![\"\"](\"https://montreal.spokenweb.ca/wp-content/uploads/2012/10/performing_the_spoken_word_archive_poster.jpeg\" "\\"performing_the_spoken_word_archive_poster\\"")
\n\nCheck out our blog post about this event here"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670549828403202,"timestamp":"2026-01-07T14:59:54.290Z","score":0.9290923},{"id":"10027","cataloger_name":["Ella,Hooper"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SpokenWeb AV"],"source_collection_label":["SpokenWeb AV"],"collection_contributing_unit":["SpokenWeb"],"source_collection_uri":[""],"collection_image_url":["https://archiveofthepresent.spokenweb.ca/_nuxt/img/header-img_1000.fd7675f.png"],"collection_source_collection_description":["SpokenWeb Audio Visual Collection"],"collection_source_collection_id":["ArchiveOfThePresent"],"persistent_url":["https://archiveofthepresent.spokenweb.ca/"],"item_title":["SpokenWeb Events AV, Virtual Book Launch for CanLit Across Media: Unarchiving the Literary Event, 12 November 2020"],"item_title_source":["https://spokenweb.ca/events/virtual-book-launch-for-canlit-across-media-unarchiving-the-literary-event/"],"item_language":["English"],"item_production_context":["Internet recording"],"item_series_title":["SpokenWeb Events"],"item_identifiers":["[]"],"rights":["Creative Commons Attribution (BY)"],"rights_license":["Creative Commons Attribution (BY)"],"access":["Closed"],"creator_names":["Jason Camlot","Katherine McLeod"],"creator_names_search":["Jason Camlot","Katherine McLeod"],"creators":["[{\"url\":\"http://viaf.org/viaf/90740324\",\"name\":\"Jason Camlot\",\"dates\":\"1967-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"http://viaf.org/viaf/44156495389117561605\",\"name\":\"Katherine McLeod\",\"dates\":\"1981-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]}]"],"contributors":["[]"],"Production_Date":[2020],"material_description":["[]"],"digital_description":["[{\"file_url\":\"https://drive.google.com/drive/u/0/folders/1OuJPlv2IO5zQ_wUO5LY2SRfrVcdVlY-k\",\"file_path\":\"\",\"filename\":\"camlot-jason-and-mcleod-katherine_canlit-across-media-launch_zoom_cu_2020-11-12.mp4\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"01:21:42\",\"precision\":\"\",\"size\":\"585,009,402 bytes\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"MP4 video\",\"title\":\"camlot-jason-and-mcleod-katherine_canlit-across-media-launch_zoom_cu_2020-11-12\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Video Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2020-11-12\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080572\",\"venue\":\"Concordia University McConnell Building\",\"notes\":\"\",\"address\":\"1400 Boulevard de Maisonneuve O, Montreal, QC, H3G 1M8\",\"latitude\":\"45.4968036\",\"longitude\":\"-73.57792785757887\"}]"],"Address":["1400 Boulevard de Maisonneuve O, Montreal, QC, H3G 1M8"],"Venue":["Concordia University McConnell Building"],"City":["Montreal, Quebec"],"contents":["CanLit Across Media: Unarchiving the Literary Event is an innovative collection that evaluates diverse methods of recording, archiving, and remediating literature and literary culture in Canada.\n\n\nEditors Jason Camlot and Katherine McLeod managed to hold one in-person launch for CanLit Across Media: Unarchiving the Literary Event before the COVID lockdown, but they were not able to launch the book with the contributors themselves.\n\n\nOn Thursday November 12, 7pm ET (4pm PT), join nearly all contributors to CanLit Across Media in a virtual conversation that promises to be one of liveliest and \"live\" book launches (on Zoom) you may ever attend!\n\n\nRSVP for the Zoom link here.\n\n\nFind out more about the book and how to order it from MQUP here.\n\n\nContributors:\n\nJordan Abel (University of Alberta)\n\nAndrea Beverley (Mount Allison University)\n\nClint Burnham (Simon Fraser University)\n\nJason Camlot (Concordia University)\n\nJoel Deshaye (Memorial University of Newfoundland)\n\nDeanna Fong (Simon Fraser University)\n\nCatherine Hobbs (Library and Archives Canada)\n\nDean Irvine (Agile Humanities)\n\nKarl Jirgens (University of Windsor)\n\nMarcelle Kosman (University of Alberta)\n\nJessi MacEachern (Concordia University)\n\nKatherine McLeod (Concordia University)\n\nLinda Morra (Bishop's University)\n\nKaris Shearer (University of British Columbia, Okanagan)\n\nFelicity Tayler (University of Ottawa)\n\nDarren Wershler (Concordia University)"],"Note":["[]"],"Related_works":["[{\"url\":\"https://www.mqup.ca/canlit-across-media-products-9780773558663.php\",\"citation\":\"Camlot, Jason, and Katherine McLeod, editors. CanLit Across Media: Unarchiving the Literary Event. McGill-Queen’s University Press, 2019. \"}]"],"_version_":1853670549829451776,"timestamp":"2026-01-07T14:59:54.290Z","score":0.9290923},{"id":"10028","cataloger_name":["Ella,Hooper"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SpokenWeb AV"],"source_collection_label":["SpokenWeb AV"],"collection_contributing_unit":["SpokenWeb"],"source_collection_uri":[""],"collection_image_url":["https://archiveofthepresent.spokenweb.ca/_nuxt/img/header-img_1000.fd7675f.png"],"collection_source_collection_description":["SpokenWeb Audio Visual Collection"],"collection_source_collection_id":["ArchiveOfThePresent"],"persistent_url":["https://archiveofthepresent.spokenweb.ca/"],"item_title":["SpokenWeb Events AV,\nVirtual Listening Practice Guided by Faith Paré, 21 October 2020"],"item_title_source":["https://spokenweb.ca/events/virtual-listening-practice-guided-by-faith-pare/"],"item_language":["English"],"item_production_context":["Internet recording"],"item_series_title":["SpokenWeb Events"],"item_identifiers":["[]"],"rights":["Creative Commons Attribution (BY)"],"rights_license":["Creative Commons Attribution (BY)"],"access":["Closed"],"creator_names":["Faith Paré","Jason Camlot"],"creator_names_search":["Faith Paré","Jason Camlot"],"creators":["[{\"url\":\"\",\"name\":\"Faith Paré\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"http://viaf.org/viaf/90740324\",\"name\":\"Jason Camlot\",\"dates\":\"1967-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\"]}]"],"contributors":["[]"],"Production_Date":[2020],"material_description":["[]"],"digital_description":["[{\"file_url\":\"https://drive.google.com/drive/u/0/folders/1BbWZ_xaWyxZuT5q78ke3YwmSzaoh7c4h\",\"file_path\":\"\",\"filename\":\"Faith Paré_Final_Edited.mp4\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"01:01:00\",\"precision\":\"\",\"size\":\"1,664,737,683 bytes\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"MP4 video\",\"title\":\"Faith Paré_Final_Edited\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Video Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2020-10-21\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080572\",\"venue\":\"Concordia University McConnell Building\",\"notes\":\"\",\"address\":\"1400 Boulevard de Maisonneuve O, Montreal, QC, H3G 1M8\",\"latitude\":\"45.4968036\",\"longitude\":\"-73.57792785757887\"}]"],"Address":["1400 Boulevard de Maisonneuve O, Montreal, QC, H3G 1M8"],"Venue":["Concordia University McConnell Building"],"City":["Montreal, Quebec"],"contents":["Black Noise: Poetics of Afro-Congregation\n\nIf dispersal created the Afro-diaspora, then who do we become when we are gathered? This SpokenWeb Listening Practice session will feature early thoughts on how Black creators across poetry, music, and performance have explored the soundscapes of congregated Blackness, from the hold of the slave ship to contemporary uprisings in urban centres across North America.\n\nBlack congregation has been a massive anxiety of, and threat toward, state power since Bois Caïman due to fear of revolt. Black congregation has also been a vehicle of social justice and healing. Together, we will first discuss the weaponization of sound against public gathering in the 21st century, before expanding into artistic considerations of how Black sociality serves as an antidote to hyper-individualism in Western economic, political, and cultural realms."],"Note":["[]"],"Related_works":["[]"],"_version_":1853670549829451777,"timestamp":"2026-01-07T14:59:54.290Z","score":0.9290923},{"id":"10029","cataloger_name":["Gloriah,Onyango"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SpokenWeb AV"],"source_collection_label":["SpokenWeb AV"],"collection_contributing_unit":["SpokenWeb"],"source_collection_uri":[""],"collection_image_url":["https://archiveofthepresent.spokenweb.ca/_nuxt/img/header-img_1000.fd7675f.png"],"collection_source_collection_description":["SpokenWeb Audio Visual Collection"],"collection_source_collection_id":["ArchiveOfThePresent"],"persistent_url":["https://archiveofthepresent.spokenweb.ca/"],"item_title":["SpokenWeb Events AV, All Team Meeting Zoom Concordia, 18 December 2020"],"item_language":["English"],"item_production_context":["Internet recording"],"item_series_title":["SpokenWeb Events"],"item_identifiers":["[]"],"creator_names":["Jason Camlot","Katherine McLeod"],"creator_names_search":["Jason Camlot","Katherine McLeod"],"creators":["[{\"url\":\"http://viaf.org/viaf/90740324\",\"name\":\"Jason Camlot\",\"dates\":\"1967-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/44156495389117561605\",\"name\":\"Katherine McLeod\",\"dates\":\"1981-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[2020],"material_description":["[]"],"digital_description":["[{\"file_url\":\"https://drive.google.com/drive/folders/1KHEHb7xFqYoqIvot6dcOdstUFlltN6SP\",\"file_path\":\"\",\"filename\":\"all-team-meeting_zoom_concordia_2020-12-18_zoom_0.mp4\",\"channel_field\":\"\",\"sample_rate\":\"44.1kHz\",\"duration\":\"01:52:38\",\"precision\":\"\",\"size\":\"1,312,136,429 bytes\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"MP4 video\",\"title\":\"all-team-meeting_zoom_concordia_2020-12-18_zoom_0\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Video Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2020-12-18\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080572#map=16/45.49381/-73.58233\",\"venue\":\"Concordia University McConnell Building\",\"notes\":\"\",\"address\":\"1400 Boulevard de Maisonneuve Ouest, Montreal, QC, H3G 1M8\",\"latitude\":\"45.4968036\",\"longitude\":\"-73.57792785757887\"}]"],"Address":["1400 Boulevard de Maisonneuve Ouest, Montreal, QC, H3G 1M8"],"Venue":["Concordia University McConnell Building"],"City":["Montreal, Quebec"],"contents":["Jason Camlot opened the meeting and introduced Ben Hymes who took over the\nCheck-ins: \nJason Camlot for Concordia University: Nearly done processing Words Music Collection, Allan Lord Collection\nRedescribing Sir Goerge William's Collection so that it works in Swallow\nHosted a number of events like Listening Practices, workshops, performances. Working on managing fellowships for curators and artists in residence.\nFelicity of University of Ottawa: were unable to do collection processing because archives are closed due to pandemic. Focused on event activities.\nBrian: working on automatic methods to diarize recordings.\nYin: Black Writers Out Loud in collaboration with SpokenWeb. Launching poetry on screens.\nMike, University of Alberta: Developing web portal and translating wire frames into design principles; collection processing, completed time stamping and metadata for a new collection from University of Alberta archives; \nInitiating the front end of Swallow\n"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670549829451778,"timestamp":"2026-01-07T14:59:54.290Z","score":0.9290923},{"id":"10033","cataloger_name":["Ella,Hooper"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SpokenWeb AV"],"source_collection_label":["SpokenWeb AV"],"collection_contributing_unit":["SpokenWeb"],"source_collection_uri":[""],"collection_image_url":["https://archiveofthepresent.spokenweb.ca/_nuxt/img/header-img_1000.fd7675f.png"],"collection_source_collection_description":["SpokenWeb Audio Visual Collection"],"collection_source_collection_id":["ArchiveOfThePresent"],"persistent_url":["https://archiveofthepresent.spokenweb.ca/"],"item_title":["SpokenWeb Events AV, Performing Technology: SpokenWeb presents Oana Avasilichioaei, 14 November 2019"],"item_title_source":["https://spokenweb.ca/events/performing-technology-spokenweb-presents-oana-avasilichioaei/"],"item_language":["English"],"item_production_context":["Home recording"],"item_series_title":["SpokenWeb Events"],"item_identifiers":["[]"],"rights":["Creative Commons Attribution (BY)"],"rights_license":["Creative Commons Attribution (BY)"],"access":["Closed"],"creator_names":["Oana Avasilichioaei","Nik Forrest"],"creator_names_search":["Oana Avasilichioaei","Nik Forrest"],"creators":["[{\"url\":\"http://viaf.org/viaf/58498867\",\"name\":\"Oana Avasilichioaei\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Nik Forrest\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Performance_Date":[2019],"material_description":["[]"],"digital_description":["[{\"file_url\":\"https://drive.google.com/drive/u/0/folders/1-rXG2CkijyHo0n7xgQ18-ISnplhlqD9V\",\"file_path\":\"\",\"filename\":\"Forrest.Avasilichioaei.McLeod_PerformingTechnology_2019.11.14.TrLR.WAV\",\"channel_field\":\"\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"01:44:29\",\"precision\":\"\",\"size\":\"1,658,797,184 bytes\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"MP3 audio\",\"title\":\"Forrest.Avasilichioaei.McLeod_PerformingTechnology_2019.11.14.TrLR\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2019-11-14\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"Concordia University McConnell Building\",\"notes\":\"\",\"address\":\"4th Space, Concordia University\",\"latitude\":\"45.4968036\",\"longitude\":\"-73.57792785757887\"}]"],"Address":["4th Space, Concordia University"],"Venue":["Concordia University McConnell Building"],"contents":["Performing Technology is an investigation into the electroacoustic tools and methods that poets and sound-artists use to manipulate and create sound poetry and sound art. Join us for performances and conversations about methods of listening to our sonic environments.\n\nOpening performance debuts a new sonic creation \"Sonic Thresholds: 4th Space\" by Concordia PhD student, Nik Forrest, the recipient of a SpokenWeb research creation award.\n\nFeature performance by poet and sound-artist Oana Avasilichioaei performing her multimedia piece OPERATOR, which explores the subject position(s) of military drone operators through text, video, improvisation, and live electroacoustic sound.\n\nAfter the performances, a Q&A panel with performers explores the technology used in their artistic practice, along with questions such as: How can technology compose poetic sound? Can ‘smart’ tech be ‘smart’ sound? What happens when improvisation meets technology? Audience members are encouraged to ask questions and to reflect upon the experience of hearing this performance with and through technology. Free to attend and all are welcome.\n\n\nOana Avasilichioaei interweaves poetry, translation, photography, sound, and performance to explore an expanded idea of language, polylingual and polyphonic poetics, historical structures, borders, and orality. Her six poetry collections include We, Beasts (Wolsak & Wynn 2012, A. M. Klein Prize for Poetry), Limbinal (Talonbooks 2015), and Eight Track (Talonbooks, 2019), a poetic, sonic, visual investigation of ideas around tracks/tracking. Recent sound-performance works include EIGHT OVER TWO (2019, Semi Silent Award) and OPERATOR (2018), and she is currently writing a libretto for a one-act opera (FAWN, Toronto). She has also translated eight books of poetry and prose, including Bertrand Laverdure’s Readopolis (Book*hug 2017, Governor General Literary Award). Based in Montreal, Avasilichioaei was the 2018 Audain Visual Artist in Residence at Simon Fraser University in Vancouver. Read more about Avasilichioaei's work here: https://www.oanalab.com/\n\nNik Forrest is a trans-disciplinary artist based in Tio’tia:ke/Montreal. Currently a PhD student in the Interdisciplinary Humanities program at Concordia, their research combines sound studies, gender studies and creative practice in sound performance and installation. Their sound installations have been shown at Oboro (Montreal), Eastern Block (Montreal), Paved Arts and New Media (Saskatoon), Latitude 54 (Edmonton) and most recently at the Kunsthalle Mulhouse (France). Their short experimental videos have been shown widely at festivals, galleries and museums both in Canada and internationally. Previous sound & video performance: https://vimeo.com/275675933"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670549830500352,"timestamp":"2026-01-07T14:59:54.290Z","score":0.9290923},{"id":"10034","cataloger_name":["Gloriah,Onyango"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SpokenWeb AV"],"source_collection_label":["SpokenWeb AV"],"collection_contributing_unit":["SpokenWeb"],"source_collection_uri":[""],"collection_image_url":["https://archiveofthepresent.spokenweb.ca/_nuxt/img/header-img_1000.fd7675f.png"],"collection_source_collection_description":["SpokenWeb Audio Visual Collection"],"collection_source_collection_id":["ArchiveOfThePresent"],"persistent_url":["https://archiveofthepresent.spokenweb.ca/"],"item_title":["SpokenWeb Events AV, Approaching the Poetry Series Conference, 5 April 2013"],"item_title_source":["https://spokenweb.ca/symposia/#/approaching-the-poetry-series"],"item_language":["English"],"item_series_title":["SpokenWeb Events"],"item_identifiers":["[]"],"creators":["[]"],"contributors":["[]"],"material_description":["[]"],"digital_description":["[]"],"Dates":["[]"],"Location":["[{\"url\":\"\",\"venue\":\"Concordia University McConnell Building\",\"notes\":\"\",\"address\":\"1400 Boulevard de Maisonneuve Ouest, Montreal, QC, H3G 1M8\",\"latitude\":\"\",\"longitude\":\"\"}]"],"Address":["1400 Boulevard de Maisonneuve Ouest, Montreal, QC, H3G 1M8"],"Venue":["Concordia University McConnell Building"],"City":["Montreal, Quebec"],"contents":["SpokenWeb will be hosting a two-day conference to be held at Concordia University, Friday, April 5 – Saturday, April 6, 2013. This mini-conference invites scholars and digital developers to engage directly with the recordings of “The Poetry Series” and to present work that explores either methodological or technical approaches one might take—as literature scholars or digital developers—to such documentary literary recordings.\nAs a critical/creative constraint for participation in this conference we have asked presenters to engage directly with some facet of the primary-source audio held in our archive and made available via the SpokenWeb site. Lit papers may build upon ongoing work about specific authors who read in the series, avant-garde poetics, literary performance, etc., by integrating specific examples from The Poetry Series, or may perform substantial close-listenings of particular documented performances in the archive. From the tech side, we have encouraged presentations and demos of methods or tools useful for annotating, searching, visualizing or otherwise manipulating the digitized audio recordings, using audio from The Poetry Series as test data.
