[{"id":"1238","cataloger_name":["Faith,Paré"],"partnerInstitution":["Concordia University"],"collection_source_collection":["Ian Ferrier fonds"],"source_collection_label":["Ian Ferrier fonds"],"collection_contributing_unit":["Ian Ferrier"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Words and Music at Casa Del Popolo 2019-04-14"],"item_title_source":["Cataloguer"],"item_language":["English"],"item_production_context":["Documentary recording"],"item_identifiers":["[]"],"creator_names":["Ferrier, Ian"],"creator_names_search":["Ferrier, Ian"],"creators":["[{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors_names":["Elnur, Nazim","Tanguay, Pierre","Wren, Jacob","Taylor, Rae Marie","Coleman, Nisha","Ferrier, Ian"],"contributors_names_search":["Elnur, Nazim","Tanguay, Pierre","Wren, Jacob","Taylor, Rae Marie","Coleman, Nisha","Ferrier, Ian"],"contributors":["[{\"url\":\"\",\"name\":\"Elnur, Nazim\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/41719021\",\"name\":\"Tanguay, Pierre\",\"dates\":\"1957-\",\"notes\":\"Performs with poet Rae Marie Taylor.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/51023139\",\"name\":\"Wren, Jacob\",\"dates\":\"1971-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\" http://viaf.org/viaf/316951237\",\"name\":\"Taylor, Rae Marie\",\"dates\":\"1946-\",\"notes\":\"Performs with musician Pierre Tanguay.\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/991145857125322921819\",\"name\":\"Coleman, Nisha\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"http://viaf.org/viaf/91437046\",\"name\":\"Ferrier, Ian\",\"dates\":\"1954-\",\"notes\":\"\",\"nation\":[],\"role\":[\"Presenter\"]}]"],"performer_name":["Elnur, Nazim","Tanguay, Pierre","Wren, Jacob","Taylor, Rae Marie","Coleman, Nisha"],"Presenter_name":["Ferrier, Ian"],"Performance_Date":[2019],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"In folder: 6 audio. 6 .sfk files. \",\"extent\":\"\",\"AV_types\":\"Audio\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"Excellent\",\"recording_type\":\"Digital\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"recording_type":["Digital"],"AV_type":["Audio"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/concordia/wordsandmusic/wm_new/Ian Ferrier Words and Music/02 W%26M Shows/2019/W%26M April 14 2019 Show/\",\"file_path\":\"\",\"filename\":\"STE-010 W&M April 2019 Rae Marie, Nisha Coleman, Nazim Elnur, Jacob Wren.wav\",\"channel_field\":\"\",\"sample_rate\":\"\",\"duration\":\"1:56:44\",\"precision\":\"\",\"size\":\"1.9 GB\",\"bitrate\":\"\",\"encoding\":\"\",\"contents\":\"\",\"notes\":\"\",\"title\":\"\",\"credit\":\"\",\"caption\":\"\",\"content_type\":\"\",\"featured\":\"\",\"public_access_url\":\"\"}]"],"Dates":["[{\"date\":\"2019 04 14\",\"type\":\"Performance Date\",\"notes\":\"\",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/1570292450\",\"venue\":\"Casa Del Popolo\",\"notes\":\"\",\"address\":\"4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada\",\"latitude\":\"45,5222118\",\"longitude\":\"-73,5905321\"}]"],"Address":["4873, Boulevard Saint-Laurent, Montreal, Quebec, Canada"],"Venue":["Casa Del Popolo"],"City":["Montreal, Quebec"],"Note":["[]"],"Related_works":["[]"],"_version_":1853670548636172288,"timestamp":"2026-01-07T14:59:53.264Z","contents":["File 1 of 1 — STE-010 W&M April 2019 Rae Marie, Nisha Coleman, Nazim Elnur, Jacob Wren.wav\n\nUnknown\n0:00:00\nAmbient Sounds [recorded music].\n\nUnknown\n0:01:01\nAmbient Sounds [voices; recorded music continues].\n\nIan Ferrier\n0:02:01\nIntroduces event. Introduces Rae Marie Taylor and Pierre Tanguay.\n\nAudience\n0:02:36\nApplause.\n\nRae Marie Taylor\n0:02:41\nAddresses Ferrier. Addresses audience. \n\nPierre Tanguay\n0:03:02\nAddresses Taylor.\n\nRae Marie Taylor\n0:03:05\nResumes addressing audience. Introduces excerpt from “Steady. Against the Absurd. Kinship at the Core.” [literary work by Rae Marie Taylor]. | Keywords: Diane LaBrosse [https://www.wikidata.org/wiki/Q52603064].