[{"id":"6342","cataloger_name":["Carlos A.,Pittella"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Headlight Anthology Collection"],"source_collection_label":["Headlight Anthology Collection"],"collection_contributing_unit":[""],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Headlight 24 Launch at De Stiil, 2023-06-22"],"item_title_source":["Event Flyers"],"item_title_note":["As promoted on the event flyers. *Add genre: \"Reading: nonfiction.\""],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["Headlight 24"],"item_subseries_title":["Headlight 24 Events"],"item_identifiers":["[]"],"rights":["In Copyright Educational Use Permitted (InC-EDU)"],"rights_notes":["Copyright by Headlight Anthology and contributors. Online reproduction and archiving allowed. Republications under different publishers must be authorized by the contributors. All editors and contributors recorded have given their formal consent to be archived by SpokenWeb under those terms."],"creator_names":["Triganne, Julie","Solomon, Misha","Mazur, Ari","Lovell, Susi","Bush Anderson, Benjamin","Cirignano, Sophia","Wayland, Tina","Palmer, Jade"],"creator_names_search":["Triganne, Julie","Solomon, Misha","Mazur, Ari","Lovell, Susi","Bush Anderson, Benjamin","Cirignano, Sophia","Wayland, Tina","Palmer, Jade"],"creators":["[{\"url\":\"\",\"name\":\"Triganne, Julie\",\"dates\":\"\",\"notes\":\"Julie Triganne is from Tiohtià:ke/Montréal. She is currently completing a master’s degree in creative writing at Concordia University.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"https://viaf.org/viaf/19160208386348620534\",\"name\":\"Solomon, Misha\",\"dates\":\"\",\"notes\":\"Misha Solomon (he/him) is a homosexual poet in and of Tiohtià:ke/Montréal. He is the author of two chapbooks, FLORALS (above/ground press, 2020) and Full Sentences (Turret House Press, 2022), and his work has appeared or is forthcoming in Best Canadian Poetry 2024, The /tƐmz/ Review, Yolk, and Vallum.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Mazur, Ari\",\"dates\":\"\",\"notes\":\"Ari Mazur is a recent graduate of Concordia University’s creative writing program. She finds joy in writing, walking around, and apartment hunting. She hopes to continue pursuing these hobbies for a long time.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Lovell, Susi\",\"dates\":\"\",\"notes\":\"Originally from England, Susi Lovell worked her way around the world before settling in Montreal. A movement artist-educator, choreographer and past dance critic for the Montreal Gazette, Susi’s stories have appeared in The New Quarterly, Stand Magazine, carte blanche, Grain, Fiddlehead and other journals.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Bush Anderson, Benjamin\",\"dates\":\"\",\"notes\":\"Benjamin Bush Anderson is a poet and novelist born in Mi’kma’ki/Nova Scotia. He currently resides in Tiohtià:ke/Montréal, where he writes and pursues a living.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Cirignano, Sophia\",\"dates\":\"\",\"notes\":\"Sophia Cirignano is a recent Religious Studies graduate (MA) from Concordia University, with a focus on queer studies, writing, and teaching. Her poems have appeared in Ovunque Siamo, Apeiron Review, Gasher Journal, and elsewhere.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Wayland, Tina\",\"dates\":\"\",\"notes\":\"Tina Wayland is completing her Creative Writing MA at Concordia University, where she won the department’s 2021 McKeen Award for “Where the Light Gets In.” She’s been published in such places as carte blanche and Open Door Magazine. Tina’s story “The Tending of Small Gardens” made the 2021 CBC Non-Fiction Prize longlist and “Foxholes” was shortlisted in Room Magazine’s 2022 Short Forms Contest.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Palmer, Jade\",\"dates\":\"\",\"notes\":\"Jade Palmer (she/her) is pursuing a BA Honours in English and creative writing and a minor in sexuality studies at Concordia University in Tiohtià:ke/Montreal. She served as co-editor-in-chief of Soliloquies Anthology, Concordia’s undergraduate literary journal, during the 2022-2023 academic year. Her work has previously been published in long con magazine, and is forthcoming in yolk.