Sheila McMaster\n[00:00:00]\nReads \"Selene\".\nSheila McMaster\n[00:01:12]\nReads \"Freedom\".\nSheila McMaster\n[00:01:27]\nReads \"His Friend\".\nSheila McMaster\n[00:02:05]\nReads \"Shadow of a Shaman\".\nSheila McMaster\n[00:02:45]\nReads \"Slight of Hand\".\nSheila McMaster\n[00:03:10]\nReads \"Hibiscus\".\nSheila McMaster\n[00:03:26]\nReads \"To Have Known More of You\".\nUrsula Vaira\n[00:05:10]\nReads \"Under a Blue Moon at Midnight\".\nUrsula Vaira\n[00:06:28]\nReads \"The Apple Tree\".\nUrsula Vaira\n[00:08:40]\nReads \"Snapshot Motel 6\".\nUrsula Vaira\n[00:11:08]\nReads \"Cadillac\".\nUrsula Vaira\n[00:12:10]\nReads \"I Spoke the Word and It Rained\".\nUrsula Vaira\n[00:13:00]\nReads \"untitled\".\nKay Jenkins\n[00:14:35]\nReads \"Morocco\".\nKay Jenkins\n[00:15:19]\nReads \"untitled\".\nKay Jenkins\n[00:16:07]\nReads \"Lover\".\nKay Jenkins\n[00:16:30]\nReads \"On Richard Street\".\nKay Jenkins\n[00:17:24]\nReads \"Our Love\".\nKay Jenkins\n[00:18:00]\nReads \"Taped\".\nMairi Dingwald\n[00:20:00]\nReads \"In Defense of Men\".\nMairi Dingwald\n[00:23:00]\nReads \"The Golden Rule in 1991\".\nMairi Dingwald\n[00:25:10]\nReads \"Song of a Wanderer\".\nElizabeth Mann\n[00:30:40]\nReads \"You See No More\".\nElizabeth Mann\n[00:31:32]\nReads \"A Change of Colour\".\nElizabeth Mann\n[00:32:05]\nReads \"I Heard Your Voice\".\nElizabeth Mann\n[00:33:15]\nReads \"Who Is This?\".\nElizabeth Mann\n[00:34:33]\nReads \"Too Hard\".\nElizabeth Mann\n[00:35:02]\nReads \"Leaving\".\nElizabeth Mann\n[00:35:47]\nReads \"First Spring Day\".\nLinda Marlin\n[00:37:02]\nReads \"untitled\".\nLinda Marlin\n[00:39:15]\nReads \"She Had a Cottage\"."],"Note":["[{\"note\":\"\",\"type\":\"\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"n/a. Poems written during weeklong workshop.\"}]"],"_version_":1853670558526341120,"timestamp":"2026-01-07T15:00:02.734Z","score":1.2242479}]