[{"id":"9055","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["The Astonishment Tapes Talks on Poetry and Autobiography with Robin Blaser and Friends in Vancouver, 1974 Tape 8 of 20"],"item_title_source":["Cassette and J-card "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Marlatt, Daphne","Bowering, Angela","Blaser, Robin","Bowering, George","Nichols, Miriam"],"creator_names_search":["Tallman, Warren","Marlatt, Daphne","Bowering, Angela","Blaser, Robin","Bowering, George","Nichols, Miriam"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\" 1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Bowering, Angela\",\"dates\":\"\",\"notes\":\"George Bowering's wife; 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While there, he developed as a poet, explored his homosexuality, engaged in a lively arts community, and met fellow travelers and poets Robert Duncan and Jack Spicer. The three men became the founding members of the Berkeley core of what is now known as the San Francisco Renaissance in New American Poetry.\\n\\nIn the company of a small group of friends and writers in 1974, Blaser was asked to narrate his personal story and to comment on the Berkeley poetry scene. In twenty autobiographical audiotapes, Blaser talks about his childhood in Idaho, his time in Berkeley, and his participation in the making of a new kind of poetry. The Astonishment Tapes is the expertly edited transcript of these recordings by Miriam Nichols, Blaser’s editor and biographer.\\n\\nIn The Astonishment Tapes Blaser comments extensively on the poetic principles that he, Duncan, and Spicer worked through, as well as the differences and dissonances between the three of them. Nichols has edited the transcripts only minimally, allowing readers to make their own interpretations of Blaser’s intentions.\\n\\nSometimes gossipy, sometimes profound, Blaser offers his version on the inside story of one of the most significant moments in mid-twentieth century American poetry. The Astonishment Tapes is of considerable value and interest, not only to readers of Blaser, Duncan, and Spicer, but also to scholars of the early postmodern and twentieth-century American poetry.\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558005198853,"timestamp":"2026-01-07T15:00:02.246Z","score":2.1279798},{"id":"9057","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["The Astonishment Tapes Talks on Poetry and Autobiography with Robin Blaser and Friends in Vancouver, 1974 Tape 10 of 20"],"item_title_source":["Cassette and J-card "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Marlatt, Daphne","Bowering, Angela","Blaser, Robin","Bowering, George","Nichols, Miriam"],"creator_names_search":["Tallman, Warren","Marlatt, Daphne","Bowering, Angela","Blaser, Robin","Bowering, George","Nichols, Miriam"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\" 1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"Bowering, Angela\",\"dates\":\"\",\"notes\":\"George Bowering's wife; 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While there, he developed as a poet, explored his homosexuality, engaged in a lively arts community, and met fellow travelers and poets Robert Duncan and Jack Spicer. The three men became the founding members of the Berkeley core of what is now known as the San Francisco Renaissance in New American Poetry.\\n\\nIn the company of a small group of friends and writers in 1974, Blaser was asked to narrate his personal story and to comment on the Berkeley poetry scene. In twenty autobiographical audiotapes, Blaser talks about his childhood in Idaho, his time in Berkeley, and his participation in the making of a new kind of poetry. The Astonishment Tapes is the expertly edited transcript of these recordings by Miriam Nichols, Blaser’s editor and biographer.\\n\\nIn The Astonishment Tapes Blaser comments extensively on the poetic principles that he, Duncan, and Spicer worked through, as well as the differences and dissonances between the three of them. 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While there, he developed as a poet, explored his homosexuality, engaged in a lively arts community, and met fellow travelers and poets Robert Duncan and Jack Spicer. The three men became the founding members of the Berkeley core of what is now known as the San Francisco Renaissance in New American Poetry.