[{"id":"1302","cataloger_name":["Ali,Barillaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SGWU Reading Series-Concordia University Department of English fonds"],"source_collection_label":["SGWU Reading Series-Concordia University Department of English fonds"],"collection_contributing_unit":["Records Management and Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of some administrative records of the SGWU Department of English and the Concordia Department of English between 1971 and 2000. It also consists of some SGWU Department of English records related to student academic activities in the 1940s and to public readings and lectures, and a few interviews, produced between 1966 and 1972. The fonds mainly includes minutes of departmental meetings and some course timetables. It also includes some student papers in bound volumes and 63 sound recordings (80 audio reels) mainly composed of poetry readings (see the Concordia SpokenWeb project which uses this material) but also a few lectures given at SGWU. There are also loose typed sheets describing some of the SGWU poetry readings."],"collection_source_collection_id":["I086"],"persistent_url":["http://archives.concordia.ca/I086"],"item_title":["George Bowering, Home Recording, 3 March 1967"],"item_title_source":["Cataloguer"],"item_title_note":["Title does not follow the typical formula for this collection, as this reading did not take place at Sir George Williams University, but rather in Bowering's home."],"item_language":["English"],"item_production_context":["Home recording"],"item_series_title":["The Poetry Series"],"item_identifiers":["[]"],"creator_names":["Bowering, George"],"creator_names_search":["Bowering, George"],"creators":["[{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"Poet, novelist, anthologist and critic George Bowering was born in Penticton, British Columbia in 1935. In 1954 he served in the Royal Canadian Air Force until 1957, when he pursued a Bachelor’s degree in 1960 and a Master’s degree in 1963 from the University of British Columbia. With fellow poets Frank Davey, David Dawson, James Reid, Fred Wah and critic Warren Tallman, he founded Tish in 1961, a poetry newsletter which had monumental reverberations across Canada. This magazine, influenced by styles of the Black Mountain Poets and of the East Coast poetry of Louis Dudek, Raymond Souster and Irving Layton, brought a “new wave” of poetry to Canada. Bowering’s first collection of poetry began with Sticks and Stones (Tishbooks, 1962) with a preface written by Robert Creeley, and was followed by Points on the Grid (Contact Press, 1964) and Man in Yellow Boots (El Corno Emplumado, 1965). Bowering also founded the magazine Imago (1964-1974), which featured critical essays and poetry, and he also contributed to Open Letter as an editor. Bowering then moved eastwards, teaching at the University of Calgary from 1963-1966, enrolled in the Ph.D. program at the University of Western Ontario. A year later, Bowering accepted a position as the writer-in-residence in 1967 at Sir George Williams University (now Concordia University) in Montreal, becoming a lecturer in 1967-1971. Bowering joined the Sir George Williams University Poetry Reading Series Committee in the fall of 1967, which was being run by Roy Kiyooka, Stanton Hoffman and Howard Fink. In 1972 he left Montreal and began a long career teaching at Simon Fraser University in British Columbia. He has published over fifty books of poetry, prose, short stories, essays, reviews, plays as well as pieces that combine and defy genres. A selection of his publications are as follows: Genève (Coach House Press, 1971), Autobiology (New Star Books, 1972), Curious (Coach House Press, 1973), In the Flesh (McClelland & Stewart, 1974), Allophanes (Coach House Press, 1976), Burning Water (Beaufort Books, 1980), Caprice (Penguin Books, 1988), Harry’s Fragments (Coach House Press, 1990), Rewriting my Grandfather (Nomados, 2005), Baseball Love (Talonbooks, 2006) and Shall I Compare: July 2006 (George Bowering, 2008). Bowering published his interview with Black Mountain poet Robert Duncan: An Interview, (Coach House Press, 1971), a book-length study on Canadian poet Al Purdy: Al Purdy (Copp Clark, 1970) along with editing several anthologies such as Vibrations: Poems from Youth (Cage, 1970), Fiction of Contemporary Canada (Coach House Press, 1980) and Likely Stories: A Postmodern Sampler (Coach House Oress, 1992). Bowering has won two Governor General Awards, for poetry in 1969 for Rocky Mountain Foot (McClelland & Stewart, 1968) and The Gangs Kosmos (Anasi, 1969); one for fiction in 1980 for Burning Water (Beaufort Books, 1980). George Bowering continues teaching, inspiring and writing at the Simon Fraser University in British Columbia.\",\"nation\":[],\"role\":[\"Author\",\"Performer\"]}]"],"contributors":["[]"],"Performance_Date":[1967],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"BASF\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"Half-track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"Dates":["[{\"date\":\"1967 3 3\",\"type\":\"Performance Date\",\"notes\":\"Date reference in \\\"Howard Fink List\\\"\",\"source\":\"Accompanying Material\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"Bowering's home at the time\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"content_notes":["George Bowering reads from Points on the Grid (Contact, 1964), The Man in Yellow Boots (El Corno Emplumado, 1965) as well as one poem published later in Rocky Mountain Foot: a lyric, a memoir (1968). "],"contents":["George Bowering\n00:00:00\nFirst of all, my apologies for being so late with the tape, and a footnote that the noise in the background, if there is any, will be my wife making supper. \n\nUnknown\n00:00:12\nAmbient sound.\n\nGeorge Bowering\n00:00:17\nFirst I'll read, first I'll read from my first book, Points on the Grid.\n\nUnknown\n00:00:27\n[Cut in tape].\n\nGeorge Bowering\n00:00:32\nThis book published in 1964, by Contact Press. The first poem I'll read is the one called \"Trail\" [feedback sounds].\n\nGeorge Bowering\n00:00:49\nReads \"Trail\" from Points on the Grid.\n \nGeorge Bowering\n00:01:36\n\"Locus Solus\".\n \nGeorge Bowering\n00:01:40\nReads \"Locus Solus\" from Points on the Grid.\n \nGeorge Bowering\n00:02:42\nI might mention that the difference between this book and the other one is that more often you'll see on the page in this book that I've been working out certain ideas about poetics [https://www.wikidata.org/wiki/Q835023], certain ideas about syntax [https://www.wikidata.org/wiki/Q37437], ideas about how to get the page down on the poem, all the things the Tish poets [https://www.wikidata.org/wiki/Q2384384] were working out in the early 1960s. As an example, the poem, \"Walking Poem\".