\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Eastwood, Miranda","Elbanhawy, Sherine","Andrews, Olive","Pittella, Carlos A.","Affonso, Alexandre","Ruby, Ariella"],"contributors_names_search":["Eastwood, Miranda","Elbanhawy, Sherine","Andrews, Olive","Pittella, Carlos A.","Affonso, Alexandre","Ruby, Ariella"],"contributors":["[{\"url\":\"\",\"name\":\"Eastwood, Miranda\",\"dates\":\"\",\"notes\":\"Sound editor of Headlight 24. Introduces a few readers.\",\"nation\":[],\"role\":[\"Recordist\",\"Speaker\"]},{\"url\":\"\",\"name\":\"Elbanhawy, Sherine\",\"dates\":\"\",\"notes\":\"Co-managing editor of Headlight 24. One of the two MCs of the event.\\n\\n\",\"nation\":[],\"role\":[\"Producer\",\"Speaker\"]},{\"url\":\"\",\"name\":\"Andrews, Olive\",\"dates\":\"\",\"notes\":\"Poetry editor of Headlight 24. Introduces a few readers.\",\"nation\":[],\"role\":[\"Producer\",\"Speaker\"]},{\"url\":\"https://viaf.org/viaf/97149659658506830525\",\"name\":\"Pittella, Carlos A.\",\"dates\":\"1983-\",\"notes\":\"Co-managing editor of Headlight 24. One of the two MCs of the event.\",\"nation\":[],\"role\":[\"Producer\",\"Speaker\",\"Recordist\"]},{\"url\":\"\",\"name\":\"Affonso, Alexandre\",\"dates\":\"\",\"notes\":\"Nonfiction editor of Headlight 24. Introduces a few readers.\",\"nation\":[],\"role\":[\"Producer\",\"Speaker\"]},{\"url\":\"\",\"name\":\"Ruby, Ariella\",\"dates\":\"\",\"notes\":\"Fiction editor of Headlight 24. Introduces a reader.\",\"nation\":[],\"role\":[\"Producer\",\"Speaker\"]}]"],"Producer_name":["Elbanhawy, Sherine","Andrews, Olive","Pittella, Carlos A.","Affonso, Alexandre","Ruby, Ariella"],"Recordist_name":["Eastwood, Miranda","Pittella, Carlos A."],"Speaker_name":["Eastwood, Miranda","Elbanhawy, Sherine","Andrews, Olive","Pittella, Carlos A.","Affonso, Alexandre","Ruby, Ariella"],"Performance_Date":[2023],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/6342/Headlight-Launch-2023Jun22o.jpeg\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"playback_mode":["Mono"],"Dates":["[{\"date\":\"2023-06-22\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Event flyers\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/2428618284\",\"venue\":\"De Stiil Booksellers\",\"notes\":\"\",\"address\":\"351 Av. Duluth E, Montréal, QC - H2W 1J3, Canada\",\"latitude\":\"45.5203378\",\"longitude\":\"-73.5764109\"}]"],"Address":["351 Av. Duluth E, Montréal, QC - H2W 1J3, Canada"],"Venue":["De Stiil Booksellers"],"City":["Montreal, Quebec"],"contents":["Weeknight, by Julie Triganne\nCan you blame me (unpublished), by Julie Triganne\nTubes, by Misha Solomon\nPoem from Full Sentences chapbook, by Misha Solomon\nA&W, by Ari Mazur\nUnsafe in large doses, by Susi Lovell\nTHIS THAT, by Benjamin Bush Anderson\nOther poem (unpublished), by Benjamin Bush Anderson\nOnyx and Rose Gold, by Jade Palmer\nGiverny, by Sophia Cirignano\nOther poem (unpublished), by Sophia Cirignano\nThe tending of small gardens, by Tina Wayland"],"Note":["[{\"note\":\"Carlos A. Pittella\",\"type\":\"Cataloguer\"}]"],"Related_works":["[{\"url\":\"https://headlightanthology.ca/archive/n24/\",\"citation\":\"Headlight Anthology, no. 24, 2023.\"}]"],"_version_":1853670549194014721,"timestamp":"2026-01-07T14:59:53.772Z","digital_description":["[{\"file_url\":\"https://liveconcordia-my.sharepoint.com/:i:/g/personal/carlosa_pittella_concordia_ca/EfEMthojexxDrMt8OjUHkocB23SvpMdBR9gS1iQlA3uxLA\",\"file_path\":\"\",\"filename\":\"Headlight-Launch-2023Jun22.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"4 MB on disk\",\"bitrate\":\"\",\"encoding\":\"JPG\",\"contents\":\"Flyer announcing the launch of headlight 24, displaying: a rectangular pixelated image of headlights; the text \\\"launch | June 22 7pm | at De Stiil | 351 Ave. Duluth E.