\nSuggested topics to explore in the original CFP included:
\n\n- \n
- Close Listening Methods \n
- Methods for historicizing the Poetry Reading Series in the 60s and 70s \n
- Avant-Garde Performance \n
- Meta-Poetic Discourse (intros and poetry banter) \n
- The Poetry Reading as Oral Pedagogy \n
- Defining a Prosody of Poetic Performance \n
- What We Look at When We Listen \n
- What Literature Scholars Do When They Listen \n
- Tools for Searching Spoken Word Audio (i.e. Sound Searching) \n
- Theories and Methods of Transcription \n
- Audio Annotation \n
- Audio Visualization \n
- Audio Navigation \n
- The Limits of The Audio Timeline \n
- Pitch, Amplitude and Other Features \n
- Web-based DAWs (digital audio workstations) \n
- Touching Sound (the haptic web and sound visualization) \n
- Controlled Vocabulary, subject-index schemes, collaborative tagging, etc. for poetry/literature \n
For more information on this conference, please email the SpokenWeb team: spokenwebcanada@gmail.com
\n![\"web_conference\"](\"https://montreal.spokenweb.ca/wp-content/uploads/2013/03/web_conference.jpg\")
![\"web_vav\"](\"https://montreal.spokenweb.ca/wp-content/uploads/2013/03/web_vav.jpg\")
![\"SW2014Marlatt&Wakoski\"](\"https://montreal.spokenweb.ca/wp-content/uploads/2014/11/SW2014MarlattWakoski1-212x300.jpg\")
\n\n \n\nFREE AFTERNOON WORKSHOP WITH THE POETS\n\nOral Literary History: The Poetics of Real Life Stories with Daphne Marlatt & Diane Wakoski\nFriday November 21st at 11am-12pm\n\nCentre for Oral History and Digital Storytelling\nConcordia University\nLB- 1042\n\nSign Up at: http://storytelling.concordia.ca/events/oral-literary-history-poetics-real-life-stories-daphne-marlatt-diane-wakoski\n\nTheir discussion will focus on oral history and poetry in order to explore the manner in which memories, facts and fiction intertwine when writing poems. Wakoski whose work has been published in over twenty-five collections creates innovative poems encapsulated in epistolary text, so that the four books can be read as a progression from her epistolary. Marlatt who has published almost thirty books, has also published a work based in oral history entitled Opening Doors in Vancouver's East End: Strathcona. We hope you will be able to join us for this engaging discussion before the reading!\n\n \n\nMAIN EVENT\n\nDaphne Marlatt & Diane Wakoski: Performing the SpokenWeb Archive\nFriday November 21st, 2014\n\nListening Stations & Memory Booth starting at 6:00 P.M.\nReading at 7:00 P.M.\n\nConcordia University\nGrey Nun’s Building\nRoom: GN-M100\n\nAddress Entrance: 1185 Rue Saint Mathieu, Montréal, QC H3H 2H6\nPhone: (514) 848-2424 ext. 8000\n\nhttps://www.facebook.com/performingthespokenwebarchive\n\nThe poets' books will also be available for purchase. Wine & Cheese to follow the main event.\n\n \n\nABOUT THE EVENT\n\nThe SSHRC IG SpokenWeb Research Team is pleased to announce its second event in the “Performing the Spoken Word Archive” series. The event will be held Friday, November 21st, 2014 at 6:00 P.M. It will feature readings by poets Daphne Marlatt and Diane Wakoski. Marlatt, a member of the Order of Canada and winner of the Dorothy Livesay prize in poetry for The Given. She has written close to thirty books. Diane Wakoski was a Distinguished Professor and Poet in Residence at Michigan State University from 1975 – 2012. Her work has been published in more than 25 collections, including most notably The Motorcycle Betrayal Poems in 1972 from Simon & Schuster and a book of selected poems, Emerald Ice, published in 1989, which won The William Carlos Williams prize from the Poetry Society of America.\n\nAs a live SpokenWeb event this reading will explore how an archive can re-enter public space and become performance. In this event the authors will “read alongside their past selves”–that is, selections of archival audio recorded during the Sir George Williams University Poetry Reading Series (1966-1974). The event will also feature listening stations from the SpokenWeb Oral History project where audience members can listen to past interviews conducted by the team. Furthermore, there will be an onsite memory clinic where audience members can enter a private booth where they will be invited to record their experiences with the event or performed poetry more generally."],"Note":["[]"],"Related_works":["[]"],"_version_":1853670549831548929,"timestamp":"2026-01-07T14:59:54.290Z","score":0.9290923},{"id":"10036","cataloger_name":["Ella,Hooper"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SpokenWeb AV"],"source_collection_label":["SpokenWeb AV"],"collection_contributing_unit":["SpokenWeb"],"source_collection_uri":[""],"collection_image_url":["https://archiveofthepresent.spokenweb.ca/_nuxt/img/header-img_1000.fd7675f.png"],"collection_source_collection_description":["SpokenWeb Audio Visual Collection"],"collection_source_collection_id":["ArchiveOfThePresent"],"persistent_url":["https://archiveofthepresent.spokenweb.ca/"],"item_title":["SpokenWeb Events AV, Day 1 The Uses of Spoken Audio Collections in Research and Creation: New Literary Methods Keynotes, The Literary Audio Symposium, 2 December 2016"],"item_title_source":["https://spokenweb.ca/symposia/#/literary-audio-symposium"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_series_title":["SpokenWeb Events"],"item_identifiers":["[]"],"creator_names":["Jason Camlot","Al Filreis","Darren Wershler","Bill Kennedy"],"creator_names_search":["Jason Camlot","Al Filreis","Darren Wershler","Bill Kennedy"],"creators":["[{\"url\":\"http://viaf.org/viaf/90740324\",\"name\":\"Jason Camlot\",\"dates\":\"1967-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\"]},{\"url\":\"http://viaf.org/viaf/97812951\",\"name\":\"Al Filreis\",\"dates\":\"1956-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/19971732\",\"name\":\"Darren Wershler \",\"dates\":\"1966-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Bill Kennedy\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[2016],"material_description":["[]"],"digital_description":["[{\"file_url\":\"https://drive.google.com/drive/u/0/folders/17UrrNMEU4xBIyl6tQT8YFfB3D1xHFpCi\",\"file_path\":\"\",\"filename\":\"day1_session1.wav\",\"channel_field\":\"\",\"sample_rate\":\"48 kHz\",\"duration\":\"01:53:29\",\"precision\":\"\",\"size\":\"1,961,128,960 bytes\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"MP3 audio\",\"title\":\"day1_session1\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2016-12-02\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080572\",\"venue\":\"Concordia University McConnell Building\",\"notes\":\"\",\"address\":\"1400 Boulevard de Maisonneuve O, Montreal, QC, H3G 1M8\",\"latitude\":\"45.4968036\",\"longitude\":\"-73.57792785757887\"}]"],"Address":["1400 Boulevard de Maisonneuve O, Montreal, QC, H3G 1M8"],"Venue":["Concordia University McConnell Building"],"City":["Montreal, Quebec"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670549831548930,"timestamp":"2026-01-07T14:59:54.290Z","contents":["AL FILREIS (U Pennsylvania)\n\n“The Digital Curation of Audiotexts for Literary Research”\n\nThis talk will draw upon the case of PennSound and its approach to collecting, curating and augmenting content in order to establish a compelling digital environment for the study and appreciation of literary audiotexts. Using PennSound as a starting point, the main aim of this talk will be to frame fundamental questions about methodological approaches to the critical study of literary sound recordings, and will outline some strategies that digital spoken word archives may take to enhance research with these audible materials.\n\nAl Filreis is Kelly Professor at the University of Pennsylvania, Faculty Director of the Kelly Writers House, Director of the Center for Programs in Contemporary Writing, Publisher of Jacket2, and most importantly for the purposes of The Literary Audio Symposium, he is Co-Director of PennSound—all at the University of Pennsylvania. Among his books are Secretaries of the Moon, Wallace Stevens & the Actual World, Modernism from Left to Right, and Counter-Revolution of the Word.\n\nDARREN WERSHLER (Concordia U)\n\n“A Political Economy of Audio Collections, or, The Politics of Audiotextual Inheritance”\n\nThis talk will both explore the kinds of questions scholars and students might ask of literary audio collections, and work towards theorizing the ideological contexts that inform the formulation of such questions in the first place. Why have literary audio collections emerged as important materials for research and study? How are decisions about which collections will be digitized and preserved made? What are the generational politics that have arisen as a result of the ubiquity of poet’s archives? How do questions about humanities audio collections challenge some of the most basic methodologies that have informed literary studies for over a century? These are some of the questions that will be considered in this presentation with the aim of helping to frame discussion for the day’s work on spoken word collections and methodological approaches.\n\nDarren Wershler is the Concordia University Research Chair in Media and Contemporary Literature (Tier 2) and a co-editor of Amodern. He conducts most of his research through AMPLab: between media & literature, and with the Technoculture, Art and Games group (TAG), an interdisciplinary centre that focuses on game studies, design, digital culture and interactive art. Darren is the author or co-author of 12 books, most recently, Guy Maddin’s My Winnipeg (U of Toronto Press), and Update (Snare), with Bill Kennedy. With Jason Camlot he co-organized the “Approaching the Poetry Series” conference in 2013 and co-authored “Theses on Discerning The Reading Series”, published in Amodern 4 (2015) and has been a Co-Applicant through Camlot’s development of the spokenweb project. His expertise in Contemporary Poetics, Media history and Theory, Digital Humanities, and in questions of digital economy, positions him as an ideal interlocutor with Al Filreis on core questions surrounding the use of humanities audio collections for research.\n\nBILL KENNEDY (Intelligent Machines)\n\n“New Contexts for Old Voices: Rethinking the Literary Archive”\n\nBill Kennedy is the author of two books of poetry (with Darren Wershler and a team of trusty web robots), Apostrophe (ECW, 2006) and Update (Snare, 2010). A longtime literary organizer, Bill ran the Café May Reading Series in Toronto (with Michael Holmes) in the early 90s, and the Lexiconjury Reading Series (with Angela Rawlings) a decade later. He was also a ten-year Artistic Director of The Scream, an alternative literary festival in Toronto that ended its run in 2011. He has edited and designed several award-winning books poetry through Coach House Books. He currently curates the official bpNichol archive (bpnichol.ca, with Gregory Betts).\n\nIn real life, he is the Development Director of Intelligent Machines, a digital consultancy and development agency that works mainly in the arts, education and publishing sectors. He specializes in the theoretical, bureaucratic, technical and design issues that come with building online arts archives. He was the director of the first Artmob team, a York University research project focusing on intellectual property issues in arts archivism. He is currently working on several projects with the University of Berkeley in partnership with the Agile Humanities Agency. He is unreasonably giddy at the possibility of working on an archive of twenty years of Gilles Deleuze’s lectures, newly transcribed from extant audio tapes and translated into English, pending the vicissitudes of funding and the caprice of an uncaring universe.\n\nThe Literary Audio Symposium\n\nDigitized spoken-audio archives have proliferated over the past two decades, making a wide range of historically significant analog spoken recordings originally captured in different media formats accessible to listeners and scholars for the first time. Online repositories like PennSound and the Cylinder Archive Project, have begun to transform previously multi-format collections into a massive resource, the potential of which is just beginning to be realized. Still, many local audio archives with recordings that document literary events remain either inaccessible or, if digitized, largely disconnected from each other. Given the potential usefulness of online audio archives for scholars, teachers and the general public, The Literary Audio Symposium aims to explore possibilities around a coordinated and collaborative approach to literary historical study, digital development and critical and pedagogical engagement with diverse collections of spoken recordings.\n\nThe Symposium emerges from a joint venture of the AMP Lab and TAG Centre, COHDS: Centre for Oral History and Digital Storytelling, and the Concordia University Libraries, all based at Concordia, in collaboration with literary scholars, digital humanists and librarian/archivists from the University of Alberta, University of Calgary, and Simon Fraser University, and local community partners with unique analogue holdings. Invited participants include colleagues from McGill U, U Victoria, U Texas, Austin, UCSB, and The Canadian Centre for Architecture.\n\nThis symposium will offer a productive scene of discussion and collaboration between academic researchers, librarians and archivists and emerging scholars and students, as well as community-based cultural and literary practitioners. The primary aims of The Literary Audio Symposium are to share knowledge and provide discussion and debate about\n\n1) new forms of historical and critical scholarly engagement with coherent collections of spoken recordings;\n\n2) digital preservation, aggregation techniques, asset management and infrastructure to support sustainable access to diverse collections of archival spoken audio recordings;\n\n3) techniques and tools for searching and visualizing corpora of spoken audio (for features relevant to humanities research and pedagogy); and\n\n4) innovative ways of mobilizing digitized spoken and literary recordings within pedagogical and public contexts.\n\nThese objectives will be met through a structured set of keynote topic-organizing panels, tool demonstrations, case-study presentations, and collaborative workshop discussions, led by experts from a variety of relevant backgrounds including Literature, Library, Archives and Information Science, Oral History and Digital Storytelling, Computer Science, and Communications and Media History. Each day of the Symposium will be initiated by a plenary presentation that frames key questions concerning one of the four key symposium themes, to be followed by hands-on presentations of relevant digital platforms and tools, case-study presentations that elaborate upon the day’s theme, followed by collaborative workshop discussion that will debate, reflect upon, and formulate new approaches to engaging with the implications of the day’s materials.\n\nFrom a range of relevant perspectives, The Literary Audio Symposium will enable the collaborative formulation of answers to core questions surrounding the preservation, digital presentation and critical use of humanities-oriented spoken audio materials, and temporal media holdings of cultural significance, in general. Our work will benefit scholars, students and society by establishing processes for making a generally dispersed corpus of cultural heritage widely available in useful and meaningful ways."],"score":0.9290923},{"id":"10037","cataloger_name":["Ella,Hooper"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SpokenWeb AV"],"source_collection_label":["SpokenWeb AV"],"collection_contributing_unit":["SpokenWeb"],"source_collection_uri":[""],"collection_image_url":["https://archiveofthepresent.spokenweb.ca/_nuxt/img/header-img_1000.fd7675f.png"],"collection_source_collection_description":["SpokenWeb Audio Visual Collection"],"collection_source_collection_id":["ArchiveOfThePresent"],"persistent_url":["https://archiveofthepresent.spokenweb.ca/"],"item_title":["SpokenWeb Events AV, Day 1 The Uses of Spoken Audio Collections in Research and Creation: New Literary Methods Panel II, The Literary Audio Symposium, 2 December 2016"],"item_title_source":["https://spokenweb.ca/symposia/#/literary-audio-symposium"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_series_title":["SpokenWeb Events"],"item_identifiers":["[]"],"creator_names":["Jason Camlot","Deanna Fong","Tony Power"],"creator_names_search":["Jason Camlot","Deanna Fong","Tony Power"],"creators":["[{\"url\":\"http://viaf.org/viaf/90740324\",\"name\":\"Jason Camlot\",\"dates\":\"1967-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\"]},{\"url\":\"http://viaf.org/viaf/102855198\",\"name\":\"Deanna Fong\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Tony Power\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[2016],"material_description":["[]"],"digital_description":["[{\"file_url\":\"https://drive.google.com/drive/u/0/folders/17UrrNMEU4xBIyl6tQT8YFfB3D1xHFpCi\",\"file_path\":\"\",\"filename\":\"day1_session3.wav\",\"channel_field\":\"\",\"sample_rate\":\"48 kHz\",\"duration\":\"01:40:36\",\"precision\":\"\",\"size\":\"1,738,286,080 bytes\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"MP3 audio\",\"title\":\"day1_session3\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2016-12-02\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080572\",\"venue\":\"Concordia University McConnell Building\",\"notes\":\"\",\"address\":\"1400 Boulevard de Maisonneuve O, Montreal, QC, H3G 1M8\",\"latitude\":\"45.4968036\",\"longitude\":\"-73.57792785757887\"}]"],"Address":["1400 Boulevard de Maisonneuve O, Montreal, QC, H3G 1M8"],"Venue":["Concordia University McConnell Building"],"City":["Montreal, Quebec"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670549832597504,"timestamp":"2026-01-07T14:59:54.290Z","contents":["DEANNA FONG (Simon Fraser U)\n\n“Itinerant Audio-biography: Digitizing, Editing and Managing the Roy Kiyooka Digital Audio Archive”\n\nThis presentation will detail my activities digitizing, developing, annotating, and managing the audio archive of Canadian poet, Roy Kiyooka. Kiyooka’s archival fonds at Simon Fraser University contains over 400 analog audio recordings inscribed on a variety of media: cassettes, mini-cassettes, and reel-to-reels. Recorded between 1963 and 1988, a burgeoning period of literary and artistic production, the tapes record the voices of many of Vancouver’s avant-garde figures, such as Fred Wah, Daphne Marlatt, Carole Itter, Al Neil, George Bowering, Alvin Balkin, and Gerry Gilbert. The focus of my presentation will be on the archive’s non-traditional audio genres, which include conversation, performance, ambient sound, and field recordings. I will outline the material, organizational and ethical challenges that these genres pose, attending to questions of navigation, access, privacy and consent.\n\nDeanna Fong is a poet and PhD student at Simon Fraser University in Vancouver, Canada, where her research focuses on the intersections of performance, audio archives, literary communities and intellectual property. She is a member of the federally funded SpokenWeb team, who have developed a web-based archive of digitized audio recordings for literary study. With Ryan Fitzpatrick and Janey Dodd, she co-directs the Fred Wah Archive, and is currently developing the digital audio archive of Canadian artist and poet Roy Kiyooka.\n\nTONY POWER (Simon Fraser U)\n\n“Literary Audio in SFU Library’s Contemporary Literature Collection”\n\nThe Contemporary Literature Collection in SFU Library’s Special Collections & Rare Books Division is a large, focused, mature collection of 20th & 21st C. avant-garde/’innovative’ poetry in English. Dating from the founding of the university in 1965, it is comprised primarily of published and archival materials but also includes many audio recordings. In this talk the collection’s curator will provide some background on the CLC as a whole, its history and definition and the collection policy that informs its contents. With this as context, he will then describe the audio component of the collection – its size and content, the present state of its digitization, as well as the significance of its considerable overlap (as far as writers recorded) with the Sir George Williams poetry series recordings held in the Special Collections at Concordia University in Montreal. This presentation will be coordinated with other participants from SFU, and in particular with Deanna Fong’s presentation on the audio holdings of a single author (Roy Kiyooka) held within the Contemporary Literature Collection. \n\nTony Power is a special collections librarian (M.L.S.) at SFU Library. Since 2000 he has been curator of the Contemporary Literature Collection. The CLC is a large, focused collection of 20th & 21st C. avant-garde/’innovative’ poetry in English. It is comprised primarily of published and archival materials but also includes many audio recordings\n\nThe Literary Audio Symposium\n\nDigitized spoken-audio archives have proliferated over the past two decades, making a wide range of historically significant analog spoken recordings originally captured in different media formats accessible to listeners and scholars for the first time. Online repositories like PennSound and the Cylinder Archive Project, have begun to transform previously multi-format collections into a massive resource, the potential of which is just beginning to be realized. Still, many local audio archives with recordings that document literary events remain either inaccessible or, if digitized, largely disconnected from each other. Given the potential usefulness of online audio archives for scholars, teachers and the general public, The Literary Audio Symposium aims to explore possibilities around a coordinated and collaborative approach to literary historical study, digital development and critical and pedagogical engagement with diverse collections of spoken recordings.