\n \nGeorge Bowering\n00:03:14\nReads \"Walking Poem\" from Points on the Grid.\n \nGeorge Bowering\n00:04:22\nI might mention, according to our poetics, or according to my poetics in that poem you'll see things operating such as a rhyme between the word 'shadow' and the word 'bashful'. \"Family\".\n \nGeorge Bowering\n00:04:39\nReads \"Family\" from Points on the Grid.\n \nGeorge Bowering\n00:05:33\nThe following is the poem that I think is the best in the book, and that I think most people whom I've talked to agree this is the best poem in the book. \"Grandfather\".\n \nGeorge Bowering\n00:05:47\nReads \"Grandfather\" from Points on the Grid.\n \nGeorge Bowering\n00:07:25\n\"For A.\".\n \nAnnotation\n00:07:28\nReads \"For A.\" from Points on the Grid.\n \nGeorge Bowering\n00:07:49\nOne thing that separates Western Canada [https://www.wikidata.org/wiki/Q1145847] from Eastern Canada [https://www.wikidata.org/wiki/Q795077] is the Spanish names of Western Canada and the Spaniards [https://www.wikidata.org/wiki/Q160894] left their names all the way up the coast, not only in California and Oregon. This poem, set partly in Vancouver [https://www.wikidata.org/wiki/Q24639] and partly on the rest of the B.C. coast is called \"Spanish B.C.\".\n\nGeorge Bowering\n00:08:11\nReads \"Spanish B.C\" from Points on the Grid.\n \nGeorge Bowering\n00:10:34\nI suppose I'd better read the title poem, \"Points on the Grid\".\n \nGeorge Bowering\n00:10:42\nReads \"Points on the Grid\" from Points on the Grid.\n \nGeorge Bowering\n00:12:10\nI might mention, just for the record, that many of the things that I learned and tried to practice in that first book, I learned originally from poets such as Robert Duncan [https://www.wikidata.org/wiki/Q964391], Robert Creeley [https://www.wikidata.org/wiki/Q918620], Charles Olson [https://www.wikidata.org/wiki/Q922978], all of whom visited Vancouver and helped the young poets in Vancouver out, very much, in learning about poetry. Now I plan to read from The Man in Yellow Boots, published this year, 1965, and in this book, I tend to move away from experimentation [https://www.wikidata.org/wiki/Q1384425], although I still retain many of the things that I tried to work out in the first book. In this book one of the things that I often do is turn to more social issues. First though, let me read the love poem that begins the book, this poem called \"To Cleave\".\n \nGeorge Bowering\n00:13:14\nReads \"To Cleave\" from The Man in Yellow Boots.\n \nGeorge Bowering\n00:13:43\nThis book is a bilingual book, unfortunately not with French [https://www.wikidata.org/wiki/Q150], but with Spanish [https://www.wikidata.org/wiki/Q1321] and just this once I'm going to see if I can read the Spanish version of the poem I just read. Spanish is called \"Penetrar\".\n \nGeorge Bowering\n00:13:58\nReads \"Penetrar\" from The Man in Yellow Boots in Spanish.\n \nGeorge Bowering\n00:14:39\nIncidentally as a poetic note, some of that scratching and scrabbling noise in the background is my two small dogs beating each other up. This poem called \"Moon Shadow\".\n \nGeorge Bowering\n00:14:54\nReads \"Moon Shadow\" from The Man in Yellow Boots.\n \nGeorge Bowering\n00:16:03\nThis then, is the other side of my poetry, this poem called \"Vox Crapulous\".\n \nGeorge Bowering\n00:16:09\nReads \"Vox Crapulous\" from The Man in Yellow Boots.\n \nGeorge Bowering\n00:17:31\nFurther in that vein, this poem’s written October 16, 1964: a momentous day. This poem is called \"The Day Before the Chinese A-Bomb\".\n \nGeorge Bowering\n00:17:46.49\nReads \"The Day Before the Chinese A-Bomb\" from The Man in Yellow Boots.\n \nGeorge Bowering\n00:18:29\nThis a longer poem, I think one of the two best poems in the book the other one being \"The Descent\", this poem's called \"For WCW\"\n \nGeorge Bowering\n00:18:39\nReads \"For WCW\" from The Man in Yellow Boots.\n \nGeorge Bowering\n00:21:16\nThis poem, written during our visit to Mexico [https://www.wikidata.org/wiki/Q96] in 1964, called \"Esta Muy Caliente\" and the reason it's not called \"Hace Mucho Calor\" is because of something inherent in the Spanish language that those that know will understand.\n \nGeorge Bowering\n00:21:35\nReads \"Esta Muy Caliente\" from The Man in Yellow Boots.\n \nGeorge Bowering\n00:23:09\nI think the following is the best poem in this book, it's called \"The Descent\", the title taken from a William Carlos Williams [https://www.wikidata.org/wiki/Q178106] poem of course.\n \nGeorge Bowering\n00:23:18.83\nReads \"The Descent\" from The Man in Yellow Boots.\n \nGeorge Bowering\n00:29:09\nAnd the last poem in the book, \"Breaking Up, Breaking Out\".\n \nGeorge Bowering\n00:29:14\nReads \"Breaking Up, Breaking Out\" from The Man in Yellow Boots.\n \nGeorge Bowering\n00:30:03\nNow, some newer poems, while there's time. This newest one called \"The Oil\", written after a drive to Edmonton [https://www.wikidata.org/wiki/Q2096] and back from Calgary [https://www.wikidata.org/wiki/Q36312].\n \nGeorge Bowering\n00:30:14\nReads \"The Oil\" [published later in Rocky Mountain Foot: a lyric, a memoir].\n \nGeorge Bowering\n00:32:03\nHere's a short poem called \"I Saw\".\n \nGeorge Bowering\n00:32:07\nReads \"I Saw\".\n \nGeorge Bowering\n00:32:20\nOkay, when I've just about come to the end of this side of the tape and I don't think I'll use the other side so that you can use it for somebody else, and once again I'm terribly sorry for being so late with this tape, and also if that does seem a loss, I'm sorry for not saying more things about poetry, I've been doing that less and less the further and further I've been getting away from Vancouver. So, Merry Christmas!\n \nEND\n00:32:58\n"],"Note":["[{\"note\":\"Year-specific Information:\\n\\nIn 1967, George Bowering had been hired at Sir George Williams University and was on the Reading Series Committee. Bowering was also editing his magazine Imago in Montreal.\",\"type\":\"General\"},{\"note\":\"Local connections:\\n\\nGeorge Bowering was very influential in promoting and enriching the Vancouver poetry scene in the early 1960s, through his magazines Tish and Imago as well as the hundreds of connections he made with other poets. His early connections with the Black Mountain Poets and the relationships he made with Canadian poets from Vancouver across Canada to Montreal have been essential because he bridged the gap of distance and made new types of poetry available to young poets. Montrealer Louis Dudek wrote that Bowering’s “most important contribution to the new generation of Montreal poets was the institution of a series of readings at Sir George [Williams University] which exposed them to the diverse experimentation that was taking place across Canada and the U.S.”