\\\"; and the list of readers: Julie Triganne, Misha Solomon, Ari Mazur, Susi Lovell, Benjamin Bush Anderson, Emily Zuberec, Jade Palmer, Sophia Cirignano, and Tina Wayland.\",\"notes\":\"Though on the bill, Emily Zuberec did not attend the launch event.\",\"title\":\"\",\"credit\":\"Cover image by Avalon O'Henley; flyer by Carlos A. 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Mercredi","Marvin Francis"],"creators":["[{\"url\":\"\",\"name\":\"Elizabeth Dennis \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Bebe\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Trevor Grey Eyes \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/22009470\",\"name\":\"Duncan Mercredi \",\"dates\":\"1951-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/61214645\",\"name\":\"Marvin Francis\",\"dates\":\"1955-\",\"notes\":\"He did not read live, but recordings of his work were presented. \",\"nation\":[],\"role\":[]}]"],"contributors_names":["Jason Wiens","Warren Cariou"],"contributors_names_search":["Jason Wiens","Warren Cariou"],"contributors":["[{\"url\":\"http://viaf.org/viaf/106059085\",\"name\":\"Jason Wiens \",\"dates\":\"1973- \",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\",\"Producer\"]},{\"url\":\"http://viaf.org/viaf/19020458\",\"name\":\"Warren Cariou \",\"dates\":\"1966-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Producer_name":["Jason Wiens "],"Speaker_name":["Jason Wiens ","Warren Cariou "],"Performance_Date":[2023],"material_description":["[]"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"https://drive.google.com/drive/u/0/folders/1M7K8mpjg53qlZi3QXVbYh_gZ5ebZ9yys\",\"filename\":\"wiens-jason_marvin-francis-listening-celebration_zoom_uc-cu_2023-04-14\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Video Recording\",\"featured\":\"Yes\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2023-04-14 \",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"video file name \"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/1112338447\",\"venue\":\"Urban Shaman Gallery \",\"notes\":\"\",\"address\":\"203 - 290 McDermot Ave Winnipeg, MB R3B 0T2\",\"latitude\":\"49.8987202\",\"longitude\":\"-97.1455897\"}]"],"Address":["203 - 290 McDermot Ave Winnipeg, MB R3B 0T2"],"Venue":["Urban Shaman Gallery "],"City":["Winnipeg, Manitoba"],"contents":["This event is a close listening hosted by Jason Wiens and the SpokenWeb network at Urban Shaman Gallery. The event was to honour and remember Marvin Francis through archival close listening. "],"Note":["[]"],"Related_works":["[]"],"_version_":1853670549342912512,"timestamp":"2026-01-07T14:59:53.966Z","score":1.2242479},{"id":"10052","cataloger_name":["Ella,Hooper"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SpokenWeb AV"],"source_collection_label":["SpokenWeb AV"],"collection_contributing_unit":["SpokenWeb"],"source_collection_uri":[""],"collection_image_url":["https://archiveofthepresent.spokenweb.ca/_nuxt/img/header-img_1000.fd7675f.png"],"collection_source_collection_description":["SpokenWeb Audio Visual Collection"],"collection_source_collection_id":["ArchiveOfThePresent"],"persistent_url":["https://archiveofthepresent.spokenweb.ca/"],"item_title":["SpokenWeb Events AV, A Belly Full of Vlarf: a Poetry Book Launch by Jason Camlot and John Emil Vincent, 26 November 2021"],"item_title_source":["SpokenWeb web page"],"item_title_note":["https://spokenweb.ca/events/a-belly-full-of-vlarf-a-poetry-book-launch-by-jason-camlot-and-john-emil-vincent/"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["SpokenWeb Events"],"item_identifiers":["[]"],"creator_names":["Jason Camlot","John Emil Vincent"],"creator_names_search":["Jason Camlot","John Emil Vincent"],"creators":["[{\"url\":\"http://viaf.org/viaf/90740324\",\"name\":\"Jason Camlot\",\"dates\":\"1967-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/12560703\",\"name\":\"John Emil Vincent\",\"dates\":\"1969-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors_names":["Katherine McLeod"],"contributors_names_search":["Katherine