\\n\\nIn the company of a small group of friends and writers in 1974, Blaser was asked to narrate his personal story and to comment on the Berkeley poetry scene. In twenty autobiographical audiotapes, Blaser talks about his childhood in Idaho, his time in Berkeley, and his participation in the making of a new kind of poetry. The Astonishment Tapes is the expertly edited transcript of these recordings by Miriam Nichols, Blaser’s editor and biographer.\\n\\nIn The Astonishment Tapes Blaser comments extensively on the poetic principles that he, Duncan, and Spicer worked through, as well as the differences and dissonances between the three of them. Nichols has edited the transcripts only minimally, allowing readers to make their own interpretations of Blaser’s intentions.\\n\\nSometimes gossipy, sometimes profound, Blaser offers his version on the inside story of one of the most significant moments in mid-twentieth century American poetry. 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While there, he developed as a poet, explored his homosexuality, engaged in a lively arts community, and met fellow travelers and poets Robert Duncan and Jack Spicer. The three men became the founding members of the Berkeley core of what is now known as the San Francisco Renaissance in New American Poetry.\\n\\nIn the company of a small group of friends and writers in 1974, Blaser was asked to narrate his personal story and to comment on the Berkeley poetry scene. In twenty autobiographical audiotapes, Blaser talks about his childhood in Idaho, his time in Berkeley, and his participation in the making of a new kind of poetry. The Astonishment Tapes is the expertly edited transcript of these recordings by Miriam Nichols, Blaser’s editor and biographer.\\n\\nIn The Astonishment Tapes Blaser comments extensively on the poetic principles that he, Duncan, and Spicer worked through, as well as the differences and dissonances between the three of them. 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Vancouver Regional District, British Columbia, Canada \",\"latitude\":\"49.2600\",\"longitude\":\"-123.1149\"}]"],"Address":["City Vancouver, Metro Vancouver Regional District, British Columbia, Canada "],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"We found the info through the following link on https://www.amazon.ca/Astonishment-Tapes-Poetry-Autobiography-Friends/dp/0817358099\\n\\nRobin Blaser moved from his native Idaho to attend the University of California, Berkeley, in 1944. While there, he developed as a poet, explored his homosexuality, engaged in a lively arts community, and met fellow travelers and poets Robert Duncan and Jack Spicer. The three men became the founding members of the Berkeley core of what is now known as the San Francisco Renaissance in New American Poetry.\\n\\nIn the company of a small group of friends and writers in 1974, Blaser was asked to narrate his personal story and to comment on the Berkeley poetry scene. In twenty autobiographical audiotapes, Blaser talks about his childhood in Idaho, his time in Berkeley, and his participation in the making of a new kind of poetry. The Astonishment Tapes is the expertly edited transcript of these recordings by Miriam Nichols, Blaser’s editor and biographer.\\n\\nIn The Astonishment Tapes Blaser comments extensively on the poetic principles that he, Duncan, and Spicer worked through, as well as the differences and dissonances between the three of them. Nichols has edited the transcripts only minimally, allowing readers to make their own interpretations of Blaser’s intentions.\\n\\nSometimes gossipy, sometimes profound, Blaser offers his version on the inside story of one of the most significant moments in mid-twentieth century American poetry. The Astonishment Tapes is of considerable value and interest, not only to readers of Blaser, Duncan, and Spicer, but also to scholars of the early postmodern and twentieth-century American poetry.