\n\nThe Symposium emerges from a joint venture of the AMP Lab and TAG Centre, COHDS: Centre for Oral History and Digital Storytelling, and the Concordia University Libraries, all based at Concordia, in collaboration with literary scholars, digital humanists and librarian/archivists from the University of Alberta, University of Calgary, and Simon Fraser University, and local community partners with unique analogue holdings. Invited participants include colleagues from McGill U, U Victoria, U Texas, Austin, UCSB, and The Canadian Centre for Architecture.\n\nThis symposium will offer a productive scene of discussion and collaboration between academic researchers, librarians and archivists and emerging scholars and students, as well as community-based cultural and literary practitioners. The primary aims of The Literary Audio Symposium are to share knowledge and provide discussion and debate about\n\n1) new forms of historical and critical scholarly engagement with coherent collections of spoken recordings;\n\n2) digital preservation, aggregation techniques, asset management and infrastructure to support sustainable access to diverse collections of archival spoken audio recordings;\n\n3) techniques and tools for searching and visualizing corpora of spoken audio (for features relevant to humanities research and pedagogy); and\n\n4) innovative ways of mobilizing digitized spoken and literary recordings within pedagogical and public contexts.\n\nThese objectives will be met through a structured set of keynote topic-organizing panels, tool demonstrations, case-study presentations, and collaborative workshop discussions, led by experts from a variety of relevant backgrounds including Literature, Library, Archives and Information Science, Oral History and Digital Storytelling, Computer Science, and Communications and Media History. Each day of the Symposium will be initiated by a plenary presentation that frames key questions concerning one of the four key symposium themes, to be followed by hands-on presentations of relevant digital platforms and tools, case-study presentations that elaborate upon the day’s theme, followed by collaborative workshop discussion that will debate, reflect upon, and formulate new approaches to engaging with the implications of the day’s materials.\n\nFrom a range of relevant perspectives, The Literary Audio Symposium will enable the collaborative formulation of answers to core questions surrounding the preservation, digital presentation and critical use of humanities-oriented spoken audio materials, and temporal media holdings of cultural significance, in general. Our work will benefit scholars, students and society by establishing processes for making a generally dispersed corpus of cultural heritage widely available in useful and meaningful ways.\n\n"],"score":0.9290923},{"id":"10038","cataloger_name":["Ella,Hooper"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SpokenWeb AV"],"source_collection_label":["SpokenWeb AV"],"collection_contributing_unit":["SpokenWeb"],"source_collection_uri":[""],"collection_image_url":["https://archiveofthepresent.spokenweb.ca/_nuxt/img/header-img_1000.fd7675f.png"],"collection_source_collection_description":["SpokenWeb Audio Visual Collection"],"collection_source_collection_id":["ArchiveOfThePresent"],"persistent_url":["https://archiveofthepresent.spokenweb.ca/"],"item_title":["SpokenWeb Events AV, Day 2 Digital Preservation: Digitization, Cataloging, Storage, and Access Panel I, The Literary Audio Symposium, 3 December 2016"],"item_title_source":["https://spokenweb.ca/symposia/#/literary-audio-symposium"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_series_title":["SpokenWeb Events"],"item_identifiers":["[]"],"creator_names":["Jason Camlot","Jared Wiercinski","Tomasz Neugebauer","Tim Walsh"],"creator_names_search":["Jason Camlot","Jared Wiercinski","Tomasz Neugebauer","Tim Walsh"],"creators":["[{\"url\":\"http://viaf.org/viaf/90740324\",\"name\":\"Jason Camlot\",\"dates\":\"1967-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\"]},{\"url\":\"\",\"name\":\"Jared Wiercinski\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/40170000303071901556\",\"name\":\"Tomasz Neugebauer\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Tim Walsh\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[2016],"material_description":["[]"],"digital_description":["[{\"file_url\":\"https://drive.google.com/drive/u/0/folders/17UrrNMEU4xBIyl6tQT8YFfB3D1xHFpCi\",\"file_path\":\"\",\"filename\":\"LS102517.MP3\",\"channel_field\":\"\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"02:06:19\",\"precision\":\"\",\"size\":\"303,144,750 bytes\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"MP3 audio\",\"title\":\"LS102517\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2016-12-03\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080572\",\"venue\":\"Concordia University McConnell Building\",\"notes\":\"\",\"address\":\"1400 Boulevard de Maisonneuve O, Montreal, QC, H3G 1M8\",\"latitude\":\"45.4968036\",\"longitude\":\"-73.57792785757887\"}]"],"Address":["1400 Boulevard de Maisonneuve O, Montreal, QC, H3G 1M8"],"Venue":["Concordia University McConnell Building"],"City":["Montreal, Quebec"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670549832597505,"timestamp":"2026-01-07T14:59:54.290Z","contents":["TOMASZ NEUGEBAUER (Concordia U)\n\n“Selecting an access and digital preservation platform for humanities research in audio and video format: Avalon & Archivematica”\n\nConcordia University Library selected the combination of Avalon Media System and Archivematica as the access and digital preservation platform for revealing aggregation of a vast and diverse range of audio and video recordings relevant to humanities research. Avalon needs to be combined with software designed specifically for digital preservation tasks that ensure the enduring usability, authenticity, discoverability and accessibility a wide range of media over the very long term. In this presentation (co-delivered by Neugebauer and Wiercinski) we discuss the process of selecting an access and preservation platform and explain which aspects and features of Avalon facilitate the use of humanities audio and video content for unique curation, design and pedagogical-oriented projects.\n\nTomasz Neugebauer is the Digital Projects & Systems Development Librarian at Concordia University, where he participates in the design, development and implementation of various library applications, including Spectrum Research Repository. His multidisciplinary research experience is focused on open digital repositories, information visualization, and open source software development. He has published in various scholarly and professional journals, including: PLoS One, Information Technology and Libraries, International Journal on Digital Libraries, International Journal of Digital Curation, Art Libraries Journal, Code4Lib Journal, OCLC Systems and Services: International digital library perspectives, and The Indexer. He was the primary investigator on the “Developing an Open Access Digital Repository for Fine Arts Research in Canada” grant (SSHRC, 2013) and an e-Artexte Researcher in Residence, instrumental in the launch of e-Artexte, Artexte’s library catalogue and digital repository for contemporary Canadian art publications.\n\nTIM WALSH (Canadian Centre for Architecture)\n\n“Selecting an Access and Digital Preservation Platform for Humanities Research in Audio and Video Format: Avalon & Archivematica”\n\nTim Walsh is the Digital Archivist at the Canadian Centre for Architecture (CCA), a research museum in Montréal dedicated to the notion that architecture is a public concern. Among his other tasks at CCA, Tim develops and manages workflows and software tools for processing born-digital archives, oversees development and use of CCA’s Archivematica-based digital preservation repository, and facilitates end user access of digital archives in the Study Room. He holds an MS in Library and Information Science from Simmons College and a BA in English from the University of Florida.\n\nJARED WIERCINSKI (Concordia U)\n\n“Selecting an access and digital preservation platform for humanities research in audio and video format: Avalon & Archivematica”\n\nConcordia University Library selected the combination of Avalon Media System and Archivematica as the access and digital preservation platform for revealing aggregation of a vast and diverse range of audio and video recordings relevant to humanities research. Avalon needs to be combined with software designed specifically for digital preservation tasks that ensure the enduring usability, authenticity, discoverability and accessibility a wide range of media over the very long term. In this presentation to be presented by Wiercinski and Neugebauer, we discuss the process of selecting an access and preservation platform and explain which aspects and features of Avalon facilitate the use of humanities audio and video content for unique curation, design and pedagogical-oriented projects.\n\nJared Wiercinski works as Interim Associate University Librarian (Research & Graduate Studies) at Concordia University where he is responsible for the development and coordination of the library’s user services and projects in support of research and graduate studies. As liaison librarian for the Departments of Music and Contemporary Dance, he supports students and faculty through collection development and research assistance. His research contributions, co-authored with Annie Murray, include publications and conference paper presentations on methodological and multimodal cognitive concerns surrounding the design of web-based sound archives. He was a co-applicant on the “SpokenWeb: Developing a Comprehensive Web-Based Digital Spoken Word Archive for Literary Research” grant (SSHRC, 2012) and a collaborator on the “The Spoken Web 2.0: Conceptualizing and Prototyping a Comprehensive Web-based Digital Spoken-Word Interface for Literary Research” grant (SSHRC, 2010).\n\nThe Literary Audio Symposium\n\nDigitized spoken-audio archives have proliferated over the past two decades, making a wide range of historically significant analog spoken recordings originally captured in different media formats accessible to listeners and scholars for the first time. Online repositories like PennSound and the Cylinder Archive Project, have begun to transform previously multi-format collections into a massive resource, the potential of which is just beginning to be realized. Still, many local audio archives with recordings that document literary events remain either inaccessible or, if digitized, largely disconnected from each other. Given the potential usefulness of online audio archives for scholars, teachers and the general public, The Literary Audio Symposium aims to explore possibilities around a coordinated and collaborative approach to literary historical study, digital development and critical and pedagogical engagement with diverse collections of spoken recordings.\n\nThe Symposium emerges from a joint venture of the AMP Lab and TAG Centre, COHDS: Centre for Oral History and Digital Storytelling, and the Concordia University Libraries, all based at Concordia, in collaboration with literary scholars, digital humanists and librarian/archivists from the University of Alberta, University of Calgary, and Simon Fraser University, and local community partners with unique analogue holdings. Invited participants include colleagues from McGill U, U Victoria, U Texas, Austin, UCSB, and The Canadian Centre for Architecture.\n\nThis symposium will offer a productive scene of discussion and collaboration between academic researchers, librarians and archivists and emerging scholars and students, as well as community-based cultural and literary practitioners. The primary aims of The Literary Audio Symposium are to share knowledge and provide discussion and debate about\n\n1) new forms of historical and critical scholarly engagement with coherent collections of spoken recordings;\n\n2) digital preservation, aggregation techniques, asset management and infrastructure to support sustainable access to diverse collections of archival spoken audio recordings;\n\n3) techniques and tools for searching and visualizing corpora of spoken audio (for features relevant to humanities research and pedagogy); and\n\n4) innovative ways of mobilizing digitized spoken and literary recordings within pedagogical and public contexts.\n\nThese objectives will be met through a structured set of keynote topic-organizing panels, tool demonstrations, case-study presentations, and collaborative workshop discussions, led by experts from a variety of relevant backgrounds including Literature, Library, Archives and Information Science, Oral History and Digital Storytelling, Computer Science, and Communications and Media History. Each day of the Symposium will be initiated by a plenary presentation that frames key questions concerning one of the four key symposium themes, to be followed by hands-on presentations of relevant digital platforms and tools, case-study presentations that elaborate upon the day’s theme, followed by collaborative workshop discussion that will debate, reflect upon, and formulate new approaches to engaging with the implications of the day’s materials.\n\nFrom a range of relevant perspectives, The Literary Audio Symposium will enable the collaborative formulation of answers to core questions surrounding the preservation, digital presentation and critical use of humanities-oriented spoken audio materials, and temporal media holdings of cultural significance, in general. Our work will benefit scholars, students and society by establishing processes for making a generally dispersed corpus of cultural heritage widely available in useful and meaningful ways."],"score":0.9290923},{"id":"10039","cataloger_name":["Ella,Hooper"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SpokenWeb AV"],"source_collection_label":["SpokenWeb AV"],"collection_contributing_unit":["SpokenWeb"],"source_collection_uri":[""],"collection_image_url":["https://archiveofthepresent.spokenweb.ca/_nuxt/img/header-img_1000.fd7675f.png"],"collection_source_collection_description":["SpokenWeb Audio Visual Collection"],"collection_source_collection_id":["ArchiveOfThePresent"],"persistent_url":["https://archiveofthepresent.spokenweb.ca/"],"item_title":["SpokenWeb Events AV, Day 4 Teaching with Sound: Digital Audio Pedagogy Panel I, The Literary Audio Symposium, 5 December 2016"],"item_title_source":["https://spokenweb.ca/symposia/#/literary-audio-symposium"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_series_title":["SpokenWeb Events"],"item_identifiers":["[]"],"creator_names":["Jason Camlot","Catherine Cormier-Larose","Kevin Austin"],"creator_names_search":["Jason Camlot","Catherine Cormier-Larose","Kevin Austin"],"creators":["[{\"url\":\"http://viaf.org/viaf/90740324\",\"name\":\"Jason Camlot\",\"dates\":\"1967-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\"]},{\"url\":\"http://viaf.org/viaf/1425168453529466300006\",\"name\":\"Catherine Cormier-Larose\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Kevin Austin\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[2016],"material_description":["[]"],"digital_description":["[{\"file_url\":\"https://drive.google.com/drive/u/0/folders/17UrrNMEU4xBIyl6tQT8YFfB3D1xHFpCi\",\"file_path\":\"\",\"filename\":\"LS102523.MP3\",\"channel_field\":\"\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"01:58:20\",\"precision\":\"\",\"size\":\"283,985,502 bytes\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"MP3 audio\",\"title\":\"LS102523\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2016-12-05\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080572\",\"venue\":\"Concordia University McConnell Building\",\"notes\":\"\",\"address\":\"1400 Boulevard de Maisonneuve O, Montreal, QC, H3G 1M8\",\"latitude\":\"45.4968036\",\"longitude\":\"-73.57792785757887\"}]"],"Address":["1400 Boulevard de Maisonneuve O, Montreal, QC, H3G 1M8"],"Venue":["Concordia University McConnell Building"],"City":["Montreal, Quebec"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670549833646080,"timestamp":"2026-01-07T14:59:54.290Z","contents":["KEVIN AUSTIN (Concordia U)\n\n“Ear Training in Electroacoustics”\n\nThis talk will introduce a variety of issues surrounding ‘ear-training’, or rather, refined hearing, in the domain of electroacoustics (referring to both acoustical engineering and, with examples, electroacoustic music). The starting premise of this talk is that hearing / listening, is all perception. The presentation will frame core questions surrounding ‘how’ auditory perception functions, and therefore considerations of the applicability of different kinds of tools to different data sets. This will include matters of sonic identity and character, and sonic transformation with understanding more deeply various models applicable to pattern identification for manual and automated sound searches. The talk will also include a brief exploration of how symbolic notation / representation may be approached to develop concepts for multi-dimensional hearing, the fundamental proposition being that ‘how’ we hear will be at the educational core of auditory perception. The refinement of hearing increases the depth of perception, a skill applicable across disciplines, from music to text-sound composition, to spoken literature.\n\nKevin Austin, Professor of Music at Concordia University, is a Montreal-based composer, educator, arts animator and electroacoustics archivist. A specialist in electroacoustics – all areas, composition, theory [electroacoustics and music], ear-training and music history. For 25 years he was the Coordinator of the Concordia Electroacoustic Studies area at Concordia University. He was a Charter and Founding Member of the CEC (Canadian Electroacoustic Community), and the director of The Concordia Archival Project (CAP). This important initiative, funded by Heritage Canada through Canadian Culture Online, using the Concordia Tape Collection – over 3,000 pieces, has produced the largest single primary resource for the history of electroacoustics in Canada available anywhere in the world.\n\nCATHERINE CORMIER-LAROSE (Poetry In Voice)\n\n“Poetry In Voice: Teaching Poetry With Audio”\n\nThe Poetry In Voice project is a recitation contest for Canadian high schools. Its aim is to encourage young readers and students to become interested and involved in an appreciation of poetry through an engagement in the live, spoken performance of literary works. The project archives every one of its organized live readings, as well as selections from professional poets, as a means of providing modelling materials for its student users. Recordings of the recitations are essential to the project as they stand documentary examples for the students who use the PIV website. 875 Canadian high schools were involved in the PIV project last year; 50 000 students recited a poem at school level as a result of this involvement, and over a half a million people visited the PIV site. This presentation will report on the approach to live and online pedagogy through poetry performance that this project has pursued.\n\nCatherine Cormier-Larose is the Quebec French-language director of the Poetry in Voice project which organizes recitation competitions and online teaching tools to encourage poetry performance and appreciation in high schools across Canada. As the longstanding artist director of Les Productions ARREUH which organizes an annual festival, gala and numerous events of literary performance, she is deeply involved in the development of public reading as an important facet of community culture.\n\nThe Literary Audio Symposium\n\nDigitized spoken-audio archives have proliferated over the past two decades, making a wide range of historically significant analog spoken recordings originally captured in different media formats accessible to listeners and scholars for the first time. Online repositories like PennSound and the Cylinder Archive Project, have begun to transform previously multi-format collections into a massive resource, the potential of which is just beginning to be realized. Still, many local audio archives with recordings that document literary events remain either inaccessible or, if digitized, largely disconnected from each other. Given the potential usefulness of online audio archives for scholars, teachers and the general public, The Literary Audio Symposium aims to explore possibilities around a coordinated and collaborative approach to literary historical study, digital development and critical and pedagogical engagement with diverse collections of spoken recordings.\n\nThe Symposium emerges from a joint venture of the AMP Lab and TAG Centre, COHDS: Centre for Oral History and Digital Storytelling, and the Concordia University Libraries, all based at Concordia, in collaboration with literary scholars, digital humanists and librarian/archivists from the University of Alberta, University of Calgary, and Simon Fraser University, and local community partners with unique analogue holdings. Invited participants include colleagues from McGill U, U Victoria, U Texas, Austin, UCSB, and The Canadian Centre for Architecture.