McLeod"],"contributors":["[{\"url\":\"http://viaf.org/viaf/44156495389117561605\",\"name\":\"Katherine McLeod\",\"dates\":\"1981-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]}]"],"Presenter_name":["Katherine McLeod"],"Performance_Date":[2021],"material_description":["[]"],"digital_description":["[{\"file_url\":\"https://drive.google.com/drive/folders/1VMlQ7xNMy6JN2li4hkMyeFkril4DAY9W\",\"file_path\":\"\",\"filename\":\"211126-1632.mp4\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"02:00:35\",\"precision\":\"\",\"size\":\"18,188,567,815 bytes\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"MP4 video\",\"title\":\"211126-1632\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Video Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2021-11-26\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080572\",\"venue\":\"Concordia University McConnell Building\",\"notes\":\"\",\"address\":\"1400 Boulevard de Maisonneuve O, Montreal, QC, H3G 1M8\",\"latitude\":\"45.4968036\",\"longitude\":\"-73.57792786\"}]"],"Address":["1400 Boulevard de Maisonneuve O, Montreal, QC, H3G 1M8"],"Venue":["Concordia University McConnell Building"],"City":["Montreal, Quebec"],"contents":["A Belly Full of Vlarf. Seriously fun readings from brand new poetry books by Concordia faculty Jason Camlot and John Emil Vincent. Hosted by Katherine McLeod.\n\nDESCRIPTION AND FORMAT:\n\nInspired by the long-format readings held at Sir George Williams University (now Concordia) in the 1960s, this book launch will celebrate two new titles, Jason Camlot’s Vlarf and John Emil Vincent’s Bitter in the Belly (both published in the Hugh MacLennan Poetry Series of McGill-Queen’s University Press), with substantial readings and presentations of the books by the authors. Katherine McLeod will moderate the proceedings as the poets alternate between readings of 25 minutes each (x2), allowing the audience to experience a substantial performance with commentary by the authors of these new home-grown collections. Each book creates its own gleefully strange and sadly hilarious world from a wide gamut of emotions and texts. It will be a poetry event of the fun variety.\n\nThe format will be hybrid. 25 in-person attendees, local broadcast to the streets of Concordia, and streamed to YouTube Live.\n\n\nABOUT THE BOOKS:\n\nBitter in the Belly reckons with suicide’s wreckage. After John Emil Vincent’s best friend descends into depression and hangs himself, fluency and acuity lose their lustre. Vincent sorts through and tries to arrange cosmologies, eloquence, narrative, insight, only to find fatal limitations. He tries to trick tragedy into revealing itself by means of costume, comedy, thought experiment, theatre of the absurd, and Punch and Judy. The poems progress steadily from the erotic and mythic to the lapidary and biblical, relentlessly constructing images, finding any way to bring the world into the light - what there is of light, when the light is on.\n\nIn Vlarf Jason Camlot plumbs the canon of Victorian literature, as one would search the internet, to fashion strange, sad, and funny forms and feelings in poetry. Vlarf pursues expressions of sentiment that may have become unfamiliar, unacceptable, or uncool since the advent of modernism by mining Victorian texts and generic forms with odd inclinations, using techniques that include erasure, bout-rimé, emulation, adaptation, reboot, mimicry, abhorrence, cringe, and love. Erasures of massive volumes of prose by John Stuart Mill and John Ruskin become concise poems of condensed sadness; a reboot of Christina Rossetti’s “Goblin Market” is told from the perspective of a ten-year-old boy with an imaginary albatross pal; recovered fragments from an apocryphal book of Victorian nonsense verse are pieced together; a Leonard Cohen song about Queen Victoria is offered in a steampunk rendering; and a meditative guinea pig delivers a dramatic monologue in the vein of Robert Browning.