\n\nRae Marie Taylor, Pierre Tanguay\n0:04:08\nPerforms from “Steady. Against the Absurd. Kinship at the Core.” with musical accompaniment. \n\nAudience\n0:24:57\nApplause.\n\nIan Ferrier\n0:25:28\nIntroduces Nisha Coleman. Addresses audience member. \n\nAudience Member 1\n0:26:00\nAddresses Ferrier. \n\nIan Ferrier\n0:26:05\nResumes introducing Nisha Coleman. | Keywords: Confabulation [storytelling series]; Phi Centre [https://www.wikidata.org/wiki/Q38271412]; Centaur Theatre [https://www.wikidata.org/wiki/Q1053482].\n\nAudience\n0:26:33\nApplause.\n\nNisha Coleman\n0:26:43\nIntroduces unnamed story. | Keywords: Paris [https://www.wikidata.org/wiki/Q90].\n\nNisha Coleman\n0:27:11\nPerforms unnamed story with accompanying song.\n\nAudience\n0:42:54\nApplause.\n\nIan Ferrier\n0:43:09\nAddresses audience. \n\nNisha Coleman\n0:43:16\nAddresses Ferrier and audience [unintelligible].\n\nIan Ferrier \n0:43:18\nAnnounces intermission. \n\nUnknown\n0:43:30\nSilence [Cut in recording].\n\nUnknown\n0:43:33\nAmbient Sounds [recorded music, movement, voices].\n\nIan Ferrier\n1:06:38\nAnnounces second set. Introduces Nazim Elnur. | Keywords: Trump [https://www.wikidata.org/wiki/Q22686]; United States [https://www.wikidata.org/wiki/Q30]; Sudan [https://www.wikidata.org/wiki/Q1049].\n\nAudience\n1:07:23\nApplause.\n\nNazim Elnur\n1:07:32\nAddresses audience. Introduces “Back to Cairo”. | Keywords: hip hop [https://www.wikidata.org/wiki/Q1132127]; immigrant [https://www.wikidata.org/wiki/Q12547146]; culture shock [https://www.wikidata.org/wiki/Q268586].\n\nNazim Elnur\n1:08:44\nPerforms “Back to Cairo”. \n\nAudience\n1:12:48\nApplause.\n\nNazim Elnur\n1:12:55\nIntroduces unnamed poem 1. | Keywords: dictatorship [https://www.wikidata.org/wiki/Q57265].\n\nNazim Elnur\n1:13:57\nPerforms unnamed poem 1. \n\nNazim Elnur\n1:14:06\nAddresses audience.\n\nNazim Elnur\n1:14:12\nResumes performing unnamed poem 1.\n\nAudience\n1:17:27\nApplause.\n\nNazim Elnur\n1:17:36\nAddresses audience. Introduces unnamed poem 2.\n\nNazim Elnur\n1:18:38\nPerforms unnamed poem 2.\n\nNazim Elnur\n1:21:06\nAddresses audience\n\nAudience\n1:21:08\nApplause.\n\nUnknown\n1:21:21\nAmbient Sounds [movement].\n\nIan Ferrier\n1:21:31\nIntroduces Jacob Wren. Promotes Wren’s Authenticity is a Feeling: My Life in PME-ART [Book*hug; 2018] and A User’s Guide to Authenticity is a Feeling [performance; Thêatre La Chapelle; 2019]. | Keywords: La Chapelle [https://www.wikidata.org/wiki/Q3527489].\n\nAudience\n1:22:02\nApplause.\n\nJacob Wren\n1:22:10\nAddresses audience. Introduces excerpt from Authenticity is a Feeling. | Keywords: PME-ART [performance group].\n\nJacob Wren\n1:23:31\nReads from Authenticity is a Feeling.\n\nAudience\n1:27:21\nApplause.\n\nIan Ferrier\n1:27:33\nAnnounces intermission and upcoming third set featuring Stefan Christoff.\n\nAudience\n1:28:01\nApplause.\n\nUnknown\n1:28:06\nAmbient Sounds [recorded music; voices].\n\nStefan Christoff\n1:43:03\nAddresses Ferrier [unintelligible].\n\nIan Ferrier\n1:43:13\nIntroduces Stefan Christoff. | Keywords: Sam Shalabi [https://www.wikidata.org/wiki/Q2216598].\n\nAudience\n1:43:32\nApplause [Christoff playing piano throughout].\n\nStefan Christoff\n1:43:37\nPerforms unnamed composition. \n\nAudience\n1:54:21\nApplause.\n\nStefan Christoff\n1:54:32\nAddresses Ferrier and audience. Promotes upcoming benefit show with Sam Shalabi and other artists on 23 April 2019.\n\nAudience\n1:55:12\nApplause.\n\nIan Ferrier\n1:55:18\nAddresses Christoff and audience. Promotes May Words and Music Show.\n\nAudience\n1:55:45\nApplause.\n\nUnknown\n1:55:48\nAmbient Sounds [recorded music].