\n\nThis symposium will offer a productive scene of discussion and collaboration between academic researchers, librarians and archivists and emerging scholars and students, as well as community-based cultural and literary practitioners. The primary aims of The Literary Audio Symposium are to share knowledge and provide discussion and debate about\n\n1) new forms of historical and critical scholarly engagement with coherent collections of spoken recordings;\n\n2) digital preservation, aggregation techniques, asset management and infrastructure to support sustainable access to diverse collections of archival spoken audio recordings;\n\n3) techniques and tools for searching and visualizing corpora of spoken audio (for features relevant to humanities research and pedagogy); and\n\n4) innovative ways of mobilizing digitized spoken and literary recordings within pedagogical and public contexts.\n\nThese objectives will be met through a structured set of keynote topic-organizing panels, tool demonstrations, case-study presentations, and collaborative workshop discussions, led by experts from a variety of relevant backgrounds including Literature, Library, Archives and Information Science, Oral History and Digital Storytelling, Computer Science, and Communications and Media History. Each day of the Symposium will be initiated by a plenary presentation that frames key questions concerning one of the four key symposium themes, to be followed by hands-on presentations of relevant digital platforms and tools, case-study presentations that elaborate upon the day’s theme, followed by collaborative workshop discussion that will debate, reflect upon, and formulate new approaches to engaging with the implications of the day’s materials.\n\nFrom a range of relevant perspectives, The Literary Audio Symposium will enable the collaborative formulation of answers to core questions surrounding the preservation, digital presentation and critical use of humanities-oriented spoken audio materials, and temporal media holdings of cultural significance, in general. Our work will benefit scholars, students and society by establishing processes for making a generally dispersed corpus of cultural heritage widely available in useful and meaningful ways."],"score":0.9290923},{"id":"10040","cataloger_name":["Ella,Hooper"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SpokenWeb AV"],"source_collection_label":["SpokenWeb AV"],"collection_contributing_unit":["SpokenWeb"],"source_collection_uri":[""],"collection_image_url":["https://archiveofthepresent.spokenweb.ca/_nuxt/img/header-img_1000.fd7675f.png"],"collection_source_collection_description":["SpokenWeb Audio Visual Collection"],"collection_source_collection_id":["ArchiveOfThePresent"],"persistent_url":["https://archiveofthepresent.spokenweb.ca/"],"item_title":["SpokenWeb Events AV, Day 3 Digital Audio Tools: Sound Searching and Visualization Keynotes, The Literary Audio Symposium, 4 December 2016"],"item_title_source":["https://spokenweb.ca/symposia/#/literary-audio-symposium"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_series_title":["SpokenWeb Events"],"item_identifiers":["[]"],"creator_names":["Jason Camlot","Steve McLaughlin","Tanya Clement"],"creator_names_search":["Jason Camlot","Steve McLaughlin","Tanya Clement"],"creators":["[{\"url\":\"http://viaf.org/viaf/90740324\",\"name\":\"Jason Camlot\",\"dates\":\"1967-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\"]},{\"url\":\"\",\"name\":\"Steve McLaughlin\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/335161696233716120004\",\"name\":\"Tanya Clement\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[2016],"material_description":["[]"],"digital_description":["[{\"file_url\":\"https://drive.google.com/drive/u/0/folders/17UrrNMEU4xBIyl6tQT8YFfB3D1xHFpCi\",\"file_path\":\"\",\"filename\":\"LS102519.MP3\",\"channel_field\":\"\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"01:57:27\",\"precision\":\"\",\"size\":\"281,871,672 bytes\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"MP3 audio\",\"title\":\"LS102519\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2016-12-04\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080572\",\"venue\":\"Concordia University McConnell Building\",\"notes\":\"\",\"address\":\"1400 Boulevard de Maisonneuve O, Montreal, QC, H3G 1M8\",\"latitude\":\"45.4968036\",\"longitude\":\"-73.57792785757887\"}]"],"Address":["1400 Boulevard de Maisonneuve O, Montreal, QC, H3G 1M8"],"Venue":["Concordia University McConnell Building"],"City":["Montreal, Quebec"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670549833646081,"timestamp":"2026-01-07T14:59:54.290Z","contents":["TANYA CLEMENT (U Texas at Austin)\n\n“High Performance Sound Technologies for Access and Scholarship”\n\nCo-Presented with Steve McLaughlin. Humanists have few opportunities to use advanced technologies for analyzing large, messy sound archives. In response to this lack, the HiPSTAS (High Performance Sound Technologies for Access and Scholarship) Project is developing a research environment that uses machine learning and visualization to automate processes for describing unprocessed spoken-word collections of keen interest to humanists. This paper describes how we have developed, as a result of HiPSTAS, a machine learning system called ARLO (Adaptive Recognition with Layered Optimization). I describe a use case for finding moments of applause in the PennSound collection, which includes approximately 36,000 files comprising 6,200 hours of poetry performances and related materials. We conclude with a brief discussion about our preliminary results and some observations on the efficacy of using machine learning to facilitate generating data about unprocessed spoken-word sound collections in the humanities.\n\nClement’s research centers on infrastructure information impacting academic research, research libraries, and the creation of research tools/resources in the digital humanities. Projects include High Performance Sound Technologies for Access and Scholarship, “Improving Access to Time-Based Media through Crowdsourcing and Machine Learning” project. Important articles include: “Measured Applause: Toward a Cultural Analysis of Audio Collections.” Cultural Analytics 1; “A Rationale of Audio Text.” Digital Humanities Quarterly 10; “The Ear and the Shunting Yard: Meaning Making as Resonance in Early Information Theory.” Information & Culture 49; and, “Distant Listening: On Data Visualisations and Noise in the Digital Humanities.” Text Tools for the Arts. Digital Studies 3.\n\nSTEVE McLAUGHLIN (U Texas at Austin)\n\n“High Performance Sound Technologies for Access and Scholarship”\n\nCo-Presented with Tanya Clement. Humanists have few opportunities to use advanced technologies for analyzing large, messy sound archives. In response to this lack, the HiPSTAS (High Performance Sound Technologies for Access and Scholarship) Project is developing a research environment that uses machine learning and visualization to automate processes for describing unprocessed spoken-word collections of keen interest to humanists. This paper describes how we have developed, as a result of HiPSTAS, a machine learning system called ARLO (Adaptive Recognition with Layered Optimization). I describe a use case for finding moments of applause in the PennSound collection, which includes approximately 36,000 files comprising 6,200 hours of poetry performances and related materials. We conclude with a brief discussion about our preliminary results and some observations on the efficacy of using machine learning to facilitate generating data about unprocessed spoken-word sound collections in the humanities.\n\nThe Literary Audio Symposium\n\nDigitized spoken-audio archives have proliferated over the past two decades, making a wide range of historically significant analog spoken recordings originally captured in different media formats accessible to listeners and scholars for the first time. Online repositories like PennSound and the Cylinder Archive Project, have begun to transform previously multi-format collections into a massive resource, the potential of which is just beginning to be realized. Still, many local audio archives with recordings that document literary events remain either inaccessible or, if digitized, largely disconnected from each other. Given the potential usefulness of online audio archives for scholars, teachers and the general public, The Literary Audio Symposium aims to explore possibilities around a coordinated and collaborative approach to literary historical study, digital development and critical and pedagogical engagement with diverse collections of spoken recordings.\n\nThe Symposium emerges from a joint venture of the AMP Lab and TAG Centre, COHDS: Centre for Oral History and Digital Storytelling, and the Concordia University Libraries, all based at Concordia, in collaboration with literary scholars, digital humanists and librarian/archivists from the University of Alberta, University of Calgary, and Simon Fraser University, and local community partners with unique analogue holdings. Invited participants include colleagues from McGill U, U Victoria, U Texas, Austin, UCSB, and The Canadian Centre for Architecture.\n\nThis symposium will offer a productive scene of discussion and collaboration between academic researchers, librarians and archivists and emerging scholars and students, as well as community-based cultural and literary practitioners. The primary aims of The Literary Audio Symposium are to share knowledge and provide discussion and debate about\n\n1) new forms of historical and critical scholarly engagement with coherent collections of spoken recordings;\n\n2) digital preservation, aggregation techniques, asset management and infrastructure to support sustainable access to diverse collections of archival spoken audio recordings;\n\n3) techniques and tools for searching and visualizing corpora of spoken audio (for features relevant to humanities research and pedagogy); and\n\n4) innovative ways of mobilizing digitized spoken and literary recordings within pedagogical and public contexts.\n\nThese objectives will be met through a structured set of keynote topic-organizing panels, tool demonstrations, case-study presentations, and collaborative workshop discussions, led by experts from a variety of relevant backgrounds including Literature, Library, Archives and Information Science, Oral History and Digital Storytelling, Computer Science, and Communications and Media History. Each day of the Symposium will be initiated by a plenary presentation that frames key questions concerning one of the four key symposium themes, to be followed by hands-on presentations of relevant digital platforms and tools, case-study presentations that elaborate upon the day’s theme, followed by collaborative workshop discussion that will debate, reflect upon, and formulate new approaches to engaging with the implications of the day’s materials.\n\nFrom a range of relevant perspectives, The Literary Audio Symposium will enable the collaborative formulation of answers to core questions surrounding the preservation, digital presentation and critical use of humanities-oriented spoken audio materials, and temporal media holdings of cultural significance, in general. Our work will benefit scholars, students and society by establishing processes for making a generally dispersed corpus of cultural heritage widely available in useful and meaningful ways."],"score":0.9290923},{"id":"10041","cataloger_name":["Ella,Hooper"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SpokenWeb AV"],"source_collection_label":["SpokenWeb AV"],"collection_contributing_unit":["SpokenWeb"],"source_collection_uri":[""],"collection_image_url":["https://archiveofthepresent.spokenweb.ca/_nuxt/img/header-img_1000.fd7675f.png"],"collection_source_collection_description":["SpokenWeb Audio Visual Collection"],"collection_source_collection_id":["ArchiveOfThePresent"],"persistent_url":["https://archiveofthepresent.spokenweb.ca/"],"item_title":["SpokenWeb Events AV, Day 3 Digital Audio Tools: Sound Searching and Visualization Panel II, The Literary Audio Symposium, 4 December 2016"],"item_title_source":["https://spokenweb.ca/symposia/#/literary-audio-symposium"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_series_title":["SpokenWeb Events"],"item_identifiers":["[]"],"creator_names":["Jason Camlot","Ian Ferrier","Louis Rastelli"],"creator_names_search":["Jason Camlot","Ian Ferrier","Louis Rastelli"],"creators":["[{\"url\":\"http://viaf.org/viaf/90740324\",\"name\":\"Jason Camlot\",\"dates\":\"1967-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\"]},{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ian Ferrier\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/106193035\",\"name\":\"Louis Rastelli \",\"dates\":\"1969-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[2016],"material_description":["[]"],"digital_description":["[{\"file_url\":\"https://drive.google.com/drive/u/0/folders/17UrrNMEU4xBIyl6tQT8YFfB3D1xHFpCi\",\"file_path\":\"\",\"filename\":\"LS102521.MP3\",\"channel_field\":\"\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"01:51:38\",\"precision\":\"\",\"size\":\"267,929,600 bytes\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"MP3 audio\",\"title\":\"LS102521\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2016-12-04\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080572\",\"venue\":\"Concordia University McConnell Building\",\"notes\":\"\",\"address\":\"1400 Boulevard de Maisonneuve O, Montreal, QC, H3G 1M8\",\"latitude\":\"45.4968036\",\"longitude\":\"-73.57792785757887\"}]"],"Address":["1400 Boulevard de Maisonneuve O, Montreal, QC, H3G 1M8"],"Venue":["Concordia University McConnell Building"],"City":["Montreal, Quebec"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670549833646082,"timestamp":"2026-01-07T14:59:54.290Z","contents":["IAN FERRIER (Wired on Words)\n\n“The Wired on Words Analogue Audio Collection”\n\nAfter curating a spoken word poetry series for over fifteen years, and recording each and every reading and performance over that period, what to we do with the boxes of cassette tapes, mini discs, DAT tapes, and digital audio files on USB that comprise the the collection of audio that documents the events of the series? Ian Ferrier will discuss the nature and significance of the documentation of the Wired on Words reading series that he has curated since 2000, and present his organizations collection as a case study for considering the different kinds of digital development one might take in rendering such a historical series accessible and usable by researchers, artists and the wider public.\n\nIan Ferrier is a pioneer in Canada’s spoken word poetry scene. A musician and composer as well as a poet, he currently tours Canada, the States and Europe in solo performance and with the spoken word/music/dance company For Body and Light. He is a founder of the spoken word and music label Wired on Words, curator and host of Montreal’s monthly Words & Music Show which has been presenting poets monthly since 2000, and director of the annual Mile End Poets Festival which started in 2009. essays have appeared in Journal of the Americas and Canadian Theatre Review as well as in the online Canadian Review of Literature in Performance (LITLIVE.CA), a journal he co-founded in 2009. He has taught at the Banff Centre and is a past-president of the Quebec Writers’ Federation. In 2011 he was the recipient of what is now the League of Canadian Poets’ Golden Beret Award for outstanding contributions to spoken word.\n\nLOUIS RASTELLI (Archive Montreal)\n\n“The Audio Materials of Archive Montreal”\n\nThis contribution will present the audio collection held by the non-profit community organization Archive Montreal, which consists of thousands of hours of audio materials relevant to community cultural activities in Montreal from the 1950s to the present in a wide range of formats ranging from wire recordings, reel tape, cassettes, acetates, vinyl, DAT tapes, minidiscs, CDs, etc. How should such a collection be catalogued, digitized and presented online for use in research and community activities? What audiences may such a community-developed collection serve, and how might this collection be enhanced through collaborative efforts around digital preservation platforms and collection aggregation with other kinds of institutions, for example, universities? These are the questions we will seek to explore in bringing forward the ARCMTL materials as a case study for consideration at The Literary Audio Symposium.\n\nLouis Rastelli is the founding director of Archive Montreal (ARCMTL), a non-profit community archive centre which serves as a valuable reference for researchers and provides material for use in exhibits and projects touching on Montreal culture and history. Archive Montreal’s preservation activities involve the ongoing acquisition of independently produced local cultural artifacts and publications in multiple formats. Deeply involved in numerous community outreach activities, including the distroboto art dissemination programme, Expozine: Montreal’s largest annual small press fair, and a weekly Archive Montreal radio show, on which audio content from the archive is played, ARCMTL’s participation will bring extensive experience in the development of a community-focused archive and will contribute not only to discussion of the digital development of ARCMTL’s holdings, but to questions of audience and use of the kinds of archival materials.\n\nThe Literary Audio Symposium\n\nDigitized spoken-audio archives have proliferated over the past two decades, making a wide range of historically significant analog spoken recordings originally captured in different media formats accessible to listeners and scholars for the first time. Online repositories like PennSound and the Cylinder Archive Project, have begun to transform previously multi-format collections into a massive resource, the potential of which is just beginning to be realized. Still, many local audio archives with recordings that document literary events remain either inaccessible or, if digitized, largely disconnected from each other. Given the potential usefulness of online audio archives for scholars, teachers and the general public, The Literary Audio Symposium aims to explore possibilities around a coordinated and collaborative approach to literary historical study, digital development and critical and pedagogical engagement with diverse collections of spoken recordings.\n\nThe Symposium emerges from a joint venture of the AMP Lab and TAG Centre, COHDS: Centre for Oral History and Digital Storytelling, and the Concordia University Libraries, all based at Concordia, in collaboration with literary scholars, digital humanists and librarian/archivists from the University of Alberta, University of Calgary, and Simon Fraser University, and local community partners with unique analogue holdings. Invited participants include colleagues from McGill U, U Victoria, U Texas, Austin, UCSB, and The Canadian Centre for Architecture.\n\nThis symposium will offer a productive scene of discussion and collaboration between academic researchers, librarians and archivists and emerging scholars and students, as well as community-based cultural and literary practitioners. The primary aims of The Literary Audio Symposium are to share knowledge and provide discussion and debate about\n\n1) new forms of historical and critical scholarly engagement with coherent collections of spoken recordings;\n\n2) digital preservation, aggregation techniques, asset management and infrastructure to support sustainable access to diverse collections of archival spoken audio recordings;\n\n3) techniques and tools for searching and visualizing corpora of spoken audio (for features relevant to humanities research and pedagogy); and\n\n4) innovative ways of mobilizing digitized spoken and literary recordings within pedagogical and public contexts.\n\nThese objectives will be met through a structured set of keynote topic-organizing panels, tool demonstrations, case-study presentations, and collaborative workshop discussions, led by experts from a variety of relevant backgrounds including Literature, Library, Archives and Information Science, Oral History and Digital Storytelling, Computer Science, and Communications and Media History. Each day of the Symposium will be initiated by a plenary presentation that frames key questions concerning one of the four key symposium themes, to be followed by hands-on presentations of relevant digital platforms and tools, case-study presentations that elaborate upon the day’s theme, followed by collaborative workshop discussion that will debate, reflect upon, and formulate new approaches to engaging with the implications of the day’s materials.