\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558212816901,"timestamp":"2026-01-07T15:00:02.444Z","score":2.1279798},{"id":"9067","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["The Astonishment Tapes Talks on Poetry and Autobiography with Robin Blaser and Friends in Vancouver, 1974 Tape 20 of 20"],"item_title_source":["Cassette and J-card "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Tallman, Warren","Marlatt, Daphne","Blaser, Robin","Bowering, George","Nichols, Miriam","Bowering, Angela"],"creator_names_search":["Tallman, Warren","Marlatt, Daphne","Blaser, Robin","Bowering, George","Nichols, Miriam","Bowering, Angela"],"creators":["[{\"url\":\"http://viaf.org/viaf/11397708\",\"name\":\"Tallman, Warren\",\"dates\":\" 1921-1994\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/92127388\",\"name\":\"Marlatt, Daphne\",\"dates\":\"1942-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/17240199\",\"name\":\"Blaser, Robin\",\"dates\":\"1925-2009\",\"notes\":\"\",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/34469976\",\"name\":\"Bowering, George\",\"dates\":\" 1935-\",\"notes\":\"George Bowering's wife; he is heard on some tapes in this series of tapes \",\"nation\":[],\"role\":[\"Speaker\"]},{\"url\":\"http://viaf.org/viaf/44522700\",\"name\":\"Nichols, Miriam\",\"dates\":\"1952-\",\"notes\":\"Nichols has edited the transcripts only minimally, allowing readers to make their own interpretations of Blaser’s intentions.\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Bowering, Angela\",\"dates\":\"\",\"notes\":\"George Bowering's wife; she is heard on tape 4 of 20\",\"nation\":[],\"role\":[\"Speaker\"]}]"],"contributors":["[]"],"Publication_Date":[1974],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/9067/Roy Miki Fonds_MsC 161_220.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-220 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:32:00\",\"precision\":\"\",\"size\":\"677.3 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-220 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:59\",\"precision\":\"\",\"size\":\"676.9 MB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1974\",\"type\":\"Publication Date\",\"notes\":\"We found the date online through this link: https://writing.upenn.edu/pennsound/x/Blaser.php\",\"source\":\"Internet \"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/1852574\",\"venue\":\"\",\"notes\":\"We found the location online through this link: https://writing.upenn.edu/pennsound/x/Blaser.php\\n\",\"address\":\"City Vancouver, Metro Vancouver Regional District, British Columbia, Canada \",\"latitude\":\"49.2600\",\"longitude\":\"-123.1149\"}]"],"Address":["City Vancouver, Metro Vancouver Regional District, British Columbia, Canada "],"City":["Vancouver, British Columbia"],"Note":["[{\"note\":\"We found the info through the following link on https://www.amazon.ca/Astonishment-Tapes-Poetry-Autobiography-Friends/dp/0817358099\\n\\nRobin Blaser moved from his native Idaho to attend the University of California, Berkeley, in 1944. While there, he developed as a poet, explored his homosexuality, engaged in a lively arts community, and met fellow travelers and poets Robert Duncan and Jack Spicer. The three men became the founding members of the Berkeley core of what is now known as the San Francisco Renaissance in New American Poetry.\\n\\nIn the company of a small group of friends and writers in 1974, Blaser was asked to narrate his personal story and to comment on the Berkeley poetry scene. In twenty autobiographical audiotapes, Blaser talks about his childhood in Idaho, his time in Berkeley, and his participation in the making of a new kind of poetry. The Astonishment Tapes is the expertly edited transcript of these recordings by Miriam Nichols, Blaser’s editor and biographer.\\n\\nIn The Astonishment Tapes Blaser comments extensively on the poetic principles that he, Duncan, and Spicer worked through, as well as the differences and dissonances between the three of them. Nichols has edited the transcripts only minimally, allowing readers to make their own interpretations of Blaser’s intentions.\\n\\nSometimes gossipy, sometimes profound, Blaser offers his version on the inside story of one of the most significant moments in mid-twentieth century American poetry. The Astonishment Tapes is of considerable value and interest, not only to readers of Blaser, Duncan, and Spicer, but also to scholars of the early postmodern and twentieth-century American poetry.