[1] . Bowering has anthologized many Canadian poets, as well as publishing over fifty books of his own writing, establishing himself as an important figure in Canadian poetry. \",\"type\":\"General\"},{\"note\":\"Original transcript, research, introduction and edits by Celyn Harding-Jones\\n\\nAdditional research and edits by Faith Paré (2020) & Ali Barillaro (2021)\\n\",\"type\":\"Cataloguer\"},{\"note\":\"Reel-to-reel tape>CD>digital file\",\"type\":\"Preservation\"}]"],"Related_works":["[{\"url\":\"https://www.worldcat.org/title/rocky-mountain-foot-a-lyric-a-memoir/oclc/962929125&referer=brief_results\",\"citation\":\"Bowering, George. Rocky Mountain Foot: a lyric, a memoir. Toronto: McClelland & Stewart, 1968. \"},{\"url\":\"https://www.worldcat.org/title/concrete-island-montreal-poems-1967-1971/oclc/15849512&referer=brief_results\",\"citation\":\"Bowering, George. The Concrete Island: Montreal poems, 1967-1971. Montreal: Vehicule Press, 1977. \"},{\"url\":\"https://www.worldcat.org/title/points-on-the-grid/oclc/3391688&referer=brief_results\",\"citation\":\"Bowering, George. Points on the Grid. Toronto: Contact Press, 1964. \"},{\"url\":\"https://www.worldcat.org/title/contemporary-canadian-poem-anthology/oclc/802667762&referer=brief_results\",\"citation\":\"Bowering, George. (ed). The Contemporary Canadian Poem Anthology. Toronto: Coach House Press, 1984. \"},{\"url\":\"https://www.worldcat.org/title/montreal-english-poetry-of-the-seventies/oclc/757254674&referer=brief_results\",\"citation\":\"Farkas, Andre & Ken Norris, ed. Montreal English Poetry of the Seventies. Montreal: Vehicule Press, 1977.\"},{\"url\":\"https://www.worldcat.org/title/15-canadian-poets-times-2/oclc/622296707&referer=brief_results\",\"citation\":\"Geddes, Gary (ed). Fifteen Canadian Poets Times Two. Toronto: Oxford University Press, 1990. \"},{\"url\":\"https://www.worldcat.org/title/poets-of-contemporary-canada-1960-1970-edited-and-with-an-introduction-by-eli-mandel/oclc/1202953921&referer=brief_results\",\"citation\":\"Mandel, Eli (ed). Poets of Contemporary Canada 1960-1970. Montreal: McClelland and Stewart, 1972. \"},{\"url\":\"https://www.worldcat.org/title/encyclopedia-of-post-colonial-literatures-in-english-volume-1/oclc/636622714&referer=brief_results\",\"citation\":\"Miki, Roy. “Bowering, George (1935-)”. Routledge Encyclopedia of Post-Colonial Literatures in English. Ed. Benson, Eugene; Conolly, L.W. London: Routledge, 1994. \"},{\"url\":\"https://www.worldcat.org/title/record-of-writing-an-annotated-and-illustrated-bibliography-of-george-bowering/oclc/797558365&referer=brief_results\",\"citation\":\"Miki, Roy. A Record of Writing: an annotated and illustrated bibliography of George Bowering. Vancouver: Talonbooks, 1990. \"},{\"url\":\"https://www.worldcat.org/title/canadian-writers-since-1960-first-series/oclc/883361320&referer=brief_results\",\"citation\":\"Quartermain, Peter and Meredith. \\\"George Bowering.\\\" Canadian Writers Since 1960: \\nFirst Series. Ed. William H. New. Dictionary of Literary Biography, Vol. 53. Detroit: Gale Research, 1986. \"},{\"url\":\"https://www.worldcat.org/title/from-there-to-here-a-guide-to-english-canadian-literature-since-1960/oclc/962929534&referer=brief_results\",\"citation\":\"Davey, Frank. From There to Here: A Guide to English-Canadian Literature Since 1960. Ontario: Press Porcepic, 1974 .\"},{\"url\":\"https://www.worldcat.org/title/man-in-the-yellow-boots-el-hombre-de-las-botas-amarillas/oclc/1150284247&referer=brief_results\",\"citation\":\"Bowering, George and Sergio Mondragon. The Man in Yellow Boots. Mexico: El Corno Emplumado, 1965. \"}]"],"_version_":1853670548964376576,"timestamp":"2026-01-07T14:59:53.477Z","digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:32:58\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"George Bowering\\n00:00:00\\nFirst of all, my apologies for being so late with the tape, and a footnote that the noise in the background, if there is any, will be my wife making supper. \\n\\nUnknown\\n00:00:12\\nAmbient sound.\\n\\nGeorge Bowering\\n00:00:17\\nFirst I'll read, first I'll read from my first book, Points on the Grid.\\n\\nUnknown\\n00:00:27\\n[Cut in tape].\\n\\nGeorge Bowering\\n00:00:32\\nThis book published in 1964, by Contact Press. The first poem I'll read is the one called \\\"Trail\\\" [feedback sounds].\\n\\nGeorge Bowering\\n00:00:49\\nReads \\\"Trail\\\" from Points on the Grid.\\n \\nGeorge Bowering\\n00:01:36\\n\\\"Locus Solus\\\".\\n \\nGeorge Bowering\\n00:01:40\\nReads \\\"Locus Solus\\\" from Points on the Grid.\\n \\nGeorge Bowering\\n00:02:42\\nI might mention that the difference between this book and the other one is that more often you'll see on the page in this book that I've been working out certain ideas about poetics [https://www.wikidata.org/wiki/Q835023], certain ideas about syntax [https://www.wikidata.org/wiki/Q37437], ideas about how to get the page down on the poem, all the things the Tish poets [https://www.wikidata.org/wiki/Q2384384] were working out in the early 1960s. As an example, the poem, \\\"Walking Poem\\\".\\n \\nGeorge Bowering\\n00:03:14\\nReads \\\"Walking Poem\\\" from Points on the Grid.\\n \\nGeorge Bowering\\n00:04:22\\nI might mention, according to our poetics, or according to my poetics in that poem you'll see things operating such as a rhyme between the word 'shadow' and the word 'bashful'. \\\"Family\\\".\\n \\nGeorge Bowering\\n00:04:39\\nReads \\\"Family\\\" from Points on the Grid.\\n \\nGeorge Bowering\\n00:05:33\\nThe following is the poem that I think is the best in the book, and that I think most people whom I've talked to agree this is the best poem in the book. \\\"Grandfather\\\".\\n \\nGeorge Bowering\\n00:05:47\\nReads \\\"Grandfather\\\" from Points on the Grid.\\n \\nGeorge Bowering\\n00:07:25\\n\\\"For A.\\\".\\n \\nAnnotation\\n00:07:28\\nReads \\\"For A.\\\" from Points on the Grid.\\n \\nGeorge Bowering\\n00:07:49\\nOne thing that separates Western Canada [https://www.wikidata.org/wiki/Q1145847] from Eastern Canada [https://www.wikidata.org/wiki/Q795077] is the Spanish names of Western Canada and the Spaniards [https://www.wikidata.org/wiki/Q160894] left their names all the way up the coast, not only in California and Oregon. This poem, set partly in Vancouver [https://www.wikidata.org/wiki/Q24639] and partly on the rest of the B.C. coast is called \\\"Spanish B.C.