\n\nFrom a range of relevant perspectives, The Literary Audio Symposium will enable the collaborative formulation of answers to core questions surrounding the preservation, digital presentation and critical use of humanities-oriented spoken audio materials, and temporal media holdings of cultural significance, in general. Our work will benefit scholars, students and society by establishing processes for making a generally dispersed corpus of cultural heritage widely available in useful and meaningful ways."],"score":0.9290923},{"id":"10042","cataloger_name":["Ella,Hooper"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SpokenWeb AV"],"source_collection_label":["SpokenWeb AV"],"collection_contributing_unit":["SpokenWeb"],"source_collection_uri":[""],"collection_image_url":["https://archiveofthepresent.spokenweb.ca/_nuxt/img/header-img_1000.fd7675f.png"],"collection_source_collection_description":["SpokenWeb Audio Visual Collection"],"collection_source_collection_id":["ArchiveOfThePresent"],"persistent_url":["https://archiveofthepresent.spokenweb.ca/"],"item_title":["SpokenWeb Events AV, Day 3 Digital Audio Tools: Sound Searching and Visualization Panel I, The Literary Audio Symposium, 4 December 2016 "],"item_title_source":["https://spokenweb.ca/symposia/#/literary-audio-symposium"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_series_title":["SpokenWeb Events"],"item_identifiers":["[]"],"creator_names":["Jason Camlot","Patrick Feaster","Steven High"],"creator_names_search":["Jason Camlot","Patrick Feaster","Steven High"],"creators":["[{\"url\":\"http://viaf.org/viaf/90740324\",\"name\":\"Jason Camlot\",\"dates\":\"1967-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\"]},{\"url\":\"http://viaf.org/viaf/21877397\",\"name\":\"Patrick Feaster \",\"dates\":\"1971-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/48918685\",\"name\":\"Steven High\",\"dates\":\"1968-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[2016],"material_description":["[]"],"digital_description":["[{\"file_url\":\"https://drive.google.com/drive/u/0/folders/17UrrNMEU4xBIyl6tQT8YFfB3D1xHFpCi\",\"file_path\":\"\",\"filename\":\"LS102520.MP3\",\"channel_field\":\"\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"01:50:34\",\"precision\":\"\",\"size\":\"265,375,868 bytes\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"MP3 audio\",\"title\":\"LS102520\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2016-12-04\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080572\",\"venue\":\"Concordia University McConnell Building\",\"notes\":\"\",\"address\":\"1400 Boulevard de Maisonneuve O, Montreal, QC, H3G 1M8\",\"latitude\":\"45.4968036\",\"longitude\":\"-73.57792785757887\"}]"],"Address":["1400 Boulevard de Maisonneuve O, Montreal, QC, H3G 1M8"],"Venue":["Concordia University McConnell Building"],"City":["Montreal, Quebec"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670549834694656,"timestamp":"2026-01-07T14:59:54.290Z","contents":["PATRICK FEASTER (University of Indiana, Bloomington)\n\n“Putting Existing Tools to Unanticipated Purposes in Audio Digitization”\n\nAs we go about surveying software applications that are available to us for cultivating our heritage of literary audio in various ways, it’s worth bearing in mind that—with a little creative thinking—we can sometimes put existing tools to uses that differ significantly from their intended ones.\n\nI’ll first illustrate this point in connection with a couple pieces of software recently developed for Indiana University: MediaRIVERS /MediaSCORE, designed to quantify the value and “degralescence” risk of audiovisual collections, and a Physical Object Database designed to track media objects passing through our digital preservation workflow. We created these tools to answer some specific needs which existing software didn’t seem capable of satisfying, but in both cases we’ve ended up putting them to unanticipated uses as our circumstances have evolved—often successfully, but with limitations, as I’ll explain through a brief case study of Orson Welles broadcast recordings held by our Lilly Library.\n\nI’ll then delve into some even more radical cases of repurposing. For the past nine years, I’ve participated in efforts to educe (i.e., “play” or “play back”) older representations of sound on paper, including phonautograms of dramatic oratory recorded by Édouard-Léon Scott de Martinville in the 1850s and 1860s and paper prints made from gramophone discs of poetry recited by inventor Emile Berliner in the 1880s. This work has been carried out primarily with software designed for other spheres of application, such as ImageToSound and AudioPaint, both intended to support experimental sound art. I’ll describe the strategies and challenges involved in applying these programs meaningfully to historical inscriptions, as well as some striking results achieved to date by doing so. However, our need to rely on “repurposed” software in this work is now receding. By way of conclusion, I’ll introduce Picture Kymophone, a new program I’ve written specifically for playing phonautograms and other similar sources, and outline some remaining desiderata for the future.\n\nPatrick Feaster received his doctorate in folklore and ethnomusicology in 2007 from Indiana University Bloomington, where he is now Media Preservation Specialist for the Media Digitization and Preservation Initiative. A three-time Grammy nominee, co-founder of the First Sounds Initiative, and immediate past president of the Association for Recorded Sound Collections, he has been actively involved in locating, making audible, and contextualizing many of the world’s oldest sound recordings.\n\nSTEVEN HIGH (Concordia U)\n\n“Beyond the Juicy Quotes Syndrome: Building Digital Tools and Platforms in Partnership with Source Communities”\n\nIf the “archival turn” has taught us anything, it is that archives are not neutral sites of storage and preservation. Extractive approaches to data-collection and analysis risk ignoring the ways in which “the archive itself orders the material within its realm, and the possibilities of knowledge production” (Geiger et al, 2010). We must therefore go beyond what Mike Savage calls the “juicy quotes syndrome,” to engage with the project archive as an object of study and to re-imagine how we design and build them. Building on past work as part of Montreal Life Stories, which recorded the life stories of 500 Montrealers displaced by mass violence, we recently embarked on a new project that will result in the Living Archive of Rwandan Exiles and Genocide Survivors. This online archive will enable researchers and community members to follow threads, identify patterns, track changes, map, and listen in new ways to more than 90 hours of video recorded interviews. We intend to do this in partnership with survivors, forging a methodology around participatory database-building where the coding, access conditions and research infrastructure itself serve both university-based researchers and community needs. A toolkit of inter-operable and freely available open source tools is also being developed, and will likewise be developed in collaboration with the source community.\n\nSteven High is the co-founder of the Centre for Oral History and Digital Storytelling and has spent a number of years on the development of digital tools that will facilitate the analysis of recorded oral history interviews at varying scales. He is also examining the potential of collaboratively produced “living archives” where researchers work closely with ‘source communities.’ He was a member of the Spokenweb research team and contributed to the special issue of Amodern on oral literature.\n\nThe Literary Audio Symposium\n\nDigitized spoken-audio archives have proliferated over the past two decades, making a wide range of historically significant analog spoken recordings originally captured in different media formats accessible to listeners and scholars for the first time. Online repositories like PennSound and the Cylinder Archive Project, have begun to transform previously multi-format collections into a massive resource, the potential of which is just beginning to be realized. Still, many local audio archives with recordings that document literary events remain either inaccessible or, if digitized, largely disconnected from each other. Given the potential usefulness of online audio archives for scholars, teachers and the general public, The Literary Audio Symposium aims to explore possibilities around a coordinated and collaborative approach to literary historical study, digital development and critical and pedagogical engagement with diverse collections of spoken recordings.\n\nThe Symposium emerges from a joint venture of the AMP Lab and TAG Centre, COHDS: Centre for Oral History and Digital Storytelling, and the Concordia University Libraries, all based at Concordia, in collaboration with literary scholars, digital humanists and librarian/archivists from the University of Alberta, University of Calgary, and Simon Fraser University, and local community partners with unique analogue holdings. Invited participants include colleagues from McGill U, U Victoria, U Texas, Austin, UCSB, and The Canadian Centre for Architecture.\n\nThis symposium will offer a productive scene of discussion and collaboration between academic researchers, librarians and archivists and emerging scholars and students, as well as community-based cultural and literary practitioners. The primary aims of The Literary Audio Symposium are to share knowledge and provide discussion and debate about\n\n1) new forms of historical and critical scholarly engagement with coherent collections of spoken recordings;\n\n2) digital preservation, aggregation techniques, asset management and infrastructure to support sustainable access to diverse collections of archival spoken audio recordings;\n\n3) techniques and tools for searching and visualizing corpora of spoken audio (for features relevant to humanities research and pedagogy); and\n\n4) innovative ways of mobilizing digitized spoken and literary recordings within pedagogical and public contexts.\n\nThese objectives will be met through a structured set of keynote topic-organizing panels, tool demonstrations, case-study presentations, and collaborative workshop discussions, led by experts from a variety of relevant backgrounds including Literature, Library, Archives and Information Science, Oral History and Digital Storytelling, Computer Science, and Communications and Media History. Each day of the Symposium will be initiated by a plenary presentation that frames key questions concerning one of the four key symposium themes, to be followed by hands-on presentations of relevant digital platforms and tools, case-study presentations that elaborate upon the day’s theme, followed by collaborative workshop discussion that will debate, reflect upon, and formulate new approaches to engaging with the implications of the day’s materials.\n\nFrom a range of relevant perspectives, The Literary Audio Symposium will enable the collaborative formulation of answers to core questions surrounding the preservation, digital presentation and critical use of humanities-oriented spoken audio materials, and temporal media holdings of cultural significance, in general. Our work will benefit scholars, students and society by establishing processes for making a generally dispersed corpus of cultural heritage widely available in useful and meaningful ways."],"score":0.9290923},{"id":"10043","cataloger_name":["Ella,Hooper"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SpokenWeb AV"],"source_collection_label":["SpokenWeb AV"],"collection_contributing_unit":["SpokenWeb"],"source_collection_uri":[""],"collection_image_url":["https://archiveofthepresent.spokenweb.ca/_nuxt/img/header-img_1000.fd7675f.png"],"collection_source_collection_description":["SpokenWeb Audio Visual Collection"],"collection_source_collection_id":["ArchiveOfThePresent"],"persistent_url":["https://archiveofthepresent.spokenweb.ca/"],"item_title":["SpokenWeb Events AV, Day 2 Digital Preservation: Digitization, Cataloging, Storage, and Access Panel II, The Literary Audio Symposium, 3 December 2016"],"item_title_source":["https://spokenweb.ca/symposia/#/literary-audio-symposium"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_series_title":["SpokenWeb Events"],"item_identifiers":["[]"],"creator_names":["Jason Camlot","Lee Hannigan","Michael O’Driscoll","Cecily Devereux"],"creator_names_search":["Jason Camlot","Lee Hannigan","Michael O’Driscoll","Cecily Devereux"],"creators":["[{\"url\":\"http://viaf.org/viaf/90740324\",\"name\":\"Jason Camlot\",\"dates\":\"1967-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\"]},{\"url\":\"\",\"name\":\"Lee Hannigan\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Michael O’Driscoll\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/31722451\",\"name\":\"Cecily Devereux\",\"dates\":\"1963-\",\"notes\":\"\",\"nation\":[],\"role\":[]}]"],"contributors":["[]"],"Production_Date":[2016],"material_description":["[]"],"digital_description":["[{\"file_url\":\"https://drive.google.com/drive/u/0/folders/17UrrNMEU4xBIyl6tQT8YFfB3D1xHFpCi\",\"file_path\":\"\",\"filename\":\"LS102518.MP3\",\"channel_field\":\"\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"01:48:37\",\"precision\":\"\",\"size\":\"260,680,098 bytes\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"MP3 audio\",\"title\":\"LS102518\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2016-12-03\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080572\",\"venue\":\"Concordia University McConnell Building\",\"notes\":\"\",\"address\":\"1400 Boulevard de Maisonneuve O, Montreal, QC, H3G 1M8\",\"latitude\":\"45.4968036\",\"longitude\":\"-73.57792785757887\"}]"],"Address":["1400 Boulevard de Maisonneuve O, Montreal, QC, H3G 1M8"],"Venue":["Concordia University McConnell Building"],"City":["Montreal, Quebec"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670549983592448,"timestamp":"2026-01-07T14:59:54.597Z","contents":["LEE HANNIGAN (U Alberta)\n\n“Not Listening: Preliminary Initiatives for Inventorying and Cataloguing Literary Audio Corpora”\n\nThis presentation will identify the core questions one must ask upon preliminary examination of an audio collection. The University of Alberta (UA) has hosted and recorded regular reading events since the mid-1960s and holds a collection of recorded poetry readings consisting of over 100 media objects (reel-to-reel, cassette tape and digital formats) containing at least as many hours of audio. This collection, in the process of being inventoried, seems to hold a coherent set of recordings of the UA Writer-in-Residence Program (WiR) that has run uninterrupted for forty years, a series of recorded readings held during the “Poet & Critic Conference” of 1969, and an extensive set of reel-to-reel recordings that hold local readings by poets from across North America. The core research questions to be explored pertain to fundamental issues in cataloguing, organization and prioritization of the materials, in relation to questions of available resources for digitization and development and the identification of potential audiences for segments of the collection.\n\nPhD candidate Hannigan earned his MA from Concordia University in 2015, where he worked for two years as a research assistant with the SpokenWeb project. His Master’s Major Research Project, titled “The Critical Archive: A textual analysis of the SpokenWeb project,” considered the possibility of studying the literary reading series as a coherent object. Hannigan’s first academic publication (Al Flamenco and Aurelio Meza), titled “Reading Series Matter: Performing the SpokenWeb Project,” will appear in Making Humanities Matter, part of the Debates in the Digital Humanities series (University of Minnesota Press, 2017). His Doctoral dissertation will be the first material, theoretical, and sociopolitical analysis of the characteristics of the concept of removal in late-20th and 21st-century American poetry. His presentation on the University of Alberta audio holdings will provide important case study material for the symposium, allowing him to frame core questions that are at the centre of his Doctoral research.\n\nMICHAEL O’DRISCOLL (U Alberta)\n\n“Audiographic Coding, or, Whose Sound is this Anyway?”\n\nProceeding from both Jacques Derrida’s insight the “archivization produces as much as it records the event” and Jerome McGann’s case for “bibliographic coding,” this presentation will consider the status of the digital artifact that is the remediated spokenword object, with particular attention to the “audiographic coding” of the digital file. How does technology listen? And how, in the UAlberta collection, will that listening condition the work of researchers and students of literary performance? SpokenWest will digitize and make publicly available the rich archive of recorded creative readings held at UAlberta since 1969, featuring readings by many authors of international prominence. This panel will introduce the UAlberta collection, which includes four priority fonds, including fifty-six reel to reel recordings produced 1969-82 and twenty-five cassette recordings dated 1973-86, as well as recordings conducted at several major conferences (1969, 1975, 1978) that highlight presentations by major literary figures.\n\nO’Driscoll is co-lead in the development and implementation of a digitized archive of five decades of creative readings at the University of Alberta, and the collaborative design of portable research methodologies and pedagogical strategies focused on the material production, circulation, reception, and analysis of oral literary performance. His disciplinary expertise in the areas of archive theory, poetry and poetics, and material culture studies are relevant to the successful outcome of this project. He has extensive experience in the design and execution of major collaborative research projects. As former Associate Dean Research, he oversaw the activities of the University of Alberta’s Arts Resource Centre, a team of nine computing and multimedia experts focused on the support of social science and humanities researchers.\n\nCECILY DEVEREUX (U Alberta)\n\n“SpokenWest: Creative Reading Recordings at UAlberta, 1969-1986”\n\nFrom the late 1960s to the 1990s, the Department of English and Film Studies at the University of Alberta developed and maintained a collection of cassette recordings of Canadian writers reading from their work. These materials were part of a larger collection of audio cassettes used primarily for teaching. Materially ephemeral and in some cases absolutely unique, the cassettes represent not only an important record from the department that houses the longest-running Writer in Residence program in Canada, they are also part of a much larger national archive of creative communities in the\n\npost-Centennial era in Canada. They thus serve at this time as a compelling case study of non-professional, intermittent, institutionally housed recordings of late twentieth-century author readings in Canada–and, crucially, of the lives of the media on which they have been reproduced. This paper considers the nature and the implications of anachronistic and disintegrating media for the teaching and study of late twentieth-century literary culture in Canada, and makes a case for the importance of digital preservation for public access to cultural histories.\n\nCecily Devereux is Chair of the Research Board of the Canadian Writing Research Collaboratory (CWRC) and a member of the Executive Committee of the Canadian Literature Centre/Centre de Littérature Canadienne at the University of Alberta. She has been working with student research assistants and colleagues in the Department of English and Film Studies at the University of Alberta for more than a decade to catalogue, safely store, and move toward the preservation and digitization of the department’s collection of cassette and reel-to-reel recordings of Canadian writers reading from their work.\n\nThe Literary Audio Symposium\n\nDigitized spoken-audio archives have proliferated over the past two decades, making a wide range of historically significant analog spoken recordings originally captured in different media formats accessible to listeners and scholars for the first time. Online repositories like PennSound and the Cylinder Archive Project, have begun to transform previously multi-format collections into a massive resource, the potential of which is just beginning to be realized. Still, many local audio archives with recordings that document literary events remain either inaccessible or, if digitized, largely disconnected from each other. Given the potential usefulness of online audio archives for scholars, teachers and the general public, The Literary Audio Symposium aims to explore possibilities around a coordinated and collaborative approach to literary historical study, digital development and critical and pedagogical engagement with diverse collections of spoken recordings.\n\nThe Symposium emerges from a joint venture of the AMP Lab and TAG Centre, COHDS: Centre for Oral History and Digital Storytelling, and the Concordia University Libraries, all based at Concordia, in collaboration with literary scholars, digital humanists and librarian/archivists from the University of Alberta, University of Calgary, and Simon Fraser University, and local community partners with unique analogue holdings. Invited participants include colleagues from McGill U, U Victoria, U Texas, Austin, UCSB, and The Canadian Centre for Architecture.\n\nThis symposium will offer a productive scene of discussion and collaboration between academic researchers, librarians and archivists and emerging scholars and students, as well as community-based cultural and literary practitioners. The primary aims of The Literary Audio Symposium are to share knowledge and provide discussion and debate about\n\n1) new forms of historical and critical scholarly engagement with coherent collections of spoken recordings;\n\n2) digital preservation, aggregation techniques, asset management and infrastructure to support sustainable access to diverse collections of archival spoken audio recordings;\n\n3) techniques and tools for searching and visualizing corpora of spoken audio (for features relevant to humanities research and pedagogy); and\n\n4) innovative ways of mobilizing digitized spoken and literary recordings within pedagogical and public contexts.