\n\nEND\n1:56:44\n[End of recording]."],"score":1.0},{"id":"1521","cataloger_name":["Masoumeh,Zaare"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SpokenWeb Archive of the Present"],"source_collection_label":["SpokenWeb Archive of the Present"],"collection_contributing_unit":["Project Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Performing Technology: SpokenWeb Presents Oana Avasilichioaei"],"item_title_source":["SpokenWeb Archive of the Present"],"item_title_note":["Performing Technology was an investigation into the electroacoustic tools and methods that poets and sound-artists use to manipulate and create sound poetry and sound art. There were performances and conversations about methods of listening to our sonic environments.\n\nOpening performance debuted a new sonic creation \"Sonic Thresholds: 4th Space\" by Concordia PhD student, Nik Forrest, the recipient of a SpokenWeb research creation award.\n\nFeature performance by poet and sound-artist Oana Avasilichioaei who performed her multimedia piece OPERATOR, which explores the subject position(s) of military drone operators through text, video, improvisation, and live electroacoustic sound.\n\nAfter the performances, a Q&A panel with performers explored the technology used in their artistic practice, along with questions such as: How can technology compose poetic sound? Can ‘smart’ tech be ‘smart’ sound? What happens when improvisation meets technology? Audience members were encouraged to ask questions and to reflect upon the experience of hearing this performance with and through technology. \n\nOana Avasilichioaei interweaves poetry, translation, photography, sound, and performance to explore an expanded idea of language, polylingual and polyphonic poetics, historical structures, borders, and orality. Her six poetry collections include We, Beasts (Wolsak & Wynn 2012, A. M. Klein Prize for Poetry), Limbinal (Talonbooks 2015), and Eight Track (Talonbooks, 2019), a poetic, sonic, visual investigation of ideas around tracks/tracking. Recent sound-performance works include EIGHT OVER TWO (2019, Semi Silent Award) and OPERATOR (2018), and she is currently writing a libretto for a one-act opera (FAWN, Toronto). She has also translated eight books of poetry and prose, including Bertrand Laverdure’s Readopolis (Book*hug 2017, Governor General Literary Award). Based in Montreal, Avasilichioaei was the 2018 Audain Visual Artist in Residence at Simon Fraser University in Vancouver. Read more about Avasilichioaei's work here: https://www.oanalab.com/\n\nNik Forrest is a trans-disciplinary artist based in Tio’tia:ke/Montreal. Currently a PhD student in the Interdisciplinary Humanities program at Concordia, their research combines sound studies, gender studies and creative practice in sound performance and installation. Their sound installations have been shown at Oboro (Montreal), Eastern Block (Montreal), Paved Arts and New Media (Saskatoon), Latitude 54 (Edmonton) and most recently at the Kunsthalle Mulhouse (France). Their short experimental videos have been shown widely at festivals, galleries and museums both in Canada and internationally. Previous sound & video performance: https://vimeo.com/275675933"],"item_language":["English"],"item_identifiers":["[]"],"creator_names":["Mcleod, Katherine"],"creator_names_search":["Mcleod, Katherine"],"creators":["[{\"url\":\"\",\"name\":\"Mcleod, Katherine\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors_names":["Avasilichioaei, Oana","Forrest, Nik"],"contributors_names_search":["Avasilichioaei, Oana","Forrest, Nik"],"contributors":["[{\"url\":\"\",\"name\":\"Avasilichioaei, Oana\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Forrest, Nik \",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Avasilichioaei, Oana","Forrest, Nik "],"Performance_Date":[2019],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"digital_description":["[{\"file_url\":\"https://files.spokenweb.ca/archive-of-the-present/audio/oana-avasilichioaei-cu-performing-technology-2019-11-14.wav\",\"file_path\":\"\",\"filename\":\"oana-avasilichioaei-cu-performing-technology-2019-11-14.wav\",\"channel_field\":\"Stereo\",\"sample_rate\":\"44.1 kHz\",\"duration\":\"01:44:29\",\"precision\":\"24 