\n\n\nJason Camlot is the author of five collections of poetry, including The Animal Library, Attention All Typewriters, and What The World Said. He is professor of English and research chair in literature and sound studies at Concordia University in Montreal.\n\nJohn Emil Vincent has written several books of poetry including Excitement Tax and Ganymede’s Dog. He lives in Montreal and teaches creative writing in Concordia’s Department of English."],"Note":["[]"],"Related_works":["[{\"url\":\"https://search.worldcat.org/title/1255713311\",\"citation\":\"Camlot, Jason. Vlarf. McGill-Queen’s University Press, 2023. \"},{\"url\":\"https://search.worldcat.org/title/1262058592\",\"citation\":\"Vincent, John Emil. Bitter in the Belly. McGill-Queen’s University Press, 2023. \"}]"],"_version_":1853670549987786756,"timestamp":"2026-01-07T14:59:54.597Z","score":1.2242479},{"id":"10055","cataloger_name":["Ella,Hooper"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SpokenWeb AV"],"source_collection_label":["SpokenWeb AV"],"collection_contributing_unit":["SpokenWeb"],"source_collection_uri":[""],"collection_image_url":["https://archiveofthepresent.spokenweb.ca/_nuxt/img/header-img_1000.fd7675f.png"],"collection_source_collection_description":["SpokenWeb Audio Visual Collection"],"collection_source_collection_id":["ArchiveOfThePresent"],"persistent_url":["https://archiveofthepresent.spokenweb.ca/"],"item_title":["SpokenWeb Events AV, Sounding Signs and Broadcasting Temporalities and Sounding Together, SpokenWeb Symposium 2022: The Sound of Literature in Time, 16 May 2022"],"item_title_source":["SpokenWeb web page "],"item_title_note":["https://spokenweb.ca/symposia/#/spokenweb-symposium-2022"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["SpokenWeb Events"],"item_identifiers":["[]"],"rights":["Creative Commons Attribution, Non-Commercial, ShareAlike (BY-NC-SA)"],"rights_license":["Creative Commons Attribution, Non-Commercial, ShareAlike (BY-NC-SA)"],"access":["Closed"],"creator_names":["Jason Camlot","Katherine McLeod","Michelle Levy"],"creator_names_search":["Jason Camlot","Katherine McLeod","Michelle Levy"],"creators":["[{\"url\":\"http://viaf.org/viaf/90740324\",\"name\":\"Jason Camlot\",\"dates\":\"1967-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\"]},{\"url\":\"http://viaf.org/viaf/44156495389117561605\",\"name\":\"Katherine McLeod\",\"dates\":\"1981-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\"]},{\"url\":\"http://viaf.org/viaf/20010042\",\"name\":\"Michelle Levy\",\"dates\":\"1968-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]}]"],"contributors_names":["Aubrey Grant","Kristen Smith","Kiera Obbard","Joseph Shea-Carter","Nick Beauchesne","Chelsea Miya","Ariel Kroon","Carlos Pittella","Lee Gilboa","Kristin Franseen"],"contributors_names_search":["Aubrey Grant","Kristen Smith","Kiera Obbard","Joseph Shea-Carter","Nick Beauchesne","Chelsea Miya","Ariel Kroon","Carlos Pittella","Lee Gilboa","Kristin Franseen"],"contributors":["[{\"url\":\"\",\"name\":\"Aubrey Grant\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Kristen Smith\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Kiera Obbard\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Joseph Shea-Carter \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Nick Beauchesne\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/9162060349751401864\",\"name\":\"Chelsea Miya\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Ariel Kroon\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Carlos Pittella\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Lee Gilboa\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Kristin Franseen\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Aubrey Grant","Kristen Smith","Kiera Obbard","Joseph Shea-Carter ","Nick Beauchesne","Chelsea Miya","Ariel Kroon","Carlos Pittella","Lee Gilboa","Kristin Franseen"],"Performance_Date":[2022],"material_description":["[]"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2022-05-16 SpokenWeb Symposium 2022 - 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Together, they may suggest questions