\\n\",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558212816902,"timestamp":"2026-01-07T15:00:02.444Z","score":2.1279798},{"id":"10001","cataloger_name":["Mozhgan,Nourafkan"],"partnerInstitution":["Simon Fraser University"],"collection_source_collection":["Roy Miki Fonds "],"source_collection_label":["Roy Miki Fonds "],"collection_contributing_unit":["SFU Library"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":["MsC 161"],"persistent_url":[""],"item_title":["FUGITIVE FORMS: Paul Dutton "],"item_title_source":["Cassette and J-card "],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"rights":["Copyright Not Evaluated (CNE)"],"creator_names":["Reed, Jimmy","Waters, Muddy","Chopin, Henri","Newlove, John","Whiting, John","Dutton, Paul","Nichol, bp (Barrie Phillip)"],"creator_names_search":["Reed, Jimmy","Waters, Muddy","Chopin, Henri","Newlove, John","Whiting, John","Dutton, Paul","Nichol, bp (Barrie Phillip)"],"creators":["[{\"url\":\"http://viaf.org/viaf/59272140\",\"name\":\"Reed, Jimmy\",\"dates\":\"1925-1976\",\"notes\":\"Blue Reed's performance on side one of the tape is for Jimmy Reed\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/51876215\",\"name\":\"Waters, Muddy\",\"dates\":\"1915-1983\",\"notes\":\"Sound Blues performance on side two of this tape is for Muddy Waters\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/22184258\",\"name\":\"Chopin, Henri \",\"dates\":\"1922-2008\",\"notes\":\"Vive Le performance on side one of this tape is for Henri Chopin\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/92277383\",\"name\":\"Newlove, John\",\"dates\":\"1938-2003\",\"notes\":\"Dr. Mustard's Found Sound (from uncorrected printer's proofs, courtesy John Newlove\",\"nation\":[],\"role\":[]},{\"url\":\"\",\"name\":\"Whiting, John\",\"dates\":\"\",\"notes\":\"He is the recording engineer for all cuts on side one were recorded in performance at the Fourteenth International Sound Poetry Festival, London, England, March 31, 1984\",\"nation\":[],\"role\":[]},{\"url\":\"http://viaf.org/viaf/36999806\",\"name\":\"Dutton, Paul\",\"dates\":\"1943-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Producer\",\"Performer\"]},{\"url\":\"http://viaf.org/viaf/76350280\",\"name\":\"Nichol, bp (Barrie Phillip)\",\"dates\":\"1944-1988\",\"notes\":\"This cassette is dedicated to bpNichol who helped a lot of it to happen \\nFor The Letter That Begins Them All, H for bpNichol\",\"nation\":[],\"role\":[]}]"],"contributors":["[]"],"Publication_Date":[1973],"Production_Date":[1986],"material_description":["[{\"side\":\"\",\"image\":\"Uploads/10001/Roy Miki Fonds_MsC 161_390.jpg\",\"other\":\"\",\"extent\":\"1/8 inch\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Good\",\"recording_type\":\"Analogue\",\"storage_capacity\":\"\",\"physical_condition\":\"Good\",\"track_configuration\":\"\",\"material_designation\":\"Cassette\",\"physical_composition\":\"Magnetic Tape\",\"accompanying_material\":\"\",\"other_physical_description\":\"Black and white clear jewel case with J-card\"}]"],"material_designations":["Cassette"],"physical_compositions":["Magnetic Tape"],"recording_type":["Analogue"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-390 Side A\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:34\",\"precision\":\"\",\"size\":\"28.9 GB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"},{\"file_url\":\"\",\"file_path\":\"\",\"filename\":\"MsC161-390 Side B\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"T00:31:27\",\"precision\":\"\",\"size\":\"28.8 GB\",\"bitrate\":\"32 bit\",\"encoding\":\"WAV for master files and .MP3 for online files\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"1986-07 \",\"type\":\"Production Date\",\"notes\":\"\\\"Mouth to Mouth\\\" and \\\"Stereo Nose\\\" were recorded on home equipment in Toronto, Canada July - August 1986\\n\",\"source\":\"J-card \"},{\"date\":\"1986-08\",\"type\":\"Production Date\",\"notes\":\"\\\"Mouth to Mouth\\\" and \\\"Stereo Nose\\\" were recorded on home equipment in Toronto, Canada July - August 