\\\".\\n\\nGeorge Bowering\\n00:08:11\\nReads \\\"Spanish B.C\\\" from Points on the Grid.\\n \\nGeorge Bowering\\n00:10:34\\nI suppose I'd better read the title poem, \\\"Points on the Grid\\\".\\n \\nGeorge Bowering\\n00:10:42\\nReads \\\"Points on the Grid\\\" from Points on the Grid.\\n \\nGeorge Bowering\\n00:12:10\\nI might mention, just for the record, that many of the things that I learned and tried to practice in that first book, I learned originally from poets such as Robert Duncan [https://www.wikidata.org/wiki/Q964391], Robert Creeley [https://www.wikidata.org/wiki/Q918620], Charles Olson [https://www.wikidata.org/wiki/Q922978], all of whom visited Vancouver and helped the young poets in Vancouver out, very much, in learning about poetry. Now I plan to read from The Man in Yellow Boots, published this year, 1965, and in this book, I tend to move away from experimentation [https://www.wikidata.org/wiki/Q1384425], although I still retain many of the things that I tried to work out in the first book. In this book one of the things that I often do is turn to more social issues. First though, let me read the love poem that begins the book, this poem called \\\"To Cleave\\\".\\n \\nGeorge Bowering\\n00:13:14\\nReads \\\"To Cleave\\\" from The Man in Yellow Boots.\\n \\nGeorge Bowering\\n00:13:43\\nThis book is a bilingual book, unfortunately not with French [https://www.wikidata.org/wiki/Q150], but with Spanish [https://www.wikidata.org/wiki/Q1321] and just this once I'm going to see if I can read the Spanish version of the poem I just read. Spanish is called \\\"Penetrar\\\".\\n \\nGeorge Bowering\\n00:13:58\\nReads \\\"Penetrar\\\" from The Man in Yellow Boots in Spanish.\\n \\nGeorge Bowering\\n00:14:39\\nIncidentally as a poetic note, some of that scratching and scrabbling noise in the background is my two small dogs beating each other up. This poem called \\\"Moon Shadow\\\".\\n \\nGeorge Bowering\\n00:14:54\\nReads \\\"Moon Shadow\\\" from The Man in Yellow Boots.\\n \\nGeorge Bowering\\n00:16:03\\nThis then, is the other side of my poetry, this poem called \\\"Vox Crapulous\\\".\\n \\nGeorge Bowering\\n00:16:09\\nReads \\\"Vox Crapulous\\\" from The Man in Yellow Boots.\\n \\nGeorge Bowering\\n00:17:31\\nFurther in that vein, this poem’s written October 16, 1964: a momentous day. This poem is called \\\"The Day Before the Chinese A-Bomb\\\".\\n \\nGeorge Bowering\\n00:17:46.49\\nReads \\\"The Day Before the Chinese A-Bomb\\\" from The Man in Yellow Boots.\\n \\nGeorge Bowering\\n00:18:29\\nThis a longer poem, I think one of the two best poems in the book the other one being \\\"The Descent\\\", this poem's called \\\"For WCW\\\"\\n \\nGeorge Bowering\\n00:18:39\\nReads \\\"For WCW\\\" from The Man in Yellow Boots.\\n \\nGeorge Bowering\\n00:21:16\\nThis poem, written during our visit to Mexico [https://www.wikidata.org/wiki/Q96] in 1964, called \\\"Esta Muy Caliente\\\" and the reason it's not called \\\"Hace Mucho Calor\\\" is because of something inherent in the Spanish language that those that know will understand.\\n \\nGeorge Bowering\\n00:21:35\\nReads \\\"Esta Muy Caliente\\\" from The Man in Yellow Boots.\\n \\nGeorge Bowering\\n00:23:09\\nI think the following is the best poem in this book, it's called \\\"The Descent\\\", the title taken from a William Carlos Williams [https://www.wikidata.org/wiki/Q178106] poem of course.\\n \\nGeorge Bowering\\n00:23:18.83\\nReads \\\"The Descent\\\" from The Man in Yellow Boots.\\n \\nGeorge Bowering\\n00:29:09\\nAnd the last poem in the book, \\\"Breaking Up, Breaking Out\\\".\\n \\nGeorge Bowering\\n00:29:14\\nReads \\\"Breaking Up, Breaking Out\\\" from The Man in Yellow Boots.\\n \\nGeorge Bowering\\n00:30:03\\nNow, some newer poems, while there's time. This newest one called \\\"The Oil\\\", written after a drive to Edmonton [https://www.wikidata.org/wiki/Q2096] and back from Calgary [https://www.wikidata.org/wiki/Q36312].\\n \\nGeorge Bowering\\n00:30:14\\nReads \\\"The Oil\\\" [published later in Rocky Mountain Foot: a lyric, a memoir].\\n \\nGeorge Bowering\\n00:32:03\\nHere's a short poem called \\\"I Saw\\\".\\n \\nGeorge Bowering\\n00:32:07\\nReads \\\"I Saw\\\".\\n \\nGeorge Bowering\\n00:32:20\\nOkay, when I've just about come to the end of this side of the tape and I don't think I'll use the other side so that you can use it for somebody else, and once again I'm terribly sorry for being so late with this tape, and also if that does seem a loss, I'm sorry for not saying more things about poetry, I've been doing that less and less the further and further I've been getting away from Vancouver. So, Merry Christmas!\\n \\nEND\\n00:32:58\\n\",\"notes\":\"George Bowering reads from Points on the Grid (Contact, 1964), The Man in Yellow Boots (El Corno Emplumado, 1965) as well as one poem published later in Rocky Mountain Foot: a lyric, a memoir (1968). \\n\\nList of Poems Read and Time Stamps:\\n00:00 - George Bowering introduces reading [INDEX: Points on the Grid ]\\n00:49 - Reads “Trail”\\n01:36 - Reads “Locus Solus” [INDEX: not on Howard Fink list of poems]\\n02:42 - Introduces “Walking Poem” [INDEX: Points on the Grid, Man in Yellow Boots, poetics, syntax, Tish poets in the early 1960’s]\\n03:14 - Reads “Walking Poem”\\n04:22 - Introduces “Family” [INDEX: poetics: rhyme]\\n04:39 - Reads “Family”\\n05:33 - Introduces “Grandfather”\\n05:47 - Reads “Grandfather”\\n07:25 - Reads “For A.”\\n07:49 - Introduces “Spanish B.C.” [INDEX: differences between Eastern and Western Canada, Spaniards on West Coast of North America, Vancouver]\\n08:11 - Reads “Spanish B.C.”\\n10:34 - Reads “Points on the Grid”\\n12:10 - Introduces “To Cleave” [INDEX: Robert Duncan, Robert Creeley, Charles Olson, young poets in Vancouver, The Man in Yellow Boots, experimentation in poetry]\\n13:14 - Reads “To Cleave”\\n13:43 - Introduces “Penetrar” [INDEX: not on Howard Fink List.]\\n13:58 - Reads “Penetrar”\\n14:39 - Introduces “Moon Shadow”\\n14:54 - Reads “Moon Shadow”\\n16:03 - Introduces “Vox Crappulous”\\n16:09 - Reads “Vox Crappulous”\\n17:31 - Introduces “The Day Before the Chinese A-Bomb” [INDEX: October 16, 1964]\\n17:46 - Reads “The Day Before the Chinese A-Bomb”\\n18:29 - Introduces “For W.C.W.” [INDEX: “The Descent”, William Carlos Williams]\\n18:39 - Reads “For W.C.W.”