Bit\",\"size\":\"1.66 GB\",\"bitrate\":\"\",\"encoding\":\"WAV\",\"contents\":\"\",\"notes\":\"Original filename: 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Date\",\"notes\":\"16:00-18:00 EDT \",\"source\":\"\"}]"],"Location":["[{\"url\":\"https://www.openstreetmap.org/node/4034097006\",\"venue\":\"4TH SPACE, Concordia University, LB 103\",\"notes\":\"Montreal, QC\",\"address\":\"1400 Boulevard De Maisonneuve Ouest Montreal, Quebec H3G 1M8\",\"latitude\":\"45.4969147\",\"longitude\":\"-73.5773731\"}]"],"Address":["1400 Boulevard De Maisonneuve Ouest Montreal, Quebec H3G 1M8"],"Venue":["4TH SPACE, Concordia University, LB 103"],"City":["Montreal, Quebec"],"contents":["Performing Technology is an investigation into the electroacoustic tools and methods that poets and sound-artists use to manipulate and create sound poetry and sound art. The event consists of performances and conversations about methods of listening to our sonic environments.\n\nOpening performance debuts a new sonic creation \"Sonic Thresholds: 4th Space\" by Concordia PhD student, Nik Forrest, the recipient of a SpokenWeb research creation award.\n\nFeature performance by poet and sound-artist Oana Avasilichioaei performing her multimedia piece OPERATOR, which explores the subject position(s) of military drone operators through text, video, improvisation, and live electroacoustic sound.\n\nAfter the performances, a Q&A panel with performers explores the technology used in their artistic practice, along with questions such as: How can technology compose poetic sound? Can ‘smart’ tech be ‘smart’ sound? What happens when improvisation meets technology? Audience members are encouraged to ask questions and to reflect upon the experience of hearing this performance with and through technology. The event was free to attend."],"Note":["[]"],"Related_works":["[]"],"_version_":1853670549126905856,"timestamp":"2026-01-07T14:59:53.772Z","score":1.0},{"id":"1522","cataloger_name":["Masoumeh,Zaare"],"partnerInstitution":["Concordia University"],"collection_source_collection":["SpokenWeb Archive of the Present"],"source_collection_label":["SpokenWeb Archive of the Present"],"collection_contributing_unit":["Project Archives"],"source_collection_uri":[""],"collection_image_url":[""],"collection_source_collection_id":[""],"persistent_url":[""],"item_title":["Deep Curation with Blue Metropolis Literary Festival"],"item_title_source":["SpokenWeb Archive of the Present"],"item_title_note":["Deep Curation is a new and experimental approach to literary event planning. The event was curated and hosted by Klara du Plessis, PhD candidate in the Department of English and featured poets Liz Howard, Oana Avasilichioaei and Tess Liem (MA 17).\n\n“This format refocuses agency on the curator who chooses the exact poems and reading order,” du Plessis explained. “This creates a cohesive, thematic arc to the event. It’s not necessarily performative, but it is definitely a very directed poetry reading experience.”"],"item_language":["English"],"item_identifiers":["[]"],"creator_names":["du Plessis, Klara"],"creator_names_search":["du Plessis, Klara"],"creators":["[{\"url\":\"\",\"name\":\"du Plessis, Klara\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Series organizer\"]}]"],"contributors_names":["Avasilichioaei, Oana","Howard, Liz","Liem, Tess"],"contributors_names_search":["Avasilichioaei, Oana","Howard, Liz","Liem, Tess"],"contributors":["[{\"url\":\"\",\"name\":\"Avasilichioaei, Oana\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Howard, Liz\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]},{\"url\":\"\",\"name\":\"Liem, Tess\",\"dates\":\"\",\"notes\":\"\",\"nation\":[],\"role\":[\"Performer\"]}]"],"performer_name":["Avasilichioaei, Oana","Howard, Liz","Liem, Tess"],"Performance_Date":[2019],"material_description":["[{\"side\":\"\",\"image\":\"\",\"other\":\"\",\"extent\":\"\",\"AV_types\":\"\",\"tape_brand\":\"\",\"generations\":\"\",\"Conservation\":\"\",\"equalization\":\"\",\"playback_mode\":\"\",\"playing_speed\":\"\",\"sound_quality\":\"\",\"recording_type\":\"\",\"storage_capacity\":\"\",\"physical_condition\":\"\",\"track_configuration\":\"\",\"material_designation\":\"\",\"physical_composition\":\"\",\"accompanying_material\":\"\",\"other_physical_description\":\"\"}]"],"Dates":["[{\"date\":\"2019-05-03\",\"type\":\"Performance