\n\nThese objectives will be met through a structured set of keynote topic-organizing panels, tool demonstrations, case-study presentations, and collaborative workshop discussions, led by experts from a variety of relevant backgrounds including Literature, Library, Archives and Information Science, Oral History and Digital Storytelling, Computer Science, and Communications and Media History. Each day of the Symposium will be initiated by a plenary presentation that frames key questions concerning one of the four key symposium themes, to be followed by hands-on presentations of relevant digital platforms and tools, case-study presentations that elaborate upon the day’s theme, followed by collaborative workshop discussion that will debate, reflect upon, and formulate new approaches to engaging with the implications of the day’s materials.\n\nFrom a range of relevant perspectives, The Literary Audio Symposium will enable the collaborative formulation of answers to core questions surrounding the preservation, digital presentation and critical use of humanities-oriented spoken audio materials, and temporal media holdings of cultural significance, in general. Our work will benefit scholars, students and society by establishing processes for making a generally dispersed corpus of cultural heritage widely available in useful and meaningful ways."],"score":0.9290923},{"id":"10044","cataloger_name":["Ella,Hooper"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SpokenWeb AV"],"source_collection_label":["SpokenWeb AV"],"collection_contributing_unit":["SpokenWeb"],"source_collection_uri":[""],"collection_image_url":["https://archiveofthepresent.spokenweb.ca/_nuxt/img/header-img_1000.fd7675f.png"],"collection_source_collection_description":["SpokenWeb Audio Visual Collection"],"collection_source_collection_id":["ArchiveOfThePresent"],"persistent_url":["https://archiveofthepresent.spokenweb.ca/"],"item_title":["SpokenWeb Events AV, Day 4 Teaching with Sound: Digital Audio Pedagogy Keynote, The Literary Audio Symposium, 5 December 2016"],"item_title_source":["https://spokenweb.ca/symposia/#/literary-audio-symposium"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_series_title":["SpokenWeb Events"],"item_identifiers":["[]"],"creator_names":["Jason Camlot","Jentery Sayers"],"creator_names_search":["Jason Camlot","Jentery Sayers"],"creators":["[{\"url\":\"http://viaf.org/viaf/90740324\",\"name\":\"Jason Camlot\",\"dates\":\"1967-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\"]},{\"url\":\"http://viaf.org/viaf/42150083796914941563\",\"name\":\"Jentery Sayers\",\"dates\":\"1978-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[2016],"material_description":["[]"],"digital_description":["[{\"file_url\":\"https://drive.google.com/drive/u/0/folders/17UrrNMEU4xBIyl6tQT8YFfB3D1xHFpCi\",\"file_path\":\"\",\"filename\":\"LS102522.MP3\",\"channel_field\":\"\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"01:45:29\",\"precision\":\"\",\"size\":\"253,174,596 bytes\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"MP3 audio\",\"title\":\"LS102522\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2016-12-05\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080572\",\"venue\":\"Concordia University McConnell Building\",\"notes\":\"\",\"address\":\"1400 Boulevard de Maisonneuve O, Montreal, QC, H3G 1M8\",\"latitude\":\"45.4968036\",\"longitude\":\"-73.57792785757887\"}]"],"Address":["1400 Boulevard de Maisonneuve O, Montreal, QC, H3G 1M8"],"Venue":["Concordia University McConnell Building"],"City":["Montreal, Quebec"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670549985689600,"timestamp":"2026-01-07T14:59:54.597Z","contents":["JENTERY SAYERS (U Victoria)\n\n“Prototyping Impressions of Sound: Pedagogy across the Lab and Gallery”\n\nWhile many digital methodologies rely on tools for recording, analyzing, and visualizing sound, they may also prompt us to “remake” or prototype historical audio. Drawing on research conducted across a humanities lab and art gallery at the University of Victoria, this talk foregrounds the pedagogical affordances of such remaking. It focuses on what may have been the first magnetic recording, conducted in Denmark in 1898 during various experiments with volatile impressions on piano wire. Today, no audio from these experiments exists, and all visual evidence of them is speculative at best. However, enough detail remains to re-perform them with new technologies in the present moment. As a form of laboratory research, prototyping early audio becomes an opportunity to learn about its material composition as well as the embodied contexts of its reproduction. Installing these prototypes in a gallery setting encourages people to test them and also attend to how differences emerge across recordings. As a collaboration involving the arts and humanities, this prototyping process ultimately privileges a historical approach to sound that resists empiricism via screen-based tools and instead fosters a shared space for contingencies to speak.\n\nJentery Sayers bring expertise in digital pedagogy that involves teaching with sound in humanities contexts. He is Assistant Professor of English and Director of the Maker Lab in the Humanities at the University of Victoria. His sound studies publications include, “Making the Perfect Record: From Inscription to Impression in Early Magnetic Recording” (American Literature 85.4) and “An Archaeology of Edison’s Metal Box” (Victorian Review 38.2). He is the editor of two forthcoming collections, Making Humanities Matter (U. of Minnesota Press, Debates in the Digital Humanities series) and the Routledge Companion to Media Studies and Digital Humanities (Routledge). He is also the co-editor of Digital Pedagogy in the Humanities (Modern Language Association, with Davis, Gold, and Harris). At the University of Victoria, he teaches courses in media studies, digital studies, critical theory, and U.S. fiction after 1940.\n\nThe Literary Audio Symposium\n\nDigitized spoken-audio archives have proliferated over the past two decades, making a wide range of historically significant analog spoken recordings originally captured in different media formats accessible to listeners and scholars for the first time. Online repositories like PennSound and the Cylinder Archive Project, have begun to transform previously multi-format collections into a massive resource, the potential of which is just beginning to be realized. Still, many local audio archives with recordings that document literary events remain either inaccessible or, if digitized, largely disconnected from each other. Given the potential usefulness of online audio archives for scholars, teachers and the general public, The Literary Audio Symposium aims to explore possibilities around a coordinated and collaborative approach to literary historical study, digital development and critical and pedagogical engagement with diverse collections of spoken recordings.\n\nThe Symposium emerges from a joint venture of the AMP Lab and TAG Centre, COHDS: Centre for Oral History and Digital Storytelling, and the Concordia University Libraries, all based at Concordia, in collaboration with literary scholars, digital humanists and librarian/archivists from the University of Alberta, University of Calgary, and Simon Fraser University, and local community partners with unique analogue holdings. Invited participants include colleagues from McGill U, U Victoria, U Texas, Austin, UCSB, and The Canadian Centre for Architecture.\n\nThis symposium will offer a productive scene of discussion and collaboration between academic researchers, librarians and archivists and emerging scholars and students, as well as community-based cultural and literary practitioners. The primary aims of The Literary Audio Symposium are to share knowledge and provide discussion and debate about\n\n1) new forms of historical and critical scholarly engagement with coherent collections of spoken recordings;\n\n2) digital preservation, aggregation techniques, asset management and infrastructure to support sustainable access to diverse collections of archival spoken audio recordings;\n\n3) techniques and tools for searching and visualizing corpora of spoken audio (for features relevant to humanities research and pedagogy); and\n\n4) innovative ways of mobilizing digitized spoken and literary recordings within pedagogical and public contexts.\n\nThese objectives will be met through a structured set of keynote topic-organizing panels, tool demonstrations, case-study presentations, and collaborative workshop discussions, led by experts from a variety of relevant backgrounds including Literature, Library, Archives and Information Science, Oral History and Digital Storytelling, Computer Science, and Communications and Media History. Each day of the Symposium will be initiated by a plenary presentation that frames key questions concerning one of the four key symposium themes, to be followed by hands-on presentations of relevant digital platforms and tools, case-study presentations that elaborate upon the day’s theme, followed by collaborative workshop discussion that will debate, reflect upon, and formulate new approaches to engaging with the implications of the day’s materials.\n\nFrom a range of relevant perspectives, The Literary Audio Symposium will enable the collaborative formulation of answers to core questions surrounding the preservation, digital presentation and critical use of humanities-oriented spoken audio materials, and temporal media holdings of cultural significance, in general. Our work will benefit scholars, students and society by establishing processes for making a generally dispersed corpus of cultural heritage widely available in useful and meaningful ways."],"score":0.9290923},{"id":"10045","cataloger_name":["Ella,Hooper"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SpokenWeb AV"],"source_collection_label":["SpokenWeb AV"],"collection_contributing_unit":["SpokenWeb"],"source_collection_uri":[""],"collection_image_url":["https://archiveofthepresent.spokenweb.ca/_nuxt/img/header-img_1000.fd7675f.png"],"collection_source_collection_description":["SpokenWeb Audio Visual Collection"],"collection_source_collection_id":["ArchiveOfThePresent"],"persistent_url":["https://archiveofthepresent.spokenweb.ca/"],"item_title":["SpokenWeb Events AV, Day 4 Teaching with Sound: Digital Audio Pedagogy Panel II, The Literary Audio Symposium, 5 December 2016"],"item_title_source":["https://spokenweb.ca/symposia/#/literary-audio-symposium"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_series_title":["SpokenWeb Events"],"item_identifiers":["[]"],"creator_names":["Jason Camlot","Annie Murray","Jason Wiens","Jordan Bolay"],"creator_names_search":["Jason Camlot","Annie Murray","Jason Wiens","Jordan Bolay"],"creators":["[{\"url\":\"http://viaf.org/viaf/90740324\",\"name\":\"Jason Camlot\",\"dates\":\"1967-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\"]},{\"url\":\"http://viaf.org/viaf/31170924535890151440\",\"name\":\"Annie Murray\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/106059085\",\"name\":\"Jason Wiens \",\"dates\":\"1973-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/56158427835306060257\",\"name\":\"Jordan Bolay\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[2016],"material_description":["[]"],"digital_description":["[{\"file_url\":\"https://drive.google.com/drive/u/0/folders/17UrrNMEU4xBIyl6tQT8YFfB3D1xHFpCi\",\"file_path\":\"\",\"filename\":\"LS102524.MP3\",\"channel_field\":\"\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"00:57:08\",\"precision\":\"\",\"size\":\"137,104,196 bytes\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"MP3 audio\",\"title\":\"LS102524\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Sound Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2016-12-05\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080572\",\"venue\":\"Concordia University McConnell Building\",\"notes\":\"\",\"address\":\"1400 Boulevard de Maisonneuve O, Montreal, QC, H3G 1M8\",\"latitude\":\"45.4968036\",\"longitude\":\"-73.57792785757887\"}]"],"Address":["1400 Boulevard de Maisonneuve O, Montreal, QC, H3G 1M8"],"Venue":["Concordia University McConnell Building"],"City":["Montreal, Quebec"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670549986738176,"timestamp":"2026-01-07T14:59:54.597Z","contents":["ANNIE MURRAY (U Calgary)\n\n“Overcoming institutional barriers to engagement with sound and media archives”\n\nIn this presentation, Murray will address some of the barriers that prevent libraries and archives from developing accessible media archives, and will discuss the path that the University of Calgary is taking to overcome them. She will describe a large-scale audio digitization project currently underway, and how it can benefit the literary recordings in our care. She will outline the themes of fundraising, inter-departmental cooperation, relationship building, and risk taking as keystones in Calgary’s approach to developing capacity in the preservation of media-rich archives, with the aim of framing discussion around the prevalence of barriers and the ways around them for large-scale audio digitization projects.\n\nAndrea (Annie) Murray is Associate University Librarian for Archives and Special Collections at the University of Calgary. She oversees significant archival and rare book holdings, particularly in the field of Canadian cultural production. As a Co-Applicant on the Spokenweb project (Camlot, PI), she contributed to the development of the first Spokenweb interface, has co-presented project findings at the conference of the International Association of Sound and Audiovisual Archives, and has co-authored articles that appeared in First Monday and Digital Humanities Quarterly, with Jared Wiercinski from Concordia University.\n\nJASON WIENS (U Calgary)\n\n“Incorporating Archival Audio Practices in Teaching”\n\nBuilding upon Wiens’ recent course design and implementation, this presentation asks how we might best ask students to examine archival audio sources alongside published literary texts, and then to engage in a digitization project of selections from the archival fonds of literary recordings held in the University of Calgary collections. With the aim of bringing to the classroom an awareness of the material conditions under which literature is produced, my discussion will consider not only how students might integrate archival records in literary analysis but contribute to the archive by institutional digitization projects.\n\nWiens is a Tenure-Track Instructor in English at U Calgary with a research and teaching focus in Canadian literature, archives, pedagogy and contemporary poetry. He has developed courses in which students digitize and curate materials from Canadian writers archives. Wiens’ recent work extends this curricular development to include archival audio holdings, with the aim of exploring their pedagogical applications.\n\nJORDAN BOLAY (U Calgary)\n\n“Re-teaching reading and listening through experimental poetry and audio archives”\n\n“How do you grow a poet?” Robert Kroetsch famously asks in his long poem Seed Catalogue. The second half of the 20th century saw many new poets and types of poetry growing in Canada. Of particular interest to scholars (and of particular difficulty for students) are the formally experimental poets of the post-structural movement, including Earle Birney, bp nicol, and occasional works by Kroetsch (i.e. The Ledger). This paper will examine how audio recordings of these poets’ work, housed in the University of Calgary’s Special Collections Archive, can give direction to students’ readings but also destabilise the notion of singular linear ways of reading or hearing a text. My hope is that this research will demonstrate both the importance of oral readings in the classroom and of audio recordings in the archive.\n\nJordan Bolay is a doctoral candidate in English at the University of Calgary. His research focuses on the intersection of contemporary Canadian poetics, archives and methodologies of the archeology of discourse and knowledge. He is presently focusing on the writing of Canadian poet Robert Kroetsch and of the Canadian West in a broader sense. His participation in The Literary Audio Symposium will complement his research interests and allow him to apply his knowledge of Kroetsch to a consideration of the possibilities for research and teaching of the Kroetsch audio recordings in the University of Calgary collections.\n\nThe Literary Audio Symposium\n\nDigitized spoken-audio archives have proliferated over the past two decades, making a wide range of historically significant analog spoken recordings originally captured in different media formats accessible to listeners and scholars for the first time. Online repositories like PennSound and the Cylinder Archive Project, have begun to transform previously multi-format collections into a massive resource, the potential of which is just beginning to be realized. Still, many local audio archives with recordings that document literary events remain either inaccessible or, if digitized, largely disconnected from each other. Given the potential usefulness of online audio archives for scholars, teachers and the general public, The Literary Audio Symposium aims to explore possibilities around a coordinated and collaborative approach to literary historical study, digital development and critical and pedagogical engagement with diverse collections of spoken recordings.\n\nThe Symposium emerges from a joint venture of the AMP Lab and TAG Centre, COHDS: Centre for Oral History and Digital Storytelling, and the Concordia University Libraries, all based at Concordia, in collaboration with literary scholars, digital humanists and librarian/archivists from the University of Alberta, University of Calgary, and Simon Fraser University, and local community partners with unique analogue holdings. Invited participants include colleagues from McGill U, U Victoria, U Texas, Austin, UCSB, and The Canadian Centre for Architecture.\n\nThis symposium will offer a productive scene of discussion and collaboration between academic researchers, librarians and archivists and emerging scholars and students, as well as community-based cultural and literary practitioners. The primary aims of The Literary Audio Symposium are to share knowledge and provide discussion and debate about\n\n1) new forms of historical and critical scholarly engagement with coherent collections of spoken recordings;\n\n2) digital preservation, aggregation techniques, asset management and infrastructure to support sustainable access to diverse collections of archival spoken audio recordings;\n\n3) techniques and tools for searching and visualizing corpora of spoken audio (for features relevant to humanities research and pedagogy); and\n\n4) innovative ways of mobilizing digitized spoken and literary recordings within pedagogical and public contexts.\n\nThese objectives will be met through a structured set of keynote topic-organizing panels, tool demonstrations, case-study presentations, and collaborative workshop discussions, led by experts from a variety of relevant backgrounds including Literature, Library, Archives and Information Science, Oral History and Digital Storytelling, Computer Science, and Communications and Media History. Each day of the Symposium will be initiated by a plenary presentation that frames key questions concerning one of the four key symposium themes, to be followed by hands-on presentations of relevant digital platforms and tools, case-study presentations that elaborate upon the day’s theme, followed by collaborative workshop discussion that will debate, reflect upon, and formulate new approaches to engaging with the implications of the day’s materials.\n\nFrom a range of relevant perspectives, The Literary Audio Symposium will enable the collaborative formulation of answers to core questions surrounding the preservation, digital presentation and critical use of humanities-oriented spoken audio materials, and temporal media holdings of cultural significance, in general. Our work will benefit scholars, students and society by establishing processes for making a generally dispersed corpus of cultural heritage widely available in useful and meaningful ways."],"score":0.9290923},{"id":"10047","cataloger_name":["Ella,Hooper"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SpokenWeb AV"],"source_collection_label":["SpokenWeb AV"],"collection_contributing_unit":["SpokenWeb"],"source_collection_uri":[""],"collection_image_url":["https://archiveofthepresent.spokenweb.ca/_nuxt/img/header-img_1000.fd7675f.png"],"collection_source_collection_description":["SpokenWeb Audio Visual Collection"],"collection_source_collection_id":["ArchiveOfThePresent"],"persistent_url":["https://archiveofthepresent.spokenweb.ca/"],"item_title":["SpokenWeb Events AV, Deep Curation II, 14 February 2019"],"item_title_source":["https://spokenweb.ca/events/deep-curation-2/"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_series_title":["SpokenWeb Events"],"item_identifiers":["[]"],"creator_names":["Jason Camlot","Klara du Plessis","Deanna Fong","Katherine McLeod"],"creator_names_search":["Jason Camlot","Klara du Plessis","Deanna Fong","Katherine McLeod"],"creators":["[{\"url\":\"http://viaf.org/viaf/90740324\",\"name\":\"Jason Camlot\",\"dates\":\"1967-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/124151352052252602758\",\"name\":\"Klara du Plessis\",\"dates\":\"1988-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/102855198\",\"name\":\"Deanna Fong\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/44156495389117561605\",\"name\":\"Katherine McLeod\",\"dates\":\"1981-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[2019],"material_description":["[]"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2019-02-14 Deep Curation II February 14, 2019.mp4\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"00:52:23\",\"precision\":\"\",\"size\":\"940,869,124 bytes\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"MP4 video\",\"title\":\"2019-02-14 Deep Curation II February 14, 2019\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Video Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2019-02-14\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080572\",\"venue\":\"Concordia University McConnell Building\",\"notes\":\"\",\"address\":\"1400 Boulevard de Maisonneuve O, Montreal, QC, H3G 1M8\",\"latitude\":\"45.4968036\",\"longitude\":\"-73.57792786\"}]"],"Address":["1400 Boulevard de Maisonneuve O, Montreal, QC, H3G 1M8"],"Venue":["Concordia University McConnell Building"],"City":["Montreal, Quebec"],"contents":["Join us for a Deep Curation poetry reading, an experimental approach to literary event organization, the curator selecting the works to be read, as well as the thematic arc of the works' placement and progression in relation to one another.