1986\\n\",\"source\":\"J-card\"},{\"date\":\"1986-11-18\",\"type\":\"Production Date\",\"notes\":\"All other cuts on side 2 were recorded at Cibourge Electronic Studios in Toronto, Canada\",\"source\":\"J-card\"},{\"date\":\"1986-11-22\",\"type\":\"Production Date\",\"notes\":\"All other cuts on side 2 were recorded at Cibourge Electronic Studios in Toronto, Canada\",\"source\":\"J-card\"},{\"date\":\"1984-03-31\",\"type\":\"Production Date\",\"notes\":\"All cuts on side one were recorded in performance at the Fourteenth International Sound Poetry Festival, London, March 31, 1984\",\"source\":\"J-card\"},{\"date\":\"1980\",\"type\":\"Production Date\",\"notes\":\"\\\"Blue Reed's\\\" appeared in duet form (with trumpet) on Blues, Roots, Legends, Shouts, and Hollers (Toronto, Canada: Starborne Productions, c/o Underwhich Editions\",\"source\":\"J-card\"},{\"date\":\"1973\",\"type\":\"Publication Date\",\"notes\":\"Dr. Mustard's Found Sound (from uncorrected printer's proofs, courtesy John Newlove\",\"source\":\"J-card\"},{\"date\":\"1986\",\"type\":\"Publication Date\",\"notes\":\"For The Letter That Begins Them All, H for bpNichol\\nMercure\",\"source\":\"J-card\"},{\"date\":\"1969\",\"type\":\"Publication Date\",\"notes\":\"Sound Blues for Muddy Waters \",\"source\":\"J-card\"},{\"date\":\"1979\",\"type\":\"Publication Date\",\"notes\":\"Vive Le for Henri Chopin \",\"source\":\"J-card\"},{\"date\":\"1983\",\"type\":\"Publication Date\",\"notes\":\"The Eighth Sea\",\"source\":\"J-card\"},{\"date\":\"1975\",\"type\":\"Publication Date\",\"notes\":\"From So'nets\",\"source\":\"J-card\"},{\"date\":\"1978\",\"type\":\"Publication Date\",\"notes\":\"Blue Reed's for Jimmy Reed \",\"source\":\"J-card\"},{\"date\":\"1981\",\"type\":\"Publication Date\",\"notes\":\"Persephone \",\"source\":\"J-card\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/relation/51800#map=14/51.51509/-0.09330\",\"venue\":\"\",\"notes\":\"All cuts on side one were recorded in performance at the Fourteenth International Sound Poetry Festival, London, England, March 31, 1984\",\"address\":\"City of London, Greater London, England, United Kingdom \",\"latitude\":\"51.51569\",\"longitude\":\"-0.09192\"},{\"url\":\"https://www.openstreetmap.org/relation/324211\",\"venue\":\"\",\"notes\":\"\\\"Blue Reed's\\\" appeared in duet form (with trumpet) on Blues, Roots, Legends, Shouts, and Hollers (Toronto, Canada: Starborne Productions, c/o Underwhich Editions, 1980\\n\\nand\\n\\n\\\"Mouth to Mouth\\\" and \\\"Stereo Nose\\\" were recorded on home equipment in Toronto, Canada\\n\",\"address\":\"City Toronto, Golden Horseshoe, Ontario, Canada\",\"latitude\":\"43.6520\",\"longitude\":\"-79.3831\"},{\"url\":\"https://www.openstreetmap.org/relation/324211\",\"venue\":\"Cibourge Electronic Studios\",\"notes\":\"As the exact address of Cibourge Electronic Studios could not be found, we have used the general latitude and longitude coordinates for Toronto, Canada instead.\\n\\nAll other cuts on side 2 were recorded at Cibourge Electronic Studios in Toronto, Canada in 1986\\nand\\nFugitive Forms was mixed and mastered at Cibourge Electronic Studios \",\"address\":\"City Toronto, Golden Horseshoe, Ontario, Canada\",\"latitude\":\"43.6520\",\"longitude\":\"-79.3831\"},{\"url\":\"https://www.openstreetmap.org/relation/162798\",\"venue\":\"\",\"notes\":\"\\\"Mouth to Mouth\\\" appeared previously under the title \\\"Stereo Mouth\\\" on Slowscan 4 (Den Bosch, Holland: Drain Press, 1986)\",\"address\":\"City s-Hertogenbosch, North Brabant, Netherlands\",\"latitude\":\"51.6896\",\"longitude\":\"5.3030\"}]"],"Address":["City of London, Greater London, England, United Kingdom ","City Toronto, Golden Horseshoe, Ontario, Canada","City Toronto, Golden Horseshoe, Ontario, Canada","City s-Hertogenbosch, North Brabant, Netherlands"],"Venue":["Cibourge Electronic Studios"],"City":["London, United Kingdom","Toronto, Ontario","Toronto, Ontario"],"Note":["[{\"note\":\"The author thanks Canada Council and Canada's Department of External affairs for writing and travel grants respectively, which made completion of this tape possible \",\"type\":\"General\"}]"],"Related_works":["[]"],"_version_":1853670558434066440,"timestamp":"2026-01-07T15:00:02.646Z","score":2.1279798}]