Date\",\"notes\":\"14:00-15:30 EDT\",\"source\":\"\"}]"],"Location":["[{\"url\":\"\",\"venue\":\"Hôtel 10, Salle Godin, Blue Metropolis International Literary Festival\",\"notes\":\"Montreal, QC\",\"address\":\"10 Rue Sherbrooke Ouest Montreal, QC H2X 4C9\",\"latitude\":\"45.481044\",\"longitude\":\"-73.582367\"}]"],"Address":["10 Rue Sherbrooke Ouest Montreal, QC H2X 4C9"],"Venue":["Hôtel 10, Salle Godin, Blue Metropolis International Literary Festival"],"City":["Montreal, Quebec"],"content_notes":["Deep Curation is a new and experimental approach to literary event planning. The event is curated and hosted by Klara du Plessis, PhD candidate in the Department of English and features poets Liz Howard, Oana Avasilichioaei and Tess Liem (MA 17).\n\n“This format refocuses agency on the curator who chooses the exact poems and reading order,” du Plessis explains. “This creates a cohesive, thematic arc to the event. 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Join us for performances and conversations about methods of listening to our sonic environments.\n\nOpening performance debuts a new sonic creation \"Sonic Thresholds: 4th Space\" by Concordia PhD student, Nik Forrest, the recipient of a SpokenWeb research creation award.\n\nFeature performance by poet and sound-artist Oana Avasilichioaei performing her multimedia piece OPERATOR, which explores the subject position(s) of military drone operators through text, video, improvisation, and live electroacoustic sound.\n\nAfter the performances, a Q&A panel with performers explores the technology used in their artistic practice, along with questions such as: How can technology compose poetic sound? Can ‘smart’ tech be ‘smart’ sound? What happens when improvisation meets technology? Audience members are encouraged to ask questions and to reflect upon the experience of hearing this performance with and through technology. Free to attend and all are welcome.\n\n\nOana Avasilichioaei interweaves poetry, translation, photography, sound, and performance to explore an expanded idea of language, polylingual and polyphonic poetics, historical structures, borders, and orality. Her six poetry collections include We, Beasts (Wolsak & Wynn 2012, A. M. Klein Prize for Poetry), Limbinal (Talonbooks 2015), and Eight Track (Talonbooks, 2019), a poetic, sonic, visual investigation of ideas around tracks/tracking. Recent sound-performance works include EIGHT OVER TWO (2019, Semi Silent Award) and OPERATOR (2018), and she is currently writing a libretto for a one-act opera (FAWN, Toronto). She has also translated eight books of poetry and prose, including Bertrand Laverdure’s Readopolis (Book*hug 2017, Governor General Literary Award). Based in Montreal, Avasilichioaei was the 2018 Audain Visual Artist in Residence at Simon Fraser University in Vancouver. Read more about Avasilichioaei's work here: https://www.oanalab.com/\n\nNik Forrest is a trans-disciplinary artist based in Tio’tia:ke/Montreal. Currently a PhD student in the Interdisciplinary Humanities program at Concordia, their research combines sound studies, gender studies and creative practice in sound performance and installation. Their sound installations have been shown at Oboro (Montreal), Eastern Block (Montreal), Paved Arts and New Media (Saskatoon), Latitude 54 (Edmonton) and most recently at the Kunsthalle Mulhouse (France). Their short experimental videos have been shown widely at festivals, galleries and museums both in Canada and internationally. 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