about how sound has been represented in literary works from different historical periods, how time has structured the way literary works sound (as with poetic metre), how readings and recitations sound literature across a span of time, and how time is sounded in different literary cultures and communities. Explorations of non-Western temporal frameworks, as in Mark Rifkin’s Beyond Settler Time, and a recent special issue on Black Temporality in Times of Crisis edited by Badia Ahad and Habiba Ibrahim, for example, reveal diverse meanings of temporality across cultures. As a concept, sound is always moving through time, and so, descriptions of sound involve the description of time in motion. Even a piece of sound (a sound ‘bite’) must be in motion to be audibly perceptible. As Don Ihde, in his explorations of sound phenomenology observes, “[i]insofar as all sounds are also ‘events,’ all the sounds are within the first approximation, likely to be considered as ‘moving.’” Without motion, sound is rendered silent. This is especially evident in sounds that have been recorded on time-based audio recording media which suggest the possibility of capturing real historical time in mediated form. Media theorists have noticed how the real-time quality of recorded sound, that it puts us into time that has already passed and opens a tunnel connection with the past, triggers what Wolfgang Ernst has called “the drama of time critical media.” An encounter with a recorded sound develops as an experience of real time processing.  It gives the listener the sense that the temporal process one hears is living in the present, replicating the live sonic event, of which it is apparently a real-time reproduction.  Sound recording works on human perception itself, and on our perception of time.  Other sound scholars have noted how the temporal qualities of sound immediately raise questions of historical context. For example, Pierre Schaeffer describes a “sound object” as “something that occurs in a certain place during a particular interval of time” for which questions of “context” apply. Friedrich Kittler’s work on literature and media has insisted that sound recording technology has had a transformative impact upon our relationship to the past. Time itself becomes a variable to be manipulated with technological media (you can speed up, slow down, reverse the direction of the record) suggesting that our capacity to manipulate the media artifact not only enables us to process historical “real time” so that it is experienced as a temporal event in the present, but to transform historical “real time” into events of alternate temporal orders, as well.  Most recently, Mara Mills and Jonathan Sterne have explored the history of listening to literature at accelerated speeds by blind audiobook readers, and the technological history of time shifting in speech-oriented sound media. When we are talking about sound, time, and literature, we are considering the intervolved relationship of something we identify as a literary artifact as a kind of event that suggests possibilities of playing, replaying and creating history. \n\nSounding Signs\n\nChair: Jason Camlot\n\nAubrey Grant [IP] (Concordia), “Resounding the Hollow: Repetition and Onomatopoeia in Poe’s ‘The Bells’”\n\nKristen Smith [IP] (York), “Diagrammatic  Codes, Lines, Crosshatchings: Finding Sound in Non-Linguistic Poetry”\n\nKiera Obbard [IP] (U of Guelph), “Close Reading the Sonic Topology of Instagram Poetry with Poemage”\n\nBroadcasting Temporalities\n\nChair: Katherine McLeod\n\nJoseph Shea-Carter [IP] (U of Guelph), “(Re)sounding Text: Time is Away and Sonic Re-Presentations of Literature”\n\nNick Beauchesne [IP], Ariel Kroon [IP], and Chelsea Miya [IP] (U of Alberta), “‘’A Voice of One’s Own’: Making (Air)Waves about Gendered Language in 1980s Campus Radio”\n\nSounding Together\n\nChair: Michelle Levy\n\nCarlos Pittella [IP] (Concordia), “’We’ the People: Collective Lyric Self in 21st-Century Poetry”\n\nLee Gilboa [V] (Brown), “Sound