\nThis reading will synthesize poetry and scholarship by members of the SpokenWeb team to form a vibrant, challenging, and cross-genre listening experience. SpokenWeb is a research initiative based at Concordia University's English Department.\n\nReaders: Jason Camlot, Klara du Plessis, Deanna Fong, Katherine McLeod\nCurator: Klara du Plessis"],"Note":["[{\"note\":\"On \\\"amplab storage 2\\\"\",\"type\":\"Cataloguer\"}]"],"Related_works":["[]"],"_version_":1853670549986738177,"timestamp":"2026-01-07T14:59:54.597Z","score":0.9290923},{"id":"10048","cataloger_name":["Ella,Hooper"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SpokenWeb AV"],"source_collection_label":["SpokenWeb AV"],"collection_contributing_unit":["SpokenWeb"],"source_collection_uri":[""],"collection_image_url":["https://archiveofthepresent.spokenweb.ca/_nuxt/img/header-img_1000.fd7675f.png"],"collection_source_collection_description":["SpokenWeb Audio Visual Collection"],"collection_source_collection_id":["ArchiveOfThePresent"],"persistent_url":["https://archiveofthepresent.spokenweb.ca/"],"item_title":["SpokenWeb Events AV, Pussy Listening: Building an Activist Listening Practice, Literary Listening, 13 November 2024"],"item_title_source":["https://spokenweb.ca/institutes/#/spokenweb-futures-new-projects-collections-methods-collaborations"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_series_title":["SpokenWeb Events"],"item_identifiers":["[]"],"creator_names":["Jason Camlot","Nina Sun Eidsheim"],"creator_names_search":["Jason Camlot","Nina Sun Eidsheim"],"creators":["[{\"url\":\"http://viaf.org/viaf/90740324\",\"name\":\"Jason Camlot\",\"dates\":\"1967-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\"]},{\"url\":\"http://viaf.org/viaf/316557652\",\"name\":\"Nina Sun Eidsheim\",\"dates\":\"1975-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Production_Date":[2024],"material_description":["[]"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"4SPHDR__2411131454_0034.mp4\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"02:00:06\",\"precision\":\"\",\"size\":\"2,432,829,304 bytes\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"MP4 video\",\"title\":\"4SPHDR__2411131454_0034\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Video Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2024-11-13\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080572\",\"venue\":\"Concordia University McConnell Building\",\"notes\":\"\",\"address\":\"1400 Boulevard de Maisonneuve O, Montreal, QC, H3G 1M8\",\"latitude\":\"45.4968036\",\"longitude\":\"-73.57792786\"}]"],"Address":["1400 Boulevard de Maisonneuve O, Montreal, QC, H3G 1M8"],"Venue":["Concordia University McConnell Building"],"City":["Montreal, Quebec"],"contents":["Nina Sun Eidsheim will offer a workshop entitled “Pussy Listening” as part of Jason Camlot’s new Literary Listening series. 4th Space, Concordia University, Mezzanine, 1400 de Maisonneuve Blvd. West. 3pm – 5 pm. Description: “Pussy Listening: Building an Activist Listening Practice” – To be wherever we are in our lives and work now, a large portion of our lives to this point must have been (inadvertently) dedicated to listening correctly and to avoid listening “incorrectly.” This kind of relationship to listening comes from a place of submission and forwards the agenda of those in power. In contrast, “pussy listening” is a life-making and meaning-making action. I assume everybody draws on the magic of pussy listening daily, however, to protect our own safety, we may not don’t recognize it as such. This participatory session is dedicated to recognizing pussy listening."],"Note":["[]"],"Related_works":["[]"],"_version_":1853670549987786752,"timestamp":"2026-01-07T14:59:54.597Z","score":0.9290923},{"id":"10049","cataloger_name":["Ella,Hooper"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SpokenWeb AV"],"source_collection_label":["SpokenWeb AV"],"collection_contributing_unit":["SpokenWeb"],"source_collection_uri":[""],"collection_image_url":["https://archiveofthepresent.spokenweb.ca/_nuxt/img/header-img_1000.fd7675f.png"],"collection_source_collection_description":["SpokenWeb Audio Visual Collection"],"collection_source_collection_id":["ArchiveOfThePresent"],"persistent_url":["https://archiveofthepresent.spokenweb.ca/"],"item_title":["SpokenWeb Events AV, Sounding New Sonic Approaches, 12 February 2024"],"item_title_source":["https://spokenweb.ca/events/sounding-new-sonic-approaches/"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_series_title":["SpokenWeb Events"],"item_identifiers":["[]"],"creator_names":["Jason Camlot","Katherine McLeod","Annie Murray","Klara du Plessis","Mathieu Aubin","Julia Polyck-O’Neill","Jason Wiens","Kelly Baron","Nina Sun Eidsheim","Juliette Bellocq","Daniel Martin","Kristen Smith","Gascia Ouzounian","Ellen Waterman","Katharina Fürholzer","Kristin Moriah","Mara Mills","Andy Slater"],"creator_names_search":["Jason Camlot","Katherine McLeod","Annie Murray","Klara du Plessis","Mathieu Aubin","Julia Polyck-O’Neill","Jason Wiens","Kelly Baron","Nina Sun Eidsheim","Juliette Bellocq","Daniel Martin","Kristen Smith","Gascia Ouzounian","Ellen Waterman","Katharina Fürholzer","Kristin Moriah","Mara Mills","Andy Slater"],"creators":["[{\"url\":\"http://viaf.org/viaf/90740324\",\"name\":\"Jason Camlot\",\"dates\":\"1967-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/44156495389117561605\",\"name\":\"Katherine McLeod\",\"dates\":\"1981-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/31170924535890151440\",\"name\":\"Annie Murray\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/124151352052252602758\",\"name\":\"Klara du Plessis\",\"dates\":\"1988-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Mathieu Aubin\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/43152682594823312099\",\"name\":\"Julia Polyck-O’Neill\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/106059085\",\"name\":\"Jason Wiens\",\"dates\":\"1973-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Kelly Baron\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/316557652\",\"name\":\"Nina Sun Eidsheim\",\"dates\":\"1975-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Juliette Bellocq\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Daniel Martin\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Kristen Smith\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/15149233544176512036\",\"name\":\"Gascia Ouzounian\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/106069023\",\"name\":\"Ellen Waterman\",\"dates\":\"1963-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/244144647692026868411\",\"name\":\"Katharina Fürholzer\",\"dates\":\"1984-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/305268048\",\"name\":\"Kristin Moriah\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"http://viaf.org/viaf/1340148523891920970006\",\"name\":\"Mara Mills\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Andy Slater\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[2024],"material_description":["[]"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"4SPHDR__2402121559_0001.mp4\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"01:03:54\",\"precision\":\"\",\"size\":\"19,485,292,484 bytes\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"MP4 video\",\"title\":\"4SPHDR__2402121559_0001\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Video Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2024-02-12\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080572\",\"venue\":\"Concordia University McConnell Building\",\"notes\":\"\",\"address\":\"1400 Boulevard de Maisonneuve O, Montreal, QC, H3G 1M8\",\"latitude\":\"45.4968036\",\"longitude\":\"-73.57792786\"}]"],"Address":["1400 Boulevard de Maisonneuve O, Montreal, QC, H3G 1M8"],"Venue":["Concordia University McConnell Building"],"City":["Montreal, Quebec"],"contents":["In May 2023 a triple-issue of English Studies in Canada (ESC) was published on the topic of “New Sonic Approaches in Literary Studies.” Edited by Concordia’s Jason Camlot and Katherine McLeod, the issue, designed to explore the ways in which sound, literature, and critical methodologies intersect, included thirteen scholarly articles, and an interdisciplinary forum on the place of listening as a methodology in a wide range of scholarly and artistic fields. The issue is substantial in its contributions to imagining new ways of combining literary studies and sound studies, and it warrants a public celebration.\n\nAs the editors considered what kind of “launch” would be best suited to this issue, they felt it should build on the printed scholarship, but also take it further – respond to it, sound it, and perform it. What is the sound of “New Sonic Approaches”? What would this journal issue sound like as a chorus or collage of voices? This event will enact the idea of sounding and performing a scholarly collection as a kind of poetic reading of criticism. Each contributor has been invited to select an excerpt to perform, and the performances will unfold in sequence as a long collaborative work that speaks to questions of literary expression, performance, sounding, and listening.\n\nJoin us for the unfolding of this performance, a live recording session of a future scholarly soundwork, to listen, and at times, to add to the sounds of the event as it unfolds."],"Note":["[]"],"Related_works":["[]"],"_version_":1853670549987786753,"timestamp":"2026-01-07T14:59:54.597Z","score":0.9290923},{"id":"10050","cataloger_name":["Ella,Hooper"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SpokenWeb AV"],"source_collection_label":["SpokenWeb AV"],"collection_contributing_unit":["SpokenWeb"],"source_collection_uri":[""],"collection_image_url":["https://archiveofthepresent.spokenweb.ca/_nuxt/img/header-img_1000.fd7675f.png"],"collection_source_collection_description":["SpokenWeb Audio Visual Collection"],"collection_source_collection_id":["ArchiveOfThePresent"],"persistent_url":["https://archiveofthepresent.spokenweb.ca/"],"item_title":["SpokenWeb Events AV, Eight Voices: Finalists for the First QWF Spoken Word Prize, 4 November 2022"],"item_title_source":["https://spokenweb.ca/events/eight-voices-finalists-for-the-first-qwf-spoken-word-prize/"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_series_title":["SpokenWeb Events"],"item_identifiers":["[]"],"creator_names":["Jason Camlot","Caitlin Murphy","Debbie Braide","Erín Moure","Johanne Pelletier","Liana Cusmano","Lucia De Luca","Raïssa Simone","Roen “Blu’Rva” Higgins"],"creator_names_search":["Jason Camlot","Caitlin Murphy","Debbie Braide","Erín Moure","Johanne Pelletier","Liana Cusmano","Lucia De Luca","Raïssa Simone","Roen “Blu’Rva” Higgins"],"creators":["[{\"url\":\"http://viaf.org/viaf/90740324\",\"name\":\"Jason Camlot\",\"dates\":\"1967-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\"]},{\"url\":\"\",\"name\":\"Caitlin Murphy \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Debbie Braide\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Erín Moure\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Johanne Pelletier\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Liana Cusmano\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Lucia De Luca\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Raïssa Simone\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]},{\"url\":\"\",\"name\":\"Roen “Blu’Rva” Higgins\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Reader\"]}]"],"contributors":["[]"],"Production_Date":[2022],"material_description":["[]"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"221104-1254_8Voices.mp4\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"01:03:18\",\"precision\":\"\",\"size\":\"9,550,916,668 bytes\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"MP4 video\",\"title\":\"221104-1254_8Voices\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Video Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2022-11-04\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080572\",\"venue\":\"Concordia University McConnell Building\",\"notes\":\"\",\"address\":\"1400 Boulevard de Maisonneuve O, Montreal, QC, H3G 1M8\",\"latitude\":\"45.4968036\",\"longitude\":\"-73.57792786\"}]"],"Address":["1400 Boulevard de Maisonneuve O, Montreal, QC, H3G 1M8"],"Venue":["Concordia University McConnell Building"],"City":["Montreal, Quebec"],"contents":["In an exciting world premiere, the eight finalists for the inaugural Quebec Writers’ Federation Spoken Word Prize will offer short performances showcasing their talents. The prize is open to all forms of spoken word performance, from storytelling to sound poetry, hip hop, and dub. Presented by the Quebec Writers’ Federation and Concordia’s SpokenWeb project, the event will be hosted by poet and SpokenWeb director Jason Camlot. For more information on the performers, see the finalist list below.\n\nIn accordance with public health guidelines, mask wearing is optional, though strongly encouraged. For those that cannot attend in person, the event will be livestreamed on the 4th Space Youtube channel. The 4th Space is fully accessible from the Maisonneuve entrance, with an elevator located at metro level for those travelling underground.\n\nCaitlin Murphy is a writer, director, and dramaturg. She has performed in one-woman shows, stand-up and sketch comedy, and a web-series she created called Mothers Try. Caitlin has also written and directed plays and short films and recently launched a digital collection of her pandemic-related art, Candy for Covid.\n\nDebbie Braide is an energy and development specialist, spoken word poet, World Economic Forum Global Shaper, and British Chevening alumna. An Abuja Literary Society Poetry Slam Champion, she has performed for such organizations as the United States Embassy and VSO International. She is committed to sustainable development and gender equity.\n\nErín Moure is a poet and poetry translator. Her most recent work includes Chus Pato’s The Face of the Quartzes (Veliz, 2021) and her own chapbooks Retooling for a Figurative Life (Vallum, 2021) and Arborescence (Columba, 2022). Her translation of Chantal Neveu’s This Radiant Life(Book*hug, 2020) won the 2021 Governor General’s Award for translation.\n\nJohanne Pelletier is a storyteller with work featured in Canada and the US. She is the winner of the GRIT 99-Second Story Grand Slam, the producer of Good Gyn-Bad Gyn: Women’s Health Stories, and an amateur boxing judge. She teaches storytelling to scientists and start-ups.\n\nLiana Cusmano (Luca/BiCurious George) is a writer, poet, spoken word artist, and filmmaker. They were the 2018 and 2019 Montreal Slam Champion and runner up in the 2019 Canadian Individual Poetry Slam Championship. Their first novel, Catch and Release (2022), was published by Guernica Editions.\n\nLucia De Luca is an English teacher and spoken word poet. She was a finalist at the 2021 Canadian Individual Poetry Slam and recently participated in Brickyard Spoken Word’s mentorship program. As an organizer, she brought McGill University its first slam and, in the summer of 2022, oversaw the Grove Campus Poetry Show.\n\nRaïssa Simone is a multi-disciplinary artist and writer based in Tiohtià:ke (Montreal). She has competed at numerous national poetry slams and been invited to perform at multiple spoken word shows, including the Canadian Festival of Spoken Word, Toronto International Poetry Slam, Hillside Festival, and When Sisters Speak.\n\nRoen “Blu’Rva” Higgins is an award-winning spoken word poet, educator, speaker, and creative evangelist. As the founder of The Elevated Creative, her mission is to elevate others through creative literacy and help them find their flow and tap into their genius zone."],"Note":["[]"],"Related_works":["[]"],"_version_":1853670549987786754,"timestamp":"2026-01-07T14:59:54.597Z","score":0.9290923},{"id":"10051","cataloger_name":["Ella,Hooper"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SpokenWeb AV"],"source_collection_label":["SpokenWeb AV"],"collection_contributing_unit":["SpokenWeb"],"source_collection_uri":[""],"collection_image_url":["https://archiveofthepresent.spokenweb.ca/_nuxt/img/header-img_1000.fd7675f.png"],"collection_source_collection_description":["SpokenWeb Audio Visual Collection"],"collection_source_collection_id":["ArchiveOfThePresent"],"persistent_url":["https://archiveofthepresent.spokenweb.ca/"],"item_title":["SpokenWeb Events AV, NOTA: Next on the Agenda–Writing Futures in Quebec, 4 October 2022"],"item_title_source":["https://spokenweb.ca/events/nota-next-on-the-agenda-writing-futures-in-quebec/"],"item_language":["English"],"item_production_context":["Classroom recording"],"item_series_title":["SpokenWeb Events"],"item_identifiers":["[]"],"creator_names":["Jason Camlot","Rachel McCrum"],"creator_names_search":["Jason Camlot","Rachel McCrum"],"creators":["[{\"url\":\"http://viaf.org/viaf/90740324\",\"name\":\"Jason Camlot\",\"dates\":\"1967-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\"]},{\"url\":\"\",\"name\":\"Rachel McCrum\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\"]}]"],"contributors":["[]"],"Production_Date":[2022],"material_description":["[]"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"221004-0950SW.mp4\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"06:40:55\",\"precision\":\"\",\"size\":\"60,485,623,038 bytes\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"MP4 video\",\"title\":\"221004-0950SW\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Video Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2022-10-04\",\"type\":\"Production Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080572\",\"venue\":\"Concordia University McConnell Building\",\"notes\":\"\",\"address\":\"1400 Boulevard de Maisonneuve O, Montreal, QC, H3G 1M8\",\"latitude\":\"45.4968036\",\"longitude\":\"-73.57792786\"}]"],"Address":["1400 Boulevard de Maisonneuve O, Montreal, QC, H3G 1M8"],"Venue":["Concordia University McConnell Building"],"City":["Montreal, Quebec"],"contents":["NOTA is a conference for English-language writers, publishers, event organizers, and literary professionals to discuss the changing contexts for literature and to explore how writing careers are developed, supported, and sustained in Quebec in 2022.\n\nNOTA Program (10am – 5pm)\n\n• 9.30am: arrival and coffee\n\n• 10.00am – 10.15am: Opening remarks\n\n• 10.15am – 11.30am: Long Literary COVID: How has the pandemic changed our literary practices and communities? Speakers: SpokenWeb: Jason Camlot, Tomasz Neugebauer, Francisco Berizzbeitia; The Violet Hour Reading Series & Book Club: Chris DiRaddo; Metatron Press: Ashley Opheim; Quebec Writers Federation: Lori Schubert.\n\n• 11.30am – 12.45pm: Quebec Writers’ Federation - Have Your Say!\n\n◦ QWF Focus Group #1(in person): Building a Career as a Writer (getting published, building a reputation, using an agent, etc.) Facilitator: Tahieròn:iohte Dan David (Kanienkeha:ka)\n\n◦ QWF Focus Group #2 (in person): Connecting to the French Literary Community (getting books translated, collaborating, etc.) Facilitator: Julie Barlow\n\n◦ QWF Focus Group #3 (online): Making a Living as a Writer (freelancing, mentoring, finding and applying for grants, understanding copyright, etc.) Facilitator: stephanie roberts\n\n◦ QWF Focus Group #4 (online): Support Services for Writers (mental health, disabled, queer & racialized writers’ issues, independent authors, etc.) Facilitator: Christie Huff\n\n• 12.45pm – 1.30pm: Lunch (suggestions for venues provided for those onsite)\n\n• 1.30pm – 1.45pm: Special Presentation, TBC\n\n• 1.45pm – 2.45pm: Making the Writing Life Sustainable. Moderated by Rachel McCrum. Speakers: Klara du Plessis, Erín Moure, and tbc.\n\n• 2.45 – 3.00pm: Coffee break\n\n• 3.00pm – 4.15pm: Challenging the Field: Black Publishing and Writing in Canada. Moderated by Firoze Manji. Speakers: H. Nigel Thomas, Kwame Scott Fraser, Dorothy Williams, and Yara El-Ghadban.