\\n21:16 - Introduces “Esta Muy Caliente” [INDEX: written during trip to Mexico in 1964, Spanish language]\\n23:09 - Reads “Esta Muy Caliente”\\n23:09 - Introduces “The Descent” [INDEX: William Carlos Williams poem]\\n23:18 - Reads “The Descent”\\n29:09 - Introduces “Breaking Up, Breaking Out”\\n29:14 - Reads “Breaking Up, Breaking Out”\\n30:03 - Introduces “The Oil” [INDEX: drive from Edmonton to Calgary, poem from \\nunknown source]\\n32:03 - Reads “The Oil”\\n32:03 - Reads “I Saw” [INDEX: poem from unknown source]\\n32:20 - George Bowering closes the reading [INDEX: talking about poetry, being away from Vancouver, Merry Christmas!]\\n\\nHoward Fink List of Poems:\\n“George Bowering” reading his own poetry\\nMarch 3, 1967\\nreel info: one, 5” tape, 3 3/4 ips, mono, one track, lasting 25 mins.\\n*note: some poems are missing from this list*\\n“Steps of love” is noted as being between “Walking Poem” and “Family”\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"file_path\":\"\",\"filename\":\"I0086_11_0006_back.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"George Bowering Tape Box 1 - Back\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"file_path\":\"\",\"filename\":\"I0086_11_0006_front.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"George Bowering Tape Box 1 - Front\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"file_path\":\"\",\"filename\":\"I0086_11_0006_side.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"George Bowering Tape Box 1 - Spine\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://drive.google.com/drive/folders/1-0cAe1GF8xZsc62jpUDXwgvyCd6ZmvSw\",\"file_path\":\"\",\"filename\":\"I0086_11_0006_tape.jpg\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"\",\"precision\":\"\",\"size\":\"\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"George Bowering Tape Box 1 - Reel\",\"credit\":\"Drew Bernet\",\"caption\":\"\",\"content_type\":\"Photograph\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"score":1.8152778},{"id":"1519","cataloger_name":["Emma,Telaro"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Alan Lord collection"],"source_collection_label":["Alan Lord collection"],"collection_contributing_unit":["SpokenWeb at Concordia University"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The Alan Lord collection contains all the archives regarding the Ultimatum poetry readings and the Ultimatum & Ultimatum II festivals, including film, sound and documentation."],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Home recording of Herbert Huncke 1985-05-07 "],"item_title_source":["Container "],"item_title_note":["Home tape by Alan Lord"],"item_production_context":["Home recording"],"item_series_title":["Alan Lord Collection"],"item_subseries_title":["Ultimatum [1]"],"item_identifiers":["[]"],"rights_notes":["Rights status in process. Alan Lord has permission waivers. We may wish to seek permission from individual artists. "],"creator_names":["Huncke, Herbert"],"creator_names_search":["Huncke, Herbert"],"creators":["[{\"url\":\"http://viaf.org/viaf/51736048/#Huncke,_Herbert\",\"name\":\"Huncke, Herbert\",\"dates\":\"1915-1996\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"contributors_names":["Lord, Alan"],"contributors_names_search":["Lord, Alan"],"contributors":["[{\"url\":\"http://viaf.org/viaf/80186482\",\"name\":\"Lord, Alan\",\"dates\":\"1954-\",\"notes\":\"Alan Lord has been designated Contributor when in the role of series organizer and Creator when in the role of Performer. \",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"Series_organizer_name":["Lord, Alan"],"Production_Date":[1985],"material_description":["[{\"side\":\"Tracks 1,5,7,8\",\"image\":\"../Uploads/8816/HH screenshot.png\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Ampex 406\",\"generations\":\"Audio taken from original reel to reel 8 track tape.\",\"Conservation\":\"Perforation repairs. Baked. \",\"equalization\":\"NAB. \",\"playback_mode\":\"Mono\",\"playing_speed\":\"15 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Extreme Risk. Sticky Shed.\",\"track_configuration\":\"8 track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"Tape box. Handwritten notes on front and back identifying tape content and date.\",\"other_physical_description\":\"Reel-U-HH-1\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-HH-1/U-HH-1_t01_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-HH-1_t01_preservation.wav\",\"channel_field\":\"Mono\",\"sample_rate\":\"96kHz\",\"duration\":\"00:12:45\",\"precision\":\"\",\"size\":\"210.17 MB\",\"bitrate\":\"2304000 \",\"encoding\":\"Waveform \",\"contents\":\"This is track 1 of 8 tracks on tape U-HH-1 containing___ from extra Huncke tape (recorded by Alan Lord in Huncke's hotel room). \",\"notes\":\"Extra Huncke tape recorded by Alan Lord in Huncke's hotel room.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-HH-1/U-HH-1_t05_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-HH-1_t05_preservation.wav\",\"channel_field\":\"Mono\",\"sample_rate\":\"96kHz\",\"duration\":\"00:02:20\",\"precision\":\"\",\"size\":\"38.47 MB\",\"bitrate\":\"2304000\",\"encoding\":\"Waveform \",\"contents\":\"This is track 5 of 8 tracks on tape U-HH-1 containing___ from extra Huncke tape (recorded by Alan Lord in Huncke's hotel room). \",\"notes\":\"Extra Huncke tape recorded by Alan Lord in Huncke's hotel room.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-HH-1/U-HH-1_t07_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-HH-1_t07_preservation.wav\",\"channel_field\":\"Mono\",\"sample_rate\":\"96kHz\",\"duration\":\"00:10:33\",\"precision\":\"\",\"size\":\"173.91 MB\",\"bitrate\":\"2304000 \",\"encoding\":\"Waveform \",\"contents\":\"This is track 7 of 8 tracks on tape U-HH-1 containing___ from extra Huncke tape (recorded by Alan Lord in Huncke's hotel room). \",\"notes\":\"Extra Huncke tape recorded by Alan Lord in Huncke's hotel room.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"https://files.spokenweb.ca/concordia/alanlord/2/Deliverables/Audio_Deliverables/U-HH-1/U-HH-1_t08_preservation.wav\",\"file_path\":\"\",\"filename\":\"U-HH-1_t08_preservation.wav\",\"channel_field\":\"Mono\",\"sample_rate\":\"96kHz\",\"duration\":\"00:09:19\",\"precision\":\"\",\"size\":\"153.67 MB\",\"bitrate\":\"2304000 \",\"encoding\":\"Waveform \",\"contents\":\"This is track 8 of 8 tracks on tape U-HH-1 containing___ from extra Huncke tape (recorded by Alan Lord in Huncke's hotel room). \",\"notes\":\"Extra Huncke tape recorded by Alan Lord in Huncke's hotel room.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1985-05-07\",\"type\":\"Production Date\",\"notes\":\"Extra Huncke tape recorded by Alan Lord in Huncke's hotel room. Huncke talks and reads from \\\"The Evening Sun Turned Crimson\\\". \",\"source\":\"Container \"}]"],"Location":["[{\"url\":\"\",\"venue\":\"Hotel du Parc\",\"notes\":\"Taped by Alan Lord in Huncke's Hotel room, on the occasion of Ultimatum 85, at the Hotel du Parc, on Park Avenue off Pine. The hotel is now the Air Transat Headquarters. Information about recording and location taken from Alan Lord's memoirs.\",\"address\":\"300 Rue Léo Pariseau, Montréal, QC H2X 4B3\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["300 Rue Léo Pariseau, Montréal, QC H2X 4B3"],"Venue":["Hotel du Parc"],"City":["Montreal, Quebec"],"contents":["How to describe: by tape, or recording as 'set'"],"Related_works":["[{\"url\":\"\",\"citation\":\"Cite secondary sources \\nPrimary sources by that performer \\nResearch involved in filling out entries for audio file \"},{\"url\":\"\",\"citation\":\"Alan Lord Memoirs \"},{\"url\":\"\",\"citation\":\"Huncke Ultimatum Notes.pdf from Alan Lord\\n\"},{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/04%20-%20HERBERT%20HUNCKE/2%20-%20REMEMBERING%20HERBERT%20HUNCKE.pdf\",\"citation\":\"Reminiscences of Herbert Huncke – by Alan Lord\"},{\"url\":\"https://files.spokenweb.ca/concordia/alanlord/1/ALAN%20ARCHIVES%20DOCUMENTATION/04%20-%20HERBERT%20HUNCKE/1%20-%20HERBERT%20HUNCKE.pdf\",\"citation\":\"Photo Compilation of Herbert Huncke and \\\"The Evening Sun Turned Crimson\\\" by Alan Lord. Imagery from or pertaining to Ultimatum 85. \"}]"],"_version_":1853670549124808704,"timestamp":"2026-01-07T14:59:53.772Z","Note":["[{\"note\":\"Media Preserve Metadata for Tape U-HH-1.\\n\\n\\n\\n\\nU-HH-1\\nHerbert Huneke May 7 1985 (?)\\n00:12:45\\nundated\\nOpen Reel\\nAmpex\\n406\\n1/4\\\"\\nPolyester\\n7\\\"\\n8 Track\\nMono\\n15 ips\\nNone\\nNAB\\nHeads Out\\nEnglish\\nYes\\nNo\\nYes\\nStatic on Tape; Crosstalk on tape; Tracks 2, 3, 4, and 6 are blank; \\n\\nStickyShed\\n\\nRS\\n1/4\\\" Open Reel Reproducer\\nStuder\\nA-810\\n\\n The MediaPreserve, a division of Preservation Technologies, LP \\n 111 Thomson Park Drive, Cranberry Township, PA 16066-6424 \\n\\n\\n\\n\\nU-HH-1\\nU-HH-1_t01_preservation.wav\\n6/10/2019 2:45:54 PM\\n352B4BF69DF8CEFFA1A76A6F315D65DD\\nMD5\\n2019-06-10T14:56:16\\n00:12:45\\n24\\n2304000\\n96000\\n1\\n220380404\\n215215.2\\n210.1711\\n0.2052\\n0\\n01\\n01\\nDell\\nPrecision\\nT5600\\nWindows 7\\nProfessional\\nAnalog to Digital Converter\\nAntelope 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PM\\nE7F75FF94409553B06203376CDAB32C3\\nMD5\\n2019-06-10T14:56:16\\n00:12:46\\nN/A\\n192000\\n44100\\n1\\n18366171\\n17935.71\\n17.5154\\n0.0171\\n0\\n01\\n01\\nSteinberg\\nWavelab\\n7.2.1\\n\\n\\n\",\"type\":\"Preservation\"}]"],"score":1.8152778},{"id":"4039","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Frank Davey fonds"],"source_collection_label":["Frank Davey fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2014.002"],"persistent_url":[""],"item_title":["DAVEY 4 - Cap 2 Tape 2"],"item_title_source":["Title written on reel box."],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Davey, Frank","Bowering, George"],"creator_names_search":["Davey, Frank","Bowering, George"],"creators":["[{\"url\":\"http://viaf.org/viaf/5029235\",\"name\":\"Davey, Frank\",\"dates\":\"1940-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"Unconfirmed speaker on the tape.\",\"nation\":[],\"role\":[\"Speaker\",\"Interviewer\"]}]"],"contributors":["[]"],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/2360/UBCO_Davey_2014_002_006_a.jpg\",\"other\":\"5 inch reel. Holds 900 ft. 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Recording\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"/Users/labmanager/Library/Application Support/UBCO/UBCO Drive Mount/mnt/ead-research/AmpLab/SpokenWeb/Collection/Fred_Wah/2022.003.089/audio\",\"filename\":\"2022.003.089_Discussion with Warren, Roy, Gladys, etc._Side 2_3-2_(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96 000\",\"duration\":\"T00:31:00\",\"precision\":\"\",\"size\":\"1.08 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"Access copy will require speed edit.\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"contents":["Recording of discussion between Warren Tallman, Roy Kiyooka, Gladys (Maria) Hindmarch, and possibly Fred Wah."],"Note":["[]"],"Related_works":["[]"],"_version_":1853670550209036290,"timestamp":"2026-01-07T14:59:54.808Z","score":1.8152778},{"id":"4406","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Robert Hogg fonds"],"source_collection_label":["Robert Hogg fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2018.002"],"persistent_url":[""],"item_title":["Scotch Magnetic Tape \"Living Letters\""],"item_title_source":["Product title."],"item_title_note":["Box title: Scotch Magnetic Tape \"Living Letters\"\n\nSide A title: n/a\n\nSide B title: n/a"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creators":["[]"],"contributors":["[]"],"material_description":["[{\"side\":\"A & B\",\"image\":\"../Uploads/5669/UBCO_Hogg_2018_002_037_a.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"Scotch Brand Magnetic Tape \\\"Living Letters\\\" 200\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"3 inch reel; 300 ft; 15 min\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[]"],"Dates":["[]"],"Location":["[]"],"City":["Other"],"Note":["[{\"note\":\"Not digitized.\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670550774218753,"timestamp":"2026-01-07T14:59:55.332Z","score":1.8152778},{"id":"4549","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Warren Tallman fonds"],"source_collection_label":["Warren Tallman fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2012.002"],"persistent_url":[""],"item_title":["Creeley, R. Notes on Poetry I Aug. 26 1962"],"item_title_source":["Title on front of box."],"item_title_note":["Other titles: Bob's Aug 26 '62 Notes on Poetry I 3 3/4"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Creeley, Robert","Tallman, Warren","Bowering, George","Davey, Frank"],"creator_names_search":["Creeley, Robert","Tallman, Warren","Bowering, George","Davey, Frank"],"creators":["[{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\"1935-\",\"notes\":\"Unconfirmed. George Bowering seems to have been in attendance and is heard in the audience asking a question. Frank Davey confirms that George Bowering was present at this event in his book \\\"When TISH Happens\\\" (p. 160-2). \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/5029235\",\"name\":\"Davey, Frank\",\"dates\":\"1940-\",\"notes\":\"Frank Davey recalls being present at this event in his book \\\"When TISH Happens\\\" (p. 160-2). \",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1962],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/271/UBCO_Tallman_2012_002_001_a.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"3 3/4 ips\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012_002_001_Robert_Creeley_Notes_On_Poetry_26_Aug_1962_Processed05302019_(MASTER_ACCESS).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"01:05:26\",\"precision\":\"\",\"size\":\"1.4 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1962-08-26\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"Listed on item\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"This recording contains one of three lectures Robert Creeley gave at Warren and Ellen Tallmans' house on 37th Street in Vancouver, B.C. on Aug 26, 28, 29, 1962. Frank Davey refers to this event in When TISH Happens (p. 160-2).\",\"address\":\"Vancouver, B.C., Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Vancouver, B.C., Canada"],"City":["Vancouver, British Columbia"],"contents":["This tape copy contains a recording the first of three guest lectures Robert Creeley gave at Warren and Ellen Tallman's house on 37th Street, Vancouver, B.C. This particular lecture was recorded on August 26, 1962. The following two lectures were given on August 28 and August 29, 1962. These two lectures were also recorded, and are available in the Frank Davey fonds of the SoundBox Collection (2014.002.001). Frank Davey recorded the event and references the event in his book When TISH Happens (p. 160-2).\n\nIn this lecture Robert Creeley discusses the question, \"what is poetry?\" He draws on the definitions of many writers and poets including Joshua Whatmough, Samuel Taylor Coleridge, Robert Conquest, Ezra Pound, Edward Sapir, Walt Whitman, and William Carlos Williams. Warren Tallman and various students and guests including George Bowering occasionally ask questions."],"Note":["[{\"note\":\"Item ID: 2012.002.001\",\"type\":\"General\"},{\"note\":\"Digitization complete. Transcription complete.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"https://ebooks.adelaide.edu.au/c/coleridge/samuel_taylor/shakespeare-ben-jonson-beaumont-and-fletcher/chapter7.html\",\"citation\":\"Coleridge, Samuel Taylor. “Recapituation, and Summary Of the Characteristics of Shakespeare’s Dramas.” In Shakespeare, Ben Jonson, Beaumont and Fletcher. \"},{\"url\":\"https://books.google.ca/books/about/The_Pasternak_Affair.html?id=VBNgAAAAMAAJ&redir_esc=y\",\"citation\":\"Conquest, Robert. The Pasternak Affair: Courage of Genius; A Documentary Report. Lippincott, 1962. \"},{\"url\":\"https://books.google.ca/books?id=yXYlK8Uh3dUC&pg=PA21&lpg=PA21&dq=The+thinking+clarifying+faculty+must+move+and+leap+with+the+energizing+sentient,+musical+faculties+pound&source=bl&ots=nR4Jjmxaho&sig=ACfU3U2HO8jG9KkoPE-DWQ2N_lJ9RbXWEA&hl=en&sa=X&ved=2ahUKEwjNn5SLs5TkAhWkCjQIHWvrBasQ6AEwAnoECAcQAQ#v=onepage&q=The%20thinking%20clarifying%20faculty%20must%20move%20and%20leap%20with%20the%20energizing%20sentient%2C%20musical%20faculties%20pound&f=false\",\"citation\":\"Pound, Ezra. Literary Essays. \"},{\"url\":\"https://brocku.ca/MeadProject/Sapir/Sapir_1921/Sapir_1921_11.html\",\"citation\":\"Sapir, Edward. “Language and Literature.” In Language: An Introduction to the Study of Speech. Harcourt, Brace & World, 1921. \"},{\"url\":\"https://archive.org/stream/in.ernet.dli.2015.528965/2015.528965.language-a_djvu.txt\",\"citation\":\"Whatmough, Joshua. Language: A Modern Synthesis. St Martin’s Press, 1956. \"},{\"url\":\"https://books.google.ca/books?id=brT4kXyDYSIC&pg=PA426&lpg=PA426&dq=articulate+and+faithfully+express+in+poetic+or+literary+form+an+uncompromising+my+own+physical,+emotional,+moral,+intellectual,+and+aesthetic+personality&source=bl&ots=0CIeKoL76d&sig=ACfU3U0HqATtuzOYYvfuXOVnzo2QYHyt_A&hl=en&sa=X&ved=2ahUKEwiFj9-7tJTkAhUsFzQIHbxXBToQ6AEwAXoECAkQAQ#v=onepage&q&f=false\",\"citation\":\"Whitman, Walt. “A Backward Glance.” Leaves of Grass. \"},{\"url\":\"https://www.poetryfoundation.org/articles/69410/introduction-to-the-wedge\",\"citation\":\"Williams, William Carlos. “Author’s Introduction (The Wedge).” Selected Essays of Williams Carlos Williams. New Directions Publishing Corporation, 2009. \"}]"],"_version_":1853670550983933952,"timestamp":"2026-01-07T14:59:55.538Z","score":1.8152778},{"id":"4550","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Warren Tallman fonds"],"source_collection_label":["Warren Tallman fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2012.002"],"persistent_url":[""],"item_title":["DHL Tape [Warren Tallman Interview of Daphne Marlatt, Vancouver, 1969]"],"item_title_source":["Title on front of box and content of tape."],"item_title_note":["Written on back of box: \"100 Class DHL [D.H. Lawrence] Tape. TR 2 Daphne Leaf-leafs\nTR #1 West-Coast with Sta - Gladys.\""],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Marlatt, Daphne","Hindmarch, Gladys Maria","Persky, Stan"],"creator_names_search":["Tallman, Warren","Marlatt, Daphne","Hindmarch, Gladys Maria","Persky, Stan"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"Interviewee.\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/38164256\",\"name\":\"Hindmarch, Gladys Maria\",\"dates\":\"1940-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/57448780\",\"name\":\"Persky, Stan\",\"dates\":\"1941-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Performance_Date":[1969],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/272/Swallow_2012_002_016_a.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012_002_016_DHL_260419_CC_(MASTER_ACCESS).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T01:23:10\",\"precision\":\"\",\"size\":\"1.38 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012_002_016_Marlatt_LEAF LEAFS_(MAStER_ACCESS_.wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T01:07:16\",\"precision\":\"\",\"size\":\"1.11 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1969\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"Date listed on tape.\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"Warren Tallman's Home (Vancouver)\",\"notes\":\"\",\"address\":\"Vancouver, B.C., Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Vancouver, B.C., Canada"],"Venue":["Warren Tallman's Home (Vancouver)"],"City":["Vancouver, British Columbia"],"contents":["This recording consists of two unrelated recordings, on Side A and Side B. \n\nSide A contains a recording called \"West Coast with Stan and Gladys\" in which UBC English professor Warren Tallman has a conversation with Stan Persky and G. Maria Hindmarch in his living room in Vancouver. The conversation was meant to establish the basic facts and context for a book Tallman was commissioned to write about West Coast Poetry.\n\nSide B contains a recording of Warren Tallman interviewing Daphne Marlatt about her recently published poetry collection Leaf Leaf/s (1968). In the recording Marlatt both discusses and reads excerpts from Leaf Leaf/s."],"Note":["[{\"note\":\"ITEM ID: 2012.002.016\",\"type\":\"General\"},{\"note\":\"Digitization complete. Transcription complete.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Marlatt, Daphne. Leaf Leaf/s. Black Sparrow Press, 1968.\"}]"],"_version_":1853670550983933953,"timestamp":"2026-01-07T14:59:55.538Z","score":1.8152778},{"id":"4551","cataloger_name":["Megan,Butchart"],"partnerInstitution":["University of British Columbia, Okanagan"],"collection_source_collection":["Warren Tallman fonds"],"source_collection_label":["Warren Tallman fonds"],"collection_contributing_unit":["SpokenWeb at UBCO"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["2012.002"],"persistent_url":[""],"item_title":["Bob [Creeley] Collage / Daphne [Marlatt] (2-3)"],"item_title_source":["Title on front of box."],"item_title_note":["[Warren Tallman interview of Daphne Marlatt, Vancouver, 1968]"],"item_language":["English"],"item_production_context":["Home recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Marlatt, Daphne","Tallman, Warren","Creeley, Robert"],"creator_names_search":["Marlatt, Daphne","Tallman, Warren","Creeley, Robert"],"creators":["[{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\"1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Interviewer\"]},{\"url\":\"http://viaf.org/viaf/109562114\",\"name\":\"Creeley, Robert\",\"dates\":\"1926-2005\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"Production_Date":[1968],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/273/UBCO_Tallman_2012_002_002_a.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012_002_002_DaphneMarlatt2_2019_(MASTER_ACCESS).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T01:12:07\",\"precision\":\"\",\"size\":\"2.3 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012.002.002_Bob Collage_SideA_1-4(MA).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T02:01:39\",\"precision\":\"\",\"size\":\"1.4 GB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1968-12\",\"type\":\"Production Date\",\"notes\":\"Supplied by researcher.\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"Warren Tallman's Home (Vancouver)\",\"notes\":\"Warren Tallman's interview of Daphne Marlatt took place in his house on 37th Street in Vancouver, B.C.\",\"address\":\"Vancouver, B.C., Canada\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["Vancouver, B.C., Canada"],"Venue":["Warren Tallman's Home (Vancouver)"],"City":["Vancouver, British Columbia"],"contents":["In this recording, Daphne Marlatt reads selections from her first collection, Frames of a story (1968), and is interviewed by Warren Tallman about her process and inspiration in writing the collection. The interview may have been conducted in preparation for a paid review by Warren Tallman for Ryerson Press, although such a review never seems to have been written. The interview was conducted and recorded in December 1968 in Warren Tallman’s home."],"Note":["[{\"note\":\"Item ID: 2012.002.002\",\"type\":\"General\"},{\"note\":\"Side A 1-4 and 3-2 have recordings. Side B is blank.\",\"type\":\"General\"},{\"note\":\"Digitization and transcription of Daphne Marlatt interview complete. Digitization and transcription of Bob Collage complete.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"\",\"citation\":\"Marlatt, Daphne. Frames of a Story. 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Largo Ma non Tanto\\\" is heard in the background of recording 2.\",\"nation\":[],\"role\":[\"Author\"]}]"],"author_name":["Whitman, Walt","Bach, Johann Sebastian"],"Production_Date":[1966],"material_description":["[{\"side\":\"\",\"image\":\"../Uploads/274/UBCO_Tallman_2012_002_005_a.jpg\",\"other\":\"\",\"extent\":\"1/4 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"Mono\",\"playing_speed\":\"7 1/2 ips\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"2 track\",\"material_designation\":\"Reel to Reel\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"material_designations":["Reel to Reel"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"playback_mode":["Mono"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012_002_005_UBCO_BILLBISETT_20190418_(MASTER_ACCESS).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:27:42\",\"precision\":\"\",\"size\":\"918 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2012_002_005_Warren_Tallman_reads_Whitman's_Crossing_Brooklyn_Ferry_(MASTER_ACCESS).wav\",\"channel_field\":\"\",\"sample_rate\":\"96,000\",\"duration\":\"T00:15:22\",\"precision\":\"\",\"size\":\"510 MB\",\"bitrate\":\"24\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1966\",\"type\":\"Production Date\",\"notes\":\"Approximate date of bill bissett reading.\",\"source\":\"Listed on item\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"\",\"notes\":\"\",\"address\":\"\",\"latitude\":\"\",\"longitude\":\"\"}]"],"contents":["Side A contains a bill bissett poetry reading.\n\nSide B contains a recording of Warren Tallman reading Walt Whitman's poem \"Crossing Brooklyn Ferry\" alongside Bach's \"Concerto for Two Violins in D Minor, BWV 1043, II. Largo Ma non Tanto.\""],"Note":["[{\"note\":\"Item ID: 2012.002.005\",\"type\":\"General\"},{\"note\":\"Digitization complete. Transcription complete.\",\"type\":\"General\"}]"],"Related_works":["[{\"url\":\"https://www.poetryfoundation.org/poems/45470/crossing-brooklyn-ferry\",\"citation\":\"Whitman, Walt. \\\"Crossing Brooklyn Ferry.\\\"\"}]"],"_version_":1853670550984982529,"timestamp":"2026-01-07T14:59:55.538Z","score":1.8152778},{"id":"7038","cataloger_name":["Donald,Shipton"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["bpNichol Fonds"],"source_collection_label":["bpNichol Fonds"],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_description":["The fonds consists of correspondence, poems (including concrete, experimental and sound poem drafts), manuscripts (including drafts), notebooks, and journals of bp Nichol. 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