Together: The Chorus as a Possible Framework for Collectivity”\n\nKristin Franseen [IP] (Concordia), “Gossip, Musical Meaning, and (Im)possible Queer Pasts in Edward Prime-Stevenson’s Short Fiction”\n\n"],"score":1.2242479},{"id":"10056","cataloger_name":["Ella,Hooper"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SpokenWeb AV"],"source_collection_label":["SpokenWeb AV"],"collection_contributing_unit":["SpokenWeb"],"source_collection_uri":[""],"collection_image_url":["https://archiveofthepresent.spokenweb.ca/_nuxt/img/header-img_1000.fd7675f.png"],"collection_source_collection_description":["SpokenWeb Audio Visual Collection"],"collection_source_collection_id":["ArchiveOfThePresent"],"persistent_url":["https://archiveofthepresent.spokenweb.ca/"],"item_title":["SpokenWeb Events AV, Radical Voices and Sonic Memories and Improvising Language, SpokenWeb Symposium 2022: The Sound of Literature in Time, 17 May 2022"],"item_title_source":["SpokenWeb web page"],"item_title_note":["https://spokenweb.ca/symposia/#/spokenweb-symposium-2022"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["SpokenWeb Events"],"item_identifiers":["[]"],"rights":["Creative Commons Attribution, Non-Commercial, ShareAlike (BY-NC-SA)"],"rights_license":["Creative Commons Attribution, Non-Commercial, ShareAlike (BY-NC-SA)"],"access":["Closed"],"creator_names":["Jason Camlot","Xiaoxuan Huang","Annie Murray","Michael O’Driscoll"],"creator_names_search":["Jason Camlot","Xiaoxuan Huang","Annie Murray","Michael O’Driscoll"],"creators":["[{\"url\":\"http://viaf.org/viaf/90740324\",\"name\":\"Jason Camlot\",\"dates\":\"1967-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\"]},{\"url\":\"\",\"name\":\"Xiaoxuan Huang \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"http://viaf.org/viaf/31170924535890151440\",\"name\":\"Annie Murray\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"\",\"name\":\"Michael O’Driscoll\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]}]"],"contributors_names":["Sophia Magliocca","Shazia Hafiz Ramji","Kyle Kinaschuk","Effy Morris","Linara Kolosov","Sarah Cipes","Megan Stein","Thade Correa","Donald Shipton"],"contributors_names_search":["Sophia Magliocca","Shazia Hafiz Ramji","Kyle Kinaschuk","Effy Morris","Linara Kolosov","Sarah Cipes","Megan Stein","Thade Correa","Donald Shipton"],"contributors":["[{\"url\":\"\",\"name\":\"Sophia Magliocca\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Shazia Hafiz Ramji \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Kyle Kinaschuk\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Effy Morris\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Linara Kolosov\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Sarah Cipes \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Megan Stein\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Thade Correa \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Donald Shipton\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Sophia Magliocca","Shazia Hafiz Ramji ","Kyle Kinaschuk","Effy Morris","Linara Kolosov","Sarah Cipes ","Megan Stein","Thade Correa ","Donald Shipton"],"Performance_Date":[2022],"material_description":["[]"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2022-05-17 SpokenWeb Symposium 2022 - 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Sound recording works on human perception itself, and on our perception of time.  Other sound scholars have noted how the temporal qualities of sound immediately raise questions of historical context. For example, Pierre Schaeffer describes a “sound object” as “something that occurs in a certain place during a particular interval of time” for which questions of “context” apply. Friedrich Kittler’s work on literature and media has insisted that sound recording technology has had a transformative impact upon our relationship to the past. Time itself becomes a variable to be manipulated with technological media (you can speed up, slow down, reverse the direction of the record) suggesting that our capacity to manipulate the media artifact not only enables us to process historical “real time” so that it is experienced as a temporal event in the present, but to transform historical “real time” into events of alternate temporal orders, as well.  