\n\n• 4.15pm – 4.30pm: Presentation by Espace de la Diversité//Diversity District\n\n• 4.30pm – 5.00pm: Closing remarks"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670549987786755,"timestamp":"2026-01-07T14:59:54.597Z","score":0.9290923},{"id":"10052","cataloger_name":["Ella,Hooper"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SpokenWeb AV"],"source_collection_label":["SpokenWeb AV"],"collection_contributing_unit":["SpokenWeb"],"source_collection_uri":[""],"collection_image_url":["https://archiveofthepresent.spokenweb.ca/_nuxt/img/header-img_1000.fd7675f.png"],"collection_source_collection_description":["SpokenWeb Audio Visual Collection"],"collection_source_collection_id":["ArchiveOfThePresent"],"persistent_url":["https://archiveofthepresent.spokenweb.ca/"],"item_title":["SpokenWeb Events AV, A Belly Full of Vlarf: a Poetry Book Launch by Jason Camlot and John Emil Vincent, 26 November 2021"],"item_title_source":["SpokenWeb web page"],"item_title_note":["https://spokenweb.ca/events/a-belly-full-of-vlarf-a-poetry-book-launch-by-jason-camlot-and-john-emil-vincent/"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["SpokenWeb Events"],"item_identifiers":["[]"],"creator_names":["Jason Camlot","John Emil Vincent"],"creator_names_search":["Jason Camlot","John Emil Vincent"],"creators":["[{\"url\":\"http://viaf.org/viaf/90740324\",\"name\":\"Jason Camlot\",\"dates\":\"1967-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]},{\"url\":\"http://viaf.org/viaf/12560703\",\"name\":\"John Emil Vincent\",\"dates\":\"1969-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Author\"]}]"],"contributors_names":["Katherine McLeod"],"contributors_names_search":["Katherine McLeod"],"contributors":["[{\"url\":\"http://viaf.org/viaf/44156495389117561605\",\"name\":\"Katherine McLeod\",\"dates\":\"1981-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]}]"],"Presenter_name":["Katherine McLeod"],"Performance_Date":[2021],"material_description":["[]"],"digital_description":["[{\"file_url\":\"https://drive.google.com/drive/folders/1VMlQ7xNMy6JN2li4hkMyeFkril4DAY9W\",\"file_path\":\"\",\"filename\":\"211126-1632.mp4\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"02:00:35\",\"precision\":\"\",\"size\":\"18,188,567,815 bytes\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"MP4 video\",\"title\":\"211126-1632\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Video Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2021-11-26\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080572\",\"venue\":\"Concordia University McConnell Building\",\"notes\":\"\",\"address\":\"1400 Boulevard de Maisonneuve O, Montreal, QC, H3G 1M8\",\"latitude\":\"45.4968036\",\"longitude\":\"-73.57792786\"}]"],"Address":["1400 Boulevard de Maisonneuve O, Montreal, QC, H3G 1M8"],"Venue":["Concordia University McConnell Building"],"City":["Montreal, Quebec"],"contents":["A Belly Full of Vlarf. Seriously fun readings from brand new poetry books by Concordia faculty Jason Camlot and John Emil Vincent. Hosted by Katherine McLeod.\n\nDESCRIPTION AND FORMAT:\n\nInspired by the long-format readings held at Sir George Williams University (now Concordia) in the 1960s, this book launch will celebrate two new titles, Jason Camlot’s Vlarf and John Emil Vincent’s Bitter in the Belly (both published in the Hugh MacLennan Poetry Series of McGill-Queen’s University Press), with substantial readings and presentations of the books by the authors. Katherine McLeod will moderate the proceedings as the poets alternate between readings of 25 minutes each (x2), allowing the audience to experience a substantial performance with commentary by the authors of these new home-grown collections. Each book creates its own gleefully strange and sadly hilarious world from a wide gamut of emotions and texts. It will be a poetry event of the fun variety.\n\nThe format will be hybrid. 25 in-person attendees, local broadcast to the streets of Concordia, and streamed to YouTube Live.\n\n\nABOUT THE BOOKS:\n\nBitter in the Belly reckons with suicide’s wreckage. After John Emil Vincent’s best friend descends into depression and hangs himself, fluency and acuity lose their lustre. Vincent sorts through and tries to arrange cosmologies, eloquence, narrative, insight, only to find fatal limitations. He tries to trick tragedy into revealing itself by means of costume, comedy, thought experiment, theatre of the absurd, and Punch and Judy. The poems progress steadily from the erotic and mythic to the lapidary and biblical, relentlessly constructing images, finding any way to bring the world into the light - what there is of light, when the light is on.\n\nIn Vlarf Jason Camlot plumbs the canon of Victorian literature, as one would search the internet, to fashion strange, sad, and funny forms and feelings in poetry. Vlarf pursues expressions of sentiment that may have become unfamiliar, unacceptable, or uncool since the advent of modernism by mining Victorian texts and generic forms with odd inclinations, using techniques that include erasure, bout-rimé, emulation, adaptation, reboot, mimicry, abhorrence, cringe, and love. Erasures of massive volumes of prose by John Stuart Mill and John Ruskin become concise poems of condensed sadness; a reboot of Christina Rossetti’s “Goblin Market” is told from the perspective of a ten-year-old boy with an imaginary albatross pal; recovered fragments from an apocryphal book of Victorian nonsense verse are pieced together; a Leonard Cohen song about Queen Victoria is offered in a steampunk rendering; and a meditative guinea pig delivers a dramatic monologue in the vein of Robert Browning.\n\n\nJason Camlot is the author of five collections of poetry, including The Animal Library, Attention All Typewriters, and What The World Said. He is professor of English and research chair in literature and sound studies at Concordia University in Montreal.\n\nJohn Emil Vincent has written several books of poetry including Excitement Tax and Ganymede’s Dog. He lives in Montreal and teaches creative writing in Concordia’s Department of English."],"Note":["[]"],"Related_works":["[{\"url\":\"https://search.worldcat.org/title/1255713311\",\"citation\":\"Camlot, Jason. Vlarf. McGill-Queen’s University Press, 2023. \"},{\"url\":\"https://search.worldcat.org/title/1262058592\",\"citation\":\"Vincent, John Emil. Bitter in the Belly. McGill-Queen’s University Press, 2023. \"}]"],"_version_":1853670549987786756,"timestamp":"2026-01-07T14:59:54.597Z","score":0.9290923},{"id":"10053","cataloger_name":["Ella,Hooper"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SpokenWeb AV"],"source_collection_label":["SpokenWeb AV"],"collection_contributing_unit":["SpokenWeb"],"source_collection_uri":[""],"collection_image_url":["https://archiveofthepresent.spokenweb.ca/_nuxt/img/header-img_1000.fd7675f.png"],"collection_source_collection_description":["SpokenWeb Audio Visual Collection"],"collection_source_collection_id":["ArchiveOfThePresent"],"persistent_url":["https://archiveofthepresent.spokenweb.ca/"],"item_title":["SpokenWeb Events AV, How Are We Listening, Now? A SpokenWeb Podcast Conversation, 18 June 2020"],"item_title_source":["SpokenWeb web page"],"item_title_note":["https://spokenweb.ca/events/how-are-we-listening-now-a-spokenweb-podcast-conversation/"],"item_language":["English"],"item_production_context":["Internet recording"],"item_series_title":["SpokenWeb Events"],"item_identifiers":["[]"],"creator_names":["Jason Camlot","Katherine McLeod","Aphrodite Salas"],"creator_names_search":["Jason Camlot","Katherine McLeod","Aphrodite Salas"],"creators":["[{\"url\":\"http://viaf.org/viaf/90740324\",\"name\":\"Jason Camlot\",\"dates\":\"1967-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\"]},{\"url\":\"http://viaf.org/viaf/44156495389117561605\",\"name\":\"Katherine McLeod\",\"dates\":\"1981-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\"]},{\"url\":\"\",\"name\":\"Aphrodite Salas\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\"]}]"],"contributors_names":["Oana Avasilichioaei","Stacey Copeland","Klara du Plessis","Alvaro Echánove","Marlene Oeffinger"],"contributors_names_search":["Oana Avasilichioaei","Stacey Copeland","Klara du Plessis","Alvaro Echánove","Marlene Oeffinger"],"contributors":["[{\"url\":\"http://viaf.org/viaf/3614174516024815930000\",\"name\":\"Oana Avasilichioaei\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Stacey Copeland\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/124151352052252602758\",\"name\":\"Klara du Plessis\",\"dates\":\"1988-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Alvaro Echánove\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Marlene Oeffinger\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Oana Avasilichioaei","Stacey Copeland","Klara du Plessis","Alvaro Echánove","Marlene Oeffinger"],"Performance_Date":[2020],"material_description":["[]"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"SpokenWeb_EDIT.mp4\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"01:07:04\",\"precision\":\"\",\"size\":\"2,698,913,056 bytes\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"MP4 video\",\"title\":\"SpokenWeb_EDIT\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"Video Recording\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2020-06-18\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/way/22080572\",\"venue\":\"Concordia University McConnell Building\",\"notes\":\"\",\"address\":\"1400 Boulevard de Maisonneuve O, Montreal, QC, H3G 1M8\",\"latitude\":\"45.4968036\",\"longitude\":\"-73.57792786\"}]"],"Address":["1400 Boulevard de Maisonneuve O, Montreal, QC, H3G 1M8"],"Venue":["Concordia University McConnell Building"],"City":["Montreal, Quebec"],"contents":["In the first weeks of the COVID-19 pandemic, Concordia researchers Jason Camlot and Katherine McLeod co-produced “How are we listening, now? Signal, Noise, Silence” for The SpokenWeb Podcast series in order to document our reactions to the changes in our sonic environments during this time of social distancing and self-isolation. Listen to the full episode or tune in to the re-broadcast on the 4TH SPACE Reruns Series on Tuesday June 9 (12noon). Then, on Thursday June 18, 12-noon ET, join Jason Camlot, Katherine McLeod, and special guests from the podcast - Oana Avasilichioaei, Stacey Copeland, Klara du Plessis, Alvaro Echánove, Marlene Oeffinger, and more - for a virtual conversation via Zoom. Moderated by Aphrodite Salas (Assistant Professor, Journalism, Concordia) and hosted by Concordia’s 4TH SPACE, this virtual conversation will be a lively and interactive opportunity to revisit the question at the heart of this podcast: How are we listening, now?"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670549988835328,"timestamp":"2026-01-07T14:59:54.597Z","score":0.9290923},{"id":"10055","cataloger_name":["Ella,Hooper"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SpokenWeb AV"],"source_collection_label":["SpokenWeb AV"],"collection_contributing_unit":["SpokenWeb"],"source_collection_uri":[""],"collection_image_url":["https://archiveofthepresent.spokenweb.ca/_nuxt/img/header-img_1000.fd7675f.png"],"collection_source_collection_description":["SpokenWeb Audio Visual Collection"],"collection_source_collection_id":["ArchiveOfThePresent"],"persistent_url":["https://archiveofthepresent.spokenweb.ca/"],"item_title":["SpokenWeb Events AV, Sounding Signs and Broadcasting Temporalities and Sounding Together, SpokenWeb Symposium 2022: The Sound of Literature in Time, 16 May 2022"],"item_title_source":["SpokenWeb web page "],"item_title_note":["https://spokenweb.ca/symposia/#/spokenweb-symposium-2022"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["SpokenWeb Events"],"item_identifiers":["[]"],"rights":["Creative Commons Attribution, Non-Commercial, ShareAlike (BY-NC-SA)"],"rights_license":["Creative Commons Attribution, Non-Commercial, ShareAlike (BY-NC-SA)"],"access":["Closed"],"creator_names":["Jason Camlot","Katherine McLeod","Michelle Levy"],"creator_names_search":["Jason Camlot","Katherine McLeod","Michelle Levy"],"creators":["[{\"url\":\"http://viaf.org/viaf/90740324\",\"name\":\"Jason Camlot\",\"dates\":\"1967-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\"]},{\"url\":\"http://viaf.org/viaf/44156495389117561605\",\"name\":\"Katherine McLeod\",\"dates\":\"1981-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\"]},{\"url\":\"http://viaf.org/viaf/20010042\",\"name\":\"Michelle Levy\",\"dates\":\"1968-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]}]"],"contributors_names":["Aubrey Grant","Kristen Smith","Kiera Obbard","Joseph Shea-Carter","Nick Beauchesne","Chelsea Miya","Ariel Kroon","Carlos Pittella","Lee Gilboa","Kristin Franseen"],"contributors_names_search":["Aubrey Grant","Kristen Smith","Kiera Obbard","Joseph Shea-Carter","Nick Beauchesne","Chelsea Miya","Ariel Kroon","Carlos Pittella","Lee Gilboa","Kristin Franseen"],"contributors":["[{\"url\":\"\",\"name\":\"Aubrey Grant\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Kristen Smith\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Kiera Obbard\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Joseph Shea-Carter \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Nick Beauchesne\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/9162060349751401864\",\"name\":\"Chelsea Miya\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Ariel Kroon\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Carlos Pittella\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Lee Gilboa\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Kristin Franseen\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Aubrey Grant","Kristen Smith","Kiera Obbard","Joseph Shea-Carter ","Nick Beauchesne","Chelsea Miya","Ariel Kroon","Carlos Pittella","Lee Gilboa","Kristin Franseen"],"Performance_Date":[2022],"material_description":["[]"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2022-05-16 SpokenWeb Symposium 2022 - 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Together, they may suggest questions about how sound has been represented in literary works from different historical periods, how time has structured the way literary works sound (as with poetic metre), how readings and recitations sound literature across a span of time, and how time is sounded in different literary cultures and communities. Explorations of non-Western temporal frameworks, as in Mark Rifkin’s Beyond Settler Time, and a recent special issue on Black Temporality in Times of Crisis edited by Badia Ahad and Habiba Ibrahim, for example, reveal diverse meanings of temporality across cultures. As a concept, sound is always moving through time, and so, descriptions of sound involve the description of time in motion. Even a piece of sound (a sound ‘bite’) must be in motion to be audibly perceptible. As Don Ihde, in his explorations of sound phenomenology observes, “[i]insofar as all sounds are also ‘events,’ all the sounds are within the first approximation, likely to be considered as ‘moving.’” Without motion, sound is rendered silent. This is especially evident in sounds that have been recorded on time-based audio recording media which suggest the possibility of capturing real historical time in mediated form. Media theorists have noticed how the real-time quality of recorded sound, that it puts us into time that has already passed and opens a tunnel connection with the past, triggers what Wolfgang Ernst has called “the drama of time critical media.” An encounter with a recorded sound develops as an experience of real time processing. It gives the listener the sense that the temporal process one hears is living in the present, replicating the live sonic event, of which it is apparently a real-time reproduction. Sound recording works on human perception itself, and on our perception of time. Other sound scholars have noted how the temporal qualities of sound immediately raise questions of historical context. For example, Pierre Schaeffer describes a “sound object” as “something that occurs in a certain place during a particular interval of time” for which questions of “context” apply. Friedrich Kittler’s work on literature and media has insisted that sound recording technology has had a transformative impact upon our relationship to the past. Time itself becomes a variable to be manipulated with technological media (you can speed up, slow down, reverse the direction of the record) suggesting that our capacity to manipulate the media artifact not only enables us to process historical “real time” so that it is experienced as a temporal event in the present, but to transform historical “real time” into events of alternate temporal orders, as well. Most recently, Mara Mills and Jonathan Sterne have explored the history of listening to literature at accelerated speeds by blind audiobook readers, and the technological history of time shifting in speech-oriented sound media. When we are talking about sound, time, and literature, we are considering the intervolved relationship of something we identify as a literary artifact as a kind of event that suggests possibilities of playing, replaying and creating history. \n\nSounding Signs\n\nChair: Jason Camlot\n\nAubrey Grant [IP] (Concordia), “Resounding the Hollow: Repetition and Onomatopoeia in Poe’s ‘The Bells’”\n\nKristen Smith [IP] (York), “Diagrammatic Codes, Lines, Crosshatchings: Finding Sound in Non-Linguistic Poetry”\n\nKiera Obbard [IP] (U of Guelph), “Close Reading the Sonic Topology of Instagram Poetry with Poemage”\n\nBroadcasting Temporalities\n\nChair: Katherine McLeod\n\nJoseph Shea-Carter [IP] (U of Guelph), “(Re)sounding Text: Time is Away and Sonic Re-Presentations of Literature”\n\nNick Beauchesne [IP], Ariel Kroon [IP], and Chelsea Miya [IP] (U of Alberta), “‘’A Voice of One’s Own’: Making (Air)Waves about Gendered Language in 1980s Campus Radio”\n\nSounding Together\n\nChair: Michelle Levy\n\nCarlos Pittella [IP] (Concordia), “’We’ the People: Collective Lyric Self in 21st-Century Poetry”\n\nLee Gilboa [V] (Brown), “Sound Together: The Chorus as a Possible Framework for Collectivity”\n\nKristin Franseen [IP] (Concordia), “Gossip, Musical Meaning, and (Im)possible Queer Pasts in Edward Prime-Stevenson’s Short Fiction”\n\n"],"score":0.9290923},{"id":"10056","cataloger_name":["Ella,Hooper"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SpokenWeb AV"],"source_collection_label":["SpokenWeb AV"],"collection_contributing_unit":["SpokenWeb"],"source_collection_uri":[""],"collection_image_url":["https://archiveofthepresent.spokenweb.ca/_nuxt/img/header-img_1000.fd7675f.png"],"collection_source_collection_description":["SpokenWeb Audio Visual Collection"],"collection_source_collection_id":["ArchiveOfThePresent"],"persistent_url":["https://archiveofthepresent.spokenweb.ca/"],"item_title":["SpokenWeb Events AV, Radical Voices and Sonic Memories and Improvising Language, SpokenWeb Symposium 2022: The Sound of Literature in Time, 17 May 2022"],"item_title_source":["SpokenWeb web page"],"item_title_note":["https://spokenweb.ca/symposia/#/spokenweb-symposium-2022"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_series_title":["SpokenWeb Events"],"item_identifiers":["[]"],"rights":["Creative Commons Attribution, Non-Commercial, ShareAlike (BY-NC-SA)"],"rights_license":["Creative Commons Attribution, Non-Commercial, ShareAlike (BY-NC-SA)"],"access":["Closed"],"creator_names":["Jason Camlot","Xiaoxuan Huang","Annie Murray","Michael O’Driscoll"],"creator_names_search":["Jason Camlot","Xiaoxuan Huang","Annie Murray","Michael O’Driscoll"],"creators":["[{\"url\":\"http://viaf.org/viaf/90740324\",\"name\":\"Jason Camlot\",\"dates\":\"1967-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\"]},{\"url\":\"\",\"name\":\"Xiaoxuan Huang \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"http://viaf.org/viaf/31170924535890151440\",\"name\":\"Annie Murray\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]},{\"url\":\"\",\"name\":\"Michael O’Driscoll\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]}]"],"contributors_names":["Sophia Magliocca","Shazia Hafiz Ramji","Kyle Kinaschuk","Effy Morris","Linara Kolosov","Sarah Cipes","Megan Stein","Thade Correa","Donald Shipton"],"contributors_names_search":["Sophia Magliocca","Shazia Hafiz Ramji","Kyle Kinaschuk","Effy Morris","Linara Kolosov","Sarah Cipes","Megan Stein","Thade Correa","Donald Shipton"],"contributors":["[{\"url\":\"\",\"name\":\"Sophia Magliocca\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Shazia Hafiz Ramji \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Kyle Kinaschuk\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Effy Morris\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Linara Kolosov\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Sarah Cipes \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Megan Stein\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Thade Correa \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Donald Shipton\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"Speaker_name":["Sophia Magliocca","Shazia Hafiz Ramji ","Kyle Kinaschuk","Effy Morris","Linara Kolosov","Sarah Cipes ","Megan Stein","Thade Correa ","Donald Shipton"],"Performance_Date":[2022],"material_description":["[]"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"2022-05-17 SpokenWeb Symposium 2022 - 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Sound recording works on human perception itself, and on our perception of time. Other sound scholars have noted how the temporal qualities of sound immediately raise questions of historical context. For example, Pierre Schaeffer describes a “sound object” as “something that occurs in a certain place during a particular interval of time” for which questions of “context” apply. Friedrich Kittler’s work on literature and media has insisted that sound recording technology has had a transformative impact upon our relationship to the past. Time itself becomes a variable to be manipulated with technological media (you can speed up, slow down, reverse the direction of the record) suggesting that our capacity to manipulate the media artifact not only enables us to process historical “real time” so that it is experienced as a temporal event in the present, but to transform historical “real time” into events of alternate temporal orders, as well. 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