Most recently, Mara Mills and Jonathan Sterne have explored the history of listening to literature at accelerated speeds by blind audiobook readers, and the technological history of time shifting in speech-oriented sound media. When we are talking about sound, time, and literature, we are considering the intervolved relationship of something we identify as a literary artifact as a kind of event that suggests possibilities of playing, replaying and creating history. \n\nRadical Voices\n\nChair: Jason Camlot (Concordia U) and Xiaoxuan Huang (UBCO)\n\nSophia, Magliocca [IP] (Concordia) “Discovering Sexual Agency in Caroline Bergvall’s Goan Atom: Linguistic and Bodily Mutation” \n\nShazia Hafiz Ramji [V] (U of Calgary) and Kyle Kinaschuk [V] (U of Toronto), “Sounding the Wind: Acoustic Kinships in Disappearing Moon Cafe” \n\nEffy Morris [IP] (Concordia), “Tone As Tonus: (Un)grammaring Ontology With Kamau Brathwaite’s Nation Language”\n\nSonic Memories\n\nChair: Annie Murray\n\nLinara Kolosov [V] (SFU), “Sixty years of Readings in BC: Access to Memory (AtoM) of the largest SFU sound collection”\n\nSarah Cipes [IP] (UBCO), “Finding Due Balance: Finding Due Balance: Sound Editing as a Feminist Practice in Literary Archives” \n\nImprovising Language \n\nChair: Michael O’Driscoll\n\nMegan Stein [IP] (Concordia), “Tender Records”\n\nThade Correa [IP] (Indiana), “Speech is a Mouth”: Notes on the Musical / Experientialist Poetics of Robert Creeley\n\nDonald Shipton [IP] (SFU), “A Night Out of Synch”: Listening and Performance in bpNichol’s “Hour 15”"],"score":1.2242479},{"id":"7495","cataloger_name":["Garin,Fahlman"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["SFU Library Talks and Readings"],"source_collection_label":["SFU Library Talks and Readings"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Esi Edugyan and Omar El Akkad reading and conversing at SFU Woodward's on January 30, 2020"],"item_title_source":["Item"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[sfu-reading:34]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["El Akkad, Omar","Edugyan, Esi","Bird, Gwen"],"creator_names_search":["El Akkad, Omar","Edugyan, Esi","Bird, Gwen"],"creators":["[{\"url\":\"https://viaf.org/viaf/56148207895300342632\",\"name\":\"El Akkad, Omar\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"https://viaf.org/viaf/11696535\",\"name\":\"Edugyan, Esi\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\",\"Speaker\"]},{\"url\":\"\",\"name\":\"Bird, Gwen\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors":["[]"],"Performance_Date":[2020],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"Video\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Stereo\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Video"],"playback_mode":["Stereo"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"Video 2020-01-30 Voce Library One Book.m4v.mp4\",\"channel_field\":\"Stereo\",\"sample_rate\":\"\",\"duration\":\"T01:05:13\",\"precision\":\"\",\"size\":\"175 MB\",\"bitrate\":\"96 kbps\",\"encoding\":\".MP4\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Video Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2020-01-30\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Recording\"}]"],"Location":["[{\"url\":\"https://nominatim.openstreetmap.org/ui/details.html?osmtype=N&osmid=4438823282&class=amenity\",\"venue\":\"Goldcorp Centre for the Arts\",\"notes\":\"\",\"address\":\"149, West Hastings Street, Vancouver, V6B 1H4\",\"latitude\":\"49.2826068\",\"longitude\":\"-123.108081\"}]"],"Address":["149, West Hastings Street, Vancouver, V6B 1H4"],"Venue":["Goldcorp Centre for the Arts"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670557024780290,"timestamp":"